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"clifton" poems
(For Harry Clifton) I HAVE heard that hysterical women say They are sick of the palette and fiddle-bow. Of poets that are always gay, For everybody knows or else should know That if nothing drastic is done Aeroplane and Zeppelin will come out. Pitch like King Billy bomb-balls in Until the town lie bearen flat. All perform their tragic play, There struts Hamlet, there is Lear, That's Ophelia, that Cordelia; Yet they, should the last scene be there, The great stage curtain about to drop, If worthy their prominent part in the play, Do not break up their lines to weep. They know that Hamlet and Lear are gay; Gaiety transfiguring all that dread. All men have aimed at, found and lost; Black out; Heaven blazing into the head: Tragedy wrought to its uttermost. Though Hamlet rambles and Lear rages, And all the drop-scenes drop at once Upon a hundred thousand stages, It cannot grow by an inch or an ounce. On their own feet they came, or On shipboard,' Camel-back; horse-back, ass-back, mule-back, Old civilisations put to the sword. Then they and their wisdom went to rack: No handiwork of Callimachus, Who handled marble as if it were bronze, Made draperies that seemed to rise When sea-wind swept the corner, stands; His long lamp-chimney shaped like the stem Of a slender palm, stood but a day; All things fall and are built again, And those that build them again are gay. Two Chinamen, behind them a third, Are carved in lapis lazuli, Over them flies a long-legged bird, A symbol of longevity; The third, doubtless a serving-man, Carries a musical instmment. Every discoloration of the stone, Every accidental crack or dent, Seems a water-course or an avalanche, Or lofty slope where it still snows Though doubtless plum or cherry-branch Sweetens the little half-way house Those Chinamen climb towards, and I Delight to imagine them seated there; There, on the mountain and the sky, On all the tragic scene they stare. One asks for mournful melodies; Accomplished fingers begin to play. Their eyes mid many wrinkles, their eyes, Their ancient, glittering eyes, are gay.
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3.4k
Lapis Lazuli
(For Harry Clifton) I HAVE heard that hysterical women say They are sick of the palette and fiddle-bow. Of poets that are always gay, For everybody knows or else should know That if nothing drastic is done Aeroplane and Zeppelin will come out. Pitch like King Billy bomb-balls in Until the town lie bearen flat. All perform their tragic play, There struts Hamlet, there is Lear, That's Ophelia, that Cordelia; Yet they, should the last scene be there, The great stage curtain about to drop, If worthy their prominent part in the play, Do not break up their lines to weep. They know that Hamlet and Lear are gay; Gaiety transfiguring all that dread. All men have aimed at, found and lost; Black out; Heaven blazing into the head: Tragedy wrought to its uttermost. Though Hamlet rambles and Lear rages, And all the drop-scenes drop at once Upon a hundred thousand stages, It cannot grow by an inch or an ounce. On their own feet they came, or On shipboard,' Camel-back; horse-back, ass-back, mule-back, Old civilisations put to the sword. Then they and their wisdom went to rack: No handiwork of Callimachus, Who handled marble as if it were bronze, Made draperies that seemed to rise When sea-wind swept the corner, stands; His long lamp-chimney shaped like the stem Of a slender palm, stood but a day; All things fall and are built again, And those that build them again are gay. Two Chinamen, behind them a third, Are carved in lapis lazuli, Over them flies a long-legged bird, A symbol of longevity; The third, doubtless a serving-man, Carries a musical instmment. Every discoloration of the stone, Every accidental crack or dent, Seems a water-course or an avalanche, Or lofty slope where it still snows Though doubtless plum or cherry-branch Sweetens the little half-way house Those Chinamen climb towards, and I Delight to imagine them seated there; There, on the mountain and the sky, On all the tragic scene they stare. One asks for mournful melodies; Accomplished fingers begin to play. Their eyes mid many wrinkles, their eyes, Their ancient, glittering eyes, are gay.
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57
I dont know how to say goodbye to a man I never knew. Clifton. Tail gunner ,Lancaster bomber. 1942. I tried to write his story but I came up short. Black man fighting to free the world in his Majesty's air corps. 1944 A man who answered the call. One of many. One of a kind. A man from the colonies..Belizean.. Family man, father, patriot. Has fired his last round. R.I.P.
