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"clumps" poems
They rest all over whilst I was rooted to the ground, the water acting like superglue as my limbs stretched out. Towards the clumps of land rods of steal and wood weaved, to connect and ***** that which we call humanity. But there were abuse on the rods formed by hands who'd calloused hearts, poison coursing through their veins, but not a single thought was given for they were innocent in their brain. Said limbs and rods spiraled out, as nothing was left to chance, intertwining everyone's destiny in majestic flare and grace, grand like a ballerina's dance. But the poison was too corrosive, the termites were too much, as everything eroded, imploded, crumbled and buried under mounds of earth. But today is different, a new beginning, a new life. As if the gods have willed something better to arrive. Indeed they came: Ports forged from purity anew, where fresh legs are delivered and old legs whisked away. For no matter how dark it was, is, will be, even during the night, there always is and will be a pip of light.
0
Jan 5, 2015
Jan 5, 2015 at 7:46 AM UTC
A Gift of What Was and What Will
As I walk down my driveway, past the seemingly endless field of green, sprinkled with little purple weeds, dotted with clumps of yellow daffodils, I think about how much I love flowers. Roses are my favorites, but daisies and wildflowers are a close second, I think. I like to think of myself as a flower. Maybe I’m a wildflower . . . It would make sense, seeing as my spirit is as free as the wind that blows the petals across the fields of green. I am a wildflower. I am the flower, firmly rooted to the ground, unable to escape. My roots, they are tangled, and mangled, and torn, and broken, but strong . . . they refuse to move. Like chains, they keep me here where the seed was planted. I am a wildflower, trapped in a garden of weeds . . . none of them wildflowers. We are not meant for the garden. Oh no! Not when there are fields, and pastures, and valleys, and hills, and mountains out there. Here in the garden, we get food and water, and daily care. But there in the world! That is where I am meant to be! When I see the birds flying overhead I shake with jealousy. I feel the wind swaying me back and forth, as if it is calling me. “Come with me, oh sweet wildflower. Let the world see your beauty, while you see the beauty of the world.” I want to touch the mountains. I want to sing with the sky. I want to hear the wind saying, “Look, I told you it was beautiful.” I want to dance with it, as it carries me everywhere.
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Mar 25, 2013
Mar 25, 2013 at 12:23 PM UTC
Wildflower
the magnolia was a bit of a ******* (as far as trees can be ******** and like very many other things— like japanese candy from the Fugi Mart in Greenwich (across from the McDonald’s and next to the music shop where I got my viola) and like pokemon cards and nintendo gaming systems and like Avril Lavigne’s “Sk8er Boi” on a pink CD in a Hello Kitty radio —that ******* of a magnolia was a distinctive taste of the years I spent growing up in my house at the end of Wyndover Lane. the ******* thing was almost perpetually in bloom. it barged into both spring and autumn (it didn’t give a **** about timing) those pink and white spongy petals padding the ground and at first you think it’s ******* beautiful sitting in the crook of the trunk where it split into two large separate branches tilting your chin back to catch a glimpse of blue between fat blossoms then the petals start rotting water-retentive little ******* and you can’t sweep ‘em away because they stick to the patio brown clumps slipping under rubber soles my dad lets loose a string of curses and the magnolia shakes with laughter I tried pressing the petals in a notebook once while I was in that naturalist phase it seems all little girls go through when you make fairy houses out of bark in the backyard and put flowers between the pages of books because it feels oh-so-much-more significant than picking a pretty thing and showing it to mom but the magnolia seeped through my spiral ring and when I opened it up a month later they were dry tan papery things not at all velveteen and rosy and there were garish pink bloodstains all through the ten pages on either side magnolias don’t preserve well except, honestly they do don’t they then of course there’s that childhood tragedy that everyone has when your dog got hit by some soccer mom’s suburban or your teddy bear was lost in an airport or maybe you just liked to cry because some things were just really worth the tears at the time but when I came home and found out they cut down my ******* ******* of a magnolia I bawled there wasn’t even a stump.
0
May 2, 2013
May 2, 2013 at 4:48 PM UTC
Magnolia
the magnolia was a bit of a ******* (as far as trees can be ******** and like very many other things— like japanese candy from the Fugi Mart in Greenwich (across from the McDonald’s and next to the music shop where I got my viola) and like pokemon cards and nintendo gaming systems and like Avril Lavigne’s “Sk8er Boi” on a pink CD in a Hello Kitty radio —that ******* of a magnolia was a distinctive taste of the years I spent growing up in my house at the end of Wyndover Lane. the ******* thing was almost perpetually in bloom. it barged into both spring and autumn (it didn’t give a **** about timing) those pink and white spongy petals padding the ground and at first you think it’s ******* beautiful sitting in the crook of the trunk where it split into two large separate branches tilting your chin back to catch a glimpse of blue between fat blossoms then the petals start rotting water-retentive little ******* and you can’t sweep ‘em away because they stick to the patio brown clumps slipping under rubber soles my dad lets loose a string of curses and the magnolia shakes with laughter I tried pressing the petals in a notebook once while I was in that naturalist phase it seems all little girls go through when you make fairy houses out of bark in the backyard and put flowers between the pages of books because it feels oh-so-much-more significant than picking a pretty thing and showing it to mom but the magnolia seeped through my spiral ring and when I opened it up a month later they were dry tan papery things not at all velveteen and rosy and there were garish pink bloodstains all through the ten pages on either side magnolias don’t preserve well except, honestly they do don’t they then of course there’s that childhood tragedy that everyone has when your dog got hit by some soccer mom’s suburban or your teddy bear was lost in an airport or maybe you just liked to cry because some things were just really worth the tears at the time but when I came home and found out they cut down my ******* ******* of a magnolia I bawled there wasn’t even a stump.
