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"cellar" poems
This is the easy time, there is nothing doing. I have whirled the midwife's extractor, I have my honey, Six jars of it, Six cat's eyes in the wine cellar, Wintering in a dark without window At the heart of the house Next to the last tenant's rancid jam and the bottles of empty glitters ---- Sir So-and-so's gin. This is the room I have never been in This is the room I could never breathe in. The black bunched in there like a bat, No light But the torch and its faint Chinese yellow on appalling objects ---- Black asininity. Decay. Possession. It is they who own me. Neither cruel nor indifferent, Only ignorant. This is the time of hanging on for the bees--the bees So slow I hardly know them, Filing like soldiers To the syrup tin To make up for the honey I've taken. Tate and Lyle keeps them going, The refined snow. It is Tate and Lyle they live on, instead of flowers. They take it. The cold sets in. Now they ball in a mass, Black Mind against all that white. The smile of the snow is white. It spreads itself out, a mile-long body of Meissen, Into which, on warm days, They can only carry their dead. The bees are all women, Maids and the long royal lady. They have got rid of the men, The blunt, clumsy stumblers, the boors. Winter is for women ---- The woman, still at her knitting, At the cradle of Spanis walnut, Her body a bulb in the cold and too dumb to think. Will the hive survive, will the gladiolas Succeed in banking their fires To enter another year? What will they taste of, the Christmas roses? The bees are flying. They taste the spring.
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40.8k
Wintering
This is the easy time, there is nothing doing. I have whirled the midwife's extractor, I have my honey, Six jars of it, Six cat's eyes in the wine cellar, Wintering in a dark without window At the heart of the house Next to the last tenant's rancid jam and the bottles of empty glitters ---- Sir So-and-so's gin. This is the room I have never been in This is the room I could never breathe in. The black bunched in there like a bat, No light But the torch and its faint Chinese yellow on appalling objects ---- Black asininity. Decay. Possession. It is they who own me. Neither cruel nor indifferent, Only ignorant. This is the time of hanging on for the bees--the bees So slow I hardly know them, Filing like soldiers To the syrup tin To make up for the honey I've taken. Tate and Lyle keeps them going, The refined snow. It is Tate and Lyle they live on, instead of flowers. They take it. The cold sets in. Now they ball in a mass, Black Mind against all that white. The smile of the snow is white. It spreads itself out, a mile-long body of Meissen, Into which, on warm days, They can only carry their dead. The bees are all women, Maids and the long royal lady. They have got rid of the men, The blunt, clumsy stumblers, the boors. Winter is for women ---- The woman, still at her knitting, At the cradle of Spanis walnut, Her body a bulb in the cold and too dumb to think. Will the hive survive, will the gladiolas Succeed in banking their fires To enter another year? What will they taste of, the Christmas roses? The bees are flying. They taste the spring.
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50
Devilish torment -- her body is my lament. She crawls beneath the cracks and finds The dark cellar, where my "worst" ferments. She feeds it as it rots, Just to make its wine more bitter . . . Squeezed from the finest lies,         Designed to make an addict from a quitter. Like a dark and tempting vacuum                 That my soul cannot escape, Attractive in its repulsion,                  It's a part of me that loves the way it hates. Masturbatory and selfish, With a thirst that can't be quenched . . . She finds the spots within me,                    That make even deities flinch. Their knees crack and crumble,                    At its all-consuming "nothing". . . I never knew my zero could be so wholly unbecoming. She, or it, will surely be my undoing. Yet, somehow, that keeps me moving. So uncomfortably I'll admit . . . It's the brutal nature of it all, That I find so disturbingly soothing.