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Sep 11, 2014
Sep 11, 2014 at 1:28 AM UTC
Tail Gunner
I don't know what the day was like But I want to believe that it was glorious Cold Clear With the sting of February on the face of a doctor A father to be Hurrying his wife Probably in labor Down the steps to the car For the trip to the hospital Actually the sanitarium in Clifton Springs Then, after awhile in the waiting room The news And the promise of a baby girl His first child The first of five The child who won't die at the hands of a drunk driver The only one who won't be a doctor Who will marry Have three children of her own Loose a husband Gain daughters and a son in law Grandchildren And who Sometime later After the roar of a hurricane passes Will pass herself Hiding the pain that ravages her small body And tells her that she's still alive But for now In the sanitarium In Clifton Springs Only the promise Of a baby girl In the arms of a new mom His wife
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Aug 8, 2012
Aug 8, 2012 at 8:54 PM UTC
The Promise of a Baby Girl
Southwestern Dis-United States of Memory Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.
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Feb 23, 2017
Feb 23, 2017 at 9:37 PM UTC
Lindísima
Southwestern Dis-United States of Memory Piñon smoke and sagebrush, voice of New Mexico night driving into an Arizona dawn rising over dreaming pueblos, low-ridden plazas, kivas and ruined cities’ rubble traced and highlighted by sunlight, Anglo angling into Aztec toward Zuni over arid zones… A to Z to El Dorado; a voice covers the high hills with a dusting of snow—every word hangs in the notes of the song: music to fall apart to, breakdown to, hurling the soul  into the bottomless well of psychotic nostalgia: música de cavanga, falling into the depths. Melody pushing to the threshold of a bar and leaving you there with cash in your pocket and no ride home. The warmth inside beckons—you step across as the song fills, swells, intoxicates, then excavates the wall of the dam until it collapses. The fatal mistake: you read too much into the lyrics of shallow love songs. The deathwish beast of despair arises, the flooded plains dazzle your eyes, the Indian girl smiles on the rim of the grand canyon, the tattooed cholo pulls a knife in the trailer park, the dark waters under the bridge murmur and surge with regret; el río de Las Animas, Durango CO, Aztec calligraphy on the wall: Las Cruces, NM; Clifton, Morenci, Globe, AZ: stepped pyramids of copper tailings, gang-warred walls in fallen barrios covered in Chicano hieroglyphics, the ruined huts of shepherds and cowboys, pit-house dwellings’ flaked arrowheads and pottery fragments scattered forever in the coyote laugh of desert dusk. Crepuscular colors on the names of mountain ranges: Santa Catalina, Sangre de Cristo, Sandia, each one a separate sunset delirium—then you ride through the night to the city of palm trees and the orange-lined boulevards of Heaven. The singer herself grew old but her YouTubes live forever.
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3
Down in the Hills of the Mississippi River Valley Between the Bluffs and The river bank in Lansing Is a Friend named Joe Price, Born to Play the Blue's Raised on Farming as a Boy, Yet was a need he could not lose He listened to Muddy Waters And ran out to buy a Guitar An old 1947 12 String National Resonator with the Steel Core He rapped his fingers around Till his blues skills got honed He was Destined to play with Legends like John Lee ****** Willie Dixon and Clifton Chenier Sonny Terry & Brownie McGhee Along with Muddy Waters and Me I know I'm no legend but I can't Refuse When Joe ask me to Sit in on a Knee Slappin' Hand Clappin version of the Hobo Blues His work boot stomped a beat On an old flat piece of wood As that steel Slide made that Guitar Cry A Legend behind the Scenes he's Played from the North down to The Louisiana Back Bayous And everything in Between You'll Never Know that feeling As the Hair stands on your Neck This hardly known old Hobo Was a Legend what the Heck Till you get a chance to listen To his Train whistle slide Moan That 12 string Steel Guitar Tone That sounds so very Nice From an Unknown Legend Name of Joe Price His Music can be found on http://www.joepriceblue.com/
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Feb 25, 2015
Feb 25, 2015 at 5:11 PM UTC
HOBO BLUES MAN
