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This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
This is the time lean woods shall spend
A steeped-up twilight, and the pale evening drink,
And the perilous roe, the leaper to the west brink,
Trembling and bright to the caverned cloud descend.


Now shall you see pent oak gone gusty and frantic,
Stooped with dry weeping, ruinously unloosing
The sparse disheveled leaf, or reared and tossing
A dreary scarecrow bough in funeral antic.


Then, tatter you and rend,
Oak heart, to your profession mourning; not obscure
The outcome, not crepuscular; on the deep floor
Sable and gold match lustres and contend.


And rags of shrouding will not muffle the slain.
This is the immortal extinction, the priceless wound
Not to be staunched. The live gold leaks beyond,
And matter’s sanctified, dipped in a gold stain.
I
Ribb at the Tomb of Baile and Aillinn
BECAUSE you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none ha've
heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the ******* of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II
Ribb denounces Patrick
An abstract Greek absurdity has crazed the man --
Recall that masculine Trinity.  Man, woman, child (a
daughter or a son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are
wed.
As man, as beast, as an ephemeral fly begets, Godhead
begets Godhead,
For things below are copies, the Great Smaragdine
Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped
by the body or the mind,
That juggling nature mounts, her coil in their em-
braces twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air,
share God that is but three,
And could beget or bear themselves could they but
love as He.
III
Ribb in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences.  My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in ****** spasm begot
Godhead.  Some shadow fell.  My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV
There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V
Ribb considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman Or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A ****** or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI
He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
"His light had struck me blind
Dared I stop'.
She sings as the moon sings:
"I am I, am I;
The greater grows my light
The further that I fly'.
All creation shivers
With that sweet cry
VII
What Magic Drum?
He holds him from desire, all but stops his breathing
lest
primordial Motherhood forsake his limbs, the child no
longer rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic
drum?
Down limb and breast or down that glimmering belly
move his mouth and sinewy tongue.
What from the forest came? What beast has licked its
young?
VIII
Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their ****** joy
"For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive *****
Ignorant what that dramatist enjoins,
What master made the lash.  Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was con-
ceived?
IX
The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X
Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI
A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII
Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
Nat Lipstadt Jan 2018
The bedrock underlying much of Manhattan is a mica schist known as Manhattan schist.  Schist is foliated or layered in appearance. Quartz sparkles, micas, and amphiboles are primary minerals in schist. A melted rock, just like the city resting above, it too, a famous melting *** of humanity.

This one poem too, composed from pieces of other poems,
folded in layers of many others that melted together,
in harmonious discordancy

<~>

this glorious grime,
this delicious dirt,
stuff of my blood,
genes of my children's children inheritance,
of thee I sing,
in thee I revel,
of thee, I am composed

the city I love,
where I was born,
schooled and fooled in,
by many a woman

the city where I named
and raised my children

will probably die in
this city, and when
I am long forgot,
my name never uttered,
    who, will think of me?
Perhaps,
whenever someone says,
"he was such a rascal"

these tales I took,
some or all,
from beneath my skin,
where city streets grit,
was injected beneath my skin
and came with the title,
City Boy

so today, on a reborn street,
near tall towers no more,
I rest upon reconstituted speckled curbstone,
the city's lowered down ledges,
the city's lowered down-town boundaries,
constantly redrawn,  
but nonetheless, always rebuilt from their own
regenerated stony compost,
and the typical NY passersby doesn't even notice
a man, head in hands,
unsilently weeping, thinking that:

We lose or throw away so much we should have kept,
We keep so much we should have thrown away

street prowler, heart growler,
Art Deco lampposts,
the mountain range of east seventy second street,
begs the bagger's question,
each post
begging each other,
"from whence will come my inspiration?"

licked the stubbled sidewalks,
fell down into their living caverned cracks,
light needed, needy softly heated,
orange and green pizza neon signs,
saying here,
if you see upon what be,
these are your city's homeland colors of veracity

perhaps
NYC was model precursor
for our internet presumed-to-be-alive-but-who-can-say-for-sure
model for the world today,
where I know not my apartment's neighbors name,
yet carry his second child
in my arms,
when the fire alarm
summons us all to flee
to street safety...
and still only
"know" his child's first name,
and his father,
as Apt. #16D

