Holden Caulfield
A boy
Not yet a man
Stuck in the middle
Of two worlds
Ambivalence
Holden Caulfield
Calls up Sunny
The depressing
*******
Holden is nothing
But a boy
Not yet a man
Still stuck in the middle
Of two worlds
His virginity
Remains intact
Holden Caulfield
Thinks you’re a phony
A fake
Not who you really are
Old Stradlater
Old Ackley
Old Sally
Old Holden
Is a phony
Holden Caulfield
Isn’t who he really is
either

Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

The poem "Comin Thro the Rye" by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in "The Catcher in the Rye." In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the "catcher in the rye," rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a "catcher" in the rye, but about a girl who has met someone in the rye for a kiss (or more), got her underclothes wet (not for the first time), and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are "easy." Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves. Keywords/Tags: Robert Burns, Jenny, rye, petticoats, translation, modernization, update, interpretation, modern English, song, wet, body, kiss, gossip, puritanism, prudery


Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!



Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

"The Banks o' Doon" is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy)Kennedy, a girl Burns knew and the area around the River Doon. Keywords/Tags: Robert Burns, air, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English, love, hill, hills, birds, rose, lyric

when you hear someone
discussing
the wedding
instead of
the marriage,
just remember

the phoniest
are also
the loneliest

“Big change, huh? Bet you could take some awesome shots here, Max.”

Max nodded, only hearing the last part of Warren’s sentence. Truth was, she was distracted by how beautiful this place was. If Max stood at the end of the street, she could get a killer depth-of-field perceptive image by aiming towards the long and skinny winding roads being enveloped by the building’s shadows. San Diego seemed to flourish with art and photography culture, and great opportune shots to shoot photographs.

“Earth to Max.” That seemed to knock her out of her thoughts. *****, focus. “Are you going to go swimming with me and Brooke?”

From the look on Brooke’s face, she was hoping to God that Max said no. Brooke is the relationship equivalent of a boa constrictor, and she wasn’t sure how this hasn’t dawned on Warren yet. “I’m not sure. Maybe. Let me unpack first.”

After Kate dropped out of going to San Diego Comic Con last second, Max was nearly going to join her when Warren practically begged her to come. Coming back to the present - equipped with her suitcase and messenger bag - Max lingered behind the couple by several feet. This was her way of trying to avoid the reminder that she was third-wheeling with a boy who used to have a very awkward crush on her and his salty girlfriend.

“I’m going to go down to the pool.” Warren said, sliding his key card into room #228, turning his head to face Max before opening the door. “Maximillian, are you sure you don’t want to join us?”

“Like I said, I’ll think about it.”

The moment the three of them walked in, Brooke and Warren beelined for the restroom with their bathing suits in hand. Once they came out, Warren had a blue and black plaid board short swimsuit on whereas Brooke came out with a highlighter-colored graffiti two piece.  “Alright, Mad Max. We’re out of this joint. Catch us at the pool if you need something or want to swim. If not, we’ll be back in an hour.”

Max waved them off, digging through her bag for that bathing suit. The crimson colored ruched one-piece vintage bathing suit sat abandoned at the bottom of her matching vermillion suitcase. Down below at the pool area, she could hear screaming and laughing and splashing of the pool water. Max got up from her suitcase, and opened the curtain enough to look out at the hotel pool. Several other people were down there, pushing the time limit very close to closing in an hour from now. Come on, Max, you’re really going to let your whole adventure be ruined by the usual high-strung Brooke?

**** it.

Max nabbed the swimsuit from the hidden corners of her suitcase, stripping herself down to pull the swimsuit onto her body. Once the swimsuit was on, she turned her waist feeling the soft fabric conform to her small but still vaguely prominent curves. Max can remember Mom always saying that she looked good in red, so she recommended a red one-piece since Max doesn't have the confidence to show her stomach to anyone.

Well, except her best friend Chloe. They used to take bubble baths together as toddlers so it used to be the most natural thing in the world to get dressed in the same room together. It must have been a better time, where there were no insecurities. Now Max has trouble calling her up without her finger freezing up as she attempts to type the very last digit of Chloe’s phone number into her phone.

As Max turned around in the mirror, she noticed how her lack of a rear end was a lot more distinguishable in red. Wowser, Max thought, this looks really good on me.

“Wowser.” Max said aloud to her reflection, and threw on a bathrobe.

It must have been ten minutes into Warren and Brooke swimming when Max opened up the pool gate, entering the vast perimeter of the pool area. There were significantly less people around the pool, where most of the people still inside the pool area were kids our age. “Max, you’re here!”  

This made two teenagers stop in their tracks as they were opening up the pool gate at the other end of the pool to leave. One of them whipped around so fast that it was a blur of blue hair.  “Wait…”

“Is that…Max Caulfield? It looks a lot like her.” Rachel asked to Chloe, who hung her jaw open in disbelief. No ******* way.

Furrowing her eyebrows, she watched Max drop the robe on a nearby chair. Like an awkward penguin, Chloe watched her best friend waddle up to the pool edge & cannonball into the waters below oblivious to the two girls standing at the gate watching her. “You’re going to wake up the neighbors and the owner of this hotel's parents forty miles away, Warren!”

“Do you want to go say hi to her?” Rachel asked Chloe.

As Chloe decided on actually going to surprise her, Max's friend said something that made Chloe change her mind in a split second.

“How would you know? Besides, you’ll eventually forgive me for that once you meet the entire cast of Star Trek tomorrow, Max.” Warren yelled at Max, and Chloe did a small grin as she turned away from her best friend, closing the gate on both of the girls.

“No. Guess the oblivious nerd is going to Comic Con too.“ Chloe took one last look at Max before going back inside the hotel with Rachel Amber at her tail. "Do you think she'll recognize me in cosplay?"

"Probably not. Unless I drop the bomb on you guys."

“Shhh. I don’t need you ruining my surprise party, *******.”

Max, Brooke, and Warren weren’t in the pool for long, since Warren bumped his head into the side of the pool while doing laps with Brooke. They had to get out, and put an ice pack on Warren’s sore bump on his head. “Now how am I going to cosplay the 11th Doctor? I need to gel my hair back, but I have this gargantuan bump on my head.”

“We’ll figure it out, sweetie.” Brooke said, and Max nearly gagged.

Max went back to the hotel room first, since being around Brooke made her want to strangle her.  This whole third-wheeling thing was annoying, and Max was regretting coming alone without Kate as her faithful chauffeur. Nonetheless, she wasn’t going to let that ruin her trip. She was here to have fun. And to take a bunch of photographs, of course.

The next morning around 4:00 am, Max was rudely awoken by Brooke who shoved her in her shoulder. “Get up, Max. We’re leaving in thirty minutes from now.”

Was that necessary? Max thought, crawling out of bed. From the bathroom, she could hear Warren fretting over the mammoth-sized bump on his head as both of them got dressed in their cosplay outfits. “Okay. That hurt a lot. Ow, ow, ow.”

“Oh, is there anything I can do to help?”

“Shut up, guys.”

Feeling slightly irritable from the loud ruckus Brooke and Warren were making in the other room Max rolled out of bed. She rustled through her suitcase for a pair of skinny jeans and a white t-shirt with the print of a doe on the front. Once she had her clothes, she stood up to walk into the restroom to change when she noticed the ending result of both of her companions.

Brooke’s multicolored dark hair was pulled down in waves framing the scarlet dress with a black belt fastened around her waist. As for Warren, his usually shaggy brown hair was gelled back for his cosplay. She had to admit, he looked handsome in his mahogany jacket, red bow-tie and matching suspenders, and the cotton collared button-up he wore underneath. For a cosplay of The Eleventh Doctor and Clara Oswald, it was quite impressive how close they looked like the actual characters of the TV show Doctor Who.

“Take a picture of us, Max!” Warren said in a chirpy voice.

“On it.”

Max pulled out her camera, and pointed it at the couple who held up peace signs together. Once the picture rolled out, the couple split apart to put on the finishing touches of their cosplay.  As for Max, all she had to do was throw on her clothes. There wasn’t a lot of work in dressing up like normal people. Besides, she’s never really been a fan of cosplay.

If you want to count dressing up as pirates with her best friend Chloe on Halloween five years ago cosplay, then yeah, Max has cosplayed several times before.

“Max, hurry your *** up. It looks like the amphitheater is getting crowded from here.” Warren yelled from outside the bathroom door towards Max, who sloppily tied her shoes.

As they exited out of the large double doors of the four star hotel, Warren and Brooke took the crosswalk, pointing out people cosplaying as characters from TV shows or video games. They were smiling and laughing, leaving Max to third-wheel again. Instead of lingering on it, Max put in her headphones and turned on Crosses by José González tuning them out.

“Where is the line?” Max asked Warren as they approached the crowded complex filled with restaurants on one side and the amphitheater on the other side. Tents were set up here, even.

“This is what I call natural selection. If you come prepared with prior knowledge on how this works, you can conquer this haphazard looking line.” Warren spread his arms out, motioning towards the crowd that was rapidly growing in size.

“Let’s go, Warren.”

“Wait!”

Like an octopus, Brooke latched onto Warren dragging him into the depths of the growing sea of people. After three painful hours of waiting, Max felt the crowd start to lighten up around her as excited but deafening chatter filled the air of the surrounding herd of people. Everyone was clamoring loudly, quickly rushing into the open doors with their San Diego Comic Con day pass thrown around their neck.

As soon as Max received hers, she eagerly threw her day pass around her neck. After buying a small breakfast sandwich from a booth, Max decided to start people watching. Some of the cosplays made her laugh like the Darth Vader cosplayer leading a conga line of faithful storm troopers, taking long confident strides.

Max took several photographs of several different cosplayers, ranging from Doctor Who, Scott Pilgrim vs The World, The X-Files, Breaking Bad, Undertale, Magic: The Gathering, and Family Guy. When it started getting crowded, she got up from her chair and entered the large archway into the convention center filled with colorful tents and cosplay galore.

Wielding her camera bag close to her waist, Max carefully maneuvered her way through the sea of people as she took a look at the booths. Suddenly, the throng of people became too much for Max. An elbow into Max's side pushed her into the left side of her waist, throwing her into a booth.

“Hey, are you alright?”

Max’s eyes glanced up towards a blue-haired girl cosplaying as Pris from Blade Runner, who had grabbed her waist. Something about her was actually kind of familiar, however, Max couldn’t tell. “You hit that table pretty hard.”

Max felt the warmth from her waist leave slowly. “This crowd is suffocating. I need a place to breathe around here. It’s too claustrophobic for my liking.”

