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"cheapens" poems
On being asked, Whence is the flower? In May, when sea-winds pierced our solitudes, I found the fresh Rhodora in the woods, Spreading its leafless blooms in a damp nook, To please the desert and the sluggish brook. The purple petals, fallen in the pool, Made the black water with their beauty gay; Here might the red-bird come his plumes to cool, And court the flower that cheapens his array. Rhodora! if the sages ask thee why This charm is wasted on the earth and sky, Tell them, dear, that if eyes were made for seeing, Then Beauty is its own excuse for being: Why thou wert there, O rival of the rose! I never thought to ask, I never knew: But, in my simple ignorance, suppose The self-same Power that brought me there brought you.
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The Rhodora
I met Virginia in a wave of sleet. On Decatur, a hundred winters ago, with a black iris, black hair in ponytail, with a tongue like a nightcrawling widow, Virginia whispered tornados behind the backs of the grey-suited saxophone players, going blue in the cheeks, under their blackface. Under a flimsy sheet of moon sliver sky and a dim streetlight, Virginia kicked a soda can along the cracking concrete. With each bar we passed, I hollered, "Thank God we're alive!" and danced a shapeless jig. Near Williamson cemetery, Virginia's white knuckles laced into mine. "The amount of time we have cheapens whatever purpose we have," Virginia hissed. I caressed her serpentine neck. A lone car's high beams made Virginia's silhoutte tower above the cemetery gates, made Virginia's black irises madden to poisonous yellow. She loosened my grey necktie. I let down her hair. A sea of collected strands fell like a closing curtain. The distant saxophone ascended to heaven, leaving me below, leaving me below, leaving me to spend the night bellowing for above.
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Oct 15, 2011
Oct 15, 2011 at 4:35 AM UTC
Decatur Street
An open letter to those poets who align to the center:                                         *When prose sits in the middle                                          it resembles gift-card drivel.                                              It cheapens your work;                                               your use of italics irks.* Choose a side. I don’t care if it’s left or                                                                                       right,                                                                                   Or center-right                                                                                               or alt-right (whatever that is). The indecisive have a lot to answer for us being                                                                                                         divisive. Did that centered poem you wrote distract you from casting a vote? Stop fence-sitting                                                             in-between and enjoy a splintered 2017,                                                                                                from one side.
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Jan 4, 2017
Jan 4, 2017 at 9:22 AM UTC
Center Alignment
An open letter to those poets who align to the center:                                         *When prose sits in the middle                                          it resembles gift-card drivel.                                              It cheapens your work;                                               your use of italics irks.* Choose a side. I don’t care if it’s left or                                                                                       right,                                                                                   Or center-right                                                                                               or alt-right (whatever that is). The indecisive have a lot to answer for us being                                                                                                         divisive. Did that centered poem you wrote distract you from casting a vote? Stop fence-sitting                                                             in-between and enjoy a splintered 2017,                                                                                                from one side.
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the earth is more important than money; why cheapens the planet to make money that has to be spent on the planet anyway; what have u accomplished; what have u added to the advancement of civilization? lethal pollution, lawlessness, war, poverty, open physical assault, all for the sake of money, greed, starvation & desperation;                                 [exploiting stolen natural resources                                 rendering them useless toxic waste]
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Aug 24, 2018
Aug 24, 2018 at 12:26 AM UTC
take back the planet, people
Words bolt out but no ears hear, Bending vowels of drained attention. She smiles in racing blossom intervals, the atmospheres of bending bludgeons. But still I am in love with her, fool me. He who talks without lips moving. See the juvenile mouth extrapolating to judgements faulting into aching. I wonder, well sometimes I do think, what fashionable jungle I'm to be? After all, she finds life too busy to wonder long about such as me. Immobile with soundless ambition, the rocks grow but not in splendour. So this is how it must convert to action, that she succeeds where I blunder. Oh well, so that is how it will coexist, with words drained and solitary existing. "Be robust" I murmur to myself, with heart closed and cognizance brooding. "Goodbye, my former fellow traveller!". I am off to request novel occupations. You your way, and I, unhappily waving. Exhalations the only sound which cheapens.