all this exponential signage
of this NYC boy grousing,
are his defrocked muses him annoying,
with a serenading blizzard
of one trick pony repetitions,
their coronets trumpeting his unmasking,
*making this essay, his revelations,
a product of their harmonious discordancy
See the photo (https://upload.wikimedia.org/wikipedia/commons/thumb/9/9b/NY-Central-Park-Rock-7333.jpg/300px-NY-Central-Park-Rock-7333.jpg). 
this was the climbing mountain of my early childhood.
Nat Lipstadt Apr 2016
artist working by candle light,
neon lights, coffee shop lights...

~~~

to, for & from SJR
~

this force,  
burnt soul kindling,
rampant urges that bow a man's
spine

write write rite right

consumption of the soul
straighten up, flex,
flex to the curvature of the Earths
invitation to

write write rite right

cast my eyes to the mountains,
from whence will come my help?

street prowler, heart growler,
Art Deco lampposts,
the mountain range of east seventy second street,
begs the baggers question,
each a post
begging each other,
from whence will come my inspiration?

lick the stubbled sidewalks,
fall down living in their caverned cracks,
light needed needy soft heated
orange and green pizza neons
say here,
if you see upon what be,
your homelands colors of veracity

from
candle light,
neon lights,
coffee shop lights.

all queries so queer,
so cheerfully answered
in the ***** air,
in warped woof of
city write lights

he goes home
in the dark of a green moon,
and its delighting inviting
moonlight,
he composes
what is his eyes have
decomposed into a single memory,

and is satisfied
unto sleep

praising the eyes,
light lidded, but eager closing,
that
had wisdom given
to observe
light various by which to

write write rite right




4/16/16
10:30am
nyc
artist working by candle light,
neon lights, coffee shop lights...

from a comment to me from
SJR

months ago, a title
  that lay fallow
until
I tilled
my city streets
Perig3e Jan 2011
Hungry eyes are servants to the mind,
and the mind a hollow belly to a caverned beast,
and the beast goat horns the shoulders,
forward, forward in arched knots,
vainly shielding the heart,
and the heart squeezing its tortured eardrums
so as to silence the wailed coveting, the coveting, the coveting...
All rights reserved by the author
Mateuš Conrad Dec 2015
when worded in mathematics, thought is point (0, 0, 0) in the axis, ad knowledge is anything we wish the self to become, be or be known as, and that's a randomisation of co-ordinates, examples as a step, into either (0, 1, 0), (1, 0, 0) or (0, 0, 1); it's not thought that's exclusively a worth of doubt, it's thought from non-being that's exclusively doubted: when we have no chance of becoming a casanova, then we equate thought with doubt, which we equate with our sigma of falsely assumed being not being expressed, and rightly, for we have not been given the title, but a mere cameo.*

it's van gaal in the dock, gets asked a rhetoric question,
oddly enough he's not asked a dialectical question,
the reason why would be  because because a rhetorical
question in casual speech inference  will leave the speaker asked
in an oblivion of faking lies... rhetorical questions are with answers
elaborate...convincing.... needy of truth, times when being convinced
of something when the mongols stole the avatar of vishnu as buddha,
and when the european whites hid the avatar of shiva;
there it happened.... to the convinced lark of the silenced song,
there i learned lyricism from shakespeare's
titus andronicus, where the son was caverned
in depth only a body not requiring beauty required...
for a beauty such as a woman's vanity
neither attracted thought or knowledge...
and she gained a beauty, but the beauty she gained
was one of being untouched...
oh roar the piping winds in the fathomed turbines
of music said... oh roar the breath turned into
turbines of rotary theft kept...
oh roar the theft! oh roar the theft!
that it might be a kept music! that music might
grace the chase for the bird's allocation of
safety among the migrant types in the land so
resolved as orientate with seasonal vectors of return...
then the bull burps with larynx in nasal chime
to a glory of breath with soul rather than
what already came with soul, thought,
for that other breath came with excuses to breathe
nothing into something that might make geometry
conscripted from non, anonymously perhaps
for a while if a name might claim the re-,
like of that famous ha shem of beer, or the hammer,
or the moaning gratitude of the lost first breath of a flute.
how end it then? how then continue,
among the services of tears that spoke of no sadness,
but spoke... but spoke of a bethlehem's peace
with its zenith of prophecy matured
at hiroshima thus in acting, thus faked...
oh how i wish, i too was a member of a brotherhood
that took to heraclitus' river of known life;
oh how i wish... it was never about a misguided
friday on a repetition for a command of the serfs.
anyway... you won't get a casual inference
from a dialectical question, you simply won't get one...
of course you'll get a rhetorical question,
where you won't get any dialectics...
you also won't get rhetoric / the intention...
because the paradox is understood as:
rhetoric neither questions nor answers...
it's up to dialectics to mind that...
and even then... the answers are cult in terms of short,
and because of that, the dialectics can continue,
where questions are more elaborate than answers...
in terms of rhetoric the answers are more elaborate
than answers via that are curt / or simply short...
