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Marieta Maglas Sep 2015
(Chiara continued,)

''It was based on the friendship between me and the mother.
I had done some business to multiply the wealth I had.
I had an illegitimate little son and rather
Than letting him be poor, I would make money, good or bad.''



(Francesca was surprised to find this terrible secret and questioned Chiara,)



'' Did my father know about this child? '' '' Of course he knew about him.''
''What's his name? '' '' His name is Gregorio.'' ''Where is his father? ''
'' I fell in love with a nobleman as a maid, '' her eyes grew dim,
''In his parents' house, I'd gotten pregnant; then, he asked his brother



(Chiara continued,)



To talk with their parents about our marriage, but they
Immediately arranged his marriage with a noble girl,
And I was fired; they hoped that my sighs would pass away
While giving me some land and money; my mind was in a whirl.



(Chiara continued,)



A wealthy farmer wanted to marry me, but I took
The money, and I ran to the town, '' ''What have you done there? ''
''I've worked as a laundrywoman. One day, in a wayside nook,
I've met a band of actors; I was hired to play and, my dear,



(Chiara continued,)



On another day, another nobleman asked me to be
His wife; I've married him, but I've lost him shortly after
The marriage; then, one thing remained above my fame and me.
''The money! '' ''The suffering! '' Then, she said, ''Oh, my dear daughter! ''



(Chiara embraced Francesca because Francesca started to cry.)

(Francesca said,)



''You were unlucky! You were more unfortunate than me.
''Why? '' '' For thou hast known some happiness and thou lost it.''
''I've tried to convince your father not to play; he didn't see
Love; that you were his whole family, he should admit.''



(Francesca replied,)



''He was aware of the relationships in the society,
But he was hardly able to understand the women.''
''He understood them, but he didn't believe them, in reality.''
'' Lucca had a positive influence on him; then,


(Francesca continued,)



Lucca tried to help him change his life while being so busy.''
''He was shocked when he was threatened by the pirates; '' ''He was
Very resigned; '' ''While lacking his pipe that made me dizzy.''
'' He was powerful, and he joked when he was nervous because



(Francesca continued,)



He wanted to be untouchable; he loved the things
Of value, which were rare and authentic; while appreciating
The arts he didn't want to be sensitized; '' ''when the heart sings,
Love sensitizes it; eccentric while depreciating



(Chiara continued,)




The limitations, he wanted to be your partner in life.''
''He had known that this trip carried a high risk, but he needed
This danger to control me; '' '' he protected you as a wife.
He was willing to pay for his life while being mistreated



(Chiara continued,)



And while thinking that the pirates wanted wealth; did you see
How did Quintus disappear? '' '' No! I appreciate that Lucca
Has not betrayed the state secrets; in death, he started to be
A hero needing the strength to block the sun as Garuda.''



(Chiara said,)



‘’My first husband had been Italian, but your father
Has been Spanish and I was proud when he asked me to be
His wife; '' Francesca hugged her, '' I consider you a mother.
Rosa said that you're a witch, but you're like an angel to me.''



(Chiara said,)



''Rosa was able to play to the extreme for her happiness
While putting her victims in the other extreme; '' ''I think
You have a wrong impression about her; '' '' her rose of success
Withered quickly; her death was creepy upon her existence's brink.



(Francesca began to cry. Chiara said.)



''Rosa didn't help me when Bella fell into the water.
I didn't know that Bella could not swim. When that jellyfish
Attacked her, she clenched her hand so hard that I couldn't help her
Any longer'' '' Rosa helped me; if I could have one great wish



(Francesca continued,)


I would love to be instead of Bella; when Fargo and
Geraldine boarded the boat, you unbalanced and pushed me.
If Rosa hadn't kept me tight, I would have been in
Bella's place; '' Chiara exclaimed, '' So lucky how could you be?



(Chiara continued,)




How did you feel it? '' ''What do you mean? '' ''When you've painted that
Jellyfish; '' '' Yeah, it was like a premonition; maybe
We had to listen to Fargo; it wasn't good, '' ''What? ''
''To be exposed ashore; the pirates could see us; '' '' you know me! ''



(Chiara said that she hadn't known about the pirates' existence.)

(…to be continued…)


Poem by Marieta Maglas
Marieta Maglas Sep 2015
(Chiara kissed Francesca's forehead. She said,)

''Who would have hurt a pure, innocent soul as yours? '' ''You're more
Sensible than me; you're not like those women, who are
Apparently introverted because of hiding some core,
***** secrets; ’’ ‘‘the power of a mother's love no one can mar.''



(Francesca said,)



''I love you; thank you for accepting to be my mother.
Do you think Fargo is trustworthy? '' '' He didn't intend
To save Bella; more than this, I've talked with your father.
He said that Fargo's attitude proved that he was the pirates' friend.



(Chiara continued,)




It wasn't good to take with him some women to go into
An unknown zone without having the possibility to
Protect them; '' '' you've searched for anything appearing in view
While walking along the shore; '' ''I did what I had to do.''



(Francesca said,)



''I enjoyed painting while Bella was playing the violin.
Those sounds inspired me; I would have liked to have a sister
Like her; how old was her child when he died? '' ''That's where mares begin.
In an epidemic measles, this child was ill and left her.



(Chiara continued,)



They fled the war and have spent time in England; Bella
Didn't want to be saved; she couldn't have another child.
She lost hope after using the Hindu powers of chela.''
''On the shore, you helped me fight depression when you smiled.''


(Chiara said,)



Remaining on the shore was the only salvation.
If the fire had been extinguished, our husbands would have
Found us; '' '' I can't forget those moments of desperation.
Yet you have not betrayed Fargo' s secret; '' '' I believe in Yahve.



(Chiara continued,)



This was why I wanted to protect those accompanying
Him; I give you as much love as I have! '' ''I like this contrast
Between who you are and who you're suggesting you are; being
In this contrast is my desire; '' '' hope is engraved in the fights I've passed.''



(Francesca said,)



I loved my father too much because I had no other
Parent; I was afraid of losing him and I sacrificed
A lot; I would have been different if I had had a brother.
He married you to release me and gave me this advice



(Francesca continued,)



To start a new life; I think he wanted me to be happy,
But I couldn't be; I've missed my mother so much that I wanted
To die for the purpose of being with her; ’’ ‘‘you feel so ******,
But we're brought to death by this life which by Almighty is granted.''



(Chiara continued,)




Much sooner than we imagine, that final hour comes to us.
It can be excruciating, but we must accept this fate.
We're puppets in front of it acting as we know everything, thus
We know nothing; you were afraid of this sudden poorness, a gate



(Chiara continued,)

That could make you be catapulted to a lower social
Class, where you should marry a commoner; it was another
Motivation to accept this marriage that was crucial.''
''I was glad to know that my father loved you; there came the sequel.



(Francesca continued,)



I didn't want him to suffer; '' '' you pulled the boat while
Considering my age and the helplessness of Pedra.''
''I wanted to be sure that the boat is well hidden; smile!
Our life is like this slow balance of the moon called Libra.''



(Chiara embraced Francesca tightly while not understanding what was happening to herself.)
(Chiara said,)



''Let's sleep; it's late; before turning the lamp, check the documents
And lock the box of the values; tomorrow we go shopping
In Corfu Town before talking with the governor
To help us go home securely; '' he needs arguments.''



(Chiara also told Francesca how much to set aside for expenses explaining that she wanted the rest of the riches and the documents to be transported in some conditions of the maximum security. Chiara opened her medallion to show Francesca the portrait of Gregorio. A new thought sprouted in her mind.)



(…to be continued…)

Poem by Marieta Maglas
Marieta Maglas Sep 2015
(Chiara was talking to Francesca in their shared bedroom.)


Chiara said,



''I like to watch you painting while playing the piano.
We're both passionate about painting and music. I think this
Is why we like each other; '' '' you can sing the high soprano.''
''We shared this love of Arturo; as he died, so passed our bliss.''



Francesca replied,



'' What did you say about sharing? I was only his daughter.
''I loved him enormously; I wished to give birth to his
Girl; '' ''Your dream was like the image of a star in the water,
Because he wanted a boy, and you should be some kind of wiz




To give birth to his boy; '' ''All my valuable books about
New discoveries and religion burned on that carrack.''
''I'm sorry to hear that; I liked them; there is beyond all doubt
That our spiritual Eden is secured from the devil's attack.



Francesca continued,



I've thought of the book you had read as I've thought of a visual
Art form; that monk and that nun were in contact only by
Knowing God to get an equilibrium; that biblical
Space was like a ship never sinking, where the people didn't die.''


Chiara replied,



''I've tried to understand God; we must be pure to meet Him.''
''They are educated through prayers to love God and to
Maintain their virginity; I thought that love was for a whim,
When it was based on attraction, not for a marriage; '' ''It's true.''




'' Love must be rational to develop over time while
Finding fulfillment in being a mother; '' '' These mothers
Are devoted givers; there's a lot of bliss in their smile.''
''A husband must love his wife very much; '' '' Closer than brothers,




The man and the woman in togetherness must live,
But no love can save you if you do not want to be saved.
I think you run into the art's world your mother's death to forgive.''
''If my dad had really loved her, she would not have died.''