“Are you alone or something? Because I could always use company in my tent. It gets hella boring inside this tent sometimes.”

“Do you say that to all of your customers?” Max asked, chuckling nervously at the blue-haired cosplayer’s comment.

“No.” She mumbled something under her breath that Max didn’t quite catch. “I mean – unless you’re uncomfortable with it. I’ve seen people faint multiple times from claustrophobia here.”

Since her head was bent down over a sketch she was doing in a journal, the only way Max could tell that the girl was blushing was by how red her ears had gotten. The realization that the girl became a nervous wreck all of a sudden after that comment had made Max’s day already.

“Maybe you’re right. I should just sit down. There’s no places to sit around here, though.”

The blue-haired girl patted the armrest of the empty fold-out chair behind the table. “This is Rachel’s chair, but Rachel is helping out with the convention rave for later. She’s on the committee or some ****.”

“Coworker?”

“And an annoyance at times.” Max went around the table, taking a seat in the chair the girl patted. It was itching at her brain that there is something about this girl that is so nostalgic.

Suddenly, a long brunette-haired girl billowed through the back curtains of the booth, where Max saw a tattoo chair in the back along with an extended table with clutter everywhere. “Chloe, do you have my phone? I really need it right now.”

Wait a second. “Chloe?”

“Great. Thanks a lot, Rachel. You ruined the element of surprise.”

"No ******* way!"

After Chloe handed the phone to Rachel, Max followed with her first impulse, throwing her arms around Chloe. Immediately, Chloe laughed as Max nuzzled her head into Chloe's shoulder blade. Max could feel the initial excitement pounding in her chest as Chloe tightened her grip on her as well. “Get a room, Chloe.”

“I will shove this combat boot so far up your *** –”

“Okay, I’m leaving. I need to call Frank and see when he was going to get here.” Rachel stated matter-of-factly, then added as she was leaving, “Hope you have a fun reunion.”

Once Chloe let go of Max, she held onto her arms staring into her face. “Wowser. This is crazy. You’re dressed as Pris from Blade Runner. That is definitely my ****.”

“I hope so. Someone asked me if I’m cosplaying Ramona Flowers from Scott Pilgrim vs. The World. Now I will accept that misunderstanding because Ramona Flowers is my woman crush.” Chloe glanced over at Max, changing the mood merely by narrowing her eyes at the brunette. “Alright, are you going to explain why you didn’t call or text me for five years?”

It was so sudden that Max suddenly felt inferior to Chloe. "I'm sorry. My parent's decision to suddenly move to Seattle wasn't my choice."

"That's not a good enough reason." Chloe attempted to change the tone of the mood lighter, since this wasn't exactly the place to discuss that. "So what's up with you? Living it up here in San Diego or something?"

"I - uh - moved back to Arcadia Bay. Two months ago."

"Without a phone call, telling me that you moved back." Chloe pressed her lips together, annoyed. "Nice one, Caulfield. That's just ******* peachy."

Max started to get a little irritated herself. "Look, I'm sorry. Can we just drop it?"

"I’m sorry, Max. I don’t want to be the ******* to ruin your day. In fact, this was the complete opposite impression I was going for. If you want to punch me for being such an annoying rat, go right on ahead.” Chloe pointed at the bicep of her left arm.

I shook my head – chuckling as Chloe kicked back her chair – propping her feet onto the table cluttered with various types of artwork. There was a dozen pieces of art here, but I noticed Chloe was really into abstract watercolor paintings. Mostly Chloe did sketches of characters from TV shows and video games and painted it in watercolor. One of the paintings in particular caught my eye.

Of course – like all of Chloe’s paintings – it was strikingly beautiful: In front of an obsidian background was a butterfly with eye-popping azure wings. One of the wings seemed to be slightly blurred to give more definition to the closest wing. “Wow, you’re a real artist.”

“I’m also a tattoo artist. If you want to get a tattoo, just hit your girl up. It’s on the house for you.” Chloe said, holding out her arm to show me. “Rachel helped me with both designs.”

Chloe had a beautiful sleeve on her arm and a tattoo on the top of her hand of a red chrysanthemum. Max traced the red ribbon detail on her arm tattoo with one finger, making Chloe shiver. “Dude, you can look, but you can’t touch the tats.”

“Sorry, it’s beautiful.”

“Hopefully it will still look beautiful when I look like the human equivalent of a raisin when I’m 80.” Chloe joked, holding out her arm in front of her face. “How about it, Max? Wanna get tatted up by your best friend Chloe? It might be a great experience for you, hippie. No gang related tattoos, though.”

“Yeah, because I’m totally a part of a gang.”

The smile that lit up Chloe’s face sent Max into a comatose state of delirium. Her eyes focused in on Chloe like a lens, taking shots in her head so she didn’t forget this moment with her best friend. For once, Max was having fun. “You’re still a ******* geek. That’s good news.”

“Always.”

Chloe shook her head before getting up. “Alright, so do you want a tattoo or not? This is your final offer, Max. Don’t let it go to waste.”

“I don’t know. You know I’m scared of needles.”

“Still?” Chloe grabbed Max’s shoulders. “Come o

i don't/can't/won't/shouldn't/ write this essay
instead i'll write poems
in procrastination
about girls that don't exist
guys that don't know i exist
unicorns i wish i was riding
holden caulfield
my brother
death and general grayness
procrastination poems
are better than my essay
writing essays are 95% procrastination and maybe 2% work
3% denial
this poem is already longer than my essay is
should i get to work or
read another article on my favourite band
or hover over the email tab
someone talk to me? no?
but music!
no good music is this a sign
minutes tick by drawing closer to midnight
my fingers have yet to fly over keys
like a reporter's with the Next Big Thing
i suppose i will sleep
and let the essay write itself

I'm going to marry a writer.
How could I not?
She won't be Holden Caulfield because I'm too much of a phony.
She won't be Gatsby because I'll never be a Daisy.
She won't be the moon because I'll never shine as bright as the sun.

I won't be Caulfield, but she won't be a phony.
I won't be Gatsby, but I'll fall madly in love with her.
I won't be the moon, but she'll shine brighter then the sun.

We'll drink too much coffee, smoke too many cigarettes, stay up to late.
We'll wear sweaters and carve pumpkins and listen to Tigers Jaw.
We'll read books and we'll write poetry and we'll live our lives.
                    with each other                  forever.
We will live                            happily

Chapter one:

  The strange entanglement of the sun, twisted in kooky bedlam with The Great King Moon in winter.

Have you ever looked down at yr feet on the long walk home & wondered if you’re really moving forward any more or if all your really doing is just moving the ground? Don’t answer that, its a rhetorical question. Of course you have. We all have. You think you’re moving in the right direction, following the north star or the compass in your brain or maybe just your nose or your thumb and fore finger. You  believe that you’re gonna make it somewhere, you have to believe. What else is there. The truth is, you’re going nowhere, we are all going nowhere, we just spin on the slanted axis & never really go anywhere. We have been conditioned to believe that this is the way the world works but I’m here to tell you that it doesn’t, you gotta buck up, **** up or ******* ‘*** let me tell you, yr ‘dreams’ mean nothing to anybody ‘*** living, real living is not connected to REM. That’s all just more ******* you’re gonna have to put up with people trying to sell you. Lick the boot, get over the barrel & bite down on your watch strap. That’s all there is to it. The mind is a magnet. If you find yourself staring in to the abyss: Jump right in. Swan dive. Hold your breath & wait. Everything will be OK. I promise you.

I’m writing, ah writing! Writing this worthless piece of *****// manuscript of means for you. For me, for the future, for love, for lust, for hatred of all things hating, for your mother & farther, for my friends, my beautiful angelic, clinically insane friends, for time, for the soles of my shoes with hundreds of miles under their laces, for your fat greedy pockets, for the moon, for the sun to spit on, for the wind to taunt, as he does like the great cowardly, perverted invisible fiend that he is, for nothing, for not quite everything, for your aching lovers, for your broken hearts, for the worlds water, may you always be clean & run free, for the great biblical liars, for the sorrowful wonder of the great homeless & may all their wants come to be wanted, for *******, for fumbling, for the vast oaken heavy doors on bars that keep us safe from the  horrors outside, for guilt, for sugar-blue smoke, for all the kids sitting in **** stained squat houses with half a horse embedded in their face, for my schools that gave up on a bored child, for warmth & fire & woollen clothing, for Paris where I can fulfil my great dream of becoming a sullen cliché, for the gravel-mounted marching marvel, may you never lose your way, for the Parthenon, for Aubergine, for The Firefly, the swan, bleeding,for growing up, for all the music makers,all people should play all instruments to any degree(rather than just, age & shrivel), for Howl for Carl Solomon, for every down & out that ever clawed his way up the street & through the yellow door, for all the animals that gave their lives to keep me fat & red faced, for Christ sake, for the invisible man in the sky, causing all war & so much death-thank you, for the wild west, for Bert & John, for the great literary mastodon to look down his reset nose at & ask me why. Why?

The way that old dial telephones look & feel. The questions that need no answers. Feeling down, down & out, upside down & inside out,upside in & downside out on the pavement at five am. Waking up in unknown beds & crawling down drain pipes. Getting lost in a place you have lived your whole life. Being in the woods simply to be in the woods. Drinking coffee even though you hate the taste. Never telling a stranger the truth. Living under a false name. Drinking yourself to death in the dark lonely-crowded corners of ***** stained wood floor warehouse floors. Feeling solid-sterling-gold for feeling so terribly horrifically half-corpse-like the only way you can really feel is completely statuesquely angelically magnificent and the only way is down(you really have no idea how far I fell that morning) , Only going out when it rains. Only going out in the dark. Staying up all night dreaming and sleeping all day. Remembering to forget, forgetting to remember to remember to be forgetful. Understanding that you and no one else understands nothing but eat-drink-sleep-****-death. Smoking until yr tongue bleeds and yr eyes burn like that fire in the sky in the fearful month of June. Wishing you knew how to tie a noose & writing ”suicide” on yr calender on a day you have no planned engagements. Shooting to the moon & back in the bee-bop-bo-bo-batter-batter-chitter-chatter like jazz on the neon streets of the earths mother. Crawling in to a stone cold bed after walking for six days & feeling bored & lonely again in ten minutes.

That’s why, I’m glad you asked. If I’m going out, then I’m out going with some steeze in a cloud of smoke, yr wife & I’m not taking you with me.

For all these things & more is the reason I write. To write for the sake of writing. For, some people write, just to write & they are truly the the lost meaning of it all.

Automatic travel rambles to plug up the holes in yr lonesome pockets. Blues.

