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"cloister" poems
WRITTEN FOR HIS MOTHER Dame du ciel, regents terrienne, Emperiere des infemaux palus.... Lady of Heaven and earth, and therewithal Crowned Empress of the nether clefts of Hell,— I, thy poor Christian, on thy name do call, Commending me to thee, with thee to dwell, Albeit in nought I be commendable. But all mine undeserving may not mar Such mercies as thy sovereign mercies are; Without the which (as true words testify) No soul can reach thy Heaven so fair and far. Even in this faith I choose to live and die. Unto thy Son say thou that I am His, And to me graceless make Him gracious. Said Mary of Egypt lacked not of that bliss, Nor yet the sorrowful clerk Theopbilus, Whose bitter sins were set aside even thus Though to the Fiend his bounden service was. Oh help me, lest in vain for me should pass (Sweet ****** that shalt have no loss thereby!) The blessed Host and sacring of the Mass Even in this faith I choose to live and die. A pitiful poor woman, shrunk and old, I am, and nothing learn'd in letter-lore. Within my parish-cloister I behold A painted Heaven where harps and lutes adore, And eke an Hell whose ****** folk seethe full sore: One bringeth fear, the other joy to me. That joy, great Goddess, make thou mine to be,— Thou of whom all must ask it even as I; And that which faith desires, that let it see. For in this faith I choose to live and die. O excellent ****** Princess! thou didst bear King Jesus, the most excellent comforter, Who even of this our weakness craved a share And for our sake stooped to us from on high, Offering to death His young life sweet and fair. Such as He is, Our Lord, I Him declare, And in this faith I choose to live and die. Dante Gabriel Rossetti, trans.
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Ballade To Our Lady
WRITTEN FOR HIS MOTHER Dame du ciel, regents terrienne, Emperiere des infemaux palus.... Lady of Heaven and earth, and therewithal Crowned Empress of the nether clefts of Hell,— I, thy poor Christian, on thy name do call, Commending me to thee, with thee to dwell, Albeit in nought I be commendable. But all mine undeserving may not mar Such mercies as thy sovereign mercies are; Without the which (as true words testify) No soul can reach thy Heaven so fair and far. Even in this faith I choose to live and die. Unto thy Son say thou that I am His, And to me graceless make Him gracious. Said Mary of Egypt lacked not of that bliss, Nor yet the sorrowful clerk Theopbilus, Whose bitter sins were set aside even thus Though to the Fiend his bounden service was. Oh help me, lest in vain for me should pass (Sweet ****** that shalt have no loss thereby!) The blessed Host and sacring of the Mass Even in this faith I choose to live and die. A pitiful poor woman, shrunk and old, I am, and nothing learn'd in letter-lore. Within my parish-cloister I behold A painted Heaven where harps and lutes adore, And eke an Hell whose ****** folk seethe full sore: One bringeth fear, the other joy to me. That joy, great Goddess, make thou mine to be,— Thou of whom all must ask it even as I; And that which faith desires, that let it see. For in this faith I choose to live and die. O excellent ****** Princess! thou didst bear King Jesus, the most excellent comforter, Who even of this our weakness craved a share And for our sake stooped to us from on high, Offering to death His young life sweet and fair. Such as He is, Our Lord, I Him declare, And in this faith I choose to live and die. Dante Gabriel Rossetti, trans.
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41
in the cloister, we had coffee talking something about the soul today in the cold but sunlit court with a good girlfriend of mine is when it struck me: a pretty Christian girl kind of day before me, a butterfly kind of day winging the dark fantasies away start obeying and getting good habits would have stayed had i any money to get the rest of my college degree kind of day filling your heart with my replacements to match my false interpretations of your expectations of me
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Jul 11, 2018
Jul 11, 2018 at 6:22 PM UTC
kinda day
The French peasant monk pushed a wheel barrow along by the abbey church; the squeaky wheels echoing through the nearby wood and throughout the silent cloister; his tonsured head lowered, back bent, prayers simple maybe said. I tended the dying monk, aged and fragile as an ancient script of yesteryear; I recalled how she tongued me along my inner thighs, bringing tears of joy into my hazel eyes. Dom Gregory prepared the altar for mass, laying the altar cloth, preparing the priest monk's robes and gowns, making sure the candles were ready; his footfalls like echoes on a deep deep sea.
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Feb 11, 2015
Feb 11, 2015 at 3:32 AM UTC
DEEP DEEP SEA.
