"cobblestones" poems
The footsteps echoed on cobblestones
When a chime rang ten of the clock,
As a sailor making his way back home
Was walking up from the dock,
It was cold and dark for the lights were out
And the street was wet with the rain,
When he came to an old red telephone box
At the side of a narrow lane.
The clouds were black and they opened up
So he stepped in out of the wet,
Dropped his swag as it turned to hail
And lit up a cigarette,
The box was ancient, was George the Fifth
And hadn’t been used for years,
But stood in a lane that time forgot
When the rot set in, and worse.
For most of the houses were boarded up
And the weeds had grown outside,
Some had embarked for a tree-lined park
And some of the others died,
It was lonely there in the dark of night
As the sailor waited, he sang,
But stubbed his cigarette out in fright
When the telephone next to him rang.
He stared at it for a while before
He raised it, stopping the bell,
It had an echoing, ghostly sound
Like you hear in a deep sea shell,
The sound of sobbing came to his ear
And he cried, ‘Who’s there, what’s wrong?’
‘Oh God, I’ve waited forever my dear,
I’m locked in the basement, Tom!’
The sailor said that he wasn’t Tom
But she didn’t appear to hear,
‘He’s got an axe, attacking the door,
Be quick or he’ll **** me, dear!’
The sailor didn’t know what to say
But a chill ran up his spine,
‘Tell me, what’s your address,’ he said
‘Before you run out of time!’
‘I’m straight across from the telephone box,
You usually meet me here,
He’s found us out, and he screams and shouts
That he’ll **** you as well, my dear!
He just came home from a spell at sea
And called me a cheating *****
If you don’t come over and rescue me
He’ll have smashed his way through the door.’
The sailor wanted to say, ‘Enough!
It’s nothing to do with me,’
But flew on out of the telephone box,
Leapt over a fallen tree,
He raced right in through the open door
And he called, ‘I’m here, just wait!’
Then made his way to the cellar door
But all he could feel was hate.
The door was shattered, he walked right in
It was dark, there wasn’t a light,
He felt around for a candle, lit
And stared at the terrible sight.
A man lay dead on the basement floor
Where an axe had taken his life,
And there with her throat like an open sore
Was the body of his dear wife.
He staggered, stopped, and fell to his knees
And sobbed like a man insane,
‘Oh God, it’s true, I did this to you,
But my mind’s been playing games.
I thought if I went away to sea
I’d return to find they were dreams…’
As he sliced a razor across his throat
He thought, ‘Life’s not what it seems!’
David Lewis Paget
Dec 5, 2013
Dec 5, 2013 at 5:35 AM UTC
The grass flickers, as the
Wind pushes it down, in
A gentle but determined
Motion, sweeping upwards to
Swirl the blue-grey clouds
Around the radio tower, before
Dissipating into the milky
Sky, which at this moment
Is the lightest shade of
Blue, an open innocent shade
Of blue, like an angelic birthday
Cake, the pinker clouds, whose
Graceful tendrils embrace the
Air, and dancing twirl across the
Peaceful summer skyscape
Down below them, the
Emerald stalks of corn stand,
Silent sentinels, awaiting the
Coming of the dawn, they too
Feel the pushing of the wind, but
Brush it off, over their shoulders,
And continue their silent watching
On the sloping sides of the hill, the
Growling pines, resplendent in their
Glimmering needles, reflect the fading
Light, off the clouds, as the sun sinks,
Beneath the horizon, and I watch them
Silently on my bike, the only thing
I can hear, is the swish of the wind,
And the hum and whirring of the
Pedals, as my bike and I, we glide up
The hill, and down the hill, and
Around the posts that are meant
To keep the cars from disturbing, this
Peaceful walking path
A while later, we crest a hill, now
Having past the town, I see the work
Of the persistent wind, the clouds
Now whipped into a curling wave,
Of pink and blue-black, spilling
Over the horizon, behind the red-roofed
Country houses, which are strangely
Reminiscent of those old, red, barns
Which would sit abandoned in
Fields of perpetual wheat, and,
Through the turning of the seasons,
Would rot away into timbers, with
No one left to remember, what
