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JJ Hutton Oct 2011
I met Virginia in a wave of sleet.
On Decatur, a hundred winters ago,
with a black iris, black hair in ponytail,
with a tongue like a nightcrawling widow,
Virginia whispered tornados behind the backs of the
grey-suited saxophone players, going blue in the cheeks,
under their blackface.

Under a flimsy sheet of moon sliver sky and a dim streetlight,
Virginia kicked a soda can along the cracking concrete.
With each bar we passed, I hollered, "Thank God we're alive!"
and danced a shapeless jig.

Near Williamson cemetery, Virginia's white knuckles laced into mine.
"The amount of time we have cheapens whatever purpose we have,"
Virginia hissed.

I caressed her serpentine neck.
A lone car's high beams
made Virginia's silhoutte tower above the cemetery gates,
made Virginia's black irises madden to poisonous yellow.

She loosened my grey necktie.
I let down her hair.
A sea of collected strands fell
like a closing curtain.
The distant saxophone ascended to heaven,
leaving me below,
leaving me below,
leaving me to spend the night bellowing for above.
On being asked, Whence is the flower?

In May, when sea-winds pierced our solitudes,
I found the fresh Rhodora in the woods,
Spreading its leafless blooms in a damp nook,
To please the desert and the sluggish brook.
The purple petals, fallen in the pool,
Made the black water with their beauty gay;
Here might the red-bird come his plumes to cool,
And court the flower that cheapens his array.
Rhodora! if the sages ask thee why
This charm is wasted on the earth and sky,
Tell them, dear, that if eyes were made for seeing,
Then Beauty is its own excuse for being:
Why thou wert there, O rival of the rose!
I never thought to ask, I never knew:
But, in my simple ignorance, suppose
The self-same Power that brought me there brought you.
RLG Jan 2017
An open letter
to those poets
who align
to the center:

                                        When prose sits in the middle
                                         it resembles gift-card drivel.
                                             It cheapens your work;
                                              your use of italics irks.


Choose a side.
I don’t care if it’s
left or                                                       ­                                right,
                ­                                                                 ­ Or center-right
                                         ­                                                     or alt-right­
(whatever that is).

The indecisive
have a lot to answer for
us being                                                       ­                                                  divisive.

Did that centered
poem you wrote
distract you from
casting a vote?

Stop fence-sitting
                                                   ­         in-between
and enjoy a
splintered 2017,
                                            ­                                                   from one side.
Disclaimer: I have used my dislike for center-aligned poems as a device to be 'political'. I understand this is a stylistic choice and I do not mean any offence to poets who prefer this layout. My opinion on this matter is dwarfed by my political frustrations.

If non-voters feel uncomfortable reading this poem, that is precisely the intention.

http://www.forbes.com/sites/omribenshahar/2016/11/17/the-non-voters-who-decided-the-election-trump-won-because-of-lower-democratic-turnout/#2991af3440a1

And yes, this was a nightmare to format on Hello Poetry. It is less of a mess in a Word doc. Still a mess though.
Hal Loyd Denton Jan 2013
Start the journey as an empty canvas if necessary go to the rough hewn even the disturbing aspects of
Life use it as a etching device so when the paint is applied first it will be extraordinary the touch of
Enthralling this is a deepening agent going to the unusual that borders on the profound this is vibrancy
That stirs the questionable a replacement of priorities and alchemy of the standard to the high
Rendering of pure gold you find these measures in what others avoid a woman disfigured slightly on the
Outside And then impaired by the mind by a stroke she chooses her words carefully she speaks heavenly
Because She is pure of everyday sediments your communication is not of the intellect but her every
Word tugs at your heart what a privilege so much in life is distasteful when instead of being truthfully
Human we get caught up in the dance the mockery that cheapens life you can stop and dispel this
Unpleasant rudeness by the simple act of laying your hand on ones shoulder feelings rush forth and are
More meaningful than verbiage I’m speaking of dealing in the realm of need not achievement the brief
Encounter with the woman in the wheelchair is unforgettable and lasting the beauty of an innocent
Child is found in many delightful ways but even when others are fearful and offended they will ask when
They are confronted by a vicious and deadly reptile in their midst they ask the authority figure who steps
Into protect them with sweetest voice they ask your not going to hurt him are you that truth and
Statement is a testament to the power of love to disarm serious problems to regress into childhood at
Certain times is a good thing and it will bring the height of character and pure beauty to the fore we all
Have witnessed and experienced the opposite nothing but contamination and waste laughter and pain
Are the two meaningful halves of life sickness in life is the forge that transforms life from ordinary to
Extraordinary the darkened sick room is the stronghold where mercy is most alive faith soon follows
Where tenderness is the flower and the crushing truly does permeate as the scent made up of hurt and
Emotional strain and most of all is bordered on all sides by love you can go in many ways but you will
Emerge changed and will be counted as a blessing by each person you reconnect with this doesn’t come
By amusement but by the secret chamber of suffering it’s the rare place where darkness creates not
Light Only but a spectacle that matures the least into a stalwart fount that streams to all in recaptured
Lasting Beauty
Words bolt out but no ears hear,
Bending vowels of drained attention.