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49
You say, "Nothing tastes as good as skinny feels” but I say surely something must taste nicer than the burning acid being forced back up your throat. Why not hug people instead of toilet bowls? At least they’ll hug back. Except Mia is your only friend now. And her cousin, Ana, of course. And I understand that you never wanted to die, but this is a thousand ton truck hurtling towards the edge of a cliff and Ana took the wheel a long time ago. There is no strength in this: in you, in a fear of calories. Even your bones creak as your muscles sigh with exhaustion - for this, is not a war you're winning. This is a battle with only one contender and I will not be the one to disarm you. That's your job and it always has been. I know you only wanted to be beautiful like all those stars in the magazines you saved under a file titled ‘thinspo’ but the only stars you ever saw were in your eyes from the dizziness and to tell you the truth, you are not pretty. For there is nothing “pretty” about the layer of fuzz your body grew to protect itself from the big bad wolf when really, the only growl was coming from inside your stomach. Or how your little sister is afraid to touch, let alone hug you, in fear of snapping you in two. For there is no glamour in having to remove clumps of hair out of the plughole at least six times whilst having a shower, just to let the water run down. Or that one time you "accidentally” took too many laxatives. Messy. There is nothing admirable about the way you sat shivering on your bed at night instead of kissing boys, or dancing, or eating ice cream. There is nothing to be marvelled at in dying. This, is not a life to be lived. God, this isn't even a life. This is being a slave to your own body, a walking zombie, a ghost stuck between two sides. You are not alive. But it was all still worth it, right? Slowly killing yourself from the inside out. A small price to pay for perfection, a bargain for a broken mirror; for a half-written book with 97 blank pages, a camera that only captures in black and white, a clock with frozen hands. And most importantly, for a peace of mind you never received. No refunds.
0
Dec 8, 2013
Dec 8, 2013 at 11:59 AM UTC
the ugly side to eating disorders
You say, "Nothing tastes as good as skinny feels” but I say surely something must taste nicer than the burning acid being forced back up your throat. Why not hug people instead of toilet bowls? At least they’ll hug back. Except Mia is your only friend now. And her cousin, Ana, of course. And I understand that you never wanted to die, but this is a thousand ton truck hurtling towards the edge of a cliff and Ana took the wheel a long time ago. There is no strength in this: in you, in a fear of calories. Even your bones creak as your muscles sigh with exhaustion - for this, is not a war you're winning. This is a battle with only one contender and I will not be the one to disarm you. That's your job and it always has been. I know you only wanted to be beautiful like all those stars in the magazines you saved under a file titled ‘thinspo’ but the only stars you ever saw were in your eyes from the dizziness and to tell you the truth, you are not pretty. For there is nothing “pretty” about the layer of fuzz your body grew to protect itself from the big bad wolf when really, the only growl was coming from inside your stomach. Or how your little sister is afraid to touch, let alone hug you, in fear of snapping you in two. For there is no glamour in having to remove clumps of hair out of the plughole at least six times whilst having a shower, just to let the water run down. Or that one time you "accidentally” took too many laxatives. Messy. There is nothing admirable about the way you sat shivering on your bed at night instead of kissing boys, or dancing, or eating ice cream. There is nothing to be marvelled at in dying. This, is not a life to be lived. God, this isn't even a life. This is being a slave to your own body, a walking zombie, a ghost stuck between two sides. You are not alive. But it was all still worth it, right? Slowly killing yourself from the inside out. A small price to pay for perfection, a bargain for a broken mirror; for a half-written book with 97 blank pages, a camera that only captures in black and white, a clock with frozen hands. And most importantly, for a peace of mind you never received. No refunds.
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63
She had hung it up from the mantelpiece in her bedroom, so when he entered the room there it was. It was suddenly lovely and he immediately imagined her body flowing into it, flowing from it. Standing close to the dress he brought his fingers to the fabric, touched gently, stroking then, as though it already held her form and substance.   Stepping past thoughts of her that so stirred his body he entered the pattern of the dress. It was a meadow in southern Ontario. July, when already the sun had bleached the profusion of grasses: water chestnut and papyrus sedge. He had stepped from the untidy veranda, past the pond, and down the rough track between the fields unmown, uncut, left fallow. As he entered the breaks of woodland between these swathes of grassland, deciduous leaves, dry and brittle from the summer's heat, were strewn on the path, and between the trees clumps of bramble bushes with berries of red and blue, black and purple.   There was no wind. The only sounds an underlay of crickets, his footfall, and the sharp mournful cries of geese on the now distant pond.   He saw her like an apparition standing motionless at the woodland’s  boundary; her dress at one with all that surrounded her. When he came close and placed his hand on her shoulder he could smell the sweet dry earth mingling with her body's sweat, a hint of her *** as he placed his cheek against the shower of printed pollen amongst the leaves on her back.   Back in the late afternoon bedroom he heard her move about in the kitchen, and the spell broken, he turned away and went downstairs.   Several days later, as they prepared for bed, she slipped the dress on. As she stood in the lamplight smoothing it against her flanks, adjusting its fall across her ******* he felt himself faint that such a thing of beauty could be a joy forever . . . and beyond.