I saw 13 black crows as black as 3AM and as big as vultures eyes with wings hanging to their sides like laundry on the line they were standing in a circle letting their tongues dry they’re coming for me like thieves or ghosts stealing songs, and whispering poems to themselves about nonsense and existence I don’t want to die I saw 4 black eagles, with horns growing towards the ground like columns or anchors reaching for the bottom their feathers folded like hands on a man resting in his coffin bending over each other rattling my bones drumming out the answers in ways I will need one day their hooves are giving me growing pains I sleep like a tornado I saw 18 black hawks, with beaks full of teeth roaring like a pack of wolves in perfect V with hoods over their eyes to cover up what they’ve seen secrets bouncing off the insides of their lips meant for me they landed on my life like spears, ears tucked back like arrow feathers wings spread wide like storm clouds over kansas hailing on me teaching me their dances, they gave me armor we will never die, we will never die, I don’t want to die, we will never die we will never die, but we don’t want to try, I don’t want to die, I won’t let you die we will never die, we won’t even try, but if we never die, then we never really live I saw 9 black owls, they were quiet as death they had talons like antlers growing from their hearts and they were tearing me apart each bird was tagged like cattle with one word and they burned them in to my mind...they read you have never lived because you have never died
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May 11, 2012
May 11, 2012 at 11:09 PM UTC
YOU HAVE NEVER LIVED BECAUSE YOU HAVE NEVER DIED (star cloister home of wisdom)
I saw 13 black crows as black as 3AM and as big as vultures eyes with wings hanging to their sides like laundry on the line they were standing in a circle letting their tongues dry they’re coming for me like thieves or ghosts stealing songs, and whispering poems to themselves about nonsense and existence I don’t want to die I saw 4 black eagles, with horns growing towards the ground like columns or anchors reaching for the bottom their feathers folded like hands on a man resting in his coffin bending over each other rattling my bones drumming out the answers in ways I will need one day their hooves are giving me growing pains I sleep like a tornado I saw 18 black hawks, with beaks full of teeth roaring like a pack of wolves in perfect V with hoods over their eyes to cover up what they’ve seen secrets bouncing off the insides of their lips meant for me they landed on my life like spears, ears tucked back like arrow feathers wings spread wide like storm clouds over kansas hailing on me teaching me their dances, they gave me armor we will never die, we will never die, I don’t want to die, we will never die we will never die, but we don’t want to try, I don’t want to die, I won’t let you die we will never die, we won’t even try, but if we never die, then we never really live I saw 9 black owls, they were quiet as death they had talons like antlers growing from their hearts and they were tearing me apart each bird was tagged like cattle with one word and they burned them in to my mind...they read you have never lived because you have never died
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Jocks While lovely Eileen entertained us all, with her wonderful words of lace and satin, it made me want to answer the call, make guys proud, like General Patton the guys wear jocks to cloister their tools, the perfect size so hard to find, need to protect those precious jewels, from errant kicks and grabs from behind most are just elastic and cotton, some are furry you get from **** shops, absorb the sweat they smell quite rotten, pick up with 1 finger or handles of mops the backs are weird like gives you ****** when grabbed by the band and yanked real hard, guys in gym like to snap like frozen veggie, then try to get you on their dance card cause now you can sing those real high notes, your face quite large like you have the mumps, squeal like girlie man being attacked by goats, don't bend over you expose those rumps but it is important to protect your package, keep is safe for your favorite gal, not real good to have swollen sackage, not even if choice is a guy named Hal Gomer LePoet...
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Apr 10, 2010
Apr 10, 2010 at 7:54 AM UTC
Jocks (Ode to Eileen)
Lo, the drunken ordinance of light through stained glass, lest to rehash the peopled white of infinity. Reach...with what folding passion second guesses the labor of its love...the warm footfalls of the sun overlaying the intricacy of a snowflake...as captions of bone dissolving upon the motion picture. Perpetually opening seasons enamored directionless...cancellation and activation which is The Spark upon dark...striations of dreams upon the gyres of galaxies. Proofs positive of palpable breath, given and taken in gloried passage. The cloistered ghost gifted the laughability of its cloister. A polish fit for heresy...listen to the crystalline structure as it bats its eyelashes.
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Oct 11, 2014
Oct 11, 2014 at 10:27 AM UTC
The Drunken Ordinance of Light Through Stained Glass
Perched motionless Gleaming among the catkins of the oak— with toy accordions for leaves And a heron—watching Neck pleated Head resting in feathery shoulders Sharp-eyed, beak brutal Watching— where below that beer can, squashed and stabbed ...And did he see her? by the naked window Did he see the lace that bloomed? No—fell like spring’s full flakes to coat the hills in white for an hour at best in its cool damp? Did he see? the way her hair lapped the spine and blade of back? Bent the night—so darkly red from black as she pulled her blouse above her head? And did he want! the flesh of warm yellow lamplight the smeared press of spit and sweat! YES! Squash and **** that beer can! Sculpt your loneliness! and stick it through with any hard implement handy! Grind your teeth on dumb regret and **** yourself! You know you don’t—love her? Be jealous of her sheets, her springs, her sunsets!   on their ways to frost and moonlit sleep turning forsythia of day to fuzzy falls of glitter-gray spilling down thick hips of the river’s dungeon banks so steeped in heat to the dizzy roar that follows.... Be jealous of the River! who always goes to her when you will not... And if—you really loved I mean—loved! who you saw... you would have seen the tired tears—roll than linger—Years forsake their bones defy the need for sleep Defy everything! Except— the moon’s cloister...an owl’s call And if you had loved her you would have made the distance! crossed the lawn! skipped stairs! Fought the Night of Time! taken her porch like a champion! Heart pounding near—the door down! And if you had really loved who you had seen I MEAN—LOVED HER! You would have— You would have done— ANYTHING!
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Sep 9, 2016
Sep 9, 2016 at 9:28 PM UTC
Heron
Perched motionless Gleaming among the catkins of the oak— with toy accordions for leaves And a heron—watching Neck pleated Head resting in feathery shoulders Sharp-eyed, beak brutal Watching— where below that beer can, squashed and stabbed ...And did he see her? by the naked window Did he see the lace that bloomed? No—fell like spring’s full flakes to coat the hills in white for an hour at best in its cool damp? Did he see? the way her hair lapped the spine and blade of back? Bent the night—so darkly red from black as she pulled her blouse above her head? And did he want! the flesh of warm yellow lamplight the smeared press of spit and sweat! YES! Squash and **** that beer can! Sculpt your loneliness! and stick it through with any hard implement handy! Grind your teeth on dumb regret and **** yourself! You know you don’t—love her? Be jealous of her sheets, her springs, her sunsets!   on their ways to frost and moonlit sleep turning forsythia of day to fuzzy falls of glitter-gray spilling down thick hips of the river’s dungeon banks so steeped in heat to the dizzy roar that follows.... Be jealous of the River! who always goes to her when you will not... And if—you really loved I mean—loved! who you saw... you would have seen the tired tears—roll than linger—Years forsake their bones defy the need for sleep Defy everything! Except— the moon’s cloister...an owl’s call And if you had loved her you would have made the distance! crossed the lawn! skipped stairs! Fought the Night of Time! taken her porch like a champion! Heart pounding near—the door down! And if you had really loved who you had seen I MEAN—LOVED HER! You would have— You would have done— ANYTHING!
