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"circumference" poems
For Al, who left us With each passing poem, The degree of difficulty of diving ever higher, Bar incrementally niched, inched, raised, Domain, the association of words, ever lesser, Repetition verboten, crime against pride. Al, You ask me when the words come: With each passing year, In the wee hours of Ever diminishing time snatches, The hours between midnight and rising, Shrinkage, once six, now four hours, Meant for body restoration, Transpositional for poetic creation, Only one body notes the new mark, The digital, numerical clock of Trillion hour sleep deficit, most taxing. Al, you ask me from where do the words come: Each of the five senses compete, Pick me, Pick me, they shout, The eyes see the tall grasses Framing the ferry's to and fro life. Waving bye bye to the End of day harbor activities, Putting your babies to sleep. The ears hear the boat horns Deep voiced, demanding pay attention, I am now docking, I am important, The sound lingers, long after They are no longer important. The tongue tastes the cooling Italian prosecco merging victoriously With its ally, the modestly warming rays Of a September setting sun, finally declaring, without stuttering, Peace on Earth. The odoriferous bay breezes, A new for that second only smell, But yet, very old bartender's recipe, Salt, cooking oil, barbecue sauce, gasoline And the winning new ingredient, freshly minted, Stacked in ascending circumference order, onion rings. These four senses all recombinant, On the cheek, on the tongue, Wafting, tickling, blasting, visioning Merging into a single touch That my pointer finger, by force majeure, Declares, here, poem aborning! Contract with this moment, now satisfied! Al, what you did not ask was this: With each passing poem, I am lessened within, expurgated, In a sense part of me, expunged, Part of me, passing too, Every poems birth diminishes me. _________________________________ (this poem more than most, for its birth celebrates my loss, your loss, which cannot be exonerated 8/7/18) _________________________________ written at 4:38 AM September 8th, 2012 Greenport Harbor, Long Island
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May 21, 2013
May 21, 2013 at 7:07 AM UTC
2013: With Each Passing Poem
For Al, who left us With each passing poem, The degree of difficulty of diving ever higher, Bar incrementally niched, inched, raised, Domain, the association of words, ever lesser, Repetition verboten, crime against pride. Al, You ask me when the words come: With each passing year, In the wee hours of Ever diminishing time snatches, The hours between midnight and rising, Shrinkage, once six, now four hours, Meant for body restoration, Transpositional for poetic creation, Only one body notes the new mark, The digital, numerical clock of Trillion hour sleep deficit, most taxing. Al, you ask me from where do the words come: Each of the five senses compete, Pick me, Pick me, they shout, The eyes see the tall grasses Framing the ferry's to and fro life. Waving bye bye to the End of day harbor activities, Putting your babies to sleep. The ears hear the boat horns Deep voiced, demanding pay attention, I am now docking, I am important, The sound lingers, long after They are no longer important. The tongue tastes the cooling Italian prosecco merging victoriously With its ally, the modestly warming rays Of a September setting sun, finally declaring, without stuttering, Peace on Earth. The odoriferous bay breezes, A new for that second only smell, But yet, very old bartender's recipe, Salt, cooking oil, barbecue sauce, gasoline And the winning new ingredient, freshly minted, Stacked in ascending circumference order, onion rings. These four senses all recombinant, On the cheek, on the tongue, Wafting, tickling, blasting, visioning Merging into a single touch That my pointer finger, by force majeure, Declares, here, poem aborning! Contract with this moment, now satisfied! Al, what you did not ask was this: With each passing poem, I am lessened within, expurgated, In a sense part of me, expunged, Part of me, passing too, Every poems birth diminishes me. _________________________________ (this poem more than most, for its birth celebrates my loss, your loss, which cannot be exonerated 8/7/18) _________________________________ written at 4:38 AM September 8th, 2012 Greenport Harbor, Long Island
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67
The times here, mind clear removed fear, mind fully-aware they can’t calculate my circumference they try-angle-hate to encompass i’m too persistent consistently consistent my philosophy brilliant they’re mindfully malignant plots thicken and spots pigment perfect gentlemen, acting indecent handed them knowledge, didn't keep it then peep game, telling secrets I’m sure they’re getting seasick its been written, still going off the top the deep-end, the stuck on the plot
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Dec 5, 2014
Dec 5, 2014 at 10:19 PM UTC
Rap verses freestyle
You- you have a lot on your plate and me- I am just pushed in next to the others that weigh you down while you're trying to carry a thanksgiving meal of responsibility and at the same time not be crushed by it- You don't like it when your food touches. So there I am waiting at the edge of all the chaos trying not to step over boundaries or cross the line I am just another thing thrown onto your plate of responsibilities. I am a shadow. A walking disaster. And I try to avoid all the things that are so ferociously trying to bring you back down- but all I do is end up making it worse making all your **** end up touching so it becomes a mountain upon your shoulders that eventually turns into a chip upon it- you have gone concave- you became acute when you were once so obtuse so full of life so 180 degrees out of everyone else's ******* box and I closed you in. Made you realize what you needed to make yourself small so you could eventually fit the plate just right on your shoulders. I try to take the weight- try to pick it all up myself and do something to help you get through but I just end up touching everything- You don't like it when your food touches. You- you are concave in my convex world always looking inside yourself- always hiding away inside of the parts of yourself I will never see because I'm too busy looking outward to find something I can do for you. We are trigonometry- which is the only type of math I was ever good at in school but I can't seem to find the right angle anymore you are too scalene and not enough isosceles there's no symmetry in the way you look at me- there's too many different sides to you. I'd like to think I've seen them all I'd like to think I've solved what degree every angle you feed me turns out to be- but it seems that the angles aren't what I should be finding. You're just a circle- I can find your radius but I don't have enough of you anymore to find your circumference. We will always be abstract.
