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"clinking" poems
homeless, no metropolis without a home blaring and clinking and laughing lights sharp like daggers me and strange men—and you blinding motorcycle red, yellow, purple, neon all blurs together then, music, like iceland, like a flooded jungle, drowning I let go, take me away you are my key, --- gun in hand orchestra in other and bach and beethoven in between I'm sure we heard the same organs that day but you, other hand on bible prayed why hadn't I? my actions will have consequences . --- my only chance test after test failure after failure higher and higher suffocating desperation I grab on and never let go **** you, and I'll be free
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Aug 30, 2020
Aug 30, 2020 at 4:06 AM UTC
My Only Chance
Clinking of ink bottles Scratching of quills Rustling of paper Pouring out knowledge Sweating students Angry teachers Swatting of fleas No more patience Old mad bat suddenly Shouting "Bring me the earmuffs!!" Laughing, crying, farting Interupting the quiteness "Why would you ask that?" Principal Harpy asks "Surely it isn't winter" "Goodness me, have I said that out aloud?" "I take it back!" "Kindly continue with your exams" But no matter, nothing was the same.
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Apr 26, 2016
Apr 26, 2016 at 7:43 AM UTC
Vintage exam
If we were the kind of friends who unironically raised our glasses in toasts, I would give one to the generation too comforted by the ease of a honeybee in the plaintively nonexistent mind of a tulip To the generation, or at least its subset that wrongly feels representative, who stumble drunkenly or maybe just tiredly out of tents to **** in the view of their friends, who are still at the fire because the tent was too cold To those who did raise their glasses in a toast on New Year’s Eve at what felt, with the ball drop not screening in luddite protest, enough like midnight. Beginning with “dear friends” and a couple laughs; concluding with “now let’s get ****** up” and a couple more To those who proceeded as directed, clinking their shot-glasses and swigging them back. If only because they were not tulips.
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Jun 28, 2014
Jun 28, 2014 at 12:09 AM UTC
Tulip
A delicate heart held in a shaking hand. Pain. Sorrow. Joy. Love. I feel deeply; feel everything. With what you are holding. Don't close your eyes. Don't give up. Stay strong. Please be careful. Tender touches, fingers softly stroking my cheek. Quiet laughter in the morning. Turning over between warm sheets to see your sleeping face. So peaceful. So vulnerable. Leave your guard down for me. I'm not like them. I care. Feet sliding against each other underneath the old oak kitchen table. Spoons clinking against cereal bowls. Tired eyes happily wrinkled as the morning sun finds its way in the window. Warmth, happiness, acceptance. Don't take it away. Don't drop what you're holding. I can only trust so many people to hold it. Before it falls too hard.
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Oct 16, 2012
Oct 16, 2012 at 2:10 PM UTC
Deeply, Deeply, Deeply
i hear you piercing the silent clinking of champagne glasses with the laughter of a thousand waterfalls for my benefit.
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May 21, 2016
May 21, 2016 at 3:40 AM UTC
S H O W O F F
Our houses, spitting-distance close Feet propped on railing cold beer with fresh lime watching robins flung in flocks to the failing of August Too close-- Really? John, on his cell is fu_king the world again from his garage Why not-- squeeze in pool or a dog Lawn mowers and **** whips tune in to whine late Friday afternoon 'bout dinner time Clinking silver, scrapes of plates Running water for suds through open windows to the thunk of pots Doors bang behind on pathway to garbage or joint in the woods wafting over all wordless squeals of delight from autistic child Meanwhile, the odor of nail polish removes all doubts of-- --Gawd! lodging low and toxic as the sun dissolves orange in its acetone setting Kids playing Man Hunt as darkness falls Leaping hedges, slamming gates No yards can contain these kinetics restless legs, furtive minds Muttering wind chimes from four different porches above the drone of highway a half mile yawns Pieces of talk flipping the crickets over-- Why or who or at what time? Other-worldly glow from The Mall dims stars outlines mountains brightens the horizon behind Mosquitoes coming in for a landing
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Sep 2, 2016
Sep 2, 2016 at 5:20 PM UTC
Spitting Distance
Molten glass molded Into a perfect circle, Tinted with the shades of twilight; - Lustrous lilac, blushing pink and pastel purple - Embellished with shimmering stars, stolen from   the night I gently slide them on my fragile wrist reminiscing what he had once promised; Like the roundness of these graceful bangles, His love for me shall remain endless They've heard me pray to the Almighty they've been kissed by the tears I've cried Their clinking and jingling have always soothed me calling out his name when my eyes had dried. A girls best friend may be diamonds mine are these precious bangles They've been the voice of my silent lips And twirled at the touch of my fingertips Sitting in a bangle box, waiting for me patiently They will greet me again, merrily.