0
Oct 14, 2012
Oct 14, 2012 at 4:55 AM UTC
Dress
She had hung it up from the mantelpiece in her bedroom, so when he entered the room there it was. It was suddenly lovely and he immediately imagined her body flowing into it, flowing from it. Standing close to the dress he brought his fingers to the fabric, touched gently, stroking then, as though it already held her form and substance.   Stepping past thoughts of her that so stirred his body he entered the pattern of the dress. It was a meadow in southern Ontario. July, when already the sun had bleached the profusion of grasses: water chestnut and papyrus sedge. He had stepped from the untidy veranda, past the pond, and down the rough track between the fields unmown, uncut, left fallow. As he entered the breaks of woodland between these swathes of grassland, deciduous leaves, dry and brittle from the summer's heat, were strewn on the path, and between the trees clumps of bramble bushes with berries of red and blue, black and purple.   There was no wind. The only sounds an underlay of crickets, his footfall, and the sharp mournful cries of geese on the now distant pond.   He saw her like an apparition standing motionless at the woodland’s  boundary; her dress at one with all that surrounded her. When he came close and placed his hand on her shoulder he could smell the sweet dry earth mingling with her body's sweat, a hint of her *** as he placed his cheek against the shower of printed pollen amongst the leaves on her back.   Back in the late afternoon bedroom he heard her move about in the kitchen, and the spell broken, he turned away and went downstairs.   Several days later, as they prepared for bed, she slipped the dress on. As she stood in the lamplight smoothing it against her flanks, adjusting its fall across her ******* he felt himself faint that such a thing of beauty could be a joy forever . . . and beyond.
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6
Something about the woven leather Reminds me of sandals you once wore, In the garden enjoying the sun. Your shorts and that old cotton vest the one that was probably once white, but Nanny wasn't around to do your whites anymore, and so it grew greyer as your hair grew whiter. The sun's rays danced through the waves of your hair and into the garden, Filling it with light, shining down upon plastic flowers planted among coloured stones. Smells of stale cakes from bargain stalls and the sugar from flat lemonade in murky cups wafted out the back door and clashed with that overpowering cooking smell as you sat in your sun lounger and baked yourself in vegetable oil, cooking your Irish skin to a crisp! The flower patterns of your walls in the garden and cast iron patio furniture, The plastic mat that covered the carpet and always managed to trip us, The halogen heater in the parlour and blanket on your knees, The clumps of bullseye sweets in your locker and Quality Street tin of empty wrappers, The damp and stale smells of the kitchen in your care, The holy pictures and moving Jesus on the stairs, The bath marbles we loved to play with and how they'd smash upon collision, And the pink, silk quilt that enveloped your bed, They're all pieces in the mosaic that illustrates your memory now and they'll never be broken. I've glued them so tightly together it's as strong as your jaw! Your jaw, always known to make eyes water when you'd turn during a goodbye kiss on your cheek and crush our noses! Even when we tried to approach with caution! But oh what anyone of us wouldn't give to feel that again, just to say goodbye and think we'd be over to the Bluebell to see you again. So now I sit and look at the woven leather on my sandals and remember all the details, all the memories that are woven together to make you. Sometimes I wish I could click the heels together. Bluebell Bluebell Bluebell And be back in that garden, once more.
0
Sep 20, 2016
Sep 20, 2016 at 5:41 AM UTC
Grandad Kinsella's Sandals
Something about the woven leather Reminds me of sandals you once wore, In the garden enjoying the sun. Your shorts and that old cotton vest the one that was probably once white, but Nanny wasn't around to do your whites anymore, and so it grew greyer as your hair grew whiter. The sun's rays danced through the waves of your hair and into the garden, Filling it with light, shining down upon plastic flowers planted among coloured stones. Smells of stale cakes from bargain stalls and the sugar from flat lemonade in murky cups wafted out the back door and clashed with that overpowering cooking smell as you sat in your sun lounger and baked yourself in vegetable oil, cooking your Irish skin to a crisp! The flower patterns of your walls in the garden and cast iron patio furniture, The plastic mat that covered the carpet and always managed to trip us, The halogen heater in the parlour and blanket on your knees, The clumps of bullseye sweets in your locker and Quality Street tin of empty wrappers, The damp and stale smells of the kitchen in your care, The holy pictures and moving Jesus on the stairs, The bath marbles we loved to play with and how they'd smash upon collision, And the pink, silk quilt that enveloped your bed, They're all pieces in the mosaic that illustrates your memory now and they'll never be broken. I've glued them so tightly together it's as strong as your jaw! Your jaw, always known to make eyes water when you'd turn during a goodbye kiss on your cheek and crush our noses! Even when we tried to approach with caution! But oh what anyone of us wouldn't give to feel that again, just to say goodbye and think we'd be over to the Bluebell to see you again. So now I sit and look at the woven leather on my sandals and remember all the details, all the memories that are woven together to make you. Sometimes I wish I could click the heels together. Bluebell Bluebell Bluebell And be back in that garden, once more.
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27
two days before we loaded the car with what seemed like the entirety of my heart and belongings to move me across the state to attend college, my baby brother found me on the kitchen floor, crying about the microwave. well, not just the microwave. he found me in a crumpled up heap, sobbing that this day would be the last i had to microwave things in this particular microwave. i couldn’t justify my lament then. my dad chalked it up to *** my brother called me a drama queen, and my mom told me i needed to eat less microwaveable things. but i think i might’ve figured it out now. five months later. y’see, i grew up an ARMY brat. attended five different elementary schools, two separate middle schools, one high school, and two colleges. i was never good at saying goodbye, but i’m a pro at walking away. i found out quickly that while the faces and names of my friends and classmates change from state to state, the character tropes stay basically the same. people and places become such replaceable things. i worry, a lot, about being a replaceable thing. there are talented people in this world. people that can divine the past and future from coffee grounds and tea leaves. but can anyone here tell me what kinds of awful things my footsteps say about me? there are boot marks, with my name on them, in places i know i should never have been. and clumps of dirt stuck to my heels that have been with me longer than some friends have. i sat on the floor last night while my love explained physics to me. he told me that gravity is a constant force, and of course, the earth’s gravity affects each and every one of us. but our individual gravity affects the earth as well. according to newton’s third law, the earth pulls of me with the same force that i pull on the earth. my mass disrupts space time. carl sagan once told me through the clarifying prism of the television screen, that we are all stardust, collapsed suns and black matter. we belong to no place. i belong to no place. i belong to no place. i don’t cry about the microwave anymore, i don’t waste my tears on saying goodbye. i know that every thing and every one has their time, and sometimes that time is brief. it’s a hard pill to swallow, ultimately my favorite self descriptor is ‘infallible’. but somedays, i fall just to stand up and see: the sun still rises, the earth still turns, the microwave still makes bomb-ass chicken nuggets, and i am still here.
