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11 years ago
the last words you told my father were
"I'm coming back."
He waited 7 months,
Even called your mother.
Where did you go?
you left your family,
a daughter and potentially husband.
but **** was more beautiful than a bright future for yourself.
you've missed events your never gonna experience.
Your daughter turns 16  in 56 days.
Cliff wells he's got a woman now its been almost 10 years.
That woman raised me.
Shes the mom you could have never been.
Coleen.
r Feb 2016
I've only got one bar
on my phone and there's only
one more between here and home.
Ten dollars in my pocket may as well
be a thousand. Like a penny
in the fusebox, I could make it last
until the lights go out. There's a cowboy
band playing. A wooden Indian
by the door. I don't think he listens
to their stories anymore. He's quiet
on the subject. He's quite an object
of curiosity. Instead of two-stepping
all night long, maybe I should take
that Indian home. Use the last bar
to call Coleen. Tell her to put a ***
of cowboy coffee on. We'll tell stories
of our own. Sing songs in the old way
about better days when we were young.
Anto MacRuairidh Jul 2015
The poem formerly known as 'First taste of bitter' has been rewritten to reflect the lovely people who inhabit this etheral poetic wonderland that is home to many and a refuge to many - inspired by HP's own Elsa
- thank you Elsa  :))

My first taste of HP

I was welcomed right away
Day one I had three friends
Peter Hamilton, Cecil and Ana
Is where my HP journey began

From another site I'd arrived
Not seeking fortunes or fame
Just a place to share poems
With people who feel the same

I've always been so welcome here
~ always made to feel at home
Thats down to the friendly poets
Who you all are, you know.

So many, many friendly souls
My, how that list has grown
Thank you HP - I glad I came...
I no longer feel alone



Special thank also to - Poetessa Diabolica, Niamh, Coleen, Shanna, Wolf, Brandon, Evie, ridicule, Beryl Dov, Donna and Sleeping Bag. Much love to everyone who knows me. X
HP =
H.elpful P.ositivity ,
H.ome (of) P.oets ,
H.appy P.eople
H.eartfelt P.oetry

Some readers will find that they have already liked this although they havent even read this (revised poem) - DONT PANIC! - as The Hitchhiker's Guide to the Galaxy would say. It appears that I have done something naughty by renaming and rewriting a poem that was previously read and rated. Thank you all. :)
Ryan O'Leary Oct 2021
Dressage Pearl Girl

G/ She’s the queen of bedight                                        
Em/ she side steps like a knight
C/ and tacks like a bishop
D/ at sea
                                    
F/ She can counter a canter                            
C/ walk trot and enchanter
G/ with a leg yield she changes
Am/ the lead.

G/ She can turn on her haunches                                    
Em/ traverse as she launches
C/ a transition position
D/ to please.
                                                
F/ Pirouette's on the back
C/ means give her some slack
G/ while a flying change will give her
Am/ some ease.

G/ If she makes a half pass
Em/ by cocking her ***
C/ her hind quarters are merely
D/ a tease.

F/ But before your engagement
C/ make sure the arrangement
G/ has room for a full
Am/ serpentine.

G/ Because you might regret                                    
Em/ while working up sweat
C/ she’ll free walk then bolt
D/ it’s routine.

F/ You could pull on the bit
C/ try a shoulder fore fit
G/ a renverse it will tell you
Am/ she’s keen.
                              
G/ If she tries to re-volte
Em/ time she knows you're the colt
C/ make contact and then
D/ intervene.    

F/ You can tell by her gait
C/ if she’s seeking a mate
G/ when she’ll saunter
Am/ just like a Coleen  
                                                                      
G/ It’s the covering room
Em/ she’s the bride your the groom
C/ wear blinkers
D/ she’ll know what you mean.

F/ When there's no way of knowing                                
C/ the true way of going
G/ suppleness has got to be                          
Am/ seen.
                                
G/ Thoroughness pays
Em/ in those early days          
C/ with thoroughbreds
D/ theres’s no in between.
                                                ­       ­            
F/ You’ll have made your first gaffe                                
C/ if she does a Piaffe
G/ Regrette Rien if she’s ne'er again
Am/ seen.

F/ You’ll have made your first gaffe                                
C/ if she does a Piaffe
G/ Regrette Rien if she’s ne'er again
Am/ seen.

