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"clamber" poems
Black surges, forges piling emotion, Foraging, attaining such predicted erosion. Color the rubies to a diluted amber, Brittle, dripped gems are toxic, I clamber To the lamp as to see my implicit devotion. Vitals ascend, and I can't perceive This motionless forfeit I often receive. Aid is essential, it holds potential, To cure this conflicted, addicted vessel. My heart on my sleeve, I'm undeceived. I implore to explore, as breath, I leave, So close to dying, I'm on the eve Of darker clothing, and flowers to family, Hallucinate my abnormalities. Yet somehow, I am still on my feet-
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May 17, 2018
May 17, 2018 at 9:33 PM UTC
I'm Still On My Feet
there is a monster beneath the lofty, billowing sheets of my bed beneath the mattress the box spring the carefully crafted wooden frame. [he lives in the shadows, in the obscurity there.] i should feel sheltered...safe, underneath these sheets, [like my mother’s arms tucking me in tight, don’t let the bed bugs bite.] but when my arm dangles off my bed, when i commit that fatal mistake, i feel a draw to the ground more forceful than the force of gravity seizing my hand paining to pull me under. and i know it is the monster. i feel his yearning for the blood and guts of a child... his desire to rip me apart like a lion does his prey. i take back control of my hand, wrap my arms around myself, feigning safety. for as we all know that monster could very well clamber, creep out climb onto my bed and swallow me whole. i don’t know why he hasn’t yet -- perhaps he likes the challenge of waiting for me to be susceptible enough to forget myself and leave my arm suspended for more than just a moment. i am curled up into a fetal position paralyzed by my fear. the anxiety invades my joints so that i cannot move anymore. i fall into a fitful sleep and wake up to sunshine radiating through my window, casting the intricate patterns of my curtains on the rug. during the day, the monster cannot survive. but when nighttime falls the darkness returns, my trepidation returns and the monster is alive. well, again.
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Nov 11, 2012
Nov 11, 2012 at 2:54 AM UTC
The Monster in All of Us
I've never been able to get good sleep. My eyes darker than black holes, I spiral down. I try to clamber up, but I'm in way too deep. Daydreaming at night. The loss of myself, but very aware of my state of mind. Release is only found within the sunrise. Every night I stumble on the moon. I jump star to meteor, hoping gravity pulls me into the space between. Maybe then I can get some real good sleep. History book worthy battles, I wonder who will be the victor. Love or loath; a sword drawn to my heart. Arms apart, head thrown back. I'm not even entirely sure what part of me I'm killing, I'm just praying for relief, I just want some sleep. I was sick of the suffering, autopilot is my new definition of personality. Memories have turned into sadistic nightmares. Let me free myself from this close eyed, open mind torture. I cant even stand to walk around my own mind, silence is full of beasts I have yet to slay.     I'd rather hide in the wounded parts of me, call myself a survivor. A survivor of nothing out of the ordinary.
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Oct 18, 2017
Oct 18, 2017 at 2:56 PM UTC
Autopilot Suicide.
What Hope Remained? What hope remained when hope for hope was spent?         When putrid plumes dulled morning into night         Hope lived in heart-struck deeds of bold intent,         As mortals wept and earthborn angels went         With downcast eyes to clamber heavens height. What hope remained when hope for hope was spent?         When panicked sirens wailed a lost lament         And backs were bowed beneath ungodly weight,         Hope lived in heart-struck deeds of bold intent         As boots bore souls up treadmills burnt and bent         To scale a void devoid of dawning light. What hope remained when hope for hope was spent?         For those in sight of angels heaven sent         Atop the world to aid their mortal plight,         Hope lived in heart-struck deeds of bold intent.         When wingless brethren conquered feared ascent         To gift last hope to all who saw their might:                 What hope remained when hope for hope was spent?                 Hope lived in heart-struck deeds of bold intent. In The Fall I chanced upon a stranger in the fall, Cosmetic garb of office black and white Portraying calm demeanor of his plight As shadows panicked on a stricken wall, And oft' I find my mind in numb recall To look upon that helpless human kite Who tumbled from the terrors of a height, Yet graceful as an eagle in a stall Before it plummets earthward --   'Neath the pall Of twisted steel rended by follied flight, That stranger lives forever in the light Suspended in iconic timeless sprawl.         I wonder, in the briefness of his fall,         Did he derive the meaning of it all?
