The burr shaking in a
Bohemian Awakening
(Long) vintage stare how
her words were spelled
out snake tongue (Short)
The Death
Whats Up* Chap of a sport
Whats Up Doc
Going tick tock Mr. Rick
Don't trick this document
Oh! where did it drop
What!! He made the drop
dead gorgeous dress?

Born to die last lip of the spoonfuls
Cut to the chase with my chap lips
More deaths on the rise to deliver 
 
How love was the
mind controller
Hands out of the grave
couldn't hold her
Like the Boulder Chief head
Hothead on her shoulder
The better herbs of medicine
His racing car hot flame
gasoline

The Rapsody of her melody
holding on to her life
What a unique wife
Until time changes her moods
Opening up her world of flower buds
A different silence of home goods
We do believe we can be

The Champions

But the fallout of promises
Or jobs never big advances

Oh! Christ
Her chapped lips needed some
time to heal where is her next meal
The heat catching a death of cold
But staying alive the second
wind hot Ferrari Italian drive
Feeling deathly-sick faking
your death was no trick

Who disappeared never
really certain
if it was truly their
Building the fire mountain
Don't keep complaining
where the time went
Death of a cold wishes
not to die
where is our youth
Only takes one amazing birth
Lips kissing the fountain
The fortune teller booth

Who would want her chapped lips
Baby Ruth crunchy bar
down the mountain
The love confused her the
death would be
faster going once or twice up
Guilty trip or the graveyard shift
Hangover ski lift with her
Beeswax for chap lips
Taxman on the number rise flirting
What a good chap
In her coffee cup a little Robin birdie
told you

You made your own grave
time on my side or hanging
by a thread of stitches
Hats off up and away
Getting a green facelift of witches
You lived so far the good life
Feeling so wanted
he cooked your meals
He cleaned up your mess wearing
The Chef Apron 
 *He's Wanted the sign
All over the world,
his face is wanted
The fool lips the fuller up lips
The heart went out of touch a deathly cold
She is wearing her heart-shaped lips
Doing what she is told
How the world has been
smudged with
rules
Noone knows where here

All her cracks of her lips
The cute button nose
Not Rudolph the Reindeer
The hunt for the ****** nose
Up close and personal
Lip to his lip journal
Such odds of numbers
So many even deaths
like tumblers
Through the loopers
Love and resentment
The world is a village commitment
Mcdonald Man beef and the
melted lady
cheese
whooper
You got an alert notice
The cast of spells the
fire went high
You couldn't even put it out
The death of a Salesman novice
Papercut snip computer nasty chip
The charcoal grill felt like it burned you
The fires new hires of California
The peace sign
Imagine people with no

Holy water
Whose mind is in order
The Dementia patients
Your own flame so many hot flames
The rest of the world caught a death
of a cold like an old flame

*The Goddess of Venus
The darker edge his cool hummer
Going on a shoot with chapped lips
Who is really keeping tabs

There was nothing to believe in to hold
To restore how do we balance the world
But we are not Gods
Chapped lips caused
such an alarm
All things take time then
it's in harm's way
Someone will understand to pay
Like a settlement
Deathly gray hairs on the pavement
Getting hurt but the best Godly soil
is still their like dirt
There was no reception hell broke
loose riot
Everything was naked sound
No time to sing a duet to
feet on the ground love couplet

That snow drift fall on your face
Who will be where you are in
the next century place

Perhaps your last picture
before you die
How the singer live on
to be remembered
  Why are we not discovered
Can we be saved from redemption
Like you have been squirted on
Like Heinz Ketchup did you catch up
To get his kiss did he feel your death of cold
But never to exist
What is on our bucket list?

i can't stop it.
an addiction. i'm an addict.
no self discipline, no control
my hands, my fingers keep returning
and returning on
my chapped lips

it began last week. cold day,
caught a cold. breathing through my mouth.
sick and dry
dry lips.
there's an itch on my finger, i began to touch
my chapped lips

i thought it was a one time thing,
something reversible, something stoppable.
i was wrong, i was dumb, i was so wrong.
when my fingers stopped retaliating the blood,
it, the addiction, turned my teeth onto warriors
on the scrimmage on
my chapped lips

one night, i stopped
in the morning it was worse.
a wound hasn't healed, and another
on top of it. skin and flesh, on a rotating schedule
i'm scared but i don't stop. i'm scared
but my body just turned its back on
my chapped lips.

nothing has changed. blood and wound
scar and then wound,
i haven't stopped. and now i'm not scared.
i thought, i'm good at healing.
so, my chapped lips

will stay. scars may come,
but it's just my lips.
nothing good
has ever touched
my chapped lips.

Chapped Lips (BrainRAPE)
Women have brutally ***** my mind, cursing my physicality.
My eyes are celestial ghosts.
My pores are drilled against pine pieces.
Little fingernail pieces…
I clutch my hands together to guard my fingernails from buzzards.

I **** chicken gizzards into my mouth, raw.
With chapped lips.
They have chapped lips, all of them.
Chapped lips to **** in their food.