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Dec 21, 2015
Dec 21, 2015 at 7:05 AM UTC
Bangles
You were just a boy, Only a few years younger than me. I, too, was only a girl, but one who wanted to be a woman much too quickly. Except we didn’t meet, Because you found me surrounded by sleep. You had no need to shake my hand Or learn my name. Just a body, in the shape of your needs. When I was a child, younger of a child Than when you came Across me, I thought Satan haunted me and kept me from sleep. That night, where you had told others we'd met, I thought Satan himself had found me again. Drunk on youth and whisky, asleep in a stranger's bed,   I realized that Satan's only a child's fever dreams, or, sometimes instead, a teenage boy, clinking his belt, invading my sleep.
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Mar 22, 2019
Mar 22, 2019 at 6:13 PM UTC
Nightmares
Sometimes it is, poor Sylvia, that we cannot find the answers. They're not to be found clinking about in the stars, blowing about in the August wind, or blooming among the tea flowers, no matter how scented. No charlatan soothsayer discerns. No pull of the cards deciphers. If answers come at all they'll be found deep within yourself, only. Don't we all prove that countless, wretched times? But know this, dear Sylvia, even though it's too late for your sanity and your life, your daddy didn't die because of you, for you, by you. Death simply drew the line and pulled him across. What were you to do when life puzzled you to the limit, when all poems disappointed, when the ink failed to flow smoothly, the pen tore at the paper and the paper turned to ash before a line could be written down? What to do when your child's smile failed to ignite motherhood, when Daddy's image floated in and out, when emotional pain dragged you terrified under its black cerement, that cold, wet, smothering grave cloth? Fear, oh my God, fear, and the doubt that you had, the whirling about of a shattered mind, bouncing from this trap to the other - your muted, stifled inner screams unheard, or worse, unexpressed. Yes, you found a solution, poor Sylvia, but suicide doesn't always equate with an answer. You found a sad poem, a dirge to be exact, something that moves us, but there is no rhyme to it and the ending is an enigma, a great puzzle yet to be invoked, understood. ----
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Dec 8, 2011
Dec 8, 2011 at 4:51 PM UTC
Ode to Sylvia Plath
your ears were by far your best feature they could deflect all my nervous trifles and absorb the jokes no one else got, the confessions I whispered through the phone, and the significance of being on the other end (please remember) I am not compiling a list of clichés with which to barricade the door when loneliness knocks This is not a love song, so please don’t use those ears to search for one those ears were second only to your tongue it possessed the unique ability to mold sound into exactly what I needed to believe the confessions it sculpted and glazed with calculated vulnerability fit so comfortably in my ear that tongue was a love song and a mace rolled into one (please remember) not to use it to sing my praises, and I’ll grant you the same courtesy your feet are so beautiful, too the elegance with which they propelled you into someone else’s day dreams was inspired with a screech, your tires left me reveling in exhaust the fumes choking me, I never got a chance to say that coffee from the place you used to- we used to like is bitter now it tastes the way goodbye did as it rolled off my tongue and chased your retreating back I add more sugar but the clinking of the spoon echoes the “I love yous” whispered to someone else the sound fits in her ear the way your hand used to fit in mine the spaces between my fingers now resemble apartments whose tenants have been evicted the landlord hardened by rejection wears a coat sewn from the time and wears a mustache curled into the shape of desire these lonely flats are plagued with shadows (that’s what happens when the sun is so **** close you can taste it, but there’s something else in the way) (please remember) this is not a love story (please remember) I don’t want you back I want coffee that won’t stain my smile I want my favorite songs not to be harmonized by the sound of your breathing I want my posture not to sing a Taylor Swift song and I desperately want not to be the girl writing you poetry (the kind that you would never listen to anyway) your ears were by far your best feature everything else is blurry to me now I can’t picture your edges anymore, or differentiate where they separate from mine Your ears were second only to your tongue Your feet are so beautiful, too With a screech, your tires left me reveling in exhaust
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Oct 31, 2012
Oct 31, 2012 at 8:34 PM UTC
to no one in particular
