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Kelly Weaver Oct 2018
the feeling of unwanted fingertips tends to wash over my skin in the same manner that the cold washed over yours
but heat transfers, or lack-there-of.
it was in this way that i became sick,
or maybe the smoke i've filled my lungs with had finally done me in.
i drank cough syrup either way.
i guess i was unaware at the time, but the smell of cherries was what did me in.
cherries, and i felt your hands once again
cherries, and my breathing nearly stopped all at once
cherries, and my hands began to tremble so violently that i dropped the bottle.
cherries, as i leaned over the toilet throwing up sticky sweet memories
cherries, as i drew further and further into myself and, subsequently, closer into your arms
cherries, as my eyes dried from the excessive tears and i could no longer manage any noise.
cherries, as your cold transferred into me and your hands clenched around my wrists
cherries, as the entire weight of your body was laid on top of mine
cherries, and i couldn't move, i couldn't scream, i couldn't see
cherries, as your voice echoed in my mind, preventing me any relief from this nightmare,
cherries.

no, not even the simplest of coughs could find relief under such strain.
because my cough syrup smelled like your red slushee vape juice,
i froze. and i couldn't pick myself up again
i couldn't front the storm, i couldn't slip you into my pocket
i couldn't put you on the back burner.
i couldn't erase you from my mind no matter how many times i tried i couldn't wipe you off of my skin no matter how hard i scrubbed
i couldn't close my eyes without hearing your voice telling me to stay still i cant stop smelling your ******* red slushee vape juice because the scent accompanies every panic attack and every breakdown.
and i sure as hell couldn't stop the blood from flowing once it had started.
the stress that made it hard to breathe had gotten to you, inside of me
and there was so much blood.
the doctor said it was normal for it to be about the same consistency as cherry cough syrup.

i can't drink it anymore.
you don't deserve to know what you did to me.
Poetic T Apr 2017
I live in the basement, never venturing
upon those stairs, I hear her voice...
"Come up and see me its been to long,
Holding my ears singing my favourite song
repetitively until she is drowned out of
my thoughts. rocks tied to her voice as it
sinks out of view.

I use the stairs that open to the outside,
Lingering looking at this place I called home.
Venturing in the old ford, she lets me drive
it when food is but breadcrumbs and eggs
old enough to birth the dead fetes of a partly
grown bird. I look out though a ***** window
screen, this trip takes two hours each way.

I always wonder if my bald tyres are ever
noticed, but I'm not hindered by the thoughts
of this. So much to see when driving in solitude.
I stop at the side of the road picking cherries,
I slump them in the boot. I may eat upon this
morsel or just hang them outside watching
them swaying in the gentle breeze.

My father just looks out the window.
Doesn't talk much these days his eyes are sunken
like the titanic splintered between two pools.
I move his chair and his arm falls at his side.
collecting it, I put him palms resting on a blanket
He's so gaunt now, he was a strong man now but a shadow.

I look at those cherries lingering above the ground,
shaded from just picked to becoming spoilt, but i
just leave them swaying the aroma fills lungs with
life's eroding perfume, I breath it deeply within.
This is my home, "she never calls me for dinner anymore,
I just make my own, the washing up is festering in
my ignorance, like a garden of petrification flowering.

Saying bye to my dad, I get in the old ford.
Its time to pick some fresh cherries, the tree
is looking unkempt. Its blossom is in honour
of a mother, I hang them all there. My
Mother hung there for a long time ,but she's
long gone. So I bring other cherries to the tree
to show that she'll never be forgotten....
Part of my serial killer series
nellie May 2019
have you ever tasted cherries on warm summer nights?
the cherries that sparkle when you bite,
that drip down your lips
melting with the slick of your tongue.
cherries,
high up the trees, unattainable, beautiful.
cherries
that for a moment relieve you of your deityless existence.
I ,too , have met someone
unattainable, beautiful, high up in the trees
a dancer
with subtle glances at her own posture
as she pursues her lip
and tips her feet forward
as she moves to the beat
of life
her breath tucked in
making sure that every muscle is
attentive
her nerves singing and
her gaze
oh the gaze of someone of lustrous
cherries
held tightly to yours never letting go
oh those twisted violets
like the deepest of blue
waters
unattainable far away
in a distant land the darks of
iceland
the rocks that perk up high mountains
that rise up to the skies and tell you
no
the stormy winter nights that hodl tightly on
and never let go and
her that sits barely glancing your way as you conjure up memories and
imaginations of her of stormy days
of the clouds that waver over your face
that do not let you go.
She is all that she is intense.
She is mystical
out of this world
not one to know not one to be whispered to, beauty she is.
aphrodites daughter.
Even if she is unknown to you
the world knows of her. For she screams
she screams and is grabbed the attention of
7 billion. she is
a haunting memory.
The touch of a spell that binds you into
horror filled
trenchuous nightmares.
And when He
holds her it crushes your very being
you cannot breathe cannot see cannot be
you are all hers
you are devoted
you have become the very essence of Her
You cannot seem to look away.
She exists ingrained into your eyes
as you close them
in your dreams enchanted
into your heart
she is the mystical of the world
the fairy tales told by generations
of generations,
my love.
whom i devote so strongly to
whos cherry picked stares
fumble up into a
no.
I am a meer mortal in her presence
not one able to make her smile
trying to get an ounce of her attention
of her anything,
her everything
Please be mine
please be mine
please be mine
          you chant
But you know He is there.
The **** the wilderness wolf, cheating abyss. He has done her wrong but
she does not see her as she dances the gentle way she moves
black swan
blue dozens
the galaxies
containing the answers we have seeked
she does not look at you
you are invisible
but
He does not see Her for who she is
a painting
a beauty
out of this world
she is not mine.
not my best work . but very intense
After many lost and half-won battles,
I never thought it would come to this.
I know your bliss and know your burdens,
Do not put me on your list!

I'm not giving up, I'm rearranging.
Towards you, I'd never be remiss.
I love you so much, I let you go,
And off I will ride, blowing a kiss!

I've fought so hard to climb your rankings,
I've cried many tears and slammed my fists.
When you run away, I will be thanking
That you gathered enough sense to abandon ship!

I love people who've moved me down
Or even crossed me off completely.
If I don't provide you with any fulfillment,
Why on earth would you not delete me?

Where you're on my list is a secret,
Do not take that into account.
Consider only how you're treated
And let your list battle it out!

I never want to outrank you,
Your academics, or your friends.
And if you're lustful, as I imagine,
I could never quite outrank ***!

Sometimes for you, they come in twos,
A two for one deal, so to speak.
You identify a perfect specimen,
Disclaimer; it is not me.

Anyway, this beautiful human,
Might have some *** appeal and more!
I realize you'll see them as having everything,
And rework your list in an attempt to score

I've seen such changes, such drastic switches,
When physical connection's on the line!
You cling to dreams, you make many wishes,
But this? Oh, well, never mind.

Regardless, don't make your list shared,
Like a group project google doc.
Only you can make the edits!
And make edits, don't ever stop!

Follow your ambitions, do what you want,
Travel, love, sing, and dance!
Study hard, go to the gym,
And give your wildest dreams a chance!

I was once a list climber,
I'd walk right up and say add me!
I'd walk right up and say higher!
I'd walk right up, but now I'm free!

Your list is on you! Take responsibility!
Don't let any list climbers climb!
Move them around like little cherries,
But don't you think of touching mine!

Some list cherries will be quite ripe,
And some rare ones stay ripe forever,
Some are rotten through the spine,
But they might hide it to be clever!

The scariest of all the cherries
Are those who look good, but contain
Poinsonous juices and false fairies,
To choose to be one is insane!

But rotten cherries need not worry,
For these cherrries can learn self control.
Once they realize their toxic nature,
They can completely reverse their goal!

Move up a list? They instead attempt
To hide away and be avoided.
I, my friend, am one of those cherries!
Do not drink my poison!

It's said that there are some brave souls,
Who would sip poison every day
Just to get closer with these cherries
And immunize themselves day by day!

And then, once their immunity stabilizes,
They'd move these cherries up the list!
This challenge is not to be taken lightly,
And it goes awry whenever it is!
Trust me, for some have drank my poison,
And they never want to see me again!

Be patient Nick, my therapists say,
Brave souls will wow you off your feet,
They'll drink your poison easily
And ask you when you're free to eat!

It's not easy to let me fool you,
It's not easy to try to not hide,
But don't be worried! I won't trick you!
I'll just show you what's inside.

And add me to your list? You'll know,
This would clearly be a gainless act
I love to love you so much and want what's best,
Thank goodness for my caring tact!

I can't believe I was a climber!
I'm so sorry world, never again!
And this poem is just a reminder
About how your wishes to list me should end.

The pity add is quite common,
Let climbers climb, they'll never know
That their addition to the list is false!
You take these climbers and their hopes

And raise them up and slam them down
Once they get too close to you!
How do I know this viscious pattern?
I have been pity added too!

Desperate times, desperate measures,
You hope to placate a climber's drive,
You think your attention is their treasure,
And will them to plainly survive!

It's a long way up and a long way down
When you are upon someone's list.
When you think upon your items,
Think long and use a steady wrist!

After many lost and half-won battles,
I never thought it would come to this.
I know your bliss and know your burdens,
Do not put me on your list!
It's about priorities
Jacob Oct 2018
smelly cherries
taste quite subtle
Like stale dr. pepper
With no fizz

One Thursday
In a dream  
Stinky cherries spoke to me
Do not eat us!
Or we eat humans
Said they
But I like smelly cherries
And I continued to eat those
Plump
Subtle
Crimson
Soft
Juicy
Cherries
Until next Wednesday
They squeezed past my door
Walking foot by foot
With big mandibles
For chomping humans
And I scream
Don’t eat me!
But they speak
Cherrinese
So i cry to myself
Goodbye
As the smelly cherries
Eat me alive
KM Oct 2013
I don’t know when but one day past,
I preserved our love so it would last.
Jars of cherries and pears line the case
Our love hidden in its secret place.