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Apr 22, 2015
Apr 22, 2015 at 1:16 PM UTC
I have all these problems, but I was never really good at Math.
You- you have a lot on your plate and me- I am just pushed in next to the others that weigh you down while you're trying to carry a thanksgiving meal of responsibility and at the same time not be crushed by it- You don't like it when your food touches. So there I am waiting at the edge of all the chaos trying not to step over boundaries or cross the line I am just another thing thrown onto your plate of responsibilities. I am a shadow. A walking disaster. And I try to avoid all the things that are so ferociously trying to bring you back down- but all I do is end up making it worse making all your **** end up touching so it becomes a mountain upon your shoulders that eventually turns into a chip upon it- you have gone concave- you became acute when you were once so obtuse so full of life so 180 degrees out of everyone else's ******* box and I closed you in. Made you realize what you needed to make yourself small so you could eventually fit the plate just right on your shoulders. I try to take the weight- try to pick it all up myself and do something to help you get through but I just end up touching everything- You don't like it when your food touches. You- you are concave in my convex world always looking inside yourself- always hiding away inside of the parts of yourself I will never see because I'm too busy looking outward to find something I can do for you. We are trigonometry- which is the only type of math I was ever good at in school but I can't seem to find the right angle anymore you are too scalene and not enough isosceles there's no symmetry in the way you look at me- there's too many different sides to you. I'd like to think I've seen them all I'd like to think I've solved what degree every angle you feed me turns out to be- but it seems that the angles aren't what I should be finding. You're just a circle- I can find your radius but I don't have enough of you anymore to find your circumference. We will always be abstract.
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52
967 Pain—expands the Time— Ages coil within The minute Circumference Of a single Brain— Pain contracts—the Time— Occupied with Shot Gamuts of Eternities Are as they were not—
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Pain—expands the Time
we explored one another, similar to that of how the seven sins would explore their vices, corrupting their virtues. but that's what made the garden blossom, grow with intense passion that radiated with a melancholy glimmer, with a dipped and ragged vine of sweat and sheen arousal and desire.   craving, begging, mewling, whining; gluttony, craving for the excess sloth, craving for moments of rest, envy, craving for a bearing of arousal, lust, craving for a touch, a sinful taste; greed, craving the moans and swatches, wrath, craving for sullen destruction, pride, craving for the fall of a bereaved apology.     our garden; a place of virtues, a place of our vices. you showed me the deepest things, darkest epithets of what was to be explored, blossoming a crimson rose of pure desire in the pit of my abdomen, vines of thorns wrapped firmly around my hips and the soft ashen flesh of my wrists soon to be accompanied around the thin circumference of my ankles. the shark divots soon finding their way around the swells of my breast, and the tremble of my inner thighs; body arching, lips quivering, ecstacy of your words, your seed planted garden that became a part of me. I found the cardinal sins in the dropping countenance of your words, of your demands, and of your wishes, and i bathed in it, soaked myself up in the lavender of your scent, the scratchiness of your thorns. our garden was the place to cast our sins, delve into them, and it ruined me, but oh how I solely craved it. our encounters, our actions, our experiences putting even the seven deadly sins to same, forcing them to turn when catching a glimpse of us. The swells of their cheeks blossoming with that of a rose tinted hue.