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Nov 2, 2014
Nov 2, 2014 at 11:28 AM UTC
Goodbye, My Former Fellow Traveller
The first thing that happens is the world collapses. That is, it reduces down but only I seem to notice. Everything becomes flatter, the depth stripped away like rotted lumber, like when they gut a building but leave the historic facade, and I feel like I'm limping postcard to postcard until eventually like I'm peering into a discarded diorama, where everything is smaller than it should be, the crudest copy of itself, and everything is bounded by shoebox limits I can sense them everywhere. The second thing that happens is that I avoid everyone. I avoid my mother on Christmas, I can't look my therapist in her eye, I cancel a date because I can't handle the contact. I touch my skin and it's like touching paper that's been creased hundreds of times - old pulp that frays and splits. The third thing that happens is that I lose interest. I put in whatever minimums the day requires and not a scratch more. I put my mail aside and watch crows gather on the branch, facing the valley, black eye to black eye, base wings folded against the sleek unbearable body. The last thing that happens is that life cheapens. It's hard not to notice, since the papers and the news and everybody's phone blasts forth the parade of death. No one is spared, children, animals, the happy, the hale. And soon these thoughts - that life ends without reason, that God has retreated from the world, that no step is worthwhile - begin to bleed in my head. They lead to the paralysis of a patient wrapped in gauze, leaving only the eyes free to move and notice the great black wing that scythes into the valley, feathers dark as stout, the sun setting in its usual incompetent way, the wing so graceful that it might be the only beautiful thing, falling out of sight, into nothingness, down the slope into the stale dusk, into the exact center of a limitless depression.
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Dec 28, 2017
Dec 28, 2017 at 3:29 PM UTC
Cracking Up
The first thing that happens is the world collapses. That is, it reduces down but only I seem to notice. Everything becomes flatter, the depth stripped away like rotted lumber, like when they gut a building but leave the historic facade, and I feel like I'm limping postcard to postcard until eventually like I'm peering into a discarded diorama, where everything is smaller than it should be, the crudest copy of itself, and everything is bounded by shoebox limits I can sense them everywhere. The second thing that happens is that I avoid everyone. I avoid my mother on Christmas, I can't look my therapist in her eye, I cancel a date because I can't handle the contact. I touch my skin and it's like touching paper that's been creased hundreds of times - old pulp that frays and splits. The third thing that happens is that I lose interest. I put in whatever minimums the day requires and not a scratch more. I put my mail aside and watch crows gather on the branch, facing the valley, black eye to black eye, base wings folded against the sleek unbearable body. The last thing that happens is that life cheapens. It's hard not to notice, since the papers and the news and everybody's phone blasts forth the parade of death. No one is spared, children, animals, the happy, the hale. And soon these thoughts - that life ends without reason, that God has retreated from the world, that no step is worthwhile - begin to bleed in my head. They lead to the paralysis of a patient wrapped in gauze, leaving only the eyes free to move and notice the great black wing that scythes into the valley, feathers dark as stout, the sun setting in its usual incompetent way, the wing so graceful that it might be the only beautiful thing, falling out of sight, into nothingness, down the slope into the stale dusk, into the exact center of a limitless depression.
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In silence now, lost all senses and time. mistaking favor, to whatever God I'd leave behind. Embracing a cold night. White hands paling rip around me pull my head down and to the side. for all my sobbing surrender, screaming, whaling, voices his favorite lullaby. My kind of lonely rejoices an impaling goodbye .The dozens in dimes paid for, The Devil throws a grave rose mockery in my sight. Horrific benighted, there's no pretending our knowing who gets through. Now gazing into me, "you see how much God's love remembers you?" "Sneaking around him is nothing new." "I'll lift your eternal warnings." Thinking my dying hearts no place for a soul to reprimand, and warnings always stand. pointing to look to the promised land, from here we see coffins of glass poking through the sand. Devil rolls his tongue, contorting the messages to lies. Sighing, "only selling closure for the broken, and before they die, they're always asking for new, agent blind less, pain enabled, and filters to my lies, you know there's always a truth in what I do." All actions have paid for, misery prayed for cheapens a forced fed compromise. knees cracking the ground, clasping hands and hollow eyes, agony stayed for, pain in magnitudes you could never never describe. take the gate keys to your burned down bridges," enjoy the blue night cold before white hot ignites the sky.