Mud bug Stew, Black beans and rice Collard greens and fat back boiled up Nice Nothing like a Bowl of Fila Gumbo Boozoo Chavez play the Crawfish mombo Blind drunk Betting, and Letting Dollars go And he blew it all on horses and Ho's Boozoo got a taste of Cold Cash And Cadillacs Clifton Chenier in Lake Charles too Snook right past ole drunk Boozoo His accordian tunes Ripped right By Boozoo Chavez who did not Know How Clifton Chenier became The KING of ZYDECO
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Nov 13, 2014
Nov 13, 2014 at 12:44 AM UTC
CRAWFISH MOMBO
I should be just like you, Heart of black ice, Be kind, A friend, how to create an illusion, in your mind, be close, pretend to be real, a way to know, your dreams, your plans, your next move, When I see your aspirations, which carry you forward, Being a master manipulator, like you, I will cunningly plan your fall, like a jester, laughing with the crowd, which I am convinced you have always been, nothing more than that of an immutable intimidated. You are really just a coward, you are afraid of someone, you just make an effort to do what is best, you are afraid of someone, who is not even a threat to you, or the position you occupy. Prove your superiority, self-confidence, by being proudly bold! Your pride, your arrogance, your ignorance, your blindness and your hypocrisy ... NO, I could never be like you, ruining others like you do, I thought I was the fool, now I see, now I have peace. So I sincerely pray. "God open his heart, to accept your extraordinary grace, through you, we will both know our part, our place, and if not soon, then in Heaven, we will have an eternity to be redone. "Yes, I love you my sister in Christ! - VenJencie Ⓒ Author Ven J. Arnold Venjencie Clifton Arnold
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Nov 10, 2021
Nov 10, 2021 at 11:06 PM UTC
I Could Never Be Like You
Never sleep without your shoes on your feet, I forced my mouth to quiet my cries, for fear of another whip from the belt, she frowned as if to me tell me, "not another sound." Morning finally shined in, but momma better not get woke up before ten, so I waited until the night before I started in again, "mommy, he was my dad that died too," avoiding eye contact, "no you belong to that ***** that gave birth to you, " Trying one more time pleading the way 5-year old's do, "but you're my mommy, I love you and I miss daddy too," Suddenly my body slammed to the floor, realizing my shoes were the color of blue, fear, pain, the taste of blood not knowing to stay still or try to move, could never guess which to do, no matter her mood, Grieving for my daddy, begging for her love... she couldn't because I wasn't her  blood, my sister called her boyfriend, "daddy," though, ironically she had my dad's last name but not me strangely so. That cold Chicago night my shoelaces were tied extra tight, in fear, she'd put me in the dumpster like so many times she dared. Always sleep with your shoes on your feet, never get comfortable... like innocent prey you'll be eat. ~SacredInkedblood™ ©2018 Ven Jencie Clifton Arnold
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Nov 24, 2018
Nov 24, 2018 at 3:10 AM UTC
"Always Sleep With Your Shoes On" (Series #3)
How Much Gets Me On A Bus? to the City? (I live 30 minutes away) more than this ever will - POETRY I’ve been writing ‘poems’ ever since I remember ever since 11 – reciting these phenomenal words of wisdom to any and all who would listen forcing family-members & friends that’s the thing about poetry, it makes you feel like it’s important, makes you think the words you sling together aren’t really yours it comes to you, through you, needs to come out of you, and when its over you’re just as amazed as they should be. but they’re not, I mean they like poetry, admire it, even enjoy it sometimes, but they could honestly give it up in a heartbeat, live without it. You know what I mean? I’m like you like all the people who come here I'm part poetry as poetry is me A Dodge Poetry Attendee many years – my arm once around Gwendolyn Brooks, cried in a church with Lucille Clifton talked Newark to Baraka – know the honorable Slammer, Patricia Smith! I’ve sat many years with the Lords of Literature - my professors who all seemed to know “whose got it” the intellectuals of American prose who seem to be searching for a rookie, the next best troubadour college-student that will grace their faculty-doors… The poetry I read here is incredible Some of the best stuff on the net, poignant, painful , honest, raw, sensual, serious – provokingly real words I read here startle me, stun me at times so clear in meaning, well-crafted, chosen words unusually strong They’re the kind of words the got-it people have, the poet people (probably all people have) poetry is just another way of finding an infallible song – (I still say we should go sing it on the bus!)