your ears were by far your best feature they could deflect all my nervous trifles and absorb the jokes no one else got, the confessions I whispered through the phone, and the significance of being on the other end (please remember) I am not compiling a list of clichés with which to barricade the door when loneliness knocks This is not a love song, so please don’t use those ears to search for one those ears were second only to your tongue it possessed the unique ability to mold sound into exactly what I needed to believe the confessions it sculpted and glazed with calculated vulnerability fit so comfortably in my ear that tongue was a love song and a mace rolled into one (please remember) not to use it to sing my praises, and I’ll grant you the same courtesy your feet are so beautiful, too the elegance with which they propelled you into someone else’s day dreams was inspired with a screech, your tires left me reveling in exhaust the fumes choking me, I never got a chance to say that coffee from the place you used to- we used to like is bitter now it tastes the way goodbye did as it rolled off my tongue and chased your retreating back I add more sugar but the clinking of the spoon echoes the “I love yous” whispered to someone else the sound fits in her ear the way your hand used to fit in mine the spaces between my fingers now resemble apartments whose tenants have been evicted the landlord hardened by rejection wears a coat sewn from the time and wears a mustache curled into the shape of desire these lonely flats are plagued with shadows (that’s what happens when the sun is so **** close you can taste it, but there’s something else in the way) (please remember) this is not a love story (please remember) I don’t want you back I want coffee that won’t stain my smile I want my favorite songs not to be harmonized by the sound of your breathing I want my posture not to sing a Taylor Swift song and I desperately want not to be the girl writing you poetry (the kind that you would never listen to anyway) your ears were by far your best feature everything else is blurry to me now I can’t picture your edges anymore, or differentiate where they separate from mine Your ears were second only to your tongue Your feet are so beautiful, too With a screech, your tires left me reveling in exhaust
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Dreams are made of chocolate huts With burgundy windows, cherry **** doors Sweet icing on cream layered roofs Almond -walnut -caramel floors Dreams are made of iris and jasmine  Jacarandas lined in purple rows Tree blossoms in clustered cobs Petals that dance like a ballerina's toes Dreams are made of fern green forests Oakwood trees  that cast a spell  A  gossamer web of magic and charm The music of clinking coins in a wishing well Dreams are made of cerulean skies Contrails of clouds in ivory snow Violet mystic misty mountains A  tangerine orb riding a rainbow Dreams are made of romance laced nights A golden peach vanilla moon Venus lighting, igniting,love's fire The silhouette  of love in rain soaked June Dreams are made of turquoise seas Calm waters stroked by gentle waves Or enticed by the charm of a midsummer night Waters that heavenly Cynthia craves Dreams are made of silk and satin Dappled with reds, greens and blues But the dreams that I love to dream the most Are all the dreams made of you
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Jul 26, 2016
Jul 26, 2016 at 10:00 AM UTC
What are dreams made of?
As a child I dabbled in ****** No barbie was safe from the hands of their god Ran hills caked to the toe Roughed terrain with neighborhood boys They called me girl But I felt boy Upon later years I learned: Dress Skirt Bra Flower Amenities accustomed to this body; A bustling street of hormones without a red light Next were ******* Wild & rambling, I soon Mastered the art of shrinking I kissed my first boy & felt it rattle through my bones His hair an ocean in my hands as I rose up to the surface Later I discovered the shared experience of Woman, Shifting about the world as a silly metaphor Carved fingers into mace & metal Ankles clinking busily on a subway platform In learning to fight The young boy dwindled into memory and I couldn’t sense shape anymore Fell in and out of love with woman and man alike, Sinking deep into salt & sand These days I can’t help but wonder if attraction is a mode of defense Or that of love These days I run hills in heels Caked to the toe in color -- c
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Mar 13, 2018
Mar 13, 2018 at 1:11 AM UTC
Lessons I Learned As A Young Boy
There was no knight to rescue me that night - just a gentle breeze, whispering the secrets of the earth The cheering of cheery companions taunt me - Go and join in, have some fun The night is sweet, the night is young Empty glass bottles fill the house, Not yet shattered, but waiting to be The clinking of alcoholic beverages between each merry soul Good to see you again my friend, Good to see you again Somehow, some thing is missing Something isn't right The gentle hum of the party's vibes as it swings into life distracts me from my sole intention: Keep a low cover, don't make any noise Keep a low cover, stay away from the boys.
