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RAJ NANDY Jul 2017
THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI
Lawrence Hall Sep 2018
To all officers: 504 ERROR
Two German couriers DIAGNOSED WITH AFIB
THIS HAND LOTION IS carrying official documents
murdered on train from LIKE US FOLLOW US

Screen freeze: restart

Oran. AN ERROR OCCURRED IN THE SCRIPT
Murderer ELIMINATES LAUNDRY ODORS
and possible JAW DROPPING accomplices
headed for NOT RESPONDING Casablanca.

Screen freeze: restart

WE’VE GOT AN UPGRADE FOR YOU round up all
suspicious characters TRY IT YOURSELF

Screen freeze: restart

Thanks to:
https://www.springfieldspringfield.co.uk/movie_script.php?movie=casablanca
for access to the script of Casablanca.
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.
Robin Carretti Jul 2018
Watching a classic
Casablanca Class I Fix
Trix cereal for adults
Goddess sundress
The class act you need to guess
Her
fit* no-one would
know vibrant
Getting the OJ of the miracle
Sunbathing at the
     *Pinnacle


His skin news of the
Chronicle
The fix-up finale deeply
in her classic smile
Sunflowers of the sunray  
Tropicana class act deviant play

Quickdraw Gunfire
Her hot tango steps in action
Copacabana
Diamonds no chips
Big tips at the Gentleman
OH! Boy the cabana detention
Class I comes with affection
Kiss is not a kiss without a real scene

In action to miss a classic movie hit
Adventure Trips  flipping homes
In the classified newspaper middle section

She is the Classic with an illuminating passion

I the Classic one and he is
surfing the internet
So fit to be tied but casual love
She the same person wearing her
flip flops
******* off *Root beer float tops

The root of all evil
That She-devil Sire
Not the ordinary campfire

It takes a certain Class, I can fix peoples
problems  like great ***** of fire

We are not signs or perhaps it's in the signs
Emblems
Where you came from no problems
Take action get more satisfaction
Army grenade we are all
fighting in action
Action speaks louder than words
One of a kind the rare find
A classification of her mind
Understand each other
do the hiring
  Trump in action job firing

What drives us and gives us
gratification
We need to love what is above
our minds
I believe sometimes you don't have to be where the action is

The Rainman Rainforest Vacation
You are the I phone off
with the ringer
Classic type Class I
Our computer all rules
codes and passwords
The religious Pope up front
He's the  Marlon Brando waterfront
You have the polka dot bikini

Panera Sandwich Panini
Orange you glad its cantaloupe
He wants to elope
your classic smile
Exclamation point
At Times Square you could
lift her for miles

Whether we look modern
The technology is always out of reach foreign
Or wearing your heart in his heart
Your wiggle walk
The classic style to talk
Fifties **** smoke
Born to be wildlife everything
is on Castaway
Or layaway on hold

And he is athlete runner so hype
Everyone is busy on
Twitter or Skype
The Facebook and photos

Dorothy loves wizardly Oz and Toto
Were all together like
a congregation, not a citation
Living in the city paying rent
Another wicked concert event

How many times did you get that notification?
The auction house in action the bid five times
Those hot leads of crimes
Playing for a nickel heads up dimes
Class act Quarterback
Elephant treasure trunk
ten commandment
Class, I lady leading the way
Class, I fix the parliament

Her classic fifty style army dress in action
Her bullet lips caught quite an attraction

Feeling the comfort food
Mac and Cheese
Silly names those 
 Canadian A&W
ATM Class I
The French fries do or dies
Skinny He's the Ham Mac
You're the spicy Cajun
on the speaker Mic
What classifies everything in
our life
High stunts action cliff taking a dive
**** Bill he kills me all the time

That Buffalo Bill Chicken Mac
Bombastic not the
forever love classic
With a whole list dark Raven
Crystal rock Haven

Everything lately goes so fast
Getting in Saint Anthony fire
She is the livewire
The gunfire or the cease her fire
Out of money  honey bee
******* mansion multiplier
Everything you're
near his or hers
Wineglass stir me
like an amplifier
What happens to your
responsibilities running
racing your own time
The  Coffee man suitor
My Godly dictator
The saltwater taffy-like lava
Comic Disney Pixstar meet Daffy Duck
Or you overqualified being lied too
Oh! Chuck

Like a candle in the wind its in
the science hot steamy
romance engagement
What awaits things to come
getting blown away
It just like any other day
How we classify things or lose things how our mind cannot remember your best words even writing a poem it takes practice more advice action speaks louder than words like the law and order. I think this poem might be your order. Please tell me how it classifies is this a class act to follow get your coffee fix action we will start the movie my poem classic relax
1970 Odysseus visits cousin Patsy in New York City she introduces him to her best friend Lauren’s older less attractive more reclusive sister Tanya Mulhaney extremely wealthy family father founded corporation manufactures pinball machines which years later develop to video games then casino empire he favors and spoils Tanya but dies suddenly her envious sisters and mother gang up on Tanya is pale skinny flat-chested copious brown bush Odysseus sits in bathtub with Tanya and he probes in a way they hits it off maybe no boy has ever touched her in that way her complexion is so fragile slightest fluster prompts pink blotches on her cheeks neck chest back he admires her book smarts he’s attracted to her refined strangeness he thinks her bush and flat-chest are **** she laughs shyly offers to take him around the world he accepts Odysseus tells his parents Mom goes crazy yells into telephone what are you a ******? you father and i work like fools to send you to the best schools so you can make something of yourself you’re going to throw everything away to be a ***? i tell you we’ll disown you you won’t have a home to come back to do you hear me? we’ll disown you! she sobs how can you just walk out after all we have done for you? you ******* kid! Odysseus takes leave of absence from art school he and Tanya take Iberia jet 12 hour flight with stopover in Iceland to Belgium Tanya sinks into one of her moods swallows several pills to help her rest sitting on other side of Odysseus is curly haired skinny talkative musician claims he has jammed with Miles Davis and other jazz greats Odysseus says yeah right and i’ve shown with Johns and Twombly where exactly are you heading in Europe? musician answers he is a scientologist on his way to visit L. Ron Hubbard in England Odysseus does not know what Dianetics are and wants explanation he asks many questions and musician talks for hours they enjoy each other’s rapport as jet descends in Brussels they exchange home addresses in the States 9 months later when Odysseus returns to America a friend notices scribbled address while skimming through his travel journals Odys! how did you get Chick Corea’s address? do you know him? do you realize how brilliant he is? he’s a keyboard virtuoso! Odysseus questions Chick Corea? who’s Chick Corea? he looks at journal page then says oh that guy i sat next to him on the jet to Europe so he really is a famous musician huh? wow!

in October 1970 Brussels is damp chilly Tanya wears hip-hugger jeans black turtle-neck top North Face shell she huddles her arms around her chest smokes cigarettes looks through hotel room window out into gray overcast sky speaks in defeatist voice i didn’t bring clothes for this weather she picks at her plate in hotel restaurant glumly vacillates later in bed after refusing *** decides they leave tomorrow fly to Canary Islands for several weeks to get tan before traveling through Morocco during winter months Canary Islands are laden with Swedish tourists including bikini clad young girls many not wearing tops Odysseus is thinking about how to swing some of that Swedish free love once Tanya gets drunk succumbs to Odysseus’s ****** overtures it is good  one day while returning to hotel from beach 2 Spanish police stop and question Tanya and Odysseus police order to see their passports then command them into squad car police bark in Spanish rifle through their daypacks point a finger Odysseus can smell alcohol on their breaths Tanya and Odysseus are terrified police drive off main road to remote location abandoned ruins no one is around police order them to step out police drive off laughing Tanya’s complexion is crimson she sobs they could have murdered us no one would know who we are or where to find us we’re lost where are we? Odysseus looks around replies don’t worry we’ll be all right i watched where the driver was going we’ll retrace their trail

