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Rob Jun 2014
Trickling tingles bubble, goaded from the verdant body
As a butterfly’s flutterings coax the flow
Widening and filling
With a gentle lapping of inlets
Ripples tease the reeds into turgid tremors
Merging to waves
Wave upon wave
Curves slide over curves
And at the Delta’s swollen, gaping breadth
Crests slip over craving crevices
Slapping froth in desperate gasps
Milking cruel spasms from the urgent need to reach escape
Until with turmoil resolved
A gentle calm inundates the great ocean of sleep.
RD© 2014
Ariella Jun 2014
I  used to be your birdhouse.
I could coax you out from your seat in the treetops
from behind the camouflaging greens
and watch you edge out shyly with the wind ruffling your blush feathers.
You'd cling to me when the spring showers started falling
and I could keep you safe and dry, I could always do that.
I'd be there to hear your youthful songs, and I'd whisper back in a language just we knew
and then I'd hug you goodbye and watch you step precariously from my perch,
flapping in the wind, unsure, unaccustomed.
and  I'd be there for you the next day and the next
because I thought you'd still need me.
I never thought I'd see you, the point of a flying V
soaring with your head held high,
not even glancing down at
my tired wooden walls
and faded empty perch.
DEDICATION


This first book of the trilogy: “The Odyssey of Heart,” first appeared August 28, 2001 online under BeingQuest.com Academy of the Arts, a Minnesota based publication dedicated to the prospect of the reclamation and reformation of the moral world.

We at BeingQuest.com have adopted the proposition to consider, among the many ten-thousand apparently worthy aims we may engage our energies on whether, in fact “…really, only one thing is necessary.” ~Jesus of Nazareth

“The Odyssey of Heart” is our attempt to decipher this enigmatic proposition, and if true, what it may mean for both us individually in our daily lives, and for The People in the birth-pains of their struggle upon this same mission. May the humane and best of our hoped-for future prevail!



Orientation


Not in myself I trust, for I am weak
To noble deeds and proofs of lasting worth
But ever forms of faith and hope poured over us
When meekness, in heart, with love communes.
Better than reason, brighter than the tropes
Wrought by our sager minds who, for all times
Sought to mark down in sign that yet unseen...
Better the just humility of faith
That, from itself, bears truth’s emerging light
Able to steer the golden reins through heights
Of knowing, where the dryer air imbues
Essential manna: food of gods, the mead
Which heroes owning, few dare earn, is sup
Of perfect comfort, ever over-flown
In foment of new life; from pride's decay
To boundless grace, our liberty revealed.

Best Charity, heart of saints and ever true
To faithfulness of hope!  Great care you show
Where there’s no rod of law save principles
Most holy, by the proud unknown; exalting
Sacred sense, beyond surmise; submissive
Tender, patient, always kind with comfort
For the sojourn soul, from tribulation born…
Relieve our cause, pour down your shining balm
As in this world we all must yet forbear
And lead us straight.  Held fast in you we live.

Such faithfulness of care is born Below
Where many hours again we turn aside
Ignoble ways, by empty musings led
Where much is lost of hope, too troubling bound
But helped by love and truth for healing song.

Even the best of faith, not always solved
For clearest virtue, evident in deed
Is made exempt from trial; better to prove
The gold of piety when thorough plied.
Such constancy of soul is sooner known
When, as is judged by some, we're given leave
To go our way when yet is left behind

That care of grace we’d own, born from the heart.
So help my halting verse your work portray
Set down with pain to coax the one in all
And tend the goal of peace our heroes seek.

May then we own consistently our worth
Through mundane laws that, constant, drape the soul
And from the faintest things, secure our truth
Distilled to clarity in care of all.

Always, for grace, this comforting's renewed
Untainted by the loot of rusted gain-
Foul dross!  Many, for this, are bound in chains
Though freedom shunts the petty tyrant’s rule.

We look to sift and ply our souls again
For better ways, to each more kindly given
Though groaning under pride; wretched stain
Of brutal men, too noisy under heaven.
Yet heaven in each we sing for tiding songs
And phantom ways distrust.  In each is all-
That honest faith, for which the brave are strong
And proving glad, the patient cares install.

Great sympathy, the worth of each conjoined
To mirror in the promised, home-felt rest
Our truth and proven love, forever coined
In honor of the victors’ upright quest!


This call upon the wild that springs
To dignities of life, refined
Not of ****** mind-
A secret that has long been kept
Of old, which seers saw and wept;
Yet how shall one so lonely, frail
Train the flashing reins to follow?
Steady now, upon the gates and gap
Defending 'gainst presumption, overflown
To self-conceit, abominable
We glimpse the true and lasting vision
Whose care is no fruitless burden
But for the proper meekness, bidden
And yoke, humility, sure-bound
Not glancing here or there
To fix in heart upon the clear-
New city, famed uncloven stone
That tends azure upon the midnight sun
Out-braving that of brutal minds
By light of faith and the sublime.


Yet can the child's waking care
Through tribulation heroes bear
Overcome the vast depravity
Being only a child?
Resolved upon their sojourn friends
They bide the cornered time among the trees
Whose verdant leaves
Drip honeyed milk from gently swelling hills.
Reclined beside our sacred hearth
They turn aside the mortal strife
For truth in love, assaying peace;
So drinking down their heart’s content
They fortify ‘gainst burdens, bent
By iron rods, waved over the whole-
This world’s proud tyranny.
Some pain to bear, yet worth to lend
Through grace, by ways that flows within
The open gates of honest faith!
Not wielding rule of force, they sway
To ends, the burnished virtue won.
Of such is the vision-
Demeter’s preternatural ones.


Heigh kind upon the sacred fountain
Whose sentiments brought forth upon the fold
Life's faithful brook, more true than what is told
Of bitter waters, flowing pure as gold!

What can put at naught?
As ageless, undaunted abides
The head, by right established
From the heart, just inclined.
No thing in heaven or earth
Thwarts their destined uprightness
But straight through the gates they pass on
With wholly complied intent.

Blessed are those who shall drink
The waters that flow out this throne
As ancient wonders rise on the brink
Of Eleusinian fields, whose hearth is home!


Descending on the heart anew
Anointed by the morning dew
They seek consistently
To own their bright integrity.
With fuller' soap in hand
They wash the inner walls
And scourge away what is not grand
Within the darkened chamber's hall.
Relying on substantial grace
Comes falling on corrupting stains
A foment on the one relation
Love has earned and faith persuades.
Intending for a future, cleansed
Inclined and fixed, the will more pure
Finds out what lasting, perfect friends
Commend as worthy and true.
Thus seeking only to reflect
Their crystal best in every word
They overthrow the world, naught bereft
Of innocence, one mind and heart assured.


Though many cynics traffic in the hour
Barking at the heels of sacred power
Truth kicks the scale of false standards
As light from out the dark more daring spreads
Through the wilderness
A flowering festival of peace, assured
.
Now mythic, seven thunders ring
A promised day of liberty;
A day of freedom for the captive-
Hurrah, the day of Jubilee
Hosanna, arching Sabbath for all times-
Light and life in love’s relation!

The potsherds scoff
Alack! They cry-
Aurum heirs treading down the mountains.
david mungoshi Apr 2016
Of all known phenomena
Birth is the most wondrous
And the most miraculous
In the assortment of life’s stunners
So you always are a miracle
One readily celebrated each year
As the sparkle of your smile
Dazzles the world
Like sunshine after a dark tunnel
And the fire in your eyes is a smelter
To melt iced hearts and smelt rock faces
So dance maestro dance
And never once forget the choreography
Of the poetry in your fervent heart
Where hopes and dreams are a lovely duet
Happy birthday mover of the spirit
You who creates joy in moments of magic
When configurations of rainbow futures coax your heart
To beat intricate rhythms from life’s score sheet
Happy birthday to you, child from eternal vistas
Let your dreams carry you forward to fruition
Till life is oozing and dripping with honeyed dew
And each early morning walk is capped with shower bliss
And that promise of tomorrow and the day after the feat
Of never giving up on the business of living, no matter what
Happy birthday  to you; you of stardust and moon glow
revised and enhanced into the final version
"Surreal skeptic, cynical cryptic! Licentious lecheries fabulist façade fantasias. Wild eyed spectral serene. Dream of catenary concoctions, ethereal salacious conjugation, bridge the gap in metaphysical mystique. Erotica erectile errantry’s exserted protuberance is a kinesiology kleptomaniac with his embark embargo extraditions and his eventuation evocative execrations, a positive amalgamated anathema android of a terminus thrall. The shadow in the shade of the silhouette sojourn. The bailiff’s rakeness rails incarnate, unicorn railway nails and all. He will paint mirador bartizan panorama tableaus all over your proximity parameter perimeter peripherals. Force the enmity to acquiesce into impunity.” “Why this is not but an ogling ogre of an oligarchy omelet” she shrieked as he continued to tickle her. “Down here at the bizarre bazaar we all believe in the blasphemous farcical fugueness,” he said. “Positive orchestration renditions of transpositional interlude.” “Come here,” she said “let my clambering clamorous clangor write you a wield wile treatise expose’.” “The legions of Chinga da are battling the hoards of Gunga din saying ‘kinetic supremacy temporize tractive fluent’ , it’s sheer genocide. That plasty goop nosed Gumby ****** Gunga doesn’t stand a chance. Coax cacophony clout, catatonic phonics, grizzly grotto grouches all”, She squealed. “Now you’re gumption dreaming”, he chimed. “Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.”
Marshal Gebbie Nov 2010
Pretence to be what you are not
Compounds the very way,
You spout the cause and issuance
Of guilt in interplay.

The moments carved from honesty
Cause sweat to run between
The shoulder blades of conscience
And beads of guilt to gleam.