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I'll never make you smile again, Not as your lover, Not as your friend; Not like it was Way back when. What is now, is not then. I can smile When I recall The laugh you gave When we were all. Each day our oyster, Each night we'd cloister From the day's travails. But memory pales, And your smile fades Into the mists of recall.
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Jan 28, 2016
Jan 28, 2016 at 10:34 AM UTC
The Mists of Recall
(repost) Perched motionless Gleaming among the catkins of the oak— with toy accordions for leaves And a heron—watching Neck pleated Head resting in feathery shoulders Sharp-eyed, beak brutal Watching— where below that beer can, squashed and stabbed ...And did he see her? by the naked window Did he see the lace that bloomed? No—fell like spring’s full flakes to coat the hills in white for an hour at best in its cool damp? Did he see? the way her hair lapped the spine and blade of back? Bent the night—so darkly red from black as she pulled her blouse above her head? And did he want! the flesh of warm yellow lamplight the smeared press of spit and sweat! YES! Squash and **** that beer can! Sculpt your loneliness! and stick it through with any hard implement handy! Grind your teeth on dumb regret and **** yourself! You know you don’t—love her? Be jealous of her sheets, her springs, her sunsets! on their ways to frost and moonlit sleep turning forsythia of day to fuzzy falls of glitter-gray spilling down thick hips of the river’s dungeon banks so steeped in heat to the dizzy roar that follows.... Be jealous of the River! who always goes to her when you will not... And if—you really loved I mean—loved! who you saw... you would have seen the tired tears—roll than linger—Years forsake their bones defy the need for sleep Defy everything! Except— the moon’s cloister...an owl’s call And if you had loved her you would have made the distance! crossed the lawn! skipped stairs! Fought the Night of Time! taken her porch like a champion! Heart pounding near—the door down! And if you had really loved who you had seen I MEAN—LOVED HER! You would have— You would have done— ANYTHING!
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Jun 28, 2017
Jun 28, 2017 at 11:06 AM UTC
Heron
(repost) Perched motionless Gleaming among the catkins of the oak— with toy accordions for leaves And a heron—watching Neck pleated Head resting in feathery shoulders Sharp-eyed, beak brutal Watching— where below that beer can, squashed and stabbed ...And did he see her? by the naked window Did he see the lace that bloomed? No—fell like spring’s full flakes to coat the hills in white for an hour at best in its cool damp? Did he see? the way her hair lapped the spine and blade of back? Bent the night—so darkly red from black as she pulled her blouse above her head? And did he want! the flesh of warm yellow lamplight the smeared press of spit and sweat! YES! Squash and **** that beer can! Sculpt your loneliness! and stick it through with any hard implement handy! Grind your teeth on dumb regret and **** yourself! You know you don’t—love her? Be jealous of her sheets, her springs, her sunsets! on their ways to frost and moonlit sleep turning forsythia of day to fuzzy falls of glitter-gray spilling down thick hips of the river’s dungeon banks so steeped in heat to the dizzy roar that follows.... Be jealous of the River! who always goes to her when you will not... And if—you really loved I mean—loved! who you saw... you would have seen the tired tears—roll than linger—Years forsake their bones defy the need for sleep Defy everything! Except— the moon’s cloister...an owl’s call And if you had loved her you would have made the distance! crossed the lawn! skipped stairs! Fought the Night of Time! taken her porch like a champion! Heart pounding near—the door down! And if you had really loved who you had seen I MEAN—LOVED HER! You would have— You would have done— ANYTHING!
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Dawn breaks. Sliver of light through shutters, wakes Sister Blaise, stirs her from sleep. Bell rings. Chimes loud. She sits up, legs over the side of the bed. Bare feet, wooden floor. Coldness bites. Rubs arms, legs. Crosses herself with middle digit, in nomine Patris. Bright light through shutters slices into floor. Prayer said she rises from her bed. Thoughts race through her head. Drab night gown, grey, long. She walks to the enamel bowl, pours cold water, washes face and neck and hands. Et Filii, et Spiritus Sancti. Lets water run through fingers. Wash me whiter. The Christ on the wall hangs there in His silence. Picture of Christ on her desk, hands out stretched. She runs water through her fingers, wet, cold. Wash me, cleanse me. She dries her hands on the old white towel, rubbing dry fingers, hands, face and neck. Uncle used to. Pushes thoughts of him away, they slip back in place, eel like. Uncle used to touch. Bless me Father. She folds the towel, places it neatly at the foot of her bed. She removes the nightgown. Dresses in her habit. White and black. Mother said nothing. Silence and the turning of the head. Finger pressed against lips. Dressed, she sets about her cell. Tidying, sorting, bed making. Uncle used to touch her. For I have sinned. She opens the shutters, lets light in, opens the windows, fresh air, birdsong, slight breeze. Father used to beat. The Christ hanging from the cross on the wall is silent. Nailed hands, hands curled. She has kissed the nailed feet. Now she stares at the turned head, turned slightly to one side, crown of thorns, wood carved. Sister Clare is in the cloister. She watches her walk. She stops. Looks into the cloister Garth. Flowers growing, neat rows, large bushes. Mother said nothing. Beatings. Lies told about Uncle he said. Sent to bed, no supper. The sun is warm, light on head. She walks from the window and stands in front of the crucifix. His hands curled, nailed, old nails, pins.   Feet one on top of the other, nailed in place. She kisses His feet. Presses soft lips. Uncle used to touch, said our secret, sin to tell, little girl. She presses lips to His feet. Mother weak, said nothing, dying now, cancer, pain, hurts. Father dead. Never make old bones he said. Proved right. She closes her eyes. Touches His legs, runs finger along. Stiff, cold, smooth. Uncle did; she never told again. Father displeased, the beating pleased. The bell rings again. Echoes along cloister. She crosses herself with middle digit. A bird sings. Wind moves branches by window, He calls, must leave, must go.
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May 9, 2014
May 9, 2014 at 4:58 AM UTC
SISTER BLAISE BEFORE MATINS.