they fly to Tangier travel south by train Tanya is irritable insisting Odysseus carry her backpack Casablanca is ***** 3 men peer from sunglasses act suspicious wear tattered trench coats Tanya and Odysseus snack at cafe which provides hookahs for smoking hashish Odysseus scores several grams Tanya laughs suggests they rent car drive south travel to sandy beaches of Diabet for 6 weeks in the morning she paces around French hotel room with cigarette in one hand ashtray in other like she is sultry 1940’s Hollywood actress she stays in room and devours Penguin Classics Tolstoy Stendhal Proust Huysmans Zola turns out Tanya is sexually frigid she buys Odysseus anything he wants but does not put out they take train Marrakech it is sun drenched with blue skies mountains in distance Odysseus wants to go out explore get ***** with the natives he visits Medina daily witnessing many bizarre scenes he does not understand a woman squatting over an egg a man with no legs dragging himself through marketplace holding up cigarette butts in his hand he meets a professor who is out of work because king of Morocco has closed the universities due to teachers’ strike professor explains woman squatting over egg is fortuneteller and man dragging himself has been offered crutches many times yet makes more money playing off pity of tourists cigarette butts are for sale the professor invites Odysseus to visit Berbers in mountains Odysseus persuades Tanya she reluctantly agrees the 3 travel by bus in first-class front row seats vehicle filled with lively families chickens pig bus driver has assistant who lugs people onto bus or shoves them out door at a midpoint bus stops in little town everyone exits bus then men women children urinate in street local venders sell trinkets snacks Odysseus buys nibbles shish-kabob that later professor informs is roasted cat and dog they reenter bus wait suddenly butchered lamb flank is flung onto Odysseus’s lap a man climbs aboard bus stairs then grabs large carcass and heedlessly walks to back seat Odysseus wipes blood and slime off his jeans Tanya demurely giggles bus climbs mountains arrives at small Berber village professor leads them along narrow winding street of shanty huts sheltering merchants open kitchens professor tastes from various steaming iron kettles finally decides on one they are directed to rickety roof where they sit wait a boy comes up with plastic bowl filled with water and small box of Tide following professor they wash their hands then minutes later proprietor brings up simmering *** of couscous serves it with scratched raw plastic bowls no eating utensils they eat with their fingers Tanya seems bothered declines to partake she withdraws into silence after meal she becomes irritable complains of headache says she needs to return to Marrakech she remains standoffish on bus all the way to French hotel

after Marrakech they take boat trip to Italy while onboard Odysseus meets Italian Count who has an eye for him Odysseus wears Jim Morrison beat-up leather jeans Bruce Lee t-shirt scraggly whiskers Count wears thin manicured beard tiny red Speedo swim trunks Tanya grins amused Count offers Odysseus and Tanya to be guests at his villa in Milan city flourishes with stylish clothes loud lively restaurants classical sculptures covered in car pollution following several weeks of aristocratic wining and dining amazing 11 course elegant soiree Odysseus botches compliance with Count’s desires they are asked to leave Tanya laughs hysterically they board train to Germany based on Tanya’s tour book they find historic hotel with wind rattling windows coin operated hot water bath in Munich Tanya stays in room Odysseus goes to dance club meets brown-hared pale skinned German girl neither speak the other’s language he pays for hourly rated room they play German girl in animated gesturing warns him as he is going down on her but he does not understand until several days later scratching beard finds ***** seeks A-200 lice treatment German version leather pants disposed Tanya knows but says nothing she buys Volkswagen they drive through Black Forest Tanya wants to visit King Ludwig’s castles Odysseus does the driving mostly they listen to the Who’s “Who’s Next” and Joni Mitchell’s “Blue” he follows Tanya’s instructions not knowing who King Ludwig was eventually he learns Ludwig was colorful character built extravagant Disney like castles and friends Richard Wagner Bavaria is cold gray brown deep forest green scenic Swiss Alps visible in southern view they drive from Neuschwanstein to Linderhof to Herrenchiemsee then Freiburg lodge in bed and breakfasts Tanya grows restless by all the driving decides to ditch car along road in northern France as Odysseus unscrews car license by road side several cars stop French people concerned they need help Tanya is anxious hoping for clean get away from abandoning vehicle they board train to Paris Tanya speaks a little French in spring of 1971 they are backpacking in search of hotel on Left Bank it rains all morning sky is overcast Tanya reads “Pride and Prejudice” Odysseus draws in sketchbook at sidewalk café sitting next to them are older Parisian couple man detects they are Americans he turns to them expresses in English his contempt why can’t you Americans learn from France’s lessons in Vietnam? Tanya and Odysseus don’t look up they feel like dumb ugly Americans within days they leave Paris

cross English Channel by boat they find temporary apartment in Earl’s Court in London it is overcast almost every day within a month they move to larger place in Chelsea with backyard with run down English garden Odysseus weeds garden plants tomatoes lettuce carrots radishes flowers Tanya stays in her room smokes reads at night they go out to ethnic restaurants one night they visit Indian restaurant a very proper English woman sitting at next table orders exotic fruit for dessert Odysseus asks waiter what kind of fruit waiter answers mango Odysseus has never seen or tasted mango English woman delicately eats the fruit with fork and knife Odysseus orders mango for dessert he attempts to imitate how English lady proceeded fruit slips around on plate finally out of frustration he picks it up in his hands bites into it he is aroused by how luscious mango is sniffing with nose scraping fruit’s skin with front teeth then ******* the seed Tanya makes a face suddenly the seed slides from his grasp shoots across table Tanya’s cheeks neck turn scarlet voice raises stop it Odys! you’re disgusting! are you intentionally trying to embarrass me? why are you doing this? he replies i’m not doing anything to you i’m enjoying the most delicious fruit i’ve ever tasted who cares what it looks like? later she laughs about incident offers to buy more mangos promises to take him shopping at Harrods tomorrow he goes along with their arrangement until it all seems like pretty background scenery to an empty intimacy missing all his friends back at art school he writes about his loneliness he feels trapped in Tanya’s web several times he sneaks English girls into his room when Tanya jealously confronts him he admits he has had enough and wants to go back to Hartford she suggests at the least they fly to Bermuda for several weeks to get tan before returning he declines on June 30 1971 Odysseus returns to Hartford and Tanya moves to San Francisco on July 3 Jim Morrison overdoses in Paris
Robin Carretti Aug 2018
Let's not make this long speech
    my best moment to reach
    Casablanca-*******
Day in and Craker Jack out what!!
Please the kiss needs to be longer__

The piano plays incredibly stronger
So short the "Cheez Wiz" visit

Oh! My the lovely edible dish
The long wish
too long its been
way too longare we short on

The strawberry short cake
Please make no mistake
   ******* Barrel crackers
I am Jamming sweet grape jam
Orange marmalade home run slam
New Orleans  Southern hospitality
Don't rain on my parade

    Robin-Tweet
C-R-A-c-k-E-Rs
Cozy-Real
A++ Collection can't be beat
King Eternity the Queen *******
Cheese deck what a home wreck
Green Guacamole animal
 crackers green Scrooge

"Long story Witchcraft"
The spell his magic fingers
French Tickler ******* winner
Those finger foods gift matcher
She sees little red riding hood
Getting the right Judge Judy
homemade Country fudge

VIP ******* may I RIP cracked
the code computer hacker
Afterthought but don't
come towards me she's bulletproof
It's today coffee dark swirls
Proud Mary got cracked mug
I only have eyes for
      Sunny

The Leap jump for all
Easter bunny
Long appetizers in her tray
The longer the wait like the
Meisers
The same star how I
met all the losers

Moms *******
Saltine stuffing
I am longing for English crackers
Like a ritual, out of time lips chuckle
Sweet Berry cheeks and lovely dimples
This life will burn and crumble

Over crumbled crackers?

