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Terry Collett Sep 2012
As you went by
the girl’s playground
after getting off

the school bus
Christina called to you
through the wire fence

and said
my mother said
you can come home

for lunch today
if you like
ok

you said
where shall I meet you?
Cedric will bring you along

she said
and so when
the lunch time

recess bell rang
you followed Cedric
out of the school

and saw Christina
by the outer fence waiting
are you sure

your mother doesn’t mind?
you asked
of course not

she said
Cedric walked on in front
leaving you and Christiana

to walk on behind
she talked about some girl
in her class who had a boyfriend

and claimed
to have had ***
and then she went on

about the teacher
who had been expelled
for taking pupils home

in his lunch hour
it was boys though
she added

and then you came
to her house
and she took you in

and there was her mother
in the kitchen
nice to meet you

she said
Christina has talked
about you so much

Cedric behind
his mother’s back
was making gagging gestures

with his fingers
down his throat
Christina looked at you

and smiled
nice to be here
you said

are you sure it’s all right
me coming?
of course it is

Christina’s mother said
now sit down
and I’ll serve up for us all

and so you all sat down
around the table
and Cedric looked at you

then looked down
at his knife and fork
and Christina said

glad you’re here
and she put a hand
over yours

and gave your hand
a squeeze
then removed it

when her mother
set down the plates
and then sat down herself

and you all began to eat
in an unusual silence
Christina giving you

a bright eyed stare
and Cedric looking
over your shoulder

as if you weren’t there
after lunch their mother
cleared the table

of plates and went off
and Cedric went
into the lounge

leaving you and Christina alone
what do you think?
she asked

about what?
you asked
my mother

what do you think of her?
she seems nice
you said

she gets depressed a lot
Christina said
but today

she was at her best
oh right
you said

sorry she gets depressed
come on
Christina said

I’ll show you my room
you raised your eyebrows
won’t your mother mind?

you asked
not if she doesn’t know
Christina replied

isn’t it a bit risky?
you said
yes

she said
that’s what makes life
so interesting

so you followed her
and tiptoed up the stairs
and she showed you

her bedroom
and her favourite doll
and other favourites of hers

lined along her bed
then she kissed you quickly
and then stood back

and smiled and said
best go down now
or she’ll wonder

where we are
and so that was it
and as you followed her

down the stairs
you could hear the radio
playing some classical music

and her mother
humming along
and sounding quite happy

and Christina giving you
another kiss
behind her mother’s back

and after saying thank you
to her mother
you all left

to return to school
the clouds promising rain
and so back to school

and the boring lessons
once again.
Set in 1962 during the midday recess break.
RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
Terry Collett Mar 2012
Cedric followed you
around the playground
at high school

it seemed he wanted
to say something to you
but instead he just followed

you around until
as you stood looking over
at the playing field

where kids were gathering
in their break period
he said

my sister likes you
how do you know?
you asked

because she told me
he replied blushing
looking over at the playing field

isn’t she your twin?
Yes
he said

going red
gazing at his sister
standing with a group

of friends on the field
you looked over at the girls
at Cedric’s sister waving a hand

so that’s Christina
yes
he muttered

the one with the dark hair
and waving a hand
then he went silent

and looked at you
Mother said she’s too young for boyfriends
he said after a few moments

but she doesn’t listen
she does what she wants
so she told me to tell you

she likes you
and so you nodded
and waved your hand

back at the girls
and there was an explosion
of giggling and laughter

and waving of hands
and then they ran off
onto the field

and as they ran off
you noticed Cedric’s sister
had a cute ****

but you didn’t tell him that
you just turned and said
fancy a game of ball?

and he just nodded
and said nothing more
about his sister at all.
this is the story of cedric hyde-fleet
the most un-cowboy cowboy you ever would meet
cedric was english, not british you see
but, being a cowboy was what  he wanted to be

he was from england
as i said before
never ridden a horse
and well, what's more
his image of cowboys
was of those on tv
but, being a cowboy
was what he wanted to be

he was all set to travel
and leave his home land
out to the west
but, he was allergic to sand
the dust would wreak havoc
with his pale, flaky skin
ten miles from home
was the furthest he'd been

he had a six shooter
which he'd nicknamed Old Burt
but, he didn't have bullets
they made his ears hurt
the smell of the powder
and the noise of the gun
made cedric wonder
if this would truly be fun

he needed a cream
for the chafing down there
and a specialized hat
to protect his thin hair
a brush wouldn't do
he would need a nice comb
he reacted to flannel
so he'd get shirts from rome

he'd fly out from london
head out west to a ranch
find a town just like gunsmoke
and a bar....the long branch
but, his stomach was tender
hard liquor was out
and the salt in the food
would just trouble his gout

but, cedric hyde-fleet
was determined to go
to the united states
to join a wild west show
he'd start out learning riding
how to shoot, and all that
he'd learn about cattle
he had his own hat

he was the most un-cowboy cowboy
they would have in the west
but, with his dedication
he would soon be the best
he would get all equipped
from dolce and gabbanna
his shirts and socks matched
his silk plaid bandanna

now, cedric hyde-fleet
never ever left home
never got on the horse
or got shirts made in rome
the things that he wanted
were the things that he'd seen
and he forgot about cowboys
when he first saw ....The Queen
Cedric McClester Apr 2015
By: Cedric McClester

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

A ***** lookin for respect
Could pull out a Nine or Tec
At a time you least expect
And you might have to hit the deck
Cuz when the bullets start to fly
Those who don’t just might die
And you don’t wanna go - okay
Like ****** do around the way – cuz

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

Keep one eye open when you sleep
Cuz in the hood life is cheap
So watch the company you keep
Your main man might be a creep
Don’t let ‘em get the drop on you
The way some ****** like to do
They’ll roll up on you with a crew
And run a clip off into you

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

****** don’t respect themselves
Never mind someone else
That’s why they keep their gats and shells
And you know what that often spells
Cuz ****** are up to no good
There’s gun smoke in the neighborhood
And it’s high time they realize
That it’s themselve who they despise – cuz

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

Did you ever stop to think
****** could become extinct
In the time it takes to blink
Like some kind of missin link
Unless we suddenly stop killin
The prophesy will keep fulfillin
Even though the thought is chillin
Long as the blood just keep on spillin – cuz

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

Although it’s often said in play
And despite what some folks say
The use of ***** ain’t okay
Though you might hear it everyday
My usage of it in this joint
Is for effect to prove a point
It’s not to glorify the term
But will you ****** ever learn – that

Any ***** can shoot a *****
What’s it take to pull a trigger
How much pressure do ya figure
Is required to dead a *****
Problem is you’re killin you
When you pull the trigger to
Shoot someone who looks like you
But ain’t that what you ****** do