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Sep 13, 2018
Sep 13, 2018 at 8:12 PM UTC
Nemesis
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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The Hollow Men
Mistah Kurtz—he dead. A penny for the Old Guy I We are the hollow men We are the stuffed men Leaning together Headpiece filled with straw. Alas! Our dried voices, when We whisper together Are quiet and meaningless As wind in dry grass Or rats’ feet over broken glass In our dry cellar Shape without form, shade without colour, Paralysed force, gesture without motion; Those who have crossed With direct eyes, to death’s other Kingdom Remember us—if at all—not as lost Violent souls, but only As the hollow men The stuffed men. II Eyes I dare not meet in dreams In death’s dream kingdom These do not appear: There, the eyes are Sunlight on a broken column There, is a tree swinging And voices are In the wind’s singing More distant and more solemn Than a fading star. Let me be no nearer In death’s dream kingdom Let me also wear Such deliberate disguises Rat’s coat, crowskin, crossed staves In a field Behaving as the wind behaves No nearer— Not that final meeting In the twilight kingdom III This is the dead land This is cactus land Here the stone images Are raised, here they receive The supplication of a dead man’s hand Under the twinkle of a fading star. Is it like this In death’s other kingdom Waking alone At the hour when we are Trembling with tenderness Lips that would kiss Form prayers to broken stone. IV The eyes are not here There are no eyes here In this valley of dying stars In this hollow valley This broken jaw of our lost kingdoms In this last of meeting places We ***** together And avoid speech Gathered on this beach of the tumid river Sightless, unless The eyes reappear As the perpetual star Multifoliate rose Of death’s twilight kingdom The hope only Of empty men. V Here we go round the prickly pear Prickly pear prickly pear Here we go round the prickly pear At five o’clock in the morning. Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
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105
my darkest poems bloodletting streams are a kind of ****** fetishy cognitive inventory malformed denizens of the subconscious a well of torments soup of Salmonella the souls gut its cauldron yet not with out lurid enticements and voluptuous supplicants gorgeous like an eight legged woman with beautiful feet drooling **** lips drunk on sacrificial rituals of blood black tongued kisses and hideous contorted pleasures ******** once exquisite archetypes gods and goddesses are now putrefied cellar dwellers moaning in nature bed crypts of rock, stone and engraved sigils because honest pure desires became fragmentary and are now gimping amputees by legions of primal disappointment while faces blare in the world like super bright L.E.D.s shinning paths to others our deep self remains patinaed in tears a black box pox with a lock the skeleton key lost in arcane seas out of utter disgust for those dark crawlers that live within us revealing them selves as anxieties, depressions suicides and myriad quiet despairs we appear undaunted to others and they to us humanity muffled ticks and splintered sticks my poems let my demons out yoo who its me my name is spray snake z with my hooks and cries and dark blood skies in the misty night i dragged out their earthen coffins legends of the despicable resurrected them fed and loved those darklings had every conceivable union with them their healing, my own ive sexualized them and found love albeit twisted to be adored in a hidden embrace i bestow upon you a poetic fantasy while obsession takes hold bind it not nor let it bind you*
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Sep 6, 2016
Sep 6, 2016 at 9:32 AM UTC
Demons Embrace
my darkest poems bloodletting streams are a kind of ****** fetishy cognitive inventory malformed denizens of the subconscious a well of torments soup of Salmonella the souls gut its cauldron yet not with out lurid enticements and voluptuous supplicants gorgeous like an eight legged woman with beautiful feet drooling **** lips drunk on sacrificial rituals of blood black tongued kisses and hideous contorted pleasures ******** once exquisite archetypes gods and goddesses are now putrefied cellar dwellers moaning in nature bed crypts of rock, stone and engraved sigils because honest pure desires became fragmentary and are now gimping amputees by legions of primal disappointment while faces blare in the world like super bright L.E.D.s shinning paths to others our deep self remains patinaed in tears a black box pox with a lock the skeleton key lost in arcane seas out of utter disgust for those dark crawlers that live within us revealing them selves as anxieties, depressions suicides and myriad quiet despairs we appear undaunted to others and they to us humanity muffled ticks and splintered sticks my poems let my demons out yoo who its me my name is spray snake z with my hooks and cries and dark blood skies in the misty night i dragged out their earthen coffins legends of the despicable resurrected them fed and loved those darklings had every conceivable union with them their healing, my own ive sexualized them and found love albeit twisted to be adored in a hidden embrace i bestow upon you a poetic fantasy while obsession takes hold bind it not nor let it bind you*
