Submit your work, meet writers and drop the ads. Become a member
I.

Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they ******, ******, ******,
In their icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.

II.

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten golden-notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
To the rhyming and the chiming of the bells!

III.

Hear the loud alarum bells—
Brazen bells!
What a tale of terror now their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now—now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the ***** of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
Of the bells—
Of the bells, bells, bells, bells,
Bells, bells, bells—
In the clamor and the clangor of the bells!

IV.

Hear the tolling of the bells—
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
   Is a groan.
And the people—ah, the people—
They that dwell up in the steeple.
    All alone,
And who toiling, toiling, toiling,
  In that muffled monotone,
Feel a glory in so rolling
  On the human heart a stone—
They are neither man nor woman—
They are neither brute nor human—
    They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
         Rolls
A paean from the bells!
And his merry ***** swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells—
    Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
  To the throbbing of the bells—
Of the bells, bells, bells—
  To the sobbing of the bells;
Keeping time, time, time,
  As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells—
Of the bells, bells, bells—
To the tolling of the bells,
Of the bells, bells, bells, bells,
  Bells, bells, bells—
To the moaning and the groaning of the bells.
RCraig David Apr 2013
From my "Bestifreadaloud" series about a girl that got away that Spring because I waited too long.

Part 1 The Past
A case made now faded of a simple place, a time, a space,
a perfect moment let pass in haste.
Clasped in clashes,
brash in passion,
rose from ashes,
desire fires every second's essence as it passes,
a ton amasses.
Fast bloom,
Blast!! Boom!!
The past relapses.
Notably lesser song notes float hopeful, emotional ends and remember whens.
Sent us spinning, then spin adrift again.
Sprung in spring, we fell,
Some are reasons to recall.
Summer's season breaks, we fall.
Flocks fly down and fallen callings fade to Winter's south.
How fate related still debated.
Re-Sprung the next Spring' rise, chance misses fate this date.
I weighed and debated and waited too late

PART 2
Still all these years alone, the "one", the "purpose" unsought.
Capturing thoughts,
The ones I caught and tossed,
Things I was taught and lost.
Proof framed and embossed for a cost.
Coping through the unabashed hopes to one day cash in on all this stashed trash I clash with.
"Smash it?" ...the thought crossed.  

Unimpressed by my evidence of self-less requests,
pursuit of self-evident truth proves a most ruthless abuse.
Even less are my skewed protests for “selfish quests" at the behest of the very strangers I sought to impress.
I digress.

The years compound, bossed around, kicked down but soundly employed,
I turn cold, blaming Freud for defining my non-violent, intolerance threshold on page 23 of some textbook I should have resold.
I go silent. Grow old.
"While your whining and shunning your shinning,
They're sinning and winning." Bad timing.

Girls come, go and follow this shallow, hollow fellow on the run.
While preyed upon...I paid a ton. I play.
The sum never more than the cost of rented fun.
Without insight but consent forthright,
my 30 years of intent were spent in a fortnight.
Still bent on shedding every pound of one first-moment's ton I lost not won.
Can't buy happy for less than the cost of your one-ness.
While prayed upon...paid a Son, they say.

part 3

Ohh the wait....
Ohh the weight...
My set-adrift-soul's mending depends solely on tossing
lost cause cost-spending into thrift.
Well it's a beginning.
All the amassed notes, quotes, boat-floaters,
and sailboat hopes spun in one 1-ton loss moment sprung that one Spring.

Now and again, it creeps in,
like slowly growing stinging nettles around a squelched,
once steaming scorched dream kettle.
Still stays packed away in my heart's darkest parts.
Blurred by time and place,
this burning, misplaced furnace space lays in wait.

Such compiled cold-case denial files from other life trials, lay piled in haste on my proverbial, "less pressing" messy desk of "not ready to face."
Too scared or daring to date, try to relate or contemplate
how to best equate this great weight.
Wait?... Wait.
Elation brewing from pursuing future fruition or ensuing
pure ruin gates these fates from moving, year-to-date.
For the sake of trying or dying forsaken,
another day awake is another day gained or taken.

I found her again,
the town's she's in
but she is taken and then
She learns of my wait, it's weight, my fate, she's shaken,
another ton amasses again. I pretend.
Lay down.
Drown the score of sounds surrounding.
Furthermore, slow the pulse-pounding abounding your core.
Fill your breath.
What is less is gone, tomorrow more.  

by R. Craig David-Copyright 2012
Styles Sep 2014
It been a while now I'm back,
playing the beat on a track,
Lyrically I attack,
I'm an M C,
So naturally,
That's how I react,
You might not get my psych,
goin ape shyte crazy,
chasin these monkeys of my back,
I guess opposites still attract.
Rapidly rapping raps,
spitting facts,
I'm what these other cats lack,
cut from another cloth,
Can't cut'em no slack,
This rifts, rat,
I'm way better than that
I master my craft
Like captain kirk taking a bath
higher than an aircraft
Plotting my path
like a hovercraft
Fully prepared for the crash.
These other guys, think they fly,
I just laugh. They get puff up,
While I pass by, getting
Roughed up, crossing my path
Iooking like ironman with this mic in my hand,
Feels like I'm hold a staff.
Like a titan, I clash.
I am the better man,
check my clasp,
I got a better plan,
Better lyrical grasp,
I'm so smooth,
These other rappers, rap sound like ***.
I land minds, no gymnastic class
my geographic quadgraphics better than a veteran
with a can of V8 in his hand
Still crazy from the war,
tasted the blood of a warrior,
Now I'm thirsty for more.
I'm dropping bombs like the army core in 94
With more confidence than Al b sure on tour
Finding common sense scattered all over the floor
Picking up feed back on channel 4
Turning the microphones up,
Then slam it to the floor,
Cause I don't want to rap anymore,
Back and forth I go,
It's all a part of the flow,
I'm just putting on a show,
rhythm book, pinned up,
It's a wrap, flow after flow,
Pulling up, getting my spins up,
The treble and bass doing chin ups,
While I'm spitting rhythms galore,
Johnathan locke May 2015
iPad, computer,
VCR.
Television, cell phone,
Movie star.

Clash of clans, minecraft,
COD.
Pokemon halo,
PVP.

Having fun, all day,
Disaster strikes.
Red bar, 0%,
Battery dies.
This generation should log off more often.
MsAmendable Mar 2016
Where day and the moonlight kiss
Fire and silver steam up with a hiss,
She came at midnight, he came at noon
The sun was on fire, and so was the moon
Daylight and shadows are always at war,
And puddle at twilight, in gold on the floor
Esther L Krenzin Apr 2019
I am what I fear
I am my own demise
the very force that splits marrow
and thins blood
I am the choking that comes
with the clash of sorrow
and brine

-Esther L. Krenzin-
-Roguesong-
(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
Nat Lipstadt Aug 2017
for Harlon Rivers

the river potion,
the river portent,
the river potent

it is all of these and not one

he is bank sided,
observing the false idols,
the image mirrored
in the glass of the river

transfigured molecularly
he becomes something ferried frothily, forcefully

as if a twig
or a small thing of human manufacture,
an object tossed up airborne-repeatedly

his poetry:
the clash of particles at the many junctions
of objects and water, eddies and the currents,
ceaselessly circumnavigating,  
searching revisionary pathways

directed,
but randomized,
prisoner of the flows,
servant to the wind's directives and the
earths magnetic indivisible undulating waves

thinking,
this life,
its unsteady gait, 
the irreverent wavering of drunkenness
resultant from potent potions,
portents of inopportune position

in him,
my own histories, 
my poetic recordings
also become
water borne,
watermarked,
replayed back for me,
for erasure, censure, closure
and rededication

this River
is a tapestry,
a torn map,
drawn on broken shards
of slivered water,
living with all the others

but we,
are the untitled,
we,
are the un-entitled,
and he is the
Rivers

<•>
Oct. 20, 2016

harlon is one of the best poets here
if you are new to his writing, be sure to tell him honestly what you think...

his work can be found under
https://hellopoetry.com/harlon-rivers/  
Uncover him, and discover yourself within

2013
https://hellopoetry.com/poem/444023/dear-mr-harlon-rivers/

https://hellopoetry.com/poem/1020738/winter-whispers/

https://hellopoetry.com/poem/1913140/in-the-river-of-good-company/

https://hellopoetry.com/poem/1855694/the-slow-death-of-a-poet/

https://hellopoetry.com/poem/1995383/traces-of-youa-fathers-tribute/

2014
Harlon Rivers:
http://hellopoetry.com/-harlon-rivers/
my personal call sign, Poseidon
Poseidon was very fitting with Harlon River,
due to the symbolic nature of the water in their names.
I have only read few of this gentleman's work,
But I can assure you his work is very much a gift to the audience,
And like Poseidon that gift is fire to humanity.
Dawn of  Lighten

https://hellopoetry.com/poem/1833151/a-walk-with-tonya-maria/

https://hellopoetry.com/poem/1924604/ode-to-a-brimful-poetwith-a-twist/
and of course<
https://hellopoetry.com/poem/1954256/drinkin-mr-coffee-and-cheap-*****/
This is to anyone out there that's listening
From anyone who ever let you down and went missing
Lovers, parents, best friends, and siblings
Sometimes life conspires to make liars of good men

This is to anyone out there that's listening
From everyone that ever let you down and went missing
Lovers, parents, best friends, and siblings
Sometimes life conspires to make liars of good men

I'm sorry I wasn't who you thought I was
**** it-- I'm sorry I wasn't who I thought I was
I said no matter what, I'd always be there, but that wasn't honest
Because I'm not
And 'cause that ain't how life goes
Broken promise

Growing up, I always thought I was one of the good guys
I thought it was black and white like that
That I could nurture my good side
But I've caused hurt and I've stripped pride
Both on the surface and inside
I wasn't cursed with a dark side, I was just normal
Average, regular, nothing special, I'm telling you
Just being human makes you both God and the Devil's clear replica
I've had my emotions crushed and maybe crushed a few along the way
And at the time, I meant every single word I would say
Every word of love, and every word of hate
Every time I would adore, and every time I'd berate
But time passes, and sometimes those emotions fade
Making liars of both the threats and the promises made

But is a lie really a lie if you mean it at the time?
How can a lie be a lie if you mean it at the time?
A lie can't be a lie if you mean it at the time
How can a lie be a lie if you mean it?