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Oct 31, 2018
Oct 31, 2018 at 1:26 AM UTC
; garden of ecstacy
we explored one another, similar to that of how the seven sins would explore their vices, corrupting their virtues. but that's what made the garden blossom, grow with intense passion that radiated with a melancholy glimmer, with a dipped and ragged vine of sweat and sheen arousal and desire.   craving, begging, mewling, whining; gluttony, craving for the excess sloth, craving for moments of rest, envy, craving for a bearing of arousal, lust, craving for a touch, a sinful taste; greed, craving the moans and swatches, wrath, craving for sullen destruction, pride, craving for the fall of a bereaved apology.     our garden; a place of virtues, a place of our vices. you showed me the deepest things, darkest epithets of what was to be explored, blossoming a crimson rose of pure desire in the pit of my abdomen, vines of thorns wrapped firmly around my hips and the soft ashen flesh of my wrists soon to be accompanied around the thin circumference of my ankles. the shark divots soon finding their way around the swells of my breast, and the tremble of my inner thighs; body arching, lips quivering, ecstacy of your words, your seed planted garden that became a part of me. I found the cardinal sins in the dropping countenance of your words, of your demands, and of your wishes, and i bathed in it, soaked myself up in the lavender of your scent, the scratchiness of your thorns. our garden was the place to cast our sins, delve into them, and it ruined me, but oh how I solely craved it. our encounters, our actions, our experiences putting even the seven deadly sins to same, forcing them to turn when catching a glimpse of us. The swells of their cheeks blossoming with that of a rose tinted hue.
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48
Dim vales—and shadowy floods— And cloudy-looking woods, Whose forms we can’t discover For the tears that drip all over Huge moons there wax and wane— Again—again—again— Every moment of the night— Forever changing places— And they put out the star-light With the breath from their pale faces. About twelve by the moon-dial One more filmy than the rest (A kind which, upon trial, They have found to be the best) Comes down—still down—and down With its centre on the crown Of a mountain’s eminence, While its wide circumference In easy drapery falls Over hamlets, over halls, Wherever they may be— O’er the strange woods—o’er the sea— Over spirits on the wing— Over every drowsy thing— And buries them up quite In a labyrinth of light— And then, how deep!—O, deep! Is the passion of their sleep. In the morning they arise, And their moony covering Is soaring in the skies, With the tempests as they toss, Like—almost any thing— Or a yellow Albatross. They use that moon no more For the same end as before— Videlicet a tent— Which I think extravagant: Its atomies, however, Into a shower dissever, Of which those butterflies, Of Earth, who seek the skies, And so come down again (Never-contented thing!) Have brought a specimen Upon their quivering wings.
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Fairyland
I made you of breath of shadows and sunbeams of boundlessness of folding out and in like wings of fallings and risings from the gravity of things I am your leaves without limbs or leaving I am the circles and spirals your body carves from air your leaps toward heaven when you most love the earth I was before you and will be after you, I am the center and the circumference I am within and without you And I am your comforter when the cold winds come in I am the point on the line I am brief and desirable I eat oranges and watch the Northward flight of geese my being roars like oceans I rock myself in the cradle of self doubt and other emotions I sometimes let take control I rock the world like a baby I kiss the air like my lover here and here and there I embrace you, World I am your second Moon that rose from the South I am your eyes, your mouth your star, your tree and something else I am sand, river, feather, grass, moth, l am forever yet lost and not found and I am something else and I always will be something to someone else.
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Mar 9, 2018
Mar 9, 2018 at 4:59 PM UTC
Your second Moon
Morality isolates and fenders bend. Circumference learns, “half-way” but fails to take the name “Radius,” And when she lay a meter nigh With child, my child; I still and will feel horribly alone. Curse my iron fist and rusts the middle knuckle, When another weeps, not for I, not for you but the gods assumed, “Heaven,” And 3 floors above my own; Tucked lies the pain, regret fills fetal; I still and will feel horribly alone. So comes the autumn, the fire prior, “Styx,” Upon borders that could only separate, “fatherhood,” so partitioned, “Winter,” And 3 floors below her own – A pillar wrought persistence and abandoned, my hedonism; I still and will feel horribly alone.