She smiles in racing blossom intervals,
the atmospheres of bending bludgeons.

But still I am in love with her, fool me.
He who talks without lips moving.

See the juvenile mouth extrapolating
to judgements faulting into aching.

I wonder, well sometimes I do think,
what fashionable jungle I'm to be?

After all, she finds life too busy
to wonder long about such as me.

Immobile with soundless ambition,
the rocks grow but not in splendour.

So this is how it must convert to action,
that she succeeds where I blunder.

Oh well, so that is how it will coexist,
with words drained and solitary existing.

"Be robust" I murmur to myself, with
heart closed and cognizance brooding.

"Goodbye, my former fellow traveller!".
I am off to request novel occupations.

You your way, and I, unhappily waving.
Exhalations the only sound which cheapens.
Evan Stephens Dec 2017
The first thing that happens
is the world collapses.
That is, it reduces down
but only I seem to notice.
Everything becomes flatter,
the depth stripped away
like rotted lumber,
like when they gut a building
but leave the historic facade,
and I feel like I'm limping
postcard to postcard
until eventually like I'm peering
into a discarded diorama,
where everything is smaller
than it should be,
the crudest copy of itself, and
everything is bounded
by shoebox limits
I can sense them everywhere.

The second thing that happens
is that I avoid everyone.
I avoid my mother on Christmas,
I can't look my therapist in her eye,
I cancel a date because
I can't handle the contact.
I touch my skin and it's like
touching paper that's been creased
hundreds of times -
old pulp that frays and splits.

The third thing that happens
is that I lose interest.
I put in whatever minimums
the day requires
and not a scratch more.
I put my mail aside
and watch crows
gather on the branch,
facing the valley,
black eye to black eye,
base wings folded against
the sleek unbearable body.

The last thing that happens
is that life cheapens.
It's hard not to notice,
since the papers and the news
and everybody's phone
blasts forth the parade of death.
No one is spared, children,
animals, the happy, the hale.
And soon these thoughts -
that life ends without reason,
that God has retreated from the world,
that no step is worthwhile -
begin to bleed in my head.
They lead to the paralysis
of a patient wrapped in gauze,
leaving only the eyes free to move
and notice the great black wing
that scythes into the valley,
feathers dark as stout,
the sun setting in its usual
incompetent way, the wing
so graceful that it might be
the only beautiful thing,
falling out of sight,
into nothingness,
down the *****
into the stale dusk,
into the exact center
of a limitless depression.
Nixon Vang Jun 2013
In silence now, lost all senses and time. mistaking favor, to whatever God I'd leave behind. Embracing a cold night. White hands paling rip around me pull my head down and to the side. for all my sobbing surrender, screaming, whaling, voices his favorite lullaby. My kind of lonely rejoices an impaling goodbye .The dozens in dimes paid for, The Devil throws a grave rose mockery in my sight. Horrific benighted, there's no pretending our knowing who gets through. Now gazing into me, "you see how much God's love remembers you?" "Sneaking around him is nothing new." "I'll lift your eternal warnings." Thinking my dying hearts no place for a soul to reprimand, and warnings always stand. pointing to look to the promised land, from here we see coffins of glass poking through the sand. Devil rolls his tongue, contorting the messages to lies. Sighing, "only selling closure for the broken, and before they die, they're always asking for new, agent blind less, pain enabled, and filters to my lies, you know there's always a truth in what I do." All actions have paid for, misery prayed for cheapens a forced fed compromise. knees cracking the ground, clasping hands and hollow eyes, agony stayed for, pain in magnitudes you could never never describe. take the gate keys to your burned down bridges," enjoy the blue night cold before white hot ignites the sky.
Everything better us a analogy. Not a convert poem, religion baited our Pentecostal. All in here are caterers only.
Terry Collett Jul 2012
Just as Minnie gets in the mood
to play the Debussy Violin