Chapter two:  

Creeping moss-stick under-flowering the useless but grateful Tuesday poet, Jim Gravestone Sr.

The ghost of the monorail, living only in upturned memory sits slow & smooth/low against the Sunday evening rapture. You gotta know which way is down. Down. The dew on the grass & the creamy-green residue of the night before is just too close to a real drama. Absolute dahma. Down in the cold rising damp & the stain on your shirt.

He sits , sits like you, like me & like old Tom Mooney the prison king. If you ever saw such a sad sight as he, I do believe you would roll out your tongue on the pavement right there & then & wait for the road sweeper & all his secret, early morning charms & the great wolf man, pork chop sideburns (lupine dreams)to clean you up & clean you out. I do declare!

For he knows-for he has seen. Seen the sun rise from his pearly throne up on the dark side of the moon, the very face of Bowie, right there in the eye socket. He sees all. You can live your life, & you do, & you should, but he, O’ he, he has really been there & where & back again. You carry on with your sleepy routine of mule-back coffee office doom death jobs(you sleepy Bohemian, you)  & in you spare time trying to keep your nose from filling up with water & your private parts entwined with somebody else’s most private of parts, & on the side lines of you spare time you can deal with your family & all the friends that you’re sick of but hold on to, only for the fear of being left alone in the dark with nothing but all of the above. Then again you always have your studies(STDS)all of the ologies, of course.

Sleepology, cocaineology,rainolgy, sunology, lonleyology, depressionology, suicideology, talkology,empypocketsology, meaninglessology, masterbationology, coutntingyourmoneyinpintsology,walkology, onenightstandology, jumpthetaxiology, begology, borrowology, stealology,feelology, upallnightology, sleepalldayology, Xology, ologyology, etcology etc…ology etc.

Just find something you can care for ‘*** [insert atheist god/idol] knows that nobody is going to do your caring for you, even I they do in fact care for you.

I have been beginning to notice,that I(and I may not be alone)

always look at the past through a marigold monocle.

This, meaning nothing now ever seems to be joyous or gay or splendiferous until it is a past memory.

A cobweb. A rafter. A leaf on the ground. …I guess.

         Chapter three:

I know you know it but people that you don’t know, really are a funny, funny thing…

I stand outside the rain & watch the people passing by; really the most depressing experience of my ever increasing years. Un-jolly fat men with whiskey-nose & scuffle-feet stanzas of gibberish, talking gibberish & gibberish being their inner most self. Pre-war women with Arctic-blue hair, faces melting, everything pointing down, shuffle. Kids pushing prams full of ugly babies towards a house of who-gives-a-**** & ******* & I’m-gonna-die-here and what of it. Is there really no more to life. Listen to the top 40 on the radio, clueless, oblivious. Cogs. All cogs. Military troglodytes following them back in a dead eyed daze, dreaming of killing in the real and virtual. No you may not have a cigarette. Leave me alone, please. Let me listen to my watch ticking in peace & at least pretend that you don’t exist.

The human body is comprised of several ‘substances’

including..

Mercury,

hydrogen hydroxide,

fountain pens,

the lost dates of calenders,

various small woodland animals,

including…

Voles,

rabbits & field mice.

Other such things as…

Misplaced birthmarks(of the brain)

feelings of remorse and regret,

the stolen trinkets of past lovers,

and of course,

white blood cells,

pesticides,

and the second hand

from a 1956 ’Hamilton Rail road’ pocket watch.

E.L August 7th

           Chapter four:

Last night, last night was the last night it was the night last

Picasso raincoat. Imagelessness. Bottomlessness. I lost my umbrella & my Holden Caulfield head-wear, again. I was skipping on a rain cloud, corduroy boy and scarecrow girl, reunited in a soft entanglement sticky in the senses. Hoof! The only way is up when you walk down these stairs, snakes and blisters, but you’ll sweat it all out in babble cream conversation and love in your eyes. Tell me a story, tell me a story, tell me something to prop my chin up in this brown tunnel. Your name it is something I cant care to remember but of course I never really had a name of my own either, so we shall be the great wonder of the nameless masses, the ones born to no name and never wanted one anyway. A name is nothing but a label, a calling card, call me anything, call me king Charles II just as long as you do call me, the sound of a voice, your voice, any voice reeling off a comprised anagram of the alphabet is enough to get my short attentive ears to perk up and twist my noggin backwards towards the direction of my inbuilt gypsy sonar. So anyway, I was going to talk about something, something great… but now its gone and all I have is bloodshot eyes and sweaty liars palms to prove to the world that I had an idea once, I swear I did.

Here’s an idea for you to dig you heels into:

The world keeps making mistakes, everybody makes mistakes, its natural, nothing to fear, it happens all day every day. BUT, with every mistake we make, we then proceed to learn from that mistake, so.. stay with me here… Once the world, the whole world meaning everyone in it, has made every mistake they can make and of course and one would hope of course, that they have also learned from all of these mistakes; once this has happened, there will be no more mistakes to make, right? Therefore leaving the world perfect as a whole, no mistakes to make, learnt their lessons on every lesson and we can all go on with living a perfect existence, yes?…

No.

I’ve really thought long and hard about it -could never happen, people are not perfect, they never will be, if they were I wouldn’t want to know any of them, and the world, well the world is an imperfect place, and the same rule applies.

But let me hit you with another bit of knowledge to round things off and maybe put a positive spin on things. Hoist ye marrow-thumbs around this;

One of the many few early times that my legs forgot how to use them selves, I was sitting on the pavement, trying for one to reattach these two now useless appendages stuck like butter to my lower torso, but foremost trying to light a cigarette with my useless cold hands and equally useless matches, fearful of the sneaky clear coward, invisible old Mr wind, when a kindly stranger, half my size, red my hair, opposite my *** and now opposite my broken legs appeared like a person will appear when you mind is in other minds, a smile, a sympathetic look and two working hands to fire up the stick in my mouth. I said my thanks, babbled about babble and the generation of gibberish and im sure many other things inconceivable to the sober ear of a dame such as she, the bringer of flame and enlightenment, not of the smoke but of the simple mind, an idea is what she left with me and it never left. She stopped my rambling typewriter of a tongue and said ‘shush’ she held my head in her hands, looked at me straight,so I thought she might be death or god or that I was passing out,she all green eyed and like the woods, looked at my eyes like they were tethered together and dropped the bomb on me, she said ”if you are looking at the moon, then everything is alright” kissed my warm on frozen forehead and was gone into the night, never to be seen again.

That’s all the advice you will ever need, & so ll I will leave you with.

You never left a name, but I never wanted one anyway.

Midnight moment

beautiful rags

midnight joy.


Nevermind your little light,

set apart your golden dreams

that offen break,

& come to play.


Chapter five: There are things I want to write but I am not going to write them.

The End.

‘Stay gold, Pony Boy’

We all cry the same whiny tune
While we look up to idolized teenage figures
Well guess what?
The real worlds tough, and Holden Caulfield was a spoiled brat

she asked if i knew what i wanted when i was 18
of course i ******* knew what i wanted back then
that is when i first fell in love with a soul sucker
and my life whent completely off course.  what i wanted
****** me over, and now i don't know if i should give in
since then i sold my soul to the devil, just to give in
to get what ever i want, and still i don't really *******
think i need what i really ******* think i want
**** what i want. i want what i need

i need the old ****, the **** that got me so high
that i didn't need to sleep for days, or i could sleep
and it wouldn't matter because you were watching
and i could ******* sleep as deep as i wanted to
and know that when i come up for air, you would be there
waiting to know that i fell asleep and made it alright
and that high became life, i stayed high off you so much
so that it doesn't really scare me that i talk to you at night
in my writing, or when I'm singing, or when i do *******
anything you stupid *****, what the **** did you slip in my drink????
im poisoned after the fact and i can't get you out of my blood
the way i see it, is not the same way my therapist sees it
so i keep going to him, just kidding i never see him, he hates me
or maybe he doesn't, either way he never tells me how he feels,
he just asks me questions and lets me sit in my feelings for seconds
**** that i sit in them all day, i don't need to pay to find the pain
i just ******* really  need to stop sleeping or find a way to fall asleep
either of the two because i only live when I'm dreaming now,
its not the drugs, no i mean real ******* full blown dreams
like god ****** how it was back before we ******, and i told
your lover that i only enjoyed dreaming and not waking life
just because i could be with you, and yet he didn't take my warning
**** no! no one ever takes my warning, they are all too busy listening
to their own ******* ***** and hearts and blood pumping rust and
their own ******* thoughts and feelings, and it never ever occurs or
comes back to me in the end, always to them, so **** them, wait also
im gonna stop thinking about you in the end, because ******* too
youre not special enough to deserve two separate entities of people
waking up everyday thinking about how selfish, or pretty you are
or whatever else i do think about you, more like wonder because youre fake
imagination or maybe you are still alive and still exist and i didn't make you up
to hurt myself , maybe i only think about me now, i don't know yet
great . i just ******* think about how possessed i am that i have nothing
nice to say about you, good thing i say nothing at all to you, and i just spend
all this time, painting you into pictures, even tho I'm using my own blood
i say that now but until i
blow my brains out onto venetian blinds, just for the splatter effect
                       and because i hate them enough to waste my life on them
                                             whatever will i do , but waste my life on you