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Sep 4, 2015
Sep 4, 2015 at 7:20 PM UTC
Villanelle and Sonnet
What Hope Remained? What hope remained when hope for hope was spent?         When putrid plumes dulled morning into night         Hope lived in heart-struck deeds of bold intent,         As mortals wept and earthborn angels went         With downcast eyes to clamber heavens height. What hope remained when hope for hope was spent?         When panicked sirens wailed a lost lament         And backs were bowed beneath ungodly weight,         Hope lived in heart-struck deeds of bold intent         As boots bore souls up treadmills burnt and bent         To scale a void devoid of dawning light. What hope remained when hope for hope was spent?         For those in sight of angels heaven sent         Atop the world to aid their mortal plight,         Hope lived in heart-struck deeds of bold intent.         When wingless brethren conquered feared ascent         To gift last hope to all who saw their might:                 What hope remained when hope for hope was spent?                 Hope lived in heart-struck deeds of bold intent. In The Fall I chanced upon a stranger in the fall, Cosmetic garb of office black and white Portraying calm demeanor of his plight As shadows panicked on a stricken wall, And oft' I find my mind in numb recall To look upon that helpless human kite Who tumbled from the terrors of a height, Yet graceful as an eagle in a stall Before it plummets earthward --   'Neath the pall Of twisted steel rended by follied flight, That stranger lives forever in the light Suspended in iconic timeless sprawl.         I wonder, in the briefness of his fall,         Did he derive the meaning of it all?
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35
i think beyond all lies and twists of personal interpretation there is a final sunset somewhere but the only problem is i think the road to it is like the rainbow bridge you can only walk on it if you're a god but somehow a vine seems to grow in me that will clamber the long divide of space and let me glimpse that sunset if i remember right the vine is called connection to a vital nerve in Christ and by the life inside it lays a road of many colors so i can walk the bridge of colors and see the colors that the sun makes just before the end but it's not sad at all because i think the end is like an upside-down horizon and when the sun goes down at last it's rising for the last time and this time, it's the Son
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Jun 5, 2015
Jun 5, 2015 at 12:09 AM UTC
sunset
' make haste' she urges, as they clamber to the peak. an orange sun violently explodes, **  culminating in mindblowing  fire works.**
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Feb 25, 2012
Feb 25, 2012 at 1:18 AM UTC
an ascend to the peak
(inspired by Robert Pinsky)                 Morning sun on his face steady motor murmur vibrating the hose Bluebells clamber over the hill’s top - nothing to remember only the same engine noise that keeps making the same sounds under his head poised and pulsing the same beat no-one to say his name, no need, no-one to praise him only the engine’s voice - over and over, running under him. © M.L.Emmett
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Jul 30, 2014
Jul 30, 2014 at 11:14 AM UTC
Sonnet For a Suicide
Hidden, oh hidden in the high fog the house we live in, beneath the magnetic rock, rain-, rainbow-ridden, where blood-black bromelias, lichens, owls, and the lint of the waterfalls cling, familiar, unbidden. In a dim age of water the brook sings loud from a rib cage of giant fern; vapor climbs up the thick growth effortlessly, turns back, holding them both, house and rock, in a private cloud. At night, on the roof, blind drops crawl and the ordinary brown owl gives us proof he can count: five times--always five-- he stamps and takes off after the fat frogs that, shrilling for love, clamber and mount. House, open house to the white dew and the milk-white sunrise kind to the eyes, to membership of silver fish, mouse, bookworms, big moths; with a wall for the mildew's ignorant map; darkened and tarnished by the warm touch of the warm breath, maculate, cherished; rejoice! For a later era will differ. (O difference that kills or intimidates, much of all our small shadowy life!) Without water the great rock will stare unmagnetized, bare, no longer wearing rainbows or rain, the forgiving air and the high fog gone; the owls will move on and the several waterfalls shrivel in the steady sun.