Although it’s often said in play
And despite what some folks say
The use of ***** ain’t okay
Though you might hear it everyday
My usage of it in this joint
Is for effect to prove a point
It’s not to glorify the term
But will you ****** ever learn



(c) Copyright 2015.  Cedric McClester.  All rights reserved.
Vera City May 2020
Olga the ostrich and
Cedric the lamb
Naive innocence and
Head in the sand

Evil
Never seen, never heard and never spoken
Interests unquestioned
Illusions unbroken

Tolerate
Dont discriminate "beware theorising"
The warnings were heeded
Resisted surmising

Cedric herded to slaughter
Olga safe in her cage
Medicine in the water
That will mute the outrage

Cedric sees what's ahead now
Olga's cage welded closed
Slave incumbant got here how?
That's just life, I suppose.
Terry Collett Apr 2012
Cedric approached you
in the playground and said
My sister Christina

wants to see you
on the playing field lunchtime
and he said it

in a quiet voice
as if he didn’t want
the other boys to hear

he ran messages for girls
and off he went
to play with some other boys

leaving you to stare out
onto the empty playing field
and so lunch time

after you’d eaten dinner
you went onto the playing field
beneath the summer sun

and there she was
over by the wire fence
waiting for you

and you said
Cedric said you wanted to see me
and she said

Yes do you mind
if we walk off alone together
I don’t want other’s ears

to move in on our conversation
No sure
you said

Let’s go over by the woods
by the far fence
and so you walked off with her

across the playing field
by other kids who were playing
football or sitting talking

or playing skip rope
or whatever
and when you came

to the woods
you sat down with her
and she said

You do love me
don’t you?
I mean you’re not

seeing anyone else?
You looked across
the playing field

to where you’d sat
with another
some months before

and she had asked
the same question
but since then

it had turned
momentarily sour
Yes and no

you said
looking back at her
taking in her dark hair

and deep eyes
and how her hand
lay on her thigh

covered by grey skirt
and her naked knees
just visible

to the eye
What do you mean
yes and no?

she asked
you watched
her lips move

and replied
Yes I love you
and no I’m not

seeing another
and she smiled at you
and put her hand on yours

and waited for a kiss
and so you did
her lips on yours

out by the woods
on that summer day
out of doors.
Cedric McClester Apr 2017
By: Cedric McClester

Despite some misconceptions
And attacks
Endure for centuries
By us blacks
Let me lay down
Some unknown facts
How ‘bout we start with
Henrietta Lacks

For most of us
After our death
Other than memories
What else is left?
For our survivors
The bereft
Yet her cells live on
It’s a matter of theft

From Henrietta’s
Cancerous cells
A bold idea
Suddenly jells
Spawning cures for cancer
As her biographer tells
And in vitro fertilization
Other things as well

Science took complete advantage
Of her cells
Which they still manage
Though she died of cervical cancer
Her cells provided them
With the answer
To scientific mystery
Check out her cells history











Cedric McClester, Copyright © 2017.  All rights reserved.
Cedric McClester Jan 2016
By: Cedric McClester

Locked down nineteen hours
Five hours he plays
That’s the way the prisoner
Whiles away his days
On death row for the murders
Of his wife and son
Locked in a four foot nine cell
For the crime he’s done

Four years down and counting
See I’ve done the math
It’s death by lethal injection
For that sick sociopath

Decomposing and headless
In San Francisco Bay
He said she was missing
But she was found that way
His son’s lifeless fetus
Had previously washed ashore
Which repulsed everyone
Even that much more

Four years down and counting
See I’ve done the math
It’s death by lethal injection
For that sick sociopath

Her family were all hoping
She’d be found alive
Though he knew she was dead
He feigned concern (what jive)
She was weighted down
Which made him quite convinced
That she’d never be found
Floating in that rinse

Four years down and counting
See I’ve done the math
It’s death by lethal injection
For that sick sociopath

While they were contemplating
Their poor loved one’s fate
His only concern was
Which chick he should date
See he had to satisfy
An internal itch
But karma is a mother for ya
It can be a *****

Four years down and counting
See I’ve done the math
It’s death by lethal injection
For that sick sociopath

Four years down and counting
See I’ve done the math
It’s death by lethal injection
For that sick sociopath

Four years down and counting
See I’ve done the math
It’s death by lethal injection
For that sick sociopath



Cedric McClester, Copyright (c) 2016.  All rights reserved.
Cedric McClester Apr 2015
By: Cedric McClester

I was born and raised in the ghetto
But the ghetto wasn't raised in me
Guess that's why I be the way I be
Some people say I'm crazy  cool
See Mama didn't raise a fool
Every day I went to school

To overcome my environment
No wasted time was spent
I was born and raised in the ghetto - see
But the ghetto wasn't raised in me
Guess that's why I be the way I be

It never is just up to chance
We're not victims of circumstance
Though some are seeking an excuse
But I just think, hey what's the use
I was born and raised in the ghetto - see
But the ghetto wasn't raised in me




(c) Copyright 2015, Cedric McClester.  All rights reserved.
Cedric McClester Nov 2015
By: Cedric McClester

When Trump and Carson fall
And the foolishness ceases
Rubio will be there
To pick up the pieces
He’s salivating
As his chance increases
He’s now looking at curtains
And White House leases

When Trump and Carson fall
And the race is in shambles
He’ll bet his  house
You see. The man gambles
He’s not alone
Cuz there’s many other examples
Of men who’ve picked up swatches
And other samples

When Trump and Carson fall
And they look towards the rest
Rubio’s convinced
That he alone is the best
In fact he’s thinking
Nevertheless
It will be him and not the others
There’s no contest

When Trump and Carson fall
As inevitably they must
And Marco Rubio watches the others
Bite the dust
As they complain
Then spit and cuss
Marco will be the one
To lead the rest of us




Cedric McClester, Copyright © 2015.  All rights reserved.
Cedric McClester Nov 2018
By: Cedric McClester

To achieve your ambition
Stop hoping and wishing
Voting is a mission
It’s like going fishing
No fish will you find
If you don’t cast your line
So drop your remote
And go out and vote

Your candidate
Might not win the debate
But let me clearly state
If you don’t participate
Then you abdicate
By not voting your choice
You lose your voice
And can never rejoice

Democracy demands
Having all hands
Both critics and fans
Despite their brands
Being involved
To get their problems solved
Things tend to revolve
So we’ll be absolved

Voting is a right
We could lose over night
Unless we unite
Stop being uptight
And stay engage in the fight
For which people died
Payed in blood or their hide
To not be denied


Cedric McClester, Copyright © 2018.  All rights reserved.
Cedric McClester Apr 2016
By: Cedric McClester