Gut squirms in apprehension,
Those averted, eyes do coax
A riot of indecision
And shrill nervousness to broach.

Sweating brow is glistening
There’s a tremor in the fist,
Wide, dancing eyes unsteady
And a reluctance to resist.

A perfunctory bark of laughter
Occasionally forced between the teeth
And a loosening of the bowels
Betrays a quivering beneath.

These symptoms to the practiced eye
All unveil the hidden truth,
That surreptitiousness in it’s starkest form
Shall reveal you as ....uncouth.


Marshalg
Victoria Park tunnel
11 November 2010
Adi Aug 2015
You're a diamond
Hidden in rock.
It takes a careful hand
And a lot of time.
But slowly, we coax you out
And realize
Just how beautiful
You are.
A diamond in the rough.
Roisin Sullivan Jul 2014
I feel a tick under my skin
An urge to produce art,
If you can call it that.

I stare at the page and wait
For inspiration to come
And paint it with words.

But everything I try to write
Comes out desperate,
Incoherent, inadequate.

Clutching at smoke,
I can see an image I want to imprint
Hovering just out of reach.

I have no muse to help me
Bring the slippery vision
Into my concentrated focus.

And so I sit here cradling my laptop
As if I could coax
A masterpiece from it.
Kyle Kulseth Jun 2014
Befriended street lamps' static hum
Timed steps slashed through electric buzz
Fled from the dawn's grey stain
chased night with anxious breath
                                              erupting
Out­flanked and pinned down
                                         by the days

Strike up the band, roisin the bows.
Compose another tired piece.
I dread the melody
and cringe away
                              from the next movement
I'm only up for burned out wandering.

     Another balance overdue
Took out a loan for time well spent
     Roll out the carpets for the doomed
It's unforgiving turf where our steps are bent

I'll draw these lines
     of ghostly profile night
and coax the specters out
We'll roll on with the tides
     where we can dance macabre
until the core unwinds.

Defend the fort for sleeping ghosts
I'll man these walls until the dawn.
I'll fight these memories
beneath the banner of
                                  some others
Shell-shocked with gun arm
                                  growing sore

Outside, the sidewalks glow red-orange
I throw my shadow on the sparks.
Charred homes on cindered streets
I draw my bow
                           across shaking half notes
Chart out a map of burnt meanderings.

     Default on friendships I misplaced
I'm wrapped tight in familiar fear.
     But I'll warm to those familiar strains...
Because it's 5 o'clock somewhere, and Summer's here...

I'll cross the lines
     into the ghostly night
and wake the specters up
As fires kiss the night
     so I can sleep real sound
and let my core unwind.
Kittridge James Nov 2012
The way your eyes are

They coax me into your grasp

I can't help myself
Star Girl Oct 2013
You.
Yes you.
Gosh.
You.
I love you.
And you lie.
You say you care.
You use you're smooth words to coax me.
To coax your way back into my heart.
You.
You there.
You've stolen me.
Stolen all of me.
All the goodness.
You.
You don't even know.
You.
You say you want to stay.
You.
You say you won't hurt me.
You.
You're going to be a liar.
You can't help it.
Because I'll either be,
Too much,
Or,
Too little.
You.
You scare me.
You walked right in through the front gate.
You.
You didn't see the warning sign.
Beware.
Delicate heart.
Easily loves.
Easy to hurt.
Fragile.
You.
You just walked in.
Now.
Now we wait and see.
Janette Jan 2013
"You tempt in me…so much…
a sparrow...a lamb… a tenderness… and the captive heart… that beats against my palm…
the bonds…. of trust.. surrendered"


to the silver nepenthe of your voice,
stricken upon the thick red heart
I've pinned to a map,

See, it emits grace
beneath the molten glass,
strung through harp strings and stretched
as sutures ,the solemn musculature of ecstasy
bound in golden ropes and belladonna dreams,

Let the white darts fall
where they may

This silence belies the song
in my throat, hovering
like a silver bauble, your face
is dark, back-lit, harbouring
the terror of words that burn...

My heart
holds the cinder of secrets,
and little poison idols of hematite
and gooseflesh...

Our dream box collects its damp light
from the dark corners of our prison,
as you coax a banyan tree
from its arousal...

A totem filled with marzipan,
and trembling, but to split
its lip upon glass cages,
wrought with jade...

Hold the sparrow face-up,
let the furrow of its wings, tempt
the fates, as it sings to the same scythe
that chimes against the dead angles of the soul's crucified geography....
like clockwork Feb 2015
write gospel in radio waves
find salvation in city smog
coax angels out of brick and dust
asphalt streets and concrete husks
aj May 2016
Rain falls like a lead sheet beating
ages on my back. The water rises,
but through the muddiness of the dividing sea  
your light stands clear. You stand 
beyond my riverside,
the birth of Venus before my eyes.

Skin like seafoam and eyes
like amber coax my hands into fists, beating
ripples into your image that not even the riverside
rain and my own reflection could rise
over. As the waves ripple across your cheeks, I stand
to remember you are also across this sea.

Caught between this love like religion, the sea
breeze makes poetry of your hair in the wind, and my eyes
have never been drowned deeper. I have never had to stand
a love so murderous; even your mirror image gives my soul a beating.
All the while, the water rises,
crashing against the riverside.

Across the riverside,
your gaze is resolute and colder than the sea.
The sun rises,
to find her light breaking the horizon with her eyes
that held back whirlpools, beating
my soul with crashing waves of division, which I can no longer stand.

Too deep to stand,
dangers of the divide bound my desire. A prisoner to the riverside.
The chains of star-crossed lovers crash with the waves, beating
my sense into sea.
Pain is no stranger to your eyes.
The beauty of the sea would always rise.

Hurricanes beat you into perfection and you rise
and stand
above the ordinary eyes.
Storm-beaten and Tempest-tossed on this riverside,
A godly daughter of the ominous sea
has overcame a beating.

Beyond the riverside,
across the sea,
my heart is beating.
Shanna Howse May 2012
You are the ghost that encompasses love; you possess my every thought.*

     Dust layers almost every object throughout each room of this small apartment. Beneath a white sheet, the dark brown, ragged couch is a perfect image of the haunting fear I hold inside.
     In the miserable corner lay your favourite red guitar. It is covered in a blanket of neglect; never again will it feel your calloused fingertips slide across the cracked fret board. Crop circles design the hardwood of where the other furniture once stood.
     I have yet to set foot in this room; it’s been months since the front room has ever felt sunlight. It’s been months since I’ve been able to cross the threshold where our relationship was at its peak, and wipe clean everything that we’ve left behind.
     I don’t want this to disappear, forever. Besides the memories that haunt me, this is all I have left of you. It hurts to look at this room, where we’d snuggle on the once healthy-looking and clean couch, watching our favourite black and white movies. I cannot part myself from this place where the memories still live.
     Our bedroom… the bedroom still holds the faint scent of your cologne that wafts through the house when a small breeze slithers through the window, opened slightly to rid the musty stench. A chamomile candle is lit there too, though it does nothing to sooth my nerves.
     I once took up drinking, but it always ended in passing out. I’d recover consciousness to the overwhelming stench of *****; my hair would be sprawled and stuck in a pool of it. It was a messy ordeal—I couldn’t understand why so many people turned to it to fix their problems. I dropped that immediately.
     Smoking created stress relief for a maximum of ten minutes, which would last me a trip to the grocery store. The smell stained my clothes, my hair, my apartment for what felt like months of cleaning could fix. That was only three weeks after everything collapsed.
     I’m clean, which is probably the least I can say for myself. I couldn’t touch your *****, beer, whiskey, cigarettes, lighters. I had to buy my own; all of your possessions were poison to the touch. I don’t know how you could so easily leave all of your belongings behind for me to look at every single day.
     I lay in bed every night, curled into a tight ball of discomfort in complete darkness. My mind finds it suitable to replay our relationship as a movie as I whimper softly. I am never able to sleep. Dark circles are prominent under my eyes.
     The happiest memories come first. When we moved into our apartment, it was small and *****, much as it looks right now. Happily, we cleaned it together, dancing and singing and giggling about. That was the happiest we’ve ever been. That was right after high school ended, when we were dating for two years. We were harmoniously in love, with no greater differences.
     Then the night we were engaged… You took me out to the garden overlooking Niagara Falls. That was my favourite place to go. The car ride was only twenty minutes from our apartment, but you were so eager to get there faster. The falls glowed a lovely spectrum of colors, while the mist rose above and blended with the explosion of fireworks.
     “Elise, you and I have been together since graduation. All through college, we were the happiest couple anyone knew. We’ve had our ups and downs—that’s a given—but lately, baby, we’ve only been going up. You’re my sweet, gorgeous, lovely girlfriend. I love you so much; I’d like to change that term to fiancée. Will you marry me?”
     A firework exploded as I smiled and jumped into your arms. Ever since you’d hinted this a few months earlier, and I told you that as long as you didn’t follow the cliché and go down on one knee, and you agreed, I knew one day to expect it.
     “You mean you had nothing to do with this firework display?” I grinned, “Of course, Jeremy. Yes, I will marry you!” We shared a long, hard kiss before we went on the rest of our night. I glowed ecstatically as I walked around, very well aware of the small series of diamonds on my ring finger.
     I never expected that night to go as well as it did. I never expected you to become the nightmare you did, either.
     It was a wonderful romance until the occasional fight turned into an every day activity that we participated in. The night you came home late was the first of it, when you came home almost an hour later than you finished work.
     I stood in the kitchen, looking out the front window facing the driveway when you pulled in. Your response was a mumble as you walked right by me, paying me not attention. “Long night, babe?” I had ask. It was a completely innocent question, but you turned down the hallway around the corner by the fridge, and simply replied with a sharp tone, “Yepp. Goin’ to bed.” “I love you.” I called after you. “Mhmm,” you replied.
     Some nights you redeemed yourself. As I sat in the passenger seat of the car, you’d speed through the roadway and talk about yourself. At the restaurant, I’d pick the food off my plate and ate it slowly, but you’d notice and make me laugh softly. It was just an act—I didn’t want to let my mind think that it was bad as it was, and I didn’t want to let you know that the past few nights weren’t as bad as you thought. Then you paid for both of our meals, escorted me to the car, and we took off to the mall.
    Into the most expensive dress store we went, and you bought me a red satin dress that you thought looked great on me. You then found a three-hundred dollar necklace that matched perfectly, and I agreed that it was gorgeous. Of course I loved them—they were beautiful. You still cared enough to buy me these things.
     “There’s that gorgeous smile I fell in love with. I haven’t seen that in a while, babe. It suits you.” You smiled, gazing lovingly into my eyes and gently cupping my face in your hands. I had flinched at your touch at first, but I adjusted to the former comfort of your warmth.
     Our relationship balanced itself on a teeter totter through the last few months. As time went on, it got worse. Every innocent question I’d ask about you would set you off. My words were like a switch that I couldn’t control; you’d either respond blankly, or angry and impatiently. It was hard to tell every time you’d return home from work which man I’d be speaking to.
     I was interrogated, and it usually ended in horror. When I went out for dinner with my friend (who, evidently, was gay) you were so angry—I’ll never forget your reddened face—you shoved me into the bookshelf.    
     Yet still, I loved you all the time, even when you cared nothing for my feelings or listened to what I had to say. You turned selfish. Desperately, I grasped the memories of the good times to replace with the bad. There was always enough of it to cover, but the black cloud still remained.
     I gave you all I had, and all I was.
    