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3.2k
Song For The Rainy Season
I've had my fill of llamas And of all the woes they bring For though they stop by frequently They never say a thing I find it rather ignorant That a humpless dromedary Should force on me its company But not its commentary I'm getting sick of llamas My nights are fraught with dread They wait until I'm fast asleep Then bounce around the bed My slippers smell of llama dung The carpet's had its day My house is getting crowded There's a new one every day I just can't move for llamas They're piling up in drifts Relentless in their appetite I'm feeding them in shifts I have to clamber over them To get to anywhere Would anyone like a llama? I would simply love to share I really can't stand llamas The ******** just don't quit And if they don't get their pop-tarts They've a tendency to spit They multiply quite rapidly Devoid of conversation I think I'll have to leave them And resume my medication **
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Mar 5, 2015
Mar 5, 2015 at 5:41 PM UTC
Llamas: Know the Score
The scientist-psychiatrist the psychologic sociologist has proved with his statistics and his data-riddled literates that nothing will be crippled if they sweep the city clean if they slay not only Tybalt but the whole Verona scene so they ****** it from our hands from our brains and those to come as the Ravens sear across the lands and bindings come undone They watch the pages flitter by and cackle with delight as the populace of fiction by their hands is ripped alight The licking of the laces by the hungry tongues of flame will ravage on the characters you've come to know by name Montag barrels forth and finds the Fahrenheit has risen Hester screams and claws her mind out of this hellish prison and Dorian will clamber up to sit atop the pile and weep for Pictures yet to sup upon his looks and guile And you'll watch as they obliterate the city from within de-storying our Paradise so it won't be Lost again. But I, Calpurnia? I warned you that the fiery clouds would rain I told you all, fictitious youth, but you called me insane.
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Apr 27, 2010
Apr 27, 2010 at 1:52 PM UTC
The Death of Literature
When I think back to the past, my memories seem to blur together as if I have spent twenty one years on a non-stop merry-go-round. Ups and downs, too much to take in at once, the people you love only a splotch in your spinning, ever-changing field of vision. You wonder how long they’ll stay, leaning over the metal railing separating them from you; you wonder if they’ll call out to you until they become hoarse…but no one stays for long. You think it’s fun and harmless until the carousel stops and you realize you’re the only one left. You clamber off the platform in a drunken stagger and wait for your mind, still caught up in the whimsical whir of charisma and carelessness, to catch up with reality. Eventually your thoughts slow and your vision steadies. Everything comes into focus. It seems eerily quiet compared to the cacophony of conversation and carnival music that was swirling and intertwining in the air just minutes ago. Now there’s silence and you’re left to contemplate your past…and your future. This is the reality check, the wakeup call that sends so many adolescents into a panic; an early mid-life crisis if you will. Twenty one years spent so quickly, so carelessly…only eighty more to go. And you can only wonder, “How will I waste those?”
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Apr 28, 2012
Apr 28, 2012 at 10:08 PM UTC
Infinite Carousel [a vignette]
A palatial forest, Full of verdure only to be seen under The Lucent celestial body Owls stay secluded beneath the Caliginous shadows, Tree limbs swerve and waver from the Fluttering wind. Pathways scatter across the canvas Filled with greenery Vines clamber to the ground, Fallen leaves lie withered through the earth, Under the nautical dusk Thus shows the beauty of a forest at Night.
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Dec 20, 2012
Dec 20, 2012 at 12:11 AM UTC
The Forest
Others because you did not keep That deep-sworn vow have been friends of mine; Yet always when I look death in the face, When I clamber to the heights of sleep, Or when I grow excited with wine, Suddenly I meet your face.
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2.5k
A Deep Sworn Vow
Can someone tell the folks upstairs That their floor is my ceiling. They stomp about, Scream and shout. In a fleet, They drag their feet. They tap dance in their hall, And cause my crockery to fall. While they boisterously shake, I'm forced to stay awake. They slam their doors, and I settle scores, By returning a 'thud', Which goes unheard. And finally when they clamber to bed, I thank my stars and think in my head, Those noisy wrecks, Are a pain in our necks, I would have loved them more, Had they lived on another floor.