Over time the room grew musty,
I used the pears and cherries thusly,
I left the room dim and quiet
Then soon forgot what I left inside it.

After weeks or months or years,
I find myself searching again in here.
I’ve forgotten what I lost,
But I will find it at any cost.

In a nook, I spot a single jar
Hidden in dust as thick as tar,
I approach it slowly without fear
Recalling now what I stored here.

I wiped the grunge and twisted the cap
Stopped a moment, taken aback.
Our love escaped and dissipated
I grab the air as if to save it.

I throw the grimy jar to the ground,
Burn it to guarantee it won’t be found.
I close the room and turn the lock,
My wooden heart begins to knock.

I light a match and don’t look back
Gasoline drowns the past.
The pears and cherries are now homeless
Thrown to the street without notice.
CJ M May 2016
Winter cherries
My heart is one of warmth and color, but a rarity in all aspects.
Like winter cherries
Sweetheart swarms in sudden bursts of imagination, stopping my heart and purifying the air with each breath she takes.
Never has the silence sounded so sweet as when it comes from her.
Never has invisibility been so noticeable as when she does it.
Never will I be able to share or distribute such a purity as she has.

Her chill is so obvious that there are no boundaries to the conversations we inaugurate. We ride the waves of giggles and chuckles that we form, playful arguments made and led into deeper conversations never finished.
I love the way we converse like buddies yet everything about us speaks of distant strangers. I wonder does she feel the same.
It’s something in the way her voice shakes or the way her eyes dart through mine when she looks at me. It’s something about the way she smiles in a way that shows she’s fighting it.
It’s her personality
It’s who she is.
And I’m shocked to say that I’m being struck down by her energetic placidity.
I wonder more about her than any other possible that I’ve ever known. I think of what she’s like and how she’d treat me if she knew me more. I wonder what I look like in her mind and what I look like out of her mind as well. I wonder how much she thinks about me, if at all. And the only answer I get is that of cherries in calmed snowstorm
Stems filled with white crystals as light as air itself when alone, yet at the collected fruit they weigh tons.
Falling in slow motion as the last crisp it could bare falls to a rest on its ruby red outer shell.
Frozen in air as I walk past and see it. Only wondering how long it should stay before it succumbs to the inevitability of gravity.
And her voice cracks my concentration.
It falls.
But no noise shall it make, it shall stay as quiet as the snow itself and remain a music in my mind.
The befalling of her voice
The falling of winter cherries.
Caroline Grace Jul 2014
As an offering of peace
she brought him cherries
to sweeten the tense air.

Plump black cherries
mouthwateringly ripe,
polished to perfection.

'Shall I come with my brimming bowl?'
she asked.
'Shall we selfishly gorge in secret before
they are over?'

Desiring her sweetness
he feathered her with kisses,
dropped the blind against
a flaming sun and callers-
yielded to sweetness.

Sweet her cherried fingers,
sweet her skin, her lips,
her tongue.

She plied him with cherries,
fed his desire stalk after stalk,
the whole room burnished
with passion.

When twilight seeped in,
they lay cherry - heavy,
clinging to sweetness.

'The secret is ours, he teased,
thoughts turned towards
a handful of dropped,
forgotten stones.
Amy Perry Aug 2013
Cherries are sweet
Yes, it's true
But damaged ones are
So sweet too
They may look unhappy
Or maybe scary
But tarnished cherries are
One I would marry.
Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
Life for me has been no crystal stair.
No steps of marble, granite or gold lay apt for my ascension.
No—I have climbed through thickets and thorns.
I have persevered—I have triumphed.
Yet it seems, despite these hardships,
life has always afforded me second chances.
The delicacy of my actions,
the sensitivity of negative repercussions
scarcely affected my younger self.

Opportunities always seemed to present themselves.
Though money and its evils have graced my experience,
my soul remains relatively innocent and refined.

Though I have, on past occasions,
become enveloped in the physical substance,
I quickly learned the long term suffering that these ideations efface
far out-shadows the temporary pleasure of the immediate.
I have overcome afflictions both physical and mental,
and lingered in the pleasure of remission.
Quickly to be reminded how easily diseases can emerge
when disregarded.

I’ve learned that of all things in life—
love, above all, deserves attention and sentiment.
Love, with all its purities and imperfections,
more often fruitlessly sought after than easily attained.
Love, above all other things, cannot be imitated, falsified or forged.
And though I spent some years deprived of this blessing,
I am none the more depraved for it.

I am lucky to say that I have loved.
My heart, delicately and handsomely entwined with another.
And that I am loved in return is a blessing beyond bounds.
Adoration and all its accompaniments are the greatest treasure in a lifetime.
For, what are treasures worth without anyone to share them with?
Any other accomplishments and joys are devalued without companionship.
And indeed, a faithful companion is most appreciated in times of hardship—
the throes, truncheon and tribulation of the everyday
faced alone can prove debilitating.

A great man once said “Life is a bowl of cherries.”
It took many years for me to understand the full meaning of this declaration.
But now I understand—
that each of us reachs into life,
like we reach into a bowl of cherries.
We know not whether what we receive
will be pitted and bitter
or sweet and juicy.
We will not know;
we cannot know,
not until we take a bite.
And if there is anything I have learned
it is to live and let live.
It is to reach into life, unbridled yet controlled,
with morals and constraint
and yet bereft of the fear of outcome:
the guilt of the past,
the impeccable omnipotent pressure of the present,
the trepidation of the future,
and the transience between the three.
The acceptance of this passage through time:
aging,
learning,
making mistakes,
making new mistakes,
loving:
this is how to live.
For, if we fear time,
which we cannot control,
we will always be afraid.
To live a life afraid is to embrace hardship.
Any semblance of hope or happiness
is abandoned with the acceptance and embrace of fear,
for fear, without use or cause
is the impetus of great misjudgment and injury.
We must, to avoid this,
relish in moments of happiness
and string them together
with the constant felicity and solace of companionship.
Colten White May 2015
Her cherry wood hair,
and rosy blossom cheeks,
combine to make a dear so sweet.
Moments with her are cherries of time,
nectarous instances,
an oh so fulfilling fruit.
May 4, 2015
Olive Sep 2010
I'll never forget the first time I saw your cherries
Who'd have thought I would be so attracted to some berries
As I wandered aimlessly from scene to scene
from the weird to the wonderful, to the  grossly obscene.

Then I happened upon this beautiful sight
Suddenly all around me was so still and so quiet
Never before had I had such a feeling
from a piece of art that was more than appealing

What seemed like a thousand cherries, here before my eyes
lovingly depicted by an artist more than wise
A painting of fruit had taken on a new dimension
One that could easily remove all tension

Each tiny little sphere, with a life of their own
had come to live in this new little home
some with shadows, some with shine,
once fresh and growing wild, now were mine.

I wanted to dive right in, to be in the midst of all sin
Enveloped in a strange sensation, would bring much elation
To hide beneath all this red, or to lay on top of this bed
and close my eyes and take a deep breath
I would die happy, if this last breath, brought death
Wrote while looking at artist Lisa Keegan's painting of Cherries, has to be seen!!
SamanthaW Aug 2015
Bees were swarming around the eastern
shallow end, a warning that the cherries
are deepened and smattering
the pond's bank with nature's jam,
the small tree a joy to the family, but
nobody around much now to keep them
picked and eaten.
The snapping turtles have had their fill
of the cherries and basked lazily in the
center of the deep end, at least two of them
and as I'm a frequent friend, they stationed
amiably as I walked, picked up and threw
grasshoppers to the fish in the water.
The spiders will appear in proportion soon
to the apples growing on three trees
at the edge of the woods, about 40 feet
south of the pond, with a jut of the creek
in between them.
Every year I get my sweet fill of those apples,
planted 50 years ago or so by my great-grandfather,
don't know what they are, maybe Braeburn,
judging by their mottled colors of red and yellow.
written prosaic as inspired by Henry David Thoreau <3
also including fishies and spiders
Marsha Singh Dec 2010
Fresh cherries, just washed— 
beads of ruby strewn across
white bowl's shiny gloss—

dainty stems crisscrossed.
Happy New Year to all who create beauty with words and moments of hope. Thank you for sharing and new roads with a thin pen.

The Girl with the Cherries

The girl
who used to open
the markets
and lock the day.
The girl with the cherries
is flying away…
And they soared
like rainbows.
The traders’ faces
stretched.
The passers by
sank their hearts.
And somebody
smiled,
gathered the pastels
and went on.


The original:

Момичето с черешите

Момичето,
което отключваше
пазарите
и заключваше деня.
Момичето с черешите
полита ...
И те се вдигнаха
като дъги.
Лицата на търговците
се удължиха.
Минаващите
спряха си сърцето.
А някой
се усмихна,
прибра пастелите
и продължи.


Преводач Български-английски: Савова Vessislava
rarebird
© bogpan - всички права запазени
Mallory Michaud Dec 2018
Have you ever felt fear
So strong
It made you
stop
&
Turn
&
Run?

You’re running and hear
The heat
Whispering against your neck
Bleeding
Into your cheeks and the tips of your ears
Cherry stained
Anxiety
Cherries, red and fat and sickly sweet
Force themselves up your throat

You’re running in shoes
That aren’t meant for running
Down the sidewalk past the midnight hour
You make a biker stop and stare
He asks you something
But you’re too busy unzipping the air and
Flying
Through it
Trail of cherries behind you.

You’re running
Across the street
And you feel your hands fall off
And then come your toes
You lose an arm
And then it’s twin
Your whole torso
And hips
Left on the double yellow line
You’re just a head and legs
Cherries spilling like rubies
From your lips

You’re running
And running
and running
Until you only feel cherry seeds
On your tongue
Only seeds between your teeth
No more cherries
Your legs become red silk ribbon and you pick a tree as tall as heaven to
Collapse under.