They were, or why they remain
Now we have ridden in a loop, my
Bike clicks as I change gears, to
Crest a hill and coast down, at high
Speed, between the guard rails and
The road, with the wind kicking
Up behind me and whisking an
Upcoming tree in to a fluttery
Flurry of leaves and branches, while
Below a stream cuts a field, and,
Skirting a pen, passes by a pinto
Pony, I think it was, that was just
Standing there, as we rode past,
Onto the cobblestones and around
A bend, the group splits, some going
A different route, but I want to come
Back the way I came, and I ride
Beside the highway, listening to
The chirp of the crickets and the
Hum of the wheels against the
Cold, pavement, while up the hill
The verdant pines bob their bows,
Up and down, waving, waving,
The crashing blue-black wave has
Rolled, on past the tower now, it
Is crashing down over the silent
Sentinels, and I watch quietly as
The wind rolls down the hill, and
Whirls some leaves, making the
Grass flicker in the setting sun.
Mar 1, 2012
Mar 1, 2012 at 2:35 PM UTC
because our dreams of leaf-canopies and lignin
arrive at a certain variety of green, we will zither
anew with song
here in Bulacan; all the leaves are capsized
brandishing inflorescences as naked as
the scent of petrichor girdled
on the cobblestones: they are forsaken not by
trees but by seasons only, a twofold deliberation
of caprice: there is only two of what is spoken.
such is the warmth and coldness,
missing their obvious targets, hesitant and abstruse,
scattered and at long last, never collected
deftly camouflaged in the familiar drapery,
“Tantusan mo!” as they cry for marks to remember,
we touch the cicatrix to measure with our jagged hands
how much we have forgotten.
what we cease to remember descends deep, as wash-hand basins
concur such depth,
into the well of ourselves, later to discover such
perilous foundling in the squall of either morning or evening,
still devoid of sense: still arguing whether there is much
to reconcile with what has been found and what has been pictured
now, altered by such loss: this is danger, and so is nothing,
swollen and tender, the waters of the estero reek of such
remembering – we cannot ignore its perfume, oddly taking the shape
of the next dagger slowly making its way towards the back
of the skull to pare with river-run precision, what we all
try to hold back inside; so as if to say,
“Tantusan mo!” to remember
where we last took off, like a heron,
or a bird, wary of distances.
Jan 26, 2016
Jan 26, 2016 at 12:59 AM UTC
High on Cateye and Ghost Sight,
I stumbled through the streets
of Salida del Sol beneath
the watchful eye of Father Elijah.
The roulette spinner cobblestones
clicked as my feet dragged
past the courtyard.
Like an effigy, the homemade martini
between my fingers burned
my gin-soaked lungs.
Sweat and vermouth settled
in the circuits of my collar
as I gasped for relief.
Hologram gamblers tossed golden
casino chips in dried fountains
as they strolled past me and through
the Sierra Madre's gates.
Jun 15, 2014
Jun 15, 2014 at 10:03 PM UTC
*water streams from between your eyes
puddles fill the cracked streets
my rage is pure like angel fire
a love which nothing can defile
she wets the world with her dampness
thunder cries out for warmth
her shivering shoulders bare witness
to the sun and what was lost
the windy day kept me inside
holding onto this fright
feelings pressed against my chest
i tremble with delight
youthful arrows
morning sparrows
stargazing at night
just because you can do it
doesn’t mean that its right
streets of cobblestones are being shown
the pavement is our throne
home against the cement
dilapidated boxcars
and temples of respect
remove your shoes before you enter
yurts and cabins made of clay
barely resurrect
sustainable ways are coming back
give thanks and respect
to ancestors who deserve our praise
for they never did neglect
their duties to the earthly mother
her love they sought to honor
children of the wilderness at home beneath her cover
canopies of trees
line feline forests with her love*
Apr 24, 2017
Apr 24, 2017 at 10:31 PM UTC
Rain bathed cobblestones,
like petrified loaves of bread,
reflect the clopping feet of man and beast.