Sonata her mother says the
photographer is waiting and

so she has to go along to the
lounge and pose and have her

picture taken and as she stands
there with her violin dressed

to the nines the photographer
says no do not smile it cheapens

the effect and so she stiffens
her lips and stares at the young

photographer’s moustache and
her mother says do has the man

wants dear and don’t pout so
and so she ceases to pout and  

gazes at the box camera and man
hidden behind the cloth his hand

visible and do not move he says
hold it do not fidget dear her

mother says and puts her hands
on her shoulders and places her

in the position her mother thinks
the photographer wants is that it?

her mother asks the photographer
smiling in that way she smiles that

gives the impression of an imbecile
yes yes he says that is it and so she

stands as placed the sensation of
wanting to urinate suddenly upon

her and so she squeezes her thighs
together her knees touching her

hands gripping the violin trying
silently to keep the ***** in.
Nevermore Apr 2016
We are surrounded by wonder
Saturated by it
A glorious sunrise
Languid palm trees swaying
Beneath the introspective moon
The sublime poetry
Bled out of a thousand broken souls
All laid out on my news feed
Day after day after day

Social media cheapens it
Our whoas become mehs
We are deadened to what used to be wonder
What brought our ancestors to their knees and tears
Is now ignored for notifications and other drivel
5 MIND BLOWING FACTS ABOUT **** ***
CLICK 'LIKE' IF YOU LOVE JESUS
YOU'LL NEVER LOOK AT KALE THE SAME WAY AGAIN

Please.

Now wonder takes a new form for me
It blossoms when you blink open your eyes
As I kiss you awake

Wonder is anxiety twitching your lips side to side
While you twiddle your fingers.
It's your pinkie hooking around mine
And your head resting on my shoulder

It ebbs and flows in the sway of your hips
As we waltz to your Spotify playlist
It shines in your eyes
Pleading with me for calm
When my temper flares

It lurks
In your smile
In your snore
In your snort
And a thousand other quirks
That you dismiss as annoying

Let the trinkets of nature and man mold over
Let social media lay waste to meaningful interaction
You encapsulate wonder fully.
To my geisha. Thank you for giving me brand new eyes.
Aubrey Dec 2014
"No. It's okay. Sounds like you need somebody to talk to."
That's true. Just like, the wind here is biting cold.
My ten-times-broken knuckles make me feel old.
I always know when the weather is changin'.
I brace the gale with practiced patience.
Just like, if you hear something often enough, it cheapens.
"You're so strong." 'You're stronger than I am."
Just willing enough to be wrong, that's what I am.
Willing enough to see me in you and know that it's true that we are the same, separately.
The weather up here is different.
For the first time in my life, I see seasons.
"Everything is connected. We are parts of the same whole."
Just like, when the neon leaves fade to death
to live in perfect spirals...
giving the frozen air a soul ...
I see the parts dance together.
My peace is in these trees and hills... in these winter chills.
I could be free here.
But there is real fear
in harboring that escaped chaos.
Rose Alley Apr 2012
There's a gun in Your hand
O son of the sun
That hushes Your voice and
Cheapens Your words
There's a gun in Your head
O sun of the son
That blinds Your vision and
Deafens Your ears
There's a gun at my heart
O son of the sun
With a gentle squeeze
You trigger my ache
Give me the gun,
O sun of the son
For it is my turn to aim
Terry Collett Jan 2015
Saw you
go in
those *** shops
in Stockholm,
she says.

We sit outside
a café in Oslo
drinking coffee
and eating
creams cakes.

Just looking
at the books.

Why?
What so good
about the *******
in the books
and not us
other girls?

I sip the coffee
and light up
a cigarette
from a pack;
she takes one, too,
and looks at me.

It's a matter of posing.

Posing?

Yes, how they pose.

She frowns,
sips her coffee.

We can pose
like they do;
it's more than that.

I study her features,
the eyes focusing,
the lips part open,
her hair curly and tight.

It's the way
they look at you
from the photographs.

How do they look?

Haven't you seen
those kinds of books
or mags?

Why would I?