This is to anyone out there that's listening
This is to
This is to anyone out there that's still breathing

I bought a heartbreak hotel
On my own, with no investors
Closed it down and opened the "*******, get over it" bed and breakfast
In loving memory of having loving memories
Of combustible emotions, and having real enemies

Typically poetically dramatic endings
Were once a trademark of mine
Patents pending
And the mighty height of emotions on parting ways
Was always grander than the connections of the early days

When we were fighting, there used to be thunder and lightning
Ferociously frightening, a clash of the titans
Emotions heightened, every single muscle tightened
An addiction to the thrill of the fight, the excitement

Love at first sight always seemed unconsidered
I'd rather love at first fight, and then onto double figures
An unconditional love? Well, that just means nothing
In love with the mere idea of loving something

Always just hunting for that near-life experience
In fear of missing something vital from your own existence
All your emotions subconsciously thought out and scripted
Less about how you're feeling
More about how you ******* depict it

But all that stops when one day you just decide to stop playing along
That point in time when the most amazing things in the world can just as easily seem
Pedestrian

You've lost both that loving and that loathing feeling
Turns out, hell does have a bottom
And heaven, a ceiling
Both love and hate become opaque in time's wake
A face that once summons rage now summons nothing
Whether it's emotions tethered, nerve endings severed
Or just the outlook you acquire when you're a little more weathered
Remaining conscious of this all, and in a way, feeling above it
Still feels like bad riddance to good *******

But is a lie really a lie if you mean it at the time?
How can a lie be a lie if you mean it?
By scroobius Pip
Thus, then, did the Achaeans arm by their ships round you, O son
of Peleus, who were hungering for battle; while the Trojans over
against them armed upon the rise of the plain.
  Meanwhile Jove from the top of many-delled Olympus, bade Themis
gather the gods in council, whereon she went about and called them
to the house of Jove. There was not a river absent except Oceanus, nor
a single one of the nymphs that haunt fair groves, or springs of
rivers and meadows of green grass. When they reached the house of
cloud-compelling Jove, they took their seats in the arcades of
polished marble which Vulcan with his consummate skill had made for
father Jove.
  In such wise, therefore, did they gather in the house of Jove.
Neptune also, lord of the earthquake, obeyed the call of the
goddess, and came up out of the sea to join them. There, sitting in
the midst of them, he asked what Jove’s purpose might be. “Why,”
said he, “wielder of the lightning, have you called the gods in
council? Are you considering some matter that concerns the Trojans and
Achaeans—for the blaze of battle is on the point of being kindled
between them?”
  And Jove answered, “You know my purpose, shaker of earth, and
wherefore I have called you hither. I take thought for them even in
their destruction. For my own part I shall stay here seated on Mt.
Olympus and look on in peace, but do you others go about among Trojans
and Achaeans, and help either side as you may be severally disposed.
If Achilles fights the Trojans without hindrance they will make no
stand against him; they have ever trembled at the sight of him, and
now that he is roused to such fury about his comrade, he will override
fate itself and storm their city.”
  Thus spoke Jove and gave the word for war, whereon the gods took
their several sides and went into battle. Juno, Pallas Minerva,
earth-encircling Neptune, Mercury bringer of good luck and excellent
in all cunning—all these joined the host that came from the ships;
with them also came Vulcan in all his glory, limping, but yet with his
thin legs plying lustily under him. Mars of gleaming helmet joined the
Trojans, and with him Apollo of locks unshorn, and the archer
goddess Diana, Leto, Xanthus, and laughter-loving Venus.
  So long as the gods held themselves aloof from mortal warriors the
Achaeans were triumphant, for Achilles who had long refused to fight
was now with them. There was not a Trojan but his limbs failed him for
fear as he beheld the fleet son of Peleus all glorious in his
armour, and looking like Mars himself. When, however, the Olympians
came to take their part among men, forthwith uprose strong Strife,
rouser of hosts, and Minerva raised her loud voice, now standing by
the deep trench that ran outside the wall, and now shouting with all
her might upon the shore of the sounding sea. Mars also bellowed out
upon the other side, dark as some black thunder-cloud, and called on
the Trojans at the top of his voice, now from the acropolis, and now
speeding up the side of the river Simois till he came to the hill
Callicolone.
  Thus did the gods spur on both hosts to fight, and rouse fierce
contention also among themselves. The sire of gods and men thundered
from heaven above, while from beneath Neptune shook the vast earth,
and bade the high hills tremble. The spurs and crests of
many-fountained Ida quaked, as also the city of the Trojans and the
ships of the Achaeans. Hades, king of the realms below, was struck
with fear; he sprang panic-stricken from his throne and cried aloud in
terror lest Neptune, lord of the earthquake, should crack the ground
over his head, and lay bare his mouldy mansions to the sight of
mortals and immortals—mansions so ghastly grim that even the gods
shudder to think of them. Such was the uproar as the gods came
together in battle. Apollo with his arrows took his stand to face King
Neptune, while Minerva took hers against the god of war; the
archer-goddess Diana with her golden arrows, sister of far-darting
Apollo, stood to face Juno; Mercury the ***** bringer of good luck
faced Leto, while the mighty eddying river whom men can Scamander, but
gods Xanthus, matched himself against Vulcan.
  The gods, then, were thus ranged against one another. But the
heart of Achilles was set on meeting Hector son of Priam, for it was
with his blood that he longed above all things else to glut the
stubborn lord of battle. Meanwhile Apollo set Aeneas on to attack
the son of Peleus, and put courage into his heart, speaking with the
voice of Lycaon son of Priam. In his likeness therefore, he said to
Aeneas, “Aeneas, counsellor of the Trojans, where are now the brave
words with which you vaunted over your wine before the Trojan princes,
saying that you would fight Achilles son of Peleus in single combat?”
  And Aeneas answered, “Why do you thus bid me fight the proud son
of Peleus, when I am in no mind to do so? Were I to face him now, it
would not be for the first time. His spear has already put me to Right
from Ida, when he attacked our cattle and sacked Lyrnessus and
Pedasus; Jove indeed saved me in that he vouchsafed me strength to
fly, else had the fallen by the hands of Achilles and Minerva, who
went before him to protect him and urged him to fall upon the
Lelegae and Trojans. No man may fight Achilles, for one of the gods is
always with him as his guardian angel, and even were it not so, his
weapon flies ever straight, and fails not to pierce the flesh of him
who is against him; if heaven would let me fight him on even terms
he should not soon overcome me, though he boasts that he is made of
bronze.”
  Then said King Apollo, son to Jove, “Nay, hero, pray to the
ever-living gods, for men say that you were born of Jove’s daughter
Venus, whereas Achilles is son to a goddess of inferior rank. Venus is
child to Jove, while Thetis is but daughter to the old man of the sea.
Bring, therefore, your spear to bear upon him, and let him not scare
you with his taunts and menaces.”
  As he spoke he put courage into the heart of the shepherd of his
people, and he strode in full armour among the ranks of the foremost
fighters. Nor did the son of Anchises escape the notice of white-armed
Juno, as he went forth into the throng to meet Achilles. She called
the gods about her, and said, “Look to it, you two, Neptune and
Minerva, and consider how this shall be; Phoebus Apollo has been
sending Aeneas clad in full armour to fight Achilles. Shall we turn
him back at once, or shall one of us stand by Achilles and endow him
with strength so that his heart fail not, and he may learn that the
chiefs of the immortals are on his side, while the others who have all
along been defending the Trojans are but vain helpers? Let us all come
down from Olympus and join in the fight, that this day he may take
no hurt at the hands of the Trojans. Hereafter let him suffer whatever
fate may have spun out for him when he was begotten and his mother
bore him. If Achilles be not thus assured by the voice of a god, he
may come to fear presently when one of us meets him in battle, for the
gods are terrible if they are seen face to face.”
  Neptune lord of the earthquake answered her saying, “Juno,
restrain your fury; it is not well; I am not in favour of forcing
the other gods to fight us, for the advantage is too greatly on our
own side; let us take our places on some hill out of the beaten track,
and let mortals fight it out among themselves. If Mars or Phoebus
Apollo begin fighting, or keep Achilles in check so that he cannot
fight, we too, will at once raise the cry of battle, and in that
case they will soon leave the field and go back vanquished to
Olympus among the other gods.”
  With these words the dark-haired god led the way to the high
earth-barrow of Hercules, built round solid masonry, and made by the
Trojans and Pallas Minerva for him fly to when the sea-monster was
chasing him from the shore on to the plain. Here Neptune and those
that were with him took their seats, wrapped in a thick cloud of
darkness; but the other gods seated themselves on the brow of
Callicolone round you, O Phoebus, and Mars the waster of cities.
  Thus did the gods sit apart and form their plans, but neither side
was willing to begin battle with the other, and Jove from his seat
on high was in command over them all. Meanwhile the whole plain was
alive with men and horses, and blazing with the gleam of armour. The
earth rang again under the ***** of their feet as they rushed
towards each other, and two champions, by far the foremost of them
all, met between the hosts to fight—to wit, Aeneas son of Anchises,
and noble Achilles.
  Aeneas was first to stride forward in attack, his doughty helmet
tossing defiance as he came on. He held his strong shield before his
breast, and brandished his bronze spear. The son of Peleus from the
other side sprang forth to meet him, fike some fierce lion that the
whole country-side has met to hunt and ****—at first he bodes no ill,
but when some daring youth has struck him with a spear, he crouches
openmouthed, his jaws foam, he roars with fury, he lashes his tail
from side to side about his ribs and *****, and glares as he springs
straight before him, to find out whether he is to slay, or be slain
among the foremost of his foes—even with such fury did Achilles
burn to spring upon Aeneas.
  When they were now close up with one another Achilles was first to
speak. “Aeneas,” said he, “why do you stand thus out before the host
to fight me? Is it that you hope to reign over the Trojans in the seat
of Priam? Nay, though you **** me Priam will not hand his kingdom over
to you. He is a man of sound judgement, and he has sons of his own. Or
have the Trojans been allotting you a demesne of passing richness,
fair with orchard lawns and corn lands, if you should slay me? This
you shall hardly do. I have discomfited you once already. Have you
forgotten how when you were alone I chased you from your herds
helter-skelter down the slopes of Ida? You did not turn round to
look behind you; you took refuge in Lyrnessus, but I attacked the
city, and with the help of Minerva and father Jove I sacked it and
carried its women into captivity, though Jove and the other gods
rescued you. You think they will protect you now, but they will not do
so; therefore I say go back into the host, and do not face me, or
you will rue it. Even a fool may be wise after the event.”
  Then Aeneas answered, “Son of Peleus, think not that your words
can scare me as though I were a child. I too, if I will, can brag
and talk unseemly. We know one another’s race and parentage as matters
of common fame, though neither have you ever seen my parents nor I
yours. Men say that you are son to noble Peleus, and that your
mother is Thetis, fair-haired daughter of the sea. I have noble
Anchises for my father, and Venus for my mother; the parents of one or
other of us shall this day mourn a son, for it will be more than silly
talk that shall part us when the fight is over. Learn, then, my
lineage if you will—and it is known to many.
  “In the beginning Dardanus was the son of Jove, and founded
Dardania, for Ilius was not yet stablished on the plain for men to
dwell in, and her people still abode on the spurs of many-fountained
Ida. Dardanus had a son, king Erichthonius, who was wealthiest of
all men living; he had three thousand mares that fed by the
water-meadows, they and their foals with them. Boreas was enamoured of
them as they were feeding, and covered them in the semblance of a
dark-maned stallion. Twelve filly foals did they conceive and bear
him, and these, as they sped over the rich plain, would go bounding on
over the ripe ears of corn and not break them; or again when they
would disport themselves on the broad back of Ocean they could
gallop on the crest of a breaker. Erichthonius begat Tros, king of the
Trojans, and Tros had three noble sons, Ilus, Assaracus, and
Ganymede who was comeliest of mortal men; wherefore the gods carried
him off to be Jove’s cupbearer, for his beauty’s sake, that he might
dwell among the immortals. Ilus begat Laomedon, and Laomedon begat
Tithonus, Priam, Lampus, Clytius, and Hiketaon of the stock of Mars.
But Assaracus was father to Capys, and Capys to Anchises, who was my
father, while Hector is son to Priam.
  “Such do I declare my blood and lineage, but as for valour, Jove
gives it or takes it as he will, for he is lord of all. And now let
there be no more of this prating in mid-battle as though we were
children. We could fling taunts without end at one another; a
hundred-oared galley would not hold them. The tongue can run all
whithers and talk all wise; it can go here and there, and as a man
says, so shall he be gainsaid. What is the use of our bandying hard
like women who when they fall foul of one another go out and wrangle
in the streets, one half true and the other lies, as rage inspires
them? No words of yours shall turn me now that I am fain to fight-
therefore let us make trial of one another with our spears.”
  As he spoke he drove his spear at the great and terrible shield of
Achilles, which rang out as the point struck it. The son of Peleus
held the shield before him with his strong hand, and he was afraid,
for he deemed that Aeneas’s spear would go through it quite easily,
not reflecting that the god’s glorious gifts were little likely to
yield before the blows of mortal men; and indeed Aeneas’s spear did
not pierce the shield, for the layer of gold, gift of the god,
stayed the point. It went through two layers, but the god had made the
shield in five, two of bronze, the two innermost ones of tin, and
one of gold; it was in this that the spear was stayed.
  Achilles in his turn threw, and struck the round shield of Aeneas at
the very edge, where the bronze was thinnest; the spear of Pelian
ash went clean through, and the shield rang under the blow; Aeneas was
afraid, and crouched backwards, holding the shield away from him;
the spear, however, flew over his back, and stuck quivering in the
ground, after having gone through both circles of the sheltering
shield. Aeneas though he had avoided the spear, stood still, blinded
with fear and grief because the weapon had gone so near him; then
Achilles sprang furiously upon him, with a cry as of death and with
his keen blade drawn, and Aeneas seized a great stone, so huge that
two men, as men now are, would be unable to lift it, but Aeneas
wielded it quite easily.
  Aeneas would then have struck Achilles as he was springing towards
him, either on the helmet, or on the shield that covered him, and
Achilles would have closed with him and despatched him with his sword,
had not Neptune lord of the earthquake been quick to mark, and said
forthwith to the immortals, “Alas, I am sorry for great Aeneas, who
will now go down to the house of Hades, vanquished by the son of
Peleus. Fool that he was to give ear to the counsel of Apollo.
Apollo will never save him from destruction. Why should this man
suffer when he is guiltless, to no purpose, and in another’s
quarrel? Has he not at all times offered acceptable sacrifice to the
gods that dwell in heaven? Let us then ****** him from death’s jaws,
lest the son of Saturn be angry should Achilles slay him. It is fated,
moreover, that he should escape, and that the race of Dardanus, whom
Jove loved above all the sons born to him of mortal women, shall not
perish utterly without seed or sign. For now indeed has Jove hated the
blood of Priam, while Aeneas shall reign over the Trojans, he and
his children’s children that shall be born hereafter.”
  Then answered Juno, “Earth-shaker, look to this matter yourself, and
consider concerning Aeneas, whether you will save him, or suffer
him, brave though he be, to fall by the hand of Achilles son of
Peleus. For of a truth we two, I and Pallas Minerva, have sworn full
many a time before all the immortals, that never would we shield
Trojans from destruction, not even when all Troy is burning in the
flames that the Achaeans shall kindle.”
  When earth-encircling Neptune heard this he went into the battle
amid the clash of spears, and came to the place where Ac
Escalus Jan 2013
I look out the window as we drive along,
My thoughts drift to you, and only you.
To the feelings that clash inside over you.
Like how...
I love everything about you.
I love those hazel eyes that glance back at me.
I love those hands that push me playfully.
I love those lips that grin back at me.
I love that personality that keeps me in awe