Dog wear collars of polka dots
Vacation spot Meditterian crockpots
by the sea
Sea salt sprinkling saltine
over the shoulder, good luck
Feeling love sick her revolver
crackers to meet her four leaf clover

This is not only__New York City
  "Apricot" cracked wheat dot dot
What white as a sheet
Longshot transformation
To the Stepford wifes
Robot desperately seeking crackers
The best honey milk

 bedroom eyes like
Star shape crackers
the ship watch your salty lip
The shepherd's pies short skirts
Vampires blood jelly
Be Jolly Santa's baby *******
wicked plot "Santa Claus"
*** of gold belly at a glance

Cheesecake Factory
Trampling over crackers
What a time for a boycott
What fine attribute of
girl scouts
Getting blondie
brownie points

Someone passed her
screen test mirror mirror
cracked the glass shot
Astronaut gravity goes insanty
The third eye three reasons

"Soap Opera Diamonds"
three times got cracked
*** matters lips sensually
Madonna Vogue
The oyster's long love rumors
She just loves her jelly roll and
Mr. Graham crackers

Just appreciate those cracked
wheat ladies
Sesame melba toast short top
of the crack
Whats the matter?
With your daughter
He longs for her divine crackers
That's another short chapter

They crack up those actors
The writer needed to
find more movie extras
Groucho mark with
joke of crackers
The jackpot was hard to hit
Everyone was better to
crack the safe long neck
My lady Giraffe*

The true lover's knot
Your poem is worth the shot
Astronaut I brought you
The perfect flight the men
with the mustache
The salt and pepper shaker
Elvis the King is shaking
Long shot ******* butter fingers
Happy Holiday to all
This is a long shot to wherever you want to go but I cracked the safe what crackers can actually do it is a long shot we arent through
A Thomas Hawkins Jul 2010
Smugglers paradise
Casablanca '41
Sam plays it again
A black and white love affair
That is far from black and white
TOD HOWARD HAWKS Jan 2020
"Casablanca" is my all-time favorite movie.
I usually only watch a movie once. If it is a
great movie, twice. "Casablanca" I have
watched probably 50, 60 times. Why is that,
you ask? There are many reasons. Every
scene is iconic. Bogart, who was expelled
from Andover, the school from which I
graduated, is not handsome, yet he emotes
a singular masculine appeal. I wish there
were a real Rike's Cafe Americain. I would
go wherever it was, even though I neither
drink alcohol nor gamble. Virtually every
actor and actress plays her or his part in a
scintillating way. The story line keeps me
rapt, even though I have seen the movie
so many times The Paris scenes are the
most romantic I have ever seen. When
Bogart helps the young married couple
from Bulgaria get enough money to get
to Lisbon, then to America, by cheating his
own casino, my heart, too, is softened.
And the dialogue at the end of the movie
is trenchant, unforgettable. But, to be
honest, the most compelling reason I have
watched "Casablanca" so many times is
that when Ingrid Bergman and her movie
husband first enter Rick's, I instantly press
"pause." Then I spend as long as I wish
staring at Ingrid's face, the most beautiful
woman's face I have ever seen, and I have
had the good fortune to see many beautiful
faces of women up close in my life, but none
as radiant and mesmerizing as Ingrid's.

Copyright 2020 Tod Howard Hawks
A graduate of Andover and Columbia College, Columbia University, Tod Howard Hawks has been a poet and human-rights advocate his entire adult life. He recently finished his first novel, A CHILD FOR AMARANTH.
RAJ NANDY Aug 2017
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
Andrew T Apr 2016
Washingtonians, this Wednesday afternoon, come to the Starbucks on 1600 K Street to become acquainted with some young, interesting, average income level Asian American guys and gals. Instead of meeting Asian American doctors, lawyers, and consultants, you’ll meet Dr. Dre copycats, alcoholic paralegals, and T-Mobile wireless salespeople.

These guys and gals are looking to meet new friends that include: white, black, Hispanic, or any other race of people, just as long as you aren’t a F.O.B. Because after all, they don’t want to perpetuate the stereotype that Asians only hang out with other Asians. Just kidding, we love our F.O.B brothers and sisters! But **** stereotypes.

If you are a Washingtonian who likes drinking alcohol and smoking marijuana, stop by and make a new Asian American friend who will provide mixers and match you on a blunt. Please, do not ask these guys and gals for college study notes for Math or Bio, because all of them have dropped out of college to pursue their artistic passions, like: writing a novel about having a white group of friends and being the token who reads Tolkien and likes Toking; playing electric guitar in a grunge, punk, post-emo garage band with your black buddies who like Fugazi and bad brains but ******* hate Green day for selling out; and drawing sketches and painting portraits of the half-Asian girl you’re dating on a wide canvass, but really you’re secretly into selfies and taking photos of breakfast on Instagram.

We don’t discriminate against the kind of alcohol you drink, whether it be wine, beer, or liquor—within reason please don’t bring Franzia or Rolling rock, this isn’t college anymore. Yes, we get it, you’re highly considering attending this group because you’re a huge Haruki Murakami fan and you’re wondering two questions: are our Japanese American patrons also huge fans of the author, and do our patrons behave in a similar fashion to Murakami’s characters like Toru Watanabe and Toru Okada?

First, our Japanese American patrons are huge fans of Murakami and they own books like Sputnik Sweetheart and The Windup Bird Chronicle, but they also think the author often is obsessed with Western culture, in a way that possibly, and seriously possibly transforms him into a Brett Easton Ellis derivative based on Ellis’s American ****** and Glamorama.

Second, no these particular patrons do not behave like Murakami’s characters, because they’re real, living, breathing human beings, and not some fantasy figure or made-up person! But enough of the rant, please come though and let’s have conversations about jazz and talking cats.

While we respect Asian American actors like Ken Jeong and Randall Park, we really aren’t interested in having a lengthy dialogue about The Hangover’s Asian **** scene, or how Park was kinda offensively funny in The Interview. Although Park is awesome in Fresh Off The boat! All we really want is to just drink jack and cokes and smoke Marlboro lights and have conversations about the latest trends in indie rock and Hip Hop culture, and whether Citizen Kane was better than Casablanca, or vice versa.

At the meeting, we will have our guest speaker Jeremy Lin’s college roommate George Park answer questions about Lin, as well as a special appearance by Steve Yuen’s ex-girlfriend Marcy Abernathy who will give us an inside scoop to Yuen’s fetishes as well as his quirky habits. We will also be providing free snacks like LSD Pho noodle soup and Marijuana Mochi ice-cream. On a serious note, we’ll be giving out guilt-free Twinkies.

Before you arrive at the Starbucks, you’ll be getting a name tag and a free A.A.A T-shirt that wasn’t made by little children from China; instead, the shirts are made by Ronald Mai, our aspiring fashion designer whose twitter handle is @thatsmyshirtwhiteman! If you’re interested in coming out to the group our first meeting is this Wednesday at 6 p.m.

Leave your apprehension at the door and walk in with a warm smile, as you’re greeted by an expressionless face. And phoreal if your car is messed up and you require a ride, please call A.A.A’s number at (202) 576-2AAA (we know we’re phunny). Hope to see you there, and if you don’t come, you’re a ******* racist! But seriously come out and meet some cool *** people.
Robert Ronnow Jan 2021
I’ve never put a candidate’s bumper sticker on my car before—
why not take sides—what are you waiting for?
Death puts a stop to daily low intensity warfare but in the meantime—
      fight on!
What are we fighting for? Let’s see—
clean air and water and room to walk around in cities and deserts
America the seeing eye dog not America the junkyard dog—
collective deliberation among nations, clear passage through seas and
      borders
compact and contiguous Congressional districts that represent actual
      communities
education and health care for everyone who wants it—worldwide
good food too, affordable shelter and a living wage
a say in governance—local and global—free from fear of violence

Should you be subsumed by a cause bigger than the self?
unlike Rick in Casablanca who keeps to himself
I’m advertising my loyalties with bumper stickers on rickshaw and kayak
every time I come and go
it’s a free country—or maybe I’m so low profile no one notices or
      cares to take revenge
so small time I have time and no enemies or friends
What about Whitman and his love for Lincoln
he found a way to participate in the war that satisfied his muse, as a
      nurse
oh, I want to add space exploration and no nuclear war
plus basic science and ancient arts, black lives matter

Here are some things you have to put up with or out of mind
while enjoying the beautiful black and white photography and rousing
      Marseillaise:
that Sam, played by Dooley Wilson in worshipful subservience to “Mr.
      Rick,” endures his lonely abnegation and abstinence in Paris while
      Rick savors the nordically white, luscious Ilsa;
that Ilsa, on the lam across the wide world from pursuing Nazis, is
      apparently transporting an extensive, elegant, perfectly manicured
      wardrobe;
that Rick, in wartime Casablanca, has managed to hire a full 20-piece  
      jazz orchestra for which we willingly suspend disbelief since it’s  
      essential for singing the Marseillaise which never fails to bring tears
      of pride to Yvonne’s eyes;
I guess that’s about it except why would you spend a minute in Sydney
      Greenstreet’s fly-infested café when Rick’s air-conditioned
      establishment is right across the street, an overnice contrast to
      Maghreb culture;
otherwise, I’m in complete accord with IMDb’s 8.5 rating.