     My best friend Jocelyn from high school had to come over on the first night you left. You got upset because I didn’t have the money to make a good meal, so instead we had to have sandwiches for dinner. It wasn’t my fault—we both knew I couldn’t find a job; you were supporting us both, yet you were okay with that when you asked me to move in with you. “I’m starting to not be able to handle living here, Elise,” you yelled as I watched the door shut after you. I cried so hard that night, because I felt guilty.
     I had dropped nearly thirty pounds the last month before you left. I couldn’t eat, or I’d throw up. My body completely rejected everything I put into it. The nights I had locked myself in the bathrooms were a clear heads up that you could leave without saying a word.
     My best friend, once again came to my rescue. That night I’d developed an eating disorder, Jocelyn, who weighed as much as I did before, carried me effortlessly to my room and laid me in bed.  
     She tried to coax me out of the house, but I couldn’t leave looking the way I did. I knew I looked ghastly, but she said nothing. Where would I go, anyways? She had her own boyfriend and a two year old by that time. I was thankful enough, though, that she was there for me when I needed her the most.
     “I’m going to get you out of here. He’s so bad to you,” She told me once. We were sitting at the dining table while you were at work. “You don’t understand, I love him. I keep thinking that this is just a nightmare—a phase; it’ll go away in time.” I defended both myself and yourself with a sigh. “Look at you, Elise,” she whispered, as if it hurt to say it. “I’m sorry.” She quickly apologized. “I can’t help it, I’m just so tired…”
     She’d never spend the night, though she wished to, and I never left with her. She was so fearful of you and what you’d do to her. That was another reason she never called the police; if you knew I didn’t do it, you’d find her. A heavily-built man like yourself was intimidating to anyone you ever knew. That was another advantage in your direction.

     On the second last day, Jocelyn had to come over, with our other good friend Jayme, to help me out of bed. By the time we’d reached the kitchen that morning, you busted through the door, drunken and enraged.
     Your eyes of cold, steel grey focused on mine and I jumped, startled. Angrily, you broke the bridge of support the girls held me in, knocking me to the floor. “You two better get the hell out of here before I call the cops!” You slurred.
     It made no sense if you did because they’d take you away for the abuse that was evident on my thin skin. It didn’t matter anyways.
     Jocelyn screamed, “You’re demonic and you are a failure of a human being.” You nearly knocked her on the side of the head and stormed out again before yelling, “I’m done with you, I hate what you’ve become. You don’t even look like a person anymore.” My girls insisted on staying over, but I wanted nothing more than to be alone.
     The next morning, I walked out into the living room. My eyes were barely open, because I was extremely tired as always. It startled me when I noticed you sitting on the couch, watching me as I walked out of our bedroom. “Sorry.” You mumbled with softness in your eyes that I almost didn’t recognize anymore. You then enveloped me in your arms, which didn’t smell like alcohol, but rather the new-clothes smell. It actually brought some relief—some comfort. “It’s okay,” I couldn’t fight it anymore.
     But you never did learn that you can’t say sorry and expect to be forgiven as easily as you could say one word. We spent that night together but I didn’t smile once. You never once asked about me, apologized specifically for hurting me, yelling at me, anything. All you talked about was yourself.
     “You have to leave, Jeremy. I can’t handle this anymore.” I looked down at the sheet we wrapped ourselves in. Through my hair I saw your wrinkled, scruffy face fall. “You can’t apologize enough. But if you wish to one day come back and treat me the way you did in the beginning, I’ll be waiting with open arms.” Then you got up, and walked out of my life.

     I didn’t think that was the last time I’d see you. Knocks went unanswered at the door for months, but I’d know if it was you. I sense these things.
    
     For now I wait, pace back and forth through this hallway, waiting for you to become a better man. The photograph of us hanging on the wall has yellowed, and as I trail along beside it, I pass over the crumpled collection of clothing with a *** of paper underneath it. My love for you will never die, the way another part of myself has.
Maya Gold Oct 2011
you stranger,

you becoming stranger,

your voice the

heart-beat spindle’s threadbare pull,

pulsating in green-light chorus,

washing me in and out of the shore

of an intangible reality

that i think you not only live in,

but that you’ve created for yourself,

cloth of blood and crystalline light

and layer

upon layer

of memory

that may or may not have happened.



i dream of having my own palace in the

inverted sky;

i’d be the taste that

you try to swallow away,

the flickering guilt of

the candle you forgot to blow

out when you left the room—

you left me in the light.



i’d coax that tendril of

half-thought half-baked

slightly-worn

feeling,

weaving it

through the syllables of my fingertips.

the drumming of my hands

across impatient countertops would

keep the time,

and you’d grow in rhythm.



i’d smile,

the smug, gap-toothed knowledge

that comes from molding the inarticulate

summation of

yourself,

you, who i have never met.

our eyes would meet across the infinite

cliff of a space between words,

and that would be enough.



i’d like to be able to leave

the sound of my voice in the

crook of your elbow,

jarring your step as

you try to look past the horizon,

and only see my

tower of

words—

i want to be your babel, baby.
Natalie Jane Jul 2013
A LETTER FOR YOU (AND, OF COURSE, FOR ME, TOO):
It smells like my grandmother's house in here.
Like lazy Saturdays, of dripping sweat, of climbing trees, of building Lincoln Log houses for ants or Deathstars of Legos but I spread my legs and that smell of--regret is not the word, nor is shame--I feel neither--but of came, of stale, cold air and stiff comforters on top a bed at the Best Western--A living proof of how you've changed. After you finish and inhale and burst your exhausted, satisfied breath, I sweetly kiss you--your neck, your jawline, your cheeks, your forehead, your eyelids. You hold us in and sleep as if a few drinks are enough to forgive. I tell you to slow down because you owe me about 5 years to make up for lost time. You slip your tongue down as if I had not broken your heart. But a man learns, and that's our biggest difference--man and woman, you and I--you've grown cold and moved on to content loneliness and betterness than to give a girl who's hurt you a second chance.
Me--I've grown to let the warmth run over you, like a hot glass of water from a motel room sink after an ******. Past content, loneliness and betterness than to obsess about a boy grown sour from a girl too hurt to not want to take back the past.
We check in for the night to "make up for lost time."
We check out.
What's a girl to do?
Other than watch you sleep so still like you used to next to me, even with still blankets, it's cold. Hold me?
We walk out to our cars on a hot, departing Fourth of July.
I coax you into closing your lips over mine before you leave, but the key is already turned in. We already ate our free breakfast, ******, scratched, bruised.
You've already checked out, so
what's a girl to do now?
What's a girl to do?
AND
I cannot forget Whitman's words: "We were together, I forget the rest."
AND
Vonnegut's epitaph: "Everything was beautiful and nothing hurt."
AND
"Every time I kiss you
After a long separation
I feel
I am putting a hurried love letter
In a red mailbox"

AND
I feel like a one night stanza written by you who is more beautiful and unforgiving than words on a page
AND*
I am not drinking quickly enough--or enough, despite the speed
AND
Bukowski's poem:
year-worn
weary to the bone,
dancing in the dark with the
dark,
the Suicide Kid gone
gray.
Ah! the swift summers
over and gone
forever!
Is that death
stalking me
now?
No, it's only my cat,
this
time
AND I DIGRESS BECAUSE
my dear sweet Ambien Walrus has abandoned me in reality among the living. So blissful breaks, only a stomach churning in the minutes passing of a long night.
No worries, Mr. Walrus. I'd abandon me too. Only drinking, imagined aliens, crying and words here--words to document your blessed coming and mournful going into the wee hours of the unforgiving days. There is no glory in the mornings. I watch for you as I watch the hours pass. No bliss in the minutes stretched over the midnight break. Only words, no blessing, no grace, to pass the heavy nagging of the night. Will I see you again?
"We were together, I forget the rest."
What's a girl to do?
AND
oh yeah, drink more. Fingers crossed.
What more can a girl do, really?
OH
take another drink before the liquor runs out.
AND DRAW UPON MISTAKES PAST
I know this letter is getting out of hand
BUT
hear me out for all the words you never had to hear. I promise I'll throw in a joke somewhere.
AND
I sneak outside for a cigarette and watch an armadillo rummage closer to me while I search for another poem to make me feel better, another poem for this letter to you I will never send but maybe, if the situation's right, to read to you on some drunken night. I promised you a joke, but now, I giggle at my own feelings. Maybe you will too. I hope you laugh too--At my hands so aching, at my torn apart ******, at my silly feelings and words to help me forget a reminiscing night of you pushing my hair from my face so you can see my eyes when I purse my lips down below.
SO
here's your joke, I suppose.
This one's on me.
IN CONCLUSION
"At 23, the best of my life is over and its bitters double...I am sick at heart...I have outlived all my appetites and most of my vanities."
Byron knew the futility of joy in little things. In my quest to overcome a trivial ache, I have re-imagined a familiar road to uncertainty, instability, and insanity.
How great thou art!
Give me sleep and less slipping into this place of comfortable communion with the illnesses of my mind.
Of the body of Christ.
Amen.
Lord, I am not worthy to receive you, but only say the words and I shall be* sane.
Like Lazarus from the grave:
"This is not what I meant, at all."
"That is not it, at all."