Curiosity?

Never looked.

I inhale cigarette smoke.

I saw my first girly mag
when I was at high school,
when a friend brought
one to school,
and I thought:
what the heck's that?

Don't you find
it belittles women?

Some I saw weren't
belittled any place.

I mean
as a ****** gender,
Dalya says,
grabbing me
with her eyes.

No, it's just dames
posing in the ****
or in skimpy gear
showing what God
gave them,
I say.

It cheapens women;
makes them objects
for men to pore over
with their eyes
and see as just that:
objects,
she says.

I drain my coffee
and put the cup down.

Another coffee?

No, I’ve not done
with this one.

I raise a hand
and a waitress comes
and I order
another coffee;
the waitress walks off,
her black dressed ***,
swaying.

What was it
you were saying?
A COUPLE IN STOCKHOLM IN 1974 AND MEN'S MAGS.
Kiernan Norman May 2023
I tried mining nuance.
I tried burying my limerence in
parking lots and kicking
gravel over the glowing parts.
My tongue was never that flexible,
and my knees were never that strong.

If I still smoked black cloves
with pigeon-footprint-fingers,
cooing with beaded arms,
and dissected birds,
I would be all in;
I would win this game.

A rabbit crosses the field.
Something caws.
Our clock is dead.
This filthy week has been
wind spun in darkness,
I’m inching towards light.

You’re stitching boring words,
every point you knit cheapens
my morning. I’m just here to gleam.
Daylight rolls toward me,
tasting my cheeks-
all light.

And then I’m gleaming,
warm, illusive, bathed
in a poem sunbeams
wrote because they missed me.

Live knee-deep
in language but be certain
of magic.
Dignity whispers
that you’re sleeping.

Not much closed to my kiss,
not much cracked to my scream.
I want to be a phenomenon.
Phenomenal.
All light. All gleam.
Tyler Matthew Dec 2020
The desolation of artistic expression -
virtue signaling, mood pieces -
cheapens the message.
Daily I am deceived by what I read.
I thought not that I would struggle
finding comfort and truth in the house of poetry;
a house we all have had a hand in building.
Indeed, poetry is, at its foundation,
patient and playful, and honest
and yet, I find nothing more than disingenuity
creeping beneath the eaves,
pseudo-poets with no better avocations,
no real love for the craft.
It is a shame, in fact,
that one's concentration could be
so fixed upon the ego
that the heart lacks any good judgement.
Though, I suppose, every generation
has its fools, its phoneys.
Yes and even now, as I toil in my home,
persistent and earnest,
I can hear a window break,
see shingles strewn about the lawn.
I wrap my arms around my tears
raining upon my misery. I'm in no
position to make demands. I beg for
you to unfold me upon myself until
they see the real me as you did. You
knew me with Virginity before you
took it from me and left me to bleed
from the wound that never goes away.
It never shows mercy. It cheapens me.
It leaves the smell of blood perfume.
It has to be shedding just another of society's burdens. We're all born into unknown worlds. We play as children and go to the same public schools and assimilate and are best friends and turn the giant wheel of a generation.
olivia Apr 2020
Because that’s all I will ever be to you, an afterthought,
a passing memory perpetually in retrospection.
Because you see no purpose for my humor,
for my interests, for my happiness.
Because you have no patience for my candor,
for my strength, for my opinions.
Because you view challenge as hostile threat.
Because you know not of the damage you cause.
Because to know is to care, and you can only pretend to.
Because your volatility is not towards me, but the world.
Because my unwavering affection cheapens my appeal.
Because my unconditional admiration translates as an exploitable blind spot.
Because your actions will always reveal what I yearn to ignore,
in exchange for your touch.
Because you will never,
have never,
can never,
feel the same way.

How do I know you so well, and yet to you I stay a stranger

Why are you one who I cannot beguile, the only one to make me feel less than enchanting?
Why does this haunt me, motivate me, petrify and puzzle me?
Why will you never see my intrinsic value?
Why do I keep waiting for you to?
Why are your gemstone complements, rarer than diamonds, never more than skin deep?
Why am I always and only an option when you are bored?
Why do I eagerly accept this role as meaningful?
Why are your patterns so easy to predict, and yet impossible to accept?
Why do you say such hollow words that sound so heavy?
Why do I ignore the cyclical misery of a pretty lie?


-Because I Already Know Why

— The End —