0
Nov 16, 2016
Nov 16, 2016 at 11:28 AM UTC
chicken nuggets
two days before we loaded the car with what seemed like the entirety of my heart and belongings to move me across the state to attend college, my baby brother found me on the kitchen floor, crying about the microwave. well, not just the microwave. he found me in a crumpled up heap, sobbing that this day would be the last i had to microwave things in this particular microwave. i couldn’t justify my lament then. my dad chalked it up to *** my brother called me a drama queen, and my mom told me i needed to eat less microwaveable things. but i think i might’ve figured it out now. five months later. y’see, i grew up an ARMY brat. attended five different elementary schools, two separate middle schools, one high school, and two colleges. i was never good at saying goodbye, but i’m a pro at walking away. i found out quickly that while the faces and names of my friends and classmates change from state to state, the character tropes stay basically the same. people and places become such replaceable things. i worry, a lot, about being a replaceable thing. there are talented people in this world. people that can divine the past and future from coffee grounds and tea leaves. but can anyone here tell me what kinds of awful things my footsteps say about me? there are boot marks, with my name on them, in places i know i should never have been. and clumps of dirt stuck to my heels that have been with me longer than some friends have. i sat on the floor last night while my love explained physics to me. he told me that gravity is a constant force, and of course, the earth’s gravity affects each and every one of us. but our individual gravity affects the earth as well. according to newton’s third law, the earth pulls of me with the same force that i pull on the earth. my mass disrupts space time. carl sagan once told me through the clarifying prism of the television screen, that we are all stardust, collapsed suns and black matter. we belong to no place. i belong to no place. i belong to no place. i don’t cry about the microwave anymore, i don’t waste my tears on saying goodbye. i know that every thing and every one has their time, and sometimes that time is brief. it’s a hard pill to swallow, ultimately my favorite self descriptor is ‘infallible’. but somedays, i fall just to stand up and see: the sun still rises, the earth still turns, the microwave still makes bomb-ass chicken nuggets, and i am still here.
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81
Autumn has nothing on me now; Summer has changed me as a whole. But winter is coming soon, I fear, And I'm afraid by spring I'll have no soul. Spring: a season's anticipation, Awaiting the exciting summertime... Crashing down comes ice and snow, And brings me to the winter-rhyme. Winter, bearing ugly days–– To bring out nips upon the skin, And tears to turn to killing hail, And morals to turn to bitter sin. Autumn, so full of nothingness: Empty, and dead, and decaying-brown. Leaves that swarm the dried-out air Like clumps of ashes falling down. Summer, the warm, and lovely season–– "Hurry up," I say, "and run, run, run." I'm missing sun in every corner; I'm missing freedom; I'm missing fun.
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Oct 30, 2018
Oct 30, 2018 at 3:50 PM UTC
[A Season's Poetic Whisper]
A sea of foliage girds our garden round, But not a sea of dull unvaried green, Sharp contrasts of all colors here are seen; The light-green graceful tamarinds abound Amid the mango clumps of green profound, And palms arise, like pillars gray, between; And o'er the quiet pools the seemuls lean, Red—red, and startling like a trumpet's sound. But nothing can be lovelier than the ranges Of bamboos to the eastward, when the moon Looks through their gaps, and the white lotus changes Into a cup of silver. One might swoon Drunken with beauty then, or gaze and gaze On a primeval Eden, in amaze.
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5.9k
Sonnet
All winter the fire devoured everything -- tear-stained elegies, old letters, diaries, dead flowers. When April finally arrived, I opened the woodstove one last time and shoveled the remains of those long cold nights into a bucket, ash rising through shafts of sunlight, as swirling in bright, angelic eddies. I shoveled out the charred end of an oak log, black and pointed like a pencil; half-burnt pages sacrificed in the making of poems; old, square handmade nails liberated from weathered planks split for kindling. I buried my hands in the bucket, found the nails, lifted them, the phoenix of my right hand shielded with soot and tar, my left hand shrouded in soft white ash -- nails in both fists like forged lightning. I smeared black lines on my face, drew crosses on my chest with the nails, raised my arms and stomped my feet, dancing in honor of spring and rebirth, dancing in honor of winter and death. I hauled the heavy bucket to the garden, spread ashes over the ground, asked the earth to be good. I gave the earth everything that pulled me through the lonely winter -- oak trees, barns, poems. I picked up my shovel and turned hard, gray dirt, the blade splitting winter from spring. With *** and rake, I cultivated soil, tilling row after row, the earth now loose and black. Tearing seed packets with my teeth, I sowed spinach with my right hand, planted petunias with my left. Lifting clumps of dirt, I crumbled them in my fists, loving each dark letter that fell from my fingers. And when I carried my empty bucket to the lake for water, a few last ashes rose into spring-morning air, ash drifting over fields dew-covered and lightly dusted green.