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Aug 11, 2015
Aug 11, 2015 at 8:22 AM UTC
Pillar of autumn
1620 Circumference thou Bride of Awe Possessing thou shalt be Possessed by every hallowed Knight That dares to covet thee
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Circumference thou Bride of Awe
354 From Cocoon forth a Butterfly As Lady from her Door Emerged—a Summer Afternoon— Repairing Everywhere— Without Design—that I could trace Except to stray abroad On Miscellaneous Enterprise The Clovers—understood— Her pretty Parasol be seen Contracting in a Field Where Men made Hay— Then struggling hard With an opposing Cloud— Where Parties—Phantom as Herself— To Nowhere—seemed to go In purposeless Circumference— As ’twere a Tropic Show— And notwithstanding Bee—that worked— And Flower—that zealous blew— This Audience of Idleness Disdained them, from the Sky— Till Sundown crept—a steady Tide— And Men that made the Hay— And Afternoon—and Butterfly— Extinguished—in the Sea—
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From Cocoon forth a Butterfly
943 A Coffin—is a small Domain, Yet able to contain A Citizen of Paradise In it diminished Plane. A Grave—is a restricted Breadth— Yet ampler than the Sun— And all the Seas He populates And Lands He looks upon To Him who on its small Repose Bestows a single Friend— Circumference without Relief— Or Estimate—or End—
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A Coffin—is a small Domain
Today I have adopted a new Dream Occupation: No longer a Buddhist Monk On a Mountain Peak in Nepal but Henry Miller, I will Be And shall dance the Worlds Circumference With no brain in skull but a pen in between crooked-only-on-the-right teeth Mark my words today in pencil please So tomorrow I will have a reminder and in a fortnight I will have an eraser; Henry Miller never Wrote drafts in ink
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Sep 25, 2013
Sep 25, 2013 at 12:34 PM UTC
...
Overcrowded a hollow sound In the circumference of birdsong Rising with the Sun As roosters crow morning Wake-up calls There in Cebu / House Full of family Pieces of my other me Feeding many mouths That overcrowded feeling / not again A nest that homes A clutch of poor Cuckoos Consuming, so many babies Paradise islands Third world poverty Not so far away White man and money A supposed land of milk & honey Beyond the tundra snow Bleak / must speak English The beautiful broken The overgrowth of crowding it's called city life Unlike Manila Although artifice and hollow Full of the fragrances Colored by Birdsong Oh beautiful life / I am drowning In the thicknesses of pollutant Mouths speaking ill Humanity misbegotten / Understood We connect with nuttin' “nothing is the cure When nothing was wrong With you” Birdsong in twilight Xylophone-stars across the ocean blue Teeth of night The cold chime Befallen In the infinite / magic of you Oh love I let me Overcrowd Still this loneliness Feels so very loud... Then I hear / halcyon Birdsong The soft feelings of truth Oh love! Oh god! Oh my! Goodness you.
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Apr 16, 2017
Apr 16, 2017 at 12:16 PM UTC
Birdsong
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
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Dec 15, 2011
Dec 15, 2011 at 4:22 PM UTC
The Golem
See the Rabbi.  See him tormented by choice.  See his people.  See them wracked by hate.  See the others.  See their anger radiate outward in glowing spokes, exploding firebrand in a tinder city. On a night like any other, the moon at sixth house, fulcrum of pinwheel zodiac, the Rabbi, awash in lidless starlight, rises somber and makes his choice.  And when the sun is furthermost, he and three of his others gather at the murmuring riverbank where the brown clay is most pliable and begin to dig, sifting rock and root from trundled earth.  Hours spent exhuming the clay, molding it, kneading its muscles, tracing its veins, baking its skin in the starlight.  More hours spent in whispering prayer, the words bent and somersaulting over themselves like tumbling books. See Truth drawn on its forehead, life etched from clay and word.  As the sun rises, so it does, wavering at first, but steadier, lapping at the river, and their faces move slowly across the water.  See the Rabbi speak to it, his words winding its mechanism.  See it stride past the ghetto, wade through the market, and into the borough, siege unto its own. See the others scream for mercy from the kiln of its stare, from their flaming tenements, their crumpling rooftops. See it wade back through the market, past the ghetto, back to the riverbank to kneel in the underbrush.  See it tilt its head to the lilt of a stranded daisy caught in a vagrant gust.   See it caught, too, and see it see.  It sees the colors of Eden in the ferns.  It hears the river churning sediment, fossils, gravel, whirling over driftwood.  It touches moss on a rock; gently rotates its hand to let a grub complete an oblivious circumference.  See it sit in silence. See the Rabbi meet with the others, then his others.  And on a day like any other, when the sun is at its apogee, they slip down the riverbank where it still sits, still.  It ignores their autonomous logic, their homunculus rationale.  They are perversions of variety cloaked in righteous intention.  So it remains. See the Rabbi and his others gather at the murmuring riverbank, shadow conclave in shifting sunlight, then rise somber and decided.  They pin it to the earth as the Rabbi chants, invoking the void in which forbidden knowledge spirals.  It squirms under the power of the Word, mind-forged manacle as incantation.  See the Rabbi draw to a close.  His hand is arbiter, swooping down to smudge Truth from its forehead.  What is left but Death. See its hand crumble in its passage as it reaches for the stranded daisy.  See the colors of Eden darken in its eyes, its own body the dust that denies it light.  See it collapse into itself, the clay that was once animate spilling onto the riverbank.  See the Rabbi and his others shimmer then fade into city grey. The daisy stands still.