Dawn breaks. Sliver of light through shutters, wakes Sister Blaise, stirs her from sleep. Bell rings. Chimes loud. She sits up, legs over the side of the bed. Bare feet, wooden floor. Coldness bites. Rubs arms, legs. Crosses herself with middle digit, in nomine Patris. Bright light through shutters slices into floor. Prayer said she rises from her bed. Thoughts race through her head. Drab night gown, grey, long. She walks to the enamel bowl, pours cold water, washes face and neck and hands. Et Filii, et Spiritus Sancti. Lets water run through fingers. Wash me whiter. The Christ on the wall hangs there in His silence. Picture of Christ on her desk, hands out stretched. She runs water through her fingers, wet, cold. Wash me, cleanse me. She dries her hands on the old white towel, rubbing dry fingers, hands, face and neck. Uncle used to. Pushes thoughts of him away, they slip back in place, eel like. Uncle used to touch. Bless me Father. She folds the towel, places it neatly at the foot of her bed. She removes the nightgown. Dresses in her habit. White and black. Mother said nothing. Silence and the turning of the head. Finger pressed against lips. Dressed, she sets about her cell. Tidying, sorting, bed making. Uncle used to touch her. For I have sinned. She opens the shutters, lets light in, opens the windows, fresh air, birdsong, slight breeze. Father used to beat. The Christ hanging from the cross on the wall is silent. Nailed hands, hands curled. She has kissed the nailed feet. Now she stares at the turned head, turned slightly to one side, crown of thorns, wood carved. Sister Clare is in the cloister. She watches her walk. She stops. Looks into the cloister Garth. Flowers growing, neat rows, large bushes. Mother said nothing. Beatings. Lies told about Uncle he said. Sent to bed, no supper. The sun is warm, light on head. She walks from the window and stands in front of the crucifix. His hands curled, nailed, old nails, pins.   Feet one on top of the other, nailed in place. She kisses His feet. Presses soft lips. Uncle used to touch, said our secret, sin to tell, little girl. She presses lips to His feet. Mother weak, said nothing, dying now, cancer, pain, hurts. Father dead. Never make old bones he said. Proved right. She closes her eyes. Touches His legs, runs finger along. Stiff, cold, smooth. Uncle did; she never told again. Father displeased, the beating pleased. The bell rings again. Echoes along cloister. She crosses herself with middle digit. A bird sings. Wind moves branches by window, He calls, must leave, must go.
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82
since I last rode a bus, no, poems aplenty have poured and dripped from ink-saturated fingers, here there and  everywhere, disguised by many a nom de guerre the bus riding infrequently, as work no longer demands me, I ride for the occasional occasion, when legs won’t carry me the far away distances they say violence in the city is random, and just seems worse, seemingly a newspaper creation, but I know better, and random violence & poetry inspiration do not walk or talk hand in hand, not for the hands that write… in every crack, lamppost, festooned with flyers for concerts years ago, poems reached out to me, write, right? I too am papered with memories of long-ago city travels, picking up scenes & dreams that became poems, instantaneously, scrambling, to get home with them retained, untainted, preserved with the freshness of city smells, city swells, homeless, rowdies & oldies shuffling, the interwoven of disparate desperate humans, fodder once and now for Walt Whitman’s leaves, each distinct needy for something else, but for me, just one city big view, a Cloister’s museum tapestry, remade, rewoven anew every moment of every day and a poem-rough tumbles from without & within ,
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Oct 24, 2023
Oct 24, 2023 at 8:55 AM UTC
it’s been awhile...
The night’s quiet hold, The tree’s uninterrupted shadows, The moist breeze breathing, All these things, Act as my cloister, To hide me away from the superficial world Surrounding me in daylight. Here, In the night, I take off the facade, Of a happy, content child of society. Here, In the night, I am myself; A silent, dark **** Sullen and reserved, Laconic in conversation, Uninteresting. The night’s quiet hold, The tree’s uninterrupted shadows, The moist breeze breathing, All these things, Act as my cloister.
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May 22, 2012
May 22, 2012 at 3:01 PM UTC
A Silent Dark ****
Il dio è il miei testimone e guida, Sister Maria, the refectorian, had said, Sister Teresa remembered walking passed the refectory, touching the wall with her fingers. God is my witness and guide, she translated, feeling the rough brick beneath her fingers. She stood; turned to look at the cloister garth. Sunlight played on the grass. Flowers added colour to borders and eyes, she thought, letting go of Maria's words as if they were balloons. Ache in limbs; a slowness in her movements. Age, she muttered inaudibly. The war had taken her cousin's sons in death. Two of them. Peter and Paul. Burma and D-day. Three years or more since. She brought hands together beneath the black serge of her habit. Flesh on flesh. Sister Clare had touched. Not over much, not over much. Papa would lift her high in his arms as a child, she mused, her memory jogged by the sunlight on the flowers. Higher and higher. Poor Papa. The spidery writing unreadable in the end. She sniffed the air. Bell rang from church tower. Sext. She looked at the clock on the cloister-tower wall. Lowered her eyes to the grass. So many greens. Jude had lain with her once or was it more? She mused, turning away from cloister wall and the sight of grass and flowers. Thirty years since he died. Blown to pieces Papa had written. Black ink on white paper sheet. Flesh on flesh; kiss to lip and lip. She paused by church door; allowed younger nuns to pass; so young these days, she thought, bowing, nodding her head. Placing her stiff fingers in the stoup, she made cross from breast to breast. Smell of incense; scent of wood; bodies close; age and time. She walked to her place in the choir stall, bowed to Crucified tabernacled. Kneeled. Closed eyes. Murmured prayer. Heard the rustle of habits; clicking of rosaries; breathing close. Opened eyes. Sister Clare across the way. A nod and a smile, almost indiscernible to others, she thought, returning the same. Mother Abbess tapped wood on wood; chant began; fingers moved; sign of cross; mumbled words. Forty years of prayer and chant; same such of fingered rosaries; hard beds; dark night of soul and such. She sensed Papa lifting her high in thought at least; Mama's touch on cheek and head. Jude's kiss. Embrace of limbs and face. Il dio è il miei testimone e guida, she recalled: God my witness and guide. Closed eyes. Sighed. Sister Clare had cried; had whispered; witness and guide; witness this and guide, she murmured between chant, prayer, and the scent of incense on the air.