As we shall see infidelity
While seeming to be
The latest fashion
Where there’s conviction
And passion
So even those
Who walk down the aisle
Are often betrayed by words or a smile

Increasingly
We’re beginning to see
Infidelity
Wouldn’t you agree

Let’s keep it real
There’s Bill -  (And Camille)
Knows how it feels
When tabloids reveal
The infidelity
That she didn’t see
Though it kept happening
Time and again

Increasingly
We’re beginning to see
Infidelity
Wouldn’t you agree

The unions survive
The husbands and wives
Living separate lives
Check out the archives
So what’s the reason
For their treason
Finding someone to squeeze in
Must be in season

It’s hard to respect
Those you wouldn’t suspect
Of bedding the babysitter
So you can’t blame the wives
For being angry or bitter
Cuz it never occurred
It was the babysitter
Who was preferred

Increasingly
We’re beginning to see
Infidelity
Wouldn’t you agree












Cedric McClester, Copyright (c) 2016.  All rights reserved.
Cedric McClester May 2015
By: Cedric McClester

ALLAHU-AKBAR, (TRUE)
GOD IS GREATER THAN THEY KNEW
Or why would they do what they do
And then pervert al-Islam too
BISMILAH – (IN THE NAME OF ALLAH)
They plant bombs inside of cars
To blow up strangers near and far
But they take things too ******* far

AL-HUMDILILAH – (PRAISE ALLAH)
But not by giving Islam a scar
Who the hell they think they are
Shaytan’s minions? They’re on par
ASTAGFIGALAH (MAY ALLAH FORGIVE)
Those not cursed by how they live
Chopping heads off especially with
A rusty knife known as a shiv

INSHALLAH (IF IT’S ALLAH’S WILL)
Those who maim and also ****
Will soon be presented with the bill
And their ambitions will get them nil
ALLAHU-ALUM (ALLAH KNOWS BEST)
The sins they will have to confess
To get those sins up off their chest
While facing hell fire nevertheless

WALAHI (I SWEAR BY ALLAH)
Hell will find them wherever they are
In their homes near or far
Because they have raised the bar
YA-HAMUKALAH (MAY ALLAH PROTECT YOU)
From those ****
Who constantly beat their war drums
And take advantage of the deaf blind and dumb




Copyright © 2015, Cedric McClester.  All rights reserved.
Cedric McClester Nov 2016
By: Cedric McClester

He calls himself a man
Yet he can’t understand
Why the baby won’t stop crying
In the crib in which he’s lying
He agreed to baby sit
Not to take this **** (But now he’s catching it)

Rock-a-bye baby
But he wouldn’t stop
Now it’s a plea deal
That he hopes to cop
And the baby’s momma
Is out of her head
Rock-a-bye baby
Her baby is dead

He picked the kid up
To rock him at first
But the crying continued
And in fact it got worst
Then he shook him
In an aggravated state
And by the time he stopped
It was a little bit too late

Rock-a-bye baby
But he wouldn’t stop
Now it’s a plea deal
That he hopes to cop
And the baby’s momma
Is out of her head
Rock-a-bye baby
Her baby is dead

She tosses the details
Around in her head
Cause she can’t believe
Her baby is dead
And it doesn’t matter
Who is to blame
Her baby is dead
And she won’t be the same

Rock-a-bye baby
But he wouldn’t stop
Now it’s a plea deal
That he hopes to cop
And the baby’s momma
Is out of her head
Rock-a-bye baby
Her baby is dead

What we do to children
Is often so cruel
Because the exception’s
Becoming the rule
But infants are helpless
So **** the excuse
Because whatever you say
It’s still child abuse

Rock-a-bye baby
But he wouldn’t stop
Now it’s a plea deal
That he hopes to cop
And the baby’s momma
Is out of her head
Rock-a-bye baby
Her baby is dead

She tosses the details
Around in her head
Cause she can’t believe
Her baby is dead
And it doesn’t matter
Who is to blame
Her baby is dead
And she won’t be the same

What we do to children
Is often so cruel
Because the exception’s
Becoming the rule
But infants are helpless
So **** the excuse
Because whatever you say
It’s still child abuse


Cedric McClester, Copyright © 2016.  All rights reserved.

SATAN’S WORLD

By: Cedric McClester

It’s Satan’s world
That’s how it seems of late
Especially when God’s people
Appear to abdicate

There’s trouble everywhere
And life’s a living hell
For far too many people
Caught in the devil’s spell
They’re busy seeking this world
With no thought for the next
Worshipping possessions
And engaging in loose ***

It’s Satan’s world
That’s how it seems of late
Especially when God’s people
Appear to abdicate

Some don’t have a conscience
And they’ll do anything
Like sexing fourteen year olds
Who like the songs they sing
They take away their innocence
Cuz they don’t know the deal
But we’re exposing them right now
So they’ll know how we feel

It’s Satan’s world
That’s how it seems of late
Especially when God’s people
Appear to abdicate

Some want the best of both worlds
They want heaven while raising hell
And we’re not making judgments
You can look at them and tell
That they’re in bed with Satan
While they say they love the Lord
Just look at what they’re doing
Cuz their deeds can’t be ignored

It’s Satan’s world
That’s how it seems of late
Especially when God’s people
Appear to abdicate

Here’s the deal let’s keep it real
Cuz we’re not out to play
It may not be tomorrow
But you’re gonna pay one day
Cause all things done in darkness
Will soon come to light
Just because you’re a celebrity
Don’t mean you’re living right

It’s Satan’s world
That’s how it seems of late
Especially when God’s people
Appear to abdicate




Cedric McClester, Copyright © 2016.  All rights reserved.
Mateuš Conrad Sep 2015
poetry, oddly enough, falls the easiest as pray to that beast plagiarism; now all the more easier, like loving the sort of poetry that's not easily inspiring is to me what generic poetry, the sort of material for occasions and birthday cards and anniversary rhymes that's blatantly reproducible, is to invoking "inspiration." did anyone say the word peacock? no? good: here's a whiff of my skunk and sailors' socks lettering.*