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Oct 20, 2014
Oct 20, 2014 at 1:26 PM UTC
No knight, that night
The tangible entity of consciousness is fleeting Scene: A elegant party but not quite extravagant Clinking wine glasses echo through transparent walls Twenty-two hundred lulls over the city like that of a shadow This isn’t an ungodly hour nor is this a typical night It starts when She enters in a red gown that elongates her figure A pianist smirks in the corner — a grin that’s almost sinister The clinking of wine glasses abruptly stops when its replacement of grim notes fills the glass house The attendants still seem cheerful (How peculiar?) A stranger pulls her into a waltz but his eyes look hauntingly familiar Unbenounced to her, He too dances with a stranger Both on separate sides of the glass room Both dancing with the unknown Yet each pair seems to recognize some prominent feature Nostalgic for what has never been (How do you preserve a memory in reality?) Through the glass house mirrors sit in obscure angles One could see that within each reflection He and She were projected into the other room Each glance towards the mirrors posed no questions For both pairs seemed identical Now their lives may have been content in accepting this dance with a “stranger” I suppose But that was not the plan of this party For guests grew tired of sipping on Beaujolais and listening to solem tunes The pianist presented a different song, more lively yet equally eerie Their feet paced with the new rhythm which called for a spin (An act as dramatic as such was only proper for the scene) With a grand gesture She turns, finally seeing the glass barriers And for the first time that night He and She were face to face A perfect dilemma to entertain an audience In a frenzy She tried to speak “I love you” “I love you” “I love you” But each plea for affection deemed futile For the grin on His face became that of the pianist Her emotions were a downward spiral of gray shaded confusion And with a sinister laugh He (or he) smashed the glass, shredding all source of reality He was the hallucinogen and She was angry at him for making Her feel And each guest cheered “bravo” demanding an encore But this tragedy, dear friends, has come to the end She’ll never know how the stars look where he is (Is such a loss truly a loss?)
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Jun 14, 2018
Jun 14, 2018 at 12:11 AM UTC
Facade
The tangible entity of consciousness is fleeting Scene: A elegant party but not quite extravagant Clinking wine glasses echo through transparent walls Twenty-two hundred lulls over the city like that of a shadow This isn’t an ungodly hour nor is this a typical night It starts when She enters in a red gown that elongates her figure A pianist smirks in the corner — a grin that’s almost sinister The clinking of wine glasses abruptly stops when its replacement of grim notes fills the glass house The attendants still seem cheerful (How peculiar?) A stranger pulls her into a waltz but his eyes look hauntingly familiar Unbenounced to her, He too dances with a stranger Both on separate sides of the glass room Both dancing with the unknown Yet each pair seems to recognize some prominent feature Nostalgic for what has never been (How do you preserve a memory in reality?) Through the glass house mirrors sit in obscure angles One could see that within each reflection He and She were projected into the other room Each glance towards the mirrors posed no questions For both pairs seemed identical Now their lives may have been content in accepting this dance with a “stranger” I suppose But that was not the plan of this party For guests grew tired of sipping on Beaujolais and listening to solem tunes The pianist presented a different song, more lively yet equally eerie Their feet paced with the new rhythm which called for a spin (An act as dramatic as such was only proper for the scene) With a grand gesture She turns, finally seeing the glass barriers And for the first time that night He and She were face to face A perfect dilemma to entertain an audience In a frenzy She tried to speak “I love you” “I love you” “I love you” But each plea for affection deemed futile For the grin on His face became that of the pianist Her emotions were a downward spiral of gray shaded confusion And with a sinister laugh He (or he) smashed the glass, shredding all source of reality He was the hallucinogen and She was angry at him for making Her feel And each guest cheered “bravo” demanding an encore But this tragedy, dear friends, has come to the end She’ll never know how the stars look where he is (Is such a loss truly a loss?)