I loathe everything about you.
I loathe those eyes that glare intensely back.
I loathe those hands that hold another.
I loathe those lips that tempt me for just a kiss.
I loathe that personality that urges me to fall
Yes its big yosef a true heavy weight makin' earthquakes through all states watch for the snakes
In the grass never front for the cash who wanna clash?
With a mighty Titan I'm on a God status love hoes with the **** size of Trish stratus
Now tell me who's the baddest
ya on a one way trip with Gladys Knight
On a Midnight train to Georgia no one heard of ya
Ya flows is wack your skull will get crack ******' with the mack
I make a love connection from my smif and wesson learned ya lesson no plexin'
On my team one man supreme like  a lion i be the king makin' suckas sing
Lullabies I feel ya soul cry reaching for the sky
Ain't no ******* allowed puff a cloud til the city unda a smoke shroud
Fools Talk loud but die silent known to be be violent
If provoked by a fake loc my pistol loves to smoke it stays high
Leavin' holy bodies to fry
Who could outwrite this? my style will diss rhymes deeper than an abyss make ya ****
Out ya own blood as  ya face down in the mud with no crud
Touchin' my eyes sleep with one eye
Open scopin' and hopin' got more scams than Ken Copeland I'm still floatin'
On cloud nine almost to ten sippin' gin never see me grin my lyrics touchin'
Every last one of you wack rappers so come again.....
Graff1980 Jan 2015
I beat my feet against the floor
Thud thud thud
Till the dark red blood
Spews from my new nubs

I bang my head into the wall
Thud thud thud
Till the crimson drips
Drop silently into the mud

I punch the glass window
Thud clash crash
The glass shatters and my fist
Fly’s past the panes

Again and again with no end
In sight
I rage against the night
Violence incarnate
Fury in human form
Flesh and blood storm
No sanity for this mad refugee
Just blood and gore
Perig3e Jan 2011
I propose a painting,
on a ground of white,
a band of your favorite color,
a band of mine.
Should we arrange our stripes parallel,
or should we direct them to intersect?
Would the colors compliment or clash the other?
All rights reserved by the author.
Lieke Feb 2019
I yell and I yell
enclosed by the air
and yet I can't feel it.


I want to hurt myself
just so I can feel something
So I try and I try
but not a drop of blood shed.


I shoot and I shoot
I clash my cymbals
I set myself on fire
I bomb the whole **** cloud.

Nothing moves.


I am stuck in an infinite circle of an alternate reality.
Isolated from life.
I sit and sob
in a cloud of white air.
about a dream I had a few nights ago. 1 February, 2019
Andy Cave Dec 2012
Redskins
Cowboys
Sunday night
Division
title
on the line.
Who will win
this massive
showdown
and enter
the playoffs
with the
division crown.
Chuck Kean Jul 2022
Clash Of The Covenants

   I’ve never beat around the bush
There’s nothing I’ve tried to hide
I’ve always been honest even if I
Take a risk our opinions may collide

When it comes to my love of Jesus
I’ve always let it be known
In my heart I know he’s with me
And I’ll never be alone

You might think I’m a Christian
But that’s technically wrong
I’m a man of righteousness
And in reality it’s a new song

Here’s the reason why, I sing
With my excited breath
I’ve been freed from the *******
Of the ministry of death

The ministry of death is the teaching
Of the old covenant of Mosaic law
This teaching is now obsolete and it
Might as well be the Devils Claw

Jesus died and his blood washed our sin
We’re free from trying to be prefect servants
Replacing the old with the new,celebrate the victory Jesus won in Clash Of The Covenants

Written By: Charles Kean
Copyright © 07/01/2022
All rights reserved
I Re Wrote This and I deleted the other one