what i know of poetry i use from the lack of knowledge i have of life,
so why would i suddenly follow suit with metaphor
and other tools so blatantly, so consciously, as to write
for an essayist or a critic? why? i have no need for that sort
of nit & pick approach, just so i can have someone say
something about it: easily recognise the alkalis and acids
and yeasts and the final product of dried brains and sugars stored
in liver. i heard a poet talk once about how drinking and
blasting music made him write the most terrible poetry,
a generational gap it would seem prompted me to say:
it's music, it hushes my thought to such a measure that i automate
my writing - hardly a thought concerns the writing - it's
impulse, instinct, impulse, instinct - the unknown river winding -
until i reach the other side of this styx - it's sometimes a sober
journey, but it's never a journey where the river is as if the hush
lullabying mute lake - and i even manage to strain music,
never allow it a completion, and thus the chaos of intro, a part,
no song entering its crescendo - sometimes just the mundane
bits of it, and that's it! i also heard the same poet talk about
the writing ethos: three hours in the morning, one at night...
why would i also do that, stand in the iron maiden of "professionalism"
and rigid matchstick packaging into specified slots of the everyday?
as i heard the same poet speak about practicing, comparing
the poet not to a composer, always adrift on the blanks with
spores against blinking and seeing blanks without inky caterpillar winding,
i'm not a ****** pianist, i'm chopin, there's a difference,
i'm not competing for laureate laurels, i'm competing for the
emperor's clothes: and in the realm of my ever expanding empirical
vocabulary, i'm the sole provider of such similarities to imagine
myself in toga and sandal drinking wine with bacchus and molesting
the nymphs with drunken song - as once in craze on a birthday,
making such cocktails and providing such crazy muses due from
music by cedric 'im' brooks that i swooned into lust and power,
taking a girl to my room and doing her all over in pitched pleasures
of darkness while the modest celebrations continued - the guests
didn't seem interested in helping themselves to barbecue or
the cocktails as much as this one girl - who noticed i was educated
in her own leather contrast with me: so let me tell you,
girls of such countenance enrage heaven with you and solomon and sheba,
for a girl who sees you take interest in her cultural output
is marked to take interest in anything else by you, esp. if it's
after a cosmopolitan, or that cocktail with galliano, or cointreau;
hmm, that last line about "cultural output" sounds hypocritically leftwing
stiff... well i know that something was... stiff... ah crap, now it
sounds all too very much carry on movie giggles; feet ashore!
Cedric McClester Mar 2017
By: Cedric McClester

It’s, “affordable housing,”
That we can’t afford
Our cries in vain
Go largely ignored
So please don’t ask us
Where the grapes of wrath are stored
If you don’t want us
To respond untoward

They show us an unaffordable
AMI
For people who barely
Are just getting by
So to call it affordable
Is a bold face lie
That try though they may
They cannot deny

We’re brought together
To plan and plot
Our community’s future
Are we not
But they won’t admit
To what’s already in place
Like a zoning change
What a disgrace

Ultimately we’re told our future’s
Up to us
And if we believe them
As they say we must
They seek our ideas
Like they really matter
But I know all that is
Is just chitter chatter






Cedric McClester, Copyright © 2017.  All rights reserved.
Cedric McClester Apr 2015
By: Cedric McClester

You went undercover
Only to discover
That your big brother
Was watching you
There’s no escaping
Cos he was taping
Now you don’t know
What to do

You’re reaction
To this distraction
Has you packing
But they’ll be trackin
Where you are
Use your cell and they can tell
Whether you’re walkin
Or in a car

Nineteen eight-four
Came inside the door
And Orwell had it right
Like a doting mother
Your big brother
Is clockin you day and night

You feel trapped
Cos your phone is tapped
And your TV’s watchin you
The places you shop
At every store you stop
Has information too
The time and date
What you bought and ate

Nineteen eight-four
Is inside the door
And Orwell had it right
Like a doting mother
Your big brother
Is clockin you day and night

You feel trapped
Cos your phone is tapped
And your TV’s watchin you
The places you shop
At every store you stop
Has information too
The time and date
What you bought and ate

Nineteen eight-four
Is inside the door
And Orwell had it right
Like a doting mother
Your big brother
Is clockin you day and night

You’re reaction
To this distraction
Has you packing
But they’ll be trackin
Where you are
Use your cell and they can tell
Whether you’re walkin
Or in a car

Nineteen eight-four
Is inside the door
And Orwell had it right
Like a doting mother
Your big brother
Is clockin you day and night



(c) Copyright 2015, Cedric McClester.  All rights reserved.
Cedric McClester Oct 2015
By: Cedric McClester

Thanks for never giving up on me
You always kept your cool
Even when it was plain to see
I was acting like a fool
You’re the one who believed in me
When there was no one else
And your encouragement was the key
To making me believe in myself

Thanks for all your time and energy
And everything that you invest in me
Thanks for your words of encouragement
Especially when my head is bent

How can I ever thank you enough
For all you do and have done
For being there when it gets rough
I’m just so proud to be your son
At times you even were my crutch
That’s what everybody said
They even thought you were too much
From what I’ve heard and read

Thanks for all your time and energy
And everything that you invest in me
Thanks for your words of encouragement
Especially when my head is bent

I never would have come this far
Had it not been for you
So you deserve these accolades
And every word is true
It’s little more than the gratitude
That you’re deserving of
These are heart-felt platitudes
That are used to express my lov

Thanks for all your time and energy
And everything that you invest in me
Thanks for your words of encouragement
Especially when my head is bent

You brought me closer to the goal
That I had set for  myself
Right from the start you were sold
Long before anyone else
You’re the rock that gives me strength
Because of you I persevere
And I would go to any length
To thank you I’m sincere

I never would have come this far
Had it not been for you
So you deserve these accolades
And every word is true
It’s little more than the gratitude
That you’re deserving of
These are heart-felt platitudes
That are used to express my love

Thanks for never giving up on me
You always kept your cool
Even when it was plain to see
I was acting like a fool
You’re the one who believed in me
When there was no one else
And your encouragement was the key
To making me believe in myself






Cedric McClester,Copyright © 2015.  All Rights Reserved.
Cedric McClester Apr 2015
By: Cedric McClester

The night was hot
So she retreated
To her front stoop
But things got heated
5 shots rang out
Into the night
And who got hit
You guessed it right

Dem thugs ‘n gangstas
Ain’t up to no good
Dey always
Shootin up the neighborhood

Pregnant and shot
Right through the neck
And so the ambulance
Made the trek
To the hospital
Five blocks away
Where she arrived
DOA

Dem thugs ‘n gangstas
Ain’t up to no good
Dey always
Shootin up the neighborhood

In the O.R.
It was intense
But due to God
And providence
A healthy baby boy
Was born
Torn from her womb
His mother, gone

An act of violence
Gone aerie
A pregnant woman
Caused to die
Because of someone’s
Senseless act
And nothing said
Can bring her back

Dem thugs ‘n gangstas
Ain’t up to no good
Dey always
Shootin up the neighborhood

In the O.R.
It was intense
But due to God
And providence
A healthy baby boy
Was born
Torn from the womb
His mother gone

An act of violence
Gone aerie
A pregnant woman
Caused to die
Because of someone’s
Senseless act
And nothing said
Can bring her back

