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To end up alone
in a tomb of a room
without cigarettes
or wine--
just a lightbulb
and a potbelly,
grayhaired,
and glad to have
the room.
...in the morning
they're out there
making money:
judges, carpenters,
plumbers, doctors,
newsboys, policemen,
barbers, carwashers,
dentists, florists,
waitresses, cooks,
cabdrivers...
and you turn over
to your left side
to get the sun
on your back
and out
of your eyes.
from "All's Normal Here" - 1985
CARPENTERS I'LL NEVER FALL IN LOVE AGAIN LYRICS

Artist: Carpenters
Popularity : 1 users have visited this page.
Album: Track 8 on Close to You
Length: 2:57

What do you get when you fall in love?
A guy with a pin to burst your bubble
That's what you get for all your trouble.
I'll never fall in love again.
I'll never fall in love again.

What do you get when you kiss a guy?
You get enough germs to catch pneumonia.
After you do, he'll never phone you.
I'll never fall in love again.
I'll never fall in love again.

Don't tell me what is all about,
'Cause I've been there and I'm glad I'm out,
Out of those chains, those chains that bind you
That is why I'm here to remind you

What do you get when you fall in love?
You get enough tears to fill an ocean
That's what you get for your devotion.
I'll never fall in love again.
I'll never fall in love again.

What do you get when you fall in love?
You only get lies and pain and sorrow.
So, for at least until tomorrow,
I'll never fall in love again!
I'll never fall in love again!
Allen Wilbert Oct 2013
*****

I like *****, I like ****,
before you touch, you must get permits.
Nothing like a nice pair of assets,
oh how puppies make nice pets.
Bazongas are ***** that are large,
strippers and hookers, will always charge.
Nothing like the perfect *****,
but only on the perfect woman.
******* are yummy dark or white,
but first you must wait for an invite.
Some girls even have a third ******,
do not squeeze says Mr. Whipple.
I don't mind girls on the itty, bitty, ***** committee,
on a carpenters dream, I show no pity.
They could be called a bust, some call them cans,
a woman's squeeze box, all men are fans.
Chesticles is a term I have never heard,
but everyday, I learn a new word.
I like cones, I like jugs,
girls with big ones, I give hugs.
Al Bundy loved calling them *******,
at the restaurant, I wish I was one