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5.8k
Sacrifices
All winter the fire devoured everything -- tear-stained elegies, old letters, diaries, dead flowers. When April finally arrived, I opened the woodstove one last time and shoveled the remains of those long cold nights into a bucket, ash rising through shafts of sunlight, as swirling in bright, angelic eddies. I shoveled out the charred end of an oak log, black and pointed like a pencil; half-burnt pages sacrificed in the making of poems; old, square handmade nails liberated from weathered planks split for kindling. I buried my hands in the bucket, found the nails, lifted them, the phoenix of my right hand shielded with soot and tar, my left hand shrouded in soft white ash -- nails in both fists like forged lightning. I smeared black lines on my face, drew crosses on my chest with the nails, raised my arms and stomped my feet, dancing in honor of spring and rebirth, dancing in honor of winter and death. I hauled the heavy bucket to the garden, spread ashes over the ground, asked the earth to be good. I gave the earth everything that pulled me through the lonely winter -- oak trees, barns, poems. I picked up my shovel and turned hard, gray dirt, the blade splitting winter from spring. With *** and rake, I cultivated soil, tilling row after row, the earth now loose and black. Tearing seed packets with my teeth, I sowed spinach with my right hand, planted petunias with my left. Lifting clumps of dirt, I crumbled them in my fists, loving each dark letter that fell from my fingers. And when I carried my empty bucket to the lake for water, a few last ashes rose into spring-morning air, ash drifting over fields dew-covered and lightly dusted green.
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52
Folds of water Layers of dirt Bubbling foam A vast body wrapping itself around the Earth Schools of life Clumps of Color This is where it thrives The souls of creatures A potpourri of lives The might of the ocean The strength of the Sea No one can match No one could hardly believe its ability to devour kingdoms Engulf islands and make them its own Drag them down Yank them by their legs, shatter their bones Drag them down Til they ultimately can descend no more I can almost hear the primordial sea deity bellow With a voice so deep It shocks, explores and shakes your soul An immense Deep bass tone. It strikes more than just a powerful chord “Come back to me” “Return to your mother’s womb, down here, down low” “You belong to me, my right, my property!” “Return to the world below.” “Come back home.” Under the Sea What's deep beneath? The iridescent water The clouds of foam Conquered by monsters? Down there, Do sirens roam? We aren't aware We do not know Enigmatic waves Rows of fossils Caked in dirt A haven for aquatic raves A museum holding remnants telling the story of the Mother Earth This is the Sea Take a swim sometime and feel its rhythm Listen to its story Flow with the sea’s entrancing beat I have faith and I believe That the sea is a world of its own Accentuated sometimes by its powerful voice or melodious hum No less mighty than the world above. Let's keep this beautiful wet world untouched to keep it as it is, the world we love ©SHREYA DRISTI
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Nov 22, 2015
Nov 22, 2015 at 12:59 AM UTC
The Sea
Folds of water Layers of dirt Bubbling foam A vast body wrapping itself around the Earth Schools of life Clumps of Color This is where it thrives The souls of creatures A potpourri of lives The might of the ocean The strength of the Sea No one can match No one could hardly believe its ability to devour kingdoms Engulf islands and make them its own Drag them down Yank them by their legs, shatter their bones Drag them down Til they ultimately can descend no more I can almost hear the primordial sea deity bellow With a voice so deep It shocks, explores and shakes your soul An immense Deep bass tone. It strikes more than just a powerful chord “Come back to me” “Return to your mother’s womb, down here, down low” “You belong to me, my right, my property!” “Return to the world below.” “Come back home.” Under the Sea What's deep beneath? The iridescent water The clouds of foam Conquered by monsters? Down there, Do sirens roam? We aren't aware We do not know Enigmatic waves Rows of fossils Caked in dirt A haven for aquatic raves A museum holding remnants telling the story of the Mother Earth This is the Sea Take a swim sometime and feel its rhythm Listen to its story Flow with the sea’s entrancing beat I have faith and I believe That the sea is a world of its own Accentuated sometimes by its powerful voice or melodious hum No less mighty than the world above. Let's keep this beautiful wet world untouched to keep it as it is, the world we love ©SHREYA DRISTI
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59
I shaved my head this morning. The sun hadn’t yet conquered the horizon But the birds outside the window cheered for me As I pulled the shaver from my forehead to my crown. My tiny fingers gripped the electric razor, Holding on for life, As it were much too big for my nervous hands. I cut my skull three times before allowing myself to cry. I peeked at the blonde clumps of hair that rained To the cold bathroom tiles and puddled around my feet. After finishing, I went to lay in the arms of my blankets, While my pillows kissed the back of my head, Healing the nicked wounds scattered over my skin. I left the hair to sleep in the sink and over the floor. Welcoming the sun rise, it felt warm against my bare skull And I wondered if this was how heaven felt like, Walking up to the gates.
0
Jul 21, 2014
Jul 21, 2014 at 6:44 PM UTC
The Chemo Would Do It Anyway
The cherry blossom is beautiful this year. Thick pink clumps covering all the trees. Should stay nice for awhile If the weather remains calm. Keith Wilson. Windermere. UK 2016.