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Nov 26, 2013
Nov 26, 2013 at 1:23 PM UTC
SEXT 1947. (PROSE POEM)
Il dio è il miei testimone e guida, Sister Maria, the refectorian, had said, Sister Teresa remembered walking passed the refectory, touching the wall with her fingers. God is my witness and guide, she translated, feeling the rough brick beneath her fingers. She stood; turned to look at the cloister garth. Sunlight played on the grass. Flowers added colour to borders and eyes, she thought, letting go of Maria's words as if they were balloons. Ache in limbs; a slowness in her movements. Age, she muttered inaudibly. The war had taken her cousin's sons in death. Two of them. Peter and Paul. Burma and D-day. Three years or more since. She brought hands together beneath the black serge of her habit. Flesh on flesh. Sister Clare had touched. Not over much, not over much. Papa would lift her high in his arms as a child, she mused, her memory jogged by the sunlight on the flowers. Higher and higher. Poor Papa. The spidery writing unreadable in the end. She sniffed the air. Bell rang from church tower. Sext. She looked at the clock on the cloister-tower wall. Lowered her eyes to the grass. So many greens. Jude had lain with her once or was it more? She mused, turning away from cloister wall and the sight of grass and flowers. Thirty years since he died. Blown to pieces Papa had written. Black ink on white paper sheet. Flesh on flesh; kiss to lip and lip. She paused by church door; allowed younger nuns to pass; so young these days, she thought, bowing, nodding her head. Placing her stiff fingers in the stoup, she made cross from breast to breast. Smell of incense; scent of wood; bodies close; age and time. She walked to her place in the choir stall, bowed to Crucified tabernacled. Kneeled. Closed eyes. Murmured prayer. Heard the rustle of habits; clicking of rosaries; breathing close. Opened eyes. Sister Clare across the way. A nod and a smile, almost indiscernible to others, she thought, returning the same. Mother Abbess tapped wood on wood; chant began; fingers moved; sign of cross; mumbled words. Forty years of prayer and chant; same such of fingered rosaries; hard beds; dark night of soul and such. She sensed Papa lifting her high in thought at least; Mama's touch on cheek and head. Jude's kiss. Embrace of limbs and face. Il dio è il miei testimone e guida, she recalled: God my witness and guide. Closed eyes. Sighed. Sister Clare had cried; had whispered; witness and guide; witness this and guide, she murmured between chant, prayer, and the scent of incense on the air.
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1
Benedict stands in the porter's lodge, circa 1969, waiting for Dom Tyler the monk, to bring the large key to open the church for Matins. Dawn, cold air, smell of age and incense and baking of bread. He remembers Sonia, the domestic at the home, who pushed him to the bed of old Mr Gillam and said in her soft Italian, Potrei fare sesso con te qui, then in her broken English said, I could have *** with you here. Another joined Benedict in the porter’s lodge, some holy-Joe type, breviary under arm, starved gaze. The silence, the smell, the chill. Dom Tyler opens the door from the cloister and rattles the key, smiles, but does not break the Grand Silence. He takes them out into the morning air, opens up the church. Lights are on, monks are assembling, bell rings, Benedict takes a seat on the side pew, the other sits more in front. The old monk who last time talked to Benedict of monastic life, slides by, his body aged, his habit like a shroud. How he escaped Sonia, how he managed to get away unmolested, he finds it hard to fathom, except the promise of the cinema, the seats at the back, the kisses and touching, all in the dark, the flashing images of the film going on. Potrei fare sesso con te qui, he utters under-breath. The Latin of early morning Matins begins, he dismisses her image and her words. The holy-Joe opens his breviary in the semi dark, his finger turning pages, muttering, his head nodding to an invisible prayer. Benedict imagines Sonia creeping into the pew, muttering Italian, sitting there.
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Jun 2, 2013
Jun 2, 2013 at 11:00 AM UTC
BENEDICT AT MATINS.
Benedict stands in the porter's lodge, circa 1969, waiting for Dom Tyler the monk, to bring the large key to open the church for Matins. Dawn, cold air, smell of age and incense and baking of bread. He remembers Sonia, the domestic at the home, who pushed him to the bed of old Mr Gillam and said in her soft Italian, Potrei fare sesso con te qui, then in her broken English said, I could have *** with you here. Another joined Benedict in the porter’s lodge, some holy-Joe type, breviary under arm, starved gaze. The silence, the smell, the chill. Dom Tyler opens the door from the cloister and rattles the key, smiles, but does not break the Grand Silence. He takes them out into the morning air, opens up the church. Lights are on, monks are assembling, bell rings, Benedict takes a seat on the side pew, the other sits more in front. The old monk who last time talked to Benedict of monastic life, slides by, his body aged, his habit like a shroud. How he escaped Sonia, how he managed to get away unmolested, he finds it hard to fathom, except the promise of the cinema, the seats at the back, the kisses and touching, all in the dark, the flashing images of the film going on. Potrei fare sesso con te qui, he utters under-breath. The Latin of early morning Matins begins, he dismisses her image and her words. The holy-Joe opens his breviary in the semi dark, his finger turning pages, muttering, his head nodding to an invisible prayer. Benedict imagines Sonia creeping into the pew, muttering Italian, sitting there.