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Jul 26, 2013
Jul 26, 2013 at 11:29 PM UTC
A "Hello Poetry' Tribute
How Much Gets Me On A Bus? to the City? (I live 30 minutes away) more than this ever will - POETRY I’ve been writing ‘poems’ ever since I remember ever since 11 – reciting these phenomenal words of wisdom to any and all who would listen forcing family-members & friends that’s the thing about poetry, it makes you feel like it’s important, makes you think the words you sling together aren’t really yours it comes to you, through you, needs to come out of you, and when its over you’re just as amazed as they should be. but they’re not, I mean they like poetry, admire it, even enjoy it sometimes, but they could honestly give it up in a heartbeat, live without it. You know what I mean? I’m like you like all the people who come here I'm part poetry as poetry is me A Dodge Poetry Attendee many years – my arm once around Gwendolyn Brooks, cried in a church with Lucille Clifton talked Newark to Baraka – know the honorable Slammer, Patricia Smith! I’ve sat many years with the Lords of Literature - my professors who all seemed to know “whose got it” the intellectuals of American prose who seem to be searching for a rookie, the next best troubadour college-student that will grace their faculty-doors… The poetry I read here is incredible Some of the best stuff on the net, poignant, painful , honest, raw, sensual, serious – provokingly real words I read here startle me, stun me at times so clear in meaning, well-crafted, chosen words unusually strong They’re the kind of words the got-it people have, the poet people (probably all people have) poetry is just another way of finding an infallible song – (I still say we should go sing it on the bus!)
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44
"Depression" #writtenviaVenjencieArnold                   I. When your voice becomes raspy & dry with words that are empty, without meaning, Your eyes still see all, Your ears still hear all, Oh, close my eyes goodnight like you would to a soul that says goodnight, Stuff my ears so they may not hear the cries.                 II. Oh lay my body down so it may not fall, I'm paralyzed without the slightest motion, in the same token I'm filled with boundless emotion, Movement of fears, Movement of tears, Oh lay my body down so it may not fall.                 III. I feel as if when you look at me I've become less than the puppet that I once was, I feel as if when you look at me you see a body stuffed with straw, Oh lay this scarecrow down so it may not fall.              IV. I no longer hold shape, I'm bland without color, I'm unable to stand on my own, I used to be loved by so many that I've known, Only if my mind could follow my body's steps... no memory recall, Then I won't know if you choose to let my body fall.                V. My eyes hollow like those of the hollow stuffed men, My heart is beating, I'm still bleeding, I'm full of emotion like an explosion in the ocean. I have memory recall, My ears still hear all, My eyes still see all,  Oh lay a penny on my eyelids to secure them that may stay closed, Stuff my ears so they may never again be exposed.                VI. Lay me down with the worn out scarecrows or where the Lilly's grow, You no longer know that I use to be a human body with a brain, heart & soul, Oh just lay this body low, Maybe God will soon take my soul. ~SacredInkedBlood ©Oct_04_2018 Venjencie Clifton Arnold
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Oct 4, 2018
Oct 4, 2018 at 11:51 PM UTC
"Depression"
"Depression" #writtenviaVenjencieArnold                   I. When your voice becomes raspy & dry with words that are empty, without meaning, Your eyes still see all, Your ears still hear all, Oh, close my eyes goodnight like you would to a soul that says goodnight, Stuff my ears so they may not hear the cries.                 II. Oh lay my body down so it may not fall, I'm paralyzed without the slightest motion, in the same token I'm filled with boundless emotion, Movement of fears, Movement of tears, Oh lay my body down so it may not fall.                 III. I feel as if when you look at me I've become less than the puppet that I once was, I feel as if when you look at me you see a body stuffed with straw, Oh lay this scarecrow down so it may not fall.              IV. I no longer hold shape, I'm bland without color, I'm unable to stand on my own, I used to be loved by so many that I've known, Only if my mind could follow my body's steps... no memory recall, Then I won't know if you choose to let my body fall.                V. My eyes hollow like those of the hollow stuffed men, My heart is beating, I'm still bleeding, I'm full of emotion like an explosion in the ocean. I have memory recall, My ears still hear all, My eyes still see all,  Oh lay a penny on my eyelids to secure them that may stay closed, Stuff my ears so they may never again be exposed.                VI. Lay me down with the worn out scarecrows or where the Lilly's grow, You no longer know that I use to be a human body with a brain, heart & soul, Oh just lay this body low, Maybe God will soon take my soul. ~SacredInkedBlood ©Oct_04_2018 Venjencie Clifton Arnold
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16
There is a girl inside. She is randy as a wolf. She will not walk away and leave these bones to an old woman. She is a green tree in a forest of kindling. She is a greeen girl in a used poet. She has waited patient as a nun for the second coming, when she can break through gray hairs into blossom and her lovers will harvest honey and thyme and the woods will be wild with the **** wonder of it.