You stopped running.
You wring the cherry juice out of your sweater
Lick it off your fingers,
Wipe it out of your eyes.
Your legs grow back into legs
And you collect your
pieces and parts
on the walk back.
Follow the trail of smushed squished cherries

You pick one up
put it in your mouth
Sour as battery acid
You swallow it whole
And go back to your essay
On rhetoric.

-spring sprung a leak, and there’s no stopping her
Searich Mar 2012
Lunch for two,
At Metropolitan,
Two ***** Martini’s,
Cheese stuffed olives,
‘Level One’ *****,
Lunch side by side,
Your birthday celebration.
‘Cherries Jubilee’,
Finished,
Our day being ‘us’.
Joslin Jones Apr 2015
"You are twisted
and your tongue permanently tastes of cherries." -
you say,
but I just tie cherry knots
with my fruit-infused tongue,
and laugh at your complaints.
Red neon numbers remind me
of your lips on mine.
Gripping at the empty side of the bed,
wishing I were somehow still in your head.
You and I were similiar and collided
in coexisting lives.
I can see a jaw drop
the hand moving south
as if to slip into the knife drawer
of a total solar eclipse.
Six shots deep so I could forget your name,
and all of the reason I love you.
Instead I sat there
with him,
(not you)
crying over cherry stems.
Victor D López Dec 2018
Victor D. López (October 11, 2018)

You were born five years before the beginning of the Spanish civil war and
Lived in a modest two-story home in the lower street of Fontan, facing the ocean that
Gifted you its wealth and beauty but also robbed you of your beloved and noblest eldest
Brother, Juan, who was killed while working as a fisherman out to sea at the tender age of 19.

You were a little girl much prone to crying. The neighbors would make you cry just by saying,
"Chora, neniña, chora" [Cry little girl, cry] which instantly produced inconsolable wailing.
At the age of seven or eight you were blinded by an eye Infection. The village doctor
Saved your eyesight, but not before you missed a full year of school.

You never recovered from that lost time. Your impatience and the shame of feeling left behind prevented
You from making up for lost time. Your wounded pride, the shame of not knowing what your friends knew,
Your restlessness and your inability to hold your tongue when you were corrected by your teacher created
A perfect storm that inevitably tossed your diminutive boat towards the rocks.

When still a girl, you saw Franco with his escort leave his yacht in Fontan. With the innocence of a girl
Who would never learn to hold her tongue, you asked a neighbor who was also present, "Who is that Man?"
"The Generalissimo Francisco Franco," she answered and whispered “Say ‘Viva Franco’ when he Passes by.”
With the innocence of a little girl and the arrogance of an incorrigible old soul you screamed, pointing:

"That's the Generalissimo?" followed up loud laughter, "He looks like Tom Thumb!"
A member of his protective detail approached you, raising his machine gun with the apparent intention of
Hitting you with the stock. "Leave her alone!" Franco ordered. "She is just a child — the fault is not hers."
You told that story many times in my presence, always with a smile or laughing out loud.

I don't believe you ever appreciated the possible import of that "feat" of contempt for
Authority. Could that act of derision have played some small part in their later
Coming for your father and taking him prisoner, torturing him for months and eventually
Condemning him to be executed by firing squad in the Plaza de Maria Pita?

He escaped his fate with the help of a fascist officer who freed him as I’ve noted earlier.
Such was his reputation, the power of his ideas and the esteem even of friends who did not share his views.
Such was your innocence or your psychic blind spot that you never realized your possible contribution to
His destruction. Thank God you never connected the possible impact of your words on his downfall.

You adored your dad throughout your life with a passion of which he was most deserving.
He died shortly after the end of the Spanish Civil War. A mother with ten mouths to feed
Needed help. You stepped up in response to her silent, urgent need. At the age of
Eleven you left school for the last time and began working full time.

Children could not legally work in Franco’s Spain. Nevertheless, a cousin who owned a cannery
Took pity on your situation and allowed you to work full-time in his fish cannery factory in Sada.
You earned the same salary as the adult, predominantly women workers and worked better
Than most of them with a dexterity and rapidity that served you well your entire life.

In your free time before work you carried water from the communal fountain to neighbors for a few cents.
You also made trips carrying water on your head for home and with a pail in each hand. This continued after
You began work in Cheche’s cannery. You rose long before sunrise to get the water for
Home and for the local fishermen before they left on their daily fishing trips for their personal water pails.

All of the money you earned went to your mom with great pride that a girl could provide more than the salary of a
Grown woman--at the mere cost of her childhood and education. You also washed clothes for some
Neighbors for a few cents more, with diapers for newborns always free just for the pleasure of being
Allowed to see, hold spend some time with the babies you so dearly loved you whole life through.
When you were old enough to go to the Sunday cinema and dances, you continued the
Same routine and added washing and ironed the Sunday clothes for the young fishermen
Who wanted to look their best for the weekly dances. The money from that third job was your own
To pay for weekly hairdos, the cinema and dance hall entry fee. The rest still went to your mom.

At 16 you wanted to go to emigrate to Buenos Aires to live with an aunt.
Your mom agreed to let you--provided you took your younger sister, Remedios, with you.
You reluctantly agreed. You found you also could not legally work in Buenos Aires as a minor.
So you convincingly lied about your age and got a job as a nurse’s aide at a clinic soon after your arrival.

You washed bedpans, made beds, scrubbed floors and did other similar assigned tasks
To earn enough money to pay the passage for your mom and two youngest brothers,
Sito (José) and Paco (Francisco). Later you got a job as a maid at a hotel in the resort town of
Mar del Plata whose owners loved your passion for taking care of their infant children.

You served as a maid and unpaid babysitter. Between your modest salary and
Tips as a maid you soon earned the rest of the funds needed for your mom’s and brothers’
Passage from Spain. You returned to Buenos Aires and found two rooms you could afford in an
Excellent neighborhood at an old boarding house near the Spanish Consulate in the center of the city.

Afterwards you got a job at a Ponds laboratory as a machine operator of packaging
Machines for Ponds’ beauty products. You made good money and helped to support your
Mom and brothers  while she continued working as hard as she always had in Spain,
No longer selling fish but cleaning a funeral home and washing clothing by hand.

When your brothers were old enough to work, they joined you in supporting your
Mom and getting her to retire from working outside the home.
You lived with your mom in the same home until you married dad years later,
And never lost the bad habit of stubbornly speaking your mind no matter the cost.

Your union tried to force you to register as a Peronista. Once burned twice cautious,
You refused, telling the syndicate you had not escaped one dictator to ally yourself with
Another. They threatened to fire you. When you would not yield, they threatened to
Repatriate you, your mom and brothers back to Spain.

I can’t print your reply here. They finally brought you to the general manager’s office
Demanding he fire you. You demanded a valid reason for their request.
The manager—doubtless at his own peril—refused, saying he had no better worker
Than you and that the union had no cause to demand your dismissal.

After several years of courtship, you and dad married. You had the world well in hand with
Well-paying jobs and strong savings that would allow you to live a very comfortable life.
You seemed incapable of having the children you so longed for. Three years of painful
Treatments allowed you to give me life and we lived three more years in a beautiful apartment.

I have memories from a very tender age and remember that apartment very well. But things changed
When you decided to go into businesses that soon became unsustainable in the runaway inflation and
Economic chaos of the Argentina of the early 1960’s. I remember only too well your extreme sacrifice
And dad’s during that time—A theme for another day, but not for today.

You were the hardest working person I’ve ever known. You were not afraid of any honest
Job no matter how challenging and your restlessness and competitive spirit always made you a
Stellar employee everywhere you worked no matter how hard or challenging the job.
Even at home you could not stand still unless there was someone with whom to chat awhile.

You were a truly great cook thanks in part to learning from the chef of the hotel where you had
Worked in Mar del Plata awhile—a fellow Spaniard of Basque descent who taught you many of his favorite
Dishes—Spanish and Italian specialties. You were always a terribly picky eater. But you
Loved to cook for family and friends—the more the merrier—and for special holidays.

Dad was also a terrific cook, but with a more limited repertoire. I learned to cook
With great joy from both of you at a young age. And, though neither my culinary skills nor
Any aspect of my life can match you or dad, I too am a decent cook and
Love to cook, especially for meals shared with loved ones.

You took great pleasure in introducing my friends to some of your favorite dishes such as
Cazuela de mariscos, paella marinera, caldo Gallego, stews, roasts, and your incomparable
Canelones, ñoquis, orejas, crepes, muñuelos, flan, and the rest of your long culinary repertoire.
In primary and middle school dad picked me up every day for lunch before going to work.

You and he worked the second shift and did not leave for work until around 2:00 p.m.
Many days, dad would bring a carload of classmates with me for lunch.
I remember as if it were yesterday the faces of my Jewish, Chinese, Japanese, German, Irish
And Italian friends when first introduced to octopus, Spanish tortilla, caldo Gallego, and flan.

The same was true during college and law school.  At times our home resembled an
U.N. General Assembly meeting—but always featuring food. You always treated my
Closest friends as if they were your children and a number of them to this day love
You as a second mother though they have not seen you for many years.

You had tremendous passion and affinity for being a mother (a great pity to have just one child).
It made you over-protective. You bought my clothes at an exclusive boutique. I became a
Living doll for someone denied such toys as a young girl. You would not let me out of your sight and
Kept me in a germ-free environment that eventually produced some negative health issues.

My pediatrician told you often “I want to see him with ***** finger nails and scraped knees.”
You dismissed the statement as a joke. You’d take me often to the park and to my
Favorite merry-go-round. But I had not one friend until I was seven or eight and then just one.
I did not have a real circle of friends until I was about 13 years old. Sad.

I was walking and talking up a storm in complete sentences when I was one year old.
You were concerned and took me to my pediatrician who laughed. He showed me a
Keychain and asked, “What is this Danny.” “Those are your car keys” I replied. After a longer
Evaluation he told my mom it was important to encourage and feed my curiosity.