'' Your thinking is totally wrong; your father was not
Orpheus to save her from her inferno of life.
She didn't accept her human condition; he loved her allot.
You're like your mother while denying everything in this strife




With your fate; Lucca made a mistake when he married you.''
'' Indeed, I did not feel free. Maybe it is because I was
Forced to marry him while my sufferings were painted new.
Why was Lucca talking with Ivan? '' '' I tell you why, it was because



Chiara continued,



Ivan was released from the position of a serf.''
‘‘Lucca wanted to know the mindset of the exploited class.''
''As a diplomat, while walking down the end of the Athens wharf,
Lucca studied Ivan to know if he was cruel or crass.



Chiara continued,



As a wealthy man with a political power,
A decision-making capacity and some business skills
To avoid some complications he had a desire.''
'' He had charming manners and talked concisely about rents and bills.''



Chiara replied,



'' All his life he had worked to increase his wealth and to make
A career in diplomacy; this is why he was forty
Years old when he asked you to be his wife; he wanted to take
Care of us; he paid your father's remaining debt payments




And this trip while wanting the stability of our family.
And how did you reward him while rejecting him
Or being cold as an ice when not doin' what comes naturally.''
''Chiara, he needed a positive image; '' '' your tears are dim.''



Francesca continued,



'' He took time to know his new family away from any
Social obligations; '' ''your father needed a groom like him.''
''Why? '' '' Because he had lived with his memories, much and many.
Der Eyck’s instrument is not new; his memory was slim.




He took refuge in the game world of the cards and destroyed
His property; '' '' But those who played with him were your friends; why
Didn't you save him? '' ''I couldn't do anything; to avoid
This misfortune was impossible; your love will set awry




If I tell you a secret I hide for fear of hurting you.''
Chiara's eyes gave Francesca a real scare, '' I know he was ill.''
''Your father didn't love you as you thought; '' ''How can this be true?
''He didn't care of you while passionately playing cards till



Chiara continued,



He lost his fortune and wanted to commit the suicide.
Do you realize that we could live as poor women
While lacking any support and having nightmares inside?
I've told your father about Lucca; he sent me to you then.




Lucca was the son of my friend and she told me her little
Secret; I thought Lucca would help consolidate the debt
Of your father with a loan, but his intention was a riddle.
I had to convince you to marry this man; a roulette




Was your entire father's life; all I could do was to listen
To my husband; the gold was more important to him than
You have ever been; '' ''Before the neighbors could find what was missin'
I had to marry; but when my father was rich, he had



Many relationships, he could borrow from one of his friends.''
''Dear, his relations have deteriorated because he was
No longer a reliable man; '' '' friendship never ends.
Why did Lucca want to marry me? '' '''He trusted my word; applause! ''


(Francesca started to cry. She had a conscience. Chiara was her benefactress.)

(…To be continued…)

Poem by Marieta Maglas
Marieta Maglas Jul 2015
(Chiara, Francesca, Rosa and Pedra remained on the beach.)

Chiara and Pedra decided to take a look along
The coast to search some food; Francesca and Rosa carried
The boat across the beach to hide it; 'How can you be so strong? ''
Asked Rosa; ''I listened to Chiara when I got married.



We depleted a fortune and Lucca was very rich.''
''So, this strength of yours comes from your tristesse, '' replied Rosa.
''My inner emptiness became affection.'' 'She's a witch.''
'She's a good soul, but inside her, she keeps thorns of mimosa.''


They had to undergo that difficult time and to
Organize their lunch; Rosa stopped to sip some drops of water
From the canteen she carried, '' it's entirely up to you
To leave him now.' ''My father is ill; I'm his only daughter.''


They were tired after the grim events of the previous
Hours; meanwhile, Chiara and Pedra were sifting through the salty
Air of the beach. Chiara said, '' I don't trust Fargo, he's devious.''
''We have no other chance, '' replied Pedra. ''His logic is faulty, ''


Continued Chiara, ''they should remain here with us.''
Pedra stayed for a few minutes being caught by the sparkle
Of the broken waves; she said, ''we have something to discuss.
Don't you think that your ideas are too matriarchal? ''


They enjoyed the salty stink of the seaweeds and the clicking
Of the living shells that they had tossed together for the meal.
While eating, they cut off the mollusks from their sticking
Shells; dozens of gulls were wheeling over the waves. ''Pleasant peal, ''


Said Francesca, '' the chance of meeting another one while
Staying here is very slim.'' '' I really grasp the scale of our
Surroundings, '' said Chiara while giving her seaweeds with a smile.
Rosa said, '' eat some kumquats, figs, and pears; you need power.''

(Rosa brought some fruits to complete the meal.)


(To be continued…)

Poem by Marieta Maglas
Marieta Maglas Jun 2015
(Arturo, Lucca, Miguel, Frederick, Marco, Cruz, Pedro and Ivan were playing cards and chess. Lucca, Cruz and Miguel started to smoke clay pipes.)

''Nice angled bowl with a coat of arms, '' said Lucca. ''Yes, '' said Cruz
While smoking and relaxing, ''where did you buy them, Lucca? ''
''This one is made in Holland- a way to liberate your muse.''
''Give new life to a broken heart, '' said Miguel, '' It's like scuba, ''

Laughed Lucca, '' Ivan, how could you avoid the army as a serf? ''
''As a yeoman having my own land, I had an accident.''
Cruz asked him, ’’Did you receive some support from a dwarf? ''
''I broke my left leg when I fell from my horse- a strange event.''

''Interesting! '' said Marco. ''You became a rich merchant
In the Ottoman Empire.'' ''Yes, I sold my land, '' smiled Ivan.
''You could go to Moscow, '' ''I didn't want to be a servant.''
'' I was a middleman in the fur trade, '' ''Let's enliven

This game with some wine! '' '' These cards are unique, '' said Pedro.
''This rare pictorial pack is made in London, '' said Marco.
Marco told Cruz, ''If you need new cards, I'll give you pronto.''
''Give me the most immoral hand, '' laughed Cruz, ''come in, Fargo! ''

(Fargo entered to bring the wine, which was served using glasses. Ibrahim brought dried fruits, nuts, biscuits and small cakes. The women had spent over an hour dressing for this meeting because it was customary for women to change their entire outfit for any event on the ship. Rosa, Geraldine and Erica were doing some needlework. Carla, Chiara and Pedra were reading some expensive books. Chiara chose to read a book written by Elena Piscopia, Carla was reading some philosophy by Mary Astell and Pedra liked the books written by Aphra Behn. Francesca started to paint and Bella was trying to play ‘’Capriccio stravagante’’ by the Italian composer Carlo Farina using a violin.)

Francesca said, '' The violin replaced the viol, ''
''The music written for it established its identity, ''
Said Rosa, ''I like the opera 'L'Orfeo' and its tale.''
''Through polyphony, Monteverdi has supremacy.''


Francesca continued, ''Chiara, what are you reading? ''
''A book about Christ written by the monk Laspergio and late
Translated by Elena Piscopia, a nun being
The first woman that graduated with a doctorate.''


Carla said, ''Francesca, what are you painting in that blue? ''
'' I'm not Caravaggio, still I paint a medusa.''
Carla replied, ''You used amazing hues, and it's sweet in view! ''
Chiara said, ''It's an image of the port of Siracusa! ''

(Francesca embraced Chiara.)

‘’ ''It's so lovely to see you together; you are good friends, ''
Said Geraldine while finishing her work, ''do you have children? ''
''I've married Arturo six years ago and our love ascends
After his long widowhood; Francesca is his daughter.''

Chiara took Geraldine's hand with a noble gesture
She told her that Arturo lost a fortune three months ago,
And this trip was offered by Lucca to change their life's texture.
''Maybe Francesca painted to petrify the time's flow.''

''Francesca is the sweetest child I've ever seen until now.
She's adorable in this purity of her mind.
She's shining like a star belonging to Ursa Major Plough,
And I love Arturo even in affairs he is so blind.''

(Arturo and Marco were the last passengers who left the room while talking. Arturo ended the conversation.)
‘’ Russia is a force needing an expansion quite quickly
But, unfortunately, her friends are not really her friends.
Pushing Russia, who is an honest power, clearly
Will turn the destiny of the whole world into dead ends.’’

(to be continued.....)

Poem by Marieta Maglas
Marieta Maglas Sep 2015
(Frederick was talking with Geraldine.
Frederick said,)



''My love for you will last forever; '' ''Our love must be strong
In this crowded emptiness of the wars around us.
You're a dreamer; '' ''I want to secure your life from wrong
And to do everything possible to make you be happy; thus,



(Frederick continued,)



I'll be sure that our child will grow up to discover his skills
And talents; '' ''He will be a successful man like you.
You're a good trader, but you take risks because you like these thrills.''
''I want to make money to buy a galley for my crew.



(Frederick continued,)




Spending less money than we make is essential to our
Financial security; '' '' We have the responsibility
To provide what is necessary for our life to grow in power.''
''To buy too many gowns and shoes you have an ability.



(Frederick continued,)



You've made this carrack be a luxury one before
Looking like a wreck; '' '' I wanted rich passengers to embark
On our ship; this way we could earn money; '' ''My dear, it's war,
But there is absolutely nothing wrong with this spark



(Frederick continued,)



Of interest as long as you don’t go overboard.
Keep this unnecessary spending to a minimum.
This employee holding multiple jobs is all we can afford.
I've spent all my money on this carrack, causing pandemonium.''