A family of umbrellas
held by long departed souls;
their bobbing ceased by the artist’s hand
who also crafted a
curious couple
in this misty land.
On what their eyes gazed
he would never say,
but it matters not—we still have a rainy Paris day
Sep 14, 2012
Sep 14, 2012 at 2:54 PM UTC
coffee tastes better in Spain
a simple hello is groundbreaking
comfort can be a warm bed or a “like” of a picture
the cold is different in the UK (you can feel it in your bones)
they will always give you a knife and fork to eat a hamburger
sometimes you need to eat at a Hard Rock in Lisbon to be reminded of home
if you eat the bread, they will charge you 1€
crying alone in a hotel room or at a Chinese restaurant in Italy is perfectly normal
never doubt the power of distance
now you can never say you didn’t try
just because you don’t speak the same language, doesn’t mean **** off” isn’t universal
sometimes sleeping next to someone who peeled your outermost layer off is the most intimate you need to be
“I’ll never see these people ever again”
have pride
ask me now what it is that I want
I have come to loathe all brown bags and black suitcases
vulnerability does not necessarily equal intimacy
remember that you pulled yourself out of the sea
your feet tread castles and cathedrals where thousands walked
art galleries are best enjoyed alone
now you understand when mom and dad don’t answer how agonizing it is
write it down if you want to forget it
acknowledge buried truths
eat paella and shnitzel and pizza and fish and chips and don’t think
go to movies at the tallest cinema
slip a little on the cobblestones
lay for hours on the beach
then
go home
be humble
remember
reminisce
teach
embrace
Glasgow – 1/8/15
Jan 26, 2016
Jan 26, 2016 at 12:36 AM UTC
some connections can't be adequately explained
freezing wind and gilded ceilings, mousy brown roots
on bubblegum hair
keeping a scarf in place is too hard, and staying inside is too easy
(the bottom has cobblestones)
why is there is only such thing as effortless
when the air is cold enough to burn?
(the best veins are beneath the lids of my eyes)
if footsteps don't echo there's neither point nor interest
menthol, sorbitol, glycerin, xanthan
I exhale mint when I breathe in the world.
Dec 7, 2014
Dec 7, 2014 at 4:07 AM UTC
In gentle cursive the song written
on the white arched neck of the
artificial swan
The ankle bells
give you away
the sweet echo
of your bare feet
on the cobblestones
the clever fountains
bauble as always
while they are
still good keepers
of night time
Nov 18, 2014
Nov 18, 2014 at 3:09 PM UTC
We take a shortcut
through the narrow walkways
of the old village
across the cobblestones
and by the white-washed tabby wall
to the waterside where slave ships
once plied their trade
My dog lingers nose down
as if each stone has a story to tell
and ***** an ear to the wall
where the auctions were held
She looks at people differently now.
Nov 29, 2014
Nov 29, 2014 at 11:12 PM UTC
it's soaring through flaming green hills
your heart races with the curiosity of discovery
it's dancing on a secluded mountaintop
with the drunken energy of a motorino zipping.
it's the endless time spent laughing
lips tingling with wine and philosophy
furiously awaiting l'autobus
and saying basta to the pasta.
the hazelnut aroma of hot cappuccini,
and suddenly you have the bravery
to get lost alle tre in Trestevere.
it's watching sunrays part mountains and Corinthian columns
and sparkling on salty waters
and you inch toward the edges of cliffs
just to catch a glimpse.
it's the comfort of friends and Nutella
when Ryanair lands and Rome becomes Home
and life, and death, and carbs follow you.
it's the homeless and the hungry
sleeping in the strong arms of St. Peter
and disappointment and shame
consumes you.
it's sobbing when you are alone,
foreign, and strange
and sobbing when it's time to say
arrivederci
it's when you fall, your stupid heel caught between cobblestones
that you realize you're in love.