I’ve been conditioned
like freshly washed hair
for years
do not offend
unless the end of the sentence is “im sorry”
let the shoes and boots and heels of many make indents on you
like blueprints of demurity swaddled in insecurity
kept alive by the blurry ideas i once held about femininity
because i couldn't be a girl if the words that flew from my chords
were anything but rosy
ring around the Josie, pockets full of suppose he was to compliment your ****
when walking down a thorough-fair
busy people back and forth and grandmas with wrinkled sweaters
thank you
muttered from chapped lips and an even more chapped psyche
why must i keep my wits about to not risk making him angry
that was not complimentary but i am fearful he might spit my words back onto me
in the form of fists and slurs and honestly
im tired
of being the sidewalk beneath the feet of creeps
i am the sky and the trees and the moon
but i do not speak with the wisdom of travelling seeds
i speak with the warmth and subtlty of freshly microwaved milk
like soft silk i wish i could tatter
i wish venom soaked words could be spit in response to your “compliments”
but i would rather let you diminish me for the few moments it takes to objectify me
than to risk angering your inner beast and suffering the consequences of meninism or masculinism
whatever the word is this week
i will not be another number
ink soaked paper red with the monthly bloodshed of the sisters
every second is another unspeakable act
i see women
with tongues as round and large as planets
and tonsils the size of solar systems
birthing new galaxies in the words they speak
and shooting comets like fiery ***** of comebacks
when that slack-jawed fool sat and wished and drooled
into his monthly issue of mens rights magazine
she tore down the even minuscule belief he could have had that he had the right to comment on her body
in three seconds his pride, and entitlement
shifted into shame
and embarrassment
and i envy these women
because the only time i can take back my power
is when i am standing in front of a room
speaking rhymes and metaphors preaching independence and strength
to a group of people who now think i am a hero
i am not a hero
i put my shoes on one foot at a time
and i still manage to forget a couple days of birth control here and there
and i cant stand up for myself
in the moments after an attack i retreat into my latte and pray today will not be the day the male dominated society takes my power away
because i am small
and though i am growing every day
i still can only pray
that one way or another
i will be able to be as strong a woman as my sisters
my mother
and take back my power
and speak not with the beauty of a flower
but with the sharpness of a bumblebees sting
and one more thing
your compliments
are not complimentary

When you love someone who doesn't love you back your world ends.

When you love someone who doesn't love you back you keep pumping love. You are so oblivious and eager that you give them so much love. No matter what they won’t give it back.

When you love someone who doesn't love you back. You feel nothing but absolute pain and sorrow. You feel like there nothing left except the love that won't be taken. Your love is so strong and there’s so much that it floods you.

When you love someone who doesn't love you back. You feel hopeless because of all the love you gave this person and how much you'd do for love in return. You'd give them all the time in the world, all the love in the world. You still do this relentlessly even though they wont give you five minutes when you need that five minutes.

Being in love with someone who doesn't love you back is a burning red pain. It's a pain like nothing else because no matter what you do, no matter what medicine or treatment you give to that pain it's still there. It's there when you see his face, hear his voice, remember his touch. It's always there.

When you're in love with someone who doesn't love you back, you don't have to worry too much about them intentionally hurting you. That's because everything small memory you've over analyzed hits you across the face over and over. You're constantly hating yourself because this one person was so important to you and now he's gone. “I should've done..” “Why was I so..” “No wonder he doesn't..” Those thoughts are toxic and seizes up your body.

When you're in love with someone who doesn't love you back, you get so ******* close to hating them. You hate that they've ripped you open, eaten you up and have left you to decay. You hate that they have let you hate yourself more than you could ever hate them. You hate them because of the things they gave you which weren't all good. And the things they stole. Like crying on their shoulders which they gave, but your pride they took.

When you're in love with someone for the first time and they don't love you back, you never want to fall in love again. You never want attachments with anyone because of this substantial pain that is constantly there. You never want to kiss with love, talk with love, witness love. You never want love unless, it's that one person you love. That's the only thing that matters. Love had a horrible reputation, it's either make it or ******* break it. Not take it.

When you're hurt by someone who can't feel pain, you wish you never fell in love. Never in lust, never started talking, never meeting. You wish you could erase their smell so you wouldn't ever have to think about why you remember it so well. You wish you can't vividly remember how their arms felt and how they were once so welcoming.

When you love someone who doesn't love you back, you are pathetic. You cry in bed while replaying your first kiss, first date, the time you fell asleep together. You can remember every feeling from the first time you felt love to the first time your heart skipped a beat because, well, it was ending. You remember the goosebumps running down your back when you last touched his hand as you left his car. That was the last time you'd be in his car. And that was the last time you touched his leathery skin that was wet from your tears. And that was the last time he would know how much you loved him.

You replay every memory over and over until they're worn out. And after they're worn out you can't ever get new ones. You love this person and you will for a long, long time. But they won't ever love you. They won’t get those stomach tickles when you hear their name. They wont miss having their chapped lips against your neck tickling you elegantly. Because to them that doesn't matter, they didn’t feel love.

When you're in love with someone who doesn't love you back, it's almost impossible to stop loving them. No matter what you do. No matter what they did. No matter how it hurts. No matter what, you will love them.

When you love someone who doesn’t love you back, you are incapable of stopping because you are paralyzed.

Moments
Like ordering two mochas
Just to watch you make them
Forgetting your name five times
Before getting your phone number
Wiping chocolate off your shirt
Trying unsuccessfully to flirt my way
Out of spilling on you
Little moments
Like finally having the guts to ask you out
Running to the coffee shop full speed
Just to find out it was your day off
Sulking my way through my third cup of tea
Cursing the fates for their insolence
Right until you walked in to cover someone else's shift
And running out too scared again
Little moments like those
Remind me why I fight through
Big times like these
Little moments
Like driving over the mountains
To get to the first big storm
Just to be the first ones to kiss in the rain
After the summer sun chapped our lips so long
We forgot the taste of our kiss
Little moments
Like the first time I took you out in heels
And you spent the whole night
Whispering to yourself about not falling
Right up until I fell twice
Down a flight of stairs
And for you
Little moments
Like you running over to pick my head up
Off the concrete
Staring at me with this look
That made me want to ask you if you were okay
Little moments
Like that remind me
That the big times like these
Are worth fighting for
That the big fights like these
Are worth ending
If only for the shot to have one more
Little moment
Like
A movie perfect scene in the snow
With snow ball fights, snow angels
And a snow man with coal for buttons
Eyes, mouth, sticks for arms and a scarf
But we didn't have a carrot
So you ran upstairs, broke off one of your heels
And called him Stalleto-face for a week
Little moments
Like
Burning three attempts at chicken cord en bleu
And begging the old woman on the phone
To put in one more order before they closed
And tipping $100 just to have the chance
To eat midnight fried rice on the living room floor
Because the table was full of
Foiled attempts at cooking
Little moments
Like those
So dear to me
Remind me there is no fight too big
To give up little moments with you