(Geraldine said,)



''For example, Maya is an excellent cooker and a healer
At the same time; '' my love for you is passionate and true.
I've married you without your parents' consent; I was a reeler
While not knowing if I could have a future together with you,


(Frederick continued,)


But I wanted this family; '' '' You were well aware
Of the ships' condition and progress, but you weren't conscious
Of the importance of a fire on this wooden ship; in despair,
You've spent the money for food and fuel without my consent.



(Geraldine continued,)



That money had been given by the passengers to embark.
Now, everything is gone; all remained is almost nothing.''
''I had to merchandise and resist the attacks; '' ''A strong remark!
I remember that you sold some jewelry to buy something.''



(Frederick replied,)



''I remember that I've tried to face your jealousy
Because I love you very much; I remember that I was
In danger and I had to go on and face our destiny
As nothing was happening; our hope is stuck underneath its claws


(Frederick continued,)



And I don’t remember if you took time out to support me
During any rather difficult day; you think like a slave
Lacking responsibility while you want to be
An Italian woman; '' '' I open my heart to crave



(Geraldine continued,)




That these slaves lack the ability to run their own lives
And are therefore happy with a system where their lives are run
By others; '' '' glad to know they're happy as husbands and wives.
There will be no slave to row on this ship under the sun.''



(Geraldine said,)



''Some of your sailors used much more freedom than I did, ''
''They were punished for what they did wrong; '' '' This latest mistake
Could lead us to death; '' ''I was caught in a trap, God forbid! ''
''You had no sailing experience; some dreamers must be awake.



(Geraldine continued,)


You trusted people too much and verified them too little.
''These pirates fight for a freedom that does not exist
While using all kinds of scams, while their life is a riddle,
While not being honest, and while hunting in the devil's mist.




(Frederick continued,)


The fight for an alleged brotherhood, equality,
And freedom promoted by these pirates is different
From any honest fight because they don't have dignity.
They destroy its ideal sense while being indifferent.’’



(Geraldine said,)



''Why do you say this? '' '' Some pirates accused me of supporting
A repressive policy against slavery while providing
Some groups with weapons and they still didn't stop annoying
Me because they wanted to know my secrets; my suffering



(Frederick continued,)



Fellows couldn't benefit from moral support; '' ''Tell me,
Some people like the aunt of Ivan could live better than
It was permissible; she had to pay bills; she wasn't free.''
''She didn't want to be enslaved, beaten and ***** by her man.



(Frederick continued,)



It seemed that this situation had been abnormal for her
Until she turned the idea upside down; she couldn't deal
With all her problems besides running away from the star
Of the poor voices; '' '' so contrary to her ideal



(Geraldine continued,)



Was the reality of Ivan's mother that she was
Ashamed to continue her life, although she loved Ivan
Very much; her dignity was destroyed; I suffer because
I left my mother to marry you; no friendship is better than



(Geraldine continued,)


The relationship between a mother and her daughter.
This is why I appreciate the friendship between
Francesca and Chiara; '' '' these things don't seem to matter
When Chiara is not sincere; what happened could have been foreseen.''



(Geraldine said,)


'' I think that Chiara tries to compensate the absence
Of the missing mother; both Chiara and Carla are strong
Women and I've learned a lot from them, because, in silence,
They suffered for saving their husbands they wanted to belong



(Geraldine continued,)



While protecting their children. My family must be as strong
As my parents taught me to be; '' ‘‘the women always say
They suffer in a marriage while being humble all lifelong,
But they want to prove that, without them, their men may go astray.''



(Fargo knocked at the door and gave them a letter, which was sent by the governor to inform them that the missing gold had been found.)



(...to be continued...)

Poem by Marieta Maglas
judy smith Sep 2016
A fashion designer has defended models who were labelled as "gaunt and unwell" on Facebook.

Andrea Moore's I AM range is sold at Farmers, and an image from its current campaign was posted on that company's Facebook page on Friday.

The picture features Chiara and Norina Gasteiger, who are twins represented by Clyne Model Management. Farmers customers did not react well to the now-deleted post.

"They so look gaunt and unwell. I'm really disappointed," Newshub says Anna Webster commented.

"You cannot look at these girls with their bones sticking out and believe that they are a good role model for a family store," Jo Austwick wrote.

"I have enough trouble with body image arguments with my daughters without these images being depicted. They do not look healthy."

Moore said the imagery had never been intended to cause offence, and that she felt for the Gasteiger twins, who have worked with the brand for three years.

"The twins are actually healthy, fun models who are busy university students... We love working with them because of their sense of self-worth and uniqueness as twins," she said.

"We have been in touch with the models and they were most upset by the whole thing. Fortunately, they have received a lot of support from their peers.

"The campaign was about preppy grunge, print with an edge. [It was not] about promoting unhealthy body types [or] anything else," Moore added.

Farmers posted the following statement on Facebook after deleting the I AM image:

"Dear valued Farmers customers! We appreciate you taking the time to send us your comments and concerns on a recent post for I AM. Please know it is not taken lightly and we in no way mean to promote an image for women in NZ to follow that could be regarded as unhealthy.

"We understand that no two bodies are the same and we always seek to show a range of body types throughout all our advertising. These images were supplied by the brand Andrea Moore as part of a wider campaign and were published by us. We will endeavour going forward to work closely with all our partners to ensure an appropriate image is portrayed.

"Thank you once again for your valued feedback."

Clyne Model Management have been approached for comment.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/one-shoulder-formal-dresses
Marieta Maglas Jul 2015
Fortunately, there were five modern toilets having
Lavatory flushing cisterns like those invented by
Sir Harrington in one thousand five hundred ninety-six, being
Built near the kitchen because the air in this room was dry.


This cook-room was constructed in a place where it was deemed safe
To have a cooking fire; it had a good layer of lime
With an air space to insulate the brickwork from the unsafe
Adjacent timber; the brick walls were expensive at that time.

The room had two brick fireplaces and boiling was the method
Of cooking while three coppers with lids were set in the brickwork.
With some funnels passing through the deck head, they were connected
That protected the kitchen and allowed the steam to perk.

Firing on the uproll could mean a shot going into
The rigging; the sailors and the passengers took the pumps
To extinguish this fire, doing all they had to do.
The pumps made of leather were assembled from the dumps.


And coupled every fifty feet with brass fittings; their length
Was about twenty-three meters; this ******* worm engine
Was made by John Lofting in 1690; its strength
Was pumped by a team of men working to relieve the tension.


The fire was small, but it could extend to the cabin cruisers,
Which were nearby; while the men were working hard to escape
The danger, the strange man as one of the fast movers
Deliberately entered the gun room; Cruz saw his shape

Entering and descended the stairs in a hurry
To stop him; he entered the gun room and took a gun.
The stranger turned to Cruz and shut him, but his eyes got blurry,
When the room was suddenly filled with the rays of the sun.

(Cruz shut this man in the face. Both of them fell down. The women were in a boat and Fargo made efforts to bring them to the shore.)

A big wave hit the boat, causing Geraldine to go
Overboard; she fell off the boat into the water.
Fargo jumped in the sea to save her and started to swim below
The water; she screamed for help; the waves rose up to scatter.

She could not remember how she fell; her head and arms
Were barely visible above the waves; Fargo swam
Toward her and brought her aboard, '' you're safe from harms.''
She vomited, ''I want to be far away from where I am.''

Meanwhile, Bella lost her balance, and within a split second,
She fell off the boat and tried in vain to hold onto
Chiara's hands while asking for help, but her fate beckoned
When a giant jellyfish stung her arm on back to fronto.


Chiara saw her treading the water and moving her head,
But lost the sight of her after a few seconds ''She's gone, '
Said Chiara; after saving Geraldine, Fargo said ''she's dead, ''
He turned around the boat, ''Look, that jellyfish is coming on! ''

(Fargo jumped in the sea to rescue Bella. He brought her aboard, but she has been underwater much more than she could resist. His resuscitation efforts were unsuccessful. All along the ragged shore, there were a lot of stones under the water. They got down out of the boat and walked in the water while bringing the boat to shore. Meanwhile, ten pirates, after swimming in the water, climbed on the carrack to **** everyone on the board. Fortunately, they didn't see the boat.)

(To be continued...)

Poem by Marieta Maglas
Marieta Maglas Aug 2015
Ivan thought that the stranger followed him; why should he?
If the stranger had been a Russian one, it would have been
Perfectly obvious for him where the meeting had to be
Placed, but maybe this stranger had accidentally heard them when




They had talked; in this case, the stranger didn't know their secret,
But the surveillance was the only way to find out.
This was why this stranger embarked on their ship; apart,
The real surveillants were chameleons, beyond this doubt.




One of those pirates searching for secrets had a red birthmark
On his face; to follow Fargo, they were walking for some hours.
They started a talk while one of their dogs began to bark
''To identify a tail, look at the footprints, those flowers




Can make the dogs lose the scent trail; '' '' each flower might have
A different scent, telling the dog it has been visited
By some insects; here, their path is divided into two halves.''
''Someone left them, and another one is dead or invalid.''