On the news last night the president changed the trajectory of a  
      category 4 hurricane. He can’t do that! Not my president! They’re  
      laughing at us!
Who’s got trouble? We've got trouble. How much trouble? Too much  
      trouble.
After Casablanca, it's headed for South Carolina.
--Jerome, M.K. and Scholl, Jack, “Knock on Wood”, as performed by Dooley Wilson in the film Casablanca, 1942.
Jonny Angel Feb 2014
It's a special blend
of leaves & spices,
the warmth it brings
goes down so smoothly.

While waiting for the mint
to take effect,
I travel on
an ethereal journey.

I fly to the
streets of Casablanca
& listen to tradition,
searching the faces
to find my kindred.

And when I find them there,
I close my eyes in comfort,
soothed inside
my wildest dreams,
my own special blend
of leaves & spices.
Mateuš Conrad Feb 2019
i'm trying to remember all the times
i was "subject"
to... being... assiociate
with a mis-application of ethnicity...
i'd walk down edgware rd.
with a half-Indian half-scouser
girlfriend, and i'd be approached
by muslim street preachy-vendors
being asked:
are you German?
   and i was like: internal dialogue:
iz ziß ver v vype ut
zee Ju?
i always replied: guess...
counter to German,
i woz eh Schveed...
             i gave up...
        but after a few more instances...
i voz alvayz: die deutsche...
oh... you think that the English
are no suspect?
   the innocence of being asked:
where are you from?
will always be countered
with... Leibzig...
or... Kiel...
               i almost felt like
an actor... all that was missing
was the schutzstaffel uniform
and a smirk of a catholic schoolboy
from: Witten, Bavaria...
oh... not unlike the reaction
from the movie falling down,
where some poor schmuck
gets lectured on the distinction
between a Japean and Korean
(does anyone really need
the correct -ese, "person"?) -
we all know that the ****
think they are the master race of
the asians...
so... why bother?
but i was kindly reminded,
the Muslims were all wet *****
asking me: are you zee gerrrrrrman?
you know how painful
it sometimes is...
        to play out the expected
question to the questioner's
leveling of surprise?
for me?
that's like asking me whether
i'm a ******* rushkie...
             no... i am not part
of any... "ummah"...
                      wasn't the dajjal supposed
to arrive from Babylon,
as the head of the Iranian army?
so i nod,
yes, i'm German,
and in England that's like:
visa...
     or... something that
the post-colonial former powers
do not fathom...
Germany might have given
birth to the Nazis...
but it didn't give birth
to the colonial bureaucrat...
feeble... a reader of Kant...
like me...
          whatever cocktail
of ****-wits and party-pleasers
is to come out of all this...
20 years into the 21st, grand opera,
of a century to end all centuries...
most of the time...
it's better that these
people understand that i am German
than figure out:
exotica postcard from
the nowhere that's Poland...
like: kommensie um! kommensie um!
like some hanzel und gretyl
witch...
          i play the German...
back where:
i'm just the "failed" generic
                                         similar...
but no...
i could tell apart a Thai from a ***...
and a *** from a Ching...
maybe...
but then a Maroccan from
a Libyan from an Iraqi
from a Saudi from a Yemenese?
well...
   am i alone?
looks like most of these, people,
can't tell the difference between
a German and a ******...
so...
                 what?
and more notably...
                               what?
           oh right... there's also a "now"?
pull me a sly Bogart
will you...
                 i need to forget
that James Bond didn't really exist...
*******... carry on Casablanca!
that's all that James Bond
ever was...
        carry on! Casablanca.
Ian Beckett Nov 2012
Is a million memories ...

Like your favourite Beatles track,
Like breakfast coffee in a Turin bar,
Like the old friends that never grow old,
Like your favourite Italian pasta in Rome,
Like summer swims in warm sea with cold rain,
Like the aria which sends shivers down your spine,
Like the magical taste of Gaja Barberesco for lunch,
Like coming home to a smiling face after a long trip,
Like your child buying you dinner for the first time,
Like how beautiful she was on your wedding day,
Like your first date movie being on TV again,
Like capturing a moment in a photograph,
Like rereading your favourite book,
Like watching Casablanca again,
Like publishing your first book,
Like living every moment...

... And a million more to come.
Lucius Furius Aug 2017
Oh Rick, if only things were so simple. . . .
If only there were Nazis shooting children,
bullies like Major Strasser waiting to take over,
women like Ilsa --
so beautiful and passionate
that just the memory of their love, just the shadow,
is enough.
We would sing the Marseillaise
and in the air itself,
just breathing in that hot, dry air,
would find all the meaning we need.

But we live in an everyday world,
with everyday human beings.
And we must start again each morning,
with scraps of faith and feeling,
to make the world's meaning in the foundry of our heart.
Hear Lucius/Jerry read the poem at humanist-art.org/old-site/audio/SoF_100_casablanca.MP3 .
This poem is part of the Scraps of Faith collection of poems ( https://humanist-art.org/scrapsoffaith.htm )
Alan McClure Jan 2012
The sea cast a gift ashore
one stormy sullen day
and the barren rocky coast
was suddenly recast
as a natural history museum.

A whale.
A real whale, just lying there
shining on the shale

In another time,
we'd have known how to react.
This astonishing bounty
would have been quickly stripped
Bones for building
baleen for support
blubber and oil for fuel.

But now it lay
surrounded by detritus
made of better stuff.
The truth was,
we didn't really need it,
couldn't really use it,
like being presented with
Casablanca on VHS.

A sign appeared:
"Quad bike rides, £2",
red paint on rainsoaked cardboard.
I wasn't tempted.
Children poked it with sticks
in a desultory way,
stricken, intrigued, ashamed,
and utterly dwarfed.

The weeks passed
as we coughed in embarrassment
not knowing what to do,
until finally
someone brought a digger down
and discretely buried the beast.

By now, it will be a perfect skeleton
a prehistoric wonder
an artefact from unjaded days
when nature could still astonish,
trampled by unknowing tourists
as they dream of sunnier beaches.
Hal Loyd Denton Apr 2012
My fair Guinevere
The very name Guinevere sends me through time and space to another world with a thrill in my heart


Like no other well there was a time when I was six I think I will stop by there on my way back to reality
Back then a coloring book and eight crayons could fix big hurts like the time my uncle slammed the car

Door on my fingers as we started into a tavern I guess at first it was unbelief although a six year old has
A great imagination but seeing the door completely closed and my fingers in there something really

Wild and then the crushing excrutating pain my uncle whirled around and saw what happened now
I wasn’t being mercenary well first I didn’t know what that word meant must have something to do with

Machinery but I did know I was going to gain because my uncle was a crane operator I did know he
Didn’t operate on cranes like the one the Cranes potato chip bag but here goes larceny I think that’s

Like black licorice it gets all over kids faces in adults it just gets all over them it depends on how much
You pay they say crime doesn’t pay well larceny does but after you do it you have to run real fast or

Something well back at the car outwardly it was all I could do to hold on sloopy but inside don’t judge
Me but I was singing a ditty it went like this my uncle has got money and he feels almost as bad as I

Do look out world I see a coloring book a coming that was just an aside to make a point about hurts
I was about to run head on into one you ever had a hurt to last over forty plus year’s bee stings wont

Do it scraped knees heal but lose your heart at six and you’re a goner what did Rick say in Casablanca
Of all the juke joints in the world why did she have to come in this one why was she born one street over

When I was six and she was eighteen black hair the whitest skin Oh god you must got distracted you just
Kept adding more pretty did you know pretty can hurt I think most can I know Geri does she suffered