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Jun 16, 2014
Jun 16, 2014 at 6:13 AM UTC
The people upstairs
(inspired by Robert Pinsky) Morning sun on his face steady motor murmur vibrating the hose Bluebells clamber over the hill’s top - nothing to remember only the same engine noise that keeps making the same sounds under his head poised and pulsing the same beat no-one to say his name, no need, no-one to praise him only the engine’s voice - over and over, running under him. © M.L.Emmett
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Apr 25, 2016
Apr 25, 2016 at 7:48 AM UTC
Sonnet for a Suicide
For years I’ve had marbles tucked in my mouth, Different colored weights that pulled on my glands, on secret saliva. For years I’ve had marbles in my mouth and I forgot to spit them out or hide them away so I let them become permanent placements in my always-cavities; soon they even slipped so easy into my bloodstream. The black ones made me say yes too often. The reds made me want to bleed. The blues made me cry, obviously. They stood guard on my tear ducts, deciding when and how to show emotion. They didn’t let me cry that night. They didn’t let me cry for months. Now I am crying almost everyday, and I am shooting those blue marbles straight to the moon; I’ve had it with avoiding emotion every day of my life. The yellows made me want to forgive you, made me want to **** on sunshine, made me want to clamber into your mother’s arms, let her know that it wasn’t your fault. The yellows are ******** The cat eyes have me avoiding eyes with every man on the street, so sure they will spit out words that they expect me to lap up like milk with an easy grin, tail twitching for attention. The cat eyes have me distrustful, have me always knowing it could happen again. The rainbows loosened my tongue, had me admit secret sexualities, let me march in parades and kiss girls, had me falling over myself tripping into love. I’m not sure who this poem is for anymore, or what it’s even about. The doctors say I have the cleanest bloodwork they’ve seen in a while, I don’t ask them about the marbles. They refer to some of them as disordered. I’m not sure if they’re marbles anymore, I think they’re just me, and I’m sorry I’m getting off-track, the marble in my hand right now is glitter and sparkle and confusion and I’m trying so hard to stay put. Give me the orange ones, the fire, ones that looks like Mars or Jupiter. Give me two moons, or maybe sixty-six. Give me a giant ladder. This is about running away. This is about playing with your marbles and learning everything about them and staying put.
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Sep 23, 2012
Sep 23, 2012 at 5:11 AM UTC
Untitled #72
For years I’ve had marbles tucked in my mouth, Different colored weights that pulled on my glands, on secret saliva. For years I’ve had marbles in my mouth and I forgot to spit them out or hide them away so I let them become permanent placements in my always-cavities; soon they even slipped so easy into my bloodstream. The black ones made me say yes too often. The reds made me want to bleed. The blues made me cry, obviously. They stood guard on my tear ducts, deciding when and how to show emotion. They didn’t let me cry that night. They didn’t let me cry for months. Now I am crying almost everyday, and I am shooting those blue marbles straight to the moon; I’ve had it with avoiding emotion every day of my life. The yellows made me want to forgive you, made me want to **** on sunshine, made me want to clamber into your mother’s arms, let her know that it wasn’t your fault. The yellows are ******** The cat eyes have me avoiding eyes with every man on the street, so sure they will spit out words that they expect me to lap up like milk with an easy grin, tail twitching for attention. The cat eyes have me distrustful, have me always knowing it could happen again. The rainbows loosened my tongue, had me admit secret sexualities, let me march in parades and kiss girls, had me falling over myself tripping into love. I’m not sure who this poem is for anymore, or what it’s even about. The doctors say I have the cleanest bloodwork they’ve seen in a while, I don’t ask them about the marbles. They refer to some of them as disordered. I’m not sure if they’re marbles anymore, I think they’re just me, and I’m sorry I’m getting off-track, the marble in my hand right now is glitter and sparkle and confusion and I’m trying so hard to stay put. Give me the orange ones, the fire, ones that looks like Mars or Jupiter. Give me two moons, or maybe sixty-six. Give me a giant ladder. This is about running away. This is about playing with your marbles and learning everything about them and staying put.