'' That person returned; look, he moved frequently between crowded
And empty places: this makes him conspicuous, '' '' It's a man.''
''Someone else followed them, '' ''I don’t see well, the sun is clouded, ''
'' I don't trust this lady, Chiara, '' ' I understood her plan.''




''She paid our chief, Quintus, to **** Lucca, '' ''He was lucky
To be hired by two persons to do his job on the same ship.''
''Quintus made his intentions very clear; he is a plucky
Man; '' one of them touched a footprint with his finger tip.




'' Quintus's intention was to loot and to arrive before
Frederick besides Syracuse to wait and hit the carrack.''
''Quintus will **** Marco after trying to find out whether
He's their man or not, '' ''They have fallen under our attack.''




'' Chiara paid Quintus to **** Francesca, '' '' Look at the village! ''
''This must be the messenger's house; it's midnight; let's enter
To find the documents like in the midst of a pillage, ''
'' All are like babies in a deep sleep, '' ''I long for adventure! ''




(They found the documents, but they didn't take them because they needed to hunt the connection person. They exited the house.)




'' Let's tell Quintus that these gold bars came from London to go
To a Russian rich lady living as a nun, '' ''One
Of them used Fargo to be here, but she didn't let him know.''
''Now, he cannot return back to us; his future is done.''




''When one of us leaves our crew, he becomes a stupid man
In the arms of any woman, '' ''Which one do you think is
Involved in the gold's story? '' ''I don't know, but I know the plan.''
''They are four; we'll find soon, '' ''Round in my head, these events whizz.''




(The pirates killed the messenger on the beach, but they did not know where he had lived.
The messenger knew the person who had to give him the gold, and therefore, had no documents on him.
The person bringing the gold traveled while providing maximum security, but secretly he was afraid of the pirates.)




Meanwhile, Quintus did not know where the gold had come from
Nor where the messenger was living, and therefore, he killed
Marco; then, after the returning of his people, he sent them
To tell all the pirates that the onslaught should be stopped.



Erica knew about the village and influenced
Fargo to go in that direction; Ivan had told her
The name of the village and where the messenger's house was placed,
But she didn't know the information that man could confer.




Chiara wanted Lucca to die because he was the sole
Heir of an immense fortune after the death of his parents.
She also wanted Francesca's death, but she lost control
Thinking that she lost the asset in the light of those events.



(..To be continued…)

Poem by Marieta Maglas
Marieta Maglas Jul 2015
(Chiara and Geraldine were on the deck. Chiara started to talk with Geraldine.)

''I need to understand my life when I look back and see
That happiness is my reason to push some things far away
This ship is like a small Eden balancing on the sea.
When I lose hope, I hope that it will come back another day.''

''God is above all and when the waters are quite blue
He sends the sun to shine at the end of every storm.
I'm far from home, but there's nothing in my life I wouldn't do.''
The crests had a glassy aspect and some clouds started to form.

In the Ottoman Empire, Athens was a run-down village
The Ottoman landlord made the free Greek peasant serfdom.
To live near the Acropolis, he lost the privilege.
In Piraeus, the wind was like a harp blown at random.

Miguel was walking on deck wanting Pedro to meet
To propose him to go to visit the Acropolis,
Then, to eat fresh fish and to exercise their dancing feet.
He thought that ship looked like a sailing necropolis.


The Parthenon on the Acropolis in Athens
Was amazing, although the flourish in Athens became,
During the Ottoman Empire, something should never happen.
But in terms of philosophy, it didn't lose its fame.

Carla was bathing in her cabin and asked the maid to bring
A *** of boiling water from the kitchen because
The water cooled down. When she exited, the door started to ding.
Maybe the maid was in haste or it was a hidden cause.

Passing by, Miguel saw Carla exiting the bathroom.
When he saw her silhouette through the diaphanous air
Against the flames' glow, something magical happened to him.
He looked at her, and then he sensed the true depths of his despair.

He admired her neck and the outline of her body
And the flawless perfection of her skin; he went away,
When he heard the maid's steps; Carla's ******* were pure and soggy,
And she moved her arms and legs as she did ballet.


(After a while, he returned to walk around. After she had finished her bath, Carla opened the window to allow the fresh air to enter the room. Carla saw Miguel standing on the deck. He turned to her and said, ‘’Hello! ’’)

Carla asked, ''Is this evening a future starry night or not? ''
''So starry-eyed, my love for you is nothing but a shine.
And, in my dreams, you come to love me much more than a lot.
I close my eyes to feel your love and you're almost divine.''

(Carla told him she did not know this poem. He said that this poem was just composed by him. Then, he invited her to come together with Pedro to visit the Acropolis.)

Carla, after exiting the Periclean Parthenon,
Tripped on the Karrha limestone step and almost fell when Miguel
Helped her up while embracing her, ''It's a phenomenon.''
He put his ear over her heart, '' I hear a fast tinkling bell.''



Behind them, Bella and Pedro were talking about physique.
She said that she couldn't get pregnant, so they traveled to
India, a treatment through yoga and herbs to seek.
''Miguel suffers! '' 'It's important to make your own dreams come true.''

(To be continued...)

Poem by Marieta Maglas
a Oct 2014
Thank you Shaun,
for the pictures and flowers.
Thank you Lily,
for the ray of sunlight.
Thank you Bry,
for psychopathic measure.
Thank you D,
for the feeling of good pleasure.
Thank you Tay,
for tea and bears.
Thank you Meg,
for Sherlock and apples.
Thank you Zee,
for robots and twins.
Thank you Carrie,
for fangirling and friendship.
Thank you Liam,
for support and superheroes.
Thank you Paul,
for understanding and ingenious.
Thank you Ceryen,
for fake names and shared tears.
Thank you Chiara,
for Italian cheese and fanfics.
Thank you Rod,
for fish and evil.
Thank you Lia,
for kitties and souls.
Thank you Stephen,
for gravestones and vegetables.
Thank you Christine,
for mercurial and poetical love.
Thank you Caitlin,
for product design and Poundland.
Thank you Jordan,
for weddings and Brenda.
Thank you Conaill,
for DT and Courbet.
Thank you Brendan,
for axes and aunts.
Thank you Tom,
for form time and Brittany.
Thank you George,
for philosophies and pigeons.
Thank you Morgan,
for video games and hearing.
Thank you Alice,
for Pokemon and tumblr.
Thank you Aliyah,
for hearing aids and help.
Thank you all,
for reading and listening.
Thank you, me,
for absolutely nothing.
ongoing
MR Nov 2019
I saw her,
she was there among the leaves and flowers.
I walked towards her,
she was reading slowly...
she saw me,
but kept on with her book.

Would you mind if I sit here?
Of course not, be my guest...
Could you tell me what you do? And how old are you?
                       And spring played all around her...

Would you mind if in an instant,
I fell in love with you
and your air of serenity?
Could you tell me if you come here often?
Would you mind?

I'd follow you to your door if you'd show me the way?
Or at least if you're coming tomorrow...

We were there like those who've been there for ages,
she spoke, I spoke
                                 and evening fell...

She showed me her ideas on beauty,
I listened, she listened... and it got dark.

Could you tell me your name?
I'm Chiara, what's yours?
                               And spring played all around us...

Would you mind if in an instant I fell in love with you
and your air of serenity?
But tell me do you come here often?
We were there she spoke, I spoke...

Is it OK? I'd follow you to your door if you show me the way?
Or at least if you're coming tomorrow?
If you're coming tomorrow?
But tell me if you're coming tomorrow?
If you're coming tomorrow...
This is an English translation of the song Chiara written by Alessio Bonomo and sung by Andrea Bocelli. The translation into English is gorgeous. I love how direct Italian language is and the translations never cease to impress and drive me creatively as a poet and lover of art.

https://www.youtube.com/watch?v=tV1yvZ40_0c
Marieta Maglas Jun 2015
Chiara, Arturo's wife, approached them together with
Lucca and Francesca, the other Italian pair
Saying, ''Was Quare's invention real? I thought it was a myth.''
'' His barometer measures the pressure of the air.''


Chiara was wearing a red gown, with lace trimming the low,
A green velvet mantel, which was lined with some ermine,
Square neckline and sleeves, which were gathered at the elbow.
She spoke well Italian, Spanish, and German.


Italians wanted to disembark at Syracuse.
Bella and Miguel traveled to Barcelona home.
To find a new home, Naimah and his son had an excuse.
Out of their Turkey's limit, through the storms, they would roam.


Tia, Athan, Megan, and Karsten would disembark
At Selanik, an Ottoman province, where Ahmed
The Third was reigning while his war was a fire in the dark.
They were Greeks being born during the reign of Mehmed.


Marco and Rosa, Cruz and Pedra, Pedro and Carla
Were Portuguese pairs coming home from America.
They had bought from the Pueblo Indians some ollas.
They gave one to the Russian pair, Ivan, and Erica.


Ivan said, ''Tell me something about these Indians.''
Carla said, ''Their belief means dualism; they eat corn.
Some became Catholic due to the Spanish civilians.
They think they emerged from underwater to be born.''


Carla wore a black cap, having a veil, and a green gown
Patterned with acorns and flowers, and her sleeves were caught
With jeweled clasps on lace at the elbow; her eyes were brown.
''The water is fresh in the ollas, I like them a lot.''