Through a beautiful summer she says the three of us didn’t even know her at the pool more important
My best friend Jerry that she had a crush on didn’t know her either I know her now and we are deeply

Connected by that summer and her heart of pain she knows what I Speak of when I make mention of
My fair Guinevere is she a legend in the court of King Arthur if you could see in my heart I wrote a piece

About music it says the Wolfman’s got your ears Johnny Mercer brings tears all through the years
Touché my knight angel that’s what I call her I will tell you why in minute did she make the flowers

Grow no but when she walked that’s where she walked in my heart paths lined with gardenias over
Head was my beloved Magnolia she wore garland to me it said I love you this was the lie I told

Because I knew it could never be and then in my world fate stepped in with a pain that made fingers
In a car door feel no more than a love tap I guess it was puppy love maybe so but I know I was one

Love sick hound I wiped a single tear from my face with the finger I type with so just one more is added
To the endless stream that started when through her bedroom talking to her friends I heard her say

She was getting married can a six year old love, kneel over me as she did my crying brought her outside
To my side this time her voice of cooing wouldn’t send me home to dream beautiful dreams of her

I wish dad was drunk maybe hell razing would have disturbed the pain somewhat yes I got up from
The tear stained spot at that instant it became sacred and for ever more she became truly my fair

Guinevere as with sir Lancelot the triangle of love was created that knight but the fallen wasn’t a knight
Who fell among thorny roses of romantic pain no just a child that rode a romantic stallion before

He should have I guess I’m still on his back we ride many a night I call to her through the dark
But only one visit could my night angel give I will ride on God promises love beyond and no one will

Have a heart of deadest stone window window my fleshly heart you destroyed so on my way home
Through the darkness in her yard I picked up this stone it works fine it is her memorial it is always with
Me if you want to know her name it s in the song Abilene

Why I wrote this as I said in the other piece Keats said beauty never fades into nothingness and he said
It has quality and even curative powers to lessen pain for others she is in pain with life changes this
Was written to relieve her of her burden and pay on the debt I owe her when she left the laughter of
Friends And knelt by a love sick child thats all I can do and I do it often maybe through this we can return
Just briefly to our sweet summer time of long ago
aviisevil Sep 2018
so many things playing
in my mind

some with fire and
some with stones

some with ice and
some with desires


some same and the strange
some with twice the price
and some with things strange
in love with the throne

maybe i've lost all that i have known
maybe i don't like the nice world
it hurts and i contemplate

i try to weave it in into words
and navigate my way

say it in two words or less
or they're gonna' lose what they
cannot comprehend or barricade

i wish i could learn how
to use them bullets and not
hesitate when it precipitates

the heat is too much
and the world's going dark

help me find somebody to love;
i don't mind the bodies until they
burn, find me somebody to participate

in my own disintegration
degradation into my sworn filth

the worms swarm into my veins
and atop the blue cascading hills

my mind is casablanca
there are torn castles and
the ruins of a queens thrill


there are screams and more
screams and more screams
and they dream and they scream
more screams and the dream
is broken.

my eyes are open

and there's a man
staring down at me

three in the morning.

and there's not a mirage
in this room, with this gloom.

here comes the doom.

boom. blossom. monsoon.
the sun. moon. and the stars.

scars and hours.

through the ever glow till
the ever last,

planets near and far,
a cosmos far too blind.

oh, of all the things playing
in my mind.
we all have a circus to our citrus.
Jonny Angel Jan 2014
Narrow streets confuse
gunpowder and mint infuse
senses to the muse
Edna Sweetlove Aug 2015
Another enchanting "Barry Hodges Memory" poem for you all!

O glorious Art Deco edifice, tucked away behind the 'Dilly!
In your near century of hospitality, how many millions of visitors
Must have thronged your rooms, meeting, greeting, eating, sleeping
And (need I specify the obvious?) ******* away the fleeting hours?
How sad it is to think that the dear Regent Palace has fallen victim
To the money-grabbing developers' philistine wrecking *****.

Rumour came to me in the Seventies that the ground floor cocktail bar
Had gained a somewhat , shall we say, *louche
reputation,
Being frequented by ladies of the night and part-time gigolos;
And that the hustle and bustle of the reception area meant that
Staff would hardly notice if guests invited a newly made friend upstairs
For some horizontal entertainment, be it on a cash or ex gratia basis.

Several evenings, perhaps after a night at the theatre, I paid a brief visit
To the dimly lit bar, with its sophisticated black pianist tinkling out a tune
In the very best Casablanca tradition, perhaps even crooning a little ditty.
One summer night I recall I dropped in, probably post-prandially
More in hope than serious expectation, ordered an over-priced G&T;
And settled down to assess the odds on some casual leg-over action.

Much to my surprise I was soon joined by a large middle-aged blonde
(to a naive young chappie, any woman over 35 is no spring chicken);
She was Icelandic and big with it in the mammary department,
But not fat I hasten to add, just sturdy, like a splendid Wagnerian Valkyrie;
Yea, I knew she was gagging for it when she confided that, only last week,
She had shared l'amour with a young stranger in the Wienerwald al fresco.

I cannot recall much of our no doubt fascinating intellectual conversation
And I certainly can't remember her name, but I do know I readily acquiesced
To her generous invitation to participate in a glug of her duty free allowance
Within the intimate privacy of her spartan little bedroom on the seventh floor.
Delightfully, to my mild pleasure, our upwards journey in the crowded lift
Enticed her to caress my eager testicles in a heart-warmingly experienced way.

Over a malt whisky and, following an extended exchange of warm saliva,
We ended up stark ******* naked in the rather narrow single bed;
Sadly, my recollections of our coupling have gone the way of all flesh
(but my well-preserved diary for that year notes I gave her the works thrice)
And I do vividly remember wondering what time the Underground started
on Sunday mornings as I was no longer enamoured of her tobacco breath.

Now, dear reader, we come to the ****** of my night of Nordic nookie:
Just as the dawn's early light was filtering through the ill-fitting curtains,
My partner in lust informed me that she desperately needed a squirt
(I fear I omitted to mention that the RPH didn't run to en suite facilities)
And that, rather than struggle down the corridor to the communal bogs,
She intended to void her bloated bladder in the waiting washbasin.

She enjoined me to be a gentleman and to refrain from watching her
As she performed her toilette and I assured her, with a covert smile,
That I would not breach her urinary modesty. Thus I slyly observed her
Waltz over to the window and, with the assistance of a handy little chair,
Hoist her ample buttocks up on the basin and let fly her steaming ****;
O, what a romantic sound it made as it splashed onto the porcelain!

As I lay there, entranced by the sight of my piddling blonde Brünnhilde,
An unexpected sound intruded over the splatter of her seething waters:
O Jesu! Suddenly, in the veritable twinkling of an eye, the basin's supports,
Unequal to the unscheduled weight of the female Goliath squatting thereon,
Gave way and what's-her-name fell to the economically carpeted floor,
Screaming in fear, spread-eagled in ****-drenched shattered chinaware.

To say I was beside myself with mirth would be an understatement but,
Gentlemanly as always, I managed to pass off my gargled giggles
As evidence of gallant concern. As soon as common decency permitted,
I made my excuses and left the disconcerted dear to tidy up a bit.
But I will confess to emitting a huge howl of uncontrolled laughter
As I raced off to the nearest toilet (I too was bursting for a huge slash).
Vincent Salomon Jul 2017
Tu ausencia en mi tibia cama, se hace más presente
No por no querer buscar lugar, sino por no tenerte,
Y estos labios, cada vez más tuyos,
Y esos ojos, cada vez menos míos.
Sólo queda por correr, dónde nunca corre el río,
No me pidas que te deje
Que aquí sólo hace frío
Dame una señal de esos labios,
Sosténme la mano en hastío
Que si muero hoy, triste y timorato, no habrá de mí que llorar.

Son sólo besos, que se pierden vano
Y al tiempo se los voy a cobrar.

Sobre tu vientre morir, sobre tu boca resucitar
Sobre tu voz escribir, y sobre tus besos cantar.
Y no me pidas perdón, cuándo no exista la culpa,
Que si de amor se trata, no habría forma oculta,
De besarte una vez más; a ojos cerrados.
De tocarte noches enteras; con estrellas de tu lado.
Tu amor, a mí sólo me resplandece,
Culpable no eres de existir, y que de ti todo florece, ay pobre de mí.