Holden Caulfield
2. That movie that I saw last weekend that I thought you would like
3. The mix tapes you made me. I still listen to them in my car
4. The way I dance and wondering if you would like it if you saw me.
5. The Kooks and how you hate them.
6. Hospice
7. Late nights sleeping alone and knowing you're awake, but oh so silent.
8. Wondering if you're thinking about me too
9. The poems you wrote me. Your handwriting is classy.
10. The picture of Hilary Duff on my desk reminding me to be good
11. My bed and how you used to be there.
12. My friends and how you used to be one of them
13. Uptown
14. My ticklish spots that no longer get touched
15. My cat... he misses you.
16. Speaking Spanish and how you used to correct it, and sometimes be impressed
17. Wearing bows in my hair. How you used to love them.
18. The clothes I bought at that thrift store yesterday. I wonder if you'd like them.
19. Mehermahermahermaherm
20. Listening to Bright Eyes.
21. Listening to the sound of loneliness.
22. Coffee and how you say "Americano" with a roll of the tongue.
23. The last bit in my tea and how it's "too sweet to swallow."
24. Sitting close on the couch. Your hand stroking mine. Sneaking a kiss on the cheek.
25. Missing busses and missing you.
26. How I used to cheer you up.
27. The stars and sheep and roses.
28. Seth Rogan
29. Meditating and how I can't do it with you constantly clogging up my brain.
30. Laughing
31. I never learned to salsa dance with you and your brutally honest hips.
32. Carrot Creme Brulee
33. Hand dance duets
34. The empty spaces between my fingers
35. Your grey corduroy pants are my favorite.
36. When you called me your coriño.
37. How you would have scoffed at me copying and pasting an "ñ".
38. Attempting to show you music you would like.
39. Failing at showing you music you like.
40. Sending you hearts.
41. Arching my back.
42. Eating ice cream and how I'm better when it's here.
43. How I'm better when you're here.
44. How Cory is better when Topanga is there.
45. Italian Night Clubs
46. You and Me and Everyone We Know
47. Tyronne Street
48. Ice Land
49. Getting lost.
50. Drunken parties and thrashing fists.
51. Second chances
52. Being half of something.
53. Wearing your cardigan
54. Long embraces and never wanting to move.
55. Doing my homework with you sitting next to me. Not letting you read over my shoulder
56. Teaching you about the body.
57. Your smile, and how you give a little chuckle every time I see it.
58. How we used to laugh about nothing.
59. Really bad cookies.
60. Butter face.
61. Jealousy
62. Hating modernized Shakespeare
63. Confessions
64. Embarrassed faces buried in pillows
65. Incredulous about me hating Elvis
66. Miles ******* Davis
67. Singing softly to the radio
68. Playing the piano. Singing for you when you're not around.
69. Wondering if you're reading this right now.
70. Hoping that you've gotten this far down the list.
71. Be the Pitta to my Vata
72. Kate Upton has saggy *****.
73. I just want to make spaghetti with you.
74. How you hate ellipsis
75. Wondering whether or not I spelled that correctly because I know you would judge.
77. Leaving tearful voice-mails
78. John Lennon and Yoko Ono's Rolling Stone cover
79. Looking at art, wishing I was Monet.
80. My sundress on the floor.
81. Not seeing that new movie in theaters (the one that won all those Oscars) because I only want to see it with you.
82. Getting angry when Kacie B. didn't get the rose on the Bachelor and knowing you're angry too because Courtney ***** as a person.
83. I'm an ugly crier.
84. Hitting bread pans
85. Your green plaid jacket
86. Vulgarity
87. Insecurity
88. "Back and forth. Forever."
89. How that one song reminds you of me and I still don't know why.
90. How you deserve the best
91. It makes me sad that I'm at number 91 and you're still nowhere to be found.
92. Going to ballet class with the anticipation of seeing you afterward.
93. You asking me how ballet was, whether you were interested or not.
94. whispers "Let me be your hero."
95. Never seeing your fur vest.
96. Holding hands when we shouldn't have.
97. Velvet leggings
98. The last wonder of the world.
99. I fear that I will forget what your face looks like.
100. Reaching one-hundred with so much more to say.

How Dare You Tell Me - What Is Literature?
When I, waking pre-8:25 alarm, from some engulfing dream
Roll out of bed, read poetry when the day has hardly dawned
The wind surges through the crack in everything
Through my window, leaning and weeping
Screaming and tearing at me in Greys
Grays I've neglected in favour of Drakes
Socialising, absorbing this post-everything
Hearing echoes of Alex Turner
Soulful Amy drowned in Wine
The Magic Mushroom experiments of my early years
My late teens, which should have come earlier
Forced to grow fast to the sounds of Lennon and Kendrick

We live in a generation of not being in love, and not being together

When I first heard 'good kid, m.A.A.d city' I was still young
Because who told me what to expect?
Who told me but the Mothers and Teachers of the 80s?
The Bleeding Hearts and Artists make their stand
So Far Gone, falling free from the wall, unhinged
Leap of faith, like washing up the first cup in a student kitchen
Lemon drizzle flow and Drizzy seeping through every artery
A modern century, reaching 21 in 21

But back to the scene set to the Ice Age
Liverpool is my hometown,
London is frozen in memory, the pressure has us crash together
Our minds blend like time, concepts, musical genres
'Blurred Lines' - Feminist uproar defines this '4th' Wave
3rd Eye: We are living in the Future, in ignorance of the present
We are Generation Y, or Z, or just a generation of terrorists
Sages, Mystics, Heroes...

Sweeping winds through my window on a dreary morn
I read 45 pages of poetry because I feel like it,
Not because I have a seminar
University's red bricks fading away for me now
I'm just staring at a man's soul,
Attaching myself, this is why I write
I reach for the ceiling, in this small room
Yawning, the stretch of a new day
Going for gold (the sun, the stars)
Going for breakfast, alone downstairs with Paul Farley

As I stretch I look out the window
See four attractive, modern girls walking
(Probably to lectures, though it seems amidst the hour)
I can lecture too, with my arrogant, contemporary voice
I think - if they see me I will smile and wave, wink maybe
(Perhaps not, I am a feminist after all...is this ironic?)
These are products of angsty teen poem generators
They don't look, but I feel it may as well have happened
(I am in such a good mood I would smile at myself)

This generation seems to lounge in apathy
Girls in beanie hats, tripping off Raider **** (RVIDXR KLVN?)
Obey Snap Backs giving me Flash backs
I wish it was the 60s, I wish I could be happy
Trap is the new Rock and Roll, Prog-Rap is coming, sit tight
(Was this always about hip hop, girls etc?)
Am I as readable as Holden Caulfield?
Reading about John Lennon drinking Milk
I felt like Sylvia Plath on 10th February 1963
Well, I feel like Lennon on 11th February 1963
Am I even an '13 Ye?
Screaming 'R.I.P STEEZ', or 'Twist and Shout'
How far have we come now..?
When will we redefine 'Post-Modernism'
Or give this era a Literary title
Like PBR&B; or Indie
Like Blues or Jazz
Like the wind that rushes through my window and my follow up 9:45 alarm telling me I need to set off

you are a daughter of the stars
& so you are a miraculous beam of light with mysteries inside you that even the wisest & bravest can only dream of understanding (but be kind to those who try, for they are rare)

the breath upon your lips is new
but my love, your soul knew the moon when it was a child & together you played, altering the tides

your bones are extinguished comets, desperate for flight

all this to say that right now
you may feel a long way from home,
& the darkness may be overwhelming, but never forget where you come from

shine, shine, shine

& one day you will find a home within yourself and all the starlight that once seemed so far away will be at your fingertips

& you will form constellations to light up even the darkest corners of your soul

& you will finally realize that the universe has been inside you all along

1
Shh…the rain cooed, calming the flood that rages
Still a concern…or was
Now placed upon the wetted soil
Transfigured, blessed in holy oils scented with cinnamon.
#2
I grasp at the compass that Donne reassured,
Tragic to find it etched in notes
Of the Song of Swans:
It may commune beneath a firmament of birds
Yet, it seems divided in this steely sky—the color of wrathful swords—
I sniff: it smells of cinnamon.
#3
I am drawn by the scented bliss, anointed in general
That is, with the rest,
But somehow, cologned, it’s too sweet, too new
Now a criminal to laws of ancient Hebrew.
To the iron clouds, the necks will bend,
To turn from he who smells of
Cinnamon
That is, with the rest.
#4
Yet, they do not smell
Nor peel back its bark lest it poison the oil
As rain poisons soil,
And ignore, as they do, when rain is to come,
The oil is fragranced evil with cinnamon.
#5
And though I complain, clack to the mud
It, too, smells of cinnamon,
And so we’re the same.
#6
“****” is my cry. “**** them to their hell,”
Burn the concrete buildings, tear away social offal
That, with some entreaty, seems to plague us all! Why so much Injustice?
Who are you? A God? What makes one lump of clay
A clod, the other a home? Upon the heads of refused beings
How do you stand so tall? You can’t lest your empire fails
While the seesaw of suffering hoist up the side of wails
And smoke the vital oxygen,
Scowls, the first impression
Worried not about advancing goals but living day to day,
The things that move metabolisms, world-wide, subject to pay,
Wasting our lives not in 9-to-5s but looking
And failing to find
And toting excess and praising their holders
While blaming the others born from behind
Partitions drawn in world wars started for oil
For money, for wealth, both so glutted and glutting pride a nation wide
While its cells are tinged with cancer,
Both sides of false dichotomy claiming they have the answer, to answer the question
Of recidivism, the poor and they are to live or get along, dangling the carrot so high
It goes above their dreams, and it’s so blurry that it’s hard to tell
What exactly one pursues,
Or race, religion,
Of a woman’s place in the is to see how absurd such a question should be,
Here is a question that seems appropriate: why are differences discouraged,
Who says what is better but the powers that be
Lenses shaped for us to see only those things specifically made
To make the made untouchable,
And they do it, and will not stop, we’re left with no hope
But from where pleasure is wrought: drugs and sedatives that
Blunt the mind that worries, sober, replacing them until they’re over
But without any solution; a bandage to a bandage
Since a sober mind that cognizes problems can’t possibly solve them in the same state
Of mind.
A lust for love with no genuine conception,
*******, deflowering with cold, stony hearts
Fostered in a day and age where manipulation is more inescapable means
And less insidious art,
So broken by our broken dreams and forced to walk without contention
Compromising on who we are
No struggle to help make us strong
A simple shrug to carry on,
While the most powerful blood, the fire in our veins is given, given, given
To those we think we love,
While we sit dreaming and falling in love with love
Always coddling the scars, where the blood and sinew were streaming
Until they are closed and pink, taut and empty like a drum
Still yearning to beat the same rhythm again,
Needing to learn before synchrony may happen
And two drums may beat to the other’s tune,
Feeling some pulse that holds us feet from decay
All the warmth and butterflies
Come in a zephyr smelling of fetid, carrion meat
That makes true affection
Feel like maggots in the skin
And we leave to new horizons, akin in their process:
Where they end, where they begin.
And yet we’re so weak in every regard, being the forge of our own fortress’ petard
Sade-masochists that run, run, run away
Feeling as though we’re cast to sea, waiting for the problem to deal with itself
A shining light house on a miserable horn
Hides by our back, the shore receding out, and even in the darkness
The vastness of the sea, there’s still the light cast ‘cross the sky
With the same, though fleeting, periodicity.
And I can do nothing, least, nothing of worth
Being as I am, a whiny little white boy with middle class struggles,
Well-fed, well-cared for, and some domestic unrest
But I am minor, mediocre at best,
And have never had the muscles, the mettle, put truly to the test.
So I can only complain beneath the anthill of my worries
And all my attempts to make any change are thwarted by my failings, my comfort
My life,
Doing drugs, self-medicating because it’s the best I can come up with
Spiraling beyond uncontrollable until it is no longer
Me whose spinning down to destruction,
That was something of the past
Now, I truly have nothing to grasp
And I kick and I scream and I try and I try and I try
But look in dismay at any hope I may have for people to change, yet their conduct belies
A sense or desire to be anointed enspiced
Since the general oil has seemed to suffice, and that’s not enough, but I just want some change
Some honesty, but I can’t find it, I know not what I feel
All this angst piling up, like a chapter in the life of Holden Caulfield:
He’s my ******* idol since I pressed with all this
Stupidity with no venue but complaints
And this is doing nothing, this ******* poetry, neither solving nor affording comfort
Back to me. It is art and no one cares
It has no voice, save the face-value point
And I want meaning, and so I try to make it knowing full well
The intention is demeaning, but not in my writing
Its filthy fingers touching on everything that I’d like to achieve
Legitimately, but it’s all conditioned
It’s breakdown is imminent  
If only I knew how accept
Oils scented with cinnamon.
I wish I was different, or acted upon it, instead of just ******* in the lines
Of a sonnet,
Or that others may smell of their own fragranced oils
Then trifles, then problems may seem something
Of little toil
But, but, but, where am I to go, where do I begin?
I’ve gone in circles, where I stopped I’ll start again
And I’ll never escape because…
#7
Shh…the rain cooed, calming the flood that rages
Still a concern…or was.
In due time the sun will do as it does:
Show us what is, is soon to be what was.
The nature of me, with little consistency, is grasping for a dawn
I see it coming up
Now that I’ve smelled the breeze
Of cinnamon.