0
May 8, 2016
May 8, 2016 at 9:57 AM UTC
THE CHERRY BLOSSOM
Clumps of red lacquered strings twisting and wriggling They just won't unstick They cling together with stubborn love Basil leaves hopelessly floating through the eternity of red sauce and garlic Chopped up and sprinkled thoughtlessly throughout the disarray Yet, somehow, little strands of spaghetti manage to stay together and I find myself envying them
0
Oct 21, 2012
Oct 21, 2012 at 8:22 AM UTC
Sticky Spaghetti
I know I've been there, I've given into death and altered the fabric of reality Every day we waste away transfixed by flattened images Of the limitlessness of death Coupled with elusive, Luciferian harm which will befall us all Who subsist on the manipulated reality of the hyperspace information field But one day, enlivened by the festivities of Shakori Hills And the fungal spirits who awoke beside us I walked the irreversible pathway through oblivion Facing cruel destruction and terror For a horrifying passage across Styx into eternity And emerged within a crowd of mollusks dancing to the waves of a musical sea All time suspended in the impossibly drawn-out ****** of the Archetypal wizardry of rhythm, The swirling clumps of faces in Unshakable ecstasy And seemingly responding to the wild currents of my conscious thought; A longing for human touch drew the others closer and closer around me Till they began brushing against me Bumping into me, The flow of the crowd saw its axis at my psychic emanation As once more the last song of all time began with thunderous energy and applause. I escaped the arresting confines of the crowd By willing them aside, wearing, as I suddenly became aware, the shoes of Moses And seeing my muddy feet upon the sands of Egypt But I yet had no understanding Of the nature of the garden of earthly delights Into which I had fallen, And fear began to envelop me, Producing law enforcement officials hawklike swooping in to limit my power. I had but to let go of my acceptance of their power over me to transcend them But fear tethered me to reality, Even as I saw about me a Dharmic mandala Of my past present and future, Generating inexplicable archetypes around me in a manner profoundly defiant Of rational logic. Synchronicity compounded upon me As the Christos within me Brought rain down upon us Forcing us together and leaving me in dumbfounded reverie Of all that had transpired to bring this moment forth What had seemed to be the end of history was in fact The awakening of a new rebirth The first moment of coming to be The union of past, present and future As the reassuring smiles of my trustworthy disciples gently allowed me passage back into a rational existence I beamed in utter gratitude for the eternal life which Christ afforded us. Chaos had subsided back into normalcy But still winked at me In telepathic coincidence. My soul has begun to realize that it resides in all things Soon they are to be reintegrated
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Nov 22, 2012
Nov 22, 2012 at 10:16 PM UTC
Shakori Hills
I know I've been there, I've given into death and altered the fabric of reality Every day we waste away transfixed by flattened images Of the limitlessness of death Coupled with elusive, Luciferian harm which will befall us all Who subsist on the manipulated reality of the hyperspace information field But one day, enlivened by the festivities of Shakori Hills And the fungal spirits who awoke beside us I walked the irreversible pathway through oblivion Facing cruel destruction and terror For a horrifying passage across Styx into eternity And emerged within a crowd of mollusks dancing to the waves of a musical sea All time suspended in the impossibly drawn-out ****** of the Archetypal wizardry of rhythm, The swirling clumps of faces in Unshakable ecstasy And seemingly responding to the wild currents of my conscious thought; A longing for human touch drew the others closer and closer around me Till they began brushing against me Bumping into me, The flow of the crowd saw its axis at my psychic emanation As once more the last song of all time began with thunderous energy and applause. I escaped the arresting confines of the crowd By willing them aside, wearing, as I suddenly became aware, the shoes of Moses And seeing my muddy feet upon the sands of Egypt But I yet had no understanding Of the nature of the garden of earthly delights Into which I had fallen, And fear began to envelop me, Producing law enforcement officials hawklike swooping in to limit my power. I had but to let go of my acceptance of their power over me to transcend them But fear tethered me to reality, Even as I saw about me a Dharmic mandala Of my past present and future, Generating inexplicable archetypes around me in a manner profoundly defiant Of rational logic. Synchronicity compounded upon me As the Christos within me Brought rain down upon us Forcing us together and leaving me in dumbfounded reverie Of all that had transpired to bring this moment forth What had seemed to be the end of history was in fact The awakening of a new rebirth The first moment of coming to be The union of past, present and future As the reassuring smiles of my trustworthy disciples gently allowed me passage back into a rational existence I beamed in utter gratitude for the eternal life which Christ afforded us. Chaos had subsided back into normalcy But still winked at me In telepathic coincidence. My soul has begun to realize that it resides in all things Soon they are to be reintegrated
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I'm six feet underground, disoriented. did I dig the grave, or was I meant for it? the soil clumps together, stronger than ever as it presses my chest, never to sever. as I claw my way up, branches stab like pins. before long, the deep cuts sear my exposed skin. my eyes tire, and I rest. but my rest fails the test. the soil weighs me down further, bringing me where demons murmur. and that is where I now stand, trapped in a layer of land. and since making a move burns, staying gives me what I deserve.
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Jul 28, 2021
Jul 28, 2021 at 1:04 AM UTC
six feet under.
The loneliest librarian is in the heart of darkness I saw him, old, bearded on three sides book cases on the open side, a desk he faces outward into the darkness drawing notes at their best. Look away! in the distance an army and her generals gather Up ahead, a conqueror metal jangles, saddles horse Cries the pony boy: I miss my mother let me go back what does this all mean? Studying now, the librarian, notes in check, own pen scratching, no metals only and only his mind and an ink-filled well Spearhead, arrowhead formation a king and his khanate lean forward into the permafrost, snow lashing wind blows against but cannot stop fierce wild will and only the willows weep Cries the pony boy: Radically, may I be afraid of the dead, arms asunder so much love! so much love! what does this all mean? And far, far ahead of this army librarian sits, silently loving nothing, everything beside him he scribbles notes A love letter? tiresome if so upon closer inspection... At the center of the dark dark forest where a lonely man rides in his kayak lantern fixed upon a frame, making his boat top-heavy he bobs back and forth across his body of water he is haunted he is lonely he is a skeleton Now grand general crosses the Styx Ice clumps brushing gently against his ships cold enough to **** a horse, set blood aglow with blue, so cold it could not rot. To valley forge! to valley forge to forge a future. And pony boy cries: What does it mean? my father is gone, gone before this war, he once said, it must be, be, Did he mean... Finally, up ahead, the librarian draws untraceable lines, he knows the army is at his door lonely, shaking, only the conqueror made it and he is almost dead too. Scared, sacredly, he finally hands the librarian his match and sobs, softly, under breath "Time, time is, time without, time too starts anew."