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75
We're in hell Can't you tell? No you can't You only listen to the teller All other voices are drowned Because he's a yeller For the useless things we're bound That fill up our cellar And our living room turns into a dying room When the seller is the jailer And salvation comes from tailors Who can cover up the pain inside With all the comfy clothes we buy Money is the blood of our society It's circulation provides oxygen But we spill money into spilling blood And we're funneled into killing love So we can concern ourselves With people not getting things they don't deserve Rather than people getting what they need Our blood starts clotting In the fortunate arteries As the rest of our body goes numb It seeks medicine for healing And drugs become our autoimmune disease Redistributing blood to the suffocated areas An unfortunate recompensing for injustice When the persecutors Become the prosecuted Lives are exploded Like Afghan villages Lives can grow back Like poppy fields That's the score And it makes me want to score Until ****** drips from every pore And ******* fills me to the core I could just live at the liquor store Where benzos are my father And **** my mother So I can ignore the death of my brother My family is in trouble Our society is in rubble
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Aug 23, 2017
Aug 23, 2017 at 8:14 AM UTC
Medicine
An ecosystem found upon An outer crust of dust Inside abode without a lawn With tenant taming rust. Sitting stagnant, songs of stellar Sing sublime lines Through minds that remain in cellar, Never seeing the pines. Many stagnant years have passed, Detectives overdue, The body brought them all aghast, The stench, the dust, and view. An ecosystem found upon An outer crust of dust Inside abode without a lawn With tenant taming rust.
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May 4, 2014
May 4, 2014 at 3:49 AM UTC
Stagnation
I have yet to find the exact size, length, width, weight, height, of my rusted trusty nail, which I lost. Painted golden brown and rough on the edges, that old man pinned my door to the wall. Now it's left hanging in the open dangling in the wind swaying with the broken rain, my home vulnerable, a feasty treat, like the first time Hansel and Gretel saw the witch's house. I'm not afraid of the teeth baring wolves bloodcurdling hounds with red eyes massive 10 foot hungry bears that tower over you with outstretched paws holding a steak knife and fork its brown fur a bib. No I'm afraid of my house zipping up its backpack filled with all the canned goods fresh water canteens from the well and all the matches and firewood in the cellar taking off during the night when the moon is at its darkest, leaving I, to do the only thing left: To pay the bright orange flames to entertain me as my wads of money lit up the darkest night of the century all because I couldn't replace my *most dear, loved, precious nail.*
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Oct 8, 2014
Oct 8, 2014 at 11:53 AM UTC
Irreplaceable
I: In which I amid the whirring lights and emerald felt drift through a raucous flashing casino searching for a table with an open chair so I can finally start to play the game II: In which all of us are together again at last for a family gathering— Thanksgiving supper, perhaps— and, as we greet each other, I happen to glance skyward, unthinking, and notice that clouds of a turbid cumulonimbus gray are beginning to coalesce overhead. I look up again and notice that they have spun into dozens of funnel shapes, each of them starting to reach down for us like the ashen fingers of Death. We huddle down in the cellar, praying the storm will pass.
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Apr 2, 2017
Apr 2, 2017 at 7:00 AM UTC
Two Recurring Dreams
Ears pressed cool against glass tables and vinyl flooring words score high drained slowly slow like wasps caught in guttered draining not like velvet names etched in casing, but weathered like bricked and beaten graffiti – Waning like wax always melting Tools: spelling and grammar – uncheck Don’t fret too many gerunds grounding air suffocating hearing between the lines that past lower truths out straight in dirt and stinky face: eyes drawn with pensive staring lines drawn global remains of words unused: boycott form because it isn’t daring. Adopt sonar because it traces the smokestack between eaves drop and scrap metal hearing like thorns prickled cut by cleaver. Clink, clink, clank. Unlatch cellar doors of images fixed in meaning: glances slanted heads poked out behind legs enchanting ink under eyelids. Clank, click, click. Wishing: Sunday morning came to rest and the cat perched rest without the windowsill and the space between my legs lost meaning. Forgetting: Painted houses haunting furniture misplaced, training lessons in memory fading.   Dreaming: Sounds dipped in vegetable oil, Van Morrison in teething states caring. Still lost without my last breathe wondering…
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Mar 2, 2011
Mar 2, 2011 at 1:31 PM UTC
THERAPY IN WRITING
*I may not be yours But you will always be mine In my mind My fetish you Like stowed in the cellar An ageold bottle of wine* Bharti
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Apr 10, 2015
Apr 10, 2015 at 6:27 AM UTC
Like a bottle of wine...