Dec 30, 2015
Dec 30, 2015 at 12:53 PM UTC
Luscious ruby red lips, tell me white lies,
gorgeous supple **** there I hide my alibi's.
My eyes can't see anyone else anymore,
my life isn't the way that it was before.
Her womb welcomes me, her sin invites me.
She violates me, and I, hurt her too, willingly.
Her warm tender fingers ****** what they will,
every touch is the chilling goosebump overkill.
Feet fall on golden cobblestones, never alone,
'cause I always know just where she is.
Luscious ruby red lips, tell me white lies,
gorgeous supple **** where I hide my alibi's.
Nov 4, 2011
Nov 4, 2011 at 1:52 PM UTC
The eyes of God regard man, waiting, watching,
And the eyes of man search for God, praying,
Our souls are lost, they cry.
Torrents of lies pour from the mouths of children yet unborn,
And whips of racism render the skin of our souls blistered and torn,
This world is broken and lies in shambles, war drums litter the streets,
This world is rabid, and with it come the rabid men, dancing to the beat
Of mad men and demons. The paupers pawn the poor,
And the poor pawn the paupers.
In this world I danced for tepid water, and sang for stale bread,
I crawled through streets with cobblestones littered with lead,
I saw the dying children, their eyes pleading with a God, any God,
They begged for redemption, and they pleaded for rest,
In this world I saw the hearts of priests and nobles impaled on rods,
And I watched the virtuous have their robes stripped off their *******
In this world of mine, men and demons are now one and the same,
And together they shall all rot and burn in unyielding flame,
Nothing remains constant, except the eyes of God, watching, waiting,
Nothing remains constant, except the hands of God, waiting, unmoving.
Sep 21, 2015
Sep 21, 2015 at 9:10 AM UTC
*Intricately laid by a master mason centuries ago,
the cobbles have become shiny and worn through use.
If we listen closely at the echoes contained within,
what would we hear? The din of old, the clatter of hooves,
the patois of tradesmen, the fisher wives bellows?
Or, just life as it was, moving along at a pace we today find slow?
The sun beats down on the Spanish stone, firing them hot and
languid, pace has slowed, need has slowed, greed has slowed.
Dusty cobbles leading to cool houses, siesta has called and all obey.
The midday sun beats down, only tourists looking for quaint shops
remain, decrying the heat, ready to swoon.
Sweat drips onto the dusty cobbles, and is soon boiled away.
Blood has dripped on these cobbles, human and beasts.
Only to be scrubbed by the crow black crones that sit and watch the day.
Afternoon lull, boats bobbing slowly up and down,
babies rocked by a quiet lullaby.
The sun lowers bathing the cobbles in a pink, orange glow,
quiet now, Spain is sleeping, forgetting her past, the Moors are long gone,
the Armada been and gone, bullfights are frowned upon,
their Kings and Dictator laid to rest, only foolish tourists throng the
dusty cobbles, oblivious to their history, looking for that awful gift.
Spain's pain is echoed in her cobbles, few hear it, but know this,
if you listen you'll hear the heat, the pain, civil war,
pride and flamenco feet*.
Jul 3, 2014
Jul 3, 2014 at 10:55 AM UTC
Goodbye kiss to the day I'll miss.
Put headphones on and select a song.
Down the cobblestones until further decision.
Division like the very fabric of football.
Could choose my normal route to The Square,
just four corners to take - a simple shape -
see proud flags made of organic thread,
all the colours I like will be on display. Although,
what if I head down Butcher Row instead?
Sure it's steeper down the shuts but
I fancy my luck out there today.