God bless the blue.
What else is a girl to do?
BECAUSE
From the wards, I smell the mourned words of a place that I called home--this imaginary place that we must reinvent ourselves. Maybe mine is on Corporate Woods Drive, and all this--this is just a yellow brick road with little munchkins sweetly singing, follow it back home. I'll skip in a pretty dress with my friends and my babies to smell the grey walls and be asked of safety. I get lost every once in awhile but the Cheshire Cat asks, "where do you want to go?"
"I want to go home," I answer.
"Then," says the cat, "it doesn't matter."
IN OTHER WORDS
"I'm afraid I can't explain myself, sir. Because I am not myself, you see?"
"I wonder if I've been changed in the night? Let me think: Was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is, 'Who in the world am I?' Ah! that's the great puzzle!"
SINCERELY YOURS (AND MINE, TOO)
Natalie
weaver Nov 2013
Today is Tuesday, November 19th, 2013. And I want to talk about you. I want to talk about the clenching and fizzing in my stomach right now as I imagine wrapping you up in my arms and having you close again. I want to talk about the ache in my chest when I think about how it's been ninety days since I last kissed you, since the day I saw you cry as I let you slowly drop from my arms, then hands, then fingertips, and drove away, looking out the window to see you let your head fall into your hands. It's been ninety days since I sat on the floor of the airport and felt my entire being rebelling against getting on that plane and recrossing the thousands of miles that separate us. I want to talk about how I tuck those thoughts away and instead smile as I think of giving you piggyback rides through the park, and kissing in front of churches, and diving into cold pools, and touching you softly as we lay unclothed in your bed, and laughing so hard at your jokes that I'm sure I'm making a fool of myself.

I want to talk about you. I want to talk about you and me. I want to talk about you with me. I want to talk about how you say things that stop me in my tracks and make me reevaluate the truth. I know you, but I can never quite predict your opinions or reactions. You surprise me in this really heart stopping, sometimes refreshing, sometimes eerie way.

I want to talk about how beautiful you are, god, let me please talk about this. Your mind is an intricate, thrumming place that I love to get inside and peek in its dusty corners. I'll try not to leave fingerprints, but I hope you'll forgive me if I do. I think I'm the first person to see some of these places, and I respect them with a reverence. And your heart, your heart... it's an open space that fluctuates and adjusts around me. I know it's learning how to make me fit, but considering that, I'm very comfortable here. It's not a maze, not a grand palace, but not run down either. It's warm in here, slightly musty in the back rooms but in a nice way, while the front is breezy. It's cryptic at first, it's easy to question where one is when first entering. But it has an essence so very you that it's impossible to lose your way completely. I've wandered enough to memorize some of the walls and walk around with a timid freedom. I don't think I would ever dare stride through with arrogance, but I hope to gain confidence the more I explore. Your outside is just as breathtaking. Sometimes I look at the pictures of us together and I stare at your face like it's a puzzle I can solve, because you are indeed the prettiest girl I have ever seen and it astonishes me that yes - you are real. You have this smile that I try to coax out as much as possible, and eyes that are pleasant and warm. Have I told you how much I've always loved brown eyes? It's a colour that suits your irises, that suits you. The image I get when I imagine looking into your eyes is that of wrapped up in soft blankets in a field at dusk. You have beautiful hair that you love to complain about, but I am forever adoring of how it sticks every which way and makes you look - yeah, I'm going to say it - pretty **** cool. Your body is fit and perfect and I'll tell you again, I am so, so jealous. Shadows reach around you to try and feel your shape, rain trickles across your smooth skin to try and kiss as much as it can reach. And when your body tangles with mine, it's magic. You are warm and soft and my fingertips can't help but want to trace a map over you, pressing into their favorite places and trailing across your frame as lightly as a sigh. Your voice, if I had to pick, is the thing that best represents you. Its most frequent setting is this strong, hardy tone that gets your point across with as much bluntness as the words you choose. When you're sleepy it becomes soft and drawling and muffled. When you have to act professional, it heightens and becomes cheery and sweet. When you're touched, it turns lovely and breathy and exquisitely feminine. You are embodied by these sides of you, and there's more I'm yet to hear and learn from it. All of it is beautiful in a way so uniquely you that I smile just in Knowing.

I want to talk about knowing you. I've always wanted just to know you, from the day we met. That was the prevailing thought: How to Know You. Now every day I am given glimpses into you, and every day I'll know a little more, and I couldn't be happier.

I want to talk about you. I want to talk about how much I love you. I love you the way lights love to pool on the sidewalk. I love you the way ink loves the abstract. I love you the way sand loves seashells. I love you the way trees love sunlight. I love you the way airplanes love the sky. I love you with a ferocity and a tenderness and an affection it halts the motion of the world for moments at a time. You bring words and metaphors to mind in a way no inspiration could, and the next second you stop all thought dead and leave my head buzzing pleasantly empty. I used to refuse to write of love; now my hands know of little else. You've changed me, profoundly, intensely. What did I spend my thoughts on before? Now, I just want to talk about you.
i know this is prose, not a poem, but i wanted to share it here anyway. it's freshly written and minimally edited, and i was so happy writing it i could melt. hope some of you like it enough to get through all of it.

twitter.com/cunningweaver
RKM Mar 2012
there, the air is thicker
it hangs full, like the ladies

all the sadness lived in the
capsules of trapped air in
woollen jumpers left behind

men with their toothless
smiles and shining skin
coax laughter from a steel drum

the market boasts a rainbow
of sarongs, papayas, star fruits
offered in jangling song

it was a medicine.
the coral blooms in the reef
are teeth in a dog's mouth,
guarding.
Elaenor Aisling Aug 2022
Here, I do not need to coax the sound—
No more tremulous plucks, bated breath,
Muting my voice as it slips from my throat
Here,
It falls as a gift, freely given
Resonant as thunder in the mountains
Bold and beautiful.
How brightly I burn
When I do not have to ask
To be heard.
Robert Zanfad Mar 2010
In Memory of a Good Man

He walked the path he knew so well
To the garden he kept
Which was were they found him
On cold ground in
Winter.

They thought he likely slipped and fell,
Curled up tightly and slept
Snug in blankets of snow.
Where else to go
To dream

Of rich soil, a man's hands once strong
That could coax new life from
A yard of glass shards, bricks
Growing God's gifts
To share.

Or concrete towers only drawn
Those hands that once built them
Spinning the webs of steel
That made dreams real
Shelter.

Smiling face that may still know me,
We'll just sit together
While I'll hear your stories
In memories -
No words.

Silently gaze and nod slowly,
Stare at one another.
Tired eyes tell where you've been
My dear sweet friend...
In dreams.
Copyright 2008, Robert Zanfad
Isabelle Perla Mar 2015
I think we get attatched
and we need something to coax us off of love
We go from heartbreak to happiness
Only because without it, our hearts would give up
Our minds wouldn't think straight
Our mouths couldn't utter words
We are not living unless we are constantly fearing the loss of another.
SE Reimer Sep 2016
~

when joy seems lost, when peace is gone;
to earth falls flat pleas skyward cast;
when those thought once to be a friend,
have all gone on, seems none are left;
when ears that heard, yet now are deaf,
when dreams lay torn, and hope bereft.

do not despair, nor call for end,
beyond these mists i am your friend;
your voice, a cry on wing and clear,
not all have left, know i am near;
i am hope disguised as gentle hands,
that reach to sooth the soul in angst.

i am love cloaked as eyes that seek,
the wounded heart that silent weeps;
i am your brother, i your kin,
though not by blood, nor race, nor skin,
yet beats within this breast as yours,
a heart breathed life at heaven's door.

your breath, my own, my will i share,
till yours can breathe, your burdens bear;
my oath, my pledge, your comfort be,
my blood transfused, beats still in thee;
i lend my hope to be your warmth,
i offer arms to hold you close.

you need not face another day,
a lifeless soul who walks away,
a faceless one who’s lost their voice,
but ’til your own has been restored,
to you the lyrics, lines belong,
'til you remember, i’ll sing your song.