Decrepit creature, in the cellar you dwell, to be at the side of the "angel" that fell. The door was cast open, my words - yours to slur, the glimpse of your face, forever a blur. Consumed in smoke, to linger at demand, you were given to me, you're mine to command. A desolate figure, with the number of six, you are all combinations insanity could mix. As a nothingness to live, to be as a whole, to exist like a human, but to feed from a soul. You are every hate but love I can acquire, the sadistics of fantasy, the perversions of desire. The purity of innocence, all knowledge to contain, The hatred to breed, the ****** to refrain. The being to devour, the being to let be, to know, to dare, to will, to remain silent is to see. Fear not he is there, fear so that he is, to feed from the source you've convinced him is his. He knows not what you are, but he knows it too well, to exist in your life, he knows not where you dwell. You know who you are, but he feels of himself not, you are all that he craves, he is all that you sought. He is the sanity to forever keep you mundane, he is the power to forever keep you insane. He is the understanding, the logic to be told, the agony to breathe, the death you hold. He is yours for the taking, but so are you, The connection to what you can't have, but the connection to what you do.
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Nov 14, 2012
Nov 14, 2012 at 6:08 PM UTC
41821179 - 2010
Under the old house cast in conglomerate mix the cataract window and cracked sill broken joists and cross beams wringer wash and saddle set A draw string light brings life to the corner bench fowler toads and fingerlings jitter bugs and dazzy vance dirt planks filled with mason crown classics Buggy whip and whippletree shelved on the chopboard tackle and mucks stacked at the back horseshoe and jack rod bend the pike pole a sawhorse placed for the Martindale push Gallon jars and growlers prepped for the taking ropes and reins for transport and fest goggle eye jumps the flyer setting up nicely for the Haldimand town fair
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Jan 28, 2017
Jan 28, 2017 at 12:31 PM UTC
The Cellar
Breakfast The morning spins lazily out of the Universe’s black eye like a surveillance camera ************ my paranoia. I eat a small breakfast of toads and do my coughing exercises. In the cellar the flesh incinerator purrs for dinner and is only satisfied with one species of rare mammal. My exotic summer guests, strewn on the floor like pickup sticks, are becoming a burden, so I toss one in the furnace and hazily return to bed.
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Aug 28, 2015
Aug 28, 2015 at 9:03 PM UTC
Outsider Poetry Breakfast
I'll hold your hand through the wizened wrinkles; even if your beautiful mind will eventually crinkle. Crinkled & crumpled into creases too deep for sunshine to peek through. (My fingertips will still slowly but surely fix it.) Even when the hair tickling my bare shoulders, collarbones & necks on lazy sunday morning is no longer quite the same. I'll be right here.
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Aug 4, 2014
Aug 4, 2014 at 3:55 AM UTC
Wine Cellar
That statue of a god, with godly state, whose clenching fist and arching back expand to free the thund'rous trident from command, will hold his step and ever warn and wait. That statue of a god dares uncreate that Sculptor of a god, Whose waxen hand, in image of Himself, prepared to stand those ankles, feet, and knees that spell his gait. Gouge out his eyes and skyey senate seat; his absence reassures Us, Men, the stellar blanket warms but nameless moons and stars; that fire that rises from an earthy cellar lends itself and names it solely Ours, so that Our liver is Our own to eat.