project yourself through the eyes of a chain-smoker. he tastes cigarette matches and drinks staled coffee but eats nothing else. when he lies, feel your empathetic fingers curl around the throat of his soul. when he says he want to die, feel the birds in your chest tremble. when he stumbles through time, through city streets, dead hallways—watch him go. he is asking everyone for innocence. he remembers the days when the sun was bright, and the museum was cold, and there was a frail, freckled hand clutching at the blood in his washed-out skin. but today he cannot buy anything because his pockets are only full of ashen questions—the kind all the quiet people burn away in their loud, loud lives. they keep spinning and he can’t make it to the end of the street.

your heart hurts. watch him ask for innocence back and whisper, to yourself, “i want it too.” fight over it. you know you will both lose. his last words are ink. he’s sick. he never had it. you will go to war with the pavement. it will slip. simmer. bleed. fall.

no one has it. it died.

My Lucifer, unwitting Muse, dog-eared Vonnegut,
          afrobeatnik third eye, howls escaping
from your headphones, wailing about secrets, about infidelity,
          about analyzing life until there ain’t nothin’
left. Then you shuffle by in your black and white Adidas,
          hair in twists, wearing the striped sweater
of nihilistic intent, quoting the rants of Holden Caulfield
          in your blog like you never didn’t know him.
I never asked to know you, to want who I can’t have
          when I can’t even love myself. And every fiber
Of my being yearns for reciprocation. What is there
          to return? What is there to feel, you meditate on truth,
fallen angel in the parlor of rebellion, blasphemous goodbye,
          bright and morning star simpering like crickets in the palms
of daybreak. Your musicality radiates from subway chatter
          and overheard profanity down El Camino Real.
I take in your ballad at my post office mailbox,
          in the abandoned echoes of daydream monologues.
You’re a philosopher, exploring theory of mind, a cartographer,
          mapping the labyrinth of your deepest desires.
Tell me again about desires, demonstrations of divine sadism. Tell me
          about human empathy, the animated faces of wordless expression,
the metaphysics of free will, my beginning and my end,
          alpha and omega, my fortress in the land of chic.
Blasphemous hustler, let your idealism simmer, your wit, your mojo,
I come to you an amateur, a neophyte, a lowly scab
in the strike against ignorance. Give me my melody, my song,
          my one-hit-wonder of all that is cliché and unknown.
But I can’t be the other woman, your girlfriend, your aspiring
          ******* bunny only 10-bucks-a-throw. Your highness-who-yells-
his-ideas-into-the-ears-of-echoes, your every quirk spellbinds me.
          Each day I wake to your entourage vibrato.
I am held captive by your brooding stare, empress of liberal
          doves. You visit in my dreams when the sky is a force of darkness
viewing light through peepholes, your flaws an aphrodisiac, a love drug,
          a fast hit in the basement from the ecstasy of words.

I promised you I'd take you away
From here one day
And that's a promise I intend to keep.
If given the chance,
I would take you with me on my every daily endeavor
And I would kiss you with every passing second
To make up for all the ones you deserved
But didn't receive
When I was just a little girl
And the world was turning it's back on you
So harshly.
And I would be criticized
For my loving you;
Too wide of an age gap,
To vast of a difference
But I am closer to you
That I have ever been
With anyone else.
I will take you to the beaches of California
I have never seen
And I will make love to you
In the crisp Colorado air,
So long as you're willing to run with me.
We can go to New York
And skip rocks in the pond
In Central Park where Holden Caulfield
Almost drowned himself because he was drunk,
But not quite as drunk as I perpetually am
On your excellence.
Maybe we could go to the Natural History Museum
And we could look at the really cool Indian statues
That emulate my love for you
By never changing.

Wherever it is you want me to go
I will follow you with no questions asked
So long as when I'm finally able to save you
From this wretched place,
You will take my hand and save yourself
With me.

my jewels bestowed onto me are hanging from my dead limbs like a noose,
but due to my inferior intellect, these delusional gods will bring me to hell's gates
for the world's stigma on my definition of jewels has a red stamp with
the words WARNING on it, my dull inane shadow cannot compare
to the hundreds suffering in the same recession i am, mouths are speaking
to me, but my ears aren't listening, like once the repeated record from you
plays, a sound proof room surrounds the vicinity and intrudes the space
between you and me, my body is not translucent, i was carved out of
marble but vines and weeds entangled my crevices and made me grotesque
this dystopia people are telling me about that i live in is a utopia to myself
i'm near the condition of declining into a whirlwind of nothing and i'm fine
with it, as long as Holden Caulfield catches me when I fall into the rye alone

- kra

I am not as human as I used to be.
Sure, I crossed the threshold of childhood
smoothly,
but only as smoothly as one can cross
a river ending in a
cascade
a road ending in a
cliff
a trial ending with a
sigh

You never remember when you lost something,
or where. Was it on the road back from school? Did someone
steal
it from you?

So when did I lose touch? And where?
Did my childhood
fall from my pocket by mistake,
or
was it
stolen away,
before I could realize
what it meant
to me?

Something happened, before, beneath;
like a flower buried under snow,
I am not as human as I used to be.

TRANSLATIONS OF SCOTTISH POETS

These are my modern English translations of poems by the Scottish poets William Dunbar, Robert Burns, William Soutar and Hugh MacDiarmid.

Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!



The Watergaw
by Hugh MacDiarmid
loose translation/interpretation by Michael R. Burch

One wet forenight in the sheep-shearing season
I saw the uncanniest thing—
a watergaw with its wavering light
shining beyond the wild downpour of rain
and I thought of the last wild look that you gave
when you knew you were destined for the grave.

There was no light in the skylark's nest
that night—no—nor any in mine;
but now often I've thought of that foolish light
and of these irrational hearts of men
and I think that, perhaps, at last I ken
what your look meant then.



Sweet Rose of Virtue
by William Dunbar
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue men hold most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet nowhere one leaf nor petal of rue.

I fear that March with his last arctic blast
has slain my fair rose and left her downcast,
whose piteous death does my heart such pain
that I long to plant love's root again―
so comforting her bowering leaves have been.

If the tenth line seems confusing, it helps to know that rue symbolizes pity and also has medicinal uses; thus I believe the unrequiting lover is being accused of a lack of compassion and perhaps of withholding her healing attentions. The penultimate line can be taken as a rather naughty double entendre, but I will leave that interpretation up to the reader! 'Sweet Rose of Virtue' has been described as a 'lovely, elegant poem in the amour courtois tradition' or courtly love tradition. According to Tom Scott, author of 'Dunbar: A Critical Exposition of the Poems, ' this poem is 'Dunbar's most perfect lyric, and one of the supreme lyrics in Scots and English.' William Dunbar [c.1460-1530] has been called the Poet Laureate of the court of King James IV of Scotland.



Lament for the Makaris [Makers, or Poets]
by William Dunbar
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life's terrible sickness
and enfeebled with infirmity...
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free...
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee...
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world's vanity...
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée...
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother's breast
the babe, full of benignity...
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower...
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee...
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
'how the fear of Death dismays me! '

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee...
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty...
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry's flower,
and Lydgate and Gower (great Trinity!) ...
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! ...
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from 'the fear of Death dismays me! '



Comin Thro the Rye
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.



To a Mouse
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure cold winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch! , behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



Auld Lang Syne
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We'll raise a cup of kindness yet,
To those fond-remembered times!

Have you ever wondered just exactly what you're singing? 'Auld lang syne' means something like 'times gone by' or 'times long since passed' and in the context of the song means something like 'times long since passed that we shared together and now remember fondly.' In my translation, which is not word-for-word, I try to communicate what I believe Burns was trying to communicate: raising a toast to fond recollections of times shared in the past.



Banks of Doon
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!

You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed—never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.

Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

The poem 'Comin Thro the Rye' by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in The Catcher in the Rye. In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the 'catcher in the rye, ' rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a 'catcher' in the rye, but about a girl who has met someone in the rye for a kiss (or more) , got her underclothes wet (not for the first time) , and is dragging her way back to a polite (i.e., Puritanical)  society that despises girls who are 'easy.' Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves.



Comin Thro the Rye
by Robert Burns
modern English translation/interpretation by Michael R. Burch

O, Jenny's a' weet, poor body, // Oh, Jenny's all wet, poor body,
Jenny's seldom dry; // Jenny's seldom dry;
She draigl't a' her petticoattie // She's draggin' all her petticoats
Comin thro' the rye. // Comin' through the rye.
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.

Gin a body meet a body // Should a body meet a body
Comin thro the rye, // Comin' through the rye,
Gin a body kiss a body, // Should a body kiss a body,
Need a body cry? // Need anybody cry?
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.

Gin a body meet a body // Should a body meet a body
Comin thro the glen, // Comin' through the glen,
Gin a body kiss a body, // Should a body kiss a body,
Need the warld ken? // Need all the world know, then?
Comin thro the rye, poor body, // Comin' through the rye, poor body,
Comin thro the rye, // Comin' through the rye.
She draigl't a'her petticoatie, // She's draggin' all her petticoats
Comin thro the rye! // Comin' through the rye.