Dem thugs ‘n gangstas
Ain’t up to no good
Dey always
Shootin up the neighborhood


(c) Copyright 2015, Cedric McClester.   All rights reserved.
Dem Thugs 'N Gangstas was inspired by true facts that unfortunately replicates in black and brown neighborhoods.  I write many of my poems from the perspective of the journalist that I am.
Cedric McClester Aug 2018
By: Cedric McClester

You lying ***,
You so and so,
You didn’t know,
That she would go?
As if the general
Didn’t tell you though,
You’re claiming ignorance
And putting on a show

You lying ***,
You so and so
Keep it up
And your nose will grow
Just like the puppet
Pinocchio
You’re trying to reach
A new plateau

You lying ***,
You so and so,
You paint a picture
But you’re no Van Gogh
You’re gonna fall
Like a domino
See you belong
In a minstrel show

You lying ***,
You so and so,
You hired her
Don’t cha think
We know?
That you’re duplicitous
As world leaders know, yo
Like Canada's Justin Trudeau




Cedric McClester,  Copyright © 2018.  All rights reserved.
RAJ NANDY Aug 2017
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
Cedric McClester Dec 2015
By: Cedric McClester

***** **** ***
Terms that we all know
Which only goes to show
The depths to which men go
To shame women although
They have mothers who
Get categorized that way too
But they act like who knew

*****, ****, ***
It has a certain flow
On and on we go
Tryin’ to bring ‘em low
But it’s not fair and yo
We need to take it slow
Before those labels stick
Let’s change our rhetoric

*****, ****, ***
People that we know
Use it frequently although
It shouldn’t be that way but yo
Guess that’s just how it go
We use it for ammo
When we refuse to grow
Change sometimes is slow

***** **** ***
Are terms that havta go
Why hold ‘em in escrow
For the sake of puttin’ on a show
Of put downs that’s below
The ladies we bestow
Those names on even though
They’ve become status quo


















Cedric McClester. Copyright © 2015. All rights reserved.
Cedric McClester Apr 2016
By: Cedric McClester

The coming of Trump
Like the coming of Jesus
Is hailed by the masses
He knows how to please us
Or maybe it’s that
He just knows how to tease us
Cuz he’s clearly not Christ
Nor is he close to Jesus

The coming of Trump
Like Jesus went through Galilee
All that’s missing
Are the palm fronds ya see
But Jesus rode an ***
Trump rides an airplane
And so you’d have to say alas
The two just aren’t the same

The coming of Trump
With all the adulation
As if his words alone
Could really save the nation
And those who are prone
To not have any patience
You find at every stop
Wishing him their salutations

The coming of Trump
Like Jesus’ Sermon On-The- Mount
Talks about bringing
Many things into account
He’s gonna build a fence
At a huge discount
The Mexicans will pay for it
Which for him is paramount








Cedric McClester, Copyright © 2016.  All rights reserved.
Cedric McClester Apr 2015
By: Cedric McClester

Your ***** - my ***** - our *****’s gone
Over 5000 people were there to morn
So when I hear you callin him I get real torn
And emotionally become a bit forlorn
Your ***** – my ***** –our *****’s dead
What’s it gonna take to get that through your head
Some blame it on the kinda life he led
But I blame it on all y’all instead
Your ***** – my ***** everywhere I go
Our *****’s dead - act like you know
It’s become a sport or some kinda game
To casually evoke his name in vain
Your ***** – my ***** – our ***** is
Turning in the grave site where he lives
All the while wonderin what the hell gives
And I ain’t jiving you I’m talkin square biz

Your ***** – my ***** – our *****’s gone
Out of pain and struggle our ***** was born
The object of ridicule and also scorn
Now the mention of his name only brings a yawn

Your ***** – my ***** – our *****’s at rest
After all he’s been through he deserved no less
But y’all like to drop his name nevertheless
No respect for the dead if I was to guess
Your ***** – my ***** – our ***** died
But y’all still call him like he was alive
If the truth be told then you would confide
Nothin I said can be denied
Your ***** – my *****- our ***** too
Carried himself the way most ****** do
Pants fallin down draggin at his shoe
Actin as if he had a missin *****
Your ***** – my *****- our ***** was
Characterized by what a ***** does
Everywhere he goes he creates a buzz

Your ***** – my ***** – our *****’s gone
Out of pain and struggle our ***** was born
The object of ridicule and also scorn
Now the mention of his name only brings a yawn

Your ***** – my ***** – our ***** see
Met with a horrible tragedy
So he’s not here he ceases to be
Anything other than a memory
Free at last free at last at last he’s free
Your ***** – my ***** – our ***** gave
Everything he had when he was enslaved
Finally at rest in a six foot grave
And all we’re left with is his name to save
Your ***** – my ***** - our *****’s through
But then again I think somehow you knew
To a *****’s code the ***** was true
Now letting him go is the thing to do
Your ***** – my ***** – our ***** left
But none of y’all act as if you are bereft

Your ***** – my ***** – our *****’s gone
Out of pain and struggle our ***** was born
The object of ridicule and also scorn
Now the mention of his name only brings a yawn

Your ***** - my ***** - our *****’s gone
Over 5000 people were there to morn
So when I hear you callin him I get real torn
And emotionally become a bit forlorn
Your ***** – my ***** –our *****’s dead
What’s it gonna take to get that through your head
Some blame it on the kinda life he led
But I blame it on all y’all instead
Your ***** – my ***** everywhere I go
Our *****’s dead - act like you know
It’s become a sport or some kinda game
To casually evoke his name in vain
Your ***** – my ***** – our ***** is
Turning in the grave site where he lives
All the while wonderin what the hell gives
And I ain’t jiving you I’m talkin square biz

Your ***** – my ***** – our *****’s gone
Out of pain and struggle our ***** was born
The object of ridicule and also scorn
Now the mention of his name only brings a yawn


(c) Copyright 2015. Cedric McClester.  All rights reserved.
Cedric McClester Apr 2015
By: Cedric McClester

It’s a shame
And the disgrace is
A neon shirt
And pink shoelaces
Resulted in an act
So tasteless
That the victim wound up
With stitches in some places

A neon shirt and pink shoelaces
Or acting effeminate
If that’s what the case is
Physically attacking him
Was entirely baseless
And sooner or later
We all need to face this

Why you ask
Was he under attack
Homophobia
And as a matter of fact
Though it’s not a case
Of white or black
The bottom line is
It was a hateful act

A neon shirt and pink shoelaces
Or acting effeminate
If that’s what the case is
Physically attacking him
Was entirely baseless
And sooner or later
We all need to face this

What people do
In my point of view
Is a matter of personal choice
Not up for review
Unless it’s hurting others
Or causes their rights to
Be infringed upon
Then ya might wanna sue