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Feb 27, 2014
Feb 27, 2014 at 9:05 PM UTC
For Zeus (Some Say Poseidon)
We’re hand in hand and walking, down where the Camden canal runs away from us and breaks faintly in spires, under the floating patches of, olive tree, street lamps. She shivers on her cigarette, smoke watching, a furnace strong and foreign, like the ******* of the incense in Rome, tracing flaming *** trails. The bird living in my ribcage beats it’s great and terrible wings again, and has another. I have her cold elbow fit my palm. The pigeons obliviously sleep to the draw of that burning London moon. The draw I feel moving me. down into the world that acts as a cellar to the one we know. So much colder than the heat is, in her ~
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Jan 3, 2016
Jan 3, 2016 at 11:14 AM UTC
The Draw
The footsteps echoed on cobblestones When a chime rang ten of the clock, As a sailor making his way back home Was walking up from the dock, It was cold and dark for the lights were out And the street was wet with the rain, When he came to an old red telephone box At the side of a narrow lane. The clouds were black and they opened up So he stepped in out of the wet, Dropped his swag as it turned to hail And lit up a cigarette, The box was ancient, was George the Fifth And hadn’t been used for years, But stood in a lane that time forgot When the rot set in, and worse. For most of the houses were boarded up And the weeds had grown outside, Some had embarked for a tree-lined park And some of the others died, It was lonely there in the dark of night As the sailor waited, he sang, But stubbed his cigarette out in fright When the telephone next to him rang. He stared at it for a while before He raised it, stopping the bell, It had an echoing, ghostly sound Like you hear in a deep sea shell, The sound of sobbing came to his ear And he cried, ‘Who’s there, what’s wrong?’ ‘Oh God, I’ve waited forever my dear, I’m locked in the basement, Tom!’ The sailor said that he wasn’t Tom But she didn’t appear to hear, ‘He’s got an axe, attacking the door, Be quick or he’ll **** me, dear!’ The sailor didn’t know what to say But a chill ran up his spine, ‘Tell me, what’s your address,’ he said ‘Before you run out of time!’ ‘I’m straight across from the telephone box, You usually meet me here, He’s found us out, and he screams and shouts That he’ll **** you as well, my dear! He just came home from a spell at sea And called me a cheating ***** If you don’t come over and rescue me He’ll have smashed his way through the door.’ The sailor wanted to say, ‘Enough! It’s nothing to do with me,’ But flew on out of the telephone box, Leapt over a fallen tree, He raced right in through the open door And he called, ‘I’m here, just wait!’ Then made his way to the cellar door But all he could feel was hate. The door was shattered, he walked right in It was dark, there wasn’t a light, He felt around for a candle, lit And stared at the terrible sight. A man lay dead on the basement floor Where an axe had taken his life, And there with her throat like an open sore Was the body of his dear wife. He staggered, stopped, and fell to his knees And sobbed like a man insane, ‘Oh God, it’s true, I did this to you, But my mind’s been playing games. I thought if I went away to sea I’d return to find they were dreams…’ As he sliced a razor across his throat He thought, ‘Life’s not what it seems!’ David Lewis Paget
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Dec 5, 2013
Dec 5, 2013 at 5:35 AM UTC
The Telephone Box
The footsteps echoed on cobblestones When a chime rang ten of the clock, As a sailor making his way back home Was walking up from the dock, It was cold and dark for the lights were out And the street was wet with the rain, When he came to an old red telephone box At the side of a narrow lane. The clouds were black and they opened up So he stepped in out of the wet, Dropped his swag as it turned to hail And lit up a cigarette, The box was ancient, was George the Fifth And hadn’t been used for years, But stood in a lane that time forgot When the rot set in, and worse. For most of the houses were boarded up And the weeds had grown outside, Some had embarked for a tree-lined park And some of the others died, It was lonely there in the dark of night As the sailor waited, he sang, But stubbed his cigarette out in fright When the telephone next to him rang. He stared at it for a while before He raised it, stopping the bell, It had an echoing, ghostly sound Like you hear in a deep sea shell, The sound of sobbing came to his ear And he cried, ‘Who’s there, what’s wrong?’ ‘Oh God, I’ve waited forever my dear, I’m locked in the basement, Tom!’ The sailor said that he wasn’t Tom But she didn’t appear to hear, ‘He’s got an axe, attacking the door, Be quick or he’ll **** me, dear!’ The sailor didn’t know what to say But a chill ran up his spine, ‘Tell me, what’s your address,’ he said ‘Before you run out of time!’ ‘I’m straight across from the telephone box, You usually meet me here, He’s found us out, and he screams and shouts That he’ll **** you as well, my dear! He just came home from a spell at sea And called me a cheating ***** If you don’t come over and rescue me He’ll have smashed his way through the door.’ The sailor wanted to say, ‘Enough! It’s nothing to do with me,’ But flew on out of the telephone box, Leapt over a fallen tree, He raced right in through the open door And he called, ‘I’m here, just wait!’ Then made his way to the cellar door But all he could feel was hate. The door was shattered, he walked right in It was dark, there wasn’t a light, He felt around for a candle, lit And stared at the terrible sight. A man lay dead on the basement floor Where an axe had taken his life, And there with her throat like an open sore Was the body of his dear wife. He staggered, stopped, and fell to his knees And sobbed like a man insane, ‘Oh God, it’s true, I did this to you, But my mind’s been playing games. I thought if I went away to sea I’d return to find they were dreams…’ As he sliced a razor across his throat He thought, ‘Life’s not what it seems!’ David Lewis Paget
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73
The sunlight doesn't pour through open windows here It drips through slots in the blinds Creeps underneath the front door Sunlight this time of year is scarce It is white and cold, like wine And so we bottle it up Thirstily tapping light and saving it in the cellar for the darkest night
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Jan 27, 2015
Jan 27, 2015 at 10:38 AM UTC
Sunshine
Mushroom! The bride of darkness was kept in the cellar. Kept in the dark as a mushroom would flourish. She found the husband of her dreams. She thought he would her nourish. With richness and wealth. Show love so true. He came and went. He left in a hurry. The lights were out. There was nobody home. He went off to fight wild battles in Rome. Never came back. Left her stuck in the dark. By ladylivvi1 © 2013 ladylivvi1 (All rights reserved)
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Sep 26, 2013
Sep 26, 2013 at 2:51 AM UTC
Mushroom!
How long will our bewildered heirs marooned in possessions not theirs puzzle at disposing of these three cunning feignings of hard candy in glass- the striped little pillowlike mock-sweets, the flared end-twists as of transparent paper? No clue will be attached, no trace of the sunny day of their purchase, at a glittering shop a few doors up from Harry's Bar, a disappointing place for all its testaments from Hemingway. The Grand Canal was also aglitter while the lesser canals lay in the shade like snakes, flicking wet tongues and gliding to green rendezvous. The immaculate salesgirl, in her aloof Italian succulence, sized us up, a middle-aged American couple, as unserious shoppers who, still half jet-lagged, would cling to their lire in the face of any enchanted vase or ethereal wineglass that might shatter in the luggage going home. Yet we wanted something, something small .... This? No ... How much is ten thousand? Dizzy, at last we decided. She wrapped the three glass candies, the cheapest items in the shop, with a showy care worthy of crown jewels-tissue, tape, and tissue again sprang up beneath her blood-red fingernails, plus a jack-in-the-box-shaped paper bag adorned with harlequin lozenges, sad though she surely was, on her feet waiting all day for a wild rich Arab, a compulsive Japanese. Grazie, signor ... grazie, signora ... ciao. Nor will our thing-weary heirs decipher the little repair, the reattached triangle of glass from the paper-imitating end-twist, its mending a labor of love in the cellar, by winter light, by the man of the house, mixing transparent epoxy and rigging a clever small clamp as if to keep intact the time that we, alive, had spent in the feathery bed at the Europa e Regina.