~

*post script.

approximately 96 hopeless souls reach the end each day, and pull the trigger on whatever their choice of escape they had planned it to be (that’s one every fifteen minutes).  the number is even larger if we include those who attempt and fail.  if there are only six degrees of separation, imagine how many in your circle this means are contemplating, and are in and out of some level of consideration of making this day their last.  remember, a song is amazingly powerful.  it does not take a fireman to talk someone down off a ledge or a policeman to coax someone into laying down the gun, it only takes someone who is willing to listen, long before the gun and the ledge; someone willing to smile and be hope and notes for a soul who has lost their song... to remind them of the song they have forgotten; their song... hope’s song!
Wolf Irwin Jun 2014
Its all just crazy this world I mean,
How do we know whats real? Is it all just a dream?,
Our minds can't fathom the nature of this platform,
Its something you just feel we are one with where we came from,
This tingling aliveness burning in our skin,
Clues left outside that coax us to look within,
To see not with our eyes but simply feel this connection,
The path may be laid out but our heart sets the direction,
Its all apart of what's needed for personal evolution,
Hard times, mistakes, let downs are designed to keep us moving,
I don't know any answers but I do know how to contemplate,
Bound body with limitless being so it's never too late.
mar Jun 2016
Soon I'll be far away again
the lapping shores the only thing keeping me from you
but you should know that I would swim oceans for you
even if it was just to see a glimpse of those blue mischievous  eyes
always the most beautiful in the setting city sun
How will I live knowing I won't awake with you entwined around me?

Where do the hours go?
With you I'm always losing track of time
I'm at your whim
Have I ever told you that I'm crazy?
That I'm a little bit deranged?

Baby
I'm losing my mind
Sweetheart
It's something about the way you laugh at stupid things
and make jokes just to hear a room beat with laughter
Your voice turns to a hum when I look at you sometimes
realizations like lighting striking me when you fall asleep
arm across my stomach like you're afraid I'll leave
because I've told you before how I learned from my mother how to run
and I'd been doing it ever since I realized boys stared at my waist
not ever listening to my words as I try to explain myself
****** hands hidden behind my back like a broken vase

My father told me that I was too beautiful for my own good
eyes alive  like the sky  at dawn the first morning you didn't sleep
hair wild as I slow down to look at the view
and he always got angry when I did that
stopped dead to stare at the fading pink light of a day coming to an end
You don't get angry
you  just stop and look at me with the same gaze I give that setting sun
and I swear
out of the corner of my misted eyes I see you smile
run your fingers through your hair as you wonder what I'm thinking
and I've always been afraid
afraid  that in the moments I spend with you that you realize
that you see that I'm thinking of one thing only
you
and I stare at the street lamps far below a little longer
tempting you to find out how much I really love you
to come closer and ask me what runs through my aching heart
but you  keep your distance
I wonder if you just know that later when my speech is clouded I'll say it
as I always do in the early hours of the morning
smoking out my deepest secret like trying to coax a ghost

I wish your lips weren't so protective
holding in lovesick notes even when drinking the clearest false securities
and she wants us to go far away
and when you express how fond you are of her company she looks down
everyday I see her I realize how similar we are
twin stories of mismatched fears and wanderlust
does she know about the way I claw at your skin as if looking for a way in
bruised ribcage under lust stained sheets
she used to eye me like I was a panther inching closer
irises daring her kin to set me off
but I'm no time bomb
and I think she sees that now

I'll always remember the time I realized I loved you
the first time, at least
it was too quick to know
and I was far too invested as you watched me glare at you past branches
only to fall asleep with my hair tangled in your fingers hours later
does time pass differently to you when I'm asleep next to your waist?
fluttering eylashes onto your knees like tiny dancers
I wonder if you ever notice the soft skin peaking under my shirt and sigh
thinking about how you'd long to slowly take off my clothes in the dark
teeth hitting bare skin of my collarbone as if I'm prey you've finally caught

I think of endings a year in advance
I always have, as if everything is terminal the second I say "I love you"
maybe that's why I don't say it
maybe I just assume with every lost memory I discover like a shipwreck
and ever passing whisper I recall
you see how entranced I am
my whole existence has bits of you like gems within it
or possibly they all encompassed you already
and the paint hadn't chipped enough to reveal you yet

When you're sad you sing songs to me about Venice
and the way your mother used to wear her hair to her shoulders
orange milky light stained every window like melted gelato
and you wondered if you'd ever find a girl who's heart was Murano
all lit up in the night like a summer sweet dream
when the air is hot and everyone's cheeks are a little red
their hair curly from the salty spray of the sea
you'd mark her neck until it looked winestained

but you appear  so sad when you tell me these stories
a faraway look in your vacant mind

I could be your merlot skinned girl
I can have eyes like the italian hills
rolling into the horizon
always having you search for the tallest one
Let me be your Venice
Let me be your home
Mikena M Dillard Dec 2014
The soft rain drops
coax me into a vexed state
where everything goes away
and I'm left with my dreams
793

Grief is a Mouse—
And chooses Wainscot in the Breast
For His Shy House—
And baffles quest—

Grief is a Thief—quick startled—
****** His Ear—report to hear
Of that Vast Dark—
That swept His Being—back—

Grief is a Juggler—boldest at the Play—
Lest if He flinch—the eye that way
Pounce on His Bruises—One—say—or Three—
Grief is a Gourmand—spare His luxury—

Best Grief is Tongueless—before He’ll tell—
Burn Him in the Public Square—
His Ashes—will
Possibly—if they refuse—How then know—
Since a Rack couldn’t coax a syllable—now.
Jon Tobias Apr 2012
Your smile inspires me
To write

I have already spoken about hearts
and their inability to affect other peoples hearts
I'll never go there again

But your smile
makes me smile

You've got dimples designed for sailing
kiss me
and we'll make a ship
big enough to break the bay

Brave enough the beach our bellies
to kiss new land

Smile so big you chew the tip of your tongue again
I want to make you laugh so hard
and so often
you have crows feet by the time you're 30

You are an ocean-throat whisper
of salty air
and sand that sticks to the bottom of my feet like a memory
the way my feet always remember how to land
to cushion the blow

Inside your smile are lists
lessons on living
that you might one day tell me
it's hard to talk when you catch wind like you do

I want to kiss the words out
taste your language

Run my thumb along the bottom crescent
curved first finger under your chin

Your smile is a language
anyone can learn
I can read your lips

At least I think I can read your lips

They always say kiss me

say

There is a secret hidden between these teeth
Tucked under this tongue
Buried in the back of this throat

Coax it out
I dare you

Secrets are prone to laughter
find safety in the crevices
of dimples designed for sailing

Tell me what it is

Your smile inspires me
To write
To kiss you
To mirror back your language
With my
Broken toothed
and ***** dimpled
secret

Your smile
I want to kiss it
First line donated by Nicole (Lady) Adams.
ottaross Oct 2013
Euphoria! Climb, energetic and prostrate yourself!
Walking each graffiti hajj
Bleak signal from an indigo mountaintop.
Iraq memoir remains constant.
You, Pavlov knew,
Coax solitary jazz.
Exercise: Terminate each word in alphabetic sequence.
(A tough one - but pleased with the stark imagery :)
Day Mar 2014
You are
every fallen piece of skin
and strand of hair you
left behind, along with
the perfume that
I can't seem to wash
from my pillow.

I spilled your love into my
sink and tried to wash it with
formaldehyde,
I bartered your words away to
the 90% of the grey matter
I don't use,
I taught myself to pretend
every emotion in your eyes
were just a mirror of mine-
but, despite all of this,
I can never coax my
memories to reject you.

This body was never your temple.
It was never your kingdom.
It was your carpet,
which you burned with each
steely gaze and flaming word,
and which you trampled upon after
every storm.

You were every broken stone I
painted bone-white
after you hurled them into the heavens
only to watch them fall
again-
onto me.

Carving your name into my ribs,
you taught me to
sigh you into existence
each post-mortem night,
and I haven't found a room yet
where I can breathe without
inhaling you in
again.
zebra Nov 2017
in a low silky voice
he whispers ***** ***** *****

he's at the gym
not to far
in the tub
at the spa

come ***** dear
let's have lots a fun
and kiss a while
he licks you some

he loves you so
would you like a big mouse
he has one honey
and it's not your spouse

a crazy boy
all over you
drinks you like wine
and eats you like stew

he's not about kids
and going to work
but he washes your dishes
and hes not a ****

***** perfume
the natural smell
don't hide it sweet girl
watch him swell

oh comb it pretty
loves hairy too
spread it like butter
hoochi cooo

don't be shy
and open wide
coax out your ****
and feel the glide

hes the ***** whisperer
calling your soul
loving every fold
melting every hole

summer sweet fruit
hidden away
come on honey
let's dance and play

candy ****
and ***** pie
sweet juicy lush
down velvety thigh

he's got a nice one
it's really cool
a big pink stick
that makes you drool

he's the ***** whisperer
calling in time
come hither my love
it's not a crime

meowwwww
*** adult explicit
*****
a collaboration on the phone laughing our ***** off
:)
“Willis, I didn’t want you here to-day:
The lawyer’s coming for the company.
I’m going to sell my soul, or, rather, feet.
Five hundred dollars for the pair, you know.”

“With you the feet have nearly been the soul;
And if you’re going to sell them to the devil,
I want to see you do it. When’s he coming?”

“I half suspect you knew, and came on purpose
To try to help me drive a better bargain.”

“Well, if it’s true! Yours are no common feet.
The lawyer don’t know what it is he’s buying:
So many miles you might have walked you won’t walk.
You haven’t run your forty orchids down.
What does he think?—How are the blessed feet?
The doctor’s sure you’re going to walk again?”

“He thinks I’ll hobble. It’s both legs and feet.”

“They must be terrible—I mean to look at.”

“I haven’t dared to look at them uncovered.
Through the bed blankets I remind myself
Of a starfish laid out with rigid points.”

“The wonder is it hadn’t been your head.”