and the questions are not really elaborate,
because their elaboration was intended.
Yours et cetera Apr 2014
He then caverned out
The bright beacon my heart was
I bled profusely
What it was like in the end.
worth lexis Jun 2012
Hibernating in the northern-most hills,
Beneath Winter’s canvas, the wind’s grim shrills,
‘Midst the caverned silence unsung by bird,
Lies man’s deep-buried soul, its pulse unheard.
Frost buries warmth no fire but man’s can lend.
Strong limbs bow low before a blizzard’s wind,
Their foliage taken, the bush is bare,
The woods wither because man does not dare.
If the hearts of man should wilt and then wane
Then Spring shall follow with guilt and disdain.
To Wake and Live, Sleep and Let Die: Choose!
Before, Like O’erspread snow, his death accrues.
     Awake the Savage! Where is Man’s hunger?
     Too long he slept, too long he has slumbered.
Part of my sonnet series:
I have had enough of lovers
Wishing to be the sun in my sky
And creating diurnal dependencies
That block half its dome at a time.

To shine with such effulgence
Should be an honor all my own.
Who else is my constant companion?
Who else sets my caverned heart 'glow?

Instead, let all that is loved by me
Be a dazzling array of constellations,
Each brilliant Sirius and Betelgeuse
Whirling, returning through my seasons.

And if I should find such a Star again,
Let them be not Sol, but instead, Polaris -
Gleaming steadfast, in their own region,
Never dipping 'neath horizon's terrace,

Their simply existing
A northward guide
Keeping me truthfully
Aligned.
cradled in this heart
another heart bound in caverned Love
beats a rhythm on a seashore
so far distant that it left footprints
as guides

fallowed in this heart
another heart encompassed in shallowed love
boats its rower on confused melody
like a splooted animal
decides

to rest

a heart unites the divides
spools slowly slowly
its Love from a wheel
winds thready gossamers together on a distaff
knits the splooted with unsplooted
a generosity unanswered by the blind
and unlooked for by the unblind

how, then, is Love chimed?
how harmonized? how composed?
how, then, is Love sung?
spool it out deep into the Universe
to be unsung
as it is plucked on the Harp of Creation


c. 2024 Roberta Compton Rainwater
T R S Dec 2018
Caverned in a cage, a cave
were mountains of stable shelf food along with baskets.
Baskets filled with food and horrid stories buried among the bits.
That shrapnel, that ****, that little bit of metal that finds a way.
Finds a way to stay lodged in my spinal column.
Laudnaumn is a painkiller
a time spent life spiller that'll take upon you strife and the life of a soldier most totally taken, spaken and spat, with lack of fine skills,
no skin to donate, no porridge to impregnate my brittle bitter being.
Now i'm saught after, and it's now that I'm seeing.
BT Joy Oct 2019
‘And what are five miles from a station in these days of bicycles?’
-E.M. Forster, A Room With A View

Nothing cracks the rigid heart up
more easily than a microchip
in the cucumber sandwiches
and a lick of dubstep can really ruin
a lawn party in a Merchant Ivory flick.  
My mother was sure Ratzinger
resigned the papacy because they were making him
update his Twitter feed too often.
Some of the saddest moments of Bonaparte’s life
came while reading
Pierre-Simon Laplace.
Time itself is an adjustment.
Do you know, for instance,
Katharine Hepburn, on the set of Suddenly, Last Summer,
refused to believe there was such a thing
as a homosexual?
Mankiewicz, born to Jewish immigrants,
must have learned diplomacy early on.
His line:
Belief isn’t necessary
if you can act like you believe.
This— here—
is the sharp edge of nostalgia.
The cowpuncher pining for a white Alabama.
How the man who broke his wife’s jaw longs
for his wife to come home.
It’s hard to pity them, I know.
But if compassion’s worth anything
we ought at least to try.
The light has upped a notch.
Their rigid hearts
repine like window-blinds.
These days of bicycles have made
no new truths
but they say that things are clearer now.
By what’s reflected up from water,
in the caverned underside of leaves,
we see Freddy Honeychurch and Mr. Emerson jumping
pale and bare-arsed into The Sacred Lake;  
the Reverend Mr. Beebe
circling their young,
wet bodies like a paunchy moon.
B.T. Joy is a British poet and short fiction writer living in Glasgow. He has also lived in London, Aberdeen and Heilongjiang, Northern China. His poetry and short fiction has appeared in magazines, journals, anthologies and podcasts worldwide including poetry in Yuan Yang, The Meadow, Toasted Cheese, Numinous: Spiritual Poetry, Presence, Paper Wasp, Bottle Rockets, Mu, Frogpond and The Newtowner, among many others. His debut collection of poetry, Teaching Neruda, was released in 2015 by Popcorn Press and his 2016 collection Body of Poetry is also available through Amazon. He can be reached through his website: http://btj0005uk.wix.com/btjoypoet
Matt Martin-Hall Oct 2020
From whence love comes;
so to ventures
the soul-

a vessel left
caverned
and wilting.

Hollow wisps
dancing in
drifting husks-

enriching soils
upon which
they fall.

Hooves pattering
to impress
the fauna that begs growth.

Packed earth.
The nudest berth
for which it burgeons;

a bed
to rest
our heads.

And watch
it all rise
around and about

us.
This is about as close to a love poem as I can get. I posted this one first because a poet friend told me it’s better than the next one I’m going to post. I disagree but - I’m also impressionable.

— The End —