Before the leap, I see a wall
so opposite to my position, it's hostile.
How long have these concrete eyes watched on?
I'm terrified and contemplate calling in sick,
return to rich address and don't overthink.
Then in each direction, groups meet at the centre.
There's pointing and shouting and spit flying
into hair that's in flames and ignites more people
to march out deluxe doors left ajar
as kids peer through windows
above the obscenity.
Hesitate to whisper,
future back in that house,
until I see bricks change angle.
Thinking in pink.
Shout loud about my background.
Grab the handle of both sides.
Point my crooked nose at the stone:
'Let's climb this together.'
'Peace and love forever.'
Those at the back can't hear my speech.
But those really listening cheer and preach.
Reach for ladders or offer cupped palms.
Touch the top layer but get knocked off
by a flare thrown from out of nowhere.
Hunt the culprit while the victim burns.
Bodies clamber to sample some action
like a mound of sugar infested with ants.
Look back at my house in a peaceful daze.
Turn to the melee and see a knife in my face.
Sep 24, 2020
Sep 24, 2020 at 1:40 PM UTC
Supine, wrapped in scarlet,
only eye open, third.
I create her skin, flawless and golden;
her hair becomes the color of midnight
on the ocean,
blood at night.
Suspended, bound in purple,
capitulation, freedom.
These lonely visions, they are cobblestones in my twisted path of memories both past and future, overgrown with weeds of time and worn around the edges; an uneven course winding in and around and back again, with branches, heavy and black,
so black,
on all sides.
Where are you, dearest?
I smell acrylics and oils and linseed
and the windows are open; traffic hums on the hill and your brow is furrowed as your brush caresses the canvas, each stroke, love manifest.
Later, you will sing for me
Fluid, mercurial, she sings and paints
and broods
and pouts
and wipes her cheek with her thumb, smearing alizarin crimson on her pixie face.
Time stops at her beauty
The moment falls into my guts, burrowing into
my insides forever;
the plants by the window,
the deep red smear on my angel,
the sound of camelhair hitting canvas, forever mine now
to cherish and carry
with me as I trudge this
desolate and dreary landscape.
*When I come home,
you will sing for me*
Jul 3, 2014
Jul 3, 2014 at 5:52 AM UTC
Let’s pretend its kismet
I’m not opposed to that
We can meet in the piazza
Have ourselves a chat
You’ll know me by my red dress
That I have chosen for this day
And the trio serenading us
Will see our voice in sway
You may order coffee
A latte for me please
Maybe we can break some bread
Fon due our talk with cheese
Pigeons on the cobblestones
Will flap their wings in pray
Lovers smile a knowing
As we hand in hand our day
You may bring your camera
To mark this fait accompli
And I’ll scribble in my notebook
My Je t’aime, mon chéri…
Jan 3, 2013
Jan 3, 2013 at 4:30 AM UTC
bernie the cheese
collapsed at the side
of the road
his measured response depleted
he watches as she folds up
her neat and meticulously spelled words
plied on silver tongue into her rucksack
and through such ******* ********** of kings english
she entices him ever onward where
faint lines can be sought
and yet to be found
that echo the face of true madness
its laughing sweating continence
painted with watercolours and
can only be seen in the reflection of
a mirror reflecting another mirrors image
her face slowly releases its dire grip
and her eye looses it screaming aspect
as she finds herself alone on the ***** alleys cobblestones
the battered dumpsters spilling treasures for the divers to find
she begins to hum a beatles tune from '63
and fingers the lace shawl hiding her deformed mind
trying once more to capture that vast lost feeling from
girlhood that dances a
dubious little jig on her headstone of the heart
singing 'lookie here....look at whats buried here'
she remembers his face but not his name
he drove a silver buick with a skull painted on the hood
his blond features engraved in the notions
his words mixed with foul smelling chicken soup
he was a soup of the day in her salad years
bernie the cheese
chews on the charbroiled taste of his
blowup doll lover's lips and tries to say
the three magic words
'made in china'??
