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Nat Lipstadt Oct 2013
October 2013

for Maria and Logan...

you need two hands, one foot.
count my years.
each finger, worth a decade.
each toe, well, a century...

birthdays.

point of inflection,
point of opportunity,
presents itself,
to rewrite history.

a second coat of paint,
gift-wrapped in weak excuses.
how I lied, how I ain't,
grimm-fated fairy tales
somebody created.

invisible suits of gold-cloth
worn to my party of
past rewrit and
future foretold.

one single thought,
memory,
seizes my heart,
as I fall to my knees.
cracks my temperate ease,
renders open the
woof and weave
of recycled deceptions,
causing all to be revealed
and ask,

what if the poetry ceases?

you know prostrate?
you taste grief?

have you not but
one pain,
one act,
one deed,
one memorization,
act of cowardice,
act of desertion,
mistake maden, taken,
for which
forgiveness
can never
be given,
be taken,
attained?

do, does, did.

let me then
win the birthday lottery,
let floods of relief from
daily chores, not drown me,
chauffeurs to drive,
masseurs to massage,
cooks to cook,
les delicious treats,
keep theologians, logicians
on retainer, if need
explanations.

none know, can provide,
still and yet, a
priestly sacred chord,
grants relief,
absolution,
song of hallelujah
the ache of
perpetuity worry,
that ancient pain,
grows fresher daily,
the loss of one,
of my body,
my primal knot
unreasonable,
everything should be
permitted to be untied,
on my birthday, no?

this day, these days
breathe through words,
molecules of vowels,
stem cells of consonants,
the fabric, the tissues of life,
veins are a dictionary
of corpuscles,
red blood cells are
nouns of nutrients.

this day, these days,
the infection of my soul
is tempered, kept at bay,
tamped down from the
full flowering
of white blood cells
of rhyme, verse.

what if the poetry ceases?

Though the bones creak,
the body they carry. resurrect
for morning, afternoon
and evening prayers.

thrice daily poetry I recite,
roses red, violets blue,
my marrow transfused.

though my prayers refused,
the poetry act immolates
the fringes of my disease,
for which the common cure
is not currently invented....

what if the poetry ceases?

but be assured, told
scientists hard at work,
on the
forgive n' forget drug.

meantime,
take a bubble bath in
rosemary and mint
trap some words,
tap some words into
your cell phone bone,
the poetry heat that
provides aspirin relief.

through this poem,
on one day annual,
I am relieved, relived
the muse is feted, sated,

gone for few moments
concerns, worries of
exposure today,
agnostic's foxhole of hell
is dis-remembered,
the gloss returns,
the faux dispatched,

ain't birthdays grand?

what if the poetry ceases?

what rhymes with
Sorrow?
mmmmm,
could it be
Morrow?

bath drains, rosemary and mint
odors dismissed, the  Argentine disparu,
the Spanish Medievalists,
the Neo-Raphaelites,
all gone,
didn't they have birthdays too?

didn't know
the Renaissance come
and go,
and nobody
tole ya?

please recall t'is the day
after my sweet city recorded my
naissance in the
Hospital of the Flowers
on Fifth Avenue.

the 'crats put the datum
in the bureau with the
night creams and
the statistics
as follows:

on this day + a few,
six or twenty decades ago +
a few centuries,
a question was born,
and an ache that is
sometimes relieved,
by a poem song.

though do not celebrate,
t'is a day to calibrate,
review, edit, tinker,
rewrite, often a stinker.

always one thought recycles:

what if the poetry ceases?

(how will I breathe?)
Notes: my birthday was a few weeks ago. One of a number poems I've written about birthdays.  This one was modified, but only slightly for Maria and Logan.
Nat Lipstadt Oct 2014
yesterday was my birthday.
you need two hands, two feet,
a multiplication table
to count my years,
each finger, worth a decade.
each toe, perhaps, a century.

birthdays.

a point of inflection,
a point of opportunity,
a present presents itself,
to rewrite history.

a second coat of paint,
gift-wrapped in weak excuses.
how I lied, how I ain't,
grimm-fated fairy tales
somebody created.

invisible suits of gold-cloth
worn to my party of
past rewrit and
future foretold.

one single thought,
memory,
seizes my heart,
as I fall to my knees.
cracks my temperate ease,
renders open the
woof and weave
of recycled deceptions,
causing all to be revealed
and asking myself

what if the poetry ceases?

you know prostrate?
you have tasted grief?

have you not but
a singular pain,
one act,
one deed,
one memorization,
act of cowardice,
act of desertion,
mistake maden, taken,
for which
forgiveness
can never
be given,
be faked,
attained?

do, does, did.

let me then this day,
win the birthday lottery,
let floods of relief from
daily chores drown me,
chauffeurs to drive,
masseurs to massage,
cooks to cook,
les délicieuses friandises to sweeten life,
please keep theologians, logicians,
philosophers on retainer,
even historians, those future fortune tellers,
if needed, explanations -
or just satisfactory rationalizations.

none know,
or can provide,
still and yet,
a year round
priestly sacred chord,
to grant relief,
absolution,
songs of hallelujah,
erasers of the ache of
perpetuity worry.

those ancient pains,
grow fresh daily,
the loss of one element
of my body,
prevents my primal knot
unreasonably to be untied,
everything should be permitted
on my birthday, no?

this day, these days
breathe through words,
molecules of vowels,
stem cells of consonants,
the fabric, the tissues of life,
veins are a dictionary
of corpuscles,
red blood cells are
nouns of nutrients.

this day, these days,
the infection of my soul
is tempered, kept at bay,
tamped down from the
full flowering
of white blood cells
of rhyme, verse,
and asking myself

what if the poetry ceases?

though the bones creak,
snap, crackle and pop,
the body they carry,
resurrected this day in white
for morning, afternoon
and evening prayers,
and the last one special,
spoken standing.

thrice daily poetry I recite,
roses red, violets blue,
my marrow transfused.

though my prayers likely refused,
the poetry act immolates
the fringes of my disease,
for which the common cure
is not currently invented....
so I ask myself

what if the poetry ceases?

be assured, I am told
scientists hard at work,
on the forgive n' forget drug.

meantime,
take a bubble bath in
rosemary and mint,
trap and tap some words,
into your cell phone bone,
the poetry heat, scented waters,
provide aspirin relief.

through this poem,
on one day annual,
I am relieved, relived,
the muses, the Devils
all herein, feted, and sated

gone for few moments
concerns, worries of
exposure today,
agnostic's foxhole of hell
is dis-remembered,
the gloss returns,
the faux dispatched,

ain't birthdays grand?

yet, I cannot help but ask

what if the poetry ceases?

what rhymes with
Sorrow?
mmmmm.

could it be
Morrow?

bath drains,
rosemary and mint odors dismissed,
the Argentine disparu,
the Spanish Medievalists,
the Neo-Raphaelites,
all dispatched,
didn't they have birthdays too?
didn't you know
the Renaissance come
and gone,
nobody tole ya?

t'is the day
my sweet city recorded my
naissance in the
Hospital of the Flowers
on Fifth Avenue.

the 'crats put the datum
in the bureau with the
night creams and
the statistics
as follows:

on this day + a few,
six or twenty decades ago +
a few centuries,
a question was born,
and an ache that is
sometimes relieved,
by a poem~song.

though do not celebrate,
t'is a day to calibrate,
review, edit, tinker,
rewrite, often a stinker.

always one thought recycles:

**what if the poetry ceases,
how will I breathe?
Written years ago. Tinkered and edited once a year.
The Lord never ceases to amaze me, in His  mighty acts.  The moment all is gone, suddenly there is no lack.
The Lord never ceases to amaze me, in all He say and do.  Whenever hope is gone, He always come through.
The Lord never ceases to amaze me, the way He uses His mind.  He knows when you need Him most, therefore, He's there on time.
The Lord never ceases to amaze me, how He radiates with light.  It is filled with such brilliance, right before your sight.
By, Author & Poet, Sandra Juanita Nailing
Bobbie Longo Aug 2011
The pieces of me
Were falling through the cracks
The pieces of me
Shattered from the past

These pieces I've
Been missing so long
You've put them back
Where they belong

In your shirt pocket
Grazing your chest
Where those pieces are safe
And can be loved best

You've found those shards
Where someones thrown them away
You're now who will
Keep them safe

Be careful because
My thinly severed parts
Hardly resemble
What once was a heart

They may embed
Themselves within
And splinter you with
Broken passion

I may not give you all of me
But I can share my pieces
A bite of me is all you need
The bite that never ceases
Nat Lipstadt Jun 2013
Why Men Cry in the Bathroom

For so many reasons.
I will tell you the why.
I think you know,
Or perhaps, you think you know.

Men are always O.K.,
Even when not.

We expect the worse,
Accept the worse,
Nonetheless,
We are forever unprepared.

Wearily, we cry,
In the bathroom, in private,
Lest sighs slip by,
We be unmasked,
Early warring, strife signs warning.

Copious, tho we weep
Before the mirror confessor,
It is relief untethered,
Unbinding of the feet,
An uncounting
Of beaded rosaries,
Of freshly fallen hail stones,
Of night times terrors
By dawn's early edition's light,
and welcomed.

But look for the mute tear,
The eye-cornered drop,
*** tat, that never drops,
But never ceases formation and
Reforming, over and over again,
In a state of perpetuity of reconstitution,

The tippy tear of an iceberg revealing,
And I see you peeping, wondering,
What is beneath


Look for:
the torn worm-eaten edges of spirit,
thrift shop bought, extra worn,
grieving lines neath the eyes,
where the salt has evaporated,
discolored the skin.
worry lines,
under and above,
browed mapped, furrowed boundaries.
the laugh line saga,
where better days are stored,
recalled, as well as recanted,
publicly, privately.

Why just men?

I don't know,
Perhaps,
it is all I know.


Jan 6, 2013
your effusive and lengthy comments are each a poem in their own right.  

Tinkered with June 22, 2013
With a push from Bala,
A serial peeper, thank God!
Matt Feb 2015
Form is emptiness
Emptiness is form

1. Sunyata (Emptiness) is the profound meaning of the Mahayana Teaching.

Two thousand five hundred years ago, the Buddha was able to realise "emptiness" (s. sunyata). By doing so he freed himself from unsatisfactoriness (s. dukkha). From the standpoint of enlightenment, sunyata is the reality of all worldly existences (s. dharma). It is the realisation of Bodhi — Prajna. From the standpoint of liberation, sunyata is the skilful means that disentangle oneself from defilement and unsatisfactoriness. The realisation of sunyata leads one to no attachment and clinging. It is the skilful means towards enlightenment and also the fruit of enlightenment.

There are two ways for us to understand this concept of sunyata in the Mahayana context. One way is to try to understand the explanation about its true nature. The other way is the realisation through practice. What we are going to discuss now is about its true nature.

Mahayana teachings have always considered that the understanding of sunyata is an attainment which is extremely difficult and extraordinarily profound.

For example, in the Prajna Sutra it says "That which is profound, has sunyata and non-attachment as its significance. No form nor deeds, no rising nor falling, are its implications."

Again in the Dvadasanikaya Sastra (composed by Nagarjuna, translated to Chinese by Kumarajiva A.D. 408) it says: "The greatest wisdom is the so-called sunyata."

This sunyata, no creation, calmness and extinction (s. nirvana) is of a profound significance in the Mahayana teachings. Why do we see it as the most profound teaching? This is because there is no worldly knowledge, be it general studies, science or philosophy, that can lead to the attainment of the state of sunyata. The only path to its realisation is via the supreme wisdom of an impassionate and discriminating mind. It is beyond the common worldly understanding.

2. The Significance of Sunyata and Cessation

The Buddha always used the terms void, no rising and falling, calmness and extinction to explain the profound meaning of sunyata and cessation. The teachings of the Buddha that were described in words are generally common to worldly understandings. If one interprets the teachings superficially from the words and languages used, one will only gain worldly knowledge and not the deeper implication of the teachings. The teachings of the Buddha have their supra-mundane contexts that are beyond the worldly knowledge.

For example, sunyata and the state of nirvana where there is no rising nor falling, are interpreted by most people as a state of non-existence and gloom. They fail to realise that quite the opposite, sunyata is of substantial and positive significance.

The sutras often use the word "great void" to explain the significance of sunyata. In general, we understand the "great void" as something that contains absolutely nothing. However, from a Buddhist perspective, the nature of the "great void" implies something which does not obstruct other things, in which all matters perform their own functions. Materials are form, which by their nature, imply obstruction. The special characteristic of the "great void" is non-obstruction. The "great void" therefore, does not serve as an obstacle to them. Since the "great void" exhibits no obstructive tendencies, it serves as the foundation for matter to function. In other words, if there was no "great void" nor characteristic of non-obstruction, it would be impossible for the material world to exist and function.

The "great void" is not separated from the material world. The latter depends on the former. We can state that the profound significance of sunyata and the nature of sunyata in Buddhism highlights the "great void’s" non-obstructive nature.

Sunyata does not imply the "great void". Instead, it is the foundation of all phenomena (form and mind). It is the true nature of all phenomena, and it is the basic principle of all existence. In other words, if the universe’s existence was not empty nor impermanent, then all resulting phenomena could not have arisen due to the co-existence of various causes and there would be no rising nor falling. The nature of sunyata is of positive significance!

Calmness and extinction are the opposite of rising and falling. They are another way to express that there is no rising and falling. Rising and falling are the common characteristics of worldly existence. All phenomena are always in the cycle of rising and falling. However, most people concentrate on living (rising). They think that the universe and life are the reality of a continuous existence.

Buddhism on the other hand, promotes the value of a continuous cessation (falling). This cessation does not imply that it ceases to exist altogether. Instead, it is just a state in the continuous process of phenomena. In this material world, or what we may call this "state of existence", everything eventually ceases to exist. Cessation is definitely the home of all existences. Since cessation is the calm state of existence and the eventual refuge of all phenomena, it is also the foundation for all activities and functions.