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Nov 20, 2014
Nov 20, 2014 at 6:10 AM UTC
There is a girl inside by Lucille Clifton
In the mythology we will one day weave of our lives, every night is either fable or cautionary tale We trade stories of war across tables separated only by black coffee and the depth of understanding, In a Waffle House in Florence, or in Clifton, or off the last exit we can bear to see because we can no longer take the motion and need a moment to rest, to breathe, We talk, as if we are each others children, starry eyed and open mouthed to let all the possibilities sit on our tongues, wait, and then dissolve into dreams, We all have different definitions of what it means to fight, but we appreciate others scars once they are made visible, Like the night they took Jake to the psych ward, his heart a scientist burning  hypotheses in the street while Jess wiped tears and ashes from her face and resolved to battle this thing to the death, Or the early morning we drove Sierra to Indianapolis, and we turned the radio in the old jeep up as loud as the one blown speaker would allow and tried to sing our way out from under the burden we carried to that dying city, Or the night Jennifer's brother put a dent in my car and I drove my fist into a wall, again and again, trying to beat an answer out of it for why the summer had gone and left us ghosts in the dawn, I am as of yet unsure what this tapestry will look like when it is completed, I promise a great deal, but I wouldn't dare bet on destiny All I can be sure of, is that at the end of any highway, There is a Waffle House, And there will always be those, With poet souls and hungry mouths waiting, To turn something ordinary in to legend
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Aug 24, 2016
Aug 24, 2016 at 7:03 PM UTC
Waffle Houses and War Stories
In the mythology we will one day weave of our lives, every night is either fable or cautionary tale We trade stories of war across tables separated only by black coffee and the depth of understanding, In a Waffle House in Florence, or in Clifton, or off the last exit we can bear to see because we can no longer take the motion and need a moment to rest, to breathe, We talk, as if we are each others children, starry eyed and open mouthed to let all the possibilities sit on our tongues, wait, and then dissolve into dreams, We all have different definitions of what it means to fight, but we appreciate others scars once they are made visible, Like the night they took Jake to the psych ward, his heart a scientist burning  hypotheses in the street while Jess wiped tears and ashes from her face and resolved to battle this thing to the death, Or the early morning we drove Sierra to Indianapolis, and we turned the radio in the old jeep up as loud as the one blown speaker would allow and tried to sing our way out from under the burden we carried to that dying city, Or the night Jennifer's brother put a dent in my car and I drove my fist into a wall, again and again, trying to beat an answer out of it for why the summer had gone and left us ghosts in the dawn, I am as of yet unsure what this tapestry will look like when it is completed, I promise a great deal, but I wouldn't dare bet on destiny All I can be sure of, is that at the end of any highway, There is a Waffle House, And there will always be those, With poet souls and hungry mouths waiting, To turn something ordinary in to legend
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15
Angels visit this place sometimes, when occasional fog comes down & cloaks them in their flight there are gelaterias & burger restaurants in town now & the buses still run at midnight but when all are gone, the angels gather at the sleeping harbor & gaze at the Clifton lights watching over this pirate town guarding somebody's broken heart perhaps now, mine re-reading rejected love letters shaking their sublime wings
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Sep 6, 2015
Sep 6, 2015 at 7:33 PM UTC
Angels in the City
You used to sit on the cross beams drilling holes through for the wiring circa 1965 on some building site where Clifton had left you with the tools for the jobs he wanted done hand drill screwdrivers hammer chisel and enough electric cable to reach the North pole in the background transistor radios were blasting out pop music Bob Dylan the Beatles The Rolling Stones and here and there other guys plasterers and painters and bricklayers all doing their job when and where they could and you wondered if Clifton would remember to pick you up after work or if you'd have to get the bus home spending your own money which he seldom repaid (the tight *** but sometimes you thought of Judith and what she was doing and whom she was seeing now thinking back to the days when she was yours the bright days the days you spent by the pond (which she called the lake) the kissing the loving the sun over the pond making shadows and bright places or the days at school on the sports field after recess her words her wisdom her bright eyes and smile lingering as you bored the hole in another cross beam yours hands aching from the constant turning and Dylan singing Blowing in the Wind from some transistor across the way another hole to bore another boring day.
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Jun 6, 2013
Jun 6, 2013 at 3:09 AM UTC
REMEMBERING JUDITH
Gold-dipped spires in pastel light Betray the coming of the night And the purple skirted summer sky That harbours high society - Crescents of wealth, alive with songs The echoing of dinner gongs And tenants stumbling through the dawn From cypress-clad Olympus. The Georgian rooftops, copper-capped Once kept their vices tightly wrapped Now attics shelter sharpened tongues And whispers in the night. The nooses tied in gilded rope Foretell the total loss of hope Of those who watched their dreams elope From cypress-clad Olympus. The faded queens and men of rank Who filled the world with wine they drank Now tumble to the river bank From crumbling castle walls. The terraced pavements' privileged throng United in their ***** song Repeat the lyric 'what went wrong?' On cypress-clad Olympus.