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Jun 6, 2013
Jun 6, 2013 at 7:29 PM UTC
2 devils are leaving
Just as Minnie gets in the mood to play the Debussy Violin Sonata her mother says the photographer is waiting and so she has to go along to the lounge and pose and have her picture taken and as she stands there with her violin dressed to the nines the photographer says no do not smile it cheapens the effect and so she stiffens her lips and stares at the young photographer’s moustache and her mother says do has the man wants dear and don’t pout so and so she ceases to pout and   gazes at the box camera and man hidden behind the cloth his hand visible and do not move he says hold it do not fidget dear her mother says and puts her hands on her shoulders and places her in the position her mother thinks the photographer wants is that it? her mother asks the photographer smiling in that way she smiles that gives the impression of an imbecile yes yes he says that is it and so she stands as placed the sensation of wanting to urinate suddenly upon her and so she squeezes her thighs together her knees touching her hands gripping the violin trying silently to keep the ***** in.
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Jul 5, 2012
Jul 5, 2012 at 8:17 AM UTC
WHAT IS SOMETIMES HIDDEN.
We are surrounded by wonder Saturated by it A glorious sunrise Languid palm trees swaying Beneath the introspective moon The sublime poetry Bled out of a thousand broken souls All laid out on my news feed Day after day after day Social media cheapens it Our whoas become mehs We are deadened to what used to be wonder What brought our ancestors to their knees and tears Is now ignored for notifications and other drivel 5 MIND BLOWING FACTS ABOUT **** *** CLICK 'LIKE' IF YOU LOVE JESUS YOU'LL NEVER LOOK AT KALE THE SAME WAY AGAIN Please. Now wonder takes a new form for me It blossoms when you blink open your eyes As I kiss you awake Wonder is anxiety twitching your lips side to side While you twiddle your fingers. It's your pinkie hooking around mine And your head resting on my shoulder It ebbs and flows in the sway of your hips As we waltz to your Spotify playlist It shines in your eyes Pleading with me for calm When my temper flares It lurks In your smile In your snore In your snort And a thousand other quirks That you dismiss as annoying Let the trinkets of nature and man mold over Let social media lay waste to meaningful interaction You encapsulate wonder fully.
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Apr 27, 2016
Apr 27, 2016 at 12:09 AM UTC
Wonder
"No. It's okay. Sounds like you need somebody to talk to." That's true. Just like, the wind here is biting cold. My ten-times-broken knuckles make me feel old. I always know when the weather is changin'. I brace the gale with practiced patience. Just like, if you hear something often enough, it cheapens. "You're so strong." 'You're stronger than I am." Just willing enough to be wrong, that's what I am. Willing enough to see me in you and know that it's true that we are the same, separately. The weather up here is different. For the first time in my life, I see seasons. "Everything is connected. We are parts of the same whole." Just like, when the neon leaves fade to death to live in perfect spirals... giving the frozen air a soul ... I see the parts dance together. My peace is in these trees and hills... in these winter chills. I could be free here. But there is real fear in harboring that escaped chaos.
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Dec 9, 2014
Dec 9, 2014 at 9:23 PM UTC
Holy Math
There's a gun in Your hand O son of the sun That hushes Your voice and Cheapens Your words There's a gun in Your head O sun of the son That blinds Your vision and Deafens Your ears There's a gun at my heart O son of the sun With a gentle squeeze You trigger my ache Give me the gun, O sun of the son For it is my turn to aim
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Apr 11, 2012
Apr 11, 2012 at 7:28 PM UTC
O Son of the Sun
Saw you go in those *** shops in Stockholm, she says. We sit outside a café in Oslo drinking coffee and eating creams cakes. Just looking at the books. Why? What so good about the ******* in the books and not us other girls? I sip the coffee and light up a cigarette from a pack; she takes one, too, and looks at me. It's a matter of posing. Posing? Yes, how they pose. She frowns, sips her coffee. We can pose like they do; it's more than that. I study her features, the eyes focusing, the lips part open, her hair curly and tight. It's the way they look at you from the photographs. How do they look? Haven't you seen those kinds of books or mags? Why would I? Curiosity? Never looked. I inhale cigarette smoke. I saw my first girly mag when I was at high school, when a friend brought one to school, and I thought: what the heck's that? Don't you find it belittles women? Some I saw weren't belittled any place. I mean as a ****** gender, Dalya says, grabbing me with her eyes. No, it's just dames posing in the **** or in skimpy gear showing what God gave them, I say. It cheapens women; makes them objects for men to pore over with their eyes and see as just that: objects, she says. I drain my coffee and put the cup down. Another coffee? No, I’ve not done with this one. I raise a hand and a waitress comes and I order another coffee; the waitress walks off, her black dressed *** swaying. What was it you were saying?
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Jan 11, 2015
Jan 11, 2015 at 4:10 AM UTC
STOCKHOLM 1974.