Son sólo besos, que se pierden vano
Pero que al tiempo, se los voy a exigir.

Lluvia de otoño, fútil amanece,
Lluvia de verano, quién te viera nacer
Sobre las costras en el mar abierto, como una venus llorar,
La virgen María se pregunta, con quién tiene que hablar
Porque de ti hay poesía, llena de verdad,
Y los rezo a ti, ninguno te va.

Quién fuera canción a tocar, versos dulces a tu oído,
Quién fuera la muerte comandada, por emisarios perdidos,
No te lloro, por correspondencia,
Te lloro sensato.

Que si de amor nos tenemos,
Nos tenemos de a ratos.
Blue Sweater Sep 2014
Rehashing the rare
Out with the new,
In with the old.
She's always had a thing
For the things that exude
A quirkiness and a bucolic charm
The smell of old books
The black and the white
Good ol' Chaplin, James Dean
And the Sound of Music
The Beatles, a tape recorder
High-waisted pants
And the gramophone
And a rustic old bar
With a gruff bartender
Who's off his rocker
But he'll double up as your therapist
And for the boy with the dark brown eyes
Who looks across the bar at her.
And smiles.
It's all black and white again
Except this time,
It isn't her favourite Casablanca scene
But a white screen
And a thousand particles
Microcosmic
A milieu of
Unfathomable numbers float
Through the atmosphere
Connecting her to him.
And she doesn't want that.
She's always had a thing for the old,
But he makes her doubt that.
Stanley Wilkin Nov 2015
Dressed in black, dark eyes amused
She strolls into a room
With the specialised tread
Of a femme fatale,
Tossing her streaming hair in arrogant joy.
Her perfect body
Contains the calm and unexpected force
Of the sea, shifting in a moment between

Reason and fury.
She graces the men with sure-footed Arabic,
Stark, sibilant, passionate words
Laughing like a poem.
A Moroccan beauty,
Guedra dancing in the sun,
From the desert coloured mosque of Casablanca
Punctured by the worship Of 70,000 songs,
To the unremitting souks of Marrakesh,
Her complexity
Emboldened by the courage
Of poets.

She has a silence in her intellect
Such as few have,
Unusual evidence of a soul
In a world of franchises,
Her past imaginings deeper and wider
Than that of her peers,
Dancing to fast Gharnati rhythms,
Beneath imagined Andulusian sunsets
And glowing skies.
An effervescent scintillating gasp of fervent
Desert air, beating across her limbs
Moving gently towards silence.
Will Mercier Sep 2012
I don't know what Jonas has been preaching,
There's a pigmie on the roof
And claymores in the kitchen.
I never rejected nothing
Cept when I was dazed and dazed and confused and confused
If I wanted to leave
I would use the door I saved for later
That leads out into the void.
I need to take a day away
Or breakdown and watch Casablanca all day long...
Because I thought it was a forever song I was singing,
But I'm out of tune,
And my rheumy eyes are liars,
And I want to christen my great granddaughter
But I'll be dead...
I just wanted my declarations to resound,
But in a town of disrespect
Chain link fences make for noisy neighbors.
I have every bit of it on the line for YOU.
I'll drop it,
But it will stand on end,
Like a trick quarter.
Four in the morning
Forty five caliber bullets blasting
I found myself in the backseat
Of a burned up police car.
Every thing is rotten,
Except the infantine seamstress
Who doesn't come out anymore,
Because you scar(r)ed her.
I just wish I could eat a bag of salt brine soaked
Ballpark peanuts, shells and all without having a **** stroke.
I wish I could, smoke, without Jiminy Cricket, calling my doctor,
And the red squad arriving with the straight jackets,
And the bear mace.
I can't project the rigght radiation,
I get that, but its not for lack of dying.
So this is my death letter, to be read to my reincarnated infant self
Twenty three times, by twenty four different people,
I want a life size wax model of Eeivel Keneival
To throw rice at me thrice
Once for each marriage,
But on the third throw wild rice
Because that is what I think of when I think of you.
The burglar ate my begging strips
And the ravenous dog
Is getting impatient....
I've seen the truth in the darkness of the soldier core.
Why not open the gate to abracadabra land,
Give me a list of your one thousand forms
In code of course,
And I will pay the piper
So he can finally change this doggone song.
Zach Sanders Jun 2012
Weaving through these memories, I glimpse...
The plains I lied in to watch the clouds,
When I really just watched you.
The woods that floated in fog before me,
While I floated in your eyes.
The ocean waves I trespassed,
As I swam out to your smile.
The desert sands that stung my eyes,
To make you a mirage through my tears.
Volcanic fires that would have melted me,
If I had not already melted in your gaze.
The ice that clawed my warmth away,
And gave it back when it reached my heart
And saw how much I loved you.
Weaving through these memories I glimpse...
A darkened room and lying on the floor,
As silently her hand slipped into mine.
The theater playing Casablanca,
When suddenly I felt her head in the soft spot on my shoulder.
An empty scene filled only with
The kiss of an angel.
The blindfold on my eyes,
As her whispers tickled my ears.
Falling away into dreams,
As she softly snores beside me.
A ring slowly sliding on my finger,
From the veil that hid her face,
But could not hide the joy between us.
Weaving through these memories I glimpse...
Six jobs, two apartments, and one house
We shared together.
The wrinkles etching themselves in our faces,
Though they still couldn’t hide our dimples.
The times we argued....and always came out stronger,
Even if we didn’t agree.
Falling in love again,
Every time we watched Casablanca.
The most wonderful and utterly frightening news I’d ever heard,
Which is just what she said after she’d gone to the doctor.
Two infants, two kids, two teens, two adults,
Because though they’re the same,
Each left their own impression on us.
Weaving through these memories I know
She will always be the one I loved without end,
Through each of these steps of love.
This was meant as a kind of answer to one of those "where do you see yourself in 20 years?" questions.
Veemz Feb 2015
If that plane leaves the ground
And you're not with him
You'll regret it
Maybe not today
Maybe not tomorrow
But soon
And for the rest of your life
Aidar Omar May 2022
Africa is beautiful and beautiful is usual in Africa
Continental wonderland of love this is Africa

What's in Africa? What's there to see?
I asked myself on the New Year's eve
I thought that I was good in geography
But I didn't know Lagos or Nairobi

I might be ignorant, I have to admit
About Africa I knew just a little bit
The great Sahara - sands of mystery!
The Nile river - so much history!

Africa is magical and magical is usual in Africa
Continental wonderland of joy this is Africa

Namibia, Nigeria, Niger, Angola, Algeria
Burundi, Benin and Libya, Lesotho and Liberia
Burkina-Faso, Botswana, Guinea-Bissau, Ghana
Djibouti, Zimbabwe, Zambia, Uganda, Rwanda, Gambia

I saw a film on Serengeti Park
A one of a kind, a must-see landmark
I watched a documentary on pyramids of Giza
They're much much older than Mona Lisa

I heard that oldest coffee plants
Take their roots in Ethiopia's land
And that samba, rumba, funk and jazz
Take their beats from African drums

Africa is beautiful and beautiful is usual in Africa
Continental wonderland of love this is Africa

Cameroon and Congo, Malawi, Mali, Morocco
Côte d'Ivoire and Kenya, Mauritius, Mauritania
Tunisia, Tanzania, Eswatini, Eritrea
Sudan, Senegal, Somalia, Sierra Leone, South Sudan

You can travel around cities of Africa
Like Cape Town, Cairo or Casablanca
If you're in love or plan to be
Go to Zanzibar, feel that ocean breeze!