A Red, Red Rose
by Robert Burns
modern English translation/interpretation by Michael R. Burch

Oh my luve is like a red, red rose // Oh, my love is like a red, red rose
That's newly sprung in June: // that's newly sprung in June
Oh my luve is like the melodie // and my love is like the melody
That's sweetly play'd in tune. // that's sweetly played in tune.

As fair art thou, my bonie lass, // And you're so fair, my lovely lass,
So deep in luve am I; // and so deep in love am I,
And I will luve thee still, my dear, // that I will love you still, my dear,
Till a' the seas gang dry. // till all the seas run dry.

Till a' the seas gang dry, my dear, // Till all the seas run dry, my dear,
And the rocks melt wi' the sun; // and the rocks melt with the sun!
And I will luve thee still, my dear, // And I will love you still, my dear,
While the sands o' life shall run. // while the sands of life shall run.

And fare thee weel, my only luve! // And fare you well, my only love!
And fare thee weel a while! // And fare you well, awhile!
And I will come again, my luve, // And I will come again, my love,
Tho' it were ten thousand mile! // though it were ten thousand miles!


Keywords/Tags: Scot, Scotland, Scottish poem, modern English translation, translations, Robert Burns, William Dunbar, William Soutar, Hugh MacDiarmid

holding my head as I jump as high as the ground
I'm falling, as high as the clouds
so, fly away with me
I'll take you around
we'll race for the mornings end
the summer comes and we
try for what's left of this dream
I'm calling you back to say
"I love you" to fix my mistakes
some say we can't live life without any faith
pride for the roads that we take
pick me up, let me in
I feel so out of place
I feel like I'm ready to go
Oh, and it's just like you
to act like you don't even care
Oh, and it's just like me
to go home in this state
you can break yourself away, do it all alone.
and they won't know
and you can thank your dad and God that you've got a home
it's somewhere to go

I get off the Belt Parkway at Rockaway Boulevard and
Jet aloft from Idyllwild.
(I know, now called J.F. ******* K!)
Aboard a TWA 747 to what was then British East Africa,
Then overland by train to Baroness Blixen’s Nairobi farm . . .
You know the one at the foot of the Ngong Hills.
I lease space in Karen’s African dreams,
Caressing her long white giraffe nape,
That exquisite Streep jugular.
I am a ghost in Meryl’s evil petting zoo:
I haunt the hand that feeds me.

Safely back in Denmark, I receive treatment
For my third bout with syphilis at Copenhagen General.
Cured at last, I return to Kenya and Karen.
In my solitude or sleep, I go with her,
One hundred miles north of the Equator,
Arriving at Julia Child’s marijuana herb garden–
Originally Kikuyu Land, of course—
But mine now by imperial design &
California voter referendum.
(Voiceover) "I had a farm in Africa
At the foot of the Ngong Hills."
My farm lies high above the sea at 6,000 feet.
By daybreak I feel oh, oh so high up,
Near to the sun on early mornings.
Evenings so limpid and restful;
Nights oh, so cold.
Mille Grazie a lei, Signore *******!
Andiamo, Sydney, amico mio.
Let it flow like the water that lives in Mombasa.
Let it flow like Kurt Luedtke’s liquid crystal script.
We zoom in. We go close in. Going close up,
On the face of Isak Dinesen’s household
Servant and general factotum. (Full camera ******)
Karen Blixen’s devoted Muslim manservant,
Farah: “God is happy, msabu. He plays with us…”
He plays with me.  And who shall I be today?
How about Tony Manero for starters?
Good choice. Nicely done!
Geezer Manero:  old and bitter now,
Still working at the hardware store,
Twice-divorced, a chain-smoker,
Severely diabetic, a drunk on dialysis 3 times a week.
Bite me, Pop:  I never thought I was John Travolta.
But, hey, I had my shot:  “I coulda been a contenda.”
Once more, by association only,
I am a great artist again, quickly made
Near great by a simple second look.
Why, oh God? I am kvetching again.
I celebrate myself and sing the
L-on-forehead loser’s lament:
Why implant the desire and then
Withhold from me the talent?
“I wrote 30 ******* operas,”
I hear Salieri’s demented cackle.
“I will speak for you, Wolfie Babaloo;
I speak for all mediocrities.
I am their champion, their patron saint.”

Must I wind up in the same
Viennese loony bin with Antonio?
Note to self:  GTF out of Austria post-haste!
I’ve been called on the Emperor’s carpet again,
My head, my decapitated Prufrock noodle,
Grown slightly bald, brought in upon a platter.
Are peaches in season?
Do I dare eat one?
I am Amadeus, ******, infantile,
An irresistible iconoclast and clown.
Wolfie:   “I am called on the imperial carpet again.
The Emperor may have no clothes but he’s got a
Shitload of ******* carpets."
Hello Girls: ‘Disco Tampons!
Staying inside, staying inside!
Wolfie: "Why have I chosen a ****** farce for my libretto?
Surely there are more elevated themes . . . NO!
I am fed to the teeth with elevated themes,
People so lofty they **** marble!"
Confutatis maledictis,
Flammis acribus addictis.

So, I mix paint in the hardware store by day.
I dance all night, near-great again by locomotion.
Join me in at least one of my verifiable nine lives.
Go with me across the Narrows,
Back to Lenape with the wild red men of Canarsee,
To Vlacke Bos, Boswijk & Nieuw Utrecht,
To Dutch treat Breuckelen, Red Hook & Bensonhurst,
To Bay Ridge and the Sheepshead.
Come with me to Coney Island’s Steeplechase & Luna Park, &
Dreamland (aka Brownsville) East New York, County of Kings.
If I’m lying, I’m dying.
And while we’re on the subject now,
Bwana Finch Hatton (pronounced FINCH HATTON),
Why not turn your focus to the rival for Karen’s heart,
To the guy who nursed her through the syphilis,
That old taciturn ******, Guru Farah?
Righto and Cheerio, Mr. Finch Hatton,
Denys George of that surname—
Why not visualize Imam Farah?
Farah: a Twisted Sister Mary Ignatius,
Explaining it all to your likes-the-dark-meat
Friend and ivory-trading business partner,
Berkeley (pronounced BARK-LEE) Cole.
Can you dig it, Travolta?
I knew that you could!

Oh yeah, Tony Manero, the Bee Gees & me,
A marriage made in Brooklyn.
The Gibbs providing the sound track while
I took care of the local action.
I got more *** than a toilet seat, a Don Juan rep &
THE CLAP on more than one occasion.
Probably from a toilet seat.
Even my big brother–the failed priest,
Celibate too long and desperate now–
Even my defrocked, blue-balled brother,
Frankie, cashing in his chips at the Archdiocese,
Taking soave lessons from yours truly,
Taking notes, copying my slick moves with chicks.
It was the usual story with the usual suspects &
The usual character tests. All of which I flunk.
I choose Fitzgerald's “vast, ****** meretricious beauty,”
My jumpstart to the middle class.
I spurn the neighborhood puttana,
Mary Catherine Delvecchio: the community ****
With the proverbial heart of gold &
A backpack full of self-esteem deficits.
I opt out.  I’m hungry and leaping.
I morph again, grab *** the golden girl.
Now I’m Gatsby in a white suit,
Stalking Daisy Buchanan in East Egg,
Daisy: her voice full of money;
My green light flashing on the disco dance floor.
I, a fool for love; she, my faithless uptown girl,
Golden and delicious like the apple,
Capricious like a blue Persian cat.
My “orgiastic future” eluded me then.
It eludes me still. Time to go home again to the place
****-ant Prufrocks ponder their pathetic dying embers.
Time to assume the position:
Gazing out from some trapezoidal patch of green
At the foot of Roebling’s bridge,
Contemplating an alternative reality for myself,
A new life across the East River,
In the city that never sleeps.
I crave. I lust. I am a guinzo Eva Duarte.
I too must be a part of B.A., Buenos Aires:
THE BIG APPLE.
But I am ashamed of my luggage,
Not to mention my baggage.
It’s like that last thing Holden Caulfield said to me,
Just before he crossed over the Brooklyn Bridge,
Crossed over to Manhattan without me,
Leaving me alone again, searching for our kid sister,
Phoebe, the only one on earth we can relate to:
“It’s really hard to be roommates with people
If your suitcases are much better than theirs.”
Ow! That stung; that was a stinger.
I am smithereened by a self-guided drone,
A smart bomb full of snide antigravity,
Transformational and caustic.
My meager allotment of self-esteem
Metastasizes into something base,
Something heavy and vile.
I drop to earth like lead mozzarella.

I am unworthy, unworthy in the maximum mendicant,
Roman Catholic mea culpa sense of the word.
I am now Umberto Eco’s penitenziagite.
I am Salvatore, a demented hunchback
(Played flawlessly as a demented hunchback by Ron Perlman),
Spewing linguistic gibberish in a variety of vernaculars:
“Lord, I am not worthy to live anywhere west of the Gowanus Canal.”
By East River waters I weep bitter tears,
The promise of a promised land denied.
I am a garlic-eating Chuck Yeager,
Auguring in, burnt beyond recognition,
An ethnic trope, a defiant Private Maggio
From here and for eternity,
Forever a swarthy ethnic stereotype
Trying to escape thru a small but significant
Hole in the ozone layer above South Ozone Park,
New York, zip code 11420.
That’s right, Ozone Park.
If you don’t believe me, look it up.
GO ******* GOOGLE IT!