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68
To see the abnormal in the usual To spy a quaint sliver of seperation A stutter of fluidity; fluidity primary The unknown subjection personified These idealistic constructions forever permeating Where currents join in twitching pools, swaying to let their particles cloister and vibrate with infusing spasms that dispel and attract- Creating the magnetism of substance Blank resound bliss Drunk on a thousand drops Vindicated from a thousand poisons Reborn at grid dot Flowing invoice implode All afterward foreshadowing Being this precursor Not an equation to be witnessed with the surgical pangs of intellect Arbitrary Problematic Instigative None of this Something ness Of the womb sea Blank resound bliss without tributaries though sensing its leaks After Big Bang of suitor system silt Wanton to multiply Rabid and violent In conquest of joy and earth What I bring to light My depths are dark Empty is the surface Empty is my sleep
0
Feb 16, 2015
Feb 16, 2015 at 10:51 AM UTC
Instinct Wisdom
'When nights shall be drunk And souls be tumbling in revelry When the comic of roles end And cold shall be burning I await to call the utmost illegitimate side of us As my penchanted pleasure For you be semisane Caught half into adulthood and rest you know... Neither you nor me or they Be sceptical or carrying the peels of scruples Don't.
0
Feb 10, 2019
Feb 10, 2019 at 6:09 AM UTC
Cloister Roamers
ginko soft they pile, strewn on cobble memories themselves concretely devised cloister inward, revise, revise, revise: debauched meanderings fully marble escapes to curl the lip, adorable here and there, whether smile sneer incise linguistic pirouettes or paler lies congest that wisdom indefinable -- the moment past moves on to feigning truth with pretty rhyme, for ornamenting time with myths to filter in an Avalon, juggle perspectival paradoxic ruth with fine meter fine, vernacular chimes, and resolve the conflict like a dawn
0
Dec 2, 2012
Dec 2, 2012 at 9:47 AM UTC
clarity rejoins its titulars (little Petrarchan song)
The trees overlapped overhead creating a warm cloister. Harvey's car cooed past the vibrant green and sputter-stopped at the plastic, fishhead mailbox. He drove up the grey gravel drive, hopped out of his car and with eager stride headed toward the door of the widow Prine. "Hello, Harvey," Mrs. Prine greeted from behind the screen in her always-sugary-hushed tone. "Hey, Mrs--I mean hello, Margaret." "Haha, you remembered this time. C'mon in, sweetie." Harvey's steps matched gentle creaks in wooden floor. Pictures of Mrs. Prine's three children lined the walls. "That's Mattie, Cindy's baby. My first grandbaby," Mrs. Prine beamed. "She's a cutie." "Well thank you," Mrs. Prine picked up some magazines lying on the couch, "feel free to sit here. Can I get you something to drink? Some wine, maybe? It's a red." "Sure, sure. Sounds good." Mrs. Prine stepped into the kitchen, as the evening news played at a barely audible volume. "Oh Lord. I forgot to put the wine in the fridge, Harvey." "That's okay, Mrs. Prine. I can--" "Margaret." "Margaret, I can drink it warm." "How about some ice cubes?" "That works too." Mrs. Prine's husband died driving an 18-wheeler, six-miles outside of Dallas two or three years ago. One of the few times a sedan won a war against a big engine. Her cheek bones jutted sharply from her face, deep crimson lipstick and light eyeshadow emphasized her few deep wrinkles, as if she wore them with pride. They sat sipping lukewarm red wine, saying nearly nothing-- touching only during commercial breaks. When the news ended, Mrs. Prine grabbed Harvey's hand, led him to the bedroom, filled with pictures of her and her husband. The love they made-- textbook in its precision, light in its passion-- finished chapter, Harvey reached for his cigarettes. "Sweetie, please don't smoke in here." "Oh, I'm sorry, Margaret." Harvey stared at her old life's relics, wrapped his arm around her, pulled her naked flesh against his, a summer breeze crawled through open window, and Harvey said, "So, tell me more about your husband." Mrs. Prine smiled, brushed her hair out of her eyes, and with a retrospective sigh, she began.
0
May 19, 2011
May 19, 2011 at 5:31 PM UTC
The Widow Prine (Pt. I)
The trees overlapped overhead creating a warm cloister. Harvey's car cooed past the vibrant green and sputter-stopped at the plastic, fishhead mailbox. He drove up the grey gravel drive, hopped out of his car and with eager stride headed toward the door of the widow Prine. "Hello, Harvey," Mrs. Prine greeted from behind the screen in her always-sugary-hushed tone. "Hey, Mrs--I mean hello, Margaret." "Haha, you remembered this time. C'mon in, sweetie." Harvey's steps matched gentle creaks in wooden floor. Pictures of Mrs. Prine's three children lined the walls. "That's Mattie, Cindy's baby. My first grandbaby," Mrs. Prine beamed. "She's a cutie." "Well thank you," Mrs. Prine picked up some magazines lying on the couch, "feel free to sit here. Can I get you something to drink? Some wine, maybe? It's a red." "Sure, sure. Sounds good." Mrs. Prine stepped into the kitchen, as the evening news played at a barely audible volume. "Oh Lord. I forgot to put the wine in the fridge, Harvey." "That's okay, Mrs. Prine. I can--" "Margaret." "Margaret, I can drink it warm." "How about some ice cubes?" "That works too." Mrs. Prine's husband died driving an 18-wheeler, six-miles outside of Dallas two or three years ago. One of the few times a sedan won a war against a big engine. Her cheek bones jutted sharply from her face, deep crimson lipstick and light eyeshadow emphasized her few deep wrinkles, as if she wore them with pride. They sat sipping lukewarm red wine, saying nearly nothing-- touching only during commercial breaks. When the news ended, Mrs. Prine grabbed Harvey's hand, led him to the bedroom, filled with pictures of her and her husband. The love they made-- textbook in its precision, light in its passion-- finished chapter, Harvey reached for his cigarettes. "Sweetie, please don't smoke in here." "Oh, I'm sorry, Margaret." Harvey stared at her old life's relics, wrapped his arm around her, pulled her naked flesh against his, a summer breeze crawled through open window, and Harvey said, "So, tell me more about your husband." Mrs. Prine smiled, brushed her hair out of her eyes, and with a retrospective sigh, she began.