She asked Ivan’’ Now, where do you go? ’’ ‘’We left the war.’’
''Ahmed and Peter the First! '' replied Cruz, '' tell me something,
How could you reach Constantinople after coming from far? ''
''I do trade with them, but this war destroyed everything.''

''Did you lose everything you had? '' Marco asked Ivan.
''To make business in Turkey, I sold all my Russian goods.''
Erica tried this conversation to enliven,
''In Portugal, we'll search for a job in cities and hoods.''

Marco wore a banyan with a patterned lining; his cuffs
Were embroidered in gold; his justacorps and stockings
Over his breeches were red like Rosa's shoes and muffs.
All of them wore periwigs and talked a lot while walking.

( To be continued...)

Poem by Marieta Maglas
Marieta Maglas Aug 2015
The pirate quartermaster, Maro, saw two galliots
Coming towards the carrack; the first one had ten cannons.
To start the maneuver on the carrack, he asked his pilots.
They were attacked by a volley of fire; maniac in action,



Maro caught up with this army and replied with another
Volley of fire, but he had to retire the carrack.
Then, the army came alongside it and fought in a smother.
This assault was preceded by some flurries of the bullet attacks.



Using the muskets and some small arms designed for superior
Accuracy, the army could leap from ship to ship;
Once the ships had met, the battle had been waged; ulterior,
They used long polearms and swords which were kept on their hips.



The first galliot approached and used the bowsprit,
A protrusion which was angled upward from the bow,
To charge the flank of the carrack; some pirates wanted to quit.
The bowsprit penetrated the breeze upper the low



Waist of the opened deck, in the middle; it could be used
As a connection between the ships; a part of the army
Fiercely attacked the pirates making them be confused.
The ships collided; raw in front of the enemy,



The hidden soldiers started to shoot; they held the fire
At a close range; this ship was narrow for the artillery,
But into saving some honest lives they had to inquire.
These guns were placed on the centerline by the military.



The pirates turned to the opposite direction, but they were
Attacked by the second galliot equipped in the same way.
The bandits could barely put up a resistance; their deaths were near.
The fight had lasted until it was all done in their play.



The first galliot caught the carrack with the help of
The other one; Maro ordered one of his crew to cut
A small hole in the carrack to make this ship sink thereof
And to hurry the soldiers to save the hostages, but



They would need to know if there was a way to swim to the shore.
They abandoned quickly the carrack; the result of the fight
Was the victory of the army, stopping the devil's roar.
They took three pirates captive; three escaped in the waters' night.



The governor had the loyalty of a gentleman
While keeping his word in front of Frederick and while
Dedicating himself to protecting any merchant
And any passenger; they disembarked on that emerald isle.


(Frederick, Pedro, Naimah, Miguel, Cruz, Ivan, Pedra, Chiara, Francesca and the remained crew went to Prinylas. Cruz was injured but still alive. At least, while having tears in his eyes, Frederick embraced his junior who looked exactly like him. The child smiled and touched his father’s face with his little hand. Geraldine embraced Frederick and kissed him while crying.)


The governor had built frigates and galliots to maintain
Safety on the coast and to guard them against the invasions.
Then, he sent them to capture the pirate ships hoping to gain
Peace, wealth and a good fortune for the future generations.
(To be continued…)

Poem by Marieta Maglas
Marieta Maglas Jul 2015
(Fargo put the body of Bella in a mantle and took her on his shoulders. He left Chiara, Francesca, Rosa and Pedra ashore and went together with Geraldine, Maya, Carla, Erica and Naimah's son to find a village. The name of Naimah’s son was Surak.)

It looked like a long beach with a rocky shore and a hidden
Cove; they turned right walking along the sandy beach; at the far
End of the beach, they saw a galley, but it was forbidden
To follow the path leading to the shore, ''I'll ask where we are, '' ''

Said Fargo while looking through a telescope, ''What do you see? ''
''There's one man standing on the deck; he's the companion
Of that pirate following us and traveling free.''
''How do you know this? '' ''I worked for him in the devil's canyon.

The flag has a boom skull, '' ''Let's go, '' said Geraldine, ''The pirates
Are coming from this ship, '' said Fargo, ''I must set it on fire.''
While sneaking to that deck, he killed one by one the pilots
And the third sailor; he thought, ’’ Frederick is caught in a snare.’’


Fargo took the little treasure from that ship and those two maps
Showing the place from where the treasure had been taken
And the island where they intended to hide it; perhaps
It was a known place, which was visited and forsaken.


He did not set the ship on fire because he was afraid
That its flames could be seen by the pirates; he did not sink it
'Cause they could dive to the sea's bottom to find the treasure's shade.
To make them think that one of them betrayed was in a fit,


Fargo took one of their boats and returned to the shore.
Then, they continued to go while avoiding the main path.
They stopped walking to look at the seagulls starting to soar.
They entered an old olive grove shining in the daylight bath.


Following their narrow route to the right, they found a fragrant
Grove of tall eucalyptus trees; they saw the shepherds' trail,
Which was cobbled and flanked by stonewalls, '' Our life became vagrant, ''
Said Carla; Erica replied, '' my strength begins to fail.''


'' Look at these flowers of asphodel! They are beautiful, ''
Said Maya; Erica replied, '' these dark cypress trees are
An inviting resting place; '' you must be powerful, ''
Said Fargo, '' because to find a village, we have to go far.''


At the top end of this rocky land, they turned left to enter
A small, agricultural zone that was planted with
Cereals and having some plots of chickpeas in its center.
Some goats were drinking water from a reservoir, ''It's a myth, ''


Said Surak; they drank water together with the goats
And washed their faces; after crossing the road, the saw
The church tower of the village near the plots of oats.
They bought an old stone manor house when the night started to draw.

(Fargo went to find a priest for Bella’s funeral. He came back with a promise for the next day. They started to eat in silence.)

(To be continued…)

Poem by Marieta Maglas
Marieta Maglas Jul 2015
After bringing to the ship the women they had found
On the shore, the pirates asked about the rest of the women.
Rosa said, ''they disappeared in the water splashing around
And died from drowning in the sea; now, maybe they're in Heaven.''


Then, they asked about Fargo and Chiara said that he
Had been sent to search for water. They took a boat to go
To the shore, but they found no one, '' somewhere he could flee.''
Three men stayed on the shore and others searched for Fargo.


While dominating the new world, Spain used its ships to cart
Great riches from there; Marco and Rosa chose to come back
This way wanting to hide their gold until selling it at a mart.
From somewhere, those armed robbers have followed them in their track.


They wanted to steal their gold, the ship's cargo, the oil,
And that fuel being bought from the Empire’s wells to sell them
At the Lisbon's black market; to acquire wealth, they did not toil.
There was no law to condemn them, but they could condemn.

They took Marco and used four cords to tie his hands and his legs
Onto four stakes, they had fixed in the deck at a distance.
His body was pendent in the air; being punched by his dreads,
He was thrashed by them with sticks to end his last resistance.


When Marco prayed for God to save him from the suffering,
Another pirate took the cat; and, when Marco received
Two dozens to faint, he felt pulled apart without rupturing
When he was taken down, he could not stand; he was deceived.


Then, he took two dozens once more; his flesh was hanging in strips.
They used also the cat of nine tails to whip him so badly.
He was a Jewish and ''Deuteronomy'' came on his lips.
With salt on wounds, he couldn't believe they could hate so madly.

(Marco died.)

They beat Rosa with the **** of their guns to say if there was
More hidden gold; after Marco's death, one of the pirates
Married Rosa; he kissed her, ''I'll be rich- please no applause, ''
He said laughing; his love was too brutal for her iris.


In bed, she was immobilized by her fear; when they
Exited out from the cabin, he said, '' I've lain with my *****.''
These words petrified her; she knelt while starting to pray.
When she finished, he killed her saying, ''Now, I'm very rich.''

A pirate came back saying, ’’ ''he didn't return to the beach.''
''Maybe he was bitten by a snake, ’’ ‘’Tomorrow morning,
At dawn, take these dogs along on searches; watch them in reach
Of the steps of Fargo until the dogs give you a warning.''

Lucca said, „I’m an Italian diplomat.'' One pirate
Laughed and told him that they were hired by that strange man; served
Another government, '' your death will be a twist of fate.''
''Let me live! '' ''You're asking for something which you do not deserve.''


''I can pay for my life, '' ''No deal- gives us those documents.''
The pirates stuck some candles around the mizzenmast and they
Surrounded it having swords in their hands, ''twist your arguments.''
Lucca had to enter this circle, ''now, we sing and you play.''

Lucca was forced to run while another pirate used
Bella's violin to play a merry Jig and while each
Pirate cut him with his weapon; he screamed and they were amused.
They kept him dancing until he confessed while starting to preach.

After that, one of them took some boiling water to pour it
Into Lucca's ears; the pirates tortured him to reveal
Where the scrap of his wealth and his documents might be concealed.
They hung Lucca by his feet and submerged him as a fish meal.


(Then, he collapsed. In the sea, he was left for dying.)

Then, they murdered Gino, Nico, and Dino by tying
Cannonballs to their feet and by pushing them overboard.
Other victims were locked in wrist and leg irons being
Held on the ship’s deck; they stopped when they saw the moon they adored.

(They needed to rest because the night was coming.)