his own words spent he casts about
in terror for a phrase or two to quote from
the masters of deception
who gather round in long grey coats
sinister eyes on the fruits of his labour
their wooden faces warped by rain
their mouths only a dim perceived line of
mumbles written in childlike scrawl
on the backs of closet doors
we hide here because we cannot see
therefore we cannot be seen
you cant touch me because i cannot feel
they gift him at price unnamed some loose parable
naught more that glib reprise of his own perilous straights
his is the beast that labours in their stead
he is their human face
she is but the road they walk today
Nov 20, 2013
Nov 20, 2013 at 7:36 AM UTC
Havana, I arrive
in the sweaty thickness of July
caliente y picante
steamy sidewalks, steamy women
chocolate brown, tan and
black against the lemon-yellow walls
strolling through La Plaza de Armas
slurping thick café through weathered lips
in La Plaza de Francisco de Asis
dancing on the pregnant gray stones in La Plaza Vieja
timba, rumba, salsa and son
Cristo, Maria, Yemaya and Obatalá
Havana, I arrive
in the intoxication of your breath
between the acrid fumes
of insecticides and 1957 Chevy's
stepping past the dark grime of your slums
streets plush with tight round bodies
beautiful and sensuously swaying
I arrive snaking past the converted palaces
con las turistas ricos
and the buy-me-a-dress-and-a-ring ******
with their enchanting full-tooth smiles
and undulating earthquake-tremor hips
I hear your beat
the machine-gun laughter of your feet
on the hot cobblestones
with the jinateros and street musicians
chants of Santería drifting from pane-less windows
Havana, I smell your heat
under salty faded sheets
smell the long, tobacco-stained nights
with your hips swaying
to the pale drops of ***
spilt from red lips
and the red drops of blood
spilt from your revolutionaries
spilt from the gorging of Machado and Baptista
and 500 years of foreign dominion
In Paseo de Marti
banners of Che Guevara
flapping in the moist tear-laden breeze
Fidel, cigar in hand
tirelessly raging in black and white
on a Russian 1960's TV
Cuba, I can see the green in your eyes
the peeling-paint bedroom dreams and
dirt-poor joy of your richness
laughing out the despair and desperation
dancing out the oppression and the paucity
the aching of your past
the battles of Castillo De Los Tres Santos
of the revolution
of living
and as I stand on the steps of El Capitolio
looking out at the decaying grandeur
I understand why
I will be back
Aug 13, 2014
Aug 13, 2014 at 3:30 PM UTC
With bowed heads we genuflect before the wicked grin of the guillotine.
In my mind's eye I go to parlay with the Grim Reaper.
He is seated before me- cloaked in obsidian shadows
His ivory bones offensive against the inky darkness
His scythe glints in the candlelight
its thirst for blood and flesh almost palpable.
His laugh comes as a rumble of thunder
Punctuated by the cracking and shattering of glass (and my sanity.)
He leans close across the table, transfixing me in terror,
staring directly into my soul. He who has no need for breath breathes -
and the smell of earth and death and decay and rot and ruin
tells me that my pleas for pardon will not be heeded.
Snapped back into reality, I close my eyes in defeat.
Suddenly- the angry serpent-air
hisses
and is parted.
Garish crimson stains ivory cobblestones.
Silence.
Nov 14, 2013
Nov 14, 2013 at 12:27 PM UTC
At midnight, out on the cobblestones
There’s the sound of rolling wheels,
And a shadow cast on a window pane
From the road outside, it steals,
A wagon, black in its livery,
And pulled by a single horse,
As black as the heart of the man that steers,
Whipped up from the watercourse.
From down in a tiny inlet, deep
Enough for a man of war,
A French corvette is lying, waiting,
Just metres away from shore,
It carried a cargo of brandy, wine,
And cases full of tea,
Smuggled into the tiny cove
Its goods all duty free.