F/ You’ll have made your first gaffe                                
C/ if she does a Piaffe
G/ Regrette Rien if she’s ne'er again
Am/ seen.
                                                           ­            
                 Chorus

F/ She don’t need no reason
C/ she’s always in season
G/ the world is her oyster
Am/ dressage pearl girl.

F/ She don’t need no reason
C/ she’s always in season
G/ the world is her oyster
Am/ dressage pearl girl.
                                  
F/ She don’t need no reason
C/ she’s always in season
G/ the world is her oyster
Am/ dressage pearl girl.



Ryan O'Leary ©

                                                        
    ­                <>                

Ps.

Original chess piece was a Ship not a
Bishop, (this is why it tacks). Hence
the reference in first verse.

This song uses all the terminology of dressage.

https://www.youtube.com/watch?v=3uXXW8_NMOs

Composed for Charlotte DuJardin of Valegro fame.
Ryan O'Leary Oct 2021
Capo 1st fret

G/ She’s the queen of bedight                                        
Em/ she side steps like a knight
C/ and tacks like a bishop
D/ at sea
                                    
G/ She can counter a canter                            
Em/ walk trot and enchanter
C/ with a leg yield she changes
D/ the lead.

G/ She can turn on her haunches                                    
Em/ traverse as she launches
C/ a transition position
D/ to please.
                                                
G/ Pirouette's on the back
Em/ means give her some slack
C/ while a flying change will give her
D/ some ease.

G/ If she makes a half pass
Em/ by cocking her ***
C/ her hind quarters are merely
D/ a tease.

G/ But before your engagement
Em/ make sure the arrangement
C/ has room for a full
D/ serpentine.

G/ Because you might regret                                    
Em/ while working up sweat
C/ she’ll free walk then bolt
D/ it’s routine.

G/ You could pull on the bit
Em/ try a shoulder fore fit
C/ a renverse it will tell you
D/ she’s keen.
                               
G/ If she tries to re-volte
Em/ time she knows you're the colt
C/ make contact and then
D/ intervene.   

G/ You can tell by her gait
Em/ when she's seeking a mate
C/ she will saunter
D. just like a Coleen 
                                    
G/ It’s the covering room
Em/ she’s the bride your the groom
C/ wear blinkers
D/ she’ll know what you mean.

G/ When there's no way of knowing                                
Em/ the true way of going
C/ suppleness has got to be                          
D/ seen.
                                
G/ Thoroughness pays
Em/ in those early days          
C/ because with thoroughbreds
D/ theres’s no in between.
                                                ­       ­             
G/ You’ll have made your first gaffe                                
Em/ if she does a Piaffe
C/ Regrette Rien if she’s ne'er again
D/ seen.
                                                           ­            
                 Chorus

F/ She don’t need no reason
C/ she’s always in season
G/ the world is her oyster
Am/ dressage pearl girl.

F/ She don’t need no reason
C/ she’s always in season
G/ the world is her oyster
Am/ dressage pearl girl.
                                  
F/ She don’t need no reason
C/ she’s always in season
G/ the world is her oyster
Am/ dressage pearl girl.



Ryan O'Leary ©

                                                         
    ­                <>                

Ps.

Original chess piece was a Ship not a
Bishop, (this is why it tacks). Hence
the reference in first verse.

This song uses terminology of dressage.

https://www.youtube.com/watch?v=3uXXW8_NMOs

Composed for Charlotte DuJardin of Valegro fame.
"I can't pretend anymore!" Exclaimed a lumbering jack on a steeple
"I want to **** new people," sayeth the man who ****** old people
"I won't pretend no more!" Proclaimed a lumber jack atop a steeple
"Can I **** newer people?" Asked a ****** of ******* older people
because a welfare ***** with 3 mulatto babes is resolute to keep all
of what she's finagled from men dumped into a ruinously-deep well
Look queer-bait homosexy gay, it's The Killing starring big Sterling
Hayden as Johnny Clay with Coleen Gray as beloved girlfriend Fay
whose ready **** are what amoebae & spirochetes are to tooth decay
over the dermal denticles of a cartilaginous skate or brown whipray
through Arctic Sea currents no matter what a buck ****** might say
about his fat, white *******, smokin' crack, scarfing from a T.V. tray
while cystic bubbles through pimply skin makes pouty gigolos gray

— The End —