(To be continued…)

Poem by Marieta Maglas
Sarà un cielo chiaro.
S'apriranno le strade
sul colle di pini e di pietra.
Il tumulto delle strade
non muterà quell'aria ferma.
I fiori, spruzzati
di colori alle fontane,
occhieggeranno come donne
divertite. Le scale
le terrazze le rondini
canteranno nel sole.
S'aprirà quella strada,
le pietre canteranno,
il cuore batterà sussultando
come l'acqua nelle fontane -
sarà questa la voce
che salirà le tue scale.
Le finestre sapranno
l'odore della pietra e dell'aria
mattutina. S'aprirà una porta.
Il tumulto delle strade
sarà il tumulto del cuore
nella luce smarrita.

Sarai tu - ferma e chiara.
Dolce e chiara è la notte e senza vento,
E queta sovra i tetti e in mezzo agli orti
Posa la luna, e di lontan rivela
Serena ogni montagna. O donna mia,
Già tace ogni sentiero, e pei balconi
Rara traluce la notturna lampa:
Tu dormi, che t'accolse agevol sonno
Nelle tue chete stanze; e non ti morde
Cura nessuna; e già non sai né pensi
Quanta piaga m'apristi in mezzo al petto.
Tu dormi: io questo ciel, che sì benigno
Appare in vista, a salutar m'affaccio,
E l'antica natura onnipossente,
Che mi fece all'affanno. A te la speme
Nego, mi disse, anche la speme; e d'altro
Non brillin gli occhi tuoi se non di pianto.
Questo dì fu solenne: or dà trastulli
Prendi riposo; e forse ti rimembra
In sogno a quanti oggi piacesti, e quanti
Piacquero a te: non io, non già ch'io speri,
Al pensier ti ricorro. Intanto io chieggo
Quanto a viver mi resti, e qui per terra
Mi getto, e grido, e fremo. Oh giorni orrendi
In così verde etate! Ahi, per la via
Odo non lunge il solitario canto
Dell'artigian, che riede a tarda notte,
Dopo i sollazzi, al suo povero ostello;
E fieramente mi si stringe il core,
A pensar come tutto al mondo passa,
E quasi orma non lascia. Ecco è fuggito
Il dì festivo, ed al festivo il giorno
Volgar succede, e se ne porta il tempo
Ogni umano accidente. Or dov'è il suono
Di què popoli antichi? Or dov'è il grido
Dè nostri avi famosi, e il grande impero
Di quella Roma, e l'armi, e il fragorio
Che n'andò per la terra e l'oceano?
Tutto è pace e silenzio, e tutto posa
Il mondo, e più di lor non si ragiona.
Nella mia prima età, quando s'aspetta
Bramosamente il dì festivo, or poscia
Ch'egli era spento, io doloroso, in veglia,
Premea le piume; ed alla tarda notte
Un canto che s'udia per li sentieri
Lontanando morire a poco a poco,
Già similmente mi stringeva il core.
Marieta Maglas Jun 2015
(Geraldine was walking on the deck while waiting nervously for Fredrick. Frederick appeared suddenly while speaking quickly and gesturing.)

''I've waited for you all day long to come up with fuel.''
''I went to buy charcoal, water and outdoor lamp oil.
At a crossroad, I saw a stage driver being so cruel
To whip his horses to run faster; the oil spilled on the soil.

He drove a stagecoach; my horse was frightened by the sound
And my trolley overturned. I had to come back to buy
Again three barrels of oil.'' ''That oil spilled on the ground, ''
Said Geraldine, ''the money has gone, and this is not a lie! ''

I don't ask you to tell me where you really spent the money
It makes no sense to ask you for the truth. Is she beautiful?
Did you have a good time? To wash laundry in public, honey,
You may bring her here. This way, you can be dutiful.''

''I love you, '' screamed Frederick, '' so, you think you're funny.''
''Well, I may be funny although I'm never stupid.''
He held her, ''I sold some jewels. Take the money.
I could lie to you, but you're the one. I'm down with Cupid.''


''Do you remember that man having a ring with a skull? ''
''You've met him in Constantinople, '' ''I've met him here, too.
He was in that stagecoach liking this way his horses to cull.''
He laughed saying, ''I'm a captain in search for my crew.''

''Frederick, I want to return home at Khadjibey.
Do you remember when we've met in the port and you
Gave me an emerald cut gold ring shining at the ray? ''
''I've asked you to marry me, '' ''I love you; you know it's true.''

''Then why do you want to turn back home? '' ''You know I'm scared.''
'' This is our chance. If we turn back in that unknown trading port
For slave markets, I will not survive; I'm not prepared
To ask the sanjak bey some protection and support.


I am Italian and I saw so many things.
I saw the terrible fate of those becoming galley-slaves,
Women enslaved being sexually abused, in sufferings,
But someone living in Khadjibey is a 'plough and a scythe.' ''

'' Is this artwork painted by Paolo de Matteis or not? ''
Asked Francesca coming to them. ''What are you doing here? ''
''We really like to admire that splendid island a lot.''
''Shall we offer them a string instruments' concert, Chiara dear? ''

(To be continued…)

Poem by Marieta Maglas
Sulla chiara aderenza del suo viso
dove balena il ritmico, selvaggio,
sentimento dell'alba
mentre della notturna s'addolora
quiete silvestre e cinge a dominare
il boato del tempo la più cauta
trepida luce, salgono veloci
i profili irrequieti del destino.

Mirabile linguaggio che trascorre
dalle limpide acque alla vibrata
forza dell'inumana profezia!

Ora nell'ampia conca dell'eremo
un soffuso candore si raccoglie
dalle acque sui rami ed accompagna
di cenni lacrimevoli il congedo.
Presso il rudere un pezzente
cena tra le due fontane:
pane alterna egli col pane,
volti gli occhi all'occidente.
Fa un incanto nella mente:
carne è fatto, ecco, l'un pane.
Tra il gracchiare delle rane
sciala il mago sapiente.
Sorge e beve alle due fonti:
chiara beve acqua nell'una,
ma nell'altra un dolce vino.
Giace e guarda: sopra i monti
sparge il lume della luna;
getta l'arti al ciel turchino,
baldacchino
di mirabile lavoro,
ch'ei trapunta a stelle d'oro.
Mote Jan 2023
(for chiara)

your crow man guts me. his dry cigarettes.
Mateuš Conrad May 2022
chasing rabbits -

chasing rabbits:
slowly...
   reimagining standing
still on a treadmill.     (502)

she had to come round for about two hours today, my neighbour, she must have sniffed out that i was making pizza... i love making pizza slightly tipsy... i did the house chores and started writing this, abandoned it, now that i returned to it... well, what could have possibly changed? pristine ******* dough... ooh... what a lovely cushion of flour and water and sugar and a pinch of salt and: yrast... i love the smell... hmm mmm hmm... these hands make magic... the pizza sauce? compliments on that, of course... what did i add? oh... just a read pepper... some paprika: i wish i used some Kashmiri chilly powder... perhaps i had... garlic... onion... blitzed... sieved... twice... plum tomatoes... itch of the juice: clenched teeth saliva boiling: juicy... thinking: my tongue is a knife... now i'm going into the garden and drink a beer, or two... try finding the moo... ah ha ha: moo! moon! ah-woo! no... quiet right... one needs a forest to find the howl! but at least i can bark... when some fox penetrates the gardens and the dogs start barking... i'll bark too! free! free! free! so my neighbour likes my cooking... great! am i about to think: capitalistically?! start a pizzeria?! i like do: what tool is expected to do... because... i have "other" concerns"... the whole veneer of interacting with people is: what it is: a veneer... i have to entertain both the Jezebel and the Sophia... Sophia is difficult: since she's as abstract as Athena... it's not a lost libido: it's not impotence... it's... why would i want to ******* if you're going to spend my Saturday afternoon shopping for ******* curtains... or... whatever?! oi! Libra! come 'ere! this weigh-in weigh-out doesn't make sense... can you apply your corrective scrutiny to the "problem"? - i do make some fine pizza... no one's taking... fair enough... fair ******* doubly enough... more for me... more for oblivion... to which i answer: ah-men.

тo йeст щыт:
to jest szczyt...
diese ist der gipfel!

it only happened once...
discouraging: "discouraging" a circle
or omicron from being a circle
and becoming an ellipse: a 0... a zero...