The Amitabha Buddha who was, and is, revered and praised by Buddhists around the world, radiates indefinite light and life from this "state of cessation". This state is a continuous process of calmness. It will be the eventual refuge for us all. If we think carefully about the definitions of calmness and extinction, then we can deduce that they are the true natural end-points of rising and falling. The true nature of the cycle of rising and falling is calmness and extinction. Because of this nature, all chaos and conflicts in the state of rising and falling will eventually cease. This is attainable by the realisation of prajna.

3. Contemplating the Implications of Sunyata and Stillness (Nirvana) by Observing Worldly Phenomena

All existences exhibit void-nature and nirvana-nature. These natures are the reality of all existence. To realise the truth, we have to contemplate and observe our worldly existence. We cannot realise the former without observing the latter. Consider this Heart Sutra extract, "Only when Avalokitesvara Bodhisattva practised the deep course of wisdom of Prajna Paramita did he come to realise that the five skandhas (aggregates, and material and mental objects) were void."

Profound wisdom leads us to the realisation that all existences are of void-nature. The sutras demonstrate that the profound principle can be understood by contemplating and observing the five skandhas. We cannot realise the truth by seeking something beyond the material and mental world. The Buddha, using his perfect wisdom, observed worldly existence from various implications and aspects, and came to understand all existences.

In summary, there are three paths to this observation:

a) We should observe the preceding state and the current state of conditions. i.e., Observation according to the concept of time.

b) We should observe existences according to their interrelationships. i.e., Observation via the concept of space (either two or three-dimensions).

c) We should observe the true nature of all myriad beings. This is like observing the worldly existences of a point, a line and an area. Those with supreme wisdom understand the true nature of all worldly existences by observing vertically the relationships between the preceding and current conditions, and horizontally the interrelationships. Then we can understand the true meaning of void-nature and nirvana-nature.

3.1 By observing the preceding-stage and the current-stage conditions, we can verify the Law of Impermanence of all worldly existences. All existences, be they material or mental, be they the material world, or the physical or mental states of sentient beings, are subject to continuous change.

The world may have certain states of beings where they stay static or are in equilibrium on a temporary basis (for example hibernation). But when we observe them with supreme wisdom, we will find that not only do they keep changing on a yearly basis, but also that this change applies to even every briefest moment. After the current state of conditions have ceased to exist, the newly-formed state materialises. This is the state of rising and falling. The rising and falling of each small moment reveals that all existences are ever-moving and ever-changing.

Conventional scholars have a very good explanation of these ever-changing worldly conditions. However they, including the practitioners of dharma, try to make sense of the reality from the ever-changing worldly existences. That is, they are fooled by the material existences and are not able to understand the deeper truth of all existences.

Only those with the supreme wisdom of the Buddha and Mahabodhisattvas realise and understand that all existences are illusions. They understand that existences are not real from the observation of the flow of changing existences. The numerous illusionary existences may well be diverse and confusing, arising and decaying. But when we look into their true nature, we will find them void and of nirvana-nature.

On the other hand, since all existences are of nirvana-nature, they appear from the perspective of time, to be ever-changing. They never stay the same even for the briefest moment. Impermanence implies existences do not have a permanent entity. This is another implication of the nature of sunyata and stillness.

3.2 From observations of existence via inter-relationships, we can conclude that nothing is independent of the Law of Causation, and that everything is without ego. For example, the Buddha explains that the individual sentient being is composed of physical, physiological and psychological phenomena. The so called ego is a deluded illusion which does not exist in reality. Its existence depends on the combination of both physical and mental factors. It is a union of organic phenomena. Thus we call it the empirical ego. It is a mistake to cling to it as an infatuated ego.

The Indian concept of the supreme spirit implies someone who rules. The spirit is the ruler who is independent of is self-dependent and all causes. In other words, the spirit is the one who is free from all primary and secondary causes (for physical and mental aspects). The spirit is the one who has the soul of his own body and mind. This is the ego or supreme spirit that the theologists cling to. From their view point, the only way to avoid physical and mental decay is to be self-determined and self-sovereign. In this way, the supreme being can stay permanent in the cycle of reincarnation, and return to the absolute reality by liberating himself from life and death.

But from the profound contemplation and wisdom of the Buddha and Mahabodhisattvas, we know there is no such reality. Instead, egolessness (non-self) is the only path to understand the reality of the deluded life. All existences are subject to the Law of Causes and Conditions. These include the smallest particles, the relationship between the particles, the planets, and the relationship between them, up to and including the whole universe! From the smallest particles to the biggest matter, there exists no absolute independent identity.

Egolessness (non-self) implies the void characteristics of all existence. Egolessness (non-self) signifies the non-existence of permanent identity for self and existence (Dharma). Sunyata stresses the voidness characteristic of self and existence (Dharma). Sunyata and egolessness possess similar attributes. As we have discussed before, we can observe the profound significance of sunyata from the perspective of inter-dependent relationships. Considering dharma-nature and the condition of nirvana, all existences are immaterial and of a void-nature. Then we see each existence as independent of each other. But then we cannot find any material that does exist independent of everything else. So egolessness also implies void-nature!

3.3 From the observation of all existences, we can infer the theory of nirvana and the complete cessation of all phenomena. From the viewpoint of phenomena, all existences are so different from each other, that they may contradict each other. They are so chaotic. In reality, their existence is illusionary and arises from conditional causation. They seem to exist on one hand, and yet do not exist on the other. They seem to be united, but yet they are so different to one another. They seem to exist and yet they do cease! Ultimately everything will return to harmony and complete calmness. This is the nature of all existence. It is the final resting place for all. If we can understand this reality and remove our illusions, we can find this state of harmony and complete calmness.

All our contradictions, impediments and confusion will be converted to equanimity. Free from illusion, complete calmness will be the result of attaining nirvana. The Buddha emphasised the significance of this attainment and encouraged the direct and profound contemplation on void-nature. He said, "Since there is no absolute self-nature thus every existence exhibits void-nature. Because it is void, there is no rising nor falling. Since there is no rising nor falling, thus everything was originally in complete calmness. Its self-nature is nirvana."

From the viewpoint of time and space, we can surmise that all existences are impermanent, all existences have no permanent self, and nirvana is the result of the cessation of all existences - the Three Universal Characteristics. But there are not three different truths. Instead, they are the characteristics of the only absolute truth and the ultimate reality. This is the explanation of Dharma-nature and the condition of nirvana. The three characteristics are the one characteristic, and vice versa!

We may cultivate our meditation, contemplating the impersonality of all existences. This will lead us to enlightenment via the path of voidness. Contemplating nirvana and complete calmness leads to enlightenment by the path of immaterial form. Contemplating the impermanence of all existences, leads us to enlightenment by the path of inactivity (no desire).

The Three Universal Characteristics are the other implications of Dharma-nature and nirvana. The paths to enlightenment are also the same cause of absolute reality. All of them return to the Dharma-nature and the condition of nirvana. In short, the teachings of the Buddha start from the observation and contemplation of all worldly phenomena. They are like thousands of streams of water competing with each other, and flowing from the top of the mountains to the bottom. Eventually, all of them return to the ocean of voidness and nirvana.

4. Sunyata and Cessation is the Truth (Nature) of All Existences.

All existences that are recognised by worldly understanding, whether materially, spiritually or intellectually, have always been misunderstood by us. We cling to them as real, physically existing and permanent. Actually, they are only unreal names.

The more precise meaning of the term "unreal name" is "assumption" or "hypothesis". It is an empirical name. It is formed by the combination of various causes and effects. (These include the effects of mental consciousness.) It does not exist by itself. Everything exists relatively. Thus, what is the ultimate truth? If we investigate existence further, we realise that all existences are empty. This is the fundamental characteristic and reality of all existence. It is ultimate and absolute. But we should not think that empty means nothing. It implies the disentanglement from the worldly misunderstanding of the existence of self, identity, and the realisation of the absolute.

In the Sutras and Abhidharma, the worldly understandings are sometimes referred to as all phenomena (Dharma). Sunyata is referred to as "Dharma-nature", and hence there is a distinction between "phenomena" and "Dhamma-nature". However, this is only an expedient explanation that helps us to realise the truth of sunyata through the phenomena of all existences.

We should not think that "existence" and "nature"; or the "phenomena of Dharma" and "Dharma-nature" are something contradictory. They are just concepts needed to understand the implication of sunyata.

We may analyse the exp
abbey May 2018
the words spilled from her mouth

here i sit,
as my best friend,
tells me
you have another.

i shouldn’t care.
but i do.

no matter how hard i try,
the poetry for you in which i write,
never ceases.
it just keeps pouring out of my soul.
it sometimes seems as if,
the poetry i write for you is what keeps my heart beating.
what keeps me breathing.

but now, what am i supposed to do?
her?
seriously?
do you think she will love you?
do you really think she will love you?
please tell me.

it’s hard to think of you with another
because we used to be so in love with each other.

it’s been a long time since we last spoke,
but it feels as if all the memories of us i have were just made yesterday.

you have another.
who will never,
ever,
love you in the way i could.

but my question for you is,
will you love her in the way you could towards me?
jane taylor May 2016
and there i am in the midst of it all, conscious of what appears to be existent, yet knowing it is illusory.  and if time is occurring synchronously then how can i look back with contrition?  for if i have the capacity to move backwards and forwards in quantum leaps, i can erase the past like pastel chalk on an antique blackboard, then start anew.  is not the sky my canvas and the arc of the rainbow my palette?  and the stars in lustrous luminosity light my way so that ev’n at dusk I can paint.  yet pain ne’er ceases to hollow me out.  then through a barren vessel i catch more rain, and pour it out upon the parched terrain.  just when i thought enlightenment was nigh, a sharp edge is discovered.  must it necessitate additional sandpapering from the wind?  when will the gemstone sparkle without further pressure?  does it lie in its power to simply shimmer sans duress?  perhaps it was dazzling at its inception, relinquishing its luster upon domestication.  with this proviso, as it nears twilight i shall tarry and blend with the night.  i’ll dance with a moonbeam knowing the jewel will glisten afresh upon the rise of the golden sun.

@2016janetaylor
I Don't Care Oct 2013
I've found it,
My fatal flaw:
I'm a poet.

I romanticize and attempt to find beauty in the most hideous of situations,
Even when the beauty ceases to exist.
I fall in love with my own ideas and expectations,
To try to block out the reality.

So there it is,
My fatal flaw:
Poetry

I love it,
*but it kills me
When the law ceases to bring justice,
The law ceases to be just.

And when the law ceases to be just,
We, the people, must cease to be silent.
The bitten tongue bares blood of the same red worn by the acting hand.

By pen or sword so fight the war or be lost to no man's land,
Until a man's a man in every eye,
We have failed eachother.

Upon this rock,
We shall build no more,
Not on ill foundations.

Upon this rock,
We build no more,
As we tear down all we stood for.

Life matters.
Sarah Kersey Aug 2015
Over the course of my unavoidably finite life I have always looked for the best in people
I believe that every human being has a soul
I believe that deep down within all of us
Beneath our silver hearts and our metal lungs lie good intentions
We stray from these as time passes
Time, an irrelevant concept at the most
Has made us all fools
We agonize over the number of minutes we are wasting as our lives drag on
Throwing away seconds like used tissues
Throwing away people like used tissues
Throwing away our lives like used tissues

We wreck everything around us
Concern is a forgotten custom
We would do anything to forget
We are all very quick to judge

We treat everything as disposable and recklessly dive into the unknown for the chance of excitement
But as an unavoidable result,
We wreck everything around us
There are men walking the streets with shoes tied to their backs whistling a tune about a man ******* ******* and getting money
This man doesn’t have a dime to his name and the last time he made love to a woman she screamed in disgust when she saw the disease he picked up from another man when he was 17 and ******
There are women waiting in the shadows of the alleys, waiting for their prey to come along and take them for a spin just for a Benjamin Franklin or two
This woman was taught that *** was a way to survive and that Benjamin Franklin could save anything, since that was all her dad sent her in the mail, as if that was an okay way to make up for leaving
There are teenage boys staring down at green leaves crumbled into nothing and white candied sugar that doesn’t taste so sweet
This Harvard bound boy just threw it all away because the pressure became just a bit too much and the only escape that was left was in the form of artificial highs that will destroy his brain until he’s as useless as a used tissue
There are teenage girls who are downing a bottle of coconut *** and getting on the road to go home so they can take their AP exam the following morning
This broken hearted girl who was just trying to forget her ex by swallowing the taste of Hawaii just killed another man in a head on collision
We wreck our lives for the pure possibility of enjoyment
We are all just looking for ways to forget and make up for all these lost moments that don’t even exist
A moment is never truly lost because it ceases to exists
Yet we forget this all in the thrill of it

Time is just a sugar coated limit on our lives that we fret over in order to worry about something
But maybe what we should be worrying about is the boy snorting coke in the bathroom
Not only should we be worried about his inhalation of the fast white lady,
But we should also be concerned over the circumstances surrounding him
He’s got scars on his wrists that he’s gained from war
Not Vietnam or Iraq but the war in his mind
But maybe we should be worrying about the girl selling herself on the street
She’s got eyes like fire but there’s burn marks slashed across her back from her “mother” shoving her onto the hot burning stove when her daddy left as a way to get out her anger
But maybe we should be worrying about the man with the shoes on his back
The disease that girl avoided will **** him in a matter of months and he hasn’t spoken to his mother in 10 years
She’s about to lose her only son to the ground because of some stupid party and some washed up drunk boy just looking for a good time without any concerns or protection
Or maybe we should worry about the teenage girl whose sitting in the jail cell drunk off her *** and being charged with vehicle manslaughter
Her ex is now lying under a white sheet, dead as can be, all because she was stupid enough to try to get amnesia from a bottle of forbidden poison

We would do anything to forget
We **** up our lives for the pure chance of amnesia
We all just want our innocence back
That teenage girl would love to forget how she lost her virginity to a boy who didn’t love her
But now she’s wearing black at a funeral staring at the face of a man she truly did love with her hands trapped in handcuffs behind her back
The man with the shoes would love to forget how he was once a straight-A student destined to be the next Steve Jobs
But all because of some frivolous party and the sleeping he did in his health class freshman year, he’s given up on the possibility of love and companionship and he’ll be rotting in the ground next to his father by the age of 34
The teenage boy would love to forget what it’s like to live with a beast in your mind with a red name tag stamped with the title ‘depression’
But instead he’s slashing his wrists in the bathroom as his blood splatters across the remaining ******* that lines the basin of the sink
The woman would love to forget the story of her accidental conception
But instead she hides in the alleys looking like a replica of her dad and just a little too much like the woman at the post office he got a bit too friendly with
We drown ourselves in the possibilities of falling into this idealistic dream world laced with melatonin and codeine as our brain collapses in on itself and our memories float away
This is the dream
Yet we cannot grasp it