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9
I’m from the city where jacaranda trees light up the streets with their purple blooms. I’m fascinated by spring, jacaranda petals and the countless anthologies that Mother Nature continues to write. Without a sound, the city’s jacaranda petals fall effortlessly onto the ground. As they fall, I begin to realise that we are all living in a world where the minutes are working overtime. I’m reminded of the days when you and I devoted our time to the art of rhyme. I no longer know where you are in the city but I hope you’re doing just fine. I’m not where I want to be at this current moment but please give me time. It’s within our simplicity where I discovered how beautifully complex we are. Our circles might be smaller but our hearts are much bigger now. The circumference might have drastically changed but the love hasn’t.   It’s no mystery why my aura will always long for the company of yours. Even though I’ve got two left feet, I still want to slow dance to the rhythm of spring’s heartbeat. In the capital city, October skies glow with a shade of purple. Went from breaking up, breaking through to breaking new ground. So even though I’m hurting now I know I’ll eventually be safe and sound when summer comes around. These pages do not have enough space to describe how phenomenal we are. It has been a while since we’ve seen each other so where are you now? I value all you taught me about life and the importance of true friendship. The circumference might have changed but the love between us hasn’t. I’m from the city where jacaranda trees light up the streets with their purple blooms. I’m reminded of the days when you and I devoted our time to the art of rhyme. I no longer know where you are in the city but I hope you’re doing just fine. I’m fascinated by spring, jacaranda petals and the countless anthologies that Mother Nature continues to write.
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Nov 1, 2015
Nov 1, 2015 at 8:25 AM UTC
October Skies
I’m from the city where jacaranda trees light up the streets with their purple blooms. I’m fascinated by spring, jacaranda petals and the countless anthologies that Mother Nature continues to write. Without a sound, the city’s jacaranda petals fall effortlessly onto the ground. As they fall, I begin to realise that we are all living in a world where the minutes are working overtime. I’m reminded of the days when you and I devoted our time to the art of rhyme. I no longer know where you are in the city but I hope you’re doing just fine. I’m not where I want to be at this current moment but please give me time. It’s within our simplicity where I discovered how beautifully complex we are. Our circles might be smaller but our hearts are much bigger now. The circumference might have drastically changed but the love hasn’t.   It’s no mystery why my aura will always long for the company of yours. Even though I’ve got two left feet, I still want to slow dance to the rhythm of spring’s heartbeat. In the capital city, October skies glow with a shade of purple. Went from breaking up, breaking through to breaking new ground. So even though I’m hurting now I know I’ll eventually be safe and sound when summer comes around. These pages do not have enough space to describe how phenomenal we are. It has been a while since we’ve seen each other so where are you now? I value all you taught me about life and the importance of true friendship. The circumference might have changed but the love between us hasn’t. I’m from the city where jacaranda trees light up the streets with their purple blooms. I’m reminded of the days when you and I devoted our time to the art of rhyme. I no longer know where you are in the city but I hope you’re doing just fine. I’m fascinated by spring, jacaranda petals and the countless anthologies that Mother Nature continues to write.
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23
kiss my sorry *** and imagine a differential. divide it by two, see? this will give you the circumference of existential convulsion; you will see past the freaky book you can't read for lack of knowing and how absurdism scares you if you believe it. that's why you dropped The Myth of Sisyphus part-way through cuz what came to mind with all the drippy Dali-mentalscape spa of shread-dread WHATSyness! was Camus coming to so many a pessimists ending he had to turn it last second to say 'but in the end, we must assume that Sisyphus is happy' and all you see in your minds-eye is pursuit of this absurdist paradise for nervous thought-drawn chain -smokers is a gun to your head with one last glance at the ocean.