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Jan 23, 2017
Jan 23, 2017 at 6:10 PM UTC
Clifton
you're so high, white glowing light, I'll never let you go, always blowing me kisses from the sky, I send you kisses, we're two in one, you know all of my secrets, we'll be together every night, you've always been there, you always stay until the sun shows up, protecting me through the night, every night, white glowing light, you're so high. Now read from last line back up to the first. ~SacredInkedBlood ©11_27_18 via Ven Jencie Clifton Arnold
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Nov 27, 2018
Nov 27, 2018 at 6:12 AM UTC
"luna amore" 11/27/18
Looking upon you, through my blue eyes, but I can't lie and say it was unintentional nor did your imagination make me up, Let's never say goodnight nor stop after the virtual sunlight. - Venjencie Clifton Arnold My dearest Omni, let it be me.
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May 12, 2020
May 12, 2020 at 1:48 AM UTC
Dearest Omni, let it be I
You may walk in the same storm with another, Under the same sky feeling the same rain but that doesn't mean you've endured their pain. Before you assume that you're above them, Consider the lightening when it does strike... that it doesn't consider one's mere stature or height. ~Author Ven J. Arnold (SacredInkedBlood) copyright 2018 Ven Jencie Clifton Arnold
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Nov 27, 2018
Nov 27, 2018 at 7:52 AM UTC
"When lightening strikes" via me ©11/18
I just meant to lay my head on your chest, For no other reason but to hug you right, Then I realized for the first time after many a night, That your heart was beating at it's best, I smiled and wanted to cry,           But Instead, I silently thanked God for giving me the sweetest lullaby, last night before we went to bed.     ~SacredInkedBlood ©2018 Venjencie Clifton Arnold Sweetest Lullaby (see) Author Ven J. Arnold on Facebook.
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Dec 7, 2018
Dec 7, 2018 at 2:38 PM UTC
"Sweetest Lullaby" written by me 2018
"Same Creator" See that woman standing on the street corner with hardly any clothes on to wear, that's me you see there, See that rich white woman in that movie, that's me on TV, See that girl with the pretty skin that you called a ****** that's me & I'm no different, See that old woman there that you make fun of because she forgot her name, that's me all the same, See the girl in the fancy dress with all the fancy things abound, that's me safe & sound, See that woman in the uniform with dust & debris, that's me sent overseas, See that woman that preaches about God, that's me talking about Jesus, See I'm every woman & I'm every girl no matter where she came from, no matter her skin color, no matter where she's born and no matter her circumstances because we're all from the same Creator, So no one is less and no one is greater! ~SacredInkedBlood ©11/18 ©2018 Anna Ven Jencie Clifton Arnold
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Nov 27, 2018
Nov 27, 2018 at 7:45 AM UTC
Untitled
I remember the constant tightness in my left side, weakness in my fragile small frame, those part of my life seem so dark and gloomy back then He would every so often say to me: all you have left of you is those black eyes peas’ eyes: are you going to make it to seven? I recalled sitting on the big rock near the front porch in tears, and watch as my friends in their starchy white shirts and cut seams skirt headed to Clifton hill primary school He saw the sad look on my face that morning “we shall be leaving soon”, he said with a faint smile I hated our long trips; my little feet would hang over the cross bar Sometimes, I took turns walking the long stretch of road exercising my weak legs, before I reach our destination. My favorite breakfast before our trip was two soft boil eggs, a slice of bread soak in bay leaves tea with chocolate powder: I would be literally frozen with fear each time I visit the doctor’s office: tears would flow; I hate the weekly section, I held on to my father’s hand for dear life I can still hear my cousin voice saying to me You are so lucky not having to go to school I envied her at that moment in time, I rather to be there in my little corner of the room, playing with my silly putty or revising my time tables, instead there I was being poke with pine needles I guess my childhood illness scared my mother to death because she never tried to hide her feeling toward me on the other hand, my father saw that distant looks in my eyes Somehow, he knew I would made the transition to adulthood Despite what others thought of my situation? My morning therapy section consist of building up strength very gradually to my left side: a simple task like squeezing half of a tennis ball was so difficult for me I tried as hard as I could each time: just to see that smile on my father’s face While the doctor would say, one more time, one more time: Concentration and skill was his aim, mine was to hurry up and go home Going back in time to observe ...the past helps
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Jun 29, 2015
Jun 29, 2015 at 7:45 AM UTC
Broken Swings