We are all very quick to judge
We are all self-absorbed beings who form opinions on these four humans who are built of the same skin and bones as us
Yet we don’t take a second to look just a little bit deeper
The woman you considered a ******* whose been abused and beaten by a mother that’s not even her own?
She has a college degree and won three spelling bees when she was 12 years old
She can spell the word promiscuous faster than you can breathe out
She’s got flower crowns wilting in her closet that contain rotting lilies from her wedding bouquet
Her husband left her just like her dad did
The teenage boy, who you considered an emo, suicidal, washed up ******* addict?
He volunteers at the hospital and tries to help other kids suffering from the same disease that plagues his mind, even though he can’t help himself
He listens to only country music and sometimes when he picks his sister up from ballet recitals, they sing it together, extra loud with all the windows down
The man you judged as a homeless, lonely, STD-ridden loser?
He’s got thousands and thousands of dollars he pays to a nurse each week to take care of the mother he hasn’t spoken to in 10 years
He grew up on nothing, with only shoes on his back, and made himself into something
He made himself into a millionaire over a silly idea that resembled Facebook
And now he’s resorted back to his childhood ways in order to keep a woman healthy that kicked him out of the house when she found out he was bisexual
The girl who you considered some ******, blonde, drunk idiot who just killed her ex by pure accident?
She’s a natural brunette and she only dyed her hair because her ex told her it would make her pretty
Her self-esteem is so low it lies in the core of the earth, burning in hell, where she believes she’s going to end up because she lost her virginity before marriage
She’s got a purity ring resting in the threads of her carpet and a ****** wrapper in the trash laced with regret
She fell in love with somebody who treated her like she thought of herself, and she let him take the only part of her she had pride in because she believed he loved her

But now the woman with the flower crowns hiding in the alley has become a victim of **** because of some ******* who wasn’t carrying a Benjamin Franklin or a ******
But now the boy with a love for Luke Bryan is lying on the bathroom floor of some high school party in a pool of his own blood, slipping into oblivion
But now the man supporting his mother is in the hospital because of a disease in his genitals
But now the teenage girl is in prison for life

These are all just stories of imaginary people
Yet it all feels deathly real
Take us back to our youth
Take us to a land of the forgotten
Will Creech Sep 2015
Chisel the stones down
Breathe deep and let it all out
An air of lightness

Don't care to go down
Into the well and water
Splash'd hair covers eyes

The fall breeze leaves here
When the clock ceases ticking
Feeling nothing now

Come here again dear
Bless green the haze in the air
Spark again in me
9/20/15
Isaac Huston Oct 2015
Reality ceases to be
Reality,
This flesh and blood,
The rough of the splintering wood
Beneath the cheap crumbling paint
Of a number two pencil.

Reality ceases to be
The softness,
Too soft,
Of this grey jacket
With the fuzzy innards.

It ceases to be
The leathery feel
Of my blackened wrist-band
For my banged-up wrist-watch,
The smooth hard of the
Desk upon which I oft
Have laid my head.

It ceases to be
The cold of the blust'ry wind
Howling 'cross the trees,
The dark, damp, dismal grey
O'th clouds that crest our sky.

It ceases to be
All that I can see
Nigh on all I can hear,
For in this half-dreaméd state
In which I wake,
The intermittent sounds of life
Pertrueb upon the louder music
That permeates my dreams.

It remains solely
That which I can feel
Yet I feel numb,
Alone,
Cold and deadnéd as I ride
This night of death
Throughout the day,
Touch alone
The sense that grounds me,
Makes me see, if you will,
The great golden good
Of this here wood,
And by a wood to say
A world.
Yes, I know there are some words misspelled. That is on purpose-perturb doesn't fit as well as with the ue sound.
Kissy Marie Oct 2014
Death, sweet Death, beckons to me.
He is a lighthouse, warning most to avoid his realm
But He calls me by my name
He tells me to be dead is the greatest gift Life has to offer
And whispers of the secret joys of His hazy oblivion.

"Come my child and partake of my treasures," and
"Your troubles shall cease even as your spirit roams," are His entreaties.

At first His voice is as soft as the waves lapping at the shore
But as I ignore him his call becomes
louder
Louder
LOUDER
Than the squall of a maelstrom
Until He is all I hear

His voice dries up the Happiness fed by
Hope, who is a frightened dove.
And when Hope ceases to feed you in the morning and in the the evening, then
"Elijah, you are alone."

So

End Life to escape from Death.
Cast off your body and dwell with Him.
Death is the light in the lighthouse.
Choose that light
Choose darkness.
I wrote this way back in 97 or 98 for creative writing in high school. I had a lot of issues.
softcomponent May 2014
Find the lighter, use it as a lighthouse on a walk below the wall you watch along the wave-formations. Who Wants a Cold One? a Coors Light ad corrects.. When it comes to your home, the little things matter.. an insurance ad blares.. my computer is infected with 3rd party applications unremovable to my meagre tech-ability.. there is a hero as Joseph Campbell once theorized.. in myself like a sick bastardly virus waiting for moments to prove to me "I AM THE SAVIOR, I AM THE CHRIST, I AM THE WARLORD, MICE, MAN, AND VICE".. the windows of opportunity close, I am left waiting the door

& the elevator.

Thirty-thousand years ago, there was nothing but a breeze.. a viscous breeze across chill-spined pterodactyls.. warm-under-the-jungle-brush tyrannosaurus rex, and to think one day I will be just a legend in bone..
Charlotte said she thinks of death and so did Jen. They sat next to the all-you-can-eat and discussed the inevitable. I was sour and playful with no-will-to-understand, just reminding my hair of breezy summer days of 10, thinking of strangeness, of place I was in.

When it's quiet sometimes, I think of old dreams.. dreams I sunk below drown-level as a child in bed and belief. Both mommy and daddy were arguing in the kitchen, this was 7 or 8.. they argued so often one could hear mom begin to cry sometimes, and dad I could see in minds-eye with a grimace so closed and so creased he was hurt and yet honest.. I did not understand so I hid under-stood-silhouettes, oh adulthood..

once in dream I was in pulsing green graveyard like crayon realism strobe lights, tombstones all-round and faint-buzz of outside and one of those strange balded henchmen of badguy Jafar from Disney's Aladdin came peaking outta nowhere with curled eyebrow and baggy one-thousand-one Arabian nightlives parachute pants, curled toes brown-beige moccasins to.. he let out conniving 'HEUHEE!' and slapped me right-side cheek and I JOLTED up bedwise in real time to feel actual physical sting for a few lingered seconds then the sobs of poor mother outside.. I never remembered a dream so clearly again.. they all come, Pro-Found, and dizzy away after hour or two for rest of eternity or perhaps to Place I Can Visit at Death to Review Every Vision and I wonder... when your life flashes before your eyes and the light is encroaching, scenes of mother, brother, father, son, daughter, best-friend, party, break-up, heartbreak, slip-fall, first-sip, first-drag, last-leg, first-kiss, first-hit, first-game, fear, love,  HATE, wait.. do the Dreams come to? Are they all flesh-ed before your eyes as you pass into Light? Are they brought to direct remembrance as you cross the border with Passport of Gods and a Goddess (and which Picture appears on the Page)..?

I remember the old eczema taking bits of skin to carpets round-town and round-lower-mainland to disgust of friends old and new-- this was era where confidence ate itself in mirrors, the sober reality of ugly-ness chiseling away at my Goodness Attempts.. All That Pointless Pain was no Exception nor a Rule, it just **** Happens every once-and-again to the sound of life farting. I used to miss school for feet so impossible to walk on, pussing and bleeding and staining the sheets, shoe soles, carpets, and soul.. limp thru the hallways of Brooks Secondary feeling like bad flavor additive to multicultural Planet Earth-- sleeping 'til the bell rang drinking coffee singing songs I said '**** the ******* educational system and **** me I'm so flatlined..' someday I felt things would really get better and lucky young me I was right.

A half-decade later, I am 21 and hoping, floating, free in the breeze as the wings I have grown keep on wishing the subsistence down. The girl, whoever-she-might-as-well-be, sits immediately vertical chatting frantically to boy with a bit of a cowlick slouching on-up over a bundle of colored paperwork. It seems late in the season for homework, and assume they may have some affiliation with a crazy-hep computer design group in the tradition of Nouevau Silicon Valley.... I sit at my laptop, inching a word a million cubic millimeters closer to God or Divinity or Crescendo or A Bunch More ******* You'll End Up Ignoring---

It's a sunny day, the rain having slathered-off into obscurity somewhere with the Monsoons when the Sun gave the Moon a Soft Slap and the poor purity white-kid went off whimpering, bleeding nose-- I sat, the other night, playing another Grand Strategy game as Tom divided his time between a vaulted and damaged lover, his labor, and his life (friends, food, video-games, vice)... Chai, old Chai the Thai Guy mentioned past his nose in previous iterations of Depictions sat and described his pins-and-needles upset at his bosses at one his three many jobs.. desperately firing text-messages into receiving-space-panel and reflect and back unto Tom's smartphone dash asking him to order a six-pack from a local delivery service cuz his adrenal was giving him heartpain with hurt, and Tom being Busy as All-Ways Tom Is wasn't able to decipher the scramble in-time to make contact before closure of the liquor stores.. poor not-so-poor Chai at first felt castrated at realization he would miss the 11 PM dot-time, but didn't mind as he rendezvoused with Tom and I at Willows Beach where Tom reminded him of a whiskey he'd bought sitting counter-wise at his place.. we kissed a few Mary Janes rightsideup, dragging our butts in the sand to discuss what was wrong (each of us had a problem that night, save for perhaps a less-vocal Tom, I describing my annoyance that a lazy consensus had erupted in my sorry-hometown between my sorta-friends and friends-of-friends that my writing and sharing my writing was arrogant and I an arrogant *** for sharing and I just confounded that they would find my passions so trivial-- perhaps jealousy, perhaps complacency and judgement-for-lack-of-anything-better-to-do and ah **** em all if they think like that, I'll write and be the arrogant me they think I am and share 'til I'm blue in the face and dead perhaps for outspoken intellectualism in their autocratic pointless-waste worldviews.. sad that I dislike them only on the basis they disliked me first..)

I had planned to stay late and leave early-morn (5 or 6 AM) to catch a first-off morning bus back home and sleep, hoping for most part to avoid the shattered-***-mess of a home I was living in.
About 2 days ago, give or take, a water-line for the laundry machine had erupted to soak our entirely-carpeted basement suite, forcing the poor new landlord (a sweetheart of a man named Ron having just taken possession of the house from previous owner on May 1st and, it seems, left 'holding the bag' as they'd call it in day-trading-investment-lingo) to tear out the entirely-soaked carpet and replace it with sensible laminate flooring and rendering the entire suite virtually unlivable for indefinite-few-days and so for me work and friends and especially writing become a welcome reprieve to I, a first world Refu-Jeez.. us, so terribly-off I sip a latte near sunny panorama windows-so-clear-they're-not-there overlooking the crosses of Yates and Blanshard with European church of Gothic architectural style poking heedlessly into empty-open blue.. ironically and strangely there is a liquor store quite literally right next door, and's one I shop at often for its decent prices (God is Dead or Just Drinking to Cope with Sartre and Kierkegaard's Ultimate Thesis) (Kierkegaard especially '*** Kierkegaard seems a good and long friend of God the Almighty) (...I talk with such Judaeo-Christian Catholic rhetoric it never ceases to amaze myself as it bleeds to page..) (stranger thing is, tho, there is no beginning, no middle, no end.. you read or you are bored and either/or is just fine..)

There is some hypothesized crescendo-bliss Tech Singularity on the way in the try-dition of Ray Kurzweil and William Burroughs.. Oscar Wilde to.. (see The Soul of Man Under Socialism in essay-collect book De Profundis).. one day we will all be eternal happiness expressed in song and dance and LED erected-projections of Imperfect Universe (Our Imperfect Earth) with lives stuck on infinite repeat.. our idea of Paradise.. and for those with ability to remain rushed to cortisol (stress-the-best hormone) it will be Hell on Earth, so DRAB and THE SAME all the TIME and it's READ and it's WRITE and it's RIGHT.. the world runs faster with every passing day so desperate to discover the Globe is Flat so we can Hop Off the Other Side into what one might assume to be The Better Place.. elusively picking-up speed thinking 'closer now definitely closer now' unaware (or, secretly aware and unwilling to admit for what will one do when one cannot run?) they are Running in Circles Over and Over and Over and Over and Over Again... cannot take the hint in the fact the Pacific (same Pacific) has been crossed a hugeillion times, nor the same McDonald's in the Azores of Atlantic Portugal is the Same ******* McDonald's stopped-thru on the then-trillionth time last year... and all whilst the International Space Station remains muted up-above crossing 'round and 'round 'til the Jehovah'n Day of Judgement (Chris Hadfield now below with advice for how to run a little faster even blinded in one eye..) then there are the dying Prophets Predicting Industrial Collapse who preach upon the Mount of Internet Sinai Eternal and state "the world is now unsalvageable and we are all about to die.. if ever you wished to find Buddhistic Nirvanic Peace, now is the time so start meditating and imagine Death as New Life and Geopolitics as Game".. forever and ever and ever and ever.