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Another copycat,don't do that it's all been done before and one more pretender shown the door, swing out swing in and another cat comes ring a ding, ding. I need uniqueness I want to feed on the sweetness of novelty,there seems to be less and less of that deliciousness and not much of that newness I can claim for my own, I think I'm fading into the woodwork,full of knots and gnarlings and look at me darlings as I disappear. No copycat here, this is a first time,straight from the bread line into a basket case and how can I possibly face that which is new? New is getting fewer and the few who do new don't know and never knew what few could be in this land of lots and plenty for me. I was told that old is the new folding currency and that doesn't suit me,too many wrinkles,too many nooks and nannies with crooks,like little Bo-Peep,I wish they'd all sleep, there is time for the sheep to try on for size,oh my dear Lion what gigantic eyes, is that a bit new or just me cooking stew? A copycat like folding currency folds flat and I'm having none of that,I like the chinking and clinking of real gold and that don't fold. So beware if you share and don't credit the writer,who with meagreness in his pockets pulls his belt a bit tighter,one more notch he can't feel,,one more meal never felt in his gut,but copycat see,copycat do,copycat never think anything new. What are you?
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May 25, 2014
May 25, 2014 at 5:13 AM UTC
Pantograph
The red-capped Cock-Man has just announced morning; The Keeper of the Robes brings Jade-Cloud Furs; Heaven's nine doors reveal the palace and its courtyards; And the coats of many countries bow to the Pearl Crown. Sunshine has entered the giants' carven palms; Incense wreathes the Dragon Robe: The audience adjourns-and the five-coloured edict Sets girdle-beads clinking toward the Lake of the Phoenix.
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3k
An Early Audience at the Palace of Light. (Harmonizing a poem for Secretary Jia Zhi.)
Glistening crowds shuffle in detached cadence Sweating long necks on a production conveyer The boardwalk Pungent saltwater and fried dough coalesce Ocean meets carnival Teen screams and seagull shrieks A multitude of color variation Red to black A scent of Coppertone and Noxzema To ease the pain of the vain and pale Summer at Happy Hampton Beach Arcade upon arcade Clinking bells and whirly sounds “You're a Winner!”, the mechanical voice screams Summer fades as do the summer flings, until next year
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Jul 12, 2014
Jul 12, 2014 at 7:01 AM UTC
Happy Hampton Beach
Jordan gave me rose quartz prayer beads. Freddy picked me up and spun me around. I kissed the beads and kissed my hand and blew it to the stars, over and over again. Thank you universe, for the kind hearted people you have dropped into my existence. Thank you universe, for the good music, the good **** good wine, and good company. Thank you, for the smiles, the laughs, the cigarettes, the numbers given out on backs of receipts. Thank you for the swing sets, the campfires, the coffee and tea, the cars we drive around in. Thank you for emotions. Thank you for the feeling I get when someone kisses my forehead, the feeling when someone compliments my smile, the feeling when I notice the moon for the first time that evening. Thank you, for the moon, the stars, the clouds, and the autumn breeze. Thank you for the sounds, the crickets, the leaves rustling, the clinking glasses, and the sound of small kisses. Thank you for the snort I get when I laugh to hard. Thank you for the bass, the guitar, the drums. Thank you for the shouts, the soft spoken, the loud, and the whispers. Thank you for the doors, the staircases, and the windows. Thank you for everything that ever was, is, and will be. Thank you for the indefiniteness of the now. Thank you for everything. I once read in a book, that the likelihood of our proteins folding just so to make us what we are is comparable to that of a twister rolling through a junkyard and assembling a jumbo jet. This is something I like to remind myself daily. It is so miraculous that we are here today to experience everything and everyone around us, and be able to document and share it. I hope one day someone can look at my photographs and writings and feel these immense and overwhelming emotions that I feel in these moments.