you
had a chapstick tube
stowed away in your bag of things you never put to use
those scarred chapped lips
scratching, tearing
crevice of your mouth craved my heart
bleeding, uncaring
and subsequently my mango chapstick would serve it's purpose
on your lips and never mine.
among other things, you had a pair of white socks.
you never wore them,
too pristine
(you'd ruin them as you teetered on slippery suspended logs)

you reminded me of a cracked open window,
always hoping you would be at the mullioned panes
chapped lips, white socks and all
but the only thing that pushed against the glass was the scent of mango air.
and
mango never smelt so bitter.

when
will you come home
replace the mango air with your feverish cologne.
a swaying of the breeze and your tee shirt wraps a cotton arm
around your waist
the bitter aftertaste
your tongue like grapefruit wedged against my teeth

i missed the smell of burnt bread bottom,
when we were in the kitchen
and the gown of silver hemmed water that danced down the roof,
tapping
again and again and again
but, when you come home next month.
I will be gone.

the mango
around our home
had long since
turned bitter
and that brown picket fence no longer bends around my heart
i am somewhere where the mango still smells sweet
and
boys give my their chapstick for i've long since run out of mine.

Late night texts
Sleepy eyes
Small smiles
Butterflies

Stolen moments
Held inside
Beating heart
Stupefied

~

Left alone
Tear filled eyes
Chapped lips
Scarred thighs

Empty promises
Cast aside
Broken heart
Terrified

~j.l.

I see you, monster...
In your sockets bore dead, dark eyes
They hold the blackest of stares
Nebulous swirling pits of demise

Thin lips would spout the most sibilant of hisses
Every so often would curl into a snarl
Dry and chapped, almost unworthy of kisses

Large, rough snout, jutting out like a crag
You sniff around tirelessly for easy targets
Preying on the unsuspecting minds of those under your flag

Tapering chin, sprouting strands of coarse hair
Unkempt and gritty from your last meal
Decaying teeth, crooked due to little to no care

Your face is cratered; tales of trying adolescent years
Wearing a face only a mother could love
Expressionless but it screams out your fears

Ugly jointed limbs that grew out of sync
Disproportionate, misshapen, grotesque
Little noggin with sparse hair, packed within, a brain that thinks


I hear you, monster...
As you stalk your sleepless nights
Nocturnal ambience be your playground
Lurking in the dark; places with no light

Bulky, heavy feet but deft and silent
Can barely notice when you're up and about
As if cloaked yourself stealthy, with steps ever transient

Respire you do, exhaling breaths so gnarly
Ingesting good air, converting into fervid, loathsome notions
With which you paint a portrait so ghastly


I feel you monster...
Deep within the recesses of my heart
Destroying and distorting all that was pure
Testing my will till I should fall apart

You're but the twisted manifestation of conscience
Feeding on my trials and nurturing them into vile abominations
I despise that of you but I seem to have developed dependence


I see you, monster...**
You're horrid and beastly, an embodiment of absolute horror
I await the day that you would finally dissolve
For I am weary of seeing you staring back in the mirror

I sit on the step
And draw
The cold around me
Like a blanket,
Savouring the numbness
And the heat
That begins within.
Swallowed by the night
Drunk on wine
And stars.
Hot tears on cold cheeks.
Seasoning for
Chapped lips
Stinging
Bringing fresh tears.
I take refuge
In the silence,
Under the gaze of
Sympathetic eyes.
My friends.
My constant companions.
Drunk on wine
And stars.

now, what exactly are you, blonde, blue-eyed boy?
with your kiss like nicotine and your touch like silk
your eyes like a glass pool
your lips oh-so-chapped and bitten
you're tragic and damaged
you're a habit, a routine
nothing you would expect from just a blonde, blue-eyed boy.

Ah, Yorkshire, thou art purer than Coventry;
and thy promises whiter; than my fluid poetry.
Thou art braver, prudent, and all the way more intelligent;
thy lands are mightier; and perhaps in every possible way-more imminent.
Thou art sincere-and so more delicate than wine, and thoughtful;
Thou adored my words, and made everything else healing, and more beautiful.

In my heart but there might have been no Yorkshire at all-
had I attended not one Coventry last fall.
I witnessed not-at t'at time, all t'is rude twilight-and toughness and madness;
and every chapped breath it had in its roughness, and hilarious-though indeed fake, felicity.
No soul has even bits of a heart, here, to forgive others' soreness,
No being wants to share; no human lives in joy, nor simplicity.
No delight indeed; as I stream my way through every roads;
Everyone is either busy with their selfishness or their coats.
No living is cared for; for humans are phantoms at night and on morns;
Vulnerability is mocked, and demised and often slyly torn.
Ah! Coventry is but a sphere of hell!
For even hell is still lighter when has it not hellfire;
As well cities are, when there is no scoundrel nor liar;
But Coventry is not at all tender;
Its wicked gasp is alive, and never to heartily surrender.
It falls for glory; it bows to such fears for pleasure;
And wanes by the light of whose death; the end of whose allure.
But thou art true-thou art as shy as every flash of virtue;
Thou art indeed-everything t'at is solemnly agreeable and brand new.
Ah, and just now-I had dreams of a fine image of thee;
Smiling within thy fullest verdure, bushes, and lavish undergrowth.
And thy summer is but vivid and friendlier;
Healing every sore heart, and turning 'em all, merrier.
Thou adored the nouns and verbs I wrote,
and admired such simple notions I quoted;
Thou shine upon me-asthe light that shall makest me grow
and the promising dim, faraway region, that lets me glow.
O, Yorkshire, this is still but too early in the transparent evening;
But I am deeply endorsed yet, by t'is poetry writing-
And with thy soul that remains but too witty,
Tearing me away, but with loveliness-
from my cautious present engagement,
Thy charms might be just too hard to bear,
for thy tongue is too sweet;
and thy veracity too chaotic, ye' imminent.
In thee shall I find peace-of that I am convinced,
Peace whose soul is calm, neat and on all occasions, careful-
Unlike t'is bustle which is at times perpetual, and sorrowful;
Unlike t'is very city of Coventry,
Which is damp with exultant bareness, and haziness,
In many ways exalted, but indeed too proud;
And its tongue which is blurred with sin and poison-
Its all-too-loud excitement makes everything but faint,
And at times sends my heart to exile, sends my heart to pain,
In every possible way too unlike thee,
With an imagery, and coaxing voices so sweet
Thou shall leave all my poems bright and freshly lit,
Even though I am still here, even though we are still yet-to meet.