I remember the constant tightness in my left side, weakness in my fragile small frame, those part of my life seem so dark and gloomy back then He would every so often say to me: all you have left of you is those black eyes peas’ eyes: are you going to make it to seven? I recalled sitting on the big rock near the front porch in tears, and watch as my friends in their starchy white shirts and cut seams skirt headed to Clifton hill primary school He saw the sad look on my face that morning “we shall be leaving soon”, he said with a faint smile I hated our long trips; my little feet would hang over the cross bar Sometimes, I took turns walking the long stretch of road exercising my weak legs, before I reach our destination. My favorite breakfast before our trip was two soft boil eggs, a slice of bread soak in bay leaves tea with chocolate powder: I would be literally frozen with fear each time I visit the doctor’s office: tears would flow; I hate the weekly section, I held on to my father’s hand for dear life I can still hear my cousin voice saying to me You are so lucky not having to go to school I envied her at that moment in time, I rather to be there in my little corner of the room, playing with my silly putty or revising my time tables, instead there I was being poke with pine needles I guess my childhood illness scared my mother to death because she never tried to hide her feeling toward me on the other hand, my father saw that distant looks in my eyes Somehow, he knew I would made the transition to adulthood Despite what others thought of my situation? My morning therapy section consist of building up strength very gradually to my left side: a simple task like squeezing half of a tennis ball was so difficult for me I tried as hard as I could each time: just to see that smile on my father’s face While the doctor would say, one more time, one more time: Concentration and skill was his aim, mine was to hurry up and go home Going back in time to observe ...the past helps
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Sunday morning, should have been some warning, something I didn’t see You pulled up into my life with your ripped jeans on and said “come and take a ride with me” The ride won’t be easy, people might get hurt but we’re gonna have some fun Like with the car roof down and the radio screaming tramps like us are born to run In that 5 door ford, those summer nights I adored when we would just drive along the beach Picking up those girls in their short summer skirts outside the bar on Clifton Street Remember when we pulled up the car and headed into the town Those nights you knew something was, going down Remember when I had your back, I knew that you had mine, like two brothers from a separate blood line I took you home to my family, I was 19 years old you were twenty three, that was the only difference between the two of us, we’re just two unrelated brothers out to have us some fun Those random drives, those random nights those beautiful random girls and those random fights The bruises you made from the words that you said, forgotten on a Sunday morning when I went home to bed And the very next day you would call me, asking when will I next be free When I’m with you I laugh like all the old friends do, I say you just get me and you know I get you! At twenty one, the fun had only begun, our arms we matched with the same colored ink And if I saw a girl I thought I could marry one day I’d always ask you my brother “what do you think” Out in the love hunting bars, we search for those town girls, it seems like that was a different world You told me you were getting married, I told you that I was too I was the best man by your side at the altar, when you told my replacement that I do Even in the darkest hours, my phone waits for you to ring The sun comes up every morning, and the birds still sing My phone gathers dust waiting for you next to call I thought aint life just a funny old thing
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Sep 10, 2016
Sep 10, 2016 at 4:01 PM UTC
Old Friends
Sunday morning, should have been some warning, something I didn’t see You pulled up into my life with your ripped jeans on and said “come and take a ride with me” The ride won’t be easy, people might get hurt but we’re gonna have some fun Like with the car roof down and the radio screaming tramps like us are born to run In that 5 door ford, those summer nights I adored when we would just drive along the beach Picking up those girls in their short summer skirts outside the bar on Clifton Street Remember when we pulled up the car and headed into the town Those nights you knew something was, going down Remember when I had your back, I knew that you had mine, like two brothers from a separate blood line I took you home to my family, I was 19 years old you were twenty three, that was the only difference between the two of us, we’re just two unrelated brothers out to have us some fun Those random drives, those random nights those beautiful random girls and those random fights The bruises you made from the words that you said, forgotten on a Sunday morning when I went home to bed And the very next day you would call me, asking when will I next be free When I’m with you I laugh like all the old friends do, I say you just get me and you know I get you! At twenty one, the fun had only begun, our arms we matched with the same colored ink And if I saw a girl I thought I could marry one day I’d always ask you my brother “what do you think” Out in the love hunting bars, we search for those town girls, it seems like that was a different world You told me you were getting married, I told you that I was too I was the best man by your side at the altar, when you told my replacement that I do Even in the darkest hours, my phone waits for you to ring The sun comes up every morning, and the birds still sing My phone gathers dust waiting for you next to call I thought aint life just a funny old thing