0
Dec 16, 2013
Dec 16, 2013 at 12:42 AM UTC
Between the Lines
The loneliest librarian is in the heart of darkness I saw him, old, bearded on three sides book cases on the open side, a desk he faces outward into the darkness drawing notes at their best. Look away! in the distance an army and her generals gather Up ahead, a conqueror metal jangles, saddles horse Cries the pony boy: I miss my mother let me go back what does this all mean? Studying now, the librarian, notes in check, own pen scratching, no metals only and only his mind and an ink-filled well Spearhead, arrowhead formation a king and his khanate lean forward into the permafrost, snow lashing wind blows against but cannot stop fierce wild will and only the willows weep Cries the pony boy: Radically, may I be afraid of the dead, arms asunder so much love! so much love! what does this all mean? And far, far ahead of this army librarian sits, silently loving nothing, everything beside him he scribbles notes A love letter? tiresome if so upon closer inspection... At the center of the dark dark forest where a lonely man rides in his kayak lantern fixed upon a frame, making his boat top-heavy he bobs back and forth across his body of water he is haunted he is lonely he is a skeleton Now grand general crosses the Styx Ice clumps brushing gently against his ships cold enough to **** a horse, set blood aglow with blue, so cold it could not rot. To valley forge! to valley forge to forge a future. And pony boy cries: What does it mean? my father is gone, gone before this war, he once said, it must be, be, Did he mean... Finally, up ahead, the librarian draws untraceable lines, he knows the army is at his door lonely, shaking, only the conqueror made it and he is almost dead too. Scared, sacredly, he finally hands the librarian his match and sobs, softly, under breath "Time, time is, time without, time too starts anew."
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65
Not as eloquent as a fountain pen, not as artistic as a sketching pencil, not even as bright as a magic marker, but one smart cookie to your kids. We have cool names like Cotton Candy, Manatee, Razzmatazz and Inchworm, and are non-toxic sticks of joy to those little imaginations. Yes, we sometimes look like clumps of colored wax smashed into tissue paper, and we do break easily or lose our wrappers at the drop of a hat, then get tossed in a bag or worse, become homeless. And horror of horrors! We’re reinvented as candles or reheated into twisted zombies of our former selves. And neither do our achievements reside in a museum or gallery, why they're not even framed and proudly displayed on a wall. No, they're slapped on ***** refrigerators and kept there by plastic alphabet magnets that loosely spell such mundane things as ‘milk’, ‘cheese’ or ‘daddy is dumb,' until they fall to the floor or end up in the trash. But hey man, give us a break! This is our plight, it’s a harsh existence! Perhaps we should organize, form a union for children’s writing and drawing utensils, and thus ensure equality for us crayons? We realize, more than likely, this poem's title will cause some backlash by those who insist it be called ‘Return of the Crayon,’ because we 'happy sticks', you see, supposedly don’t take revenge. Nonetheless, we stand by it. It is what it is! Your children love us and so should you!
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Nov 5, 2019
Nov 5, 2019 at 4:18 PM UTC
Revenge of the Crayon
I - WORDS LIKE PRISMS The crystal awaits the perfect slant of sun. The world turns just so and refracted light Hurls a color blaze against the wall. So it is when a long awaited word Forms on the lips of the wise. II - WORDS LIKE FLAX In the fire of conflict,       Words fall to the floor like mounds of charred flax. Red–faced saints gather clumps to themselves   To spin into finest thread for self-flattering raiment.    III - WORDS WITHOUT WORDS When pain burrows deep in the marrow Where words cannot assuage A gentle touch can bleed some out And channel hope back in. No words can spell a kind caress. IV - POISON WORDS Beware the charismatic Carrying a jar of poison pills! Cover your glass when he passes your way Or he’ll slip one in unawares. V - LAUGHING WORDS Absurdities and failures are the stuff of jokes. Long live non sequiturs and double entendres! We love a clumsy tumble into the drink As long as nobody drowns. VI - WORDS FOR BUILDING Of course you can! I place my total trust in you.        VII - WORD PAINTING Mister Frost's words never made a wood Or caused a harness bell to shake. Even so I’d travel many miles To see his imagined snow accumulate. VIII - THE GIFT My cat, Zoe, never says a word to me! He doesn't have the tongue or lips or larynx for it. He cannot fit his paws around a pen. His brain’s too small for metaphors. The gift belongs to us alone. To craft words to build or **** or heal. Forgive us Zoe for doing little with so much. July,  2006
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Jul 30, 2013
Jul 30, 2013 at 1:20 PM UTC
Mightiest of Swords
I - WORDS LIKE PRISMS The crystal awaits the perfect slant of sun. The world turns just so and refracted light Hurls a color blaze against the wall. So it is when a long awaited word Forms on the lips of the wise. II - WORDS LIKE FLAX In the fire of conflict,       Words fall to the floor like mounds of charred flax. Red–faced saints gather clumps to themselves   To spin into finest thread for self-flattering raiment.    III - WORDS WITHOUT WORDS When pain burrows deep in the marrow Where words cannot assuage A gentle touch can bleed some out And channel hope back in. No words can spell a kind caress. IV - POISON WORDS Beware the charismatic Carrying a jar of poison pills! Cover your glass when he passes your way Or he’ll slip one in unawares. V - LAUGHING WORDS Absurdities and failures are the stuff of jokes. Long live non sequiturs and double entendres! We love a clumsy tumble into the drink As long as nobody drowns. VI - WORDS FOR BUILDING Of course you can! I place my total trust in you.        VII - WORD PAINTING Mister Frost's words never made a wood Or caused a harness bell to shake. Even so I’d travel many miles To see his imagined snow accumulate. VIII - THE GIFT My cat, Zoe, never says a word to me! He doesn't have the tongue or lips or larynx for it. He cannot fit his paws around a pen. His brain’s too small for metaphors. The gift belongs to us alone. To craft words to build or **** or heal. Forgive us Zoe for doing little with so much. July,  2006