According to you, I was unbearable (some things never change). I asked dad endless questions such as,
“Why is the sun hot? How far are the stars and what are they made of? Why
Can’t I see the reflection of a flashlight pointed at the sky at night? Why don’t airplanes
Have pontoons on top of the wheels so they can land on both water and land? Etc., etc., etc.

He would answer me patiently to the best of his ability and wait for the inevitable follow-ups.
I remember train and bus rides when very young sitting on his lap asking him a thousand Questions.
Unfortunately, when I asked you a question you could not answer, you more often than not made up an answer Rather than simply saying “I don’t know,” or “go ask dad” or even “go to hell you little monster!”

I drove you crazy. Whatever you were doing I wanted to learn to do, whether it was working on the
Sewing machine, knitting, cooking, ironing, or anything else that looked remotely interesting.
I can’t imagine your frustration. Yet you always found only joy in your little boy at all ages.
Such was your enormous love which surrounded me every day of my life and still does.

When you told me a story and I did not like the ending, such as with “Little Red Riding Hood,”
I demanded a better one and would cry interminably if I did not get it. Poor mom. What patience!
Reading or making up a story that little Danny did not approve of could be dangerous.
I remember one day in a movie theater watching the cartoons I loved (and still love).

Donald Duck came out from stage right eating a sandwich. Sitting between you and dad I asked you
For a sandwich. Rather than explaining that the sandwich was not real, that we’d go to dinner after the show
To eat my favorite steak sandwich (as usual), you simply told me that Donald Duck would soon bring me the sandwich. But when the scene changed, Donald Duck came back smacking his lips without the sandwich.

Then all hell broke loose. I wailed at the top of my lungs that Donald Duck had eaten my sandwich.
He had lied to me and not given me the promised sandwich. That was unbearable. There was
No way to console me or make me understand—too late—that Donald Duck was also hungry,
That it was his sandwich, not mine, or that what was on the screen was just a cartoon and not real.

He, Donald Duck, mi favorite Disney character (then and now) hade eaten this little boy’s Sandwich. Such a Betrayal by a loved one was inconceivable and unbearable. You and dad had to drag me out of the theater ranting And crying at the injustice at top volume. The tantrum (extremely rare for me then, less so now) went on for awhile, but all was well again when my beloved Aunt Nieves gave me a ******* with jam and told me Donald had sent it.

So much water under the bridge. Your own memories, like smoke in a soft breeze, have dissipated
Into insubstantial molecules like so many stars in the night sky that paint no coherent picture.
An entire life of vital conversations turned to the whispers of children in a violent tropical storm,
Insubstantial, imperceptible fragments—just a dream that interrupts an eternal nightmare.

That is your life today. Your memory was always prodigious. You knew the name of every person
You ever met, and those of their family members. You could recall entire conversations word for word.
Three years of schooling proved more than sufficient for you to go out into the world, carving your own
Path from the Inhospitable wilderness and learning to read and write at the age of 16.

You would have been a far better lawyer than I and a fiery litigator who would have fought injustice
Wherever you found it and always defended the rights of those who cannot defend themselves,
Especially children who were always your most fervent passion. You sacrificed everything for others,
Always put yourself dead-last, and never asked for anything in return.

You were an excellent dancer and could sing like an angel. Song was your release in times of joy and
In times of pain. You did not drink or smoke or over-indulge in anything. For much of your life your only minor Indulgence was a weekly trip to the beauty parlor—even in Spain where your washing and ironing income
Paid for that. You were never vain in any way, but your self-respect required you to try to look your best.

You loved people and unlike dad who was for the most part shy, you were quite happy in the all-to-infrequent
Role as the life of the party—singing, dressing up as Charlie Chaplin or a newborn for New Year’s Eve parties with Family and close friends. A natural story-teller until dementia robbed you of the ability to articulate your thoughts,
You’d entertain anyone who would listen with anecdotes, stories, jokes and lively conversation.

In short: you were an exceptional person with a large spirit, a mischievous streak, and an enormous heart.
I know I am not objective about you, but any of your surviving friends and family members who knew you
Well will attest to this and more in a nanosecond. You had an incredibly positive, indomitable attitude
That led you to rush in where angels fear to treat not out of foolishness but out of supreme confidence.

Life handed you cartloads of lemons—enough to pickle the most ardent optimist. And you made not just
Lemonade but lemon merengue pie, lemon sorbet, lemon drops, then ground up the rind for sweetest
Rice pudding, flan, fried dough and a dozen other delicacies. And when all the lemons were gone, you sowed the Seeds from which extraordinarily beautiful lemon trees grew with fruit sweeter than grapes, plums, or cherries.

I’ve always said with great pride that you were a far better writer than I. How many excellent novels,
Plays, and poems could you have written with half of my education and three times my workload?
There is no justice in this world. Why does God give bread to those without teeth? Your
Prodigious memory no longer allows you to recognize me. I was the last person you forgot.

But even now when you cannot have a conversation in any language, Sometimes your eyes sparkle, and
You call me “neniño” (my little boy in Galician) and I know that for an instant you are no longer alone.
But too son the light fades and the darkness returns. I can only see you a few hours one day a week.
My life circumstances do not leave me another option. The visits are bitter sweet but I’m grateful for them.

Someday I won’t even have that opportunity to spend a few hours with you. You’ll have no
Monument to mark your passing save in my memory so long as reason remains. An entire
Life of incalculable sacrifice will leave behind only the poorest living legacy of love
In your son who lacks appropriate words to adequately honor your memory, and always will.


*          *          *

The day has come, too son. October 11, 2018. The call came at 3:30 am.
An hour or two after I had fallen asleep. They tried CPR in vain. There will be no more
Opportunities to say, “I Love you,” to caress your hands and face, to softly sing in your ear,
To put cream on your hands, or to hope that this week you might remember me.

No more time to tell you the accomplishments of loved ones, who I saw, what they told me,
Who asked about you this week, or to pray with you, or to ask if you would give me a kiss by putting my
Cheek close to your lips, to feel joy when you graced me with many little kisses in response,
Or tell you “Maybe next time” when as more often than not the case for months you did not respond.

In saying good bye I’d give you the kiss and hug Alice always sent you,
Followed by three more kisses on the forehead from dad (he always gave you three) and one from me.
I’d leave the TV on to a channel with people and no sound and when possible
Wait for you to close your eyes before leaving.

Time has run out. No further extensions are possible. My prayers change from asking God to protect
You and by His Grace allow you to heal a little bit each day to praying that God protect your
Soul and dad’s and that He allow you to rest in peace in His kingdom. I miss you and Dad very much
And will do so as long as God grants me the gift of reason. I never knew what it is to be alone. I do now.

Four years seeing your blinding light reduced to a weak flickering candle in total darkness.
Four years fearing that you might be aware of your situation.
Four years praying that you would not feel pain, sadness or loneliness.
Four years learning to say goodbye. The rest of my life now waiting in the hope of seeing you again.

I love you mom, with all my heart, always and forever.
Written originally in Spanish and translated into English with minor additions on my mom's passing (October 2018). You can hear all six of my Unsung Heroes poems read by me in my podcasts at https://open.spotify.com/show/1zgnkuAIVJaQ0Gb6pOfQOH. (plus much more of my fiction, non-fiction and poetry in English and Spanish)
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
CandidlySubtle Jul 2016
Two little cherries
Linked and swinging
Tap tap, kiss kiss
Two little cherries
Cheek on cheek.
L Dec 2016
"Darling Guillaume, grace me with your presence for a quick moment?"

The man beckons, inviting warmly with a graceful tone you've come to recognize as a safe place. "Yes?" you speak before reaching him, the sound of your voice somewhat faint to him as you turn to enter the kitchen, your response lingering in the hallway.
The windows are open. The air is fresh, clean and cool. The breeze is swimming in, tugging ever so gently at a lock of the man's hair, golden strands hovering for a moment before falling back into place.

You are seventeen years young, your skin is tight around your neck and your wrists feel no pain. This is your apartment. There are fruits on the counter, some of them you don't remember buying. That's because you didn't.
The red grapes- next to your preferred white grapes- are his. There are also slices of watermelon in the fridge, along with some strawberries and a small jar of cherries that seems to never empty.
He hardly ever bakes anything and when he does, it's always something that can be eaten cool. Nothing too warm for him, though you've seen that hot chocolate is an exception to that rule. He loves fruit and cold drinks, has a terrible sweet tooth and is absolutely shameless about it. He smiles often and when he laughs, you feel he is the very embodiment of joy.

You brush a lock behind your ear before he turns from the counter quickly to face you. You both have similar hair; his is a few inches longer, curls less than yours, and is a visibly lighter shade than your dark mane. Yours is shorter, curling inwards as it rests on your shoulders.
The man gazes into you; he is never afraid of eye contact. You aren't either, but given that you consider him in many ways a stranger still, it's slightly unnerving, and gives you the impression that he has a certain power that he well knows cannot be subdued. Confidence some would call it.
As for ****** similarities, there are some, not that they're very pronounced. You both have light eyes, but yours are a deep blue with chestnut and chocolate overtones, often appearing emerald green under certain lighting; much more earthly than his- an almost unnatural, true green that shines harlequin under dim lighting, like a cat's eyes glowing under the moonlight.
He seems particularly happy right now, and you can't tell if his cheerful demeanor (though not unusual) is him being in an especially playful mood today or a hint of what's to come. That is to say, another lesson.

"Hold this egg for me, will you?"

You do as you're told, looking around in an attempt to distract yourself while you wait. You don't know what you're waiting for exactly, but you assume it will only take a minute. The kitchen is illuminated completely, very bright. It's a lovely day, sunny and perfect for a walk, you think. Maybe you'll go out later.
You hold the egg for exactly five seconds before realizing the man is staring at you- smiling beautifully with what some might mistake as bedroom eyes; but you know better.

"...What?" you ask, your voice small suddenly. A smile slowly tugs the corners of your lips and you resist, both out of embarrassment and stubbornness; you don't want to submit so easily. It's quite noticeable- you couldn't hide it well, but he isn't offended in the slightest. You are, after all, so very young. He expects you to have this kind of- rather charming- behavior, and accepts it fully.