Thank you!!!
I’m reading a book with the same title.
What I love about it is the Author explains it clearly and breaks it all down. He’s not saying that we are free to do as we please and everyone goes to Heaven.
No he’s not saying that we can break the laws. What he is saying is that the laws had an original purpose but with them also came the introduction of the sins that we were not to commit. Thou shall not covet being the last one and most important. If thou covets he/she is in temptation to lie steal and **** and if he or she covets the affection of someone other than their own spouse He/ She May also commit Adultery. Coveting leads to all of the other sins. He also states that if you have one law you must abide by all of the laws. Break one and you’ve broken all of them. You cannot pick and choose which laws you wish to obey and which ones you choose to break. The laws were to be obeyed holding the standard of perfection and no human is perfect. The temptation was to much and mankind buckled under the pressure. God saw this to be a huge problem the harder we tried to be perfect the more we became sinful. Adam and Eve had one law. Thou shall not eat of the tree with the forbidden fruit. One temptation from the serpent and the law was broken.
Think of a child being told they cannot have any cookies from the cookie jar and you turn your back for a minute and they get into the jar eat the cookie and you catch them with the evidence upon their face. So God sends his Son Jesus to be sacrificed upon the Cross to take all sin from everyone and I mean everyone if only they believe in him and believe he is the Messiah and except the gift of Grace and salvation.
This frees us from the ******* of the laws and the pressure of perfection and the temptation of breaking the laws.
In turn a righteous person does good naturally with their faith in Jesus he/she doesn’t have any desire to covet lie or steal or ****. It’s complete freedom from any sinful thought and of any pain and it is pure love and it gives us more willingness to love as well. Love thy neighbor as you love yourself, there’s no hate in the soul of someone who has faith in Jesus. It’s really amazing when the light bulb comes on and you can see the light and you can become the light. I’ve never felt so free.
The old covenant of the laws of Moses
(The Commandments)
Were made obsolete and basically useless debris with the new covenant made with the crucifixion of Jesus. Those who believe in me shall have eternal life in Heaven.
Everything I just explained I tried to put in my short poem. Jesus crucifixion was the victory of the Clash of the covenants the new destroying the old. It’s really Beautiful!!! God Bless!!!
Kewayne Wadley Jun 2018
I just wanna rock with you.
If your down let's find a place to go.
The stars are out.
In an honest world the clouds have no say so.
To deny the vibe you give.
Light, airy.
They'd all run from you.
The clouds that unreasonably linger about.
The arms of your galaxy infinitely stretched.
Kindled in rotation.
The dynamics a simple smile can make.
A sort of religious happening.
Expanding with time.
Let's find a place to go.
Nothing but space
In the cosmos of you.
The hint twinkles.
We spiral in orbit.
Inhaling bright hue.
The analogy of aesthetics.
All together in vibe.
Asteroids appearing at the right time.
Sincerely running towards you.
Another galaxy that mimics the millennium of fantasy.
Alone in the blink of an eye.
Starstruck in the center of the universe.
Her universe.
In the galaxy of her arms,
We clash.
Colliding in bright hue
Samantha Sep 2018
I knew I loved you
When you held my hand
Pretending I was your girlfriend in that bar.
When we drove down the
Hill, windows down
Music up, singing along
High as the moon in that night's sky.
I knew I loved you
When you called me crying about your dog
And didn't know what to do.
When you sang to me
"Don't you worry, don't you worry child" in that club
And you told me it'd get better.
When you made me smile all the times
I was down.
I knew I loved you when you
Though my weirdness was cool
And when you let me be my exposed self
You never judged, it was easy to
Tell you my deepest secrets.
I knew I loved you when we took that selfie
And pretended to kiss.
When it turned real as our
Connection solidified through our lips
I knew I loved you when we pretended
It never happened because we
Didn't want to lose each other.
I knew I loved you all the
Times we fought and drifted away for things
I can't even remember.
When our opinions would clash
And our lives kept changing.
I knew I loved you when I hated you
And all your girls because I knew you could do better.
I knew I loved you when you finally met her
And it pleased my heart
Your gamble was finally over.

I Know I Love You
Because I'm smiling as I immortalize our bond.

I Love You
My Best Friend
Kagami Dec 2013
Move against the darkness that bites your tail, little wolf. Fight back.
Don't you see the clearing at the edge of the bluff? The light that rains there?
Drops of glow, little stars come from the reflection of oceans.
Dance there, sing your song of howls and tribal verses.
Nothing is following you anymore. They have no want to,
You have changed into an ugly monster, dripping black and green poison.
No me wants to love a filthy girl, a demented form of a creature once sought after.
Just because the darkness yanks on your beaded hair does not mean it is evil.
You don't understand the liquid gold it speaks, you can not hear the warnings.
The white light that illuminates the field of carnivorous wild flowers
Transformed you to your true form.
And the meteor showers washed away the rest of you.
A bitter chill that encompasses the world you once knew, and isolation sets in.
The sound of your strangled cries are the only thing left, but even then,
The echoes are unbearable. Silence is your only friend.

No physical inspiration, no sound, and soon, you forget their name.
The one who kept you from destroying yourself in the first place.
Death himself asks you three questions.
"What is your name?"
I don't know.
"Do you want to die?"
Maybe.
"Why?"
I don't know.

The questions are written in your own blood, but the hooded figure is
Nowhere in the red reflection you stare into. No light. No light.
Yet you wake up in your own cave as if nothing has happened.
Nothing except the matted fur and the festering wound in your side,
Pain searing you to your bones, burning every thought to ash.

*Don't worry, little wolf. It will be over soon.
Just don't let the sunlight get you again.
Miko Dec 2012
My name is a mosh pit
I'm a charming wreck
stick to your guns
and shoot me now while you have the chance
or forever hold your peace
as you stuff that handkerchief
back into your pocket.
Bullets astray
as eyes are locked and loaded
chained to this moment
like a prisoners redemption.
I shout between shackles
and next tomorrows resolutions
*"If looks could ****, baby,
you'd cause a holocaust with each glance."
Nick Strong Oct 2013
This is a note,
That I wrote,
With the finest nib.
Then mailed to you.
Which you read,
Then pondered,
And mulled,
Contemplated.
Then wrote
A carefully
Crafted reply.
You paused just,
A second,
Before pressing
SEND.

    ©  Nick Strong 2014
WickedHope Jan 2015
There's a ringing, ringing in my ears,
You can't hear it, the people don't hear it.
I draw rings, the ringing in my ears.
Dark circles appear under my eyes;
I am so tired from doing nothing.
The lights flash and we don't blink,
Forces clash and we don't blink.
I can't hear what you're not saying,
What you're not praying, proclaiming,
For there's a ringing within my ears.
It drowns out the stars,
It drowns out all fright for
I am so tired from doing nothing.
Peace and retreat drive me mad;
Retreat is not peace, it is pieces.
There's a ringing, ringing in my ears,
You can't hear it, the people don't hear it...
Yet another example of how I don't pay attention during lectures.
...I'm tired of the seemingly unanimous refusal to fight.
- - -
I'm tired of talking about marriage, on a completely unrelated note.
Graff1980 Jun 2017
The city sounds of ordered chaos, the constant wave of people crossing back and forth like a human tide. Strangers cut in and out of their tiny groups and barely miss colliding. Honks and bleats hasten the crowds pace as they race to cross the road. Some people stare at their phones, others watch the road but no one looks directly at another human being. Somewhere, near here and in-between there just off to the side a stranger sits mumbling, barely coherent.

“Watch me.”

The age lines run so deep into his skin that they might as well be built in. White stubble paints a drawn slightly sunburnt face. Deep dark blue eyes scan the city life for some unknown relief.
A red line catches his eyes, followed by a childlike voice singing playfully. “Watch me mommy.”

Tiny matchbox cars race around a shallow hole. The little cars cross dips and dirt ramps increasing the young boy’s excitement, as he mimics his favorite show. They crash into a partially exposed root. “Brrckkkeeech bccccch.”A fake explosion sounds. Dusk begins to fall as the cars settle into their makeshift cereal box garage. Smiling and dusty the boy crosses the small road, then the tiny parking lot, and comes home.

Long ***** white hair falls messily across the man’s worn face. All but a few awkwardly placed teeth are gone. Some are yellow while others are darker and rotting. His breath reeks. The emaciated figure feels the cramps of hunger pains. A brown speckled haze clouds his vision, followed by a slight coldness and dizziness creeping over his body.

“Watch me.”

Cardboard swords clash in a titanic battle of good versus evil.  Until the young victor jumps upon his sawhorse stead. A yowl of pain sounds as his tiny sac is smashed. The pain jolts upwards and inwards causing temporary paralysis. Thin legs scrape the wooden brace dragging chips of paint down with him as he falls off his fake saddle. The victor is defeated by pain. A few seconds later the internal pain passes and he is up and at it again, running straight for a large tree. At the last second he swerves barely avoiding a painful collision. In his mind a red cape swooshes behind him as he flies off to save metropolis.

The summer heat draws pit stains on the old man ***** orange tee. The neckline is stretched and has an almost circular pattern of moisture. Barely able to move, his sick stench draws the attention of flies. Bugs buzz by almost as frequently as strangers walking by.

“Watch me.”

Tears fall from the tiny child eyes, as he stumbles in pain. A deep **** runs red with lines of falling blood. His mother picks him up and carries him to the neighbor’s car. She whispers soft word of reassurance. The tears eventually stop.

The man clenches his chest. Pain permeates his being. His breath is lost. He stumbles falling harshly against the cold grey cement sidewalk. Tears fall. He reaches for strangers pleading weakly for their assistance. A foot smashes against his left side, causing more pain to flame up; while forcing him to edge of the sidewalk. The crowd keeps moving.
A stranger snarls “get out of the way you ***.”

“Watch me.” The old man whispers as he recalls his mother’s warmth. Soft kisses planted on his forehead. Sitting in the dark living room safely snuggled next to his mother as a scary storm rages violently against a small house.

“Watch me.” He cries. His voice, obscured by the city, fades and is forgotten.
Emma Sep 2015
Dear brother
Your heart has been torn
By yet another
Whose arms like spiderwebs
Brought your heart into her mouth
And let her teeth clash into it

Dear brother
I know the feeling
Like you will find no other
But I promise you
That every final paper
Results from many rough drafts

Dear brother
I see the love oozing out of you
Waiting to be shared with another
But learn to use it on yourself first
Please

Dear brother
You are not
someone else's "Other"
You are your own
You are enough

Dear brother
I know you have given up on
Finding another
But for now now we have
Each other

And dear brother
May we both learn
To love again yet another
A letter to my brother: may we both learn to love again someday.
Cameron Greer Feb 2016
Beat-Up Old Car
Vastly under-appreciated possession
In dull blue, a MK1, no less, with original rust
Inside lingering scents of Exchange and Mart
top-notes of WD-40 and miscellaneous mix tapes

A car like this gets into your life
in lumpy knuckle-barking unsubtle ways,
stays there in subtle ones

That long drive back to Yorkshire
in the quintessential exemplar
Clutch cable snaps.
****** and Crap.