Coventry is too proud and vibrant-yes, too vibrant,
Amidst its own foolishness, which sadly made itself formerly too elegant.
Too elegant to me-in various shapes, and keenly cloaked in unseen deceit,
But only by some beings, whom I was to meet, and my breath to greet.
And as I wake up to an early morning hour,
the plain summer strangely makes me thirst for honest water.
And should I love still-one intelligence t'at is so bitterly repugnant?
I shall certainly not; I shall turn to thee, Yorkshire, who is truer ye' far above, tolerant.
Ah, Yorkshire, but honesty is something Coventry promises not;
for its soul has been maliciously beheaded, and twitched,
It has been paled, corrupted, and despaired-
by its own claws, derived from the jaws of those evil souls
Veiled by their even still inhuman, disguises,
And shall still be wicked, otherwise.
In t'is sea of hate, and these waves of despondency,
I shall think of thee with tantalising depth and scrutiny,
Though thou art still imprisoned in my soul,
Thou who hath flattered and accepted me as a whole.
But Coventry is-still, accidental with some of its bindings,
For mortal as thou art, itself, and is unable to escape its fate,
Still I canst think only of the beauty of thy linings,
And upon thy lands shall I venture to fill my plate.
Ah, Yorkshire, remember that virtue is in thy hand,
but neither is vice-thy dormant enemy, is in its therein,
Virtue who is vile to all of t'is world's inconsolable men,
like in Coventry, as deemed it is, unreasonable and ungenerous, within.
Virtue which is tragically abandoned, in its pursuit of honour;
virtue which was rich, but flattened, and dismayed and disfigured
within the course of one unsupervised hour.
Ah, York, Yorkshire, when shall I ever taste the grandeur
And the very superiority of thy dignity?
For in yon picture, thou art still but a comely neighbour,
Which endorses and attests to my mute, yet unaffected-virginity.

Ah, but Coventry shall despise thee, and with its stubbornness
and overwhelming pride, shall jostle and taunt thee;
Shall defect and isolate thee-when I am but by thy side,
But God be with me still, and blind shall not, my virtuous sight.
Detesting and confronting thee for the remainders of years-as 'tis to be,
Which for thee lie ahead; as how hath it deluded me-just now!
I, who, disconcertingly, placed my heart within its sacred vow,
hath been robbed of my satisfactions, and utmost fortune,
All were perused in centuries and gone in one moon.
Ah, Yorkshire, shall I continue my poetry here-but call out endlessly to thee?
And shall I abandon this tiny caprice of mine-which is a fine, tiny desire of glory
And let myself on the loose, and for evermore be in search
of thee, whom I shall've lost-under the very indulgence of their mirth?
O, I think not!
For I shall mount my poetry-and achieve my silent dreams,
I shall take him with me, if allowed am I-to conquer him,
And make him and thee mine, just like I hath made my poetry,
And be thy light; and thy spiritual and endless reciprocal adoration
All day and night, at the end of our quest for destiny
Wherein I shall dwell, and thrive as my intellect be granted-its long-lost coronation.
O, Yorkshire, for within thy hands now I shall lie my faith-
and trudge along thy forking paths, unto the light of my fate.

Ah, Yorkshire, I am infatuated with these paintings-
these very paintings of thy lush green lands,
And of myself wandering and skulking idly about thy moors;
With my best frock, and his fingers, the one I love, entwined in my hand
As lights procured and on our storming out of yonder wooden doors.
I am shining like a bee is-upon the sweet finding of its honey;
but in whose tale 'tis like thee-to sweet and unpardonable to me.
Be with me, Yorkshire, and be with me forever, only,
As I leave behind this faint malice and commence my journey;
I shall be with thee, and my poems shall be free,
And t'is bitterness of winds shall be no more tormenting me,
Furthermore-be them what they desire to be;
But let me write; and play my song as beautifully as yon naive bee.

Ah, Yorkshire, and wait, wait again for me;
But before let me sink again into a deep sleep,
and tease thee again in my dreams;
Read me once more-the very passages of thy indolent poetry,
Take me out of my stiffness; swing me out of abhorrent Coventry.
Coventry shall be envious, and waiting forever for thy demise;
but honesty is honesty-and one that has no lies,
for thy virtue is clear as thy Western gem,
which is to God, shall always be virtue, all the same.

Life is my current lover.
I swig her ephemeral taste from my cupped hands
worried as the golden, shimmering liquid rushes through
creases and cracks in my jaded hands.
Her mood varies through my stages;
at times she is of doting temper and roseate kisses
but when love evades her, most often than not,
her calloused hands damage the pearly flesh in tender
places,
and discontent paints a surly mood as she digs her crimson
brush against the canvas of my self.
Life is my inconsistent lover,
sometimes doting but most often than not abusive.
So I vowed my eternal devotion to Death.
We escape under the dark canopy of starless wings;
a tryst.
I eat of the forbidden feasts in the Kingdom of Hades,
grains of scarlet pomegranates staining my chapped lips.
Death has promised me perpetuity.
But until Life decides to release me from her capricious temper,
I shall long for the wintry, rainy comfort of my drowsy affair.