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20
Since now the hour is come at last, When you must quit your anxious lover; Since now, our dream of bliss is past, One pang, my girl, and all is over. Alas! that pang will be severe, Which bids us part to meet no more; Which tears me far from one so dear, Departing for a distant shore. Well! we have pass’d some happy hours, And joy will mingle with our tears; When thinking on these ancient towers, The shelter of our infant years; Where from this Gothic casement’s height, We view’d the lake, the park, the dell, And still, though tears obstruct our sight, We lingering look a last farewell, O’er fields through which we us’d to run, And spend the hours in childish play; O’er shades where, when our race was done, Reposing on my breast you lay; Whilst I, admiring, too remiss, Forgot to scare the hovering flies, Yet envied every fly the kiss, It dar’d to give your slumbering eyes: See still the little painted bark, In which I row’d you o’er the lake; See there, high waving o’er the park, The elm I clamber’d for your sake. These times are past, our joys are gone, You leave me, leave this happy vale; These scenes, I must retrace alone; Without thee, what will they avail? Who can conceive, who has not prov’d, The anguish of a last embrace? When, torn from all you fondly lov’d, You bid a long adieu to peace. This is the deepest of our woes, For this these tears our cheeks bedew; This is of love the final close, Oh, God! the fondest, last adieu!
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2k
To Emma
Since now the hour is come at last, When you must quit your anxious lover; Since now, our dream of bliss is past, One pang, my girl, and all is over. Alas! that pang will be severe, Which bids us part to meet no more; Which tears me far from one so dear, Departing for a distant shore. Well! we have pass’d some happy hours, And joy will mingle with our tears; When thinking on these ancient towers, The shelter of our infant years; Where from this Gothic casement’s height, We view’d the lake, the park, the dell, And still, though tears obstruct our sight, We lingering look a last farewell, O’er fields through which we us’d to run, And spend the hours in childish play; O’er shades where, when our race was done, Reposing on my breast you lay; Whilst I, admiring, too remiss, Forgot to scare the hovering flies, Yet envied every fly the kiss, It dar’d to give your slumbering eyes: See still the little painted bark, In which I row’d you o’er the lake; See there, high waving o’er the park, The elm I clamber’d for your sake. These times are past, our joys are gone, You leave me, leave this happy vale; These scenes, I must retrace alone; Without thee, what will they avail? Who can conceive, who has not prov’d, The anguish of a last embrace? When, torn from all you fondly lov’d, You bid a long adieu to peace. This is the deepest of our woes, For this these tears our cheeks bedew; This is of love the final close, Oh, God! the fondest, last adieu!
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40
Everyone is so scared. How could you not be? The only way that could happen is if you'd planned your whole life out from the start-- very carefully stacking block upon block, building your massive tower to your dream destination. What do you do when you get there, though, when you’re done? You keep stacking towards your next dream, rushing onwards, onwards to the next destination, the next layer, each one a little less solid than the last. And finally, when you get there, there, the end goal of your whole life-- the perch atop which you sit, staring down, with nowhere else to go, at the final place you’ve been dreaming of all these years-- hell, was it worth it? Worth all the anxiety and sweat and the meat being squeezed from your soul, everything you’ve been working towards forever? ... what the hell is it, what are you even looking at, tell me! I scream at you, “Tell me, what's so great about where you are up there-- the view?” But you are wise. You’ve got to be, you’ve lived your whole **** life already. You chuckle, and your wrinkles are friendly. “Come see.” I clamber up. It takes forever—you’re old as hell and spent your entire life building this thing. I keep climbing, and climbing, and the view keeps changing. I’m getting higher. I pause once, and glance behind me to see the sprawling architecture of every floor beneath. I have to remind myself to breathe and keep going. Finally, I reach you and shake your hand. I am standing atop an enormous tower, So tall I can’t make out the ground, Gazing back down at the intricate construction of your life. Layer upon layer, every block a different day, every floor a different chapter in your life. Maybe it's the thin air, but it finally dawns on me. It doesn’t matter where we are now. What matters is every day, every moment that you spent getting here. I look at you, and you sigh perfectly and completely. “So long, kid,” you salute me, and step off the edge. I watch you fall in wonder. But I know your legacy lives on in the enormous and complicated and twisting tower that remains, a tribute to your life.