“It’s hard to tell you how I managed it.
When I saw the shaft had me by the coat,
I didn’t try too long to pull away,
Or fumble for my knife to cut away,
I just embraced the shaft and rode it out—
Till Weiss shut off the water in the wheel-pit.
That’s how I think I didn’t lose my head.
But my legs got their knocks against the ceiling.”

“Awful. Why didn’t they throw off the belt
Instead of going clear down in the wheel-pit?”

“They say some time was wasted on the belt—
Old streak of leather—doesn’t love me much
Because I make him spit fire at my knuckles,
The way Ben Franklin used to make the kite-string.
That must be it. Some days he won’t stay on.
That day a woman couldn’t coax him off.
He’s on his rounds now with his tail in his mouth
Snatched right and left across the silver pulleys.
Everything goes the same without me there.
You can hear the small buzz saws whine, the big saw
Caterwaul to the hills around the village
As they both bite the wood. It’s all our music.
One ought as a good villager to like it.
No doubt it has a sort of prosperous sound,
And it’s our life.”

“Yes, when it’s not our death.”

“You make that sound as if it wasn’t so
With everything. What we live by we die by.
I wonder where my lawyer is. His train’s in.
I want this over with; I’m hot and tired.”

“You’re getting ready to do something foolish.”

“Watch for him, will you, Will? You let him in.
I’d rather Mrs. Corbin didn’t know;
I’ve boarded here so long, she thinks she owns me.
You’re bad enough to manage without her.”

“And I’m going to be worse instead of better.
You’ve got to tell me how far this is gone:
Have you agreed to any price?”

“Five hundred.
Five hundred—five—five! One, two, three, four, five.
You needn’t look at me.”

“I don’t believe you.”

“I told you, Willis, when you first came in.
Don’t you be ******* me. I have to take
What I can get. You see they have the feet,
Which gives them the advantage in the trade.
I can’t get back the feet in any case.”

“But your flowers, man, you’re selling out your flowers.”

“Yes, that’s one way to put it—all the flowers
Of every kind everywhere in this region
For the next forty summers—call it forty.
But I’m not selling those, I’m giving them,
They never earned me so much as one cent:
Money can’t pay me for the loss of them.
No, the five hundred was the sum they named
To pay the doctor’s bill and tide me over.
It’s that or fight, and I don’t want to fight—
I just want to get settled in my life,
Such as it’s going to be, and know the worst,
Or best—it may not be so bad. The firm
Promise me all the shooks I want to nail.”

“But what about your flora of the valley?”

“You have me there. But that—you didn’t think
That was worth money to me? Still I own
It goes against me not to finish it
For the friends it might bring me. By the way,
I had a letter from Burroughs—did I tell you?—
About my Cyprepedium reginæ;
He says it’s not reported so far north.
There! there’s the bell. He’s rung. But you go down
And bring him up, and don’t let Mrs. Corbin.—
Oh, well, we’ll soon be through with it. I’m tired.”

Willis brought up besides the Boston lawyer
A little barefoot girl who in the noise
Of heavy footsteps in the old frame house,
And baritone importance of the lawyer,
Stood for a while unnoticed with her hands
Shyly behind her.

“Well, and how is Mister——”
The lawyer was already in his satchel
As if for papers that might bear the name
He hadn’t at command. “You must excuse me,
I dropped in at the mill and was detained.”

“Looking round, I suppose,” said Willis.

“Yes,
Well, yes.”

“Hear anything that might prove useful?”

The Broken One saw Anne. “Why, here is Anne.
What do you want, dear? Come, stand by the bed;
Tell me what is it?” Anne just wagged her dress
With both hands held behind her. “Guess,” she said.

“Oh, guess which hand? My my! Once on a time
I knew a lovely way to tell for certain
By looking in the ears. But I forget it.
Er, let me see. I think I’ll take the right.
That’s sure to be right even if it’s wrong.
Come, hold it out. Don’t change.—A Ram’s Horn orchid!
A Ram’s Horn! What would I have got, I wonder,
If I had chosen left. Hold out the left.
Another Ram’s Horn! Where did you find those,
Under what beech tree, on what woodchuck’s knoll?”

Anne looked at the large lawyer at her side,
And thought she wouldn’t venture on so much.

“Were there no others?”

“There were four or five.
I knew you wouldn’t let me pick them all.”

“I wouldn’t—so I wouldn’t. You’re the girl!
You see Anne has her lesson learned by heart.”

“I wanted there should be some there next year.”

“Of course you did. You left the rest for seed,
And for the backwoods woodchuck. You’re the girl!
A Ram’s Horn orchid seedpod for a woodchuck
Sounds something like. Better than farmer’s beans
To a discriminating appetite,
Though the Ram’s Horn is seldom to be had
In bushel lots—doesn’t come on the market.
But, Anne, I’m troubled; have you told me all?
You’re hiding something. That’s as bad as lying.
You ask this lawyer man. And it’s not safe
With a lawyer at hand to find you out.
Nothing is hidden from some people, Anne.
You don’t tell me that where you found a Ram’s Horn
You didn’t find a Yellow Lady’s Slipper.
What did I tell you? What? I’d blush, I would.
Don’t you defend yourself. If it was there,
Where is it now, the Yellow Lady’s Slipper?”

“Well, wait—it’s common—it’s too common.”

“Common?
The Purple Lady’s Slipper’s commoner.”

“I didn’t bring a Purple Lady’s Slipper
To You—to you I mean—they’re both too common.”

The lawyer gave a laugh among his papers
As if with some idea that she had scored.

“I’ve broken Anne of gathering bouquets.
It’s not fair to the child. It can’t be helped though:
Pressed into service means pressed out of shape.
Somehow I’ll make it right with her—she’ll see.
She’s going to do my scouting in the field,
Over stone walls and all along a wood
And by a river bank for water flowers,
The floating Heart, with small leaf like a heart,
And at the sinus under water a fist
Of little fingers all kept down but one,
And that ****** up to blossom in the sun
As if to say, ‘You! You’re the Heart’s desire.’
Anne has a way with flowers to take the place
Of that she’s lost: she goes down on one knee
And lifts their faces by the chin to hers
And says their names, and leaves them where they are.”

The lawyer wore a watch the case of which
Was cunningly devised to make a noise
Like a small pistol when he snapped it shut
At such a time as this. He snapped it now.

“Well, Anne, go, dearie. Our affair will wait.
The lawyer man is thinking of his train.
He wants to give me lots and lots of money
Before he goes, because I hurt myself,
And it may take him I don’t know how long.
But put our flowers in water first. Will, help her:
The pitcher’s too full for her. There’s no cup?
Just hook them on the inside of the pitcher.
Now run.—Get out your documents! You see
I have to keep on the good side of Anne.
I’m a great boy to think of number one.
And you can’t blame me in the place I’m in.
Who will take care of my necessities
Unless I do?”

“A pretty interlude,”
The lawyer said. “I’m sorry, but my train—
Luckily terms are all agreed upon.
You only have to sign your name. Right—there.”

“You, Will, stop making faces. Come round here
Where you can’t make them. What is it you want?
I’ll put you out with Anne. Be good or go.”

“You don’t mean you will sign that thing unread?”

“Make yourself useful then, and read it for me.
Isn’t it something I have seen before?”

“You’ll find it is. Let your friend look at it.”

“Yes, but all that takes time, and I’m as much
In haste to get it over with as you.
But read it, read it. That’s right, draw the curtain:
Half the time I don’t know what’s troubling me.—
What do you say, Will? Don’t you be a fool,
You! crumpling folkses legal documents.
Out with it if you’ve any real objection.”

“Five hundred dollars!”

“What would you think right?”

“A thousand wouldn’t be a cent too much;
You know it, Mr. Lawyer. The sin is
Accepting anything before he knows
Whether he’s ever going to walk again.
It smells to me like a dishonest trick.”

“I think—I think—from what I heard to-day—
And saw myself—he would be ill-advised——”

“What did you hear, for instance?” Willis said.

“Now the place where the accident occurred——”

The Broken One was twisted in his bed.
“This is between you two apparently.
Where I come in is what I want to know.
You stand up to it like a pair of *****.
Go outdoors if you want to fight. Spare me.
When you come back, I’ll have the papers signed.
Will pencil do? Then, please, your fountain pen.
One of you hold my head up from the pillow.”

Willis flung off the bed. “I wash my hands—
I’m no match—no, and don’t pretend to be——”

The lawyer gravely capped his fountain pen.
“You’re doing the wise thing: you won’t regret it.
We’re very sorry for you.”

Willis sneered:
“Who’s we?—some stockholders in Boston?
I’ll go outdoors, by gad, and won’t come back.”

“Willis, bring Anne back with you when you come.
Yes. Thanks for caring. Don’t mind Will: he’s savage.
He thinks you ought to pay me for my flowers.
You don’t know what I mean about the flowers.
Don’t stop to try to now. You’ll miss your train.
Good-bye.” He flung his arms around his face.
Baffled this was a question you’d have to ask, I sat tremulous.  I’m insular; I’d be enamored with even the most amorphous love, but I’m not inept, and won’t preclude that answering the question is salient.  And although I’m not taciturn, I’m rarely extemporaneous, so please excuse my need for verbose prose in answering said question.
You’re attractive.  Your strong jaw, small chin and cheekbones were sculpted to make your own eyes glow and an artist’s eyes expostulate dreaming of anything else. Don’t dismiss this as delirium, but rather relish this recondite fact—my first crush came in the fifth grade.  It was on a diminutive, outspoken girl, and I was enormous and timid, which developed into a village girl vs. Mowgli, me Tarzan you Jane, King-Kong-Ann Darrow complex.  And although I believe with zealous fervor in your strength, your size still incites the young jungle boy inside me.  And I hope I can say, without being terse, I’m afflicted with a mysterious affinity for red-hair.  
Although I could dwell in the obvious all day, I’ll redirect from the blasé.