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4.5k
Venetian Candy
How long will our bewildered heirs marooned in possessions not theirs puzzle at disposing of these three cunning feignings of hard candy in glass- the striped little pillowlike mock-sweets, the flared end-twists as of transparent paper? No clue will be attached, no trace of the sunny day of their purchase, at a glittering shop a few doors up from Harry's Bar, a disappointing place for all its testaments from Hemingway. The Grand Canal was also aglitter while the lesser canals lay in the shade like snakes, flicking wet tongues and gliding to green rendezvous. The immaculate salesgirl, in her aloof Italian succulence, sized us up, a middle-aged American couple, as unserious shoppers who, still half jet-lagged, would cling to their lire in the face of any enchanted vase or ethereal wineglass that might shatter in the luggage going home. Yet we wanted something, something small .... This? No ... How much is ten thousand? Dizzy, at last we decided. She wrapped the three glass candies, the cheapest items in the shop, with a showy care worthy of crown jewels-tissue, tape, and tissue again sprang up beneath her blood-red fingernails, plus a jack-in-the-box-shaped paper bag adorned with harlequin lozenges, sad though she surely was, on her feet waiting all day for a wild rich Arab, a compulsive Japanese. Grazie, signor ... grazie, signora ... ciao. Nor will our thing-weary heirs decipher the little repair, the reattached triangle of glass from the paper-imitating end-twist, its mending a labor of love in the cellar, by winter light, by the man of the house, mixing transparent epoxy and rigging a clever small clamp as if to keep intact the time that we, alive, had spent in the feathery bed at the Europa e Regina.
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Aquiver mellifluous ineffable hiraeth nefarious somnambulist epoch sonorous serendipitous limerence bombinate luminescence ethereal illicit petrichor iridescent supine aurora solitude syzygy phosphenes oblivion ephemeral incandescence denouement vellichor eloquence defenestration Sondra effervescence cromulent cellar-door debridement Illustrator icon verdant cerulean aeneous albicant amaranthine azuline argent chartreuse damask ferruginous haematic hyacinthine ibis ochre primrose russet sanguineous virescent mystborn transcendence
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Mar 20, 2015
Mar 20, 2015 at 10:31 AM UTC
Beautiful Wordbank
. Ͼ Dragonite, Dragonite,Ͽ >< >< >< Chinking at your heartstrings, can you hear it շfreezing?շ >< >< >< A blush to your snowy skin and so you stop ⇷breathing⇸ >< >< >< A eyelash brushes away a century, a blink knocks out two more. >< >< >< Fetching back a inked paw, hear me rapping (oh so knocking) on your selladore?  (cellar door.) >< >< >< Ͼ Dragonite, Dragonite Ͽ brush the stars from your hair. Ͼ Dragonite, Dragonite Ͽ Words and blotches are unfair. But then again, scatter your inkheart, dragon boy. .
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Jun 21, 2015
Jun 21, 2015 at 10:09 PM UTC
Blotches of Dragonite.
A loner that kills pain, physical pain and for some a drug for joy, for calmness. Magical, as a single strike eliminates all the pain. The loner once struck me into a deep sleep, where I was floating, like a dream calmness or a silent blissfulness I don’t know what this loner made me feel I just know that it was beautiful. Silence, silence all over and then a sudden interruption, my friend’s panic stricken voice calling me, waking me up. Looking up I found her scared eyes, scared, as in whether I was dead. A fear outspread that day, people who loved me feared the loner, there was solidarity in their fear, fear of losing me. The loner was banished, once and for all. Days passed, years passed, pain was calmed using wrapped pills. It never gave the calmness, the blissfulness like the loner. He is gone for so long now. Today, as my body starts to quiver with pain, I heard his voice, a soothing voice, asking me asking me to open the cellar “Take me and I’ll put you out of your misery” As I opened, I saw the loner beautiful in blue. I took him and all of a sudden I found contentment in this strike after so long. Calmness flooded in me once again, I found happiness in this silent blissfulness. Silence, silence all over. But this time my sleep didn’t get interrupted, for this time it was now and forever. Dolo, the loner, now I’m yours….forever.