"Feel it."

He speaks quietly but with sparkling, eager eyes, like he's about to let you in on some grand, fascinating secret, and you are reminded of a dear friend.
Being a memory you visit often, it takes half a second to remember it clearly- your best friend- running towards you, tie bouncing on his chest. He wears his school uniform, it's lunchtime, and he is eager to tell you how he's found the perfect spot to relax (or study, if needed) during this hour. "You both make for a funny sight, you know!" you'd have friends tell you often. You weren't very eager to admit it then, but it's true. You can picture it now- tall, lanky, grinning class president next to short, grumpy, quiet you. Ah, the memories.
You've both been busy, settling into lives completely independent from the help of your parents. You make a mental note to call him when you have the time.

You stroke the egg with your thumb, gazing at it intently. There's something the man wants you to know and he's not going to give you the answer on a silver platter- it's not that easy, you've learned that by now. He's played games like this before where he begins a conversation suddenly- often starting with an odd, seemingly-out-of-place question- with the intention of teaching you something.
He is strict in his belief that answers should not be given but found, and if one wishes to teach something, one should guide the other to help them understand, but never lead the way. Leading would result in the thought that lessons are a destination- and that isn't the case at all. To simply give you an answer is a sin to this man, and maybe this is why you've learned so much with him.
You want your answer to please him. Yes, and that may be difficult- because at this point, there is simply no way for you to know what the correct answer could possibly be.
No matter. You'll have to work with what you have at the moment. That being, not much.

"It's... smooth."

To that, he smiles with his eyes. You don't know it, but he's very happy with your answer. Partly because he never asked a question in the first place, and your attempt to answer something that has yet to be asked is, in his opinion, a sign of a good student- one willing to learn.

"Mm. It is." He takes the egg from your hands, holding it a few inches away from his chin and observing it for the entirety of two seconds before turning his gaze to you.
His face betrays the look of a father determined to put his son on the right path; a look that says "I will not let you go until you have understood".
But he's too gentle for that. You know he'd let you go if you ever spoke of wanting to stop a lesson. Not that that's happened before. He's always so tactful that you never have reason to feel uncomfortable around him. You appreciate it; you're not terribly tolerant of tactless people, even if you do feel quite guilty about it, especially when they do seem to be trying. C'est la vie.

He is silent for a short moment, his voice replaced by the distant laughter of children playing outside. It's then that you notice the cherry.
The single red fruit, small and unassuming, sat just behind him on the counter, closer to the window than him, and you wonder for a moment if he was planning to eat it before calling you to talk. You're vaguely alarmed at the thought, for cherries aren't something he will eat often, and you've noticed that they seem to be reserved for what appear to be private special occasions- he will sometimes eat a single cherry while deep in thought, staring out the window (you've caught him people-watching a few times like this), and you wonder if he was thinking about you this time, and dropped the cherry to have some sort of urgent talk with you.
However, that doesn't seem to be the case, so you push the thought aside, unconsciously replacing it with one of your favorite memories of the man-
"Cherries are dangerous," you recall him explaining one day, "they are toxic in their excessive sweetness. Eat no more than two a week, or you'll be taken by the cherry man!" You never forgot that conversation, although it’s whimsical charm wasn’t the reason why- it drilled itself into your memory the moment you realized two very interesting things.
The first being that by "cherry man", he meant the Devil, and the second being more of a doubt than anything else- cherries are not that sweet. His argument would make more sense if he was talking about cake, for example. Whenever this memory surfaces, there is always a vague sense of confusion and wariness hidden just under the more pleasant feelings you prefer having. Nevertheless, the general sentiment in his words is that excess can be detrimental to the soul. "Greed is a terrible sin, you know." And this is why the cherry jar never empties.

"Hellooo..."
Oh- goodness, he's waving his hand in front of you. You blink a few times, responding with a rather ungraceful 'Huh?', blushing slightly from the embarrassment.

"Where did you go?" He's chuckling as he asks, and you can feel the warmth on your cheeks.

"Ah, nowhere."

He smirks with a small "hmph", before giving you a proper smile, pausing to let you come back to him fully before continuing, egg held up in his hand:

"What is the egg now, Guillaume?"

You look at it, held between his middle, index finger and thumb. What is the egg now. What a strange question. Of course, it isn't as strange coming from him; you don't think you'll ever get used to his odd lessons, but his behavior when teaching you things nobody else would is something you've come to expect by now.
What is the egg? It isn't an elephant, it isn't square. There are many things it isn't, sure. You search in your head for a possible answer, one he'll deem correct, 'till you decide on-

"It's nothing."

-a dishonest one.
For someone who's not very tolerant of tactlessness, that sure was, well, tactless. Why did you say that? Insincere and blurted out without any thought. He takes notice immediately, and you wordlessly apologize profusely, combing your fingers through your hair and avoiding eye contact.

He's much older than you. He's also wise- wiser than most people his age, you think. Whatever the man wants to teach you, it's obviously something he already fully understands. The fact that he knows more than you however, does not mean you are below him; he never wants you to do anything for the sake of pleasing him and what you've done just now is exactly that. He can, however, sympathize- he's a perfectionist himself and understands the desire to do things right. There is a time and place for everything though; an order, and what you've shown now is good intention misplaced, which is a potentially dangerous thing.
He has no concerns regarding the acceptance of chaos when it is necessary,
that isn't the problem. The problem is that your dishonesty is chaos in a situation that warrants order.

"I don't want you to try to please me, Guillaume. I welcome incorrect answers so long as they are entirely honest."

There is a pause, and he sighs before remembering just how young you are. He realizes you might have accepted him as a parental figure or mentor of sorts by now, and it's an honor, really- you're a bright boy and he enjoys your company very much.
Your accepting him as a parental figure however, does not give him the right to scold you; no, that would horrible. If you will learn, it'll only be because you will allow him to teach you. He must never force his way into you.

"Look at me." His voice is firm but gentle.
You hesitate for a second, but whatever you were feeling is gone the moment you notice his expression- warm and inviting; "try again" it says. You are willing to now.

"You can see the egg, can you not? Surely it isn't nothing if it's still a part of your reality. You see an egg, and that still makes it one."
He hides it behind his back, and you are confused at the action but eager to understand. You give him a questioning look and he smiles before giving you an answer.

"What is the egg now?"

With a question, anyway.
You think long and hard, silently focusing all your attention on the creases of his shirt. You stare at the man's chest for a full minute and a half, determined not to make the same mistake again. You will answer honestly, yes; but you will also impress him- and possibly yourself- with a good answer.
The subject isn't exactly new or difficult for him, you're sure. He will sometimes leave the house and not return for a day or two and when questioned, responds with an inconclusive "Mm. Studying." You still aren't sure what that means and you feel it's best not to think too much about it, but surely it has something to do with these lessons of his, no?
He's obviously studied this before, you think; you are operating on a much lower level than him and have a vague awareness of this. It just isn't as pronounced because the man insists on treating you as his equal. As far as he's concerned, you are both students capable of learning from each other every day. You hope to one day teach him something, and not by accident, as it tends to happen. Soon, perhaps. Maybe now.
You look up at him with a determined look on your face, satisfied with your conclusion.

"An idea. The egg is an idea-"

"Why?"

You barely finish saying your answer when he's already questioning your reasoning. You'd be nervous if you didn't already know that his bluntness wasn't the result of annoyance, but of curiosity. He is eager to teach, yes, but he is more eager to learn. After all, a good teacher hasn't accomplished much if they haven't learned anything from their student.
New ideas need to exist. In conversation, one should always aim to walk away with new information, a new perspective. Sometimes this information is given to you, other times you must take it; something he's given you is the ability to think more critically. He's all but trained you to do so. It's much easier now to get into this mindset than it was when you first met the man. You're glad to have had the chance to practice this sort of thing at all; you don't think you could have done it with anyone else.

"Because there is ultimately no way for me to know if the egg still exists."

There really is no way to be sure.
The egg isn't a part of you any longer. You can no longer see it, or touch it. You can't hear it, either. It isn't there anymore and having seen it being hidden, all that there is now is the suggestion of it's existence.
Your answer was truthful and concise and you feel nothing else need be explained. When you search the man's face for any signs of contentment, you find none. No, what you find is something quite different. An absolutely luscious smile, and those bedroom eyes.
His voice turns low and he speaks clearer- a calm tone of voice that would make anyone submit if he asked them to.
He's challenging you. Both begging and demanding you to win.

"But I know the egg exists. I am telling you it does. Am I lying?"

His voice could be very seductive sometimes. Especially at times like this, when daring you to step further into his world.
His world. One that was always bright and pleasant and hid something underneath- a barely audible humming that you've managed to ignore until very recently. If there was such a thing as feeling a lack of light despite there physically being none, you felt it every time the man dared you to chase him into his labyrinth.
There was just something very visceral that would bleed through sometimes; in his eyes, his hand gestures, in his voice.

"It doesn't matter." you tell him, your words quick and blunt.
He is amused. Shocked, even. You push away the rising bravado before it fully shows; don't want to jinx it now.
Eyebrows raised, he gives you an impressed "Oh?" and you continue, clarifying to back up your risky (despite yielding good results) answer.

"Assuming you are holding it in your hand right now, it's still an egg to you. By the mere act of touching it, it becomes a part of your realm of understanding; it exists to you, right now, as what it is- an egg."

You can't see it of course, but he's mindlessly stroking it with his thumb now, much like how you did at the start of this conversation. Both his hands are behind his back, resting on the counter he leans on. He listens intently.

"...You tell me it still exists, but that doesn't change what it's become to me. It stopped being an egg the moment you hid it from me. No matter what you know to be true, that reality isn't always going to be a shared one.
You have an egg, I have an idea."