"god" is not a moralist...
he's an existentialist...
          "he" he not not "he"...
only in English is the phenomenon
of a pronoun "problem" prevalent...
shrapnel-tongue:
               schrapnellzunge -
it's so unusual for anyone speaking
in the Slavic tongue(s) to overuse
the pronoun: iota as much as the English do...

it's like Knausgaard mentioned
about the Swedes... a people that haven't
been invaded by another people for a while...
no memory of subjugation...
the cultural Cyclops(es) of the world...

the English are pretty much the same...
they're being invaded: politely:
by their standards...
mosque after mosque reiterations...
the implosions of the greatest empire
the world has ever seen...

what?! i'm like Voltaire... i'm not native:
i write what i see...
this is not an invasion: this is not a polite invasion:
this is not an implosion of the lost
pride and empire?

once ol' Lizzie dies... it's not like...
however many popes and prime ministers she
died will have died...
tyrannical matriarchy...
          
well... if... "if"... john wallis "invented" the lemniscate:
a concept and a compact symbol:
all the same... back in 1655... ∞
who "invented" the number 8 or the letter B?

i know who invented the letter B...
******* with modern feminism and all that
came prior with the Sibyls and Carmenta:
*******: modern woman!
i get my ******* elsewhere...
among women that still want to have some
joy in life... who else?! prostitutes!
no ******! because: we're symbiotic:
hygienic minded people!
   ******* with your
       cluster-****-of-****-*****-scabs!
flaking away... flaking away...
wash... your... *******... hands!

once upon a time women held very
important positions in society...
now? microwave ovens shoved that dream
right up our ***** with 12" ****** sticking
out...
         of course i'm *******!
why wouldn't i be?

     bitter? no... i just enjoy the plethora of emotions
that come with rage and doubt as much
as those that some with the soothing:
mollusk tenderness: melting... ice-cream
of ooh-oops of love...
           but...
                            b-b-b-b-ut...
something's itching me: i just heard
a quake of thunder in the sky through the loud
music playing in my earphones...
i'm on the right track...
           if there's lightning but no thunder...
esp. in the night: i'm suspicious...
but if there's thunder and no lightning:
comfort music... i must be hungry...
i think i'll sacrifice a chicken tow-toe-into-the-night...

(towing, a)

       let's just say: "hypothetically":
"god" created the pristine man... the advocate...
the priest... the "somewhat" and some "other"...
as curator for the basis of ontology..

the rest?! mutations: self-generated prejudices...
the original plan was X...
but the plan morphed and became Z...
there's no point blaming a deity for a lack
of intervention: who would want to entertain
the idea of free will while at the same time
succumbing to a c.c.t.v. "state" (of existence)?

life without effort is not worth living:
but then again: carrying the burden that ought
to be shared equally: for others...
Somalis... the English and their *******
anti-racism mantra: fair enough!
you abolished the slave trade...
fair enough! but now the English are
getting culturally ***** by their lenience!
a people that haven't been subjected
to conquest for a long, long... long time...

they have become: complacent!
   too agreeable! trust-worthy pilots flying to:
**** knows where... not even the seagulls know...
perhaps only in London...
elsewhere perhaps they're as thick-as-custard...
but in my vicinity...
            
a bit like my facebook page...
the "people you may know"... what? stalkers?
why is this coming up?
this website used to be dead for me for a while...
now i'm getting this "issue" with:
"people you may know":
i never used a dating application, but it's starting
to feel like i'm using one...
i'm swiping right sieving through:

uriel darl, souad dharhi, aura huckerthman,
   andressa wangel, yus ningsih, el drema,
gülan meriç(ch), ramina amores, kristina jodzkiene,
angie biada, consuelo siouxe, sulistiawatisetya setya,
Xриcтинa Линчкo (christina linchko),
             unayah naya, goharik javahiryan,
Гaлинa Лaщeнкo (galina lashchenko),
    nilufar shermatova, cecile valeron mmaacv,
Kaтя Пaлий, nelu medina, maryati pujiman,
cida oliv, thaizth mendezt, katell seignoux,
lorena ramirez, taylla kamylla, keyza adelia putri,
kelly martins, emma ryan, carnevale chiara,
douce tusorapas, sonia de flaviis,
              carmen antonela, rosalia delgado,
delpine lafontaine -, cegail rapley,
            ariel alear, aghori aaleem,
                   florine fremont, mary HM,
dorota zarzycka, tayana zakh, megan barfield,
helena maria soares, jan lose, perrine kali-yoga,
annie zhou, angel mawar, sabrina muhlberger
(that's with an umlaut hovering above the "yew"),
sylvie lescan... ****'s sake the list is endless!

i'm bored of listing all the "friend" suggestions...
all of them: women!

don't blame me! blame the algorithm!
i've never seen these women!

     nope... life's not interesting enough to be
fully sober...
not even close... life's make more sense drinking
and typing typos: finding TY-POS...
i don't imply: drinking in your face...
on the street with other winos...
i mean: drinking alone, at night...
   listening to foxes... spotting a rat scuttling...
admiring the moon...
thinking: how does one not write
a Chinese haiku... how does one?

    i'd love to find a woman that could cook
better than me...
i truly: would love to...
keeping the chicken at best the highet
of 165 degrees Fahrenheit...
medium rare beef... hmm... debatable...
145 degrees Fahrenheit is probably my maximum...
****... i think we're questioning 125...

i'm yet to find a woman who's...
pedantic about:
not butchering a piece of beef steak twice...
i can't... butcher a piece of meat twice:
corrupt it with the Arabic tendency
to obscure the fresheness of blood...
and that: stale... yuck... sawdust...
beef overcooked... in the format of steak...
i can't butcher a beef twice:
we know... it's obvious...
the males are segregated for the meat
while the females are kept for the milk...
no irony...
                  
          it was preordained:
no point cowering away from the cruelty
by replacing authentic meat with
vegetable substitutes...
or... synthentic cat-food pseudo-proteins...
or bean-burgers...
i sometimes roam the fields in Essex
and see the horses...
well... aren't you the lucky ones?
shouldn't you be... extinct?!

                   shouldn't they? why would you
need a horse... when you have a bicycle...
when you have a car?!
so... why keep them?
i'd love to pet a horse...
i loved riding horses...
not ******* Lamborghini no
rich boy ******* Ferrari will ever compare
to riding a horse through a forest
at full gallop!

               not even if i were getting a blow-job
in a car... speeding... in those sort of cars...
no... nein nein nein nein!

i'm immune to envy of that sort...
i'm against society as such...
  what?!    Q = ?!
                 isn't the western tradition invested
in individualism?!
                                   q

why would i need a car when living
in London...
when... i can cycle around London and back
in about 5 hours...
take the train to Liverpool St. in about 30 minutes...
i don't have to:
a) think about paying for parking
b) ditto about paying for road tax
c) m.o.t.
d) e) f) g) and any imaginary points
you might conjure...

               now... you give me a horse?
the game changes... i'd love something larger
than the already Maine **** cat that could come
across as a poodle (no, not a puddle)
size-wise...
    i love the coyness of horses...
            they really do require you to become
patient with you...
unlike those ****** of dogs that can immediately
run up to strangers and blah blah tail wiggle
and: whatever...
cats... semi-, on the spectrum...
horses though... brooding *******...
they take oh so long to gain their trust...

i was roaming the fields, the forest at night...
blasted: beyond comparison...
i forgot my apple,
i forgot my cube of sugar...
came across a herd of them...
gave one of them my hand to...
nibble... it nibbled...
then retracted: are you mad!
you're implying i'm readily willing to
eat man-flesh?!
it buckled... glancing my forehead
with its hind hoofs...
"buckled"... no...
the ****** almost knocked me out...
because it started nibbling on my fingers
"thinking" i might have a treat
of an apple in my hand...
massive teeth... buck-tooth...
even more massive hoofs...
    
         i sort of wished he knocked me out...
the last "thing" i would have seen
was the moon...
and the sheen of lubrication
of quicksilver pouring over almost everything...
like a: liquidified mirror...
        just like that: like a liquidified mirror...

how long will this tyranny last?
    i want to be as old as Plato and be as exhausted
as Plato...
and still retaining my heterosexual flaovuring...
of that rancid old man...
until that time comes...
        at my peak: i want to play with my
yo-yo...
                all the women that are interested are
either single mums or married women...
young girls are uninteresting:
i'm not a predator... i'm a herder...
         young girls are boring...
"boring": i.e. unrelatable...
    the sexes have diverged beyond
compensation...
                          funny that:
i'd rather spend an evening with a bottle
of whiskey than with a woman...
with a bottle of whiskey and my own thoughts
than with a woman...
                     even i am struggling to comprehend
this anomaly...
      
why talk? when you can be left alone
foraging for new music?!
akin to keluar's - vitreum?
                        i get the romance part...
but... the plan part i don't get...
   the plan being: i work... i work... i have no socks...
i pretend to have underwear...
i work... i work... i do overtime...
i come back home and... and...
     who does the cooking?! i hate her cooking!
she always overcooks the pasta!
she under-seasons the sauce!
                she can't do **** with yeast!
i make my own pizza... i cook my own food...
i get the romance aspect being sold:
but... what's the plan?!

           she already has children by some
other ****-wit...
i get the romance bit... but... what's the plan?!
i can cough up: pretty much all of my earnings for
her and her *******... i can make concessions...
by then: there's the plan...
but there's no longer the romance...

by now:
do i really want more? than simply a bed to sleep in?
can life afford me
any emotional adventure?
do i want it?
              i like my own company
too much to let anyone share it with me...
not out of a feeling of superiority...
just out of necessity... almost god-like...

         habitually: i'm just not used to having
people increment the details of my personal life...
i like them: behind a membrane...
a niqab...
                 i don't care where you put them:
i just dont want them near me!
except for the children and the animals...
i could spend an eternity with these two
classifications...

                 one night with Sharon Stone...
when Sharon Stone was Sharon Stone
and when te 1980s where the 1980s...
she just reminds me of: Samantha....
kissing Milena..
            