And I just don’t know when to quit.
So why quit there?
Work with me, fratello mio, mon lecteur.
Like you, I took the LSAT so long ago.
Why am I not a distinguished American jurist
Asking the one question that seems to be on
Everyone’s eugenic lips today:
“Aren’t three generations of imbeciles enough?”
I am Charly from Flowers for Algernon,
A slow learner with a push broom, swept up in
Some dust from Leonard Cohen’s cuff.
Lenny: a grey-beard loon himself now, singing
“Hallelujah” for fish & chips in London’s O2 Arena.
“Suzanne takes you down, Babaloo!”
At last, I am Jesus Quintana—
John Turturro stealing the movie as usual--
This time in a hair net and a jumpsuit,
"Made of a comfortable 65% polyester/35%
Cotton poplin, you can even add your own
Ribbon leg trim and monogramming
For just the right look to be one of
The Big Lebowski’s favorite characters.
Mouse-over the thumbnail below to see our actual style
(Color must be purple). Style #: 98P, Price: $55.95. On sale: $50.36.www.myjumpsuit.com."
Fortunately, I am a savvy marketeer:
I understand the artistic potential, the venal
Possibilities of product placement. Go with me
To that undiscovered country.
The humanities uncorrupted till now by
Crass gimcrack television ads. That’s right:
******* commercials smack dab in the
Middle of a ******* poem. Why not?
Great literature has always been about
Selling something, even if only an idea.
Hey, **** me, Herman Melville!
We both know the publication costs of
Moby **** were underwritten by the tattoo artists &
Harpoon manufacturers of New Bedford,
Matched by a small research grant from some
Proto-Greenpeace, Poseidon adventure in some
Great white whale-watching swinging soiree.
Murray the ******* K, pendejo!
At last, I am The Jesus, a pervert & pederast,
According to Walter Sobjak—another post-traumatic
Post Toasty, like me, still out there in the jungle,
Still in love with the smell of ****** in the morning.
My bowling buddy, Walter, comfortably far to the right of
The Dude, and Attila the *** for that matter,
But who gives a **** if Lenin was The Walrus?
(“Shut the **** up, Buscemi!”)
“Once you hang a right at Hubert Humphrey,”
Said the streets of 1968 Chicago,
"It’s all ******* fascism anyway.”
That creep could roll, though, and as we know so well:
“Nobody ***** with The Jesus.”
Can you dig it, Travolta?
I knew that you could!

INCOMING!
I just heard from an old girlfriend who is miles away,
Teaching school in Navajo Land.
The Big Rez:  a long day’s interstate katzenjammer,
A Route 66 nightmare by car, but by email,
Just down the block and round the corner.
I had previously closed an email to her with a frivolous
“Say hello to my stinky friend.”
It was a total non-sequitur, an iconic-moronic,
Ace Ventura-mutant line from Scarface,
Which may have meant–in my herbal lunch delirium—
That she should say hi to some mutual acquaintance
We mutually loathe, Or, perhaps an acknowledgement that she–
My surrogate Cameron Diaz–has a new **** buddy,
Of whom I am insanely jealous.
Or maybe it was a simple Seinfeld “about nothing.”
Who knows what goes on in that twisted *****’s head?
She spends the next two hours in a flood of funk,
A deluge of insecurity.
A veritable Katrina ****** of self-consciousness,
Interpreting my inane nonsense in terms of vaginal health.

Hey, you want to ruin a woman’s day?
Tell her, her **** smells.

i get it.
you're more frustrated than Holden Caulfield.
don't blame the taxes
for your poverty,
blame the suits who impose the taxes.
"Gosh **** it, my phresh new frames broke."
but her anger made her happy.

Jamaican me frustrated.

I. I thought you were her world;
   Her paperback novel
   She could ponder quotes in
And crack the spine of.
   But you’ve now got police orders against you
And the pain of missing you
   Seers the seams of her striped-sweater heart
   And though you’re trying to get into Green and Ginsberg,
   She can’t see what the big deal is.
   You were the Holden Caulfield
   To her Jane Gallagher
   But Holden never took Phoebe
   To the mattress so
   I guess that makes the two of you
   Sid and Nancy
   Instead.

II. I suppose she never believed you
   When you told her that you were an alcoholic.
   Because alcohol burns
   And though you lit her fire,
   You couldn’t keep it burning.
   You told her that you didn’t read
   And she should have
   Backed away then.
   But she didn't.
   Because you played accordion
   And dressed like Gatsby
   And she adored that for a good while.
   Until you told her that you despised the Rolling Stones
   And may have committed a ******.
   Even then she did not back away
   Because you bought her cigarettes
   And hit on other girls
   While she waited for you
   To give her the boot.

III. She liked your accent
   But it was just a sweet, endearing cover up
   For a mind as empty as a gypsy’s wallet
   And a rich man’s soul.

IV. You liked to give her drags
   Off your E-cigarette
   Because it tasted like cherry Pez
   And you wanted her to see
   Or rather, taste,
   The magic.
   Kissing you was like magic
   Until
   You moved on to an older broad.

V. Everytime
   Her lips met yours
   You tasted like heavy *****
   And she was too desperate and twisted
   To really give much of a ****.
   So she accepted it
   And moved on.
   Because you called her pretty
   And made out with her in the forest,
   Denim scratching denim,
   Hearts hurting hearts.

VI. She didn’t know you were homeless.
   Or, rather,
   Maybe she did
   But she didn’t accept it.
   Like an elderly doesn’t accept death at first
   And attempts to bargain.
You smelled horrible…
   She believed it to be a natural thing.
   But you were neglecting your hygiene and with that,
   Her as well.
   And the only thing you cared more for than ***
   Was the *** Pistols.

VII. You asked her to take off her glasses one day
   And with one look of her freckled,
   Pimple-shell ridden face,
   You told her she looked like Ramona Flowers
   And upon googling who that was,
   She nearly crapped herself in glee.
   She should have taken it as a sign
   When you began to find
   And tiny reason to touch her in as playful a way you could.
   Through tiny nudges
   She should have seen the possibility of romance blossoming.
   But you were 29
   And she, 17.
   Twelve years, practically
   Three Presidents
   Between the two of you.
   But your undivided ideals
   Brought you only closer together.
   You were an English education major,
   With a III mark after your name
   And Megaman on your walls.
   She took one look
   At the astounding possibilities,
   Drew a breath and fell in love with
Every little thing about you.
Every single,
Unnoticeable thing about you,
From the scar
Stretching down your spine
To the scruff on your chin…
She fell
Deeper in love with you
Than she ever had before.
And she saw a dream,
A future,
That came in on a hot summer day
With Taco Bell
And destiny.

Where I'm from multicultural means multicultural and not just “lacking in white people”.

Where I'm from people say they're from Toronto even though they hate the Jays, Raptors and Leafs and hardly ever go into the city itself.

Where I'm from any day can be cynically mundane enough to read The Catcher In The Rye and mistake it for the Gospel according to Holden Caulfield.

Where I'm from everyone hates the mall, but everyone's a mall rat and if you ever go you see everyone, at least everyone you hate, and buy nothing.

Where I'm from there's signs that say “Flowertown” everywhere and an unremarkable amount of flowers. Unless there is a remarkable amount of flowers and where I'm from everyone's just spoiled.

Probably spoiled.

Where I'm from you could walk to Tim Horton's but you drive to Starbucks anyway.

Where I'm from everyone's considering a career in rap. Even the people who aren't considering a career in rap are considering a career in rap.

Where I'm from every teenager will tell you their Michael Cera encounter story.

Where I'm from is where he's from too, or he went to school there, or near there, or now his parents live near there. He's been there, multiple times, I'm sure.

Where I'm from there's an old quarry that everyone calls a lake now. Swimmers used to circulate the urban myth of a dead body at the bottom, until they found it. Now they just circulate the stale news story.

Where I'm from there used to be trees. Nature put some there until we cut them down to build. Then the  people put some there to accent the houses until Nature piled ice on them and cut them down again.

Where I'm from someone needs to have a good talk with this Nature fellow.

Where I'm from the brand new hospital screams, “good things come to those who wait, and wait and wait, unless you need to see a specialist. Then you're ******.”

Where I'm from there are streets that have so many young kids playing on them that ice cream trucks aren't allowed to go there. They go anyway.

Kids learn early that the law is optional where I'm from.

Where I'm from people don't pronounce the “gua” in “Chinguacousy Park”. Kids used to spend time there splashing around diluted *** in the kiddie pool in summer and tubing down the landfill mountain in winter. Now they just pass it by on the way to the mall.

Where I'm from car insurance costs more than cars because everyone's late, lost and angry, but none of them would call themselves a bad driver, just unlucky.

Where I'm from boys take pretty girls skating at Gage Park. I guess they take ugly girls there too, I just know the one I took was pretty.

Baa baa crummy black sheep if there's one thing I  hate, its Black Sheep, don't even mention them to me. He asked if I had any wool, and since i'm the most terrific liar I told him I have three ******* bags a wool. That's all i'm going to tell about. I swear it's a stupid question.

I’m not a talkative person
In fact I have sewn my mouth shut
To keep my thoughts
From spilling out
With the force of a fire hydrant
When I do talk
It’s in mumbles and murmurs
I let my words run together
I don’t even remember the last time
I finished a real sentence

Poetry runs through my veins
Every night I unzip my forearms
And let my blood
Spill out onto paper
I’m sorry I can’t bleed for you

I’m selfish
I take, take, take, and take
I buy myself Christmas presents
Birthday presents
Because I ******* deserve it presents

Grace never came easy to me
I stumble over my shoelaces
Like I stumble over my words
Thank god none of you have a pet fish
Because I would probably
Break the bowl

Cigarettes
I don’t smoke them
But **** do I find them attractive

I think bruises are beautiful
Purple, blue, and black splotches
On pale skin
Soreness when you press your fingers
Into them
Give me bruises
And I’ll give you kisses

Your eardrums can and will shatter
Under my screeches of rage
I don’t always scream
But when I do
I turn into a ******* demon

I wear granny ******* casually
Because being comfortable
Is more important
Than being ****

Every bouquet you give me
I will keep
Until they are petal-less
And brown
They will sit in a vase
And decay
And I will use the scent
As perfume

I have a skinny waist
But fat thighs
I’m a size nine
Please don’t buy me size three jeans

Most people’s voices change
With puberty
My voice changes depending
On who I’m with
When I’m with you
My voice is deep with a sarcastic tint
When I’m with your parents
I sound like a ten year old boy

I have a cranberry juice addiction
That’s getting out of hand

Sometimes I break under
Magnifying glasses
My heart drums behind my ribs
There’s a reason why
They call it a cage

I’ve read Catcher in the Rye
Five times and I still
Hate Holden Caulfield

A good day for me
Is finding socks
Without holes in them

I don’t plan on being
A mother
I can’t give you
An heir

My heart explodes
Regenerates
Explodes
Regenerates
Explodes
Explodes
Explodes
Regenerates

I love myself more
Than I could ever love anyone else
And I’ve yet to find someone
Who understands that

October 11, 2013 -*
Chloe's POV
____________

“Wonderland looks like a ******* acid trip.” I mentioned, while Hayden silently dragged me along pressing his fingers so roughly into the skin of my arm that I could feel my pulse surge through my arm. “Come on, don't tell me you don't think the same.”

“Where is Alice?”

I pointed towards the cage, containing one of the seven princesses. “There.”

Hayden took off his hood, and stepped up to the podium to stare at Queen *****. Oops, I meant the Queen of Hearts. Her square face and extremely large lips coated in a ruby waxy color along with the bad contouring made her look like a drunk housewife who hates her kids. “Who are you? How dare you interfere with my court!”