Climb up mount Kilimanjaro
Watch the zebras cross the Masai Mara
If you're adventurous, you're a dreamer
Take a wild trip down Zambezi river

Africa is magical and magical is usual in Africa
Continental wonderland of joy this is Africa

Comoros, Chad, Cabo Verde, Democratic Republic of Congo
Ethiopia, Egypt, Guinea, Gabon, Equatorial Guinea and Togo
Madagascar, Mozambique, Central African Republic
Sao Tome and Principe, South Africa and Seychelles

Africa is beautiful and beautiful is usual in Africa
Continental wonderland, I'm on my way to Africa!
——Allied, 2016 movie  

Prologue:

WWII setting, covert operations
in German-occupied Casablanca

"Love and Hunger rule the world."
Consequently to dominate the world,
man had to win a victory over hunger,
after paying a very high price.
~~~~~
Scenery I.  Casablanca
-----------
All are of one colour: yellow,
Parachuting into the Moroccan desert,
He swept dune seas, hypnotically,
Not a patch of shade, not a drop of water,
only an infinite sea of yellow sand. 
~~~~~
Action I. Max & Marianne meet

Max Vatan (M) took a wedding ring,
Looking, Searching and Wandering:
Order Code:
1. Your wife dressed in purple;
2. A scarf stitched with a wild yellow bird

(Party Hall,Marianne Beauséjour swirled around)
Slowly, she turned back to him,
Loudly, she shouted out in French,
C’est mon meilleur et le plus beau mari.

~~~~~
Scenery II.

Sunrise at Casablanca desert
And the entire desert is theirs.
As all the skies are the stars and the sun’s kingdom.
There are no doors; hearts are open,”
——Southern Moroccan Secrets.”

Featured Conversations:
--------------
Marianne lifted up her lips and asked Max:
“Le Québécois? What are our odds?
Of surviving? 60-40, against. Both of us, I don’t know.”

So, tell me about Medicine Hat, Marianne kept asking
Max Vatan: Pretty green. Rolling hills.
Clear water. Just a place I go when things get dark.
You? Do you have a place?
Marianne Beauséjour: When the war is over
it won’t matter where I am.

~~~~~
Action II. Assassin

Fear not the weapon but the hand that wields it,

Beware the feelings of two agents allied,
they strike in the darkness

Fear not the weapon but the hand that wields it
Beware the shadows if you value your life
they strike in the darkness


20:31, 20:32… Counting down,
Trois, Deux, Un… 20:35
Allied couple, a possible mission  

Boom! Bang! Explosions screamed
into glass, into fire and smoke.
Is it our only chance of escape?

Before the Mission, Assassin comes 

Nothing to live for, nowhere is safe,

Stick to the light if you wish to escape.


~~~~~
Scenery III.
Along the corridor in the V section  
“they never say what they mean
and they never mean what they say,
and they never say anything on the phone”


Action  III: 72hours Blue-dye” procedure
~~~~~
1st 24 Hours:

Who really is Marianne?
That was a repeated question from Max
As no iron curtains made of steel

conniving happy family with things to steal

A pair of birds perched on a live wire
 
Only to set up a mission to conspire

2nd 24 Hours

Is this a game or a test?
Max thought he has understood it clearly

That love for a spy is only a game to play.
Have you heard his soundless scream
When the war was there, a game to share
With V-Section, life or death.
A test. A game.

The last hours: Ending letters

Je t'aime, Québécois, Marian said her last words to Max.
She shot herself.
blood and red coat, soaked into the rain  
Her voice swings to Medicine Hat

Where Pretty green. Rolling hills
Clear water…When the war is over,
it won’t matter where I am ..
A young girl, Anna read this letter with her father,
at Medicine Hat.
Quite reflective movie that I watched it 3 times. The story picks up a year later with Max and Marianne married and living in London with their infant daughter in as much bliss as one could possibly hope for during wartime.
07/08/2020
Revised 12/08/2020
TOD HOWARD HAWKS Jul 2022
LOVE AND LOVERS

by  

TOD HOWARD HAWKS


Chapter 22


"Except for you, Bian, the most beautiful woman I've ever seen was Ingrid Bergman in my most favorite movie, CASABLANCA. It's about 20 minutes into the film when you first see her as she enters Rick's Cafe Americain with her freedom-fighting husband. As I recall, she was in real life in her early 20's. She, like you, is ethereally beautiful, absolutely stunning. I was mesmerized, just as I was mesmerized when I entered Tom's that fateful morning and saw you sitting alone in a booth.

"In the movie, Bogart meets Bergman in Paris just days before the German army enters the city. It is a lovely flashback when the two meet and fall in love. But for reasons not disclosed until the end of the movie, Bogart and Bergman do not get married as they had hoped to do. Bogart finds his way to Casablanca, thinking all the while that Bergman had jilted him.

"The movie was made in the early 40's. Virtually every scene is iconic. Bogart, embittered, is externally tough, but deep within, he is compassionate. There is an incredible scene in which a young wife from Bulgaria married for only eight weeks speaks with Bogart about the plight of herself and her husband seeking letters of transit to get to America via Lisbon. Bogart arranges for her husband to win at the roulette wheel, a scene at once tender and powerful.

"At the end of the movie, Bogart evinces fully his real self and forfeits his future life of love with Bergman by giving his letters of transit to Bergman's heroic husband, who, by now, we find out Bergman had been married to for a number of years.

"In the movie, Bogart personifies qualities that I would call love, and by so doing, epitomizes our common goal of this, our journey around the world to bring PEACE ON EARTH THROUGH LOVE.

"Further, Newton Minow, former chair of the Federal Communications Commission, said in a speech in 1961 that TV was a "vast wasteland." Of course, he was right.

"By contrast, Ken Burns, has made 30 documentaries to date. He has, in my opinion, put Hollywood to shame. As I had majored in American history, I was eager to watch Burns's first documentary, THE CIVIL WAR. It was brilliant. Then he made 29 more. Everyone one of them has been extraordinary. Burns deserves to receive the Medal of Honor.

"I have written a love poem about you. I'd like to share it with you now."


THERE IS A TENDER WAY TO TOUCH YOU

There is a tender way to touch you,
not more than a brush across your cheek.
I seek a gentle kiss so not to miss your soft
and red-rose lips that meet mine, the glory
of your darkened hair that falls upon my face
as I unlace your flowered blouse to place
my fingertips upon your silk-like skin to begin
to love the rest of you. I lay you down on soft,
blue sheets, your head upon pillows made of
wild willow leaves softer than robin's feathers.
I bare you beauty slowly that glows like a candle's
flame in a room that is at once so dark and bright.
The light comes from your luminous eyes that smile
at me as I reveal the rest of you from waist to knees
to heels and toes. No one knows the tender touch
I bestow upon your gentle being that I alone am seeing.
Marty S Dalton May 2013
Take a deep breath inventory
Of yourself
Do not count your hands or feet
Not your wandering legs or
Wavering arms
Do not take inventory of your clothes
Not of your favorite shoes or
Your special hat—not even your
Coat that you save for those cold,
Cold nights
Ignore your car—payments or paid off
Your home—apartment, trailer, mansion
Your work uniform—whatever that may be

Make emergency stops only
You are still several miles from
The intersection of contentment and identity
And you have not been there
In far too long
Do not take inventory of how you look
In a summer dress or a tuxedo and bowtie
Don’t count your history with
Drugs and alcohol
Don’t count your computer, your television
Or that collection of movies
Or albums
Or books that you’ve been working on
Don’t take account of your ability to curl
Dead weight
It’s just curling dead weight
Don’t count the number of visible abs
You have
Or your BMI

You are so much more than a body
You are so much more than possessions
Your body and belongings have not
Done you well to feel like you belong

Instead take inventory of your joy
You have some joy don’t you?

Count your friends
Count your love letters
Count the moments when it rains
And you have an umbrella
Count the last time you had strawberries
Count the start of every kiss
Count the paid off credit cards
Actually, count those twice
Because freedom counts for twice as much
Account for all of your freedoms
Take inventory of playing catch with your dad
Your last home-cooked meal
Account for the last time you rode a bike
When you didn’t think about exercise, you just felt the wind
Count the times you wrapped birthday presents
Count the smell of the last bouquet of flowers you were given
Count the last time you went to the zoo
And you swore, nobody ever fell in love with the
Animals quite like you did
Cause you have an eye for beauty
And you’re seeing it everywhere
Take a deep breath inventory of the beauty you have seen

And when you can’t seem to find anything that matters
To take inventory of
Count those dark moments where you still
Have the hope to rack your brain
To try to find a memory where you had joy
If you still have hope to try to find it
That is joyful
All on its own
Because I know they can be hard to find sometimes
Those things worth taking inventory of
But I have found the greatest of these things is love
Not the way I love Pulp Fiction and Casablanca
But the way I love my wife
And my father and my mother
And a good rescue
Cause that is what I’ve had—a good rescue
And life is sweet like honey
Not because it’s easy
And certainly not because I feel good all the time
But because I have found joy in a rescued life that I can hope in
When I take a deep breath inventory
I have to realize all I have is love
The rest will go away someday
But not my hope and joy and love
Cassandra Forte Feb 2012
Father-

You were so many icons:

The Chief to me.