There can be many correct answers, he thinks. He doesn't believe in there being a single, ultimate truth about anything. If the self is all one can know, why is one's understanding of the universe not considered a reality in itself, one separated from what most consider the only reality? Your explanation follows this concept and he's thrilled tha
This is fanfiction, but you don't need to be in any fandom to understand and enjoy this, I've made it accessible enough for everyone to understand; the fandom bits in this aren't crucial to the story, so everyone can enjoy it (although people in the fandom might enjoy it differently, but that goes without saying I guess).

It's daftpunk/label au for anyone who wants to know.
Guy-manuel and Crydamoure are the characters.

-
Nigel Morgan Jul 2013
It was their first time, their first time ever. Of course neither would admit to it, and neither knew, about the other that is, that they had never done this before. Life had sheltered them, and they had sheltered from life.

Their biographies put them in their sixties. Never mind the Guardian magazine proclaiming sixty to be the new fifty. Albert and Sally were resolutely sixty – ish. To be fair, neither looked their age, but then they had led such sheltered lives, hadn’t they. He had a mother, she had a father, and that pretty much wrapped it up. They had spent respective lives being their parents’ companions, then carers, and now, suddenly this. This intimacy, and it being their first time.

When their contemporaries were befriending and marrying and procreating, and home-making and care-giving and child-minding, and developing their first career, being forced to start a second, overseeing teenagers and suddenly being parents again, but grandparents this time – with evenings and some weekends allowed – Albert and Sally had spent their time writing. They wrote poetry in their respective spaces, at respective tables, in almost solitude, Sally against the onslaught of TV noise as her father became deaf. Albert had the refuge of his childhood bedroom and the table he’d studied at – O levels, A levels, a degree and a further degree, and a little later on that PhD. Poetry had been his friend, his constant companion, rarely fickle, always there when needed. If Albert met a nice-looking woman in the library and lost his heart to her, he would write verse to quench not so much desire of a physical nature, but a desire to meet and to know and to love, and to live the dream of being a published poet.

Oh Sally, such a treasure; a kind heart, a sweet nature, a lovely disposition. Confused at just seventeen when suddenly she seemed to mature, properly, when school friends had been through all that at thirteen. She was passed over, and then suddenly, her body became something she could hardly deal with, and shyness enveloped her because her mother would say such things . . . but, but she had her bookshelf, her grandfather’s, and his books (Keats and Wordsworth saved from the skip) and then her books. Ted Hughes, Dylan Thomas (oh to have been Kaitlin, so wild and free and uninhibited and whose mother didn’t care), Stevie Smith, U.E. Fanthorpe, and then, having taken her OU degree, the lure of the small presses and the feminist canon, the subversive and the down-right weird.

Albert and Sally knew the comfort of settling ageing parents for the night and opening (and firmly closing) the respective doors of their own rooms, in Albert’s case his bedroom, with Sally, a box room in which her mother had once kept her sewing machine. Sally resolutely did not sew, nor did she knit. She wrote, constantly, in notebook after notebook, in old diaries, on discarded paper from the office of the charity she worked for. Always in conversation with herself as she moulded the poem, draft after draft after draft. And then? She went once to writers’ workshop at the local library, but never again. Who were these strange people who wrote only about themselves? Confessional poets. And she? Did she never write about herself? Well, occasionally, out of frustration sometimes, to remind herself she was a woman, who had not married, had not borne children, had only her father’s friends (who tried to force their unmarried sons on her). She did write a long sequence of poems (in bouts-rimés) about the man she imagined she would meet one day and how life might be, and of course would never be. No, Sally, mostly wrote about things, the mystery and beauty and wonder of things you could touch, see or hear, not imagine or feel for. She wrote about poppies in a field, penguins in a painting (Birmingham Art Gallery), the seashore (one glorious week in North Norfolk twenty years ago – and she could still close her eyes and be there on Holkham beach).  Publication? Her first collection went the rounds and was returned, or not, as is the wont of publishers. There was one comment: keep writing. She had kept writing.

Tide Marks

The sea had given its all to the land
and retreated to a far distant curve.
I stand where the waves once broke.

Only the marks remain of its coming,
its going. The underlying sand at my feet
is a desert of dunes seen from the air.

Beyond the wet strand lies, a vast mirror
to a sky laundered full of haze, full of blue,
rinsed distances and shining clouds.


When Albert entered his bedroom he drew the curtains, even on a summer’s evening when still light. He turned on his CD player choosing Mozart, or Bach, sometimes Debussy. Those three masters of the piano were his favoured companions in the act of writing. He would and did listen to other music, but he had to listen with attention, not have music ‘on’ as a background. That Mozart Rondo in A minor K511, usually the first piece he would listen to, was a recording of Andras Schiff from a concert at the Edinburgh Festival. You could hear the atmosphere of a capacity audience, such a quietness that the music seemed to feed and enter and then surround and become wondrous.

He’d had a history teacher in his VI form years who allowed him the run of his LP collection. It had been revelation after revelation, and that had been when the poetry began. They had listened to Tristan & Isolde into the early hours. It was late June, A levels over, a small celebration with Wagner, a bottle of champagne and a bowl of cherries. As the final disc ended they had sat in silence for – he could not remember how long, only from his deeply comfortable chair he had watched the sky turn and turn lighter over the tall pine trees outside. And then, his dear teacher, his one true friend, a young man only a few years out of Cambridge, rose and went to his record collection and chose The Third Symphony by Vaughan-Williams, his Pastoral Symphony, his farewell to those fallen in the Great War  – so many friends and music-makers. As the second movement began Albert wept, and left abruptly, without the thanks his teacher deserved. He went home, to the fury of his father who imagined Albert had been propositioned and assaulted by his kind teacher – and would personally see to it that he would never teach again. Albert was so shocked at this declaration he barely ever spoke to his father again. By eight o’clock that June morning he was a poet.

For Ralph

A sea voyage in the arms of Iseult
and now the bowl of cherries
is empty and the Perrier Jouet
just a stain on the glass.

Dawn is a mottled sky
resting above the dark pines.
Late June and roses glimmer
in a deep sea of green.

In the still near darkness,
and with the volume low,
we listen to an afterword:
a Pastoral Symphony for the fallen.

From its opening I know I belong
to this music and it belongs to me.
Wholly. It whelms me over
and my face is wet with tears.


There is so much to a name, Sally thought, Albert, a name from the Victorian era. In the 1950s whoever named their first born Albert? Now Sally, that was very fifties, comfortably post-war. It was a bright and breezy, summer holiday kind of name. Saying it made you smile (try it). But Light-foot (with a hyphen) she could do without, and had hoped to be without it one day. She was not light-footed despite being slim and well proportioned. Her feet were too big and she did not move gracefully. Clothes had always been such a nuisance; an indicator of uncertainty, of indecision. Clothes said who you were, and she was? a tallish woman who hid her still firm shape and good legs in loose tops and not quite right linen trousers (from M & S). Hair? Still a colour, not yet grey, she was a shale blond with grey eyes. She had felt Albert’s ‘look’ when they met in The Barton, when they had been gathered together like show dogs by the wonderful, bubbly (I know exactly what to wear – and say) Annabel. They had arrived at Totnes by the same train and had not given each other a second glance on the platform. Too apprehensive, scared really, of what was to come. But now, like show dogs, they looked each other over.

‘This is an experiment for us,’ said the festival director, ‘New voices, but from a generation so seldom represented here as ‘emerging’, don’t you think?’

You mean, thought Albert, it’s all a bit quaint this being published and winning prizes for the first time – in your sixties. Sally was somewhere else altogether, wondering if she really could bring off the vocal character of a Palestinian woman she was to give voice to in her poem about Ramallah.

Incredibly, Albert or Sally had never read their poems to an audience, and here they were, about to enter Dartington’s Great Hall, with its banners and vast fireplace, to read their work to ‘a capacity audience’ (according to Annabel – all the tickets went weeks ago). What were Carcanet thinking about asking them to be ‘visible’ at this seriously serious event? Annabel parroted on and on about who’d stood on this stage before them in previous years, and there was such interest in their work, both winning prizes The Forward and The Eliot. Yet these fledgling authors had remained stoically silent as approaches from literary journalists took them almost daily by surprise. Wanting to know their backstory. Why so long a wait for recognition? Neither had sought it. Neither had wanted it. Or rather they’d stopped hoping for it until . . . well that was a story all of its own, and not to be told here.

Curiosity had beckoned both of them to read each other’s work. Sally remembered Taking Heart arriving in its Amazon envelope. She brought it to her writing desk and carefully opened it.  On the back cover it said Albert Loosestrife is a lecturer in History at the University of Northumberland. Inside, there was a life, and Sally had learnt to read between the lines. Albert had seen Sally’s slim volume Surface and Depth in Blackwell’s. It seemed so slight, the poems so short, but when he got on the Metro to Whitesands Bay and opened the bag he read and became mesmerised.  Instead of going home he had walked down to the front, to his favourite bench with the lighthouse on his left and read it through, twice.

Standing in the dark hallway ready to be summoned to read Albert took out his running order from his jacket pocket, flawlessly typed on his Elite portable typewriter (a 21st birthday present from his mother). He saw the titles and wondered if his voice could give voice to these intensely personal poems: the horror of his mother’s illness and demise, his loneliness, his fear of being gay, the nastiness and bullying experienced in his minor university post, his observations of acquaintances and complete strangers, train rides to distant cities to ‘gather’ material, visit to galleries and museums, homages to authors, artists and composers he loved. His voice echoed in his head. Could he manage the microphone? Would the after-reading discussion be bearable? He looked at Sally thinking for a moment he could not be in better company. Her very name cheered him. Somehow names could do that. He imagined her walking on a beach with him, in conversation. Yes, he’d like that, and right now. He reckoned they might have much to share with each other, after they’d discussed poetry of course. He felt a warm glow and smiled his best smile as she in astonishing synchronicity smiled at him. The door opened and applause beckoned.
Nat Lipstadt Aug 2013
(Inspired by and dedicated to John Edward Smallshaw, and his "Spice")


I am a summer-man,
Because I'm blessed to sit by the sea.
Let it and the other two Musketeers,
boon companions to me,
Sun and Wind,
erase my discomposure as I
reside in the Poet's Nookery.
Let them have almost
all that troubles,
but not all.