As your salt stings my chapped lips and my open wounds I come less and less to you

You grit your teeth into dust that carries through your heinous breath that makes my eyes water and my heart ache

And I cannot believe not too long ago I turned to you for care and comfort and compassion but instead I was caught in a tight spot lacking wiggle room

I can feel you burning a hole through my chest as I ***** words and phrases that don't make sense when put together like

"I love when you make me cry"

No longer kissable
Not soft and plush
Cracked and sensative
Stinging inside
Layers ripped off
Simply unavoidable
Chapped lips are like my life

Every night was tortellini
when were roommates.

I complained about my chapped feet;
you bought me the wrong socks.
Black, mens, I clarified,
but you kept buying the women's.
Then one day you got it right,
only they were for you
because black is a warmer color than white,
and the socks of a man felt like cherubs.

I complained about my chapped feet,
you the heart of the world,
its cold silence.
But we remained "alright".
You bought new pajamas every night
and painted a beauty mark on your face
to match.

Years of x-marked places on our bodies
which no one saw because
we were cynics,
I the most.
No roses at our mat--we grew our own bushes,
ordered the ones with the extra thorns.
I charmed that snake,
you bit me on its behalf.
That I'd do such a thing
was shameful.

We were girlfriends in a can of salt,
tears in our eyes, mouths and ears.
We drank wine in bubble baths in our clothes
for three days straight,
or even four,
after that guy dumped you.

From then on
every night was tortellini,
La Dolce Vita, and--

and the freckle below your ear,
the horns growing from my forehead,
the way your falsies touched your cheeks,
late nights looking brighter
than they should,
than they normally would.
Pretending to be goddesses awaiting their gods--

while I awaited you.

Then you felt them too,
touched my head as though it were a fever.
I always knew you hated the suburbs,
and I did listen
when you complained about the gray rooftops
and the saturated green lawns--
"Give them a chance, please.
Then we'll get away--"
I begged, I relented--

The wine, finally, fermented.
You remember what I said next,
because after that you broke my heart.
I never doubted it was a bad idea
to say it



but I said it
and you left.

I have chapped lips. I try to smile to hide my sadness. Then they crack, blood oozes. While my fingers are stained red, I feel something. It reminds me of you.

Independent is the word they all use,
They tack it on me,
Let it hang a crooked ribbon.

Seeing all the things I already knew
Transcripted on the blanks of stacks of white and black,
Reverberating off chapped pink lips,
Takes me aback, shoves me into the corners of myself,
Tastes new like bird meat ****** off the bone tastes new.
I want to cut it up into little squares and abandon it in tupperware.
At least for a few days.

And now the future is palpable,
And I can almost just barely taste it
On my lips
Just like the chapstick
I applied 15 minutes ago.
The future is in my range
And I can just barely smell it
Just like the perfume I applied this morning.
I can smell it faintly, when I notice it
But times the smell disappears,
As I get used to it;
only to be reminded of it
When I receive a hug of congratulations
And my friend will say, "You smell nice".
And in that moment I sniff my sleeve to try and smell myself
And get frustrated when my chapped lips feel rough against the texture of my shirt.
So I reach into my pocket, and struggle to find a small skinny tube,
I grasp it in my fingers and apply it to my lips
Afterwards licking them,
Smiling,
Because I can taste the future once again.

Fall
color
fresh air
breathe in
chapped lips
chilling Fall air
leaves falling cold
reds and yellows fall
fresh air from the window
a chapped kiss as hands grip
hands grip hips as chapped lips kiss
naked hips kiss as clothes slip to the floor
bodies hard against the wall next to the door
tripping, over clothes on the floor, and out the door
laughing  gripping hands, dancing down the hall naked
bare feet on a hardwood floor, chilled naked skin, Fall air
long hair and pale skin, running naked to the shower, laughing
a bathroom door, old and wooden, opened with cold hands
cold hands turn a shower on and wait for warm water
hands wait and press hard against neck and breast
chapped lips bitten by teeth as hands grab hips
warm tongues, warm cold necks with spit
goose bumps spread, cold on legs
tiptoed hot water, laughter
wet feet, wet butts, hot
screaming from heat
laughing screams
naked and wet
so soothing
warmth
Fall

I run my finger across my lips.
They used to be soft and delicate
but this cold has frozen them.
My heart and my lips
seem to be chapped.