Hardly helpful but can be accommodated
with enough thought
rough though it is
on starter motor
and nerves whenever
anticipatory powers inadequate
and we are forced
to a complete red-light stop

Brakes dodgier, exhaust noisier
than ideal or legal
Gender-ambiguous
elderly tyres flirt outrageously with slick tarmac
Showing their canvas underwear
and male-pattern baldness

Keeping this unstable, unsafe, unreliable
ultimately essential lump of metal
moving and on the road
is a fine art

Engaging, fluid and intense art;
The Clash and The Specials
Costello and The Cure in support

A distraction then
getting hauled over by plod
somewhere near Bury St. Edmunds
Thatcher's boys.

Tax? MoT? Insurance? ID?
No real interest shown

Any passengers in the back?
Clearly no.  Pickets?  
Pickets? What?
Please open the boot sir... Oh.
On your way lad. Drive carefully

I was, officer, I was
More than you will ever know
Thirty Years ago the conservative govt. under the egregious Margaret Thatcher, gleefully aided by a despicable bunch of oleaginous yes-men and sociopathic creeps, knocked into line by the creatively destructive ghoul Norman Tebbit...  ratchetted-up the creeping politicisation of the police force.   What she started has never been properly undone.  Yes, it's simplistic to point to one person alone as 'the cause', but her legacy remains and is as toxic and divisive as ever.
"Oh yes, I went over to Edmonstoun the other day and saw Johnny, mooning around as usual! He will never make his way."
Letter of George Keats, 18--


Night falls; the great jars glow against the dark,
Dark green, dusk red, and, like a coiling snake,
Writhing eternally in smoky gyres,
Great ropes of gorgeous vapor twist and turn
Within them. So the Eastern fisherman
Saw the swart genie rise when the lead seal,
Scribbled with charms, was lifted from the jar;
And -- well, how went the tale? Like this, like this? . . .

No herbage broke the barren flats of land,
No winds dared loiter within smiling trees,
Nor were there any brooks on either hand,
Only the dry, bright sand,
Naked and golden, lay before the seas.

One boat toiled noiselessly along the deep,
The thirsty ripples dying silently
Upon its track. Far out the brown nets sweep,
And night begins to creep
Across the intolerable mirror of the sea.

Twice the nets rise, a-trail with sea-plants brown,
Distorted shells, and rocks green-mossed with slime,
Nought else. The fisher, sick at heart, kneels down;
"Prayer may appease God's frown,"
He thinks, then, kneeling, casts for the third time.

And lo! an earthen jar, bound round with brass,
Lies tangled in the cordage of his net.
About the bright waves gleam like shattered glass,
And where the sea's rim was
The sun dips, flat and red, about to set.

The prow grates on the beach. The fisherman
Stoops, tearing at the cords that bind the seal.
Shall pearls roll out, lustrous and white and wan?
Lapis? carnelian?
Unheard-of stones that make the sick mind reel

With wonder of their beauty? Rubies, then?
Green emeralds, glittering like the eyes of beasts?
Poisonous opals, good to madden men?
Gold bezants, ten and ten?
Hard, regal diamonds, like kingly feasts?

He tugged; the seal gave way. A little smoke
Curled like a feather in the darkening sky.
A blinding gush of fire burst, flamed, and broke.
A voice like a wind spoke.
Armored with light, and turbaned terribly,

A genie tramped the round earth underfoot;
His head sought out the stars, his cupped right hand
Made half the sky one darkness. He was mute.
The sun, a ripened fruit,
Drooped lower. Scarlet eddied o'er the sand.

The genie spoke: "O miserable one!
Thy prize awaits thee; come, and hug it close!
A noble crown thy draggled nets have won
For this that thou hast done.
Blessed are fools! A gift remains for those!"

His hand sought out his sword, and lightnings flared
Across the sky in one great bloom of fire.
Poised like a toppling mountain, it hung bared;
Suns that were jewels glared
Along its hilt. The air burnt like a pyre.

Once more the genie spoke: "Something I owe
To thee, thou fool, thou fool. Come, canst thou sing?
Yea? Sing then; if thy song be brave, then go
Free and released -- or no!
Find first some task, some overmastering thing
I cannot do, and find it speedily,
For if thou dost not thou shalt surely die!"

The sword whirled back. The fisherman uprose,
And if at first his voice was weak with fear
And his limbs trembled, it was but a doze,
And at the high song's close
He stood up straight. His voice rang loud and clear.


The Song.

Last night the quays were lighted;
Cressets of smoking pine
Glared o'er the roaring mariners
That drink the yellow wine.

Their song rolled to the rafters,
It struck the high stars pale,
Such worth was in their discourse,
Such wonder in their tale.

Blue borage filled the clinking cups,
The murky night grew wan,
Till one rose, crowned with laurel-leaves,
That was an outland man.

"Come, let us drink to war!" said he,
"The torch of the sacked town!
The swan's-bath and the wolf-ships,
And Harald of renown!

"Yea, while the milk was on his lips,
Before the day was born,
He took the Almayne Kaiser's head
To be his drinking-horn!

"Yea, while the down was on his chin,
Or yet his beard was grown,
He broke the gates of Micklegarth,
And stole the lion-throne!

"Drink to Harald, king of the world,
Lord of the tongue and the troth!
To the bellowing horns of Ostfriesland,
And the trumpets of the Goth!"

Their shouts rolled to the rafters,
The drink-horns crashed and rang,
And all their talk was a clangor of war,
As swords together sang!

But dimly, through the deep night,
Where stars like flowers shone,
A passionate shape came gliding --
I saw one thing alone.

I only saw my young love
Shining against the dark,
The whiteness of her raiment,
The head that bent to hark.

I only saw my young love,
Like flowers in the sun --
Her hands like waxen petals,
Where yawning poppies run.

I only felt there, chrysmal,
Against my cheek her breath,
Though all the winds were baying,
And the sky bright with Death.

Red sparks whirled up the chimney,
A hungry flaught of flame,
And a lean man from Greece arose;
Thrasyllos was his name.

"I praise all noble wines!" he cried,
"Green robes of tissue fine,
Peacocks and apes and ivory,
And Homer's sea-loud line,

"Statues and rings and carven gems,
And the wise crawling sea;
But most of all the crowns of kings,
The rule they wield thereby!

"Power, fired power, blank and bright!
A fit hilt for the hand!
The one good sword for a freeman,
While yet the cold stars stand!"

Their shouts rolled to the rafters,
The air was thick with wine.
I only knew her deep eyes,
And felt her hand in mine.

Softly as quiet water,
One finger touched my cheek;
Her face like gracious moonlight --
I might not move nor speak.

I only saw that beauty,
I only felt that form
There, in the silken darkness --
God wot my heart was warm!

Their shouts rolled to the rafters,
Another chief began;
His slit lips showed him for a ***;
He was an evil man.

"Sing to the joys of women!" he yelled,
"The hot delicious tents,
The soft couch, and the white limbs;
The air a steam of scents!"

His eyes gleamed, and he wet his lips,
The rafters shook with cheers,
As he sang of woman, who is man's slave
For all unhonored years.

"Whether the wanton laughs amain,
With one white shoulder bare,
Or in a sacked room you unbind
Some crouching maiden's hair;

"This is the only good for man,
Like spices of the South --
To see the glimmering body laid
As pasture to his mouth!

"To leave no lees within the cup,
To see and take and rend;
To lap a girl's limbs up like wine,
And laugh, knowing the end!"

Only, like low, still breathing,
I heard one voice, one word;
And hot speech poured upon my lips,
As my hands held a sword.

"Fools, thrice fools of lust!" I cried,
"Your eyes are blind to see
Eternal beauty, moving far,
More glorious than horns of war!
But though my eyes were one blind scar,
That sight is shown to me!

"You nuzzle at the ivory side,
You clasp the golden head;
Fools, fools, who chatter and sing,
You have taken the sign of a terrible thing,
You have drunk down God with your beeswing,
And broken the saints for bread!

"For God moves darkly,
In silence and in storm;
But in the body of woman
He shows one burning form.

"For God moves blindly,
In darkness and in dread;
But in the body of woman
He raises up the dead.

"Gracile and straight as birches,
Swift as the questing birds,
They fill true-lovers' drink-horns up,
Who speak not, having no words.

"Love is not delicate toying,
A slim and shimmering mesh;
It is two souls wrenched into one,
Two bodies made one flesh.

"Lust is a sprightly servant,
Gallant where wines are poured;
Love is a bitter master,
Love is an iron lord.

"Satin ease of the body,
Fattened sloth of the hands,
These and their like he will not send,
Only immortal fires to rend --
And the world's end is your journey's end,
And your stream chokes in the sands.

"Pleached calms shall not await you,
Peace you shall never find;
Nought but the living moorland
Scourged naked by the wind.

"Nought but the living moorland,
And your love's hand in yours;
The strength more sure than surety,
The mercy that endures.

"Then, though they give you to be burned,
And slay you like a stoat,
You have found the world's heart in the turn of a cheek,
Heaven in the lift of a throat.

"Although they break you on the wheel,
That stood so straight in the sun,
Behind you the trumpets split the sky,
Where the lost and furious fight goes by --
And God, our God, will have victory
When the red day is done!"

Their mirth rolled to the rafters,
They bellowed lechery;
Light as a drifting feather
My love slipped from my knee.

Within, the lights were yellow
In drowsy rooms and warm;
Without, the stabbing lightning
Shattered across the storm.

Within, the great logs crackled,
The drink-horns emptied soon;
Without, the black cloaks of the clouds
Strangled the waning moon.

My love crossed o'er the threshold --
God! but the night was murk!
I set myself against the cold,
And left them to their work.

Their shouts rolled to the rafters;
A bitterer way was mine,
And I left them in the tavern,
Drinking the yellow wine!

The last faint echoes rang along the plains,
Died, and were gone. The genie spoke: "Thy song
Serves well enough -- but yet thy task remains;
Many and rending pains
Shall torture him who dares delay too long!"

His brown face hardened to a leaden mask.
A bitter brine crusted the fisher's cheek --
"Almighty God, one thing alone I ask,
Show me a task, a task!"
The hard cup of the sky shone, gemmed and bleak.