Now it’s waiting upon the tide
To turn the ship around,
Its cargo gone in the wagon now,
Headed for higher ground,
And then the galloping hoofbeats echo
Over the cobblestones,
The crack of a couple of pistols and
The air is filled with groans.
The horse breaks free of its halter and
The wagon rolls back down,
It’s shadow passing my window pane
A second time around,
It rolls back into the harbour while
I hear the boom of guns,
Firing from the French Corvette
As it hoists its sail, and runs.
Once a year on the fifth of June
And late into the night,
Whenever the moon is lying low
And casting down its light,
I see the shadows and hear the sounds
From that deadly time of yore,
As the ghostly French Corvette departs
And sails from the ghostly shore.
And glistening out on the cobblestones
There’s a dampness, looks like mud,
That dissipates in an hour or two,
A pool of the smuggler’s blood,
I dare not go to the window, look,
Or even open the door,
In case I’m carried away by them
From two hundred years before.
David Lewis Paget
Dec 7, 2017
Dec 7, 2017 at 1:51 AM UTC
...
One day you'll find that in reality people don't care, they're just curious.
┯┷
Do not follow this black willow dog
"I'm not following you."
The lucid smoke hums you lie
"I don't smoke."
Of course you don't
"Then what do you mean?"
You merely burn
┯┷
"So...why are you always by yourself?"
It was a quiet war
"Quiet war?"
I lost so many
"So many what?"
Beloved souls to the book
"What book?"
Death's wish-list
┯┷
"Are you the only one left?"
Supposedly
"How do you know?"
This rain spares nothing
"So you don't know."
Time knows
"It's 3:04 a.m."
So it is
┯┷
"Are you going home?"
The city is laughing, little lamb
"Why is it laughing?"
Cold feet of the crossroads
"Why are we talking about crossroads?"
Home was eaten there
"Excuse me?"
That is why we stray
┯┷
"You look sad."
I am indeed
"Why don't you rest for a while?"
Is the riverbed dry?
"What are you talking about?"
Drought season isn't here yet
┯┷
"Are you hungry?
I drank chipped starlight
"I asked if you were hungry."
The abyss always is
"I'm lost..."
Nothing needed to be found
┯┷
"Who are you?"
A stray willow dog
"What's a willow dog?"
Yellow bones rattle the concrete
"Why are they yellow?"
I'm grieving
"Because?"
The sky died in his heart
┯┷
"What if I told you I loved you?'
Coins in the fountain
"That has nothing to do with..."
Forget them
"Forget who?"
Sweet water wishes
"But wishes are not forgotten."
The smoke is humming again
"How peculiar.."
You take these for granted
┯┷
You have disobeyed
"Oh? How so?"
You followed me to the cobblestones
"Oh, I'm sorry."
Blue mirrors
"What about them?"
Reflect morbid futures
"But you don't have one, don't you?"
Willows weep for many reasons
┯┷
"Hey...you're going the wrong way."
Am I, now?
"Heaven's this way."
...
May 9, 2016
May 9, 2016 at 11:14 AM UTC
Cobblestones
Each stone on its own
Walk over and over
Slower and slower
They get to hear the beach all the time
What a fine time to be a rock
I start to stare and they start to melt
One into the other
Like a fabric pattern
Reminds me of a jet engine
Seems like everything reminds me of planes these days
What a day
Aug 19, 2013
Aug 19, 2013 at 2:43 AM UTC
He kicks the cobblestones
Cold air embraced his stature
A cigarette palmed he walks
Down the cherry blossom avenue
The subtle petals fell with each step
Stony path kissed his feet repeatedly
Lalic light burst through flowers
Lightly touched his burning skin
Night worshiped his casted shadow
Breezes breathed in his fragrance
Aug 15, 2016
Aug 15, 2016 at 2:15 PM UTC