The smell lingered long after she had called the ambulance, after she had scrubbed the bathroom tiles back to a pristine white, after she had thrown out the ******* mangoes he had hid in the closet. For days afterward, she avoided the bathroom, showering the best she could in the old porcelain sink they had installed in the spring when he was able to keep fresh flowers in the kitchen vase. Those days, she would come home to jasmine and broken plates, marigolds and burnt biryani, pigeon wings and torn paper. Some days he was snake-quiet. Other days, his skin was fever hot, his limbs flailing to an alien language, his head tilting back, ululating.
Every day she would carry his soiled clothes into the laundry room, ignoring the thousands of whispered comments that trailed behind her. “Look how outgrown her eyebrows have become” as she strangled the hardened blood out of his blue longyi. “Look how her fingernails are yellow with grease,” as she beat the sweat out of his white wife beaters. “Look how curved her back is” as she hung his tattered briefs to dry in the small courtyard. The sultry wind picked up the comments as it breezed by her, carrying them down the road to the chai stand where they conversed until the wee hours.
Today, there is no wind. The coarse sun has left the mango tree in the back corner of the courtyard too dry, the leaves coiling inward. She picks up the green watering can filled with gasoline. The rusted mouth leaves spots on the worn parchment ground as she shuffles over. Her chapped sandals leave no impression. The trunk still has their initials, his loping R and V balancing her mechanical S and T. They had done it with a sharp Swiss Army knife, its blade sinking into the soft wooded flesh. “Let’s do it together,” he urged, his large hand dwarfing hers. A cheap glass bangle, pressed too hard against her bony wrist, shattered.  
Now, her arthritic finger traces the letters slowly, falling into grooves and furrows as predictable as they were not. When had they bought it? Was it when he had received the big promotion, the big firing or the big diagnosis? Or was it farther back, when he had received the little diploma, the little child or the little death? There was no in-between for him, everything was either big or little. Was it an apology tree or an appeasement tree? Did it matter? The tree was dying.
Her ring gets stuck in the top part of the T. He had been so careful when he proposed. Timing was sunset. Dinner was hot rice, cold milk and smashed mangos, her favorite. Setting was a lakeside gazebo surrounded by fragrant papaya trees. She had said yes because the blue on her sari matched the blue of the lake. She had said yes because his hands trembled just right. She had said yes because she had always indulged in his self-indulgences. She slips her finger out, leaving the gold as an offering to the small tree that never grew.    
She pours gasoline over the tree, rechristening it. Light the math, throw the match, step back, mechanical steps. She shuffles back through the courtyard as the heat from the tree greets the heat from the sun. She doesn’t look back. Instead, she is going up one step at a time on the red staircase, through the blue hallway, to the daal-yellow door. These were the colors he said would be on the cover of his bestseller as he hunched over the typewriter for days on end. Those were the days he had subsisted only on chai and biscuits, reducing his frame to an emaciated exclamation mark. His words were sharp pieces of broken glass leaving white scars all over her body.  
She remembers his voice, the deep boom narrating fairytales. Once upon a time, she had taken a rickshaw for four hours to a bakery to get a special cake for his birthday. Once upon a time, she had skipped sitting in on her final exams for him. Once upon a time, she had danced in the middle of an empty road at three in the morning for him. Once upon a time, she had been a character in a madman’s tale.
Inside, she takes off the sandals, leaving them in the dark corner under the jackets they had brought for a trip to Europe, never taken. Across the red tiled floor, she tiptoes silently, out of habit. From the empty pantry, she scrounges up the last tea leaf. Put water in the black kettle, put the kettle on the stove, put tea leaf in water, wait. On the opposite wall, her Indian Institute of Technology degree hangs under years of dust and misuse.
Cup of bitter tea in hand, she sits on the woven chair, elbows hanging off the sides, back straight. Moments she had shot now hang around her as trophy heads on cheap plastic frames. A picture of them on their wedding day, her eyes kohl-lined and his arm wrapped around her. A picture of them in Kashmir, her eyes full of bags and his arm limp. A picture of them last year, her eyes bespectacled and his arm wrapped around an IV pole. The last picture at her feet, her eyes closed and his arm is burning in the funeral pyre. No one had wanted to take that picture.      
A half hour later, a phone call from her daughter abroad. Another hour, a shower in the porcelain sink. Another hour, dinner, rice and beans over the stove. Another hour and the sun creeps away for good. It leaves her momentarily off guard, like when she had walked home to find him head cracked on the bathroom tub. The medics had assured her it was just a fall. Finding her bearings, she walks down the dark corridor to their, no, her bedroom.
She sits down now on the hard mattress, low to the ground, as he wanted it to be. She takes off her sari, a yellow pattern he liked. She takes off her necklace, a series of jade stones he thought was sophisticated. She takes off the earrings he had gotten her for her fortieth, still too heavy for her ears. She places her hands over eyes, closing them like she had closed his when she had found him sleeping in the tub, before she had smashed his head against the bathtub.  
In her dreams, she walks in a mango orchard. She picks one, only to find its skin is puckered and bruised. She bites it only to taste bitterness. She pours the gallon of gasoline on the ground. She sets the orchard on fire and smiles.

You may call me a Snowflake,
        But I will not melt.
You may call me a Snowflake,
        But we will blanket the ground
You may call me a Snowflake
        But my fist will remain
        In the air, emboldened
        And Inflamed
You may call me a Snowflake,
But my chapped lips will Breathe
Warm Winter air
You may call me a Snowflake,
     But remember
             you are nothing but an old tin can
     Rusting away in the cold of
             Our Snowflake sand
             for we are everywhere you will stand
You may call me a Snowflake,
Cause I will be back again
        And again and again
        Waiting here on the ground
        For you to come join me
        under this blanket
And be a friend.

There’s a certain disharmony in the way of things,
and how it turns humans into monsters. I saw a monster turn a girl
into a woman with her clothes on the floor,

and he carved ‘liar’ on her chapped lips. I reached out when
she stood before me, holding a razor in one hand and whiskey
in the other. She had dashed lines on her wrists

and shattered glass at her feet. I feel like screaming, but my gums bleed
from a mouth full of broken metal wire.
I cannot tell you the story that sits on my shoulders like a child,
too young to understand the weight of himself.

Now my eyelids have been peeled from my face and
I cannot look away from the girl when she comes home after school
and asks me for help with her homework
because the least I can do is solve a few math problems.

Barn

A graveyard of empty whiskey bottles,
curled, browned labels coated with dust.


A farmer drank in this dirt basement, alone,
wind chapped face illuminated by a kerosene lantern,
swollen fingers forever  clutching the
glass neck of his half drained bottles.

I drink ***** in the renovated kitchen,
lit by dimmed lights, gentle shadows
dancing across the glossy hardwood floor.
I look out at the dark bodies of trees
swaying, uneasy in the night breeze.

Sometime after midnight,
the farmer’s ghost
stumbles up the creaking staircase behind me,
to our bed.