A neon shirt and pink shoelaces
Or acting effeminate
If that’s what the case is
Physically attacking him
Was entirely baseless
And sooner or later
We all need to face this

And here’s the thing
That I don’t get
How is what he does
Considered a threat
To anybody else
Albeit
Even those who object
Shouldn’t become upset – cos

A neon shirt and pink shoelaces
Or acting effeminate
If that’s what the case is
Physically attacking him
Was entirely baseless
And sooner or later
We all need to face this


(c) Copyright 2015, Cedric McClester.  All rights reserved.
Cedric McClester Feb 2016
By: Cedric McClester

From the streets
Of the windy city
In a cold world that
Showed him no pity
He used his gift of gab
To sell their kitty
And it wasn’t done
By committee

Iceberg Slim
I know you heard of him
He was a **** a playa
A consummate lady slayer
Who knew the game
So what’s his name
Iceberg Slim
I know you heard of him

He had no shame
Or second thoughts
He was true to the game
Followed the dots
He ducked the law
Sidestepped their plots
Paid his dues
And carried knots

Iceberg Slim
I know you heard of him
He was a **** a playa
A consummate lady slayer
Who knew the game
So what’s his name
Iceberg Slim
I know you heard of him

Iceberg Slim was
A legend
True to the game
And his profession
Handled his business
With discretion
Then wrote a book
A true confession

He tired of the **** life
In the end
He couldn’t go through the motions
And just pretend
He started feeling like
He might have been condemned
And he didn’t like
What that might portend

Iceberg Slim
I know you heard of him
He was a **** a playa
A consummate lady slayer
Who knew the game
So what’s his name
Iceberg Slim
I know you heard of him


Cedric McClester, Copyright (c) 2016.  All rights reserved.
Cedric McClester Oct 2015
By: Cedric McClester

Snitches get stitches
So nobody drops a dime
Meanwhile we're the biggest victims
Of inner city crime
It's happenin' everyday
Without reason or rhyme
Don't cha think it's high time
We change that paradigm

Snitches get stitches
That's the code of the street
But you'll be given up
Once the cops apply the heat
That Mafia example
In real life ain't complete
Cos they're the biggest snitches
That you'll ever meet

Snitches get stitches
And they probably should
If both of ‘em were down
Then it's understood
But if you see sumthin'
Happenin' in the hood
Then you need to say sumthin
Cos I know I would

Snitches get stitches
That's the code of the street
But you'll be given up
Once the cops apply the heat
That Mafia example
In real life ain't complete
Cos they're the biggest snitches
That you'll ever meet

Our mutual destruction
Is clearly assured
If the challenges we're facing
Continually get ignored
Our future salvation
Demands we're of one accord
So let's pray for the strength
As we look towards the Lord

Snitches get stitches
But ya wanna know the truth
It's high time the rest of us
Better stop being aloof
We're dying every day
The statistics are the proof
So let's raise the white flag
And declare a truce

Snitches get stitches
That's the code of the street
But you'll be given up
Once the cops apply the heat
That Mafia example
In real life ain't complete
Cos they're the biggest snitches
That you'll ever meet


Cedric McClester, Copyright (c) 2015.  All rights reserved.
Cedric McClester Apr 2015
By: Cedric McClester

Sister Sara’s talkin’ ‘bout reload
I think she’s tryin’ to get my goad
Those who says don’t build it there
Don’t want it built anywhere
You can shake your head and sigh
But it’s American as apple pie

It’s American as apple pie
As American as apple pie
As American as apple pie
As American as apple pie

His campaign ad’s imagery
Of Nine/Eleven is on TV
I hate to even say his name
Because it’s clear he has no shame
You can shake your head and sigh
But he’s American as apple pie

He’s American as apple pie
As American as apple pie
As American as apple pie
As American as apple pie

Divide and conquer
Has become a tool
Cos they don’t believe in
The Golden Rule
So who is it they think they fool
The uninformed and unschooled

It’s American as apple pie
As American as apple pie
As American as apple pie
As American as apple pie

We don’t seem to know no more
What it is that we stand for
Some say freedom
But I’m not so sure
When hatred and division
Is at the core
Of what we’re seeing nowadays
So openly as it plays

It’s American as apple pie
As American as apple pie
As American as apple pie
As American as apple pie

Divide and conquer
Has become a tool
Cos they don’t believe in
The Golden Rule
So who is it they think they fool
The uninformed and unschooled

Sister Sara’s talkin’ ‘bout reload
I think she’s tryin’ to get my goad
Those who says don’t build it there
Don’t want it built anywhere
You can shake your head and sigh
But it’s American as apple pie

She’s American as apple pie
As American as apple pie
As American as apple pie
As American as apple pie


(c) Copyright 2015, Cedric McClester.  All rights reserved.
Cedric McClester May 2016
By: Cedric McClester

It’s a steep hill to climb
But I’ll climb it anyway
Hoping I might make it
To the top one day
It’s a steep hill to climb
But I’m in for the long haul
I’m heading for the top
Even if I have to crawl

It’s a steep hill to climb
But I’m climbing every inch
I won’t be sidelined
I’m not sitting on a bench

It’s a steep hill to climb
There ain’t no doubt
But there’s a way to the top
That I’ve figured out
It’s a steep hill to climb
Yet I’m not discouraged
All it takes on my part
Is a little courage

It’s a steep hill to climb
But I’m climbing every inch
I won’t be sidelined
I’m not sitting on a bench
It’s a steep hill to climb
But I’m not dropping out
Getting to the top
Is what I’m all about

It’s a steep hill to climb
But don’t expect me to be gone
I’m too ****** determined
Not to carry on
It’s a steep hill to climb
But I have to do it
Despite the obstacles
And you and I both knew it


















Cedric McClester, Copyright (c) 2016.  All rights reserved.
Cedric McClester Sep 2016
By: Cedric McClester

Time goes by fast
But memories that last
Are like snap-shots of the past
That we view in contrast
To the here and now
And so we make a vow
To apply the breaks
And avoid our past mistakes

Time goes by fast
And nothing ever lasts
For those who are miscast
Or the errant iconoclast

In the rear view mirror
Things become much clearer
To the standard bearer
Who see them much nearer
Than they were before
When it was easier to ignore
The intricate designs
Of the various warning signs

Time goes by fast
And nothing ever lasts
For those who are miscast
Or the errant iconoclast

Seconds minutes hours
With all it’s magical powers
We observe like blooming flowers
That time finally devours

And as slowly we retreat
To our thoughts so bitter sweet
Not acquiescing to defeat
That occasionally we meet
So we long for yesteryear
Cuz we’re far away from there
And the veil is very shear
Between there and here

Time goes by fast
And nothing ever lasts
For those who are miscast
Or the errant iconoclast