"O love, whom I have sought by devious ways;
O hidden beauty, naked as a star;
You whose bright hair has burned across my days,
Making them lamps of praise;
O dawn-wind, breathing of Arabia!

"You have I served. Now fire has parched the vine,
And Death is on the singers and the song.
No longer are there lips to cling to mine,
And the heart wearies of wine,
And I am sick, for my desire is long.

"O love, soft-moving, delicate and tender!
In her gold house the pipe calls querulously,
They cloud with thin green silks her body slender,
They talk to her and tend her;
Come, piteous, gentle love, and set me free!"

He ceased -- and, slowly rising o'er the deep,
A faint song chimed, grew clearer, till at last
A golden horn of light began to creep
Where the dumb ripples sweep,
Making the sea one splendor where it passed.

A golden boat! The bright oars rested soon,
And the prow met the sand. The purple veils
Misting the cabin fell. Fair as the moon
When the morning comes too soon,
And all the air is silver in the dales,

A gold-robed princess stepped upon the beach.
The fisher knelt and kissed her garment's hem,
And then her lips, and strove at last for speech.
The waters lapped the reach.
"Here thy strength breaks, thy might is nought to stem!"

He cried at last. Speech shook him like a flame:
"Yea, though thou plucked the stars from out the sky,
Each lovely one would be a withered shame --
Each thou couldst find or name --
To this fire-hearted beauty!" Wearily

The genie heard. A slow smile came like dawn
Over his face. "Thy task is done!" he said.
A whirlwind roared, smoke shattered, he was gone;
And, like a sudden horn,
The moon shone clear, no longer smoked and red.

They passed into the boat. The gold oars beat
Loudly, then fainter, fainter, till at last
Only the quiet waters barely moved
Along the whispering sand -- till all the vast
Expanse of sea began to shake with heat,
And morning brought soft airs, by sailors loved.

And after? . . . Well . . .
The shop-bell clangs! Who comes?
Quinine -- I pour the little bitter grains
Out upon blue, glazed squares of paper. So.
And all the dusk I shall sit here alone,
With many powers in my hands -- ah, see
How the blurred labels run on the old jars!
***** -- and a cruel and sleepy scent,
The harsh taste of white poppies; India --
The writhing woods a-crawl with monstrous life,
Save where the deodars are set like spears,
And a calm pool is mirrored ebony;
***** -- brown and warm and slender-breasted
She rises, shaking off the cool black water,
And twisting up her hair, that ripples down,
A torrent of black water, to her feet;
How the drops sparkle in the moonlight! Once
I made a rhyme about it, singing softly:

Over Damascus every star
Keeps his unchanging course and cold,
The dark weighs like an iron bar,
The intense and pallid night is old,
Dim the moon's scimitar.

Still the lamps blaze within those halls,
Where poppies heap the marble vats
For girls to tread; the thick air palls;
And shadows hang like evil bats
About the scented walls.

The girls are many, and they sing;
Their white feet fall like flakes of snow,
Making a ceaseless murmuring --
Whispers of love, dead long ago,
And dear, forgotten Spring.

One alone sings not. Tiredly
She sees the white blooms crushed, and smells
The heavy scent. They chatter: "See!
White Zira thinks of nothing else
But the morn's jollity --

"Then Haroun takes her!" But she dreams,
Unhearing, of a certain field
Of poppies, cut by many streams,
Like lines across a round Turk shield,
Where now the hot sun gleams.

The field whereon they walked that day,
And splendor filled her body up,
And his; and then the trampled clay,
And slow smoke climbing the sky's cup
From where the village lay.

And after -- much ache of the wrists,
Where the cords irked her -- till she came,
The price of many amethysts,
Hither. And now the ultimate shame
Blew trumpet in the lists.

And so she trod the poppies there,
Remembering other poppies, too,
And did not seem to see or care.
Without, the first gray drops of dew
Sweetened the trembling air.

She trod the poppies. Hours passed
Until she slept at length -- and Time
Dragged his slow sickle. When at last
She woke, the moon shone, bright as rime,
And night's tide rolled on fast.

She moaned once, knowing everything;
Then, bitterer than death, she found
The soft handmaidens, in a ring,
Come to anoint her, all around,
That she might please the king.

***** -- and the odor dies away,
Leaving the air yet heavy -- cassia -- myrrh --
Bitter and splendid. See, the poisons come,
Trooping in squat green vials, blazoned red
With grinning skulls: strychnine, a pallid dust
Of tiny grains, like bones ground fine; and next
The muddy green of arsenic, all livid,
Likest the face of one long dead -- they creep
Along the dusty shelf like deadly beetles,
Whose fangs are carved with runnels, that the blood
May run down easily to the blind mouth
That snaps and gapes; and high above them there,
My master's pride, a cobwebbed, yellow ***
Of honey from Mount Hybla. Do the bees
Still moan among the low sweet purple clover,
Endlessly many? Still in deep-hushed woods,
When the incredible silver of the moon
Comes like a living wind through sleep-bowed branches,
Still steal dark shapes from the enchanted glens,
Which yet are purple with high dreams, and still
Fronting that quiet and eternal shield
Which is much more than Peace, does there still stand
One sharp black shadow -- and the short, smooth horns
Are clear against that disk?
O great Diana!
I, I have praised thee, yet I do not know
What moves my mind so strangely, save that once
I lay all night upon a thymy hill,
And watched the slow clouds pass like heaped-up foam
Across blue marble, till at last no speck
Blotted the clear expanse, and the full moon
Rose in much light, and all night long I saw
Her ordered progress, till, in midmost heaven,
There came a terrible silence, and the mice
Crept to their holes, the crickets did not chirp,
All the small night-sounds stopped -- and clear pure light
Rippled like silk over the universe,
Most cold and bleak; and yet my heart beat fast,
Waiting until the stillness broke. I know not
For what I waited -- something very great --
I dared not look up to the sky for fear
A brittle crackling should clash suddenly
Against the quiet, and a black line creep
Across the sky, and widen like a mouth,
Until the broken heavens streamed apart,
Like torn lost banners, and the immortal fires,
Roaring like lions, asked their meat from God.
I lay there, a black blot upon a shield
Of quivering, watery whiteness. The hush held
Until I staggered up and cried aloud,
And then it seemed that something far too great
For knowledge, and illimitable as God,
Rent th
Her soft leaves tremble as
the clouds clash and collide
above, revealing their deafening
roar.

Tremors ripple through her,
beginning at her roots; the
poignant sky tears straight through
her rind.

Vicious tears fall from melancholy stars,
and she quakes under the bellow
of the outraged clouds; she is
alone.

Turbulent,
    irate,
        ferocious,
but she will remain.
Mateuš Conrad Mar 2016
the greater technique in writing poetry,
is not really associated with the
scholastic, well at least not with poets-in-residence
at university institution, esp. with the current
curb on free experience of expression
having to walk a ballerina sort of walk on
tip toe, even though a ballerina walk on
hard surfaces is an elephants stomp (swan lake?
the drumming of the ballerinas deafens the
music, what a crude sadistic art-form),
and should ballerinas practice the art-form on
cushions they couldn't do their tip-toe...
a ballerina sort of walk to not cause usurping
apathy by the bullish heart is a paradox...
because hard topics with a ballerina tread will
still become a piano hitting the ground...
and soft topics with a ballerina tread will
only become the agonising loss of firm footing,
and a torture of the trivial having to be danced
upon with such seriousness as the samba would
otherwise allow... the tip-toe having not firm
rooting... if that makes a sensual impression on you,
so be it, it's hardly senseless to write such words,
since you see the symbolic encoding with you words,
so unless these arrangements don't make you blind,
i'm assuming you will not allow anti-geometrics of
certain painters... and instead you're embracing
satisfaction with squares and triangles...
a rigid narrative of pre-planning an expedition to
Antarctica asking for the right provisions of fur,
tents and water and food... it's not up to me to play with
these words for interpretation, i've made the interpretation
a freedom only you can behold, i can't always be found
willing to interpret the arrangement for you,
i'm not into thought ******* and shackling,
and if you're into that... then you're just plain ******* lazy;
i mean, if i was a poet-in-residence at a university
and told to mind recognisable poetic technique
in the range of onomatopoeia and metaphor
and not accept a higher technique, the digression
via the kaleidoscope, the many diversion,
changed subject matters... i'd bore myself to death...
of course there's the rambling technique of
a poetic narrative, a sudden caffeine injection of
the elevated moment, but that technique calls for
a single subject matter - i'm talking explosions...
a return to ballerinas, if poets mind hard subjects,
heavy subjects, and they want to treat on them
gracefully like ballerinas in agony
they will have to embrace the fact that such
"grace" is actually an elephants stomp...
it's no good asking ballerinas to practice their
art by dancing on cushions... the two graces -
one of dance and the other of grace will never allow
you to walk around on tip-tope...
oh come on, interpret it with images of some sort
of comparison, like a ballerina on a tightrope...
i'm not going to be spoon-feeding you
anywhere from the page.