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Feb 19, 2014
Feb 19, 2014 at 2:21 AM UTC
suicide trainers
queer creature of white stone: the spirit of the island in the head of this lion, the soul of the natives in the body of this fish, spirit and soul, lion and fish, mingle together by mere wry humour of evolution’s word we revere this beast, (it watches over us from nine metres above), we bow down our backs, (worship it as our exemplar): for many of us, unknowingly, we emulate the spirit and soul of this queer white creation of stone. standing tall (unshaken!) even as jaundice bolts of heaven’s creep tip-toed behind its scales and strike: its cemented steadfastness of stone we emulate, for through the towering grey waves of crisis, and the threatening dark clouds that foretell our very fears, we too, have floated and transcended and appeared unscathed. mutated monster – child of bad genes, they despise such unfavourable antagonistic features (shall it rule like a lion or flail like a fish?): its unlikeliness of surviving, of thriving we emulate: for this dotted smudge of red pen ink on the globe, destined to bow down to fate – bowed down not, and flourished. beams of white water spouting out in a perfect shape of a quadrant’s circumference, endlessly, its majestic spewing action we emulate: this island of expectations, sterile smell of success, fate of our future in the setting of an exam hall, (in there do you not think we resemble the merlion, our mouths the hoses, the papers our well?) but, oh, the merlion – so many of it – the merlions, same-maned, same-scaled, fluttering and bursting with imitation across our home: such congruity, conformity we emulate: for years of yearning to swim in the mainstream waters, of being goldfish, instead of losing the waters for flight like flying fish, have made us very much, about the same. queer creature of white stone: do you see not how we resemble your very self, how we offer you praise (by lifting our human arms, arching on our mere knees, hoisting our lowly mortal heads, surveying your colossal royalty, camera in hand)?
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Dec 27, 2011
Dec 27, 2011 at 7:02 AM UTC
the merlion spirit
queer creature of white stone: the spirit of the island in the head of this lion, the soul of the natives in the body of this fish, spirit and soul, lion and fish, mingle together by mere wry humour of evolution’s word we revere this beast, (it watches over us from nine metres above), we bow down our backs, (worship it as our exemplar): for many of us, unknowingly, we emulate the spirit and soul of this queer white creation of stone. standing tall (unshaken!) even as jaundice bolts of heaven’s creep tip-toed behind its scales and strike: its cemented steadfastness of stone we emulate, for through the towering grey waves of crisis, and the threatening dark clouds that foretell our very fears, we too, have floated and transcended and appeared unscathed. mutated monster – child of bad genes, they despise such unfavourable antagonistic features (shall it rule like a lion or flail like a fish?): its unlikeliness of surviving, of thriving we emulate: for this dotted smudge of red pen ink on the globe, destined to bow down to fate – bowed down not, and flourished. beams of white water spouting out in a perfect shape of a quadrant’s circumference, endlessly, its majestic spewing action we emulate: this island of expectations, sterile smell of success, fate of our future in the setting of an exam hall, (in there do you not think we resemble the merlion, our mouths the hoses, the papers our well?) but, oh, the merlion – so many of it – the merlions, same-maned, same-scaled, fluttering and bursting with imitation across our home: such congruity, conformity we emulate: for years of yearning to swim in the mainstream waters, of being goldfish, instead of losing the waters for flight like flying fish, have made us very much, about the same. queer creature of white stone: do you see not how we resemble your very self, how we offer you praise (by lifting our human arms, arching on our mere knees, hoisting our lowly mortal heads, surveying your colossal royalty, camera in hand)?
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45
378 I saw no Way—The Heavens were stitched— I felt the Columns close— The Earth reversed her Hemispheres— I touched the Universe— And back it slid—and I alone— A Speck upon a Ball— Went out upon Circumference— Beyond the Dip of Bell—
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3.5k
I saw no Way—The Heavens were stitched
Verdant eyes, translucent pearls speak in silent witness, wounds unfurl meaning revealed, interrupted girl. Safe in solidarity prolific eccentricity, the scandal of particularity. Pouting mouth grief - filled lips alluring, set sail a thousand ships; tempt me to leave harbor. Arousing euphoria as such, resistance, amity and distance amour sans touch her sense of humor transcends, appeasing the mind’s thirst a vogue sultana, seasoned swagger hair resplendent flame, alternating cool, black asymmetrical coiffure; nonconforming demure the renegade metaphor - singular for sure, no cure. Muted vanity, bathos piercing the jaded circumference of banality; pale protagonist servitude the sapient palaver of the urbane, covered patina of pretense, induced coercion, the commodity self appearing abased wearing lesions of lassitude. Artistic chattel - eminent domain preempting genius, subsidiary of consuming narcissism external locus of control; surrender to the tentative, fettered pendant, Venus in chains arrested visionary bane sterile savant, edifice of pain. The soubrette, dubious incarnation gravid ingénue of prevarication imperceptible venue - theatre of the absurd; withdrawn