It is only natural to find existence to be 'weird..' layered with Who's That's and giant What The ***** everywhichway you turn.. did it start in a Big Bang, will it end in a Big Crunch, Big Freeze, Big Bang.. ? all questions once ignored for certain ignorance and resurrected as questions concerning the Nature of the What The ***** (also known as 'Science').. and if it did start in a Big Bang, did I start in a Big Bang..? and if it does end in a Big Crunch, will I end in a Big Crunch..? am I a sudden flash of REAL in a Universe that isn't me..? or am I an entire Universe.. perhaps even more than that...? the questions pulse in youth like bad words or bullets. I once stayed up all-night thinking of infinity with my head soaring space-wise forever and ever and ever and I stopped in sudden panic thinking: I could lie here up all night and all day 'til the towered age of 37 (I was 14 at the time) and still be no further on the Universal Map than from thumb-tip-middle to thumb-nail so I wrapped up the attempt with a mix of fear and incredulity, went to school next-day exhausted and tried to explain it all to friends.. they got it, I suppose, but we were all 14 and played basketball instead (I imagined infinite-spinning-basketball on thumb of Michael Jordan).

It's always best describing life in form of Disembodied Poetics.. sure some Philistines won't understand '*** their minds are made of Clockwork, Digits, and Blockthought.. but the general psychic underly implied in all with human faculty will ring-a-ding-ding! and remember all such ancient thoughts and feels as forgotten as a child, locked away until the Spirit rose-up from a rosey thorn prickle to flower straight-up into a Rose! or so I hope as a one-of-many writers-- all of which will write so-as to speak on your behalf.. all floaty and marking a purpose.
Jonathan Oct 2018
I can break the laws of the universe

It's true
Everybody can
Everybody has

Even you!

It happens in a special place that exists in the peripherals of your mind
When you look for it it hides
When you think about it it ceases to exist
And you can never find it
But you visit it almost every night

This space is the brink of your subconscious!
The space between worlds and realities!
A singularity, where physical law is a mirage!

On the nights we sleep but don't dream, we visit this place
It's between the day's last conscious thought and the following's first
In this space hours past in faster than an instant
There is no body, soul or mind
There is no void
There is no colour
There is no concept of empty

Pure, absolute nothing!

In this space, the entire universe ceases to exist

We wake the next morning with no recollection.
We know objectively that time has passed,
And eventually the feeling of our temporary transcendence fades
And we carry on without asking

This happens to all of us,
On nights you sleep, but don't dream
And in that space

You can break the laws of the universe
This was an attempt to illustrate the concept of Solipsism, which puts forward that the universe exists only because we consciously perceive it.

Quite mind-blowing.
Phineas Prescott Jul 2014
The butterflies have since moved, not migrated, but moved.
No trips planned ahead nor any reason to return.
Inside, the battle rages on:
To love, to forgive, or to forget?
Outside, experiences fill voids.
Like a Band-Aid on an open wound:
Temporary.
Love is a powerful tool.
Hatred is a powerful tool.
Indifference may be the most powerful.
That internal skirmish ceases and the external
emotional trips drift further and further away from that lonely island.
The move has been dramatic, yet necessary now.
At the start, it was a city;
Full of life and people and things to do.
Then the suburbs, less people, less things to do.
Next was the island: alone and isolated, but tranquility.
The homemade raft sets sail for a new destination.
Will it arrive in a bustling city port?
Or arrive at a small dock along a river?
The snake sheds it skin to begin anew.
Forget the genie and make your own bottle,
Write your own message,
And write your own history.
Brandon Webb Nov 2012
1
she taps he hand, twice.
across the room,
he stares, thinking
into empty air.
others, scattered
tap pencils or fingers
on desktops, booktops
and phone keyboards

the balding man
with black hair:
combed backward
and to differing angles
so that his head is split
vertically-
stands, above the room
his back turned

his words,
meant for the crowd
reverberate only
along classes fringe
but still take precedence
over nothing
even to them-
academics, outcasts


2
back of the room
reveals everything
to the observer
trying to see

blue-eyed brunette
glares vengefully
at no one,
just to glare

he looks up once
to watch
as another
pulls up
drooping jeans.
she laughs
at conversation
unmeant for,
and inaudible
to her


3
today, she smiles
and lets her lip fall
begging, like a puppy
But when they
lose eye contact,
she glares, again

he leaves footprints
on parallel desk
from lounging
then fires himself
to his feet
using stored energy,
and sugar from gum

words bounce along
the walls in the back,
and isolated eyes peer
towards the screen
but hide the fact
that they care


4
two week vacation
has left their minds
full of everything
except math,
so they listen
to him, while he speaks

but travel backward
in time, with
those closest them
while he creeps,
silent, around the room

she concentrates hard,
on her work
glaring at the page.
he sits a desk forward
feet on floor
neighboring desk full
today, but only physically

blue hat rests
on sketchbook,
its border
barely covering
closed eyes

blond head
implants itself
jokingly, into
smooth shining
white wall
with enough force
to collapse
accidental target

a hand raises
attracting gazes,
awestruck,
at her interest
in forgotten
material
of future tests


5
only a few eyes wander
from blue lined notebooks
though the left flank
still chatters, embodying
either a secretive chipmunk
or the breeze which starts the storm

storm clouds appear slowly
in sketchbook, blue hat bobbing
rhythmically in response to active pen

perched above the flock
reminiscent, split headed
papa bird scans the masks
of his shockingly silent chicks

random lecture breaks the silence.
Her eyes aren’t the only ones
Fixed into a steel laden glare
But the chipmunk wind ceases


6
his questioning glance lands
on uninhabited space,
exhibiting a yawn
which traverses through,
and twists, the faces of
those otherwise engaged

lecture ends with a question,
the scent of nuts blows through
mentally empty classroom
turning desks to predetermined
positions and swiftly inhabiting
three-quarters of the physical class

his steel glare has replaced hers
the latter’s eyes now soft as an infants

within five minutes, his voice
undergoes  a brutal, complete cycle
pleading, congratulating, yelling
and as always, lecturing


7
pre-test:

preparations for misery-
mundane chipmunk chattering,
jokes and laughs from random
oddities appearing everywhere

blue hat rests in intervals.
Blue coat rearranges
essay for another class

The girl in the sunny plaid
Rolls an orange along her hand

He points at nothing and asks
Nobody something without answer

The left flank, as always
Is turned away, conversing

A sigh rings outward loudly
Everyone glares, nervously,
Everywhere, reward of concentration


After my test:

First paper in, he scans lightly
Sets it down with a scowl
and yawns, twice, breaking the
silent shroud of heavy fog
which is hanging overhead

wandering free eyes witness
down-turned heads concentrating
as much on tests  as on moving
their hands wildly, excitedly
trying to communicate non-vocally

others have yet to detach themselves
from their seats and stride upward,
hopefully more triumphantly
than their sole predecessor

one shuffles now, slowly toward him
his hand shaking as he releases
that  paper, he turns away as it flutters
onto the desk- he replants himself in his

twelve others walk forward
smiling, shrinking, sometimes speaking
and always he glares, triumphant
knowing his success at our failure


later:

his near-sleeping form            
finds distraction, in waking
dreams, jumping back suddenly
breaking from his plank-like state
without speaking. excitement
for approaching weekend is
communicated in the left flank

two girls break the silence
running in from outside            
he glares at them, but laughs

everyone breaks into groups
after the conversation about
mysteriously nutty discarded sock

he runs to the forefront
forehead folded, finger on mouth
no-one notices, but still he glares

8
he smiles and glares at the floor
his legs swinging back and forth            
tan slacks rustling softly

exaggerated scores bubble in ears            
as they search for their destroyer

in front of forgotten faces falls
the page of a forgotten tome

several yawn, hoping, understandably
that their stretched lips
will pull themselves far enough
to barricade ears from his droning

he kills himself, twice, bumbling
into half-thought chastisements
of the  flittingly flirtatious students
intermingling hoping behind him
causing waves of whispers, laughter
and slightly strengthened chatter

he re-aligns his thoughts quickly
and rambles on again, always

9
he speaks to her softly
from across a sea of desks
she looks up, panicking calmly
distracted from distraction

in silence, blank eyes turn
surprised at the non-withering
state of her barely living corpse

he asks a question, looking up
a single answer is given
unemotional and short, buy ending
heavy hanging awkward silence

how talented the teacher
who gives his lecture while
still addressing unrelated
student self lectures

the still silence given
in his questioning lull
hangs so loudly the whispers
traversing the classroom appear
silent as finger wiggle
and pencils trace zeros

his extrication, caused by
distractingly thunderous voice
is met with a comment
causing a wave of laughter
starting at his mouth
and extending to inhabit everything

10
half the time gives
twice the attention
as they concentrate
on keeping him on
the undying topic
of the work we
have already done

they admit defeat
as dusty tome opens
spreading a nutty cloud
causing heads to turn
and words to leap.

from opens lips,
mischievous gremlins
sprout, dancing on
tables and chuckling
away from the sigh
of his down-turned, split
shining, globular mind

he scratches pink ear
with bone pale finger
reading unrelated words

in the center of the room
both mentally and physically
he sits, momentarily quiet
as dark eyes glare past
rumpled pink nose,
concentrating

blue hat rests on open palms
above dust covered open page
he slips into sleeping state
but picks himself up
and stares though thin borderline
toward shiny rambling forehead

a shutter cord flies forward
the hand at the end pulling hard
but with no affect to the shutters
neither lowering the physical
or raising the mental

the color of non-color pencils
interrupts the class momentarily
as she strides forward to compare
and then criticizes his care

he just sits, smiles and stares

11
eleven desks lie empty
of one form more than usual
amplifying the arm movements
of the ever ticking seconds

his obscured mouth flings seeds
which sprout into words
before even meeting the worn
blood-colored carpet below

in the main room, sixteen
sit silent, sketching, sleeping
or siphoning the last minute

12
those left awake, and alive
have come to understand
the numbers on the screen
this being their specialty
in a nutty shell, of course
splitting, as we are, large
crowds of numbers, and us
being teenagers, isn’t that
how we think, in numbers
and ratings of everything
and, sitting in the central
crowd are the talented
crowd-splitters
flattery-spitters

13
the silence of half absence
is pierced, as always by vocal
anomaly, centered around
rows of shining wood
bookrests, but only one
set of hollow, dark-rimmed
vacant eyeballs watches
well-welcomed interruption

he lets us work, standing.
Someone somewhere opens
A large container of nuts
Entire class starts stuffing
Handfuls into puffy cheeks
Absorbing sensations into
Eternally ravenous minds

The apocalyptic mix of noises
Is split again by central
Nutcracker, and those in corners
Glare, smiling, rubbing shadowed
Acne scarred faces
with raw-bitten nails

14
balding papa bird speaks loudly
transforming his voice, becoming
vocally legendary cartoon duck

the wave of resulting laughter
ends in un-given nut-break
spreading, without speech
the understanding that his
comedic digression will not
meet a quick extinction

we greet the weekend
by rising early
our excuse: competition
to devour the worm

15
three heads are downturned
peering into textbooks
as the tsunami breaks

the days end starts
and beady eyes peer
in the direction of his
moving head, colored
gothic gargoyle in the
dim cloudlight streaming
through dust coated
slit windows

the room transforms
becoming triumphantly,
grumpily, repeatedly
conversational

artificial silence
spreads like a wave
from right back corner
to left front corner
leaving behind
the half of the room
hidden behind the wall
of troublemakers
who will eventually
cause the wall to topple
with the sheer force
of assorted nuts

16
blue hat is scrunched
under the of a fist
pounding on his head,
result of the decibels
consumed, and produced
by the embodiment
of the thoughts around him
which fall from stuffed
cheeks. Bounce off tables
and spread a sickening aroma
as their shells split
exposing, revealing
nothing

17
red face glances upward
as harsh words split
the widening sea of snickers
his words stop, first time today
as whispers spread wildly
of his speed in delivering answers
seconds later, room is silent
as statement ends and lecturer
turns back to him, offering
as always, another wave
of deep felt, anger hardened
quietly whispered, criticisms

thunderous-rush-voice leads
out of habit and necessity
the minutes following
his behavioral digression
each word stabbing split-headed
pointy-nosed papa bird, their
form a walnut-wood spear
crafted from drifted thoughts
of those sitting nearest him

18
on his back lies a pile of nuts
professor’s earthquake
shoulder shaking causes
eyes to open, back to rise
and with a tremendous roar
both physical and meta-physical,
it topples to worn carpet
and the laugh-track plays on

19
silence- pierced into being
by shrill, violent, mountainous
rise, and fall, of thunderous decibels-
hangs, heavier, louder than
the quick gone loudness replaced
or, in all actuality, displaced
mere seconds before being scrawled
into eternal memory
of those whose noses
sniff, daily, nutty clusters
of letters, which exclude
always, the ever-present x
the destructive π
and that y, which of course
flies as high as forgetful
nut-bearers




©Brandon Webb
2012
This is a series of observations, and. collectively, is the longest thing i've ever written, at 8847 words
Amanda Mar 2018
Fill the hollow crevice of my existence
With light, show me a warmer way
Stop numbness from taking over
I am slipping further0 into dismay.

Down the senseless pit of despair
My direction is out of control
Darkness paralyzes my mind
Strangling thoughts that crawl and roll

Constricting my body until I give up
I kick the air but cannot land a blow
The empty space will never stop resisting
The sound of my own scream has become my foe.

The endless void swallows my voice
Here the tears I cry fall forever
The lies I have told mean nothing now
I knew my will was always meant to sever.

Faced with nothingness all around
This is my life; a ******* hole
It's slowly shoving me outwards
Little by little, pain taking over my soul.

Chaos has reality gripped
In a tight but unsure grasp
Confusing the mass of color
And motion contained in its clasp

Bullied by the tidal wave of isolation
Head above water though it is strong
Giving up the ability to move
Surviving by the current floating me along.

My consciousness is traveling lethargically
I no longer feel my torso or limbs
Attempt to wiggle a finger but it won't budge
It takes all my strength to speak and part dry lips.