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Jan 11, 2014
Jan 11, 2014 at 6:10 AM UTC
Rose Quartz
Jordan gave me rose quartz prayer beads. Freddy picked me up and spun me around. I kissed the beads and kissed my hand and blew it to the stars, over and over again. Thank you universe, for the kind hearted people you have dropped into my existence. Thank you universe, for the good music, the good **** good wine, and good company. Thank you, for the smiles, the laughs, the cigarettes, the numbers given out on backs of receipts. Thank you for the swing sets, the campfires, the coffee and tea, the cars we drive around in. Thank you for emotions. Thank you for the feeling I get when someone kisses my forehead, the feeling when someone compliments my smile, the feeling when I notice the moon for the first time that evening. Thank you, for the moon, the stars, the clouds, and the autumn breeze. Thank you for the sounds, the crickets, the leaves rustling, the clinking glasses, and the sound of small kisses. Thank you for the snort I get when I laugh to hard. Thank you for the bass, the guitar, the drums. Thank you for the shouts, the soft spoken, the loud, and the whispers. Thank you for the doors, the staircases, and the windows. Thank you for everything that ever was, is, and will be. Thank you for the indefiniteness of the now. Thank you for everything. I once read in a book, that the likelihood of our proteins folding just so to make us what we are is comparable to that of a twister rolling through a junkyard and assembling a jumbo jet. This is something I like to remind myself daily. It is so miraculous that we are here today to experience everything and everyone around us, and be able to document and share it. I hope one day someone can look at my photographs and writings and feel these immense and overwhelming emotions that I feel in these moments.
Continue reading...
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Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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Mariana in the Moated Grange
Mariana in the Moated Grange by Alfred, Lord Tennyson With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The **** sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"
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I only hear the chain clinking under the endlessly spinning fan & this continuous buzzing in my head. I only see the light of my screen, surrounded by the pitch of my room & the veil of my solitude that covers me. I only smell your memory in my mind, of what once was really incredible & what could have been so much greater. I only touch myself privately, the way you always did tenderly & it's not nearly as good as you always did. I only taste the abundant saline-drops that carve deep lines down my sad face & I know the flavor of loneliness, remain starved for your affections.
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Mar 21, 2014
Mar 21, 2014 at 5:02 AM UTC
The Flavor of Loneliness
Friends, family, foes, and those of woe, I invite you to dance this delicate tango with me, right on the line of reality and fantasy. It is here, that, I invite you to the mad tea party. Now, let us get one or two, three or four, maybe ten, one hundred, zero things straight, you are not to be late to the mad tea party, you are to set your time straight and do not stray, but rather show up without delay at the time that serves your mental estate, at a time that feels right with your bones, now, now don't miss that time and don't be late. We are of strict dress code here at the mad tea party. You are not to wear what you saw on him and she and her and we unless it is of, suitable expression to your situation, you are to dress accordingly with your mentality, nothing else will pass the test. You are to act accordingly. Do not laugh when not appropriate, and sit up straight when your spine tells you. Do not speak when your mind is forced to be spoken. Now, have we all straight. I cordially invite you to the mad tea party. Where we dine and wine and tell tales of time, and rejoice on the words those delicately spoke, and dance on the lines theatrically strewn across the room, and sail across every last tale from you and he and yeah her over there too. I invite you to the mad tea party. I invite you tell of when you first saw the earth breath, when the trees and the leaves set to dancing, when you first heard the wind laugh at your grin, and when the raindrops ran fearfully from the erupting sky. I demand of you to tell nothing but that of truth, and watch as the molecules in the air take to vibrating. Take notice to musical clinking of the entities amidst you, and take pride in the gentle stride of the clouds overhead. Did you notice the flowers laughing at you, in between the birth, death and rebirth in accordance with the sun? Did you notice the flowers pull in their petals as they shyed from your step? Take notice to the music and laughter around you at the mad tea party, take great care with the feelings floating about the air, vulnerably buzzing from mind to mind, before their decline and descent to rest their heads. You see, it is here at the great mad tea party, that we do not devoid you of the ability to do as your energy demands, with the issues of time and dress and proper behavior. It is here that we tend to focus on the earth and the breathing of the molecules and atoms  around you, it is here that we go mad. and it is here that I cordially invite you, but before you make your reservation, please eliminate all hesitation. You see the mad tea party is not readily accepted, by the constraints of society and the binds of reality. You see the mad tea party is misconstrued by masses more than just a few. Those who long buried their soul look down on the guests, for they are different than the rest, in that, they're welcoming, into their soul the ability to go mad which is taught to be bad. So before you make your reservation be inexplicably sure, that you are in fact, ready, for the mad tea party.