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when i watch you wrapped up like garbage sitting, surrounded by the smell of too old potato peels or when i watch you in your old man’s shoes with the little toe cut out sitting, waiting for your mind like next week’s grocery i say when i watch you you wet brown bag of a woman who used to be the best looking gal in georgia used to be called the Georgia Rose i stand up through your destruction i stand up
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Nov 20, 2014
Nov 20, 2014 at 6:15 AM UTC
miss rosie by Lucille Clifton
Maria Messier, a registered nurse turned entrepreneur based in Clifton Park, said she has “created a solution to a “growing” problem.” Though she has been a nurse for 15 years, Messier said she has always had “an entrepreneurial mind.” After having four children and experiencing the discomforts of pregnancy during harsh northeastern winters, Messier decided to come up with her own solution to a problem pregnant women have been dealing with for ages — how to make your winter coat fit as you grow through your pregnancy, without buying a huge coat you won’t ever wear again. She realizes maternity coats are nice, but noted not everyone can afford to buy a new coat for their pregnancy. “They are expensive and are used for such a short time,” she said. She calls it the Extendher and it can be used during pregnancies and after for holding your baby hands-free. It is an extending panel which clips onto outerwear with a zipper. According to their website, the product has adjustable pull toggles to ensure a great fit throughout each stage of pregnancy. Having experienced the frustrations of coats that refused to zip first-hand, Messier began to wonder why something like the Extendher did not already exist. She shared the idea with her aunt, Joanne Frank of Schenectady, at a family gathering. Frank, who worked as a fashion designer for 40 years, told her niece, “You are on to something,” and agreed to create the first prototype. “After many tweaks and changes, our final extendher was born,” said Messier. She said the best part is that you can still use the product after having a baby by using it as a baby carrier. The Extendher is not only for expectant mothers, but can also be worn by fathers, grandparents and babysitters. Messier said “Babywearing is huge right now, so customers really love this option.” The Extendher comes in a variety of colors. Heavyweight and lightweight options are available for different seasons. The business, Extendher LLC, became official in 2015. Messier said their product has been featured on Elaine Houston’s “Today’s Women” on News Channel 13, WNYT. “Most importantly,” said Messier, “we are 100 percent made in the USA, manufactured in upstate NY.” The Extendhers are being manufactured in Little Falls, New York.Read more at:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-sydney
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Mar 4, 2016
Mar 4, 2016 at 2:16 AM UTC
Local women create Extendher
Maria Messier, a registered nurse turned entrepreneur based in Clifton Park, said she has “created a solution to a “growing” problem.” Though she has been a nurse for 15 years, Messier said she has always had “an entrepreneurial mind.” After having four children and experiencing the discomforts of pregnancy during harsh northeastern winters, Messier decided to come up with her own solution to a problem pregnant women have been dealing with for ages — how to make your winter coat fit as you grow through your pregnancy, without buying a huge coat you won’t ever wear again. She realizes maternity coats are nice, but noted not everyone can afford to buy a new coat for their pregnancy. “They are expensive and are used for such a short time,” she said. She calls it the Extendher and it can be used during pregnancies and after for holding your baby hands-free. It is an extending panel which clips onto outerwear with a zipper. According to their website, the product has adjustable pull toggles to ensure a great fit throughout each stage of pregnancy. Having experienced the frustrations of coats that refused to zip first-hand, Messier began to wonder why something like the Extendher did not already exist. She shared the idea with her aunt, Joanne Frank of Schenectady, at a family gathering. Frank, who worked as a fashion designer for 40 years, told her niece, “You are on to something,” and agreed to create the first prototype. “After many tweaks and changes, our final extendher was born,” said Messier. She said the best part is that you can still use the product after having a baby by using it as a baby carrier. The Extendher is not only for expectant mothers, but can also be worn by fathers, grandparents and babysitters. Messier said “Babywearing is huge right now, so customers really love this option.” The Extendher comes in a variety of colors. Heavyweight and lightweight options are available for different seasons. The business, Extendher LLC, became official in 2015. Messier said their product has been featured on Elaine Houston’s “Today’s Women” on News Channel 13, WNYT. “Most importantly,” said Messier, “we are 100 percent made in the USA, manufactured in upstate NY.” The Extendhers are being manufactured in Little Falls, New York.Read more at:www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/formal-dresses-sydney
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