Abandon
beats within us both
like hearts to the same pulse,
we don’t coax smiles, we let them slip,
we aspire to happiness like falling of a log.
I have to pry open time’s lockbox and plunder
the night just to relegate the dawn.  Bliss becomes
a tangible ****** making even the most existentially
exasperated docile.  Knowledge that every other thought
is dominated by one another without it attenuating the magic.
Knowing that if all I have to say is it’s raining outside, you
want to hear it.  Twenty-one years of my life I thought
I’d have to hunt love with a knife but you showed me
roaming where you like to wander can wake
the irreverent gods.  It’s your superlative
honesty that’s only for me; that virile
smile in your eyes that bid
doubt vacate my mind

Knowing that if I went catatonic, one reproving look from you would cause my heart to break and force my hands to put the pieces back before I stopped breathing.  If I could, I’d dawn you like a blanket before every dinner, dusk and dream.  And most importantly, we both like crowns.
If you took the time to read this, first, thank you, second, some fun helping facts: my vocabulary is... embarrassingly stunted compared to *hers* and I had a list of her favorite words to use... I'm sure you can pick many of them out.  The last word "crowns" is an alternate enunciation of crayons. Thanks! ~Matthew (<3 Sarah)
Laurel Elizabeth Oct 2013
So there I saw-
and then I curled
into my fetal ball of envy

my happiness had coagulated
and chilled
like a refrozen popsicle
at the back of the freezer.

even if you melted
my
stale
cracked
enclosure
you would still smell
the jealous-
like
hangover
on my breath

I swear it even
exploits my muscles
my tendons grimace
like massive internal
pulley systems.

when my mind
frowns condescendingly
at my juvenile grievances,
the follies laugh their
disassembled modulations
and ignore my pleas

no-it takes more than that.
my every yellow Laureling
becomes a necessity
to coax, soften my
serpentine
charity
from whence I have locked it.
F Alexis Dec 2012
I sit here in the dead of night,
In these four walls, I haunt myself.
There's hours yet 'til I'll see light,
And I am feeling...not so well.

The day was cold, with warm embrace
And I was feeling so alive.
The touch of sunlight on my face,
And joy, unbidden, in my stride.

But reality, the heartless *****,
Has ways of jerking on the heart.
Her nimble fingers squeeze and clench -
So fragile things will fall apart.

And so it was that I returned
To what I know I can't escape.
Something I could not help but learn,
And once I had, it would remain.

That I am independent, see,
And spirited beyond control.
I know there's things I cannot be,
For I have no submissive soul.

It would, perhaps, do me some good
To better watch the things I say.
I speak things that I never should,
And I regret them, day by day.

Yes, I have tried to change myself,
To coax out in me what is meek,
But every time, I'm lost in hell,
For such exertion makes me weak.

I struggle every day with this,
For who I am, shall always be.
Sometimes I cannot help but wish
Spirit was not so strong in me.

Perhaps it is not understood,
That I'm not mean in any way.
"My heart," I cry out, "it is good!"
And still people will turn away.

Yes, I confess, I do compare
Myself to those I could be like.
Demure and quiet, gentle flair -
I feel that I am not quite right.

I've been the same way all my life,
Opinionated, loud, and strong.
It's only been in recent nights
That I have felt...there's something wrong.

Why can't I reign it in, I think?
Is it so hard to settle down?
My heart constricts, my stomach sinks
At just that thought which I have found.

I know that I would not survive
If I would change in any way.
My boisterous spirit gives me life,
It's how I handle every day.

So why, then, must it be so hard
To get through life the way I am?
I'm only playing with the cards
Dealt from an unforgiving hand.

But it is every day I feel
That we do not walk side-by-side.
It's almost like I am not real,
But rather, wind, just floating by.


The sun is setting on the year,
And now, reflecting, I confess
That for the future, I've no fear
(Though I know it will hurt no less).

I'll wake tomorrow, one more day
On which the curtains will be drawn
And as the daylight fades away,
I'll hope that so, too, will my flaws.

I pray the new year brings me peace,
And ends the struggle I endure.
Not every challenge yet will cease,
But life gets better, I am sure.
Janette Aug 2012
A whisper-touch of silk kissing darkness,
A misty haze of paradise, beneath the moon's bathe...


I drift upon his fragrance... lashes bathed in shadows, meeting the hand, that slides my arm;
Fingertips that softly brush the curve of my throat;
And he smiles as I tremble; breathing his whispered desire....in
The sweet of first blush,
Where soft rose tipped lips yearn the sweet taste of him,
I am melted, a whimper-ache
Unraveled
Tumbling into the still of cherish,
Naked under brown eyes deepening, to dark...




My Love,
Expel this breath from my breast,
The breath that was born to inhale your smile,
Translate my body in a braille of your hands,
As I place your fingertips deep in the wet of me,
Slowly moving them across your lips,
Fill me with the breadth of your rhythm;
And coax this purr from the back of my throat,
Slide across these aching *******, your weep-wild ecstasy,
Pulsing deep in vibrant ripples, quivering in the dark, where
My blush beckons your tongue-brush... sheathe me in wet satin ribbons;
As I take you inside, so deep within the intoxication,
Lost in the caress of fingers on skin,
Hands in my hair,
Quiver-claim me,
Taste me
Where the red rose of ecstasy opens her petals to the white moon,
Deep in devoured tender,
Where the rain of something deeper,
Swallows exploration in hollow breaths...



My supple body, an ****** garden of velvet blossoms,
Opening slowly beneath the heated shore of your desire,
Splashed in a gasp of sighs, absorbed in a destiny of shivers,
Arced with unashamed yearn,
As fire bursts once again into soaring flames... the pulse
Of such arrhythmia, timing the beats within my rise and descent;
Bleeding each tender vein along unforgiving rapture;
I bathe in crystal clear waters
Pure as the divine currents we share, drowning so softly in your love;
Primal needs lay me in sweet fields of surrender, as
Midnight plunges into the worship of a passion-breathed breeze
Wielding the strand of flame against silk, lost in the soft,
Precious wind-song of heartbeats, casting shadows that dance to unheard music;
A firestorm between finger’s grip, burning untamed, beneath your skin, where my lips play a searing ache;
Sinuously tautened, your swell lays lush inside the meld of my heat,
Rocking hardness buried in velvet;
We shiver....I shiver, and
The wetted flower burns the shatters of night...



Skin upon skin in the smokey timbre of dripping wishes,
Synergies meet,
Burning dark, sharing breath...
We discover the flame of eternal burn, the promise of always
Across the shiver of yearn, where touches never end,
Where the breath of your heart scatters across my breast,
Where I lay before the blaze of your beautiful tender, finger painting shaded desire,
Along the curve of my thighs.....the cells of my spellbound body
Drenched in the poetry of your rain,
Tasting bonds with flowering tongues;
Joined in this most sacred act,
The merging of souls;
The taste of US, forever feeding your heart and mine;
Pushing deep against nectar's flow, like rainbows stained in milk;
Where thoughts are tethered in searing embrace.........
Forever awaits beyond the want in our eyes.....  knowing you write my last breath, beginning to end..... turning pages of gentle complete.....folding warmth one touch at a time......WE are all we will know when the last sunset whispers this love from my soul, beckoning to feel your embrace, until the end of time........

when the last verse closes the chapter of US... J
Bailey B Dec 2009
I step towards the pool.
You look at me like each step is the end of my life.
I swing my leg on the side.
You flinch.

I laugh at your expression.
You didn't find it quite so funny.
I guess it's really not that funny to you,
how your mouth puckers into a straight line when you hear me laugh,
like the picket fence outside the house you were born in,
only the stark white boards of that fence don't curve downwards at the ends.

There's a fine line of difference between us,
the difference being "don't", "won't", "can't"
and other four letter words, such as "fear", "play", and "lame".

I stifle my laughter and try again to coax you to the edge, the edge of the earth.
You frown, and back away, mumbling like that one Muppet.
Beaker, right?
"Come down!" Beaker cries. "You're being crazy!"
Meepmeep.
The thought of this causes me to laugh again.
You. A Muppet.
You would die if you knew.

I take another step, another, another, further away from you,
up the metal rungs to the top of the world.
The ground slaps beneath me, resilient and springy like summer grass.
I remember your face, panicked, frantic.

I dove.
You claimed you couldn't.

From the bottom of the pool, the world is crisp and clear,
like a vat of liquid nitrogen biting at my skin.
When I resurface it becomes blatantly evident.

I dry off and walk away through the counter.
Don't try to follow me.
I tried.
You didn't.
Maybe I AM crazy.

The bottom line is
even though I'm afraid of heights,
I still climbed that ladder.
Tryst Sep 2014
A damsel, fair with braided hair,
Her beauty wild beyond compare,
Came bustling to the summer faire,
Her petticoats a-flowing;

She settled there, upon a chair
And watched the young men stop and stare,
But none of them would dare to dare
To coax her with a-wooing;

In her despair, she gasped for air,
No one it seemed would know or care,
Her beauty hid a deep despair
That she was not a-showing

And unaware how to declare
The secrets that she dare not share,
The damsel left to who knows where,
And no one is a-knowing

How came a damsel quite so rare,
With beauty fair and braided hair,
Alone with no one's love to share,
Her petticoats a-flowing
First published 9th Sept 2014, 23:00 AEST.
Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. “Silas is back.”
She pushed him outward with her through the door
And shut it after her. “Be kind,” she said.
She took the market things from Warren’s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

“When was I ever anything but kind to him?
But I’ll not have the fellow back,” he said.
“I told him so last haying, didn’t I?
‘If he left then,’ I said, ‘that ended it.’
What good is he? Who else will harbour him
At his age for the little he can do?
What help he is there’s no depending on.
Off he goes always when I need him most.
‘He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
So he won’t have to beg and be beholden.’
‘All right,’ I say, ‘I can’t afford to pay
Any fixed wages, though I wish I could.’
‘Someone else can.’ ‘Then someone else will have to.’
I shouldn’t mind his bettering himself
If that was what it was. You can be certain,
When he begins like that, there’s someone at him
Trying to coax him off with pocket-money,—
In haying time, when any help is scarce.
In winter he comes back to us. I’m done.”