Time goes by fast
But memories that last
Are like snap-shots of the past
That we view in contrast
To the here and now
And so we make a vow
To apply the breaks
And avoid our past mistakes



Cedric McClester, Copyright © 2016.  All rights reserved.
Cedric McClester Nov 2016
By: Cedric McClester

Don’t drink the elixir
That he’s trying to sell
If you start believing him
He'll catch you in his spell
Avoid the snake oil salesman
At all and any cost
If you follow his advice
You’ll truly be lost

He’s a snake oil salesman
Traveling state to state
Trying to sell his portion
That you're gonna learn to hate

(2nd Verse)
Don’t drink his elixir
Though pleasant to the taste
Some have bought it wholesale
Others by the case
Don’t believe the claims
The snake oil salesman makes
He’ll say or do anything
That he thinks it takes

He’s a snake oil salesman
Traveling state to state
Trying to sell his portion
That you're gonna learn to hate
He’ll never reveal what’s inside
Of his opaque bottle
But he wants you to take the ride
While he goes full throttle

He’s a snake oil salesman
You better heed my warning
It might be too late
Once you’re underneath his awning
He’s a snake oil salesman
I’ve told you once before
Cuz it’s at your own peril
If you choose to ignore

He’s a snake oil salesman
Traveling state to state
Trying to sell his portion
That you'll learn to hate

Don’t drink his elixir
Though pleasant to the taste
Some have bought it wholesale
Others by the case
Don’t believe the claims
The snake oil salesman makes
He’ll say or do anything
That he thinks it takes






Cedric McClester, Copyright (c) 2016.  All rights reserved.
Cedric McClester May 2015
By: Cedric McClester

Justice delayed is justice denied
A familiar credo rarely applied
So the call for it is a rising tide
They’re only trying to close the divide
It came so quickly in Baltimore
Like nothing that they had ever seen before
The young prosecutor was so able and sure
Though she never tried a case like it before

This time a rookie would light the fuse
People rejoiced once given the news
The laws don’t exist for police to abuse
Responsible parties have to pay some dues
She laid the facts out chapter and verse
Starting with what she said occurred first
It began to appear that Freddie was cursed
As she laid out the charges it looked even worst

Although color only tends to distract
If you must keep track as a matter of fact
Out of the six cops three were black
Which doesn’t suggest that they knew how to act
Cops bleed blue whether black or white
The uniform’s the same am I wrong or right?
Either or they’ll put out your light
Then say you resisted and put up a fight

People were asking how Freddie died
Some rightly suspected from a bumpy ride
And now that those facts have been verified
It’s more than a theory that will get tried
Just as if Freddie was sending a sign
His broken neck and a badly cracked spine
Wasn’t self-inflicted we got to find
Did they really think that we’d lost our minds



© Copyright 2015, Cedric McClester.  All rights reserved.
Justice Delayed Is Justice Denied was inspired by events in Baltimore in the wake of the Freddie Gray ****** that allegedly was committed by six Baltimore police officers.
Cedric McClester Aug 2018
By: Cedric McClester

The first black president
Must have made one hell of an impression
On the man who followed him
Directly in succession
He seems to want to unravel
Whatever is at his discretion
In order to rob the legacy
Of the man whose name means blessing

He did his best to chase
Obamacare away
Without an adequate replacement
To make its absence okay
Now it’s gas emissions
Being lowered by the EPA
I guess fossil fuel behemoths
Are sadly here to stay

And on the international scene
The man has been a wreck
He left the Paris Climate Accord
And gives our allies no respect
Then ***** up to Vlad Putin
A man of greater intellect
And pulled out of the Iran Nuclear deal
To spite Obama I suspect

And when he can denigrate him
He never misses a chance
Much like a woman scorned
Caught in a bad romance
People are getting tired
Of this dismal dance
They can predict his moves
Four moves in advance


Cedric McClester, Copyright © 2018.  All rights reserved.
Cedric McClester Apr 2015
By: Cedric McClester

In a world
That’s so politically correct
What are we to call ‘em
Thugs -  or criminal suspects
Perhaps it’s something else
That we should project
Maybe our language
Needs to be checked

Must urban youth
Be marginalized
As a result of their misdeeds
Or can we recognize
That they have certain needs
They haven’t realized
We read the news feeds
And then we demonize

Is it a riot
Or an insurrection
Maybe it requires
Some more introspection
Before we decide
It’s their predilection
Because the evidence
Leads us in that direction

I don’t know
Who it was that stated
What poverty often does
Is underrated
And victims of poverty
Are often hated
Though the larger implications
Are complicated


© Copyright 2015, Cedric McClester.  All rights reserved.
Cedric McClester Nov 2015
By: Cedric McClester

Sadly Paris is
Feeling the ravages
Of those heartless savages
Whose numerous miscarriages
Of jihad on the average is
A total mischaracterization
Of what they claim is the Muslim nation
And frankly speaking I’m losing patience

This I hope you understand
There’s no justification in the Qu’ran
For what they do to their fellow man
As if it’s part of Allah’s Plan
Show me the sunnah if you can
That allows aggression in any land
Things have gotten out of hand
If everything you do is banned

You can spread your hate
But I have to state
There’ll never be a califate
That’s solely built on one man’s hate
It will crash and burn under its own weight
And heaven help those who participate
For them I fear it’s much too late
And that’s not open to debate

Paris is crying, naturally
Because of the carnage don’t you see
But they’ll continue to be free
And enjoy the support of humanity
We all must ask how could this be
While sealing the fate and destiny
Of those miscreants who **** with glee
And have the significance of a flea







Cedric McClester, Copyright © 2015.  All rights reserved.
Cedric McClester Jul 2018
By: Cedric McClester

You know he’s full of stuff
When the evidence ain’t enough
And he’s acting like a cream puff
By not calling Putin’s bluff
If I labeled him a scaredy-cat
Or better yet Putin’s new doormat
Would that raise the thermostat,
And flush out that Norway rat?