“What if I find you the real culprit? Will you let Alice go?”

“That's hogwash. Find me proof, then we'll talk.” The Queen of Hearts yelled in her unnecessarily loud and booming voice, startling even Hayden's hardass personality.

The solitaire card guards stood at bay, wielding their weapons at their sides. One of the guards locked the gate, and threw the key up towards the queen who spun the key ring around her finger. Hayden stepped back, gripping my arm forcefully again. “Dude, can't you loosen up?”

Hayden huffed. “Shut the **** up. If you don't follow my orders –”

“You'll do what? **** me? I thought you needed my soul to enter the Final Keyhole.”

Hayden tensed up the muscles in his hands around my arm, literally dragging me along with him. The moment we entered the forest, he loosened his grip on me slightly as he walked forward mumbling something about wanting to have me on a leash.

“Yeah, because I'm literally a *****. Get it?”

Hayden threw me up against the wall, pressing his balled up fist beside my face. His nose was nearly touching mine as he gave me a humorless look. I could basically see the evil in his eyes. “You're not ******* funny. After we open up the Final Keyhole, I'll finally be able to ******* get rid of you. All you are to me is ******* trash. Do you understand that?”

I spit a loogie in his face. “Get off of me, *******.”

Before I could react, he took out his keyblade and slashed up my left arm drawing a lot of blood. With gritted teeth, I said, “You – You will never ******* open up the Final Keyhole. Not without me.”

My body started losing consciousness almost immediately, and I felt my body drop down onto the forest floor. If looks could ****, I would have been dead the moment Organization XIII captured me three weeks ago. Finally, the darkness swallowed me and I welcomed it's homely embrace.

“There's a legend behind those paopu fruit: If two people share one, their destinies become intertwined. They'll remain a part of each other's lives no matter what. I've always wanted to try it."  Max mentioned, putting her bare feet into the water.

“You know legends are basically myths passed down over generations?”

She looked over towards me with this soft gaze in her face, and I felt the air ****** out of me as the sun hit her azure blue eyes the right way. “I know it sounds stupid, but I want to do it sometime.”

“Grab me the axe out the shed, Max. We're gonna chop down one of these trees.”

“Are you kidding me?” Max had this worried look on her face, and I rolled my eyes.

“Yes. Come on, slowpoke. We're losing daylight here.”

A few minutes passed as I soaked my feet in the salt water, and I laid down in the sand whenever I was met with Max who held the axe above me. I flinched, and sat up quickly. “You scared me.”

“Give me the axe.” She handed it to me, and we raced each other to the top of the lighthouse. Of course, Max was faster since I was lugging around this dense axe. When we made it to the tree, I started swinging the axe into the tree. I got tired super quickly, since we basically raced each other. “This activity takes so much energy out of me. You and I shouldn't have raced up here.”

“It was fun. Let me try.” Max grabbed the axe from me, and swung with slightly more force than I did. After several of Max's swings, we watched the tree start leaning towards the water.

“You're doing it, Max!”

“Max the Axe Queen!” I shook my head grinning as the tree finally groaned, spintered, and collapsed off the top of the hill of the lighthouse crashing into the waters below. “Oh no...”

“I'll get it.” I nodded. “I'm a good swimmer.”

As I swam over towards the crash site, I noticed that the tree has gotten caught on the gap between one of the rocks so the leaves of the tree and some of the fruits were still showing. I was surprised that the stems of the paopu fruits stayed on. “I found the *****!”

“Chloe!”*

Immediately, I recall that Max never called for me. I swam back to shore, right? Her shrill voice rang in the air louder. Then it became deafeningly loud. That's when I felt fabric wrapped around my arm. My finger twitched as I started to realize that Max was screaming my name. “– And you don't understand anything. You're just a weak kid with a keyblade.”

“I may be weak, but my heart is strong.”

“Then show me that you're strong, because all I see is a hopeless girl saturated with optimism. Like you can do anything with those doormats you call your sidekicks.” I struggled to open my eyes, eventually peeking out. This was the first time I was looking at Max Caulfield in five years, and she looked ******* furious as she held the keyblade.

“Don't you dare talk about my friends like that!”

“Try and ******* stop me, you twig.”

Her eyes immediately flickered towards me, and I did the shushing motion with my lips when I weakly pointed up towards Hayden. She looked back at Hayden, positioning herself. With all of the strength in my body, I kicked Hayden in the back of his knees making him collapse over me. “What the hell?”

Quickly, I crawled out when he grabbed at my leg. “Get back here, *****!”

Max sprinted towards Hayden, her keyblade drawn and positioned to attack Hayden when he blocked Max with his own. This gave me enough time to crawl out of his grip. Two keyblades, something I've never seen before, came forth from Hayden's hands as I ran towards Max's side, throwing out my hand to manifest my sword. My heart was beating against my chest as I pressed my back up against Max's. “Good to see you again, Max.”

“Same here. Distract him, I'm going to heal you.”

Then it was my turn to fight Hayden, who looked furious. Max healed my wound in the background as I ran from Hayden. With Hayden equipped with two swords and knowing he is dexterous with both his left and right hand, defense was very difficult on my part. Eventually, he kept on throwing slashes over at me and that's all I could do. “Come on, Max. I'm basically blocking here.”

While Hayden was occupied by me, he noticed Max was building up a fire attack which he quickly darted towards the left as the flames hit a tree in the forest. The tree slowly started building up a fire as Max and I started clashing swords with Hayden. At one point, he swiped Max towards the ground and pinned me up against one of the burning trees. “You better back the ******* right now.”

“You're ******* scared, aren't you?” I yelled at Hayden's face, who pressed the keyblade against my neck. Everything started feeling uncomfortably hot, especially the sweat that ran down my face. My eyes glanced over towards Max, who quickly ran off towards the fruit upstairs.

“Where did that ***** Max go?”

Hayden spotted Max eating the fruit high in the tree, and his face went pale. Max slowly started growing in size, and that delay was enough time for me to run from Hayden. Once Max was at full size, she grabbed Hayden like a ******* teddy graham. “Leave my friends alone.”

She crushed him in her fingers, and his body shattered into billions of pieces. After checking that he was executed properly, she wiped her fingers on her shirt. “Woah, Max. That was ******* awesome.”

“Let me get down on your level first.” Max joked, grabbing the fruit out of the tree. Once Max shrank back to normal size, the blonde haired girl with wings had came over to heal my arm injuries with her keyblade. As Max approached me, I felt my heart jolt once I saw how big the smile was on her face.

****, she's ******* attractive now.

“Cards! Find whoever made this mess, and exterminate them. Off with their heads!” The familiar booming voice of Queen ***** interrupted my thoughts, and for once, I was thankful to hear such a nasally and unattractive voice.

"Oh ****!" Max whisper-screamed, grabbing my hand.

We ran towards the tea party set up yet abandoned by Alice and her friends, and hid under the table as we heard the Queen's voice, followed by the clapping footsteps of the Solitaire Cards.

“So are you going to introduce me to your friends?” I whispered to Max who was at my side, nudged her in her arm.

“Maybe later, when we're not stuck under a ******* table.” She gently grabbed my arm, and I noticed her touch greatly contrasted with Hayden's rough one. I excused that thought as soon as it ran through my head, silencing our breathing as the cards marched through the abandoned tea party. It must have been fifteen minutes of cards patrolling the area making sure it was clear before we crawled out.

I wiped the grass off my pants when Max threw her arms around me in the process. “Max, you're a ninja. That was some quick thinking. You're still smart.”

“I missed you.” Max buried her nose into my collar bones, curling her arms around me and pressing me close to her. I could feel her heart beating rapidly from the leftover adrenaline from the fight. Almost immediately, I returned the favor throwing my arms around her neck. Something about her smelled sweet, and I allowed myself a moment of peace and serenity with my best friend.

“I missed you too, Max.” Max tightened her grip on my shirt as I tried pulling back. “What?”

“Chloe, I've been looking for you for years now. I thought you were dead.” Max was crying, but from the way she was smiling, I could tell that it was tears of joy. Something in me blossomed as I pulled her into my chest again. “It's just...I'm so glad to see you.”

“Yeah. Same here.” Eventually, she let go, and I turned towards Max's friends. “Sorry for that. Looks like my best friend can't keep her hands off me. I'm Chloe Price.”

Warren and Kate both shook Chloe's eager hand. “Come on, Chloe. We have to leave before the cards find us and try to **** me.”

“Lead the way, Max.”

I don’t hate you
Not in the slightest
In fact I miss you

I miss the movie filled sleep-overs
I miss the comedy bits that were ours together, like the ones that you and your brother have now
I miss playing music near you, without the fear of judgement or envy of your own skill
I miss the long talks about our lives, our aspirations, our friends
I miss when we were best friends, when we were brothers
I think I played with your heart in ways that I didn’t mean to do
I think we both lost things that made us click so well
I’m not exactly sure what they were
But I’m hoping, praying, that maybe we can get them back
After all, summer finally came
I love you

You wrinkle your nose, No
I laughed. ‘Why?’
‘It’s silly.’
‘Sillier than driving
In the middle of the night
To my house and
Pulling me away
To eat pizza and
Drink milkshakes and
Write poetry in our arms
And sing and scream
And driving into a
Miraculously open
Carnival?’
You rolled your eyes
‘I’d rather do a Holden Caulfield on you,’
Would that mean that
To you
I’m just...Phoebe?
I shot you a sceptical look
And told you that
One ride at a carousel
Won’t taint your
Masculinity.
I sure as hell hoped
That I convinced you because
I don’t want you to be Holden
If I’m just Phoebe,
I’d rather be Jane Gallagher even
If there wasn’t a scene in the book
Written for us.
I know that if I could be Jane,
We could write
Our own **** story
And our story would
Be better.
So please, please, please
Say yes
To going to the carrousel
With me
And we could start writing
Our story as Jane
And Holden.

I actually thought about what I would do if this exact thing happened.
I thought about how I would be cool and pop a cigarette in my mouth all slick and say "Sup"

I would be a ******* lady killer. The hateful and sad feelings from before, during and after our relationship will be burned down with that cigarette.

We'll wonder what it's like to be inside a burning ember.
We'll talk about how we're turning into Holden Caulfield.

And about how Hemingway is God.
And cummings is the best.

We'll do all these things and everything will be perfect.
Our thoughts will be put to rest and our broken hearts will be mended.

We will finally go to sleep and all will be well.
There will be love in the valley and mountains and  the strings of our collective being.