I am a summer-man.

On the bay, on the beach,
I see birth, I see death,
osprey nests, carcasses of
mussels and horseshoe *****.
This, somehow reassuring,
the cycles,
this circularity,
the tides and inevitability.

I am a summer-man.

Student of languages seasonal,
Peaches, plums, cherries, poetry
and loving Woman.^
This, the  summer alphabet-soup
of my multiple tongues.

I am a summer-man.

Sancerre and Pinot Gris, super cold,
Paul Simon, Nina Simone,
with proper aging,
getting  hotter,
Salsa and Afrikaner hints,
super louder,
Even "Still Crazy After All These Years,"
that-who-wud-be-me,
chills outer.^^

I am a summer-man.

When ever this lad's writes appear,
it proves once again,
there is no truth that his  
name was once Dr. Seuss
In a prior life, even if
each is signed by
Ogdiddy Nash


I am a summer-man.

Disrespectful of the calendar,
if I can, try to make
summer season stretch-marks from
May to October.

I would add April,
but the IRS is already
****** at me.^^^

Though the cherry blossoms of May
now gone away,
the lilies of June
arrive, but but for a week or two,
soon, like my mom, withered away.

Acorns in August^^^^ have arrived too swiftly.


This summer, beloved,
and love of summer,
deep-rooted.

Season of my Peter Pan Poetry Galore Festival.

A love,  incapable, impossible, of ever
growing old, ever growing cold,
it cannot wither.
It is summer heat reminders exposed,
how it misses its man,
that hide in the flames of
the teasing, popping, reminding
Winter fireplace's crackling popping
^ See "The Summer Alphabet of Woman (I Speak Woman)"
August 23 2013

lipstadt-man

^^ See "Made the bed backwards"
August 24 2013

^^^  See "Caesar Has No Authority Over The Grammarians"
August 22 2013

^^^^ See "* Acorns in August (Sonata for Summer Cello and Fall Piano, No. 3)" August 19 2013

——————

* Paul Simon and Art Garfunkel

April come she will
When streams are ripe and swelled with rain;
May, she will stay,
Resting in my arms again

June, she´ll change her tune,
In restless walks she´ll prowl the night;
July, she will fly
And give no warning to her flight.

August, die she must,
The autumn winds blow chilly and cold;
September I´ll remember.
A love once new has now grown old

————
Tonya Maria

Tonya Maria  I am a summer-woman,
Because I'm blessed to sit by the sea.
I too display the summer season stretch marks.....
The sea, my lover, owns every inch of me......
A B Perales Dec 2014
I rode a curb side
dust devil into
the low side of
town.
Found myself
adrift right along side
the lip stick stained
cigarette butts,
empty dime baggies and
a city days worth
of welfare diapers
and plastic bottles who
will out last us all.

Same old dogs
along the same
old streets.
Dogs so old
they no longer
lift their legs to ****.
Its a bit shameful
but a Hell of alot
less painful just
to let it go where
you lay or stand.

Bad kids with
big sticks and
fist fulls of
C cell batteries
chase the winos
along the railroad tracks.
They generate
terror and call it fun.

Televised Gods
for your televised mind.
Fall asleep with the
lights on ,leave
something to guide
me back home.

Blame it all on me
and I'll leave before
the hate sets in.
My time here is
far past due,
summers over and
the rare California rains
have come in.

I came only for the
weather and whatever
there was to drink.
Moonshine Cherries and
Jameson on ice.

The conversations all died with
that last bottle of whisky.
The mason jars are all empty
and this passing moment
feels right
for me to leave with.
Cherries of the night are riper
Than the cherries pluckt at noon
Gather to your fairy piper
When he pipes his magic tune:
        Merry, merry,
        Take a cherry;
        Mine are sounder,
        Mine are rounder,
        Mine are sweeter
        For the eater
        Under the moon.
And you’ll be fairies soon.

In the cherry pluckt at night,
With the dew of summer swelling,
There’s a juice of pure delight,
Cool, dark, sweet, divinely smelling.
        Merry, merry,
        Take a cherry;
        Mine are sounder,
        Mine are rounder,
        Mine are sweeter
        For the eater
        In the moonlight.
And you’ll be fairies quite.

When I sound the fairy call,
Gather here in silent meeting,
Chin to knee on the orchard wall,
Cooled with dew and cherries eating.
        Merry, merry,
        Take a cherry;
        Mine are sounder,
        Mine are rounder,
        Mine are sweeter.
        For the eater
        When the dews fall.
And you’ll be fairies all.
marquida Mar 2014
How can i show you that i love you?
Sunsets, water fountain views, playful bare feet
And giving you half my gum stick.

How can i show you that i mean it?
Long hugs, sly winks, my finger tracing your smile
And cherries in your stomach.
this is a poem i wrote when my husband and i first started dating. we've been married 11 years now!
Sarah May 2016
Your fingers are red from
cherries and port
and there's a pile of pits in
a bowl on the
table

and the light over
head
burnt out
last week, so we keep on
lighting a
yankee candle

Between your fingers, you
roll a stem, cherry stem,
then stem,
then stem

Your lips are stained rouge
from cherries and port,
and I am
in love
with
them
Robin Carretti Jul 2018
He was blown>>>>
>>>> away_--- from
my lace-up
Is She his blue
Mood tie set any bet
to walk the talk

At your own pace
The lustful wake up she
got the face

The edge of his rim sneaker
So prim who is proper
On the brim of ecstasy
He puts sugar on my tongue

Rumors like the "Talking Heads"
All in the bedding sneaker
Jane of the jungle wild tongue
She races Tarzan swinging sneakers
You and I tripped over dreams the sneaker?
Lip to lip disaster

The "Cyberwar" stepped on melting
Gold *** of tar
The loud blaster she moves the
Starwars so far

He could eat her up
his checkered black and white flag
Like a lobster claw his last draw

The racer mouth sponsor

She was born 2-B that way
sneakers love 3 some run
It's not unusual to have fun
with anyone
Her hands were far gone but
solid as a rock
Rollicking flying his rocket
Racing by her own clock Ms. Hornet


His sneaker loud love feud one
the detail on her sneaker
the wild bird of a bud

He shook me all night long
don't do an
A-C-D-C  on me
The sneaker he got the
Crazy eights
 No prank calls
Her hot buns and
Speaker- Frank-flirters
take me out to the
ball game demonized

The Anti Christ be born again
My sneaker group what a tank full
The Antitank no thanks
You cant always get what you want
and if you try sometimes
Charge all plastic but
sneakers like rubber soul

Visa hot runner Lisa no control
The American Express abdominal press
Shop until she drop's gum-drops
Your head was like a
Rolling Stone Jagger
Bigfoot sneaker Friday 13 size
That girl sweet pea Lea surprise
In the Hell, kitchen she snapped
That purr nightcap like Cleopatra

He's the Mantra so passionate fruit loopier
She's the Mona Lisa unfriendly sneaker
Your happy socks are quick
On his bell-hop feet
The sneaker riddle beat


That long meeting so *******
For time baby blue eyes Frank
on the mic
Like the jitterbug tight-knit
as sneaker print rug
Citron sharp eyes 5 Karat
Spicy hot Chili pepper
poem sonnet

The singer swung
Jazzy sneaker band
Dr. Who wears sneakers drinking
Dr. Pepper

The "Red Apple McIntosh" computer
Such a loud mouth hacker Josh
Jeweled Judy cultured pearls sneaker smash

Or her Stairmaster her
sneaker hotties ruffles have ridges
The juicy burgers dill pickles

Desperately sneaking Susan
sneakers to her affair finish line 
What a Lady Madonna
baby sneakers
at her breast rebel of hearts
I wonder how she manages to
sneaker speed the rest

Her best to out twin any talk
bullseye power walk
Buying the triplex sneaker
The loud talker 4 for 4 fame Wendy
Run like a fugitive your alias
name
Go International quite run
for your money I suppose
His sneakers up on her recliner
It wasn't her better rose
She's the high boot lady ever finer

On E-Bay selling your favorite sneakers
Those Australian Huskies biting sneakers
Such a Paws up against doggone heartbreaker

The in-crowd Flynn or another runner Lynn
Everybody is not a star or wedding crasher
Or even the right sneaker lover

Lady that lives in her homeless shoes
Are we all inside a video game
all commercials

Needing bifocals video begins
 Wynn at Sneaker Con
Joy to the world of the joystick
The sneaker of the Torah prayers of
the Temple
All dots and specs out of sneakers
More zits and pimples
I just want one-half cream
The changing Moon 1/2 Wolf
My man (Mr. Drakar) Howling toenail

French onion soup say cheese
her sneaker what a
no-brainer lightheaded breeze
You come so far sneaker trainer
And a grave site plot famous
brand sneaker
name

A million odds to one name in the
cemetery
****** Mary she flies in her
sneaker like Mary Poppins
Going under the influence
Heres looking at you kid umbrella

Hot Hollywood Taurus Bulldog
runner
We really don't have a name

We are writers and ****
good fighters single to mingle sneaker
Not the homewrecker more like the homemakers
Even sneaker has a voice and walks like singers
Shoeiverse sneaker race
became her living curse
The grin of the Grinch green sneakers
On his sled ride the lucky shamrock

I'm the happy heel
The tigress furry feel skip to my Lou
he ordered the
kids happy meal

Getting a ticket for reckless walking
Lights on or eyes wide shut
Are sneakers running for their life?