spring clean, the boiler-man came for an annual
check-up, i was working and kept my room
a bit un-kept...
cleaned the windows, hoovered the floor,
steamed it, cleaned the bookshelves from dust,
it smelt like a mint-conditioning comic after,
changed the bedsheets,
took all the empty cups from the shelves,
spotless clean...
but i'm telling you, if i get to see 2015's
best film *inside out
by pixar i'd give you
a clear analysis on the specific points,
at the moment i have this **** of thinking
about how the optics of man
only start engaging in memory after 4 years
upon birth...
spending nine months in the waters of the womb
(imagine coal miners trapped in
perpetual coal-mine for nine months,
they'd re-enter the light of day like moles,
having to wear sunglasses for the same number
of months before the eyes adjusted) -
it's no wonder that the parts of the body
passing fluids (well, **** in the form of
diarrhoea is pigeon ****) are weak...
why the ***** i'm saying...
why the mushy pulp of the apple purée
because the oesophagus is weak too and needs
to develop like bones, become hardened,
indeed these soft tissues need to become firm
paralleled with bones, baby bones are undeveloped
in terms of how we can't walk at the beginning
but crawl... forget the drawings of darwinism
of shortened historical explanation...
our's isn't with tail and hunched spine...
we're crawling...
but the pixar film inside out i will write a detailed
analysis when i see it again...
at first i can only relate one fascination...
the way we only become to actually consciously
see aged ~4... prior to that we have no
optical impression of the world with memory...
memory and seeing only enjoin
aged ~4... prior to that all the senses are based
in the unconscious, once the senses emerge from
the unconscious, actual faculties develop,
sight develops with memory...
i could say that speech develops with sounds...
but ba ba goo goo ma ma da da is actual
gibberish to consider since we become so eloquent
after, aided by the fact that we capture sounds
with phonetic optics of letters...
i'll stick my ground,
the first symbiosis is that of sight and memory,
which also becomes a symbiosis of
sight and memorising-imagination, or memory-in-itself...
and the clash of these two symbioses
creates a paradox of what actually happened
and what happened upon re-imagining...
like i said, i could expand on the theories within
inside out, with my re-evaluation as alt. outside in,
and i can say about a 1000 child psychologists could
be spawned from this single film...
but you never know, i might even theorise further
tonight once i drink enough and get a toilet break;
and bear in mind i'm about to cross the threshold
of being awake for 24 hours, after i miscalculated
my doctor's appointment for an amitriptyline (25mg)
prescription; the depth of the film is immense,
but i think it's harsh for so many psychological
undertones to be shown t children,
i think that it's a film for adults, even though
it's rated U... and indeed, more like a U-turn in
terms of thinking about life than suitable for
the under-aged
,
at first you get the early stages of child development,
by the end of the film of hopefully seeing adolescent
development, but that's cut short when
puberty obstructs sensitive sensible matters that
lead into sadomasochism in certain cases,
and in others into ****** carelessness as documented
by grooming examples in societies, like the ones
in england... or two girls today in mini-skirts with
the still cold spring nights, one ******* crouched
in an alley, the other trying to ease her on
while i walk past to finish it quickly...
i could, really could bombast you with my little
theory tool-kit... when joy becomes jealous of
sadness and wants to rob sadness of a prime memory...
the simple cutting of the umbilical chord of
being born in one place, but moving to another...
the sheer thoughtless release of tears in a classroom...
then the imaginary friend encounter...
never take short-cuts with that third cat,
third elephant, third dolphin character leading
you into the world of imagination,
the imaginary friend is actually a placebo figure in
this realm, he can't have imagined it all,
we couldn't have been the first prize pundit in it all...
he's the thief of ownership...
and then dragged into the cyst pit of those
characters real in life, celebrating your third birthday,
still blind to the world... the rainbows of life
and the darkness of the foetal mine...
the clown who's less horror but more a 5 year
student of acting reduced to cheap party tricks...
distorted not in life, but in your dreams,
as proof that you really didn't see the world
so early... you couldn't have, because if you had,
the dream world would not distort so profoundly...
and upon re-entry into the foetal position of sleep
your first 3 years are reflected in sleep...
such that when joy and sadness walked into
the realm of the imagination i thought they'd wake
the girl up by going to the cinema to watch a horror movie
like the one joy tried to block when the family
first moved to san francisco...
oh indeed the over-layering of the five crude expressions
of thought, memory and imagination...
i wonder why these chose those five...
and there was no hope among them - and hope's
triplet shapes of hope itself, love, and fear...
and when suddenly the imaginary friend dragged
the poor girl into the abyss of forgettable memories,
it dawned on me how the girl sat there holding
memories she wished to remember, a motherly
narcissism as to say: my own child...
but it felt so strange to imagine this child
holding onto memories like that, when in reality
without the five crude impressions of feelings
she would be unable to do so... this melancholic
reflection of joy suddenly dawned upon her
that the real sadness was the it too was sadness,
for if natural selection exists... so too much
cognitive selection, however dear some things are
to us... some of us have to remember
being able to give surgery, learn to drive buses,
teach mathematics... to be truly enjoined with humanity,
and not simple childish solipsists;
even as such... write poetry and weep.
Clash. Zap. Thunderclap.
Orbitals charged with electricity collide - feels like  crossing the streams
let's - smash atoms like Adam and Eve,
pierce fiercely with particles blown white hot from my accelerator
Insatiable
Like  trying to fill up a black hole, so i accelerate her
excite her, ignite her, my touch lights her on fire
combust.
a cloud of ecstasy like Co2  rises higher
I've got my eyes on your ions
take a picture it'll last longer?
snap a photo digitize her
particles turned pixels tilt their head skyward
transcendant enlightenment, released it inside her
E=mc^2 , i can please you at the speed of light
we just rewrote the big bang theory and this time we got it right
opposites attract and charged sparks fly
we might not touch but ion be ****** if we don't try
I'm a ****** intellectual
I love your body AND your mind.
This is definitley meant to be read aloud, in the style of rap and/or spoken word.

comments and critique much appreciated, this one has me quite enthralled, perhaps pun intended ;}
i've been washing myself
in John Baptiste's fury
more precipitation
of our seasons
saturated by the come'n'go
wait and see
the white swans before we die
crashing naked bodies
in a ***** L.A.
swimming pool
we succumbed
to their glamorous scartissues
carving our egoic existence
that time when you
soaked your hate in
the summer sun
died over and over
like a fish jelly scattered
on the hot sand
we still remembered
our mother's womb
the development of
the caterpillar
butterflies only lived
in our stomach
reproduced on rusted
trains towards
divergent universes
towards
the infinite self.
Brandon Conway Oct 2018
Smoke signals from a silent cigarette
float to the heavens and linger
in the mucky conscience of regret
resting on the temple, my forefinger

Thumb lifted to expose
a metaphorical gun
countenance in prose
staring at a midnight sun

When will that monster again ****
another that I love,
Why did I so feel
like I could best the powers from above

I created a ghastly Adam
and I dare not create an innocent Eve
my future I cannot fathom
all time left to grieve

I will chase this gruesome snake
no matter where it slithers
across Hell's frozen lake
this calamity summons me hither

My final and only ambition
is to cast a life to silence
his and my cognition
will clash and bite in violence

I created a monster
and a monster created me
Madness! How it so saunters
and wails as if a banshee

Look over on the frozen horizon
a horrid shadow stalks
I, a fire stealing Titan
will march out to solve this paradox
Leila Valencia Apr 2019
Every turn, I take...