This is where existence ceases
Where time's beginning meets its end
An unending loop of monotonous emotions displayed
A breif instant in which Eternity life does suspend
This started as how I felt when I was crippled by heartache and doubt but switched lanes kinda. It's random I suppose. But it sounds pretty.
Of Man’s first disobedience, and the fruit
Of that forbidden tree whose mortal taste
Brought death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful seat,
Sing, Heavenly Muse, that, on the secret top
Of Oreb, or of Sinai, didst inspire
That shepherd who first taught the chosen seed
In the beginning how the heavens and earth
Rose out of Chaos: or, if Sion hill
Delight thee more, and Siloa’s brook that flowed
Fast by the oracle of God, I thence
Invoke thy aid to my adventurous song,
That with no middle flight intends to soar
Above th’ Aonian mount, while it pursues
Things unattempted yet in prose or rhyme.
And chiefly thou, O Spirit, that dost prefer
Before all temples th’ upright heart and pure,
Instruct me, for thou know’st; thou from the first
Wast present, and, with mighty wings outspread,
Dove-like sat’st brooding on the vast Abyss,
And mad’st it pregnant: what in me is dark
Illumine, what is low raise and support;
That, to the height of this great argument,
I may assert Eternal Providence,
And justify the ways of God to men.
  Say first—for Heaven hides nothing from thy view,
Nor the deep tract of Hell—say first what cause
Moved our grand parents, in that happy state,
Favoured of Heaven so highly, to fall off
From their Creator, and transgress his will
For one restraint, lords of the World besides.
Who first seduced them to that foul revolt?
  Th’ infernal Serpent; he it was whose guile,
Stirred up with envy and revenge, deceived
The mother of mankind, what time his pride
Had cast him out from Heaven, with all his host
Of rebel Angels, by whose aid, aspiring
To set himself in glory above his peers,
He trusted to have equalled the Most High,
If he opposed, and with ambitious aim
Against the throne and monarchy of God,
Raised impious war in Heaven and battle proud,
With vain attempt. Him the Almighty Power
Hurled headlong flaming from th’ ethereal sky,
With hideous ruin and combustion, down
To bottomless perdition, there to dwell
In adamantine chains and penal fire,
Who durst defy th’ Omnipotent to arms.
  Nine times the space that measures day and night
To mortal men, he, with his horrid crew,
Lay vanquished, rolling in the fiery gulf,
Confounded, though immortal. But his doom
Reserved him to more wrath; for now the thought
Both of lost happiness and lasting pain
Torments him: round he throws his baleful eyes,
That witnessed huge affliction and dismay,
Mixed with obdurate pride and steadfast hate.
At once, as far as Angels ken, he views
The dismal situation waste and wild.
A dungeon horrible, on all sides round,
As one great furnace flamed; yet from those flames
No light; but rather darkness visible
Served only to discover sights of woe,
Regions of sorrow, doleful shades, where peace
And rest can never dwell, hope never comes
That comes to all, but torture without end
Still urges, and a fiery deluge, fed
With ever-burning sulphur unconsumed.
Such place Eternal Justice has prepared
For those rebellious; here their prison ordained
In utter darkness, and their portion set,
As far removed from God and light of Heaven
As from the centre thrice to th’ utmost pole.
Oh how unlike the place from whence they fell!
There the companions of his fall, o’erwhelmed
With floods and whirlwinds of tempestuous fire,
He soon discerns; and, weltering by his side,
One next himself in power, and next in crime,
Long after known in Palestine, and named
Beelzebub. To whom th’ Arch-Enemy,
And thence in Heaven called Satan, with bold words
Breaking the horrid silence, thus began:—
  “If thou beest he—but O how fallen! how changed
From him who, in the happy realms of light
Clothed with transcendent brightness, didst outshine
Myriads, though bright!—if he whom mutual league,
United thoughts and counsels, equal hope
And hazard in the glorious enterprise
Joined with me once, now misery hath joined
In equal ruin; into what pit thou seest
From what height fallen: so much the stronger proved
He with his thunder; and till then who knew
The force of those dire arms? Yet not for those,
Nor what the potent Victor in his rage
Can else inflict, do I repent, or change,
Though changed in outward lustre, that fixed mind,
And high disdain from sense of injured merit,
That with the Mightiest raised me to contend,
And to the fierce contentions brought along
Innumerable force of Spirits armed,
That durst dislike his reign, and, me preferring,
His utmost power with adverse power opposed
In dubious battle on the plains of Heaven,
And shook his throne. What though the field be lost?
All is not lost—the unconquerable will,
And study of revenge, immortal hate,
And courage never to submit or yield:
And what is else not to be overcome?
That glory never shall his wrath or might
Extort from me. To bow and sue for grace
With suppliant knee, and deify his power
Who, from the terror of this arm, so late
Doubted his empire—that were low indeed;
That were an ignominy and shame beneath
This downfall; since, by fate, the strength of Gods,
And this empyreal sybstance, cannot fail;
Since, through experience of this great event,
In arms not worse, in foresight much advanced,
We may with more successful hope resolve
To wage by force or guile eternal war,
Irreconcilable to our grand Foe,
Who now triumphs, and in th’ excess of joy
Sole reigning holds the tyranny of Heaven.”
  So spake th’ apostate Angel, though in pain,
Vaunting aloud, but racked with deep despair;
And him thus answered soon his bold compeer:—
  “O Prince, O Chief of many throned Powers
That led th’ embattled Seraphim to war
Under thy conduct, and, in dreadful deeds
Fearless, endangered Heaven’s perpetual King,
And put to proof his high supremacy,
Whether upheld by strength, or chance, or fate,
Too well I see and rue the dire event
That, with sad overthrow and foul defeat,
Hath lost us Heaven, and all this mighty host
In horrible destruction laid thus low,
As far as Gods and heavenly Essences
Can perish: for the mind and spirit remains
Invincible, and vigour soon returns,
Though all our glory extinct, and happy state
Here swallowed up in endless misery.
But what if he our Conqueror (whom I now
Of force believe almighty, since no less
Than such could have o’erpowered such force as ours)
Have left us this our spirit and strength entire,
Strongly to suffer and support our pains,
That we may so suffice his vengeful ire,
Or do him mightier service as his thralls
By right of war, whate’er his business be,
Here in the heart of Hell to work in fire,
Or do his errands in the gloomy Deep?
What can it the avail though yet we feel
Strength undiminished, or eternal being
To undergo eternal punishment?”
  Whereto with speedy words th’ Arch-Fiend replied:—
“Fallen Cherub, to be weak is miserable,
Doing or suffering: but of this be sure—
To do aught good never will be our task,
But ever to do ill our sole delight,
As being the contrary to his high will
Whom we resist. If then his providence
Out of our evil seek to bring forth good,
Our labour must be to pervert that end,
And out of good still to find means of evil;
Which ofttimes may succeed so as perhaps
Shall grieve him, if I fail not, and disturb
His inmost counsels from their destined aim.
But see! the angry Victor hath recalled
His ministers of vengeance and pursuit
Back to the gates of Heaven: the sulphurous hail,
Shot after us in storm, o’erblown hath laid
The fiery surge that from the precipice
Of Heaven received us falling; and the thunder,
Winged with red lightning and impetuous rage,
Perhaps hath spent his shafts, and ceases now
To bellow through the vast and boundless Deep.
Let us not slip th’ occasion, whether scorn
Or satiate fury yield it from our Foe.
Seest thou yon dreary plain, forlorn and wild,
The seat of desolation, void of light,
Save what the glimmering of these livid flames
Casts pale and dreadful? Thither let us tend
From off the tossing of these fiery waves;
There rest, if any rest can harbour there;
And, re-assembling our afflicted powers,
Consult how we may henceforth most offend
Our enemy, our own loss how repair,
How overcome this dire calamity,
What reinforcement we may gain from hope,
If not, what resolution from despair.”
  Thus Satan, talking to his nearest mate,
With head uplift above the wave, and eyes
That sparkling blazed; his other parts besides
Prone on the flood, extended long and large,
Lay floating many a rood, in bulk as huge
As whom the fables name of monstrous size,
Titanian or Earth-born, that warred on Jove,
Briareos or Typhon, whom the den
By ancient Tarsus held, or that sea-beast
Leviathan, which God of all his works
Created hugest that swim th’ ocean-stream.
Him, haply slumbering on the Norway foam,
The pilot of some small night-foundered skiff,
Deeming some island, oft, as ****** tell,
With fixed anchor in his scaly rind,
Moors by his side under the lee, while night
Invests the sea, and wished morn delays.
So stretched out huge in length the Arch-fiend lay,
Chained on the burning lake; nor ever thence
Had risen, or heaved his head, but that the will
And high permission of all-ruling Heaven
Left him at large to his own dark designs,
That with reiterated crimes he might
Heap on himself damnation, while he sought
Evil to others, and enraged might see
How all his malice served but to bring forth
Infinite goodness, grace, and mercy, shewn
On Man by him seduced, but on himself
Treble confusion, wrath, and vengeance poured.
  Forthwith upright he rears from off the pool
His mighty stature; on each hand the flames
Driven backward ***** their pointing spires, and,rolled
In billows, leave i’ th’ midst a horrid vale.
Then with expanded wings he steers his flight
Aloft, incumbent on the dusky air,
That felt unusual weight; till on dry land
He lights—if it were land that ever burned
With solid, as the lake with liquid fire,
And such appeared in hue as when the force
Of subterranean wind transprots a hill
Torn from Pelorus, or the shattered side
Of thundering Etna, whose combustible
And fuelled entrails, thence conceiving fire,
Sublimed with mineral fury, aid the winds,
And leave a singed bottom all involved
With stench and smoke. Such resting found the sole
Of unblest feet. Him followed his next mate;
Both glorying to have scaped the Stygian flood
As gods, and by their own recovered strength,
Not by the sufferance of supernal Power.
  “Is this the region, this the soil, the clime,”
Said then the lost Archangel, “this the seat
That we must change for Heaven?—this mournful gloom
For that celestial light? Be it so, since he
Who now is sovereign can dispose and bid
What shall be right: farthest from him is best
Whom reason hath equalled, force hath made supreme
Above his equals. Farewell, happy fields,
Where joy for ever dwells! Hail, horrors! hail,
Infernal world! and thou, profoundest Hell,
Receive thy new possessor—one who brings
A mind not to be changed by place or time.
The mind is its own place, and in itself
Can make a Heaven of Hell, a Hell of Heaven.
What matter where, if I be still the same,
And what I should be, all but less than he
Whom thunder hath made greater? Here at least
We shall be free; th’ Almighty hath not built
Here for his envy, will not drive us hence:
Here we may reigh secure; and, in my choice,
To reign is worth ambition, though in Hell:
Better to reign in Hell than serve in Heaven.
But wherefore let we then our faithful friends,
Th’ associates and co-partners of our loss,
Lie thus astonished on th’ oblivious pool,
And call them not to share with us their part
In this unhappy mansion, or once more
With rallied arms to try what may be yet
Regained in Heaven, or what more lost in Hell?”
  So Satan spake; and him Beelzebub
Thus answered:—”Leader of those armies bright
Which, but th’ Omnipotent, none could have foiled!
If once they hear that voice, their liveliest pledge
Of hope in fears and dangers—heard so oft
In worst extremes, and on the perilous edge
Of battle, when it raged, in all assaults
Their surest signal—they will soon resume
New courage and revive, though now they lie
Grovelling and prostrate on yon lake of fire,
As we erewhile, astounded and amazed;
No wonder, fallen such a pernicious height!”
  He scare had ceased when the superior Fiend
Was moving toward the shore; his ponderous shield,
Ethereal temper, massy, large, and round,
Behind him cast. The broad circumference
Hung on his shoulders like the moon, whose orb
Through optic glass the Tuscan artist views
At evening, from the top of Fesole,
Or in Valdarno, to descry new lands,
Rivers, or mountains, in her spotty globe.
His spear—to equal which the tallest pine
Hewn on Norwegian hills, to be the mast
Of some great ammiral, were but a wand—
He walked with, to support uneasy steps
Over the burning marl, not like those steps
On Heaven’s azure; and the torrid clime
Smote on him sore besides, vaulted with fire.
Nathless he so endured, till on the beach
Of that inflamed sea he stood, and called
His legions—Angel Forms, who lay entranced
Thick as autumnal leaves that strow the brooks
In Vallombrosa, where th’ Etrurian shades
High over-arched embower; or scattered sedge
Afloat, when with fierce winds Orion armed
Hath vexed the Red-Sea coast, whose waves o’erthrew
Busiris and his Memphian chivalry,
While with perfidious hatred they pursued
The sojourners of Goshen, who beheld
From the safe shore their floating carcases
And broken chariot-wheels. So thick bestrown,
Abject and lost, lay these, covering the flood,
Under amazement of their hideous change.
He called so loud that all the hollow deep
Of Hell resounded:—”Princes, Potentates,
Warriors, the Flower of Heaven—once yours; now lost,
If such astonishment as this can seize
Eternal Spirits! Or have ye chosen this place
After the toil of battle to repose
Your wearied virtue, for the ease you find
To slumber here, as in the vales of Heaven?
Or in this abject posture have ye sworn
To adore the Conqueror, who now beholds
Cherub and Seraph rolling in the flood
With scattered arms and ensigns, till anon
His swift pursuers from Heaven-gates discern
Th’ advantage, and, descending, tread us down
Thus drooping, or with linked thunderbolts
Transfix us to the bottom of this gulf?
Awake, arise, or be for ever fallen!”
  They heard, and were abashed, and up they sprung
Upon the wing, as when men wont to watch
On duty, sleeping found by whom they dread,
Rouse and bestir themselves ere well awake.
Nor did they not perceive the evil plight
In which they were, or the fierce pains not feel;
Yet to their General’s voice they soon obeyed
Innumerable. As when the potent rod
Of Amram’s son, in Egypt’s evil day,
Waved round the coast, up-called a pitchy cloud
Of locusts, warping on the eastern wind,
That o’er the realm of impious Pharaoh hung
Like Night, and darkened all the land of Nile;
So numberless were those bad Angels seen
Hovering on wing under the cope of Hell,
‘Twixt upper, nether, and surrounding fires;
Till, as a signal given, th’ uplifted spear
Of their great Sultan waving to direct
Their course, in even balance down they light
On the firm brimstone, and fill all the plain:
A multitude like which the populous North
Poured never from her frozen ***** to pass
Rhene or the Danaw, when her barbarous sons
Came like a deluge on the South, and spread
Beneath Gibraltar to the Libyan sands.
Forthwith, form every squadron and each band,
The heads and leaders thither haste where stood
Their great Commander—godlike Shapes, and Forms
Excelling human; princely Dignities;
And Powers that erst in Heaven sat on thrones,
Though on their names in Heavenly records now
Be no memorial, blotted out and rased
By their rebellion from the Books of Life.
Nor had they yet among the sons of Eve
Got them new names, till, wandering o’er the earth,
Through God’s high sufferance for the trial of man,
By falsities and lies the greatest part
Of mankind they corrupted to forsake
God their Creator, and th’ invisible
Glory of him that made them to transform
Oft to the image of a brute, adorned
With gay religions full of pomp and gold,
And devils to adore for deities:
Then were they known to men by various names,
And various idols through the heathen world.
  Say, Muse, their names then known, who first, who last,
Roused fr
As a darkness descends to these troubled lands,
carefully watching are those who feel a cold shrill,
hear with frozen aching,
breathing in the quickening frost...