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"I suffered, so, I learned, so, I changed" *her pale white arm, back and forth, flashes before my eyes face, cutting my few blonde many grays, she tumbles pieces of now dead me, to the floor, in cut wet clumps there, across her underarm, placed there to be but half-hid, my Bostonian via Albania haircutter, (I am a human explorer) reveals a tattoo uttering in Arabic that cuts me deeper then any scissored blade she metal possessed* I suffered, so,  I learned, so, I changed *revelations daily granted me, this one, incomprehensible, as she cuts, I imagine, my mused blood superheated, clotting this poem oh the words are readily understood, but unknown is the inspiration, the event so formative it was deserving of being transcribed, inked, permanence earned by, recording pon human flesh, exposed yet hidden and I dare not inquire...even I... who among us dare say that they have not suffered? yet, you, say the word slow suf-fer, hiss it in two parts, then ask yourself again, have you experienced the unimaginable as real? and needy to record it upon thy own human flesh? I have walked empty mirrored hallways unending, stood by rivers imploring, begging me to join their current, sleepwalked for days without count, punishing penance for acts of commission, acts of fearful cowardice I learned I changed better for the betterment of my united untied bodied bloodied soul *where? my tattoo? readily visible!* in every word I ever wrote
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Apr 30, 2015
Apr 30, 2015 at 12:33 AM UTC
I suffered, so, I learned, so, I changed
The sound of the sea behind us the sand dune protected us from a slight evening breeze some Arab guy was playing a guitar up at base camp laughter from others singing on the wind carried and Miriam said you want to make out Benny? here? I said sure why not? she said won't they miss us? I said they wouldn't miss the moon they're so ****** on the Arab wine junk they've been passing around in that big jar thing Miriam said we were close in the sand dune clumps of grass and sand warm my hand on her thigh other hand about her neck is it safe? I said safe for what? she said I haven't got no pox have you? no just wondering about in case you know? I said got the pill no worries there now kiss me she said so I did lips to lips kind of thing her hand unzipping my jeans her other hand around me want to? she said the guitar was still being plucked voices still sang laughter on the wind she had my pecker between fingers and thumb and talking to it I was seeing the moon over her shoulder stars blinking come on come she said then someone fired a rifle in the air silence followed then chatter we were well away so it didn't matter.
0
Jan 13, 2016
Jan 13, 2016 at 1:47 PM UTC
+IT DIDN'T MATTER 1970
Sun-dried moss hangs in clumps from the eaves trough. Morning dew glittering in the dawn. The floorboards, covered in peeling gray-blue paint, crackle and creak beneath my bare feet. My joints feel rusted, and my eyes don’t see as far as they did before. Before all that happened happened.   My hand on the doorframe is alien to me. But it moves when I ask, so it will have to do. I stagger through the warm porch, where a soft, sweet-smelling breeze drifts in through torn metal screens and cracks in the rickety door. I open it as quietly as I can. There is only me here, but I like the quiet. Three wooden steps down to a gravel drive that passes side to side out front.   Bare feet, too well-worn to feel the stones, tip-toe across to the rough, brown-green grass.   My feet are wet now, and when they find the sand just beyond the patch of grass, it clings. I scrunch up my toes, digging, until I find the cool, dry layer below. The lake is clear, and the soft rustle through the pine trees along the shore reminds me again of years gone by. Sticky fingers, covered in sap, pine needles sticking between my toes, and scrapes on my shins that hurt back then, but sing sweetly in my memory. I sit on the little beach between the trees, crossing my legs, and plunge my hands beneath the sand. Peace. And what a joy, to be here and feel it in the coarse sand, the cool caress of morning breeze, and the utter silence of the still lake.   Have I come so far, to wish for so little? Have I lost something along my way? The anger has faded, and in its place sits a quiet resolve. The games they play, I’ve long since lost, but finding myself here, I wonder if I’ve not come out ahead. The water calls to me. I may visit her soon, once I’ve had my fill of sand.   The wind grows bolder, and the pines whistle. A loon calls out, somewhere unseen. I wonder if today I’ll climb that same tree from so long ago. Wonder if it has held its form better than I, and which may break a limb first. I smile, because I know it’s foolish, and the beach is so soft beneath me. Warm and yielding. But oh, the sweet, stinging memories.
0
Feb 22, 2013
Feb 22, 2013 at 8:10 PM UTC
On That Last Dawn
Sun-dried moss hangs in clumps from the eaves trough. Morning dew glittering in the dawn. The floorboards, covered in peeling gray-blue paint, crackle and creak beneath my bare feet. My joints feel rusted, and my eyes don’t see as far as they did before. Before all that happened happened.   My hand on the doorframe is alien to me. But it moves when I ask, so it will have to do. I stagger through the warm porch, where a soft, sweet-smelling breeze drifts in through torn metal screens and cracks in the rickety door. I open it as quietly as I can. There is only me here, but I like the quiet. Three wooden steps down to a gravel drive that passes side to side out front.   Bare feet, too well-worn to feel the stones, tip-toe across to the rough, brown-green grass.   My feet are wet now, and when they find the sand just beyond the patch of grass, it clings. I scrunch up my toes, digging, until I find the cool, dry layer below. The lake is clear, and the soft rustle through the pine trees along the shore reminds me again of years gone by. Sticky fingers, covered in sap, pine needles sticking between my toes, and scrapes on my shins that hurt back then, but sing sweetly in my memory. I sit on the little beach between the trees, crossing my legs, and plunge my hands beneath the sand. Peace. And what a joy, to be here and feel it in the coarse sand, the cool caress of morning breeze, and the utter silence of the still lake.   Have I come so far, to wish for so little? Have I lost something along my way? The anger has faded, and in its place sits a quiet resolve. The games they play, I’ve long since lost, but finding myself here, I wonder if I’ve not come out ahead. The water calls to me. I may visit her soon, once I’ve had my fill of sand.   The wind grows bolder, and the pines whistle. A loon calls out, somewhere unseen. I wonder if today I’ll climb that same tree from so long ago. Wonder if it has held its form better than I, and which may break a limb first. I smile, because I know it’s foolish, and the beach is so soft beneath me. Warm and yielding. But oh, the sweet, stinging memories.
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