I felt the trench of heaving suddeness
I felt the simple rush, to rush

I felt a clash!
With wants, and following the flow
And no;
They are not aligned

One is sacrificing, one is true
And it's exasperatingly terrifying

To listen intently
Sean Dimech Aug 2012
She speaks to me through Winter's night,
At the clash of fearless winds and tides.
Within whispers of memoired days that passed,
I find myself entangled in each others grasp.
Like a summer's day I forget the tomorrows,
Unworthy challenges, expectancies and sorrows,
Letting go of my anger and unattended pain,
Her whispers are the only things that keep me sane.
I close my eyes to the sound of aquatic gusts,
Invisioning the days we've spent sharing eachother's lust.
Through a swirl of thought I sit beside you,
With petals of flowers falling upon each shoe.
My arm grips you tight as if hanging for salvation,
Yet still we hold a certain fear of confrontation.
We path our way with big and small footsteps,
Through unearthed soil, we silently crept.
The view was shallow; yellow with blue,
I gazed my eyes upon this priceless view.
Amongst an ocean of grass and rooted flowers,
Lay a lonely rose, purveying endless thorn-showers.
How risky and deep and precious the thought,
That within grass and sunflowers, a rose has been brought.
My hands reach to grip, but my eyes twinge with pain,
A sudden push through my lungs, and rush through my veins.
I wake up confused, my dream disappears,
But you my gray rose, you're always right here.
Mateuš Conrad Aug 2016
the night i found a woodland pigeons roosting
on my guttering, tried to catch it given
the maxim: better a robin in your hand,
than a dove on your roof, but failed, and
to my surprise, felt no feeling of failure,
nothing competitive, and the world needs this
at this moment, the shattering of the clocks,
for a moment, to hold your breath and take
snapshots of the world as if drowning -
with a held breath, and ninja gymnastics
slowly edging toward the pigeon perched
in the guttering... do people understand that
poetry isn't about competing in the Olympics?
you can't laurel crown a poet of ability
among others, just like you can't discourage others
from the freedom to write it, however ridden with
orthodox methodology, or however concerned
with the purity of a narrative...  nor can you
have poetic prodigies - poetry takes time,
it takes fermentation, it's not one of those first
come first served allocations of ability...
it takes years, experience, i'm not talking about
a viola player in an orchestra, reduced to
muscle work, sure, you can be the muscular equivalent
of a viola player in an orchestra in poetry,
that's the easy part, tweak a few things in your
imitation and we're set to go... you'll be known
as pseudo-Plato or some other grand name...
you can't become a prodigious poet, i.e. if your
mother or father was a poet... this is the only
place where Sartre's existence precedes essence
takes form, elsewhere it doesn't,
the most evident i.e. is time flies when you're
having fun
- the presupposed essence of time
defines the supposition of having fun and
the non-existence of time - the two together are
what's required of a proposition taking form -
fiddling with the prefix doesn't concern anyone that
much, i.e. a preposition is lodged between
the presupposition (preposition) and supposition -
as i said before, systematisation is a method of
economising vocabulary - a boa constriction, a restraint,
imagine yourself being a pauper while writing out
lavish decking, chairs, marble toilets and gold-gilded
toilet seats, tacky stuff according to the failing
of the concept of money, once gained: to lavish out
on things, to keep the merchant class constantly busy
and adaptable - what with the Koranic procedures
we can be assured that there will be a constant
confidence in producing, selling, exchanging,
or the tonne of food thrown out because it didn't sell.
like growing vegetables, you probably ingest
5 nutritious poems a day, the rest you throw out...
you take a fat poem, a protein poem, whatever,
there's always a variation on what poem fills
the carbohydrate allowance, but the rest is thrown out...
a thinking man's poem is fibrous, that means:
slow on digestion, reminding, an agitating gnat
or mosquito; but it truly is a case of having to be
an entertaining narrator, without character study -
or character concern - in that i lend myself
to the poetic practice of ensō - one smooth stroke
and the narrative is finished - also a culminating point
of worth consideration, name revelation 13 -
and the suggestion: what the contemporary affairs
would also suggest -
it's kinda funny when you think about it...
isn't the beast from the sea Moses and the beast
from the earth Jesus?
early Christianity probably wasn't prone to iconoclasm,
only when it reached popularity this
iconoclasm play a key role...
but what does John actually write?
in our modern tongue? Moses (the dragon) and
Jesus (the beast), as stated in the tale:
the transfiguration, or the shifting of power -
who is able to make war against the beast?
the Antichrist (some words have been kept in
straitjackets, use them, they either think you're
mad, or religiously psychotic, under-use them
and they fall into the wrong hands... bit of a juggle,
but coming from a religious school education,
i'd keep such words categorised in controversy
as euthanasia and abortion); so unto the beast...
a mouth speaking great things and blasphemies
(sermon on the mount), and the deadly wound was
healed (the crown of myrrh, and the resurrection),
and they worshipped the dragon and they
worshipped the beast - many do still preserve
"tact" of kneeling before an icon, esp. in orthodox
tradition... and the blasphemies,
well, i'm not sure Jesus was crucified for nothing...
see how people can make you look silly when you
use parts of their vocabulary? you write Jesus
and immediately you can't think of an Eddie Izzard
sketch... you're trapped with how other people
over-use certain words, keep them "sacred" in order
that they might be treated as sustenance...
some people write the word tomato or potato and
get a meal out of it, others write Jesus and they
win the ******* lottery with their flock of goody-two-shoes
fanning their ***** in packed churches in the Bible Belt.
then there's John doing a bit of Spartacus -
if any man have an ear, let him hear -
by the way hunter s. thompson was keen to study this
book too... he that leads into captivity...
and when did i not felt being captive under Christianity?
they catch you early on, get you educated in *******
and then release you into the world as mince meat;
it's all a fatal exercise in / of metaphor -
i'm not surprised rushed toward the book of Genesis
for a stability of thought, trying to
write an equivalent of Paradise Lost, i.e. Paradise
Regained
basing it solely on the book of Revelation
with is complex use of metaphors would drive
anyone mad... so far i'm stumbling, we have
the dragon giving power to the beast of the sea
(Jesus' harem of nuns, water, juiced up *****)
and then we have the beast of the earth -
then there's the many deceptions or "miracles"
that Jesus did - any magician will gladly succumb,
altogether the purposes of any image,
not a statue, but an image, basically a sphinx on paper,
how ancient worship of statues and building them
turned into a worship of oil-on-canvas...
from 3D into 2D... by the time we reach 1D we are
talking the big bang... oh, right... we're talking
about the origins of the universe already...
i'll test you: compose me a Milton-like poem working
from the book of revelation and never touching on
the book of Genesis - let's face it, the only poetically
riddled book of the New Testament is the book
of Revelation... and it truly is a ****-up for any poet
to consider... easier to be a novelist and joke
at the bible being accessible in every motel room
across America... such books are agitators,
they're implants, something you get rid off in your
spare time, bite out the access of such books to your mind
like a dog with rabies... praying:
just so i don't have to wear the Golgotha geometry,
just so i don't have to wear the Golgotha geometry...
in summary? to me the dragon is Moses
(every Greek would side with the Egyptians given
Alexandria and whatnot), armed with all the physics
bending plagues (yes, i think they're true,
Darwinism is no better at their myth of Tarzan,
given we're watching sprinting 100 metres in under
10 seconds, everything starts to look ridiculous given that),
yes, both assumptions are quiet honestly absurd,
it just depends where you want to begin with:
the clash of fur versus tanned buttocks,
or the clash between female genital mutilation
versus male genital mutilation...
i told you, i am circumcised during ***, i roll the *******
back, and hey pesto! a helmet!
i think i better change the concept of enso into
a concept of the waterfall, just for the exotica (but there's
no exotica in globalisation, it's hard keeping
history and learning to get together without
some part of us rebelling to rekindle ancient wrestling),
aha! taki! can you imagine what would have been
if the Egyptians were able to keep their ideograms?
they wouldn't ever have kept them to see them off
on the evolutionary sprint to success, they weren't
using matchsticks like the Chinese were using
and kept on using, waiting for numbers to prop up
and tell you Hong Kong was 1 million light years away
from Beijing... because it was all d'uh to them
and the Mongolian harmonica imitation of the steppe
idiot laughing at a horse taking a **** like
a male dog taking a ****, giddy up on the leg over.
i'm well surprised the Chinese ideogram is alive...
it's a source for many ideas, without me even wanting to
travel there... they built the great wall of China with their
ideograms, the wall itself was unnecessary to protect
the people from Mongolian optometrists...
that's the key in Chinese, using matchsticks the sounds
are pretty much basic: Xi Lung Chi - or Chang Chewy Lo,
pretty crap, isn't it? i agree, their strength comes
best expressed by their proficiency in less matchsticks
included in the Jenga of 1, 2, 3, i mean the bendy bits,
we Europeans have to first remember the aesthetic,
then the dyslexia antidote to get our ideas out and into
the open, for the Chinese every ideogram is
not a letter but another bright new idea... eo or ea-,
whatever... 1 billion of them content with the scraps
of individuation waiting for them... with us it's
about conquering the world, but our **** doesn't sell
in Mongolia... when was the last time
you picked up a newspaper and read news from
Mongolia? the 13th century and Genghis Khan?
probably. god, feels great to unwind without
paying too much attention on the book of revelation,
every time i muster the strength to consider
religious topics i immediately feel i'm claustrophobic
and want to get out...
that book is still but a fatal exercise in metaphor -
it's overly-poetic, the book of Genesis is full of
princely imagery, but the book of Revelation
is not compatible with imagery, a garden and three
characters makes imagining it far more easily
than the three characters in the book of Revelation
on a beach... when i think of a garden i think
of vineyards and pear orchards, i.e. wine and cider -
when i think of the beach i only think of
hot dog selfies of a girl's tanned legs... and that
ain't helping... and why people vacate on beach
resorts but are scared of swimming in the sea,
and only want the sea as a canvas when swimming
in the hotel swimming pool.
cassie sky Sep 2012
This cave is my sanctuary; cold, damp, filled with minerals and creatures.
I sit cross legged peering out through the crescent shaped doorway mama nature has created.  I have never been more at peace than I am when I’m here.  

The water crashes ******* the barnacle covered rocks beneath me.  The mist from the waves whirls its way up to sooth my aching skin.  The sea calls my name in the way that an angel calls you into the light.  
At first it’s just a delicate whisper.  The voice is so charming and playful that it begins to lure me in. As i begin to drift further, letting the voice carry my thoughts, the waves pound harder and the symphony the sea has written me rapidly grows in volume and intensity.  

The tension becomes so strong that the sky starts to erupt.  The clash of the clouds creates a prismatic light sequence leaving the sky looking magnificently iridescent. I sit unstirred, reveling in it's beauty.

The sea is now agonizingly screaming for me to succumb to its cool paradise.

For a while I just sit and enjoy the elegance of the symphony.  Once the sky starts to lower its darkened veil, I know it is time to go.  
I stand up with more certainty than I had ever felt before.  
I slowly take three steps forward, embracing the feeling of the dirt in between my toes.  
Two long strides, and then I leap.  The thick foggy air caresses my body as it swiftly careens downward.  

The symphony ends with a splash.
Alex Apples Aug 2013
I remember the first time
I felt panic, I
Had been raised in a beautifully-constructed world of my mother’s making where I could
Take my time and step from subject to subject like hopscotch or skipping rope because I wanted to know it all
Drinking it all in, soaking in knowledge like a bath
Learning everything there was to learn
Leaving no stone unturned
No one told me I couldn’t
Swirl my fingertips in acrylics, read books on horses having *** at age seven because I wanted to be a veterinarian, hit the soprano notes though I was an alto, crush dandelions into healing potions, create a world on a stage with crying child actors, nick cardboard boxes and clocks because I knew I could move time backwards

Then I grew up and
The grown-up world was not so forgiving
Examinations, papers, time clocks, meetings, expectations I could not meet with the excellence my soul craved
I can’t breathe
Fear had a choke-hold on my throat
My mouth would dry, then wet as my stomach swirled and groaned with nausea
My hands turned into ice picks
My heart screamed like a jackhammer in concrete
Every possible worst-case, best-case, win-win, lose-lose, lose-win scenario would rush and overthrow my amygdala like a union mob besieging an abusive factory that never closes, never lets them rest
I didn’t realize it was because the only way to do it all and be it all and hit every deadline and finish every task was to sacrifice perfection, to become average, mediocre
Assimilate

And I learned the truth
That that was all the world expected of me anyway
You see there is no patience for anything else in the real world
I can’t breathe
I have no emotion, only thought processes
Paralyzing, debilitating clash between suppressed desires to take my time, create, innovate, learn and the overwhelming need to
Focus, decide, move faster, work harder, be on time, be better, please everyone, be everything
Be nothing
To where the only choice is let go of that part of yourself or go insane

So I shed my skin like it was a sin I was leaving behind
Just to survive
Without the headaches, the heartbreak, ripping my hair out over stupid little mistakes
It’s taken this long to find it in my closet again
To not be afraid
Of the soul it takes to
Perfect
David Nelson Sep 2011
Chubby Bellies

just what is the matter with matter that's dark
is it clandestine because it won't show it's face
but it seems to be everywhere that you look
especially if you look deep into space

the energy created is also quite dark
literally tearing gravity apart
I know this is really hard to explain
but won't you please have a look at my chart
  
if you look here at these many galaxy clusters
gravitational lensing is required to see
when you use the cosmic magnifying glass effect
there is a bulging middle to a large degree

more study is required they call it CLASH
cluster lensing and Supernova survey with Hubble
I gathered this info from space dot com
chubbie bellies creating this bubble

Morpheus aka Gomer LePoet
I killed someone you see...... He's who I used to be
The people I used to know are strangers today.
They no longer stay much to my dismay.
I try to make amends, but it still comes to an end.
Even as reality bends into my nightmare.
I stay aware of the moves I make choices I take.
The truth I know doesn't change even as estranged faces come into my view to start anew.
But the roads the same I seem insane. Hopefully the line won't fade......... I guess that's what I said previously the lines faded now jaded perspectives clash my protective walls crash....I stress it again as I hope to regain purity.
I became distant from a lot of friends

— The End —