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83
I dreamt it snowed Nectar and powdered sugar, Dusting nature's lips. I recall the kiss from her Not-so-innocent curiosity, Come-hither in her arched brow. How the morning breeze Grew wanton, Lifting her nightdress, Until naked she pirouetted about The cloister garth. I dreamt of flowering moonlight And his potent stem, Filling her With stars and shivers, As she burst, for goodness sake, From all the little blissful parties Drumming her garden wall. I dreamt of fecundity And funnel cakes, Soft and sweet and round, Her milk a spring, Laden with gift of life. Intuitive opaque areolae, The shape of things to come, The very ones from which She'll nurse their young.
0
Nov 11, 2019
Nov 11, 2019 at 6:52 PM UTC
Kiss of Life
Martha was shown into a parlour inside the front door of the mother house by a plump nun in black and white who looked like a penguin out for a stroll wait in there she said someone will fetch you in time so Martha looked around the room at the plain white walls the heavy curtains at the windows the huge crucifix on the wall opposite whose plaster Christ seemed battered an aged the plaster had lines and cracks on the legs and arms and the hands were contorted like a crab on its back with rusty nails holding them in place she moved nearer and reached up a hand so that her fingers could touch the feet of Christ and run them over the toes and feel the nail going through the feet she rubbed her fingers there she used to rub the crucifix in her grandmother's house the big one over the double bed and if she stood on the bed she could reach right up to touch the face and beard and see if she could hear Him breathe or if she reached really high she could feel His nose which on her grandmother's Christ the nose seemed broken and her grandmother said that was where her grandfather had thrown a shoe in temper and crack the plaster nose will he go to Hell? she recalled asking her grandmother O no her grandmother said not just for that and she was pleased because she liked her grandfather and his simple ways and hard toffees she felt each toe in turn moving a finger over the plaster and remembered her school friend Mary who had pressed chewing gum into the bellybutton of the plaster Christ in the cloister of the convent school back in the 1960s and when Sister Bede saw it she had to gently chiselled it out with a screwdriver threatening severe punishment to the girl responsible but no one told and even when she left years after the bellybutton of the Christ still had the scar where Sister Bede had chiselled too hard there was a cough behind her and Martha turned and there was a nun standing by the door her eyes dark like berries and her thin mouth slowly opened and she said are you the girl who wants to be a nun? Martha nodded her head and the nun told her to follow her and she went down a dim lit passageway the nun in front pacing slow each footstep measured her hands tucked out of sight with only the sound of her heels going clip clop clip clop on the flagstones and the black habit swaying very gracefully as she walked no more words no questions no answers because no one talked.
0
Jun 6, 2013
Jun 6, 2013 at 10:59 AM UTC
MARTHA AT THE MOTHER HOUSE.
Martha was shown into a parlour inside the front door of the mother house by a plump nun in black and white who looked like a penguin out for a stroll wait in there she said someone will fetch you in time so Martha looked around the room at the plain white walls the heavy curtains at the windows the huge crucifix on the wall opposite whose plaster Christ seemed battered an aged the plaster had lines and cracks on the legs and arms and the hands were contorted like a crab on its back with rusty nails holding them in place she moved nearer and reached up a hand so that her fingers could touch the feet of Christ and run them over the toes and feel the nail going through the feet she rubbed her fingers there she used to rub the crucifix in her grandmother's house the big one over the double bed and if she stood on the bed she could reach right up to touch the face and beard and see if she could hear Him breathe or if she reached really high she could feel His nose which on her grandmother's Christ the nose seemed broken and her grandmother said that was where her grandfather had thrown a shoe in temper and crack the plaster nose will he go to Hell? she recalled asking her grandmother O no her grandmother said not just for that and she was pleased because she liked her grandfather and his simple ways and hard toffees she felt each toe in turn moving a finger over the plaster and remembered her school friend Mary who had pressed chewing gum into the bellybutton of the plaster Christ in the cloister of the convent school back in the 1960s and when Sister Bede saw it she had to gently chiselled it out with a screwdriver threatening severe punishment to the girl responsible but no one told and even when she left years after the bellybutton of the Christ still had the scar where Sister Bede had chiselled too hard there was a cough behind her and Martha turned and there was a nun standing by the door her eyes dark like berries and her thin mouth slowly opened and she said are you the girl who wants to be a nun? Martha nodded her head and the nun told her to follow her and she went down a dim lit passageway the nun in front pacing slow each footstep measured her hands tucked out of sight with only the sound of her heels going clip clop clip clop on the flagstones and the black habit swaying very gracefully as she walked no more words no questions no answers because no one talked.
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128
Dom Frederick's book of the old abbey I had read the abbey closed by Henry VIII, the new abbey was my sanctuary since my first arrival, et habitaverunt ibi, George sickened for the warmer weather the cold saddened him, she kissed my pecker to a new life some other guy's wife, for the sake of silence we ought to abstain even from good talk Benedict said, I picked a cabbage for the midday lunch and smelt the mint nearby, birdsong woke the gardens and me, Hugh him of thin frame moaned of the number of books on my shelf even the Hopkins poems got his goat, Dieu est à mes yeux, in my sight and what I saw, on the seashore by the abbey we threw stones along the incoming tide and Dom Joe(Bunny dear) smiled, and again she said deeper deeper, we become what we love and who we love shapes what we become said Clare (saint) that is, the French peasant monk cut the tall grass with a skill I didn't have his scythe swung wide, travailler à prier he said, Dom Patrick spoke softly about the sweeping and washing of the refectory floor and how it was done and I did as he said, God is the indwelling not the transient cause of all things Gareth said quoting Spinoza as we walked from the abbey orchard to the cloister, I kissed her ******* each in turn as she had said in her big double bed, the bell tolled from the church for the office of Terce, Dio è nelle mie orecchie the Italian monk said, I watched the monks walk towards the church and I walked also, I am lost I mused where to go?
0
Feb 25, 2016
Feb 25, 2016 at 4:17 PM UTC
WHERE TO GO MCMLXXI.