siren, solitude of necessity - skin - slender veil of shame, nearness loitering redemption; moments envisage the appointment with the soul; ambiguity eschews clarity awareness; ineluctable anxiety, imago - centric confession sacred pardon, seraphic venation intravenous textures presume, the tactile margins of liberty. Therapeutic retrieval, Sanguine, beneath the portico of individuation; Your smile I hear, recovered autonomy blessed emancipation, The scandal of particularity; peculiar treasure ironically captured film, canvas, prose profundity. Ciphering as an ambling book, I peruse you, rendered captive hypnotic avant-garde fiction, spectator of denuded opacity analogous reflection, I Mirror you. A modest proposal - pontificate the imperative, forgo the disposal, adapt your narrative, the scandal of particularity - resonate the echo, cogitate our propinquity Love, imagination and destiny. ©2008 & 2011 W.S Warner
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Sep 9, 2011
Sep 9, 2011 at 1:20 AM UTC
The Scandal of Particularity
Verdant eyes, translucent pearls speak in silent witness, wounds unfurl meaning revealed, interrupted girl. Safe in solidarity prolific eccentricity, the scandal of particularity. Pouting mouth grief - filled lips alluring, set sail a thousand ships; tempt me to leave harbor. Arousing euphoria as such, resistance, amity and distance amour sans touch her sense of humor transcends, appeasing the mind’s thirst a vogue sultana, seasoned swagger hair resplendent flame, alternating cool, black asymmetrical coiffure; nonconforming demure the renegade metaphor - singular for sure, no cure. Muted vanity, bathos piercing the jaded circumference of banality; pale protagonist servitude the sapient palaver of the urbane, covered patina of pretense, induced coercion, the commodity self appearing abased wearing lesions of lassitude. Artistic chattel - eminent domain preempting genius, subsidiary of consuming narcissism external locus of control; surrender to the tentative, fettered pendant, Venus in chains arrested visionary bane sterile savant, edifice of pain. The soubrette, dubious incarnation gravid ingénue of prevarication imperceptible venue - theatre of the absurd; withdrawn siren, solitude of necessity - skin - slender veil of shame, nearness loitering redemption; moments envisage the appointment with the soul; ambiguity eschews clarity awareness; ineluctable anxiety, imago - centric confession sacred pardon, seraphic venation intravenous textures presume, the tactile margins of liberty. Therapeutic retrieval, Sanguine, beneath the portico of individuation; Your smile I hear, recovered autonomy blessed emancipation, The scandal of particularity; peculiar treasure ironically captured film, canvas, prose profundity. Ciphering as an ambling book, I peruse you, rendered captive hypnotic avant-garde fiction, spectator of denuded opacity analogous reflection, I Mirror you. A modest proposal - pontificate the imperative, forgo the disposal, adapt your narrative, the scandal of particularity - resonate the echo, cogitate our propinquity Love, imagination and destiny. ©2008 & 2011 W.S Warner
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82
"The number Pi is a mathematical constant, the ratio of a circles circumference to its diameter is commonly approximated as 3.145159. Being an irrational number, pi cannot be expressed exactly as a common fraction. Consequently, it's decimal representation (22/7) never ends and never settles into a permanent repeating pattern", He told the girl sitting next to her. "You like math I see", she chuckled. "No, not exactly", he sighs "I'm trying to tell you something, what I feel for you cannot be expressed properly, it's like pi, what I feel is deep and never ends, it doesn't settle to a repeating pattern because each day it changes and becomes something stronger", He looks straight into her eyes. "Since Ancient civilisation, mathematicians have been trying to find the ending of pi but they only ended at about a thousand numbers. Then in the 21st century Computer scientist decided to give it a try, but they ended at 13.3 trillion before they exhausted their computers", The boy took a deep breath and started to play with his fingers "Chances are a lot of people will try to figure out how I feel about you, myself included but no matter how hard I try it'll always go deep, it's infinite because I am irrevocably In Love with you"
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Jul 2, 2015
Jul 2, 2015 at 1:48 AM UTC
Pi
883 The Poets light but Lamps— Themselves—go out— The Wicks they stimulate— If vital Light Inhere as do the Suns— Each Age a Lens Disseminating their Circumference—
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3.3k
The Poets light but Lamps
It’s embarrassing to have too much money The make believe buddies and the fake deference Measuring your height in yachts and widescreens Kids who are unfamiliar with your touch Ever more expensive toys to overflow The ever-thinning circumference of time. Holidays can be a way of dealing with The superfluity of excess in day to day lives – The addict learns to miss his true love While the CEO goes food shopping And remembers how to set forks and knives On an empty placemat’s either side.
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Feb 22, 2011
Feb 22, 2011 at 3:33 AM UTC
Work hard, Play hard
A fly walks the circumference of my nose As I sit in the too hot sun Just my kinda luck any other part of my body and I would be blissfully unaware I blow down hard, He leaves for a moment But returns with renewed curiosity My hands hang limp By the wheels of my body My silent voice screams out Trying in vain to get the attention of my carer, deep in conversation.