0
Sep 18, 2013
Sep 18, 2013 at 11:32 AM UTC
The diary of a mad man
Friends, family, foes, and those of woe, I invite you to dance this delicate tango with me, right on the line of reality and fantasy. It is here, that, I invite you to the mad tea party. Now, let us get one or two, three or four, maybe ten, one hundred, zero things straight, you are not to be late to the mad tea party, you are to set your time straight and do not stray, but rather show up without delay at the time that serves your mental estate, at a time that feels right with your bones, now, now don't miss that time and don't be late. We are of strict dress code here at the mad tea party. You are not to wear what you saw on him and she and her and we unless it is of, suitable expression to your situation, you are to dress accordingly with your mentality, nothing else will pass the test. You are to act accordingly. Do not laugh when not appropriate, and sit up straight when your spine tells you. Do not speak when your mind is forced to be spoken. Now, have we all straight. I cordially invite you to the mad tea party. Where we dine and wine and tell tales of time, and rejoice on the words those delicately spoke, and dance on the lines theatrically strewn across the room, and sail across every last tale from you and he and yeah her over there too. I invite you to the mad tea party. I invite you tell of when you first saw the earth breath, when the trees and the leaves set to dancing, when you first heard the wind laugh at your grin, and when the raindrops ran fearfully from the erupting sky. I demand of you to tell nothing but that of truth, and watch as the molecules in the air take to vibrating. Take notice to musical clinking of the entities amidst you, and take pride in the gentle stride of the clouds overhead. Did you notice the flowers laughing at you, in between the birth, death and rebirth in accordance with the sun? Did you notice the flowers pull in their petals as they shyed from your step? Take notice to the music and laughter around you at the mad tea party, take great care with the feelings floating about the air, vulnerably buzzing from mind to mind, before their decline and descent to rest their heads. You see, it is here at the great mad tea party, that we do not devoid you of the ability to do as your energy demands, with the issues of time and dress and proper behavior. It is here that we tend to focus on the earth and the breathing of the molecules and atoms  around you, it is here that we go mad. and it is here that I cordially invite you, but before you make your reservation, please eliminate all hesitation. You see the mad tea party is not readily accepted, by the constraints of society and the binds of reality. You see the mad tea party is misconstrued by masses more than just a few. Those who long buried their soul look down on the guests, for they are different than the rest, in that, they're welcoming, into their soul the ability to go mad which is taught to be bad. So before you make your reservation be inexplicably sure, that you are in fact, ready, for the mad tea party.
Continue reading...
58
it was like waking up to all white fume or a long washline — masturbatory, feeling something stiff like a hand gliding over a monsoon of emotions, the affect jazz and the crunch of fragrance forever like sandalwood; on my way to Dumandan, i conjure an inward miasma of thrill, unfurled yesterday, today, or was it before when our eyes were fixated on the passing of things in myriad ways without any relevance to what has died, say wilted, like a flower going away in closing seasons, children in hurtling speeds at twilight, gates welcoming a resounding sound of rusting hinges, slow rise of night, its vertical climb, shadows collapsing on the Hibiscus and the Poinsettia from the Cordillera, dreary men taking out ******* throwing them into metalloid beasts, verdigris painted, grisly caravan of steel and worthless scraps — past neighborhoods thinking about the simmer of onion and the hustle of the feral over rooftops, clinking wine bottles undulating full to empty — both unaware of acumen and only dizzying ourselves mirroring each other eye to eye and bridging this unclose-enough a gap in between, because you need it, and i want it, or simply in reverse, a sidewinding thought through dunes of afterthought. because you have to walk my side of the Earth and I have to meet you somewhere halfway where we can both lounge at each other's steady presence while the flyblown dry air ravishes the piquant morning, all-telling what this distance meant from its peak up to the very last traceable steps where i found you and you found me, trilling in the neighborhood like how void stills itself into all the mood of the Earth: all moony and fretting in the disquiet.