                               i really miss these girls..
i hope they forget me
with a burning: sensation ...

history will not be kind to us...
we'll be a laughing-stock of the ages...
let us pass.... let us pass:
into the lava lamp of Hades.
Sarà un cielo chiaro.
S'apriranno le strade
sul colle di pini e di pietra.
Il tumulto delle strade
non muterà quell'aria ferma.
I fiori, spruzzati
di colori alle fontane,
occhieggeranno come donne
divertite. Le scale
le terrazze le rondini
canteranno nel sole.
S'aprirà quella strada,
le pietre canteranno,
il cuore batterà sussultando
come l'acqua nelle fontane -
sarà questa la voce
che salirà le tue scale.
Le finestre sapranno
l'odore della pietra e dell'aria
mattutina. S'aprirà una porta.
Il tumulto delle strade
sarà il tumulto del cuore
nella luce smarrita.

Sarai tu - ferma e chiara.
Sarà un cielo chiaro.
S'apriranno le strade
sul colle di pini e di pietra.
Il tumulto delle strade
non muterà quell'aria ferma.
I fiori, spruzzati
di colori alle fontane,
occhieggeranno come donne
divertite. Le scale
le terrazze le rondini
canteranno nel sole.
S'aprirà quella strada,
le pietre canteranno,
il cuore batterà sussultando
come l'acqua nelle fontane -
sarà questa la voce
che salirà le tue scale.
Le finestre sapranno
l'odore della pietra e dell'aria
mattutina. S'aprirà una porta.
Il tumulto delle strade
sarà il tumulto del cuore
nella luce smarrita.

Sarai tu - ferma e chiara.
Dolce e chiara è la notte e senza vento,
E queta sovra i tetti e in mezzo agli orti
Posa la luna, e di lontan rivela
Serena ogni montagna. O donna mia,
Già tace ogni sentiero, e pei balconi
Rara traluce la notturna lampa:
Tu dormi, che t'accolse agevol sonno
Nelle tue chete stanze; e non ti morde
Cura nessuna; e già non sai né pensi
Quanta piaga m'apristi in mezzo al petto.
Tu dormi: io questo ciel, che sì benigno
Appare in vista, a salutar m'affaccio,
E l'antica natura onnipossente,
Che mi fece all'affanno. A te la speme
Nego, mi disse, anche la speme; e d'altro
Non brillin gli occhi tuoi se non di pianto.
Questo dì fu solenne: or dà trastulli
Prendi riposo; e forse ti rimembra
In sogno a quanti oggi piacesti, e quanti
Piacquero a te: non io, non già ch'io speri,
Al pensier ti ricorro. Intanto io chieggo
Quanto a viver mi resti, e qui per terra
Mi getto, e grido, e fremo. Oh giorni orrendi
In così verde etate! Ahi, per la via
Odo non lunge il solitario canto
Dell'artigian, che riede a tarda notte,
Dopo i sollazzi, al suo povero ostello;
E fieramente mi si stringe il core,
A pensar come tutto al mondo passa,
E quasi orma non lascia. Ecco è fuggito
Il dì festivo, ed al festivo il giorno
Volgar succede, e se ne porta il tempo
Ogni umano accidente. Or dov'è il suono
Di què popoli antichi? Or dov'è il grido
Dè nostri avi famosi, e il grande impero
Di quella Roma, e l'armi, e il fragorio
Che n'andò per la terra e l'oceano?
Tutto è pace e silenzio, e tutto posa
Il mondo, e più di lor non si ragiona.
Nella mia prima età, quando s'aspetta
Bramosamente il dì festivo, or poscia
Ch'egli era spento, io doloroso, in veglia,
Premea le piume; ed alla tarda notte
Un canto che s'udia per li sentieri
Lontanando morire a poco a poco,
Già similmente mi stringeva il core.
Jonathan Moya Sep 2020
Let me swap your window view with mine.
Better yet, let me open a new window
anywhere in the world:

Swap my clouds with the widow Lotta
that delights in the sight of six boys skipping
on the edge of an Amsterdam canal

who then furtively disappear into
the dark wide open doors of the
*** Palace Peep show across the street.

Swap my lonely rainy sky with Bess the
matronly Cotswold poet courting Badgers
to fight over tossed scraps of Savory Pie.

Swap my lulling dark with Akhenaten
gazing at the sacred African ibis as they
chant and soar over the Pyramids of Giza.

Exchange my blue with Jean Paul
watching yellow turn red to gray night
in time-lapse from his Cassis maison.

Barter my coffee for Rakesh’s tea
and his Hindi copy of the Yajur Veda like
a still life posed on a blue  window ledge.

Ransom unbargained Chiara’s Roman tableau
in red clay tiles surrounding a blood bell tower
beautiful enough for a young Da Vinci’s pastels.

Exchange breaths with Kiko as she panics
when a Tokyo bullet train convulses through,
a reminder of both our unstable lives,

Until memories of Mary dancing in the  
downpour of a Manhattan summer shower
fall through the hospitals, the last goodbyes—

until there I am, a scared little boy
starring out my bedroom window
awaiting dawn for another chance

to splash in the blue blue kiddie pool,
walk in the un-paned grass, shouting
to the white sky that follows me always.
Dolce e chiara è la notte e senza vento,
E queta sovra i tetti e in mezzo agli orti
Posa la luna, e di lontan rivela
Serena ogni montagna. O donna mia,
Già tace ogni sentiero, e pei balconi
Rara traluce la notturna lampa:
Tu dormi, che t'accolse agevol sonno
Nelle tue chete stanze; e non ti morde
Cura nessuna; e già non sai né pensi
Quanta piaga m'apristi in mezzo al petto.
Tu dormi: io questo ciel, che sì benigno
Appare in vista, a salutar m'affaccio,
E l'antica natura onnipossente,
Che mi fece all'affanno. A te la speme
Nego, mi disse, anche la speme; e d'altro
Non brillin gli occhi tuoi se non di pianto.
Questo dì fu solenne: or dà trastulli
Prendi riposo; e forse ti rimembra
In sogno a quanti oggi piacesti, e quanti
Piacquero a te: non io, non già ch'io speri,
Al pensier ti ricorro. Intanto io chieggo
Quanto a viver mi resti, e qui per terra
Mi getto, e grido, e fremo. Oh giorni orrendi
In così verde etate! Ahi, per la via
Odo non lunge il solitario canto
Dell'artigian, che riede a tarda notte,
Dopo i sollazzi, al suo povero ostello;
E fieramente mi si stringe il core,
A pensar come tutto al mondo passa,
E quasi orma non lascia. Ecco è fuggito
Il dì festivo, ed al festivo il giorno
Volgar succede, e se ne porta il tempo
Ogni umano accidente. Or dov'è il suono
Di què popoli antichi? Or dov'è il grido
Dè nostri avi famosi, e il grande impero
Di quella Roma, e l'armi, e il fragorio
Che n'andò per la terra e l'oceano?
Tutto è pace e silenzio, e tutto posa
Il mondo, e più di lor non si ragiona.
Nella mia prima età, quando s'aspetta
Bramosamente il dì festivo, or poscia
Ch'egli era spento, io doloroso, in veglia,
Premea le piume; ed alla tarda notte
Un canto che s'udia per li sentieri
Lontanando morire a poco a poco,
Già similmente mi stringeva il core.
Presso il rudere un pezzente
cena tra le due fontane:
pane alterna egli col pane,
volti gli occhi all'occidente.
Fa un incanto nella mente:
carne è fatto, ecco, l'un pane.
Tra il gracchiare delle rane
sciala il mago sapiente.
Sorge e beve alle due fonti:
chiara beve acqua nell'una,
ma nell'altra un dolce vino.
Giace e guarda: sopra i monti
sparge il lume della luna;
getta l'arti al ciel turchino,
baldacchino
di mirabile lavoro,
ch'ei trapunta a stelle d'oro.
Presso il rudere un pezzente
cena tra le due fontane:
pane alterna egli col pane,
volti gli occhi all'occidente.
Fa un incanto nella mente:
carne è fatto, ecco, l'un pane.
Tra il gracchiare delle rane
sciala il mago sapiente.
Sorge e beve alle due fonti:
chiara beve acqua nell'una,
ma nell'altra un dolce vino.
Giace e guarda: sopra i monti
sparge il lume della luna;
getta l'arti al ciel turchino,
baldacchino
di mirabile lavoro,
ch'ei trapunta a stelle d'oro.
Sulla chiara aderenza del suo viso
dove balena il ritmico, selvaggio,
sentimento dell'alba
mentre della notturna s'addolora
quiete silvestre e cinge a dominare
il boato del tempo la più cauta
trepida luce, salgono veloci
i profili irrequieti del destino.

Mirabile linguaggio che trascorre
dalle limpide acque alla vibrata
forza dell'inumana profezia!

Ora nell'ampia conca dell'eremo
un soffuso candore si raccoglie
dalle acque sui rami ed accompagna
di cenni lacrimevoli il congedo.
Sulla chiara aderenza del suo viso
dove balena il ritmico, selvaggio,
sentimento dell'alba
mentre della notturna s'addolora
quiete silvestre e cinge a dominare
il boato del tempo la più cauta
trepida luce, salgono veloci
i profili irrequieti del destino.

Mirabile linguaggio che trascorre
dalle limpide acque alla vibrata
forza dell'inumana profezia!

Ora nell'ampia conca dell'eremo
un soffuso candore si raccoglie
dalle acque sui rami ed accompagna
di cenni lacrimevoli il congedo.

— The End —