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Jun 28, 2010
Jun 28, 2010 at 12:18 AM UTC
Unheard-Unseen
the world is a wild and weary place, fully sunk in spiral ****** fully strummed in skin water waves. bound by death from the very first verse: first love. first this.                    go forth my machines, be fruitful and jettison. color says hang at the edge of our lips. smell the books. remind us; books. & before the big blue vast takes it all, that sunstruck lomographia light, transposed no-makeup california girl, she walks before me along the boulders of the wharf. real summer breathing. our bodies, piled and starbleached ripe. [like heap of buffalo skulls] maybe then a futuristic dinner, where everyone gathers in floating space pods singing hymns beneath,                                                        above,                                           between                the lights and music. reality is: blacktop shards against my knees, something burning as it trickles to my chin, man of me living the city glisten, city green & pink. city midnight and barely breathing. destroyers, we are. and what? what am i, father? man of industry? man of workwelded science?   secure as the armadillo, armadillo picket fence. am i of halfbreed phosphorus? americana? built on love and hate and television.   nat geo channel:  [a gecko licks dew from its eyes                                                                   on the coastal sand dunes of namibia] money. women. go west young man. be a hand tightening ribs. be a quaking echo of mammalian design. a paradigm of seed my fire. quest for fire. for uncut diamond; like foggy strawberry rock in the africa-boy's fingers. or cut steel; phallus of toyish death between a brazil-boy’s fingers. pulled teeth; bits of wet fruit in the young afghani’s hand. & icecream trolley; pedestal etched iron; denim and *** and microwaves  :::::: white man: what I got ? what I got ? manifest destiny: gold bricks and beer. blood soaked socks. cyprus burnt umbers. tribes decomposing at the bottoms of styrofoam cups. like coin-op wormies. & eighteen inch circumference blades make round rolling high pitched songs deep in the skin of old mother earth. old baby cakes. old life in slow motion, all motion, all of particle cannon treatise. 40 ounce bounce. watery us below.
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Apr 16, 2014
Apr 16, 2014 at 2:17 AM UTC
the world is a wild and weary place
the world is a wild and weary place, fully sunk in spiral ****** fully strummed in skin water waves. bound by death from the very first verse: first love. first this.                    go forth my machines, be fruitful and jettison. color says hang at the edge of our lips. smell the books. remind us; books. & before the big blue vast takes it all, that sunstruck lomographia light, transposed no-makeup california girl, she walks before me along the boulders of the wharf. real summer breathing. our bodies, piled and starbleached ripe. [like heap of buffalo skulls] maybe then a futuristic dinner, where everyone gathers in floating space pods singing hymns beneath,                                                        above,                                           between                the lights and music. reality is: blacktop shards against my knees, something burning as it trickles to my chin, man of me living the city glisten, city green & pink. city midnight and barely breathing. destroyers, we are. and what? what am i, father? man of industry? man of workwelded science?   secure as the armadillo, armadillo picket fence. am i of halfbreed phosphorus? americana? built on love and hate and television.   nat geo channel:  [a gecko licks dew from its eyes                                                                   on the coastal sand dunes of namibia] money. women. go west young man. be a hand tightening ribs. be a quaking echo of mammalian design. a paradigm of seed my fire. quest for fire. for uncut diamond; like foggy strawberry rock in the africa-boy's fingers. or cut steel; phallus of toyish death between a brazil-boy’s fingers. pulled teeth; bits of wet fruit in the young afghani’s hand. & icecream trolley; pedestal etched iron; denim and *** and microwaves  :::::: white man: what I got ? what I got ? manifest destiny: gold bricks and beer. blood soaked socks. cyprus burnt umbers. tribes decomposing at the bottoms of styrofoam cups. like coin-op wormies. & eighteen inch circumference blades make round rolling high pitched songs deep in the skin of old mother earth. old baby cakes. old life in slow motion, all motion, all of particle cannon treatise. 40 ounce bounce. watery us below.
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59
Foreboding in the Green Wet cobbled cobwebs Circumference hemmed in All-out hampering threads And stones that missed Mary Magdalene *** Oh, and so luscious and lush is the green Dewy petals weeping they can’t caress my skin Wrapped up in rushing hopes, buoyant buds exploding Fluffy breezes prance, ignorant of the foreboding *** Sticky sharp spiders’ snare Circumference hemmed in A cut-out smile shrouding the glare Icicles that missed Mary Magdalene
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Nov 9, 2014
Nov 9, 2014 at 5:26 PM UTC
Foreboding In The Green