Dom Frederick's book of the old abbey I had read the abbey closed by Henry VIII, the new abbey was my sanctuary since my first arrival, et habitaverunt ibi, George sickened for the warmer weather the cold saddened him, she kissed my pecker to a new life some other guy's wife, for the sake of silence we ought to abstain even from good talk Benedict said, I picked a cabbage for the midday lunch and smelt the mint nearby, birdsong woke the gardens and me, Hugh him of thin frame moaned of the number of books on my shelf even the Hopkins poems got his goat, Dieu est à mes yeux, in my sight and what I saw, on the seashore by the abbey we threw stones along the incoming tide and Dom Joe(Bunny dear) smiled, and again she said deeper deeper, we become what we love and who we love shapes what we become said Clare (saint) that is, the French peasant monk cut the tall grass with a skill I didn't have his scythe swung wide, travailler à prier he said, Dom Patrick spoke softly about the sweeping and washing of the refectory floor and how it was done and I did as he said, God is the indwelling not the transient cause of all things Gareth said quoting Spinoza as we walked from the abbey orchard to the cloister, I kissed her ******* each in turn as she had said in her big double bed, the bell tolled from the church for the office of Terce, Dio è nelle mie orecchie the Italian monk said, I watched the monks walk towards the church and I walked also, I am lost I mused where to go?
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77
The old monk with Parkinson’s disease, bug eyed through thick lenses spectacles, his fingers shaking the host, is unable to find the tongue in sick monk’s static mouth. I weeded the cloister Garth flower bed, back aching, God at my young bent shoulder. The youngest monk, squat and black robed, holds the ewer, while the abbot holds between knobbly fingers, the aspergillum, to bless the monks in the choir stalls, after Compline, before the Angelus calls.
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Jun 1, 2014
Jun 1, 2014 at 2:14 PM UTC
THE ANGELUS CALLING.
Cloistered manifestation Candle lit veneration Indoctrination it seems The apocalypse of dreams subtle degradation emotional *********** a soul split at the seams you whisper wicked words pleasure and pain are blurred subliminal hypocrisy fingers slick I grip these beads wheat and tares sprout from these seeds twist the truth in a noose for me formidible religion this gospel of indecision life bled out on your killing floor render me defeated my lesser gods unseated wrath poured out I am no more chant your litany of lies This sinner you despise clench that unread Bible to your chest consign me to eternal shame never again to speak my name bury me with the rest your religion is death with my final breath a means to an end is best TLB 11/01/08
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Sep 5, 2014
Sep 5, 2014 at 12:54 PM UTC
Cloister
Whenever I fall out of harmony with the uni-verse, I cloister at my mother's home. It's full of three things; books, paintings, and kids, yet the walls have more to offer.. I can hear her opening doors I still remember how she shortened every single one of her galabeyas, and how the space between her ankles and her feet is exactly what infinity looks like. I still remember the six gold ghawayesh that turned into four then turned into two, and I still remember thinking maybe one day they covered her whole arm like a shiny armor but she kept on falling defenseless because time is a cruel thief. I also remember how she robbed time of its powers by keeping her ancient wise soul an adventurous young one until the very last day; the skill she wanted to learn at the age of seventy was driving, because knitting is obviously for the young. I still remember her taking pride in her roots, like a baobab tree, and I still remember how it was this that taught to stand my ground, balanced and rooted. I still remember how people called her house "the mother of Egyptians' house" because that's the name of the neighborhood where it was. I still remember learning at the age of nine that the neighborhood was named so in the honor of the revolutionary Safia Zaghloul, and I still remember thinking that they named Safia Zaghloul so in the honor of her, because she was 'the mother', the source, the one more push, the spring, the lens, the revolution and beyond. I still remember how her hair looked like moonlight, and how her skin felt like flower petals. She wasn't an angel; she wasn't made out of light. She was made of water and fertile soil; she was a complete human being in all its glory, molded by the hands of Atum, and Minerva. And if she was not only in my memories, I'd make a pilgrimage to her; kneel under her feet so she can braid my hair, and offer warmth and bedtime stories in treasure boxes adorned with her favorite poetry lines. And I remind myself instead to take a good look at the night sky; those who follow the stars can never be lost.
0
May 30, 2015
May 30, 2015 at 8:23 PM UTC
Saudade
Whenever I fall out of harmony with the uni-verse, I cloister at my mother's home. It's full of three things; books, paintings, and kids, yet the walls have more to offer.. I can hear her opening doors I still remember how she shortened every single one of her galabeyas, and how the space between her ankles and her feet is exactly what infinity looks like. I still remember the six gold ghawayesh that turned into four then turned into two, and I still remember thinking maybe one day they covered her whole arm like a shiny armor but she kept on falling defenseless because time is a cruel thief. I also remember how she robbed time of its powers by keeping her ancient wise soul an adventurous young one until the very last day; the skill she wanted to learn at the age of seventy was driving, because knitting is obviously for the young. I still remember her taking pride in her roots, like a baobab tree, and I still remember how it was this that taught to stand my ground, balanced and rooted. I still remember how people called her house "the mother of Egyptians' house" because that's the name of the neighborhood where it was. I still remember learning at the age of nine that the neighborhood was named so in the honor of the revolutionary Safia Zaghloul, and I still remember thinking that they named Safia Zaghloul so in the honor of her, because she was 'the mother', the source, the one more push, the spring, the lens, the revolution and beyond. I still remember how her hair looked like moonlight, and how her skin felt like flower petals. She wasn't an angel; she wasn't made out of light. She was made of water and fertile soil; she was a complete human being in all its glory, molded by the hands of Atum, and Minerva. And if she was not only in my memories, I'd make a pilgrimage to her; kneel under her feet so she can braid my hair, and offer warmth and bedtime stories in treasure boxes adorned with her favorite poetry lines. And I remind myself instead to take a good look at the night sky; those who follow the stars can never be lost.
Continue reading...
9