The month of crescent moons and indigo flamed candles.  
Of burning sage and twinkling hooded lights flickering in frosted windows.  
Of chipped nail varnish and lips chapped with bitter cold.
Of darkened mornings with knitted scarves wrapped beneath pink noses and wet lashes.  
Of lonely evergreens and sleigh bells a distant howl in the wind.

I left the water boiling sanity into the pores of my skin as my face hovered over the ***,
My eyes close to the beat of Brick in the Wall by Pink Floyd.
The countdown.
5
4
3
2
I stopped the timer before 1,
Let the water scorch the tea leaves until their screams fuse to a whisper at the bottom of the mug.
I needed my sanity back,
So I lifted the mug and let the flavor of peppermint wash between the chapped cracks of my lips,
Steaming the melody of sanity onto my tongue,
my tea was cold.

She was beautiful,
But not in the beautiful ways you like to think so
She did not have hair that dripped gold
Her eyes were not the colours of the cold sea
But her smile was crooked and bent
Her lips were chapped and thin
She did not have a gentle laugh
Nor did she speak humble thoughts
But she was beautiful
In the way the shore kisses my feet
In the way the moon hides itself in the curtain of darkness
She was beautiful
In the way wind dances with hair
In the way shy lovers hold hands
She was beautiful in the way of morning air
And black coffee
And the love poems that live in each broken heart
Spilling red oil into blue lungs,
Suffocating happiness right out of its shell
And she was beautiful
Because she refused to taste sadness
Even though it was the only thing she had left to eat.

Dearest reader,


My name is Margot Dylan and I am no longer a ******.

I stared at Dianne staring at Frieda Bentley, as she dragged on a Camel Blue and as I dragged my pen across my notepad. I sketched her figure as she walked closer to Frieda, dropping her cigarette on the ground. Frieda smiled at Dianne, as she stepped and twisted her shoe on the smoldering carcass.

And they looked at each other. Not like how normal people look at each other. And Dianne smiled. A smile that was not like any smile Dylan ever gave me.

I felt a hand on my shoulder, with ******* slipping to my collarbone. The ******* tapping belonged to a girl. The girl's name was Thora, a brunette that smelled like bubblegum and 'don't go'. Thora had something in common with Dianne: They both recently came out as gay. Unlike me, both family reactions were fairly positive. In fact, so positive that-What are you drawing?

"Margot?"

I paused, looked at Thora, and looked back at Dianne or Dylan Dunham. "That girl," I pointed in their general direction, as Dianne kissed Frieda on the forehead. Thora followed my finger in time for the kiss on the lips, "the ironic one."

Thora Nelson, daughter of Cameron Nelson and the deceased Geraldine Nelson, looked at my chin and asked, "Who is she?"

Thora's cotton-candy-blues met my puddles of mud, as I looked away, putting my notepad in my backpack. Before I zipped, I grabbed the lime green marker sleeping next to my pack of index cards. My teeth squeezed the leaf colored cap off, as I pulled out the fetus, smelling the aroma of non-toxic afterbirth.

I asked if she wanted a tattoo and she shrugged, "Oh no, you mean I get to choose whether you touch me or not?"

Lightly pressing the fiber tip to her arm, I glanced up at her and shrugged a bony shoulder, "Her name is Dylan Dunham. Well, it's actually Dianne. It's complicated. I used to call her Dylan. She used to call me Margot."

"But your name still is Margot," Thora informed as her eyes followed the acid-green ink trail.

"Some people change, some people don't," I said, with the cap held between my teeth.

I painted her arm in lime hope, by the soda machines. My eyes focused on her pores that I imagined swallowed dirt and bacteria from the side of my palm. I could feel Thora disarm me with her eyes, after I had disarmed her with my words. Her heartbeat echoed inside my grasp.

"I didn't know I was dating Leonardo DaVinci," the words flowing from her mouth.

"I am gay and Italian, so it's not like I was doing a terrific job of hiding it from you," I muttered as I finished and held her pale forearm and bracelet cuffed hand a foot from her face, "Look: it's us underneath a tree."

Turning and wrinkling her nose, she adjusted, moving her head back and forth. " Oh wow. Wow, wow, wow. Meta. So meta. So abstract. Brilliant in its simplicity, deconstructing the concept of natural complexity-"

"Shut up-"

"The tree looks like an umbrella. And we look like we have canes-"

"Those are our fishing poles. In that world, we are fishermen. Fisherwomen. Fishergals-"

"And my **** is too big and your ***** are too small and our smiles aren't big enough-well, at least mine isn't, I can't speak on your behalf," she finished.

Grabbing her arm, I looked at my masterpiece, looked at her, looked at it again, and looked at her again as her smile grew with every glance. "Well, I can see how it'd be up to debate, and you're right: very, very meta. But you do have a big ****, and I'm not one to sacrifice accuracy. Speaking of accuracy: as I look at this green ****, I realized I hit the mark by dating you. Honestly, your **** may have its own zip code..And...I'd like to be in its area? Please stop me."

Her chin touched her knee, as she doubled over, laughing. I played with her hair, wrapping her bangs around my fingers. As my hands were enveloped by her dark hair, I found a scar on her crown. I imagined Thora's milky-white fingers scrubbing through shampooed locks, trembling across the zig and zag of removed glass.

I imagined Thora Nelson, of Cameron Nelson and the deceased Geraldine Nelson, hearing sirens instead of water hitting the tiles. Her slumping to the floor, as lather and water runs down her face, each tear a memory of being dragged out of a steel ribcage, onto broken glass jungle pavement. It was too easy yet too difficult to imagine her staring at the steaming showerhead. It was too easy yet too difficult to imagine her reaching towards a metallic carcass growing in flames.

Her hand grabbed my leg and I saw her for what might have been the first time.

"Hey you. Listen. Are you listening?"

I nodded.

"I'm in love with you, Margot Dylan. Like, really in love. To the point to where I feel like I'm in a Jennifer Aniston rom-com. It's disgusting."