When the evidence is irrefutable
To the point that it’s not disputable
His response is always mutable
And comes out as most unsuitable
Then his mouthpiece attempts to frame
An alibi, but we’re hip to her game
She can’t absolve him of the blame
Though she tries to just the same

So you better believe and trust
That she looks ridiculous
When she’s being duplicitous
By trying to fool the rest of us
It’s a sin to stand there and lie
But she gives it a college try
Like the mistress of deny
As if the Ten Commandment don’t apply

They interfered with our election
With a clear cut interjection
Of cybernet deflection
Without protest or objection
Two days before his inauguration
He was told of the Russian’s participation
Much to his own consternation
Yet he still voices reservations





Cedric McClester, Copyright © 2018.  All rights reserved.
Cedric McClester Apr 2015
By: Cedric McClester

I lit a candle in you memory
A simple gesture it may be
But even though my eyes are wetter
It makes me feel a little better
See I know for a fact
That nothing I do will bring you back
Though I had to do something in your memory
Some kind of expression to show what you mean to me

So I lit a candle and then I prayed
And I thanked the Lord for what He made
Someone as wonderful and real as you
And I prayed that He would see me through

I lit a candle the other day
I couldn’t believe you had passed away
Guess in between the pain joy and sorrow
We’re here today and gone tomorrow
But the memories we have can last forever
That’s something we never have to sever
Out of darkness we can find the light
And eventually we’ll be all right

So I lit a candle and then I prayed
And I thanked the Lord for what He made
Someone as wonderful and real as you
And I prayed that He would see me through

There’s no point in me masking
The pain I feel cos of your passing
But why’s the question I won’t be asking
God has a plan that’s everlasting

So I lit a candle and then I prayed
And I thanked the Lord for what He made
Someone as wonderful and real as you
And I prayed that He would see me through

I lit a candle and prayed for you
A special prayer as I often do
The difference this time is you’re not here
And I’ll never again hold you near
But here in my heart in so many ways
I’ll remember you for the rest of my days
Up until the time that we’re reunited
And our Book of Deeds is recited

There’s no point in me masking
The pain I feel cos of your passing
But why’s the question I won’t be asking
God has a plan that’s everlasting

So I lit a candle and then I prayed
And I thanked the Lord for what He made
Someone as wonderful and real as you
And I prayed that He would see me through

I lit a candle in you memory
A simple gesture it may be
But even though my eyes are wetter
It makes me feel a little better



(c) Copyright 2015, Cedric McClester.  All rights reserved.
Cedric McClester Feb 2019
By: Cedric McClester

Smoke a blunt?
Somebody's gonna!
Though it ain’t
The same marijuana
That they smoked
Back in the day
So what’s inside it anyway?
Truthfully, it’s hard to say

It might be laced with
Fentanyl
Until you smoked it
How could you tell?
Ya see, it’s properties
Don’t ring a bell
So their affects
Could be hell

And now they rush
To legalize
For the dollars
I’d surmise
Whether, or not
That move is wise
See those who object
Are ostracized

Yet all the evidence
Isn’t in
And that alone
Speaks to the sin
The wise go slow
But fools rush in
So John Q Public
Takes it on the chin








Cedric McClester, Copyright (c) 2019.  All rights reserved.
Cedric McClester Jan 2016
By: Cedric McClester

As the Protagonist expects
*** as a pretext
Baffles intellects
In an election context
So it’s no mystery
That he does this ya see
When ancient history
Can be so blistery

Given the nomenclature
Of its prurient nature
Clearly I would hate to
Be forced to debate you
But the Protagonist
Has long been doing this
Although he gets me ******
He doesn’t feel remiss

As long as he’s untoward
He won’t fall on his sword
And you can rest assured
That the past won’t be ignored
In any given broadcast
He can be put on blast
Because if one chose to ask
They'd learn about his past

Right down to his hair follicle
The man is diabolical  
And also quite methodical
What I’m saying is he’s horrible
Like excrement stuck on a shoe
He’s nasty and it’s also true
Like a bowl of witches brew
He’s impossible to misconstrue















Cedric McClester, Copyright © 2016.  All rights reserved.
Cedric McClester Apr 2015
By: Cedric McClester

She’s a Republican
In Democratic clothes
Which means - she’s beyond contempt
Someone to be loathed
An anomaly?
Well if you’re askin me
She’s what every one of ‘em
Pretends to be
A centrist
Who might go either way
On any issue
On any given day
She likes to calls it
A winning strategy
But it’s still selling out
As far as I can see

She’s a Republican
In Democratic clothes
But with the right pedigree
As everybody knows
She’s very bright
That’s obvious - it shows
Though you’ll find her
Wherever the wind blows
I often wonder
Who she really is
Behind the mask
I’m talkin ‘bout square biz
It’s hard to tell
With the naked eye
How she really feels
Though some of us do try

She’s a Republican
In Democratic clothes
Her popularity
Is always in the throes
We love her one-minute
Then hate her the next
She brings out feelings
That are that complex
She’s very hard
For us to get to know
How much is real
And how much is for show
That’s the question
On many people’s minds
What’s goin on
Behind those closed blinds

She’s a Republican
In Democratic clothes
Who’ll run for president
One day I suppose
She’s very suited
For the life she chose
A prodigy
Who won't be unopposed
There’s so much baggage
In her sordid past
The kind of thing
That usually tends to last
She’ll ascend
But then she’ll drop so fast
Say what you will
The dye’s already cast

She’s a Republican
In Democratic clothes
Who has a war chest
That grows and grows and grows
She’s courted equally
By the rich and poor
With the kind of access
That many would die for
But still she’s baffling
To say the very least
It’s hard to tell
The nature of the beast
And to add insult
Along with injury
Is we don’t know
How she's gonna be

She’s a Republican
In Democratic clothes
Who lost my vote
But that’s just how it goes
When one has trouble
Being who they are
It doesn’t matter
That they’re a rising star
I can’t support her
Under any circumstance
It would be foolish
To even take that chance
Though I do like her
I have to admit
I’ll vote against her
Or maybe I’ll just sit

© Copyright 2015, Cedric McClester - all rights reserved.
Cedric McClester Mar 2016
By: Cedric McClester

I took a journey in my mind
Back to another place and time
Now all I want is another line
Seeing is scary to the blind

Seeing is scary to the blind
Ya never know what you might find
Reality can be unkind
I feel the need to just unwind

The past and present gets confused
Just like the needles that I've used
My flesh was made to be abused
They say detox but I refuse

Seeing is scary to the blind
Ya never know what you might find
Reality can be unkind
I feel the need to just unwind

Now you might think that I'm insane
Cause I get off on my own pain
It's something deeper in the brain
A closer look and you might find
Seeing is scary to the blind
Seeing is scary to the blind

I feel the warmth of mother's womb
Or perhaps it's just impending doom
Could be the weight of my own tomb
So all that's left for me is gloom

Seeing is scary to the blind
Ya never know what you might find
Reality can be unkind
I feel the need to just unwind

Now you might think that I'm insane
Cause I get off on my own pain
It's something deeper in the brain
A closer look and you might find
Seeing is scary to the blind
Seeing is scary to the blind

Seeing is scary to the blind
Ya never know what you might find
Reality can be unkind
I feel the need to just unwind
Excuse me while I take a hit
Cause everyday I feel like ****
If I had sense maybe I'd quit
I  tell myself but still I find
Seeing is scary to the blind



Cedric McClester, Copyright (c) 2016.  All rights reserved.

— The End —