More fuel- time we get no alone time
Let's go shopping for the
new sneaker called
(Valentine only) sold one
day the sale
Singing her sneaker song a chip
device to talk back hot male
The 'Calvin Klein" dockers her ball of the foot
tennis sneakers It's her loud Owl ******-hoot

The farm girl Ralph Lauren corral
To rope her in lasso-like with morals
racing horse of different color fashion
I cannot hear you I have a hell
of a tinnitus reaction

  She-Devil bickering.>>> No heart like a sneaker
I am a snake too short to run the mile

I was too busy looking
at her long legs
On the Jet
** Plane
The most popular lady
in her sneakers 

Viper car and strings attachments
Ms. Love lace the shoelaces
with hearts
She is tied to his ankles
like condiments
Like Sweet cherries what a
bomb kicker sneaker
The Southern Belle runner
Be the stunner the trucker roadrunner

Hail to Mary the sneaker
Queen of Sheba
Turn on the radio Country singer Reba
What a sneaker rating ratio

When she bent down the crisscross
Watch out cross my heart trainer

Cross my heart and hope to die
To get slimmer
I am the happy sneaker
all the moods hot goods
(Hey Robin Hood)
stealing a rich man and poor women
which is the witch

One string said pull me the
other one said you feel like a
Chrome lead sleepy feet go to bed

Like Beer and pretzels
What an insane sneaker hazard
Hospital beepers sneaker virus
stepped on the most expensive
Venus, I beg you to run
lips we travel bullets and stars
We just want some fun

Marathon key just one clicker
That strawberry shortcake
Versus the "Cherry Bomb"
The Prince and the Pauper
what a toad kisser
That army tanker hurry up
lunch or brunch
What a Patriot Brady bunch

My shoelaces became like a
firecracker candy bar crunch

Who is the loser lover
or the winner
The long trip almost at the end
of the race
What a rivalry those shot glasses
at random
The sneaker fandom

Smile to me if you're not
wearing anything
but sneakers
My wings the wifi cute feet just
say Hi

No, I saw a man 600 pounds
of Reebok gold way too
much belly roll fat
The Dr. Seuss cat in the hat

Nike in the air Robin
bird skydivers
Dark matter gold diggers
Movie (It) Stephen King
skateboard

Penny feet relaxer
The Wise clown got her
The sneakers comedians
Seinfeld stand up sneaker
To be dead or wed Kleinfeld
Exotic sneakers and
cars he made a home run
Hot hell ring my bell
You made me happy
I got to first base

And you all sync into
one of a kind sneaker
Mom Robin the singer
No, I saw a man-eating
out of his sneaker
His head up in the Nike air
Oh! all hell breaks footloose
computer looking
up the sneaker sales

All I am doing is clicking
with a mouse
Where is my lover
sneaker twin, my spouse
This is about a trip not on an airplane flight more down to earth long walk star gazers or runners and clickers but its a comedy around all names and hot runner shes the firecracker don't  eat her at her game
R K Hodge Apr 2016
A glowing ember I once was
Now all I feel as if I all I do is sit upon the colour blue, wetted by dissipating champagne fizz whilst being kept afloat by curved cold glass
The bottom of the bath is scaled with confusion and differently shaped stresses
An unquenchable vanity lies within
The clumps of gold leaf I dust my cereal with has blocked up my veins
When I think about kissing you my brain floods with the taste of the reddest, sweetest cherries, only within this act the most vivid aspect of my mind is lit up as if it were a neon light display
Only within the flow of this electric current I am gloriously and contently happy
My mother never appeared in public
without lipstick. If we were going out,
I’d have to wait by the door until
she painted her lips and turned
from the hallway mirror,
put on her gloves and picked up her purse,
opening the purse to see
if she’d remembered tissues.

After lunch in a restaurant
she might ask,
"Do I need lipstick?"
If I said yes,
she would discretely turn
and refresh her faded lips.
Opening the black and gold canister,
she’d peer in a round compact
as if she were looking into another world.
Then she’d touch her lips to a tissue.

Whenever I went searching
in her coat pocket or purse
for coins or candy
I’d find, crumpled,
those small white tissues
covered with bloodred kisses.
I’d slip them into to my pocket,
along with the stones and feathers
I thought, back then, I’d keep.
I ate a bag of cherries
as I sat and thought of you…
sometimes,
in the strangest of cases
things turn out to be true.
We set fire to old memories
and burn out old flames
and I have to say
its been a long time
since my inane name
sounded so sane.

Fiction and fact, I have learned
to meld, and I’m a **** good
welder, that’s for sure.
You ask me about stories and occasions
Ha! you should see your face…
Believing me.
These lies have become
detrimental to me.
If I had actually done them,
I’d be
so
ashamed.
I’m really not sure what or how
I think of you…
you find me appealing, and then
tell me promptly goodnight.
These English words I’m
manipulating, manufacturing,
can only go so far.
This started out as a simple rhyme. Now I’m not sure what it is.
I feel the same way
about you.
sabrina paesler May 2015
I’ve tattooed a line across
the veins of my wrist
and marked a down stroke
for every time
“you can’t wear red lipstick”
made me believe
I never wanted to in the first place.

for every time instead
I’ve stained my lips with cherries
learning how to tie the stems
so I can slip forget-me-knots
to the back of your throat—
do you feel my restriction now?

the razors that fly off my tongue
perk thorns on my skin,
another down stroke on my wrist
will teach me that
you were right,
shyness is a virtue.

no need to speak,
go spend one hundred dollars
and some percent for tax
to cover up,
even though I’m sure your mother told you
that cotton stains.

so make it black.
get your hair stuck
in the zipper of that sundress
and pray as you pull it out
that it will lose its pigmentation
in the process
mark a down stroke
for killing two flowers
for one bouquet.

hold it
close your eyes and throw it back,
I know we shouldn’t be wearing white anyway
but tradition can take a lot out of you
like what you really think—
don’t say **** in public.

instead drag your first impressions
all the way to the altar
and dress in your Sunday best
a flower on your lapel
clear on your lips
a stroke for the neat decline
of the son

I tattooed a line across
the veins of my wrist
and marked a down stroke
for every time
my image
was my fault.
Robin Carretti Aug 2018
Every* fine* detail*
Getting  flushed the
blues inside the
red I phones
The lonesome blue
Ring my Rolling Stones
Waking up in [Blue Oceania]
Mama Mia bluesy jazz me waterbed

Hazy, not one yellow daisy
*hurry up your driving me_crazy
          In love like the
Foggy Day in London Town
The saying *New York like no other town

Forget about it Brooklyn is my town

Wearing your face with frowns
like a vine of tomatoes

Is it your time for Victories

Those rotten movies and
throwing those forgotten
  Love potatoes
At the Villa looking
out he's the Captain of the blue sea
My Alaskan blue eye husky
Meet Charlie or the Bumble Bee
Tuna fish

Saw the fog getting stronger
The winter is hazy don't be
the chicken of the sea

  She was spinning her mind into the
vertigo love is crazy
The crazy love''Hugo"
Hers and his E- ecstasy twin-mail
Hazy is just the way you feel
His strings azure blues power tie
She felt other blues what lies

Workout blues hazy spirit greys
She prays hazy winters of blueberry pie

Hearing the blues rush of water
The waitress taking his order
Inside her tasty fingers
The blues "*****" lightly stir
How she met his brother
But why? Don't you love me, Sir

Eyes of blues flower irises
Her blues pour crystal sugar
She turned her head surprises
Swarovski crystal bead
What was said singing the blues
Shades of deep sensual gray
The shapes of things Godly pray
How many words could
you possibly say
When you catch your breath
His eyes are bluer than your
Heart intense red his iron shirts
Got badly burned

Pumpkin Head met sesame seed
flatbread in the modern flat world
Eating a blueberry muffin top
Who has the open mind
Her blues boysenberries
Doing Hip-hop
By her nook pulling the blinds
How the blood stain her lips
Fashion art Chanel cherries
The bloodshot eyes
Caught her fire candle

Wonka" Blues house Coffee Diva

Hazy blown out of
proportion blue
"Hazy Just So" how do you do it
Do you go through her dreams?

Another brainstorm little
boy blue like a fairytale
So inviting love true lights
Just so in her beam another
enticing clue its never what it seems
Just because there is so much blue
Life shouldn't trick you just kick
off your shoes


Just Relax meditate your body flex
The Gulf of Mexico the blue sharks
Take a bite any kind of fish the
whale of a blue wish
The weather so many changes
crazy or not
Everything feels right
when you tie the knot
So hazy the winter to the spring and the summer flowers bluish morning glory September trying to remember the birth of all shades of babies wearing little boy blue but this goes beyond anyone's spirit colors come out the way you seem to see it so live it singing the blues-rock your waves in those velvet shoes
Georgina Ann Jul 2011
I'm listening to him again
I guess thats why I miss you.

I want to turn this river
into an ocean.

I want to throw my heart
back on your floor.

It's too damd hot
and I need something to lose.

But life is good enough,
like lipstick on your skin

Because I cant imagine
tasting anyone but you.
Verisi Militude Oct 2010
After smoking my first pack
Of cigarettes
(Cheyenne Cherries, $2.09 at Marathon)
The novelty wore off pretty quick.
It didn’t feel cool anymore,
Didn’t make me feel important.
The cigarette was just something
To stick between my fingers,
**** between my lips,
Inhale and feel something
(feel Hell)
In my lungs.
A prop.
It was just a stick
With a red, smoldering ****,
A piece of tobacco
To play with before the ember
Ate way down to the filter
And singed my fingertips.

Now, I think I light up
(Cheyenne Cherries, $2.09 at Marathon)
Because the smoke is so
******* enticing. It’s beautiful,
A kinesthetic work of art
(like a ballet),
The way those silver
Tendrils curl so languidly
From the tip into the air,
So graceful, so smooth.
When I smoke
I can’t help but to imagine
I’m watching a group of dancers.
Or something.

And I think I light up
(Cheyenne Cherries, $2.09 at Marathon)
Because there’s nothing better to do
Half the time and at least
It flouts the boredom
(for a few minutes or so),
At least it interrupts the
Relentless monotony of Life.
Kurt Vonnegut mentioned
Something about smoking
Being a noble form of suicide.

Well, so it goes.

— The End —