I didn't know what happened between my exploration of her hair and her pale face studying mine, but, before I knew it, my blood shook and barbed wire nerves orbited around pieces of my body.

The ricochet of a soda can smacking the mouth of the machine sounded. Time was either too fast or too slow, as I looked at Thora's cheap mascara eyes and chapped, soft pink lips. She was the type of girl that could make someone happy not to believe in god.

"And I love you. To the point to where I'd refuse Hogwarts because of not being able see you during the school year."

"How sweet, I know how badly you wanted to get into Ravenclaw," she smiled.

"Sacrifices must be made in the name of love, you know. And it ***** because you're not even my type," I admitted.

"Oh, how tragic. And what is your type, if I may ask?"

"You may, thank you. And the falling in love type," I'm an idiot.

"Could you be anymore cheesy?"

"Mozzarella."

She stopped and looked at me, "Hey, but really, I'm in love with you. It's real."

"I love you, too."

Her eyes were speckled,"You really love me, Margot Dylan? Because I'll believe you."

I leaned in, softly placed my hands on her cheeks, breathing the word, "Yes." I alternated between staring at her mouth and her eyes, as her lids began to drop.  My lips started to dab hers and soon grab, as if soft hooks grew out of and connected our flesh. I found the corner of her mouth, the summit of her cheek, and each crease in her lips. Nine or ninety seconds past before I stopped, pulled away, and looked into her eyes. "Hogwarts is overrated anyway," I lied. She laughed.

Her face was red, as she looked down while covering her face, "Don't look at me, I'm a dork. I'm being a loser. I'm infected."

"It's okay. You can be my infected dork and we can be losers together," my voice was a rasp.

"It really isn't. You see, my face always becomes extraordinarily red after I kiss or am kissed by someone, especially by someone beautiful. And it doesn't help that I've never been kissed by someone I love. And I've never kissed a girl before and I'm really glad you were the first, so there. Gah," her hands fenced her face,"I'm just going to hide behind these hands, don't mind me."

I was in love, "For how long?"

"Probably forever, I don't know. Or until the next installment of American Horror Story, I haven't made up my mind yet."

We heard Ms. Calloway scold Dianne about smoking on school grounds. I looked at Thora and the bell rang. Her hands slowly dropped, as everyone started to move in blurs. Bodies gaining more and more distance. Inches became miles. Feet grew into light-years, and, before I knew it, Thora kissed my cheek and said, "I hope I see you later, okay?"

My hand had something in it. My fingers unfurled and revealed high school origami. My name was on it, with a heart or a ****-I'm the artist in the relationship. I began pulling on *****, the tips of my fingers breaking the paper safe. So delicate must have been her mysterious movements.

I opened it.




A pebble flew from my hand and blipped off her bedroom window. Funny thing about bedroom windows, they look the same at 12:03 am. Or maybe they look a little different when the person you love is behind the glass, as you do an eighties-film-esque pebble throw. Before my next pebble hit the pane, her bedroom light came on.

Navy blue curtains disappeared to the sides as Thora came to the window and rubbed her eyes. A second later, she was gone as I imagined her sneaking past her father's bedroom, quietly down the stairs, and through the foyer. As I imagined this, I could hear the front door being unlocked and creaking open. I walked towards the porch and a yellow glow escaped with a silhouette living in it.

Thora's left hand is burnt, but I don't mind and I don't think I ever will. She held my hand as we walked through the threshold. At first I was nervous when I saw her father in the living room, but I instantly realized that he was passed out, as my eyes found empty beer cans sleeping beside him and around him.

"It's not like this every night," she whispered, "he just has trouble with certain months."

Thora tucks her toes when standing in place. When we were walking up stairs, I knew she would be embarrassed if I looked at her toes, so I kept my eyes on the second floor. I don't understand why she feels this way, though. She has very nice feet, and that's coming from someone who thinks feet are gross.

We walked past punched in doors adjacent to perfect picture frames. Her mother was a beautiful woman.

As we approached Thora's sticker-clad door, she turned to me and whispered, "You're about to enter the only place in the world I feel safe. So, please don't break my heart in it and please use a coaster."

My thumb kissed her smooth burn, as I took my first steps into her bedroom. The light-switch flicked and her room illuminated. There were movie posters hugging the walls, pinned to a bulletin board were pictures of lost people and found memories. She looked at me and whispered, "I don't know how to keep people."

We stood before the side of her bed and I looked at her smile, "You sure you want to do this?" Thora nodded and I reached towards her thighs to lift the bottom of her shirt. Lifting it over her head, I looked at her porcelain figure clad in black *******. I tossed the grey shirt onto her bed.

My eyes swam from her belly button to her *******. My fingers approached and stopped until she said it was okay. Tracing her curves, scars, and stretch marks, she pet my fingers. Thora glanced at my hands on her ******* and then at me, cooing, "I'm sorry."

My hands slid to her sides, "Sorry for what?"

She shrugged, "I don't know," her eyes spilling, "Sorry for this," she motioned at her torso as she stared at her bulletin board and then at me before looking away again, "I want to be perfect. I want to be perfect for you."

"Oh no, no, no," I asked for her hand and then placed it over my left breast, "Can't you feel how beautiful you are?"




Her arm was under my ******* and her hand was on my rib, occasionally running her fingertips across the bumps. She slept with her leg wrapped around mine, staying as close as she could to me. I looked at her, in her slumber, and left a faint, burgundy stain on her forehead. I reached towards our shins and pulled the black cover over our fused bodies.

I feel like I have been in a coma for seventeen years and I've just woken up. If I could, I'd stretch this moment over centuries and use it to smother wars. This relationship probably won't last past my senior year, but that's okay. It truly is.

In this moment, Thora Nelson is the love of my life, and, in ways I don't understand yet, that is the most beautiful thing in the world.



May the sun set in our eyes forever,


Margot Dylan