“Sh! not so loud: he’ll hear you,” Mary said.

“I want him to: he’ll have to soon or late.”

“He’s worn out. He’s asleep beside the stove.
When I came up from Rowe’s I found him here,
Huddled against the barn-door fast asleep,
A miserable sight, and frightening, too—
You needn’t smile—I didn’t recognise him—
I wasn’t looking for him—and he’s changed.
Wait till you see.”

“Where did you say he’d been?”

“He didn’t say. I dragged him to the house,
And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off.”

“What did he say? Did he say anything?”

“But little.”

“Anything? Mary, confess
He said he’d come to ditch the meadow for me.”

“Warren!”

“But did he? I just want to know.”

“Of course he did. What would you have him say?
Surely you wouldn’t grudge the poor old man
Some humble way to save his self-respect.
He added, if you really care to know,
He meant to clear the upper pasture, too.
That sounds like something you have heard before?
Warren, I wish you could have heard the way
He jumbled everything. I stopped to look
Two or three times—he made me feel so queer—
To see if he was talking in his sleep.
He ran on Harold Wilson—you remember—
The boy you had in haying four years since.
He’s finished school, and teaching in his college.
Silas declares you’ll have to get him back.
He says they two will make a team for work:
Between them they will lay this farm as smooth!
The way he mixed that in with other things.
He thinks young Wilson a likely lad, though daft
On education—you know how they fought
All through July under the blazing sun,
Silas up on the cart to build the load,
Harold along beside to pitch it on.”

“Yes, I took care to keep well out of earshot.”

“Well, those days trouble Silas like a dream.
You wouldn’t think they would. How some things linger!
Harold’s young college boy’s assurance piqued him.
After so many years he still keeps finding
Good arguments he sees he might have used.
I sympathise. I know just how it feels
To think of the right thing to say too late.
Harold’s associated in his mind with Latin.
He asked me what I thought of Harold’s saying
He studied Latin like the violin
Because he liked it—that an argument!
He said he couldn’t make the boy believe
He could find water with a hazel prong—
Which showed how much good school had ever done him.
He wanted to go over that. But most of all
He thinks if he could have another chance
To teach him how to build a load of hay——”

“I know, that’s Silas’ one accomplishment.
He bundles every forkful in its place,
And tags and numbers it for future reference,
So he can find and easily dislodge it
In the unloading. Silas does that well.
He takes it out in bunches like big birds’ nests.
You never see him standing on the hay
He’s trying to lift, straining to lift himself.”

“He thinks if he could teach him that, he’d be
Some good perhaps to someone in the world.
He hates to see a boy the fool of books.
Poor Silas, so concerned for other folk,
And nothing to look backward to with pride,
And nothing to look forward to with hope,
So now and never any different.”

Part of a moon was falling down the west,
Dragging the whole sky with it to the hills.
Its light poured softly in her lap. She saw
And spread her apron to it. She put out her hand
Among the harp-like morning-glory strings,
Taut with the dew from garden bed to eaves,
As if she played unheard the tenderness
That wrought on him beside her in the night.
“Warren,” she said, “he has come home to die:
You needn’t be afraid he’ll leave you this time.”

“Home,” he mocked gently.

“Yes, what else but home?
It all depends on what you mean by home.
Of course he’s nothing to us, any more
Than was the hound that came a stranger to us
Out of the woods, worn out upon the trail.”

“Home is the place where, when you have to go there,
They have to take you in.”

“I should have called it
Something you somehow haven’t to deserve.”

Warren leaned out and took a step or two,
Picked up a little stick, and brought it back
And broke it in his hand and tossed it by.
“Silas has better claim on us you think
Than on his brother? Thirteen little miles
As the road winds would bring him to his door.
Silas has walked that far no doubt to-day.
Why didn’t he go there? His brother’s rich,
A somebody—director in the bank.”

“He never told us that.”

“We know it though.”

“I think his brother ought to help, of course.
I’ll see to that if there is need. He ought of right
To take him in, and might be willing to—
He may be better than appearances.
But have some pity on Silas. Do you think
If he’d had any pride in claiming kin
Or anything he looked for from his brother,
He’d keep so still about him all this time?”

“I wonder what’s between them.”

“I can tell you.
Silas is what he is—we wouldn’t mind him—
But just the kind that kinsfolk can’t abide.
He never did a thing so very bad.
He don’t know why he isn’t quite as good
As anyone. He won’t be made ashamed
To please his brother, worthless though he is.”

“I can’t think Si ever hurt anyone.”

“No, but he hurt my heart the way he lay
And rolled his old head on that sharp-edged chair-back.
He wouldn’t let me put him on the lounge.
You must go in and see what you can do.
I made the bed up for him there to-night.
You’ll be surprised at him—how much he’s broken.
His working days are done; I’m sure of it.”

“I’d not be in a hurry to say that.”

“I haven’t been. Go, look, see for yourself.
But, Warren, please remember how it is:
He’s come to help you ditch the meadow.
He has a plan. You mustn’t laugh at him.
He may not speak of it, and then he may.
I’ll sit and see if that small sailing cloud
Will hit or miss the moon.”

It hit the moon.
Then there were three there, making a dim row,
The moon, the little silver cloud, and she.

Warren returned—too soon, it seemed to her,
Slipped to her side, caught up her hand and waited.

“Warren,” she questioned.

“Dead,” was all he answered.
Judy Ponceby Nov 2011
I was 'bout a haf mile down Shadow Holler, lookin' for my dog Jack.  I rounded the bend long the river and thar he sat just lookin' up at the moon that was back dropped behind him.  I was so entranced I stood stockstill in the chill evening air.  He raised his head and let out with that beautiful soulful baying only a huntin' dog can make.
Then he took off tearing through the woods like his tail was on fire.

Well, I commenced chasin' ol' Jack down, but I swear evra tree in that holler was out to get me.
My clothes, they was ripped up and my feet were on fire from being torn by briars and such.
I finally, upped and caught up to Jack.  He was pacing the bottom of a Sycamore that was glowing white in the moonlight.  I heard some cacklin' up in that tree and I looked up to see a sight that I nev'r saw afore.  They was a **** up in there just grinnin' down at Jack like he was playing with him.  Now Jack was in a right tizzy over that ****.  He leaped up the side of the tree as high as he could, barking treed as though his life depended on it.  That **** was doing a bit of glowing in the moonlight itself.  I'd never seen a Cinnamon colored **** before, but thar 'e was, bigger 'an life.  And while it was grinnin' it was busy collecting some twigs.  Next thing ya know it was chattering to beat the band and throwin' sticks at ol' Jack.  Well, I can tell you, Jack didn't appreciate the humor in this sitcheation.  He backed up and made a leap so high I thought shore he was gonna take flight, but he got nothin' for his trouble but a whack in the head as he collided with a big ol' twig thrown by that ****.  

Thinkin' that Jack had had about enuf I tried coaxing him home, but he was havin' nothing to do with it.  So, I told Jack I was heading home and he could come if he had a mind to, but I wasn't staying out in the woods all night while he made an *** of himself over a **** that was makin' fun of him.  I started off and then heard a loud yelp.  All of a sudden Jack came blastin' past me, and not far behind was that old Cinnamon **** giving it all he was worth.  Well, as he was headin' towards home I followed along.  Just at the mouth of Shadow Holler, and not to fer from home I found ol' Jack.  He was up a low slung tree whimperin' like a puppy.  That **** was pacing the trunk, back ****** up, teeth bared and laughin' out the side of its mouth.  As I walked up on this pathetic scene, ol' Jack took one look at me and started crying fer help.  Well, I took pity on the poor fella and walked up on that **** with a right big stick.  And right afore my eyes it just faded into nothin'.  Scared the bejeebers outta me!

Took me an hour to coax ol' Jack outta that tree.  And then I couldn't keep up with him once he headed towards our cabin.  At home I told Pa all about our lil adventure, and he bout whooped me fer even goin' into Shadow Holler.  He said, "Son, I tole you to stay outta that holla.  They's ghosts and spooks down in thar.  Old Lady Jalson disappeared never to be seen again until the Smith boys saw her wanderin' a trail down there.  On'y problem is they cud see through 'er.  They's all sorts of stories 'bout shadows roaming free and playin' tricks an' worse on folks."  

Well I never seen my Pa so scairt as when he was tellin' me that, so now I just keep away from that holler.  And, ya know what?  I ain't never seen ol' Jack even turn in that direction since that night.  Musta learned himself somethin'.
This is what comes of visiting my family in very Southern Ohio... :) And I did actually see a taxidermied cinnamon raccoon at a person's house once.  It was kinda eerie.  Did pass a sign to Shadow Holler while I was down there too. :)
Maman Screams Mar 2014
Alarming weather of a stormy coax
Subjected to approval while reposing hoax
Judging panels for this pandemonium chords
Refraining orders for the minority shrouds
All hail I'll never place my dignity down
You know I've always love you
Or am I just your clown

©2014 Maman Screams

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