Growing hoary slowly,
as the rime it seeds,
pressed blades of grass feel the man in need...
This is a toll that must be paid!

Her fleeting thoughts dance with the wind as she twirls about spinning into the winter’s descent...

Darkness falls and so doth she,
her thoughts in brightness, uncoupled glee,
her heart in love and mind carefree...

A sweeping, dashing, vision he shows,
In moon as deep earth,
her sweet heart glows,

“Forget the quickly, approaching fee!”

“Dear Night, oh Darkness; spare this man!”

“I see you, -hear me for I plead too, I’m watching from your ice-gripped troubled land!”

“Take me instead; I’ll pay his cost or your dark soul is truly lost!”

“I twirl with woe, I dance thus so, -wanton abandon…
the shivering cold and this ice I stand in,
Your chill, the frost, the illness and the terrible cost,
...our crops and all our people lost,
and still I shall ignore your hand!"


THEN HE DIES!

“No, your reparations I thus will pay!
Leave us now, unburden this land, your frory wind is not his plan,
God does love us, -he’ll stay your hand!”


“Some sign, an answer, please, oh please!
On frosted grass I press my knees,
will you not hear my lovelorn cries?
Why must you take him, why must he die?
I cannot stand so idly by!”


“How can you torment such good men, our town, our lands, tis ours, our home this place you’re in?"

Frigid heart of icy Dragon,
feels not nothing, mourns no loss,
bears down harder with his frost
and punishes them all for a sin...

“You beastly anger!”

“The cold hand of darkness in my eyes, my heart burns bright with moonlit scorn!”

A trumpet sounds when lightning strikes,
and thunder heard, it splits the night!

“A toll too great I shall not mourn,
Soulless winter’s passing bound,
in frosted days of chilling found,
You maketh tender hearts thus lost.
Your winter brings her frozen frost,
You tear and break frozen land asunder,
destroy our love our hearts you plunder!
Be gone such evil, lest love soon die, my heart he holds, my soul and sky!”


“Your freezing laughter has distended me…”


Storm God

“Clouds of fury, thunders might, upon that moon, clouds cover her light!"

"Sweeping winds, wisps of ice and snowy swirls opaque the night, freeze that man, take his life!”

“Break, then shatter with my cold spells of ice, he, then she, with no respite; I shall forever control the night!"

“Tell tale of love to me in playful fancy?”

“The darkness I bring; cower as your lives in fright, no man shall evade my thunderous might!”

“Sway me not oh fairy dancer from my cold winter in your bones shall arise a chilling cancer!”

“Destroy I must and hear you not, your land in peril with a wind I roar, cry you will in pain and so much more!”

“I am this world’s white awful sore!”

“Beg you shall, whimpering dearly, for darkness cometh so swift, severely!”

“Feel it, hear it, a painful sound my thunder shatters the peace with world renown!”

“As once, as was, forever more and now I smite so deafening score, I deliver you both to death’s door!”

“There is no heart within this storm; there shall be no heart in earth forevermore!”

“Love you say”

“…as if I know?”


“BE GONE NOW CURSED MOONLIT GLOW!”

“No life, no love, no NOT nothing, no, from nothingness I come and to nothingness you go!”

“Thus an answer to your pathetic dancing, your spinning motions, your frivolous prancing,"

“A stronger wind, a tor-na-do, witness the awful power I sow,”

“...my heartless mind to which you sing, out dance that you spineless twinning!”

“Die!”

“Yes, -die!”

“With his dead heart I’ll crush your soul for yours IS my quest to break!”

“Time is such a fleeting flower and Lo, I come with all my power, your time has come this is the hour!”

“I hate your love; die for me, your bond is cur-sed I decree!”

“My children are the Nephilim, their snowy crystals I turn to rain and freeze it quickly about your ankles for you as he, shall not escape, nothing, no one shall escape, all the creatures shall die this time for I am the maker of the flood, I am the abyss, the king of wisdom, the tree of knowledge, the one of action, crowned master of the earthen plane, the king of gods and king of kings and origin of all things, if God there is then he is I and what I create I shall make die! Know this mere mortal, the name of betwixting thing you learn…”

“I am that old God known as *Sah-turn!”

“My toll do I demand from thou!”

“My toll I ask, I DEMAND IT NOW!”



Sobbing sadness as she prostrates her hands to ice, her ankles bound and crying is the only sound...

The ego of the deity is in question, she searches for another way, a path of inquiry to make him stay, for the horrible fate wrought this day and lands of beauty coldly buried away...

For what could change the mind of darkness?

“Master, I see the wheels have ground to a halt and you’ve descended from the heaven’s vault but how can such lowly animals and nature be at fault, for is it not the goblins of the saw that should be punished, that should be sought?”

“Those who chop away at your great tree are the ones who smile with uncoupled glee for they smite your creation and tear it down and care not for your might, your world renown!”

“All nature is but your possession, oh timeless infinity I do not question, your purpose or need but I do ask, nay beg of thee, allow my love to thus be free, let us hold each other if we die, see my supplication, hear my cry!”


“If let go we will with all haste and prudence, your wrath is great and our presence a nuisance, away from this troubled land you’ve made, the frozen tundra of the grave, a night wrapped by your terrible song in this evil place we do not belong,”


"...please let us run!"


“You have cloaked the beauty of the moon,  covered her sky, I beseech you master hear my cry above the thunders of your sky, wrestle free my love from grip, let us pass, let us slip, let us go this night, oh great black wheel and great north wind and wolf and beast and Dragon from the faraway east and master of the air and seas and Lord of all as your voice decrees, I beg here on my dying knees,”


“The toll you demand is a life for a life, save him, put me under the frosty knife!”


Rumble, rumbling pondered thoughts, the wind is ceased and snow dies down and ground gets soft as air warms up and moonlight shines as clouds dissipate while the god of night decides their fate...

Her sobbing subsides as the ice and snow become water and seep into the earth, her dress soaking and hands covered in mud she addresses this king of kings once more. She stands and fills her lungs with warmth and begins to dance a dance of thanks to him who is hidden but a chilly wind shows that it is still forbidden. Her love watches from yonder far hill as she holds back her dance and stands so still, calling out to the color of night, stern her voice has no sign of fright...

“Punish the land and make your mark for that will teach us to give offerings to the dark,”

“Give rage unto that which hath no heart, pummel the earth and sink the ark.”

“Oh he is such a jewel to me, I’ll dance no more, I’ll show no glee, and no happiness to smite your sea in your great debt I thus will be!”

“Call your hordes, all four to thee, let them of wisdom punish me, my dancing finished great Gyges, your ring of darkness; oh wine-dark seas!”

“The four are eager for the flight to crack the seals and split the night, and show the signs, enact the plan, and run dark in blood this troubled land.”

“You see my master? We know your tales and tell our children the wonder and the mystery of our ark that floats upon your sea and all the things we know you make for we teach our children of them for heaven’s sake!”

“As natures hand you make the call, Oh Famine! Oh Pestilence! Oh Plague! Oh Death, -bring them all!”

“Come now in darkness for your master calls, his voice too loud as to be vague…”

“Run we shall, away, away…”

“Your great power, oh great one, the shatterer, thunderer, the bringer of the nightly fall, watch your subjects cringe and crawl, and supplicate on hands and knees with praise upon your mighty awe.”

“Why not bring them? Bring them all?”

“Enforce your toll, make your presence known, reap the seeds of what you’ve sown, our lives have always been yours to own, for you are great upon this land, your fury descends with mighty hand, now and forever shall it be known, no man can seat above your throne!”

“The trees thus stripped of their leaves and these hands are whipped upon our grieves,”

“Save my love from those stinging leaves from wintery chill and icy snows, hand of darkness, north wind that blows,”

“Lightning strikes and deadly throes,”

“In mercy your true power shows,”

“For you are the master, king of night, maker of fear, of horrible fright, the Ouroboros, the clouds your wings, the heaven’s motions, order of all things, the one who rings the magnificent treasure, the source of all our earthly pleasure, one to which we all do pray, -alas Ethiopia, dawn a new day!”

“The moon descends as does your power tis dawn you fool, that is the hour!”

“You can keep your anger and unpaid toll we’ll keep our love, our lives and my gentle soul.”

Storm God

“YOU DARE! YOU DO! YOU MOCK ME STILL?”

“Here comes my weathering, wintry, malicious chill!”

“Child die as your suitor must, this night, this storm, this hour unto my lightning ******! Rain, hail, fury thehowling winds of wolven glory and end I put to this sorrow’s story, down the trees, wash away the lands, rip apart the heavens know my hand!”

“…and what is this nocturnal noise?”

“In my storm are birds chirping? Is that daylight on horizon now? Nature cannot desert me, no, not now!”

“The daybreak shines, undoes my vow, ceases my storm and scatters my clouds; know this mortal is not the end for I shall come back again!Your words and pleas will not save you then, this trickery I shall not forget, your souls I’m coming back to get and when I do you’ll grovel in fear for you’ll know the moment of death is near!”

“On that night you’ll pay my toll, I SHALL NOT REST WITHOUT YOUR SOUL!”
A tribute to my favorite poet. Edgar Allen Poe.
Brycical Jul 2011
It’s unclear when time stopped functioning like a linear candle,
but at one point during the night my words echoed
for hours
in a loop.
The conversations became gerbils running on exercise *****
while black holes transported me to vast distances
forward and back within the conversations.
Now I know what power the “if-there-is-a-god” “God”
enjoys.
Having enough time and space to examine a conversation from any point
in any space, volume or time.

As we continue talking,
I notice the conversation coming to the ******—
But abruptly it jumps to the end.
My friend looks to me for approval,
and all I can say is that I must retrace my steps
in this moment,
             For I arrived sooner mentally, but not spiritually.
What they don’t tell you in the Bible
is how hard it is for the omnipotent asexual being to
processes a conversation from end to beginning.

        Imagine starting out with all the facts, and then quickly giving them away,
yet you still had a vague idea that you held all the facts at one point
In the timeline of this conversation.


The awkwardness is so palpable,
I could cut it like a cake…
but only I’m aware the cake is poisoned.
When a slice is handed to me,
I think to myself, “Don’t eat that, it’s poison.”

It’s tough being for the audience to tolerate this.
You know I must eat for the process
and entertainment to continue.


My friend wants answers, and guidance. I’m supposed to be helping him in this time of need, or consoling him in some way.
But I can’t without all the facts
I have a vague idea I once possessed.
Ken Pepiton Nov 2018
Say I know, no question, what the Good News was,
the Jesus good news, but

nobody believes that. And its free good news. Who pays me?

Think Gaiman's American Gods,
true believers everywhere, no truth, no free ificity,

sufficient, suffice, artifice, artificial freedom, if

you can't imagine artificial freedom, how do u test AI?

we can imagine all sorts of hells, and miserable lost evers

all phantoms from the stories you've believed
believed by the tellers
who told you
you were naked.

Is this a theme?
Are we manufacturing sensible un-believable
idle word redemption tools.
DIY? No App?
Empowering the believers to unbelieve, at will, with effort?
Very little effort, but yes,
My calling, yes, previous to full-time Peacemaker.

I e-merge several streams of thought, gentle, --- un belief is,
it hurts like you imagined hell, almost exactly.

Monetize your lies,  who said do that?
you don't believe them do you?
The ones you tell
Where you know prayers are answered

Because
You
know sorta. Knowing a thing is so,
you know, defining.
Be and lieve together they make a meaningful
you know

Re-ifing and de-ifing,
being a believer in whom is no guile,
is that
actable.
Could a thespian make us believe he believes what I believe if he were me?

Is that in the bible,
that walk a mile as me proverb?
It's true, if you do it, in your head or mind,
if you think mind ain't matter

or doesn't matter, okeh.

I don't.
D'I ever tell you about the time I realized I was safe,
lazy days o' summer,
way back when was no TV, no video nuthin, then

when I woke, I was here as sure as I am,
that I know next

to nothin for sure,
and for a blameless,
shameless old man, who catches Jesus winkin'
in his thinkin' ever day,

' cain't say damday and asaid it anyway.

It's about time I tell my story, if that is my job.
My story means the story I tell,
the one I think I believe I know and enjoy.

Tellin' it, I en joy en trance, never thrall.

Life is predominantly fun.
Empiric evidence. Take it, by faith,
we all know how,
we laugh and say we don't, but we are lost with out it,

no hope.
Oh, my God, desperate for you.
They sing that, they call such singing praise.

Somehow they have come to believe
Christ has left them desperate for any good things,
forsaken them after promising
other wise

Who would teach a chile such a song in Jesus's
whole body, I swaneee

Hopeless, t's what desperate means,
desperados are not disciples
of the tendency to a bias toward good, by grace.
nosireee
---
Can I speak living words,
is that living water flowing from me,
if I agree with the story I am telling,

Yes, all the promises of God.
Come let us reason,
we are past the scarlet sin.
Sin means disconnect in today's terms,
missed aimed-at-thing's the original Greek expression that
made it to the Bible.

And a blog is as good as a book, some say,
as far as words are concerned, meaning-wise

but spoken words go farther, these days.

Rhetoric is returning to try men's souls,
and the peasants have Google and IDW
(Intellectual Dark Web wuwu)

and the real Bible Daniel and Ezra 'n'em put together from all the sources they could muster under the banner of
Lest we forget.

Was that the banner spoken of
by the prophet so and so?

Could be.
Runner-up th'pole 'n'see who kneels.

Emoji winks are too cheezy for real poetry,
you never see 'em in songs.