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Oct 10, 2018
Oct 10, 2018 at 2:08 AM UTC
The Loner’s Girl
Oh young barret of the night. Who steals from the dreams of lost sain children like Moloch. The decrypted white house was nothing but A sanctuary for degenerates. the man… MAD… MAD was the man MAD, was the house, MAD were the claimers, MAD were the slaves to the slick but king of so called glam MAD was the man MAD MAD MAD.            The barret was entering the house, leaving behind all. what has become of my young love asks me? he enters. MAD was he who entered the trap, MAD was he who allowed, MAD was who gave no warning of the moloch sacrifice being made to the two of his so called servants. MAD was all i say MAD MAD MAD, MAD was he who wanted to be hailed like Fernand, MAD was he who wanted to be king like Henry the 8th, MAD was he who wanted to use like Baron Neuvillette, MAD was he who wanted doll oh doll how can you do this.           Oh ADONAL for if you do exist why have you allowed this, oh ADONAL for if you exist why have you for seen this, oh ADONAl for if you exist why have you told of my eternity. Oh ADONAL why? are you mad? for the people shall not say oh ADONAL well this blow over as fast as Holly or as fast of yourself.         he who does as told, he who does what he thinks right for his so called gift. MAD for the betrayal of trust between the packed, MAD was he for the lack of word, Like a mute oh ADONAL like a mute he was! MAD was he who acted like Bromdens father, MAD .       MAD MAD MAD MAD MAD is I for the envolvment of my cellar of time, MAD is I for what i have started and what have become of my creations, MAD is I for all, MAD is I for you, for she, for he, for ***** all mad, MAD is I for maybe i is mad.                                                                                   written by Keone L Friesian. copyright to Keone Friesian
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Dec 27, 2013
Dec 27, 2013 at 1:35 AM UTC
MAD.
Oh young barret of the night. Who steals from the dreams of lost sain children like Moloch. The decrypted white house was nothing but A sanctuary for degenerates. the man… MAD… MAD was the man MAD, was the house, MAD were the claimers, MAD were the slaves to the slick but king of so called glam MAD was the man MAD MAD MAD.            The barret was entering the house, leaving behind all. what has become of my young love asks me? he enters. MAD was he who entered the trap, MAD was he who allowed, MAD was who gave no warning of the moloch sacrifice being made to the two of his so called servants. MAD was all i say MAD MAD MAD, MAD was he who wanted to be hailed like Fernand, MAD was he who wanted to be king like Henry the 8th, MAD was he who wanted to use like Baron Neuvillette, MAD was he who wanted doll oh doll how can you do this.           Oh ADONAL for if you do exist why have you allowed this, oh ADONAL for if you exist why have you for seen this, oh ADONAl for if you exist why have you told of my eternity. Oh ADONAL why? are you mad? for the people shall not say oh ADONAL well this blow over as fast as Holly or as fast of yourself.         he who does as told, he who does what he thinks right for his so called gift. MAD for the betrayal of trust between the packed, MAD was he for the lack of word, Like a mute oh ADONAL like a mute he was! MAD was he who acted like Bromdens father, MAD .       MAD MAD MAD MAD MAD is I for the envolvment of my cellar of time, MAD is I for what i have started and what have become of my creations, MAD is I for all, MAD is I for you, for she, for he, for ***** all mad, MAD is I for maybe i is mad.                                                                                   written by Keone L Friesian. copyright to Keone Friesian
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6
Must is a memory of the cellar. My grandfather would sleep down there when they spent the night. Me, not really keeping him company, just being uncomfortably in the same space. The plastered walls floated a talc-y powder that would linger in my throat And on my tongue. Later when he was dying, the discomfort still remained, but subsided as he grew weak in that big loud frame of his.
0
May 5, 2015
May 5, 2015 at 9:42 PM UTC
Taste