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Mar 16, 2012
Mar 16, 2012 at 5:37 AM UTC
Jenga
Everyone is so scared. How could you not be? The only way that could happen is if you'd planned your whole life out from the start-- very carefully stacking block upon block, building your massive tower to your dream destination. What do you do when you get there, though, when you’re done? You keep stacking towards your next dream, rushing onwards, onwards to the next destination, the next layer, each one a little less solid than the last. And finally, when you get there, there, the end goal of your whole life-- the perch atop which you sit, staring down, with nowhere else to go, at the final place you’ve been dreaming of all these years-- hell, was it worth it? Worth all the anxiety and sweat and the meat being squeezed from your soul, everything you’ve been working towards forever? ... what the hell is it, what are you even looking at, tell me! I scream at you, “Tell me, what's so great about where you are up there-- the view?” But you are wise. You’ve got to be, you’ve lived your whole **** life already. You chuckle, and your wrinkles are friendly. “Come see.” I clamber up. It takes forever—you’re old as hell and spent your entire life building this thing. I keep climbing, and climbing, and the view keeps changing. I’m getting higher. I pause once, and glance behind me to see the sprawling architecture of every floor beneath. I have to remind myself to breathe and keep going. Finally, I reach you and shake your hand. I am standing atop an enormous tower, So tall I can’t make out the ground, Gazing back down at the intricate construction of your life. Layer upon layer, every block a different day, every floor a different chapter in your life. Maybe it's the thin air, but it finally dawns on me. It doesn’t matter where we are now. What matters is every day, every moment that you spent getting here. I look at you, and you sigh perfectly and completely. “So long, kid,” you salute me, and step off the edge. I watch you fall in wonder. But I know your legacy lives on in the enormous and complicated and twisting tower that remains, a tribute to your life.
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55
It's so easy to hang your head in shame, To apologise without sincerity. It's so easy to wither and crumple, To let self loathing eat away at you like blight. It's so easy to allow yourself to become nothing; something temporary. Simplicity is a requirement, we avoid all which attracts anarchy within us. We do not anticipate accidents, we do not anticipate those who clamber into our lives and shine with individuality and complexion - we fear those who possess difference. It reminds us of what we lack, or of what we are too afraid to expose to others. And I fell in love with a rose, when I am merely a dandelion. I write poems only to destroy them immediately; endless words dedicated to people who will never dedicate a single thing to me. I wither, I crumple. I chose simplicity.
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Jul 14, 2013
Jul 14, 2013 at 2:59 PM UTC
Flowers
about to clamber into bed when I looked out the window: no moon hangs sky-side the full moon was just this week, wasn't it, and yet I can't spot Selene anywhere in the **** sky, ***** was supposed to be here by 10:30 at the latest, and now it's nigh on 11 and my lunar lover is impossible to find. cellular abuzz: tragedy mixed with twitter notifications.
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Jun 19, 2014
Jun 19, 2014 at 11:58 PM UTC
selene
i walk down roadsides n smile at clouds in towering wonder and sit upon hillocks of gravel watching citylights and knowing the same kinds of light shine upon you, too, sometimes: sweet, and in flittering movements. and in this snow-flurry, a single snowflake floats down the river of endless night, and drifts lazy pattern from our respective skins to each other's; i'll clamber up, down, over valleytops and riverbeds to find you
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Aug 14, 2015
Aug 14, 2015 at 7:48 AM UTC
11.42.28pm
Flesh scaling mossy rock, trepidatious toes clamber on. Seraphic sunlight beating down on naked back. Approaching the edge of all fears. Standing on the pinnacle. Surrounded by the best friends in  the world. all there is to do is let go forever. brace the fall, elongate with majesty. Rhythmic heart, beating on all cylinders. Di Dum: Fear Di Dum: Anxiety Di Dum: Stress End of celestial descent. Arrival in ecstasy. Piercing icy blue water, rinsing away all woes. Circles of smiles, and unprecedented unity. In nothingness, therein lies the foundation of all things. Euphonious drum of waterfall. harmonious chimes of birdsong. Velvet blanket of heart warmth. Soul soothing of clear water. Utopian infinities crystallizing. Dream't like folklore and now realized.   Naked as born with no things and everything. Tight clothed and old with many things and nothing.