My ***** Harry.

The Chris to my Gordie.

An Alexander Supertramp.

The Rick of Casablanca.

Father-

You were so many nouns:

Protector,

Guardian,

Hero,

Breadwinner,

Rapscallion.
­
Father-

You were so many adjectives:

Funny,

Caring,

Interesting,

Strong,

Adventurous.­

Father-

You were my biggest downfall:

Five times I’ve seen you cry.

For me, always baseball games.

Three school events attended.

Too many addictions.

One ruined childhood.

Father-

You were so many villains:

Jack, the dull boy.

Gollum, with your own Precious materials.

Michael Madsen, every time.

Keyser Soze.

The ego of Marsellus Wallace.

Father-

You were so many roles:

Liar,

Gambler,

Alcoholic,

Promise-Breaker,

Black hole.

Father-

You were so many problems:

Unreliable,

Restless,

Invisible,

Hopeless,

Cold.

­Father-

I am what you made me.

I am evil and broken.

I am cold and emotionless.

I am restless and relentless.

I am insane and dark.

I am conflicted and confused.

Father-

I am everything you aren’t.

I am everything you are.

I am nothing good.

I am nothing inside.

I am a part of you.

I am because of you.

Father.

I wouldn’t be without you.

But I would have been better off.
Mateuš Conrad Oct 2016
only today i learned ø denotes
        an encoding of diameter,
and it's Scandinavian,
                     or how the globe is
past the equator,
         and the lob-sided earth,
winters in Australia in the Summer months
in Europe.

    high philosophy begins with Beijing
dialectical highs,
    but take the route of lower philosophy
and encounter diacritics rather than dialectics,
because that matters, too,
        θought, a moral ought,
   and φilosoφy - and missing ought -
          and the two being irreversibly twins
in said... or θought an immoral ought,
                 sure, tubes, mistook ø74 for something
akin to φ...
    high philosophy never acquires a diacritical
dilemma...
                  or why local don't do anything
but actuate automatic application
   and those immigrant, or bilingual troops question...
    ø = diameter, not to be confused with the θ;
             higher philosophy begins with dialectical
beginnings,
               "lower" philosophy also begins with
dialectics, but it ends with diacritical application,
rather than utopian: nowhere from nothing.

what am i going to say next? *machado de assis's

philosopher or dog? introduction.

          ........................................­..................................
..............................­......................................................
..........­.................................................................­.........
.......................................................­.............................
...................................­.................................................
...............­.................................................................­....
............................................................­...........
(or a paragraph on the pleasure of drinking,
    or how to save you an optometrist appointment,
or how to take an interlude,
   to do the opposite of the Andy Warhol stipend
for making enough buggers hearing your
opinion, unchallenged,
                    but never having a diacritic concern).
hence the pending, or what everyone seems to
desire these days, circa 100 years later,
     how to provoke an interlude, how to hunger
for interludes rather than fame,
           i also drew a sketch before starting,
       shat -
                  and hey presto!
           ****!
                   yuck in orange in florescent.
yellow (florescent), F, pretty pretty pretty,
          in pink the bit about diameters and phi,
           again in yuck orange: swigs and the wiggle...
a paged concern for graffiti.
                  again, pending, yet to be hottie
and poster boy of a poem,
        again the impromptu break worth of fame that
actually isn't fame, but a chance to compare
                   how much whiskey makes up for the
Niagara continuum.
        again, (pending):
............................................... (how the hell do you
write pending ~15 minutes later?!)

the concept of Monday is greatly undermined
by Darwinism,
    as is Tuesday through to Sunday,
generally the function-able week desists the idea
of an Iron Age, as does the pantomime
of all that's worth celebrating -
generally speaking Darwinism is anti-history,
theology has nothing to ask of Darwinism
to argue against,
                             theology isn't a history,
but Darwinism is the purest variation
of history, variance of how we define logic
and its applicability, whether it's
i + think            /             1 + 1
    and have the moral attraction toward a 2
         or variate a moral action into a 3:
cos Radiohead simply sang 2 + 2 = 5 in a song:
cheat! matchstick principle regarding counting!
machado de assis? Darwinism is peppered with
overt imagery than salted with:
you get to sneeze a lot...
             a writer's voice: irony, mockery,
         consolidating the lessened counter-productiveness...
Flaubert, Dickens, Zola, Balzac, etc.,
                    homie, rap that **** out, condense it,
i thought Brazil was half the way America should have
endeared you? i had problems with Prussia
Austria and Russia... guess i was wrong how thuggish
i had to be with the Orpheus *******...
       cos the lyre was dumbo blunt deaf and therefore
cacka...
     higher philosophy begins with dialectics,
"lower" philosophy begins with diacritics -
     a return to the source, a debate with Ivory scales
concerning the Rosetta - a neo-formatting of
what's quiete
                           right: Sophia: hence anew: Rosetta.
and all for the pear that's woman and whether Satan
chose the fruit prudently according to Milton.
or the progress of a drunk:
centipedes and Fitzgeralds, Hemingways,
lust and last said...
                           the cf. of every apparent transitory
made to provoke the quasi and quack,
              ducking the Donald and the *****,
in agreement,
                     a happiness toward the tiresome
encrusting of what's worth being stated,
and then the deviatory,
                              as marketed a deviation
from a Louis Napoleon -
                                    because no Belarus was
to be chequered by an impeding force...
                      hence the cha cha cha...
                                    and hence the stanzas of
Argentinian tango...
              juicy and later the cruelty choking
of what some might make of Macbeath's habitual thinking
                                       worthy of a classroom
                audience; and that too is
exposable in return for being disposable.
higher philosophy is regarded as such with
dialectics,
                        but "lower" philosophy is
yet to be regarded as such with diacritics -
     not a case of what's to be said, and thus bedded,
but a case of how's something said,
                                and thus given a freedom
of: bedded, wedded, pimped, or whimpered into
                                     surviving writing a poem about;
also achieved by Humphrey and that chuckle of
revising Casablanca for an unnecessary quote dynamic /
diatribe when Hiroshima said
                 much more than the above certified:
boom! 1 million ******* dead.
       that's an overt-quote that gropes the many
amens among the citations of Marilyn, and still gets away
with                     a memory of J.F.K.,
           because that ****-honing masterpiece
was needing my memory rather
                                   than a b. b. q.    scewing.
          i find people rather forgetting:
jeopardy battered boundless gym orientational
                     thoughtless two shots of tequilas
            and three paraphrases of sours in biting a lemon
to upkeep a trough of a suntan with the H-He:
boom boom, higher tier laughter,
             ingesting that inflation of prop
                    boom boom, v bomber,
                     squeeze...
                    lob-side lo & behold,
                                       'n'        - squiggly extra thus born.
Jane Doe May 2014
I want to dance with you
I want to take you to the ocean
to splash in the waves
and collapse with you on the hot sand
I want to watch cartoons with you
make pasta
and look at furniture in Ikea with you
I want to buy couple's Halloween costumes
You'll be Shaggy
I'll be Velma
I want to lay in your arms and read a book
I want to wake up early in the mornings
while you're asleep
and lay still in your arms
trying not to wake you
I want to memorize the contours on your face
the marks on your body
I want you to comfort me at 2 am
when a character in my book dies
I want to quote Casablanca with you
and think about you when you aren't here
but above all
I want you in all your perfect imperfections
because we quote Casablanca wrong
we never got the Halloween costumes
and we overcook the pasta
because of this, I want you forever

— The End —