0
Nov 15, 2015
Nov 15, 2015 at 2:38 PM UTC
Past Neighborhoods
it was like waking up to all white fume or a long washline — masturbatory, feeling something stiff like a hand gliding over a monsoon of emotions, the affect jazz and the crunch of fragrance forever like sandalwood; on my way to Dumandan, i conjure an inward miasma of thrill, unfurled yesterday, today, or was it before when our eyes were fixated on the passing of things in myriad ways without any relevance to what has died, say wilted, like a flower going away in closing seasons, children in hurtling speeds at twilight, gates welcoming a resounding sound of rusting hinges, slow rise of night, its vertical climb, shadows collapsing on the Hibiscus and the Poinsettia from the Cordillera, dreary men taking out ******* throwing them into metalloid beasts, verdigris painted, grisly caravan of steel and worthless scraps — past neighborhoods thinking about the simmer of onion and the hustle of the feral over rooftops, clinking wine bottles undulating full to empty — both unaware of acumen and only dizzying ourselves mirroring each other eye to eye and bridging this unclose-enough a gap in between, because you need it, and i want it, or simply in reverse, a sidewinding thought through dunes of afterthought. because you have to walk my side of the Earth and I have to meet you somewhere halfway where we can both lounge at each other's steady presence while the flyblown dry air ravishes the piquant morning, all-telling what this distance meant from its peak up to the very last traceable steps where i found you and you found me, trilling in the neighborhood like how void stills itself into all the mood of the Earth: all moony and fretting in the disquiet.
Continue reading...
41
You know that feeling after you've downed a drink when you find youself breathing a little quicker That's how it is being with you. I'm drowning at the bottom of your glass, always gasping, breathless Struggling for air after another swig of your emotion But you're still oblivious, clinking your glass under the false pretense of giving Cheers
0
Jun 19, 2014
Jun 19, 2014 at 11:48 PM UTC
Cheers
Joe wants to know how'm I doing? an innocuous query, little can he know, bye bye is my merry, marooned on a skerry, noxious fumes in the aerie, currently inhabiting  my foreheady, worry waves, rolling thunderous tides, have myself beside thus the answer to your toll, something bad, on me, got a hold Joe, life is, more than a tad concerting concerting? surely you meant converging, or perhaps, concatenating, or concaving? discombobulating, or more likely, plain ole disconcerting? indeed, all of the above, fit like a glove, but best combinated in steaming mug of concerting "to contrive or arrange by agreement: to plan; devise" the world is secret contriving, the world is secret devising, a plan for my demising, forces are concerting re me... most concerning, as trends converging, concave hollow chains clinking, a concatenating chorus voicing their displeasure, at my happy existence, which now gone, its loss, wept for, in great measure life dissing me, in a manner concerting and dis-concerting, my composure, decomposing, the ides of depression, hip hop discombob- (undu)lating throb but then again, what's in a word, what's in a rhyme, jes that old timey R&B;, rhyming and blues, of a verbal kind so, Joe, how'm I doing? now that you are knowing, as men of distinguished letters, students of history, part time poets, Your Reply must only be: "Oh no, Natty, say it ain't so"
0
Jan 18, 2014
Jan 18, 2014 at 5:03 AM UTC
R&B: Joe wants to know
It would tie your brain up in a knot, the clink of glasses on the barman's grate, and the tones of creaky Dublin croaking, In darkness, mourning the death, of the daytime light.   It would I say, to grasp the slender neck, and to lift it, smiling, glancing beyond the glass, at winking eyes and clinking pints of plain, My brain is in a knot, when I think of you.   I held you on the banks, of the  royal canal, knew then what all the bards and lovers mean, say it was the light reflected in their eye, I never did hear tell, of eyes to rival glass Yet confound revealing daytime light, you are liquid of the night, stout and dark, rebuke me not, till your own brain too, Has been left in knots, by the dark slender boy.
0
Sep 12, 2014
Sep 12, 2014 at 6:47 PM UTC
Honest Love Pome