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Jul 4, 2014
Jul 4, 2014 at 3:56 PM UTC
Oasis
I call it the Changeover; like an analogue radio searching for a signal sometimes it's clear sometimes it's static sometimes it's in between somewhere between far away and near somewhere lost in the middle between Signal and Static. Clear Day the signal reaches out its arms as far as the eye can see and the ears can hear and the senses can feel and taste buds pop and linger and revel in new experience and comfort in knowing and wrapped in wonderment. Changeover Day is somewhere between Clear Day and Nowhere struggling to tune in backwards or forwards or sideways or upwards to something to anything that resembles a signal like hearing voices in another room an argument through a wall the indecipherable murmur of music the clamber of ushered noise the mishmash and cacophony like a symphony of Morse code. Static Day is dark day there is no signal no senses no sound only indeterminate fuzz and the crackle of broken glass and the foghorn and the white noise the confusion and delusion the paranoia of shifting jigsaws changing pieces that never fit together can almost make out a face through the frosted glass the smear like bird **** on a window halfheartedly wiped with lackadaisical whimsy and greasy chip shop newspaper. In the Static there is no wind no heart to beat no empathy or sympathy just cold hard steel out of place in a room of feathers and feeling. You just have to ride out the storm tell yourself: it'll be calm soon it'll be calm soon it'll be calm soon The Changeover from Static to Signal and the welcome return of voices and breathing and beating and feeling.
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Apr 18, 2016
Apr 18, 2016 at 7:40 AM UTC
Static
I call it the Changeover; like an analogue radio searching for a signal sometimes it's clear sometimes it's static sometimes it's in between somewhere between far away and near somewhere lost in the middle between Signal and Static. Clear Day the signal reaches out its arms as far as the eye can see and the ears can hear and the senses can feel and taste buds pop and linger and revel in new experience and comfort in knowing and wrapped in wonderment. Changeover Day is somewhere between Clear Day and Nowhere struggling to tune in backwards or forwards or sideways or upwards to something to anything that resembles a signal like hearing voices in another room an argument through a wall the indecipherable murmur of music the clamber of ushered noise the mishmash and cacophony like a symphony of Morse code. Static Day is dark day there is no signal no senses no sound only indeterminate fuzz and the crackle of broken glass and the foghorn and the white noise the confusion and delusion the paranoia of shifting jigsaws changing pieces that never fit together can almost make out a face through the frosted glass the smear like bird **** on a window halfheartedly wiped with lackadaisical whimsy and greasy chip shop newspaper. In the Static there is no wind no heart to beat no empathy or sympathy just cold hard steel out of place in a room of feathers and feeling. You just have to ride out the storm tell yourself: it'll be calm soon it'll be calm soon it'll be calm soon The Changeover from Static to Signal and the welcome return of voices and breathing and beating and feeling.
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61
Dark emerald Twisting lines of my imaginings Creep upward O'er the cold hard walls. Disintegrate the temples Men wrought of continental stone Mountain disassembled And raised here To form Buildings Razed here By the alchemy Of green plants And the elements Of dark twisting lines In my imaginings: Even now The dust begins to pile upon the ground And the golden city fades Beneath the growing green image. Dark emerald Twisting lines of my imaginings Creep upward O'er the cold hard walls. Weave vine tendrils Into the fabric Of the stone, Clamber over solemn tombs What one life raised Another will surpass, Must first embrace its artifacts And then exceed And render into dust The particles Turn roundward. Dark emerald Twisting lines of my imaginings Creep upward O'er the cold hard walls. Reintegrate the dust To continental stone In dark mantle Mountain reassembled And raised here By alchemy Of the earth Turning in another million years Beneath new life Raised here. Dark emerald Twisting lines of my imaginings Creep upward O'er the cold hard walls.
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Sep 25, 2011
Sep 25, 2011 at 7:43 PM UTC
Vines