Jesus winks but not at
your-my disconnection from re-ality.

We can't be **** Sapience Sapience
if we don't think about thinking.

The unexamined life's not worth living,
old Greek guy saying.

Jesus saying, as a man thinks, so is he.

And I think he was talking about good and evil.
A man can think good and evil, but

(and this is one of those forever buts I mentioned last time I was thinking on this thread),
evil can't swallow good. No matter how long it chews.

Funny, really, how stuff works.
We all live until,
as far as we do know now,
time
for conscious mortal me,
each
of us in this we, me
ceases.

De-sist,
recall the way it feels to lay your armor down
and know,

I ain'tagonnastudy war no more.

But, we are called,
chosen to fight the good fight of faith, Amen.

Ah, men,
we ain't got enemies.
We fought.
You believe you believe or you don't.

Have fun and don't make anybody miserable
and stand up straight,
with your shoulders back, good advice.

Next. There is a reason to go farther,

I think, but don't know right now, what that reason is.

Praying being asking for assistance in persistence,
I am praying this is plain, past simple, plumb to sublime.
The hope for a larger crop, for some reason I ain't found, more sowin', means more reapin' and reapin' for them has done it, them who've reaped,  know that's the hard part.
jeremy wyatt Jul 2014
Flying bloom to bloom,
but no mere dance this faultless path.
You favour puple,
so it seems.
Clover, thistle, orchid, no dream-like drift this bustling  march.
In each quick kiss no flower touched twice,
no frantic frenzy,
"keep on, keep on" your gentle buzzing seems to say.
Until, pushing through an orchids sweet embrace,
head buried in the blooms,
Your tiny heart
quietly
ceases
to beat...
Saw the wee deid bee.....but the photo is quite beautiful.
Andrew Rueter Oct 2017
I'm on the run
And not for fun
The police are chasing
My heart is racing
When my life is at stake
My morality I'll break

The police release the hounds
I can hear their deadly sounds
They want to maim me
I want to stay me
I decide to fight the charging canines
Because I just snorted a ******* line
My judgement loses length
To my influx of strength
I break the dogs' legs
Until they beg
That's not enough
Sorry Scruff
The steel gun I fire
A furry cop retired

The police attack me
For defending myself
They refuse to see
The danger to my health
They chose to use crazy canines
So I feel the fault isn't mine
That doesn't change their decision
For me to die slowly in prison
I am in the teeth of the government
Much to my human wonderment
This is the way I'll spend the rest of my life
For the decisions I made at the end of a knife

The irony is cops **** dogs all the time
Yet they obstruct their vision of the line
Where it ceases to be man versus society
And becomes man versus nature
When a man is in peril
He must turn feral
But in a country that blindly idolizes aggression
The police don't acknowledge this discretion
They dig their teeth into our skin
While draining us financially
The only way we'll ever win
Is if things change substantially
Sadism fervently fuels the flames of conflict
With an exasperated public sick of being kicked
Cruelty is what they witness
To lose their mental fitness
How can they protect their babies
When the police have rabies?
The police relationship with the effected public will never shift
When there's a Cereberus between them maintaining the rift
Cedric McClester Nov 2015
By: Cedric McClester

When Trump and Carson fall
And the foolishness ceases
Rubio will be there
To pick up the pieces
He’s salivating
As his chance increases
He’s now looking at curtains
And White House leases

When Trump and Carson fall
And the race is in shambles
He’ll bet his  house
You see. The man gambles
He’s not alone
Cuz there’s many other examples
Of men who’ve picked up swatches
And other samples

When Trump and Carson fall
And they look towards the rest
Rubio’s convinced
That he alone is the best
In fact he’s thinking
Nevertheless
It will be him and not the others
There’s no contest

When Trump and Carson fall
As inevitably they must
And Marco Rubio watches the others
Bite the dust
As they complain
Then spit and cuss
Marco will be the one
To lead the rest of us




Cedric McClester, Copyright © 2015.  All rights reserved.
Mattrick Patrick Mar 2016
Black Lives Splatter on the heal of American Jackboot Patriotism.

When will black lives matter?
When all life ceases to be divided into races,
and we are seen as a single species,
as a spectrum rather than as separate colors.
No matter how devastating this reality may be,
it is the reality.
I love all people. I want to see the equality of all races in law and in culture, but also in every human heart on this planet and every other. Love is the answer, peace is the outcome.
cr Dec 2014
and when fireworks stop cracking on the
night sky
and when the stars
refrain from blinking down at
streetlights guiding the path to our future
and when you kiss me goodbye with
burning lips
and my own are unscathed whilst my neck is
blooming third-degree burns,
flesh melting on the site
and when the sun turns to moonlight
because its own flames have known
no heat
and when i will stop finding metaphors
about firefirefirefirefirefire
and when every winter
you'd put us through ceases
its frozen barricade
and when i stop
discovering myself hovering over the
edge of a lake donning memories
that refuse to drown
and when i
stop wishing there was some possibility
of drowning myself in the bathtub -

i will finally have the guts
to say

i don't love you
idontloveyouidontloveyouidontloveyou
Umi Dec 2017
By the afternoon!
There's not much time, the sun will set soon
So be ready for the coming of the night
And don't be afraid, all these stars are shining bright,
Stay calm and enjoy their beautiful sight!
Or seek rest, in the world of dreams.
Happiness there it seems
Ceases not

~ Umi
Lydia Solkov Mar 2014
The cherry blossoms, pink and luscious, in full bloom.
Below the koi fish swim round, round in circles.
The sun reflects off silk kimonos with a shine radiant, dazzling,
With red lips against painted white skin, blindingly beautiful.
A walk like unraveling ribbon,
And hair like ink, bound tightly a few strands bound for escape.

Untouched skin tainted by stares, clipped wings useless for an escape,
Freedom comes in the hope of riding a cherry blossom, swelling in bloom.
The leaves swirl to the ground, spiraling in nature’s ribbon.
The glares of tigers ******* her, kimono falling to her feet in circles,
Eyes of blue, green, never turning away, trapping those beautiful,
The nature of a hidden world, shaming and stunning, confining yet so dazzling.

The snap of the gold-trimmed fan weaving in and out, dazzling
The crowd with effortless twists and turns; clenched tightly, no room for escape.
A dance of untamed water in a disturbingly beautiful
Unity of desire and fright. A young bud not on the verge of bloom
Thrown into a crowd of tigers to be spun in uncontrollable circles
And entrapped by the unflinching gazes in silk ribbon.

The game is simple: mesmerize a pack with grace of ribbon,
Attend engagements that ask for a dance, tea pouring, but never dazzling
That pure smile too brightly. Fool the ***** tigers to follow in circles,
But never trust a tiger that promises a chance of escape.
Never fall for love’s first bloom,
Never become the next to lose the light. Stay pure and stay beautiful.

A kimono is only as pure and as beautiful
As the woman underneath. By cutting the ribbon
Of virginity by a friendly lamb, instead of tiger’s bidding for the bloom,
Only leads to the fall of a shooting star, gracing the sky with its dazzling
Beauty, and the hope and wish of an everlasting escape
Is crushed by the weight of a soapy rag, washing away the hope in circles.

Though the pain of the cage binds the mind in endless circles,
Though tigers ignored the aching backs and blistered feet, staring at only the beautiful,
It is better, safer to stay in the hidden world, banishing all thoughts of an escape.
Keep the tigers in a tight ribbon,
Stay young, fresh, never letting the mind wander away from dazzling,
And never fall like a cherry blossom after its first bloom.

A walk like unraveling ribbon,
The sun reflects off the silk kimono with a shine that never ceases from dazzling,
And forever watching the cherry blossoms, pink and luscious, fall in full bloom.
(The Dry Salvages—presumably les trois sauvages
      — is a small group of rocks, with a beacon, off the N.E.
      coast of Cape Ann, Massachusetts. Salvages is pronounced
      to rhyme with assuages. Groaner: a whistling buoy.)

I

I do not know much about gods; but I think that the river
Is a strong brown god—sullen, untamed and intractable,
Patient to some degree, at first recognised as a frontier;
Useful, untrustworthy, as a conveyor of commerce;
Then only a problem confronting the builder of bridges.
The problem once solved, the brown god is almost forgotten
By the dwellers in cities—ever, however, implacable.
Keeping his seasons and rages, destroyer, reminder
Of what men choose to forget. Unhonoured, unpropitiated
By worshippers of the machine, but waiting, watching and waiting.
His rhythm was present in the nursery bedroom,
In the rank ailanthus of the April dooryard,
In the smell of grapes on the autumn table,
And the evening circle in the winter gaslight.

The river is within us, the sea is all about us;
The sea is the land’s edge also, the granite
Into which it reaches, the beaches where it tosses
Its hints of earlier and other creation:
The starfish, the horseshoe crab, the whale’s backbone;
The pools where it offers to our curiosity
The more delicate algae and the sea anemone.
It tosses up our losses, the torn seine,
The shattered lobsterpot, the broken oar
And the gear of foreign dead men. The sea has many voices,
Many gods and many voices.
                                       The salt is on the briar rose,
The fog is in the fir trees.
                                       The sea howl
And the sea yelp, are different voices
Often together heard: the whine in the rigging,
The menace and caress of wave that breaks on water,
The distant rote in the granite teeth,
And the wailing warning from the approaching headland
Are all sea voices, and the heaving groaner
Rounded homewards, and the seagull:
And under the oppression of the silent fog
The tolling bell
Measures time not our time, rung by the unhurried
Ground swell, a time
Older than the time of chronometers, older
Than time counted by anxious worried women
Lying awake, calculating the future,
Trying to unweave, unwind, unravel
And piece together the past and the future,
Between midnight and dawn, when the past is all deception,
The future futureless, before the morning watch
When time stops and time is never ending;
And the ground swell, that is and was from the beginning,
Clangs
The bell.

II

Where is there an end of it, the soundless wailing,
The silent withering of autumn flowers
Dropping their petals and remaining motionless;
Where is there and end to the drifting wreckage,
The prayer of the bone on the beach, the unprayable
Prayer at the calamitous annunciation?

There is no end, but addition: the trailing
Consequence of further days and hours,
While emotion takes to itself the emotionless
Years of living among the breakage
Of what was believed in as the most reliable—
And therefore the fittest for renunciation.

There is the final addition, the failing
Pride or resentment at failing powers,
The unattached devotion which might pass for devotionless,
In a drifting boat with a slow leakage,
The silent listening to the undeniable
Clamour of the bell of the last annunciation.

Where is the end of them, the fishermen sailing
Into the wind’s tail, where the fog cowers?
We cannot think of a time that is oceanless
Or of an ocean not littered with wastage
Or of a future that is not liable
Like the past, to have no destination.

We have to think of them as forever bailing,
Setting and hauling, while the North East lowers
Over shallow banks unchanging and erosionless
Or drawing their money, drying sails at dockage;
Not as making a trip that will be unpayable
For a haul that will not bear examination.

There is no end of it, the voiceless wailing,
No end to the withering of withered flowers,
To the movement of pain that is painless and motionless,
To the drift of the sea and the drifting wreckage,
The bone’s prayer to Death its God. Only the hardly, barely prayable
Prayer of the one Annunciation.

It seems, as one becomes older,
That the past has another pattern, and ceases to be a mere sequence—
Or even development: the latter a partial fallacy
Encouraged by superficial notions of evolution,
Which becomes, in the popular mind, a means of disowning the past.
The moments of happiness—not the sense of well-being,
Fruition, fulfilment, security or affection,
Or even a very good dinner, but the sudden illumination—
We had the experience but missed the meaning,
And approach to the meaning restores the experience
In a different form, beyond any meaning
We can assign to happiness. I have said before
That the past experience revived in the meaning
Is not the experience of one life only
But of many generations—not forgetting
Something that is probably quite ineffable:
The backward look behind the assurance
Of recorded history, the backward half-look
Over the shoulder, towards the primitive terror.
Now, we come to discover that the moments of agony
(Whether, or not, due to misunderstanding,
Having hoped for the wrong things or dreaded the wrong things,
Is not in question) are likewise permanent
With such permanence as time has. We appreciate this better
In the agony of others, nearly experienced,
Involving ourselves, than in our own.
For our own past is covered by the currents of action,
But the torment of others remains an experience
Unqualified, unworn by subsequent attrition.
People change, and smile: but the agony abides.
Time the destroyer is time the preserver,
Like the river with its cargo of dead negroes, cows and chicken coops,
The bitter apple, and the bite in the apple.
And the ragged rock in the restless waters,
Waves wash over it, fogs conceal it;
On a halcyon day it is merely a monument,
In navigable weather it is always a seamark
To lay a course by: but in the sombre season
Or the sudden fury, is what it always was.

III

I sometimes wonder if that is what Krishna meant—
Among other things—or one way of putting the same thing:
That the future is a faded song, a Royal Rose or a lavender spray
Of wistful regret for those who are not yet here to regret,
Pressed between yellow leaves of a book that has never been opened.
And the way up is the way down, the way forward is the way back.
You cannot face it steadily, but this thing is sure,
That time is no healer: the patient is no longer here.
When the train starts, and the passengers are settled
To fruit, periodicals and business letters
(And those who saw them off have left the platform)
Their faces relax from grief into relief,
To the sleepy rhythm of a hundred hours.
Fare forward, travellers! not escaping from the past
Into different lives, or into any future;
You are not the same people who left that station
Or who will arrive at any terminus,
While the narrowing rails slide together behind you;
And on the deck of the drumming liner
Watching the furrow that widens behind you,
You shall not think ‘the past is finished’
Or ‘the future is before us’.
At nightfall, in the rigging and the aerial,
Is a voice descanting (though not to the ear,
The murmuring shell of time, and not in any language)
‘Fare forward, you who think that you are voyaging;
You are not those who saw the harbour
Receding, or those who will disembark.
Here between the hither and the farther shore
While time is withdrawn, consider the future
And the past with an equal mind.
At the moment which is not of action or inaction
You can receive this: “on whatever sphere of being
The mind of a man may be intent
At the time of death”—that is the one action
(And the time of death is every moment)
Which shall fructify in the lives of others:
And do not think of the fruit of action.
Fare forward.
                      O voyagers, O ******,
You who came to port, and you whose bodies
Will suffer the trial and judgement of the sea,
Or whatever event, this is your real destination.’
So Krishna, as when he admonished Arjuna
On the field of battle.
                                  Not fare well,
But fare forward, voyagers.

IV

Lady, whose shrine stands on the promontory,
Pray for all those who are in ships, those
Whose business has to do with fish, and
Those concerned with every lawful traffic
And those who conduct them.

Repeat a prayer also on behalf of
Women who have seen their sons or husbands
Setting forth, and not returning:
Figlia del tuo figlio,
Queen of Heaven.

Also pray for those who were in ships, and
Ended their voyage on the sand, in the sea’s lips
Or in the dark throat which will not reject them
Or wherever cannot reach them the sound of the sea bell’s
Perpetual angelus.

V

To communicate with Mars, converse with spirits,
To report the behaviour of the sea monster,
Describe the horoscope, haruspicate or scry,
Observe disease in signatures, evoke
Biography from the wrinkles of the palm
And tragedy from fingers; release omens
By sortilege, or tea leaves, riddle the inevitable
With playing cards, fiddle with pentagrams
Or barbituric acids, or dissect
The recurrent image into pre-conscious terrors—
To explore the womb, or tomb, or dreams; all these are usual
Pastimes and drugs, and features of the press:
And always will be, some of them especially
When there is distress of nations and perplexity
Whether on the shores of Asia, or in the Edgware Road.
Men’s curiosity searches past and future
And clings to that dimension. But to apprehend
The point of intersection of the timeless
With time, is an occupation for the saint—
No occupation either, but something given
And taken, in a lifetime’s death in love,
Ardour and selflessness and self-surrender.
For most of us, there is only the unattended
Moment, the moment in and out of time,
The distraction fit, lost in a shaft of sunlight,
The wild thyme unseen, or the winter lightning
Or the waterfall, or music heard so deeply
That it is not heard at all, but you are the music
While the music lasts. These are only hints and guesses,
Hints followed by guesses; and the rest
Is prayer, observance, discipline, thought and action.
The hint half guessed, the gift half understood, is Incarnation.
Here the impossible union
Of spheres of existence is actual,
Here the past and future
Are conquered, and reconciled,
Where action were otherwise movement
Of that which is only moved
And has in it no source of movement—
Driven by dæmonic, chthonic
Powers. And right action is freedom
From past and future also.
For most of us, this is the aim
Never here to be realised;
Who are only undefeated
Because we have gone on trying;
We, content at the last
If our temporal reversion nourish
(Not too far from the yew-tree)
The life of significant soil.
Mason Parrone Nov 2014
Walking slowly, I enter the kitchen
I have been here before, but this time is different
Alone on the table a cheeseburger rests
Unattended
I glance both ways weighing my options
The burger is fresh and dripping with juices
Thinking ceases and instinct enacts
Within seconds the beautiful sandwich is gone
Stomach full, I lie on the floor
Guilt sets in
I have been a bad dog.
I wrote this after my German shepherd ate a grilled-cheese sandwich I made for lunch.
Lauren Upadhyay Dec 2012
"It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things." -Lemony Snicket

For all its ostensible simplicity, death is complicated for those of us who have yet to experience it. And while I appreciate Snicket's sentiment, coping with loss is not always this straightforward. It is not always possible to merely readjust oneself after the painful shock of losing someone we care about, simply because some relationships transcend illusory misstep; there are some people who are more to us than just the empty space through which we navigate and which confuses us and makes us feel silly when we realize that there was never really any reason to worry in the first place, and that we are going to be just fine.

In much the same way as realizing we've tripped over a non-existent stair, it is always uncomfortably surprising when we lose someone we know. It's a feeling akin to being suddenly and aggressively shaken awake from some mildly enjoyable, but generally monotonous dream. Like we couldn't have predicted as much, as if it were some exotic and unfortunate illness that only ever happens to people in newspapers. And whenever we are made to confront the painful yet obvious reality, it forces us take a step back and reevaluate things.

It makes us think of the deceased, and how we must readjust our view of the world to accommodate their absence. And yes, many times this adjustment amounts to nothing more than a brief moment of miscalculation and confusion. But there are some times when this is not the case, when the loss of a person causes an unmistakable and lasting difference in our lives. There is a rare and special closeness with certain people that some of us are lucky enough to experience, and which at some point causes us to unconsciously realize the verity and significance of these people's existence.

There comes a moment when a person ceases to be merely an imagined phenomenon, and forever becomes an integral piece of the staircase in the multi-storied building of one's life. The people who ineffably and eternally changed us; the people who inadvertently etched themselves into our framework and forced us to recognize their inextricable realness. These are the people for whom we do not become only momentarily disoriented when they leave. When they stop existing there is one less step, a permanent gap in the staircase. And no matter how much time passes, no matter how well adjusted we become, it will never feel quite right skipping a step, making the unnatural lunge over the empty space they've left behind.
Frank DeRose Apr 2015
She told me one time,

That all of life was lost. 

And she told me that time,

That she was afraid.

She said she was alone,

That no one loved her.

She said she could not be happy,

That love was a lie anyway,

Because people always hurt you.

I answered her in kind,

That the sun,

Following the night,

Never ceases to rise. 

I told her that was love.

I told her she was not alone,

That the sun caressed her

Skin and bones,

And that was love.

She did not believe me,

For she preferred the night.

Mysterious,

Dark,

And comforting,

She said.

I said that was fine,

For the stars could love her,

Just as the sun did.

She fell so in love with darkness,

That it consumed her,

Killed her. 

She did not understand me.

It was the light in the darkness that loved her. 

It was the stars amidst the darkness,

That could save her. 

But alas, 

They did not. 

I only hope now,

That they can save me.
I

Midwinter spring is its own season
Sempiternal though sodden towards sundown,
Suspended in time, between pole and tropic.
When the short day is brightest, with frost and fire,
The brief sun flames the ice, on pond and ditches,
In windless cold that is the heart’s heat,
Reflecting in a watery mirror
A glare that is blindness in the early afternoon.
And glow more intense than blaze of branch, or brazier,
Stirs the dumb spirit: no wind, but pentecostal fire
In the dark time of the year. Between melting and freezing
The soul’s sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time’s covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable
Zero summer?

              If you came this way,
Taking the route you would be likely to take
From the place you would be likely to come from,
If you came this way in may time, you would find the hedges
White again, in May, with voluptuary sweetness.
It would be the same at the end of the journey,
If you came at night like a broken king,
If you came by day not knowing what you came for,
It would be the same, when you leave the rough road
And turn behind the pig-sty to the dull facade
And the tombstone. And what you thought you came for
Is only a shell, a husk of meaning
From which the purpose breaks only when it is fulfilled
If at all. Either you had no purpose
Or the purpose is beyond the end you figured
And is altered in fulfilment. There are other places
Which also are the world’s end, some at the sea jaws,
Or over a dark lake, in a desert or a city—
But this is the nearest, in place and time,
Now and in England.

              If you came this way,
Taking any route, starting from anywhere,
At any time or at any season,
It would always be the same: you would have to put off
Sense and notion. You are not here to verify,
Instruct yourself, or inform curiosity
Or carry report. You are here to kneel
Where prayer has been valid. And prayer is more
Than an order of words, the conscious occupation
Of the praying mind, or the sound of the voice praying.
And what the dead had no speech for, when living,
They can tell you, being dead: the communication
Of the dead is tongued with fire beyond the language of the living.
Here, the intersection of the timeless moment
Is England and nowhere. Never and always.

II

Ash on and old man’s sleeve
Is all the ash the burnt roses leave.
Dust in the air suspended
Marks the place where a story ended.
Dust inbreathed was a house—
The walls, the wainscot and the mouse,
The death of hope and despair,
       This is the death of air.

There are flood and drouth
Over the eyes and in the mouth,
Dead water and dead sand
Contending for the upper hand.
The parched eviscerate soil
Gapes at the vanity of toil,
Laughs without mirth.
       This is the death of earth.

Water and fire succeed
The town, the pasture and the ****.
Water and fire deride
The sacrifice that we denied.
Water and fire shall rot
The marred foundations we forgot,
Of sanctuary and choir.
       This is the death of water and fire.

In the uncertain hour before the morning
     Near the ending of interminable night
     At the recurrent end of the unending
After the dark dove with the flickering tongue
     Had passed below the horizon of his homing
     While the dead leaves still rattled on like tin
Over the asphalt where no other sound was
     Between three districts whence the smoke arose
     I met one walking, loitering and hurried
As if blown towards me like the metal leaves
     Before the urban dawn wind unresisting.
     And as I fixed upon the down-turned face
That pointed scrutiny with which we challenge
     The first-met stranger in the waning dusk
     I caught the sudden look of some dead master
Whom I had known, forgotten, half recalled
     Both one and many; in the brown baked features
     The eyes of a familiar compound ghost
Both intimate and unidentifiable.
     So I assumed a double part, and cried
     And heard another’s voice cry: ‘What! are you here?’
Although we were not. I was still the same,
     Knowing myself yet being someone other—
     And he a face still forming; yet the words sufficed
To compel the recognition they preceded.
     And so, compliant to the common wind,
     Too strange to each other for misunderstanding,
In concord at this intersection time
     Of meeting nowhere, no before and after,
     We trod the pavement in a dead patrol.
I said: ‘The wonder that I feel is easy,
     Yet ease is cause of wonder. Therefore speak:
     I may not comprehend, may not remember.’
And he: ‘I am not eager to rehearse
     My thoughts and theory which you have forgotten.
     These things have served their purpose: let them be.
So with your own, and pray they be forgiven
     By others, as I pray you to forgive
     Both bad and good. Last season’s fruit is eaten
And the fullfed beast shall kick the empty pail.
     For last year’s words belong to last year’s language
     And next year’s words await another voice.
But, as the passage now presents no hindrance
     To the spirit unappeased and peregrine
     Between two worlds become much like each other,
So I find words I never thought to speak
     In streets I never thought I should revisit
     When I left my body on a distant shore.
Since our concern was speech, and speech impelled us
     To purify the dialect of the tribe
     And urge the mind to aftersight and foresight,
Let me disclose the gifts reserved for age
     To set a crown upon your lifetime’s effort.
     First, the cold friction of expiring sense
Without enchantment, offering no promise
     But bitter tastelessness of shadow fruit
     As body and soul begin to fall asunder.
Second, the conscious impotence of rage
     At human folly, and the laceration
     Of laughter at what ceases to amuse.
And last, the rending pain of re-enactment
     Of all that you have done, and been; the shame
     Of motives late revealed, and the awareness
Of things ill done and done to others’ harm
     Which once you took for exercise of virtue.
     Then fools’ approval stings, and honour stains.
From wrong to wrong the exasperated spirit
     Proceeds, unless restored by that refining fire
     Where you must move in measure, like a dancer.’
The day was breaking. In the disfigured street
     He left me, with a kind of valediction,
     And faded on the blowing of the horn.

III

There are three conditions which often look alike
Yet differ completely, flourish in the same hedgerow:
Attachment to self and to things and to persons, detachment
From self and from things and from persons; and, growing between them, indifference
Which resembles the others as death resembles life,
Being between two lives—unflowering, between
The live and the dead nettle. This is the use of memory:
For liberation—not less of love but expanding
Of love beyond desire, and so liberation
From the future as well as the past. Thus, love of a country
Begins as attachment to our own field of action
And comes to find that action of little importance
Though never indifferent. History may be servitude,
History may be freedom. See, now they vanish,
The faces and places, with the self which, as it could, loved them,
To become renewed, transfigured, in another pattern.

Sin is Behovely, but
All shall be well, and
All manner of thing shall be well.
If I think, again, of this place,
And of people, not wholly commendable,
Of no immediate kin or kindness,
But of some peculiar genius,
All touched by a common genius,
United in the strife which divided them;
If I think of a king at nightfall,
Of three men, and more, on the scaffold
And a few who died forgotten
In other places, here and abroad,
And of one who died blind and quiet
Why should we celebrate
These dead men more than the dying?
It is not to ring the bell backward
Nor is it an incantation
To summon the spectre of a Rose.
We cannot revive old factions
We cannot restore old policies
Or follow an antique drum.
These men, and those who opposed them
And those whom they opposed
Accept the constitution of silence
And are folded in a single party.
Whatever we inherit from the fortunate
We have taken from the defeated
What they had to leave us—a symbol:
A symbol perfected in death.
And all shall be well and
All manner of thing shall be well
By the purification of the motive
In the ground of our beseeching.

IV

The dove descending breaks the air
With flame of incandescent terror
Of which the tongues declare
The one discharge from sin and error.
The only hope, or else despair
     Lies in the choice of pyre of pyre—
     To be redeemed from fire by fire.

Who then devised the torment? Love.
Love is the unfamiliar Name
Behind the hands that wove
The intolerable shirt of flame
Which human power cannot remove.
     We only live, only suspire
     Consumed by either fire or fire.

V

What we call the beginning is often the end
And to make and end is to make a beginning.
The end is where we start from. And every phrase
And sentence that is right (where every word is at home,
Taking its place to support the others,
The word neither diffident nor ostentatious,
An easy commerce of the old and the new,
The common word exact without vulgarity,
The formal word precise but not pedantic,
The complete consort dancing together)
Every phrase and every sentence is an end and a beginning,
Every poem an epitaph. And any action
Is a step to the block, to the fire, down the sea’s throat
Or to an illegible stone: and that is where we start.
We die with the dying:
See, they depart, and we go with them.
We are born with the dead:
See, they return, and bring us with them.
The moment of the rose and the moment of the yew-tree
Are of equal duration. A people without history
Is not redeemed from time, for history is a pattern
Of timeless moments. So, while the light fails
On a winter’s afternoon, in a secluded chapel
History is now and England.

With the drawing of this Love and the voice of this Calling

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
At the source of the longest river
The voice of the hidden waterfall
And the children in the apple-tree
Not known, because not looked for
But heard, half-heard, in the stillness
Between two waves of the sea.
Quick now, here, now, always—
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well
When the tongues of flame are in-folded
Into the crowned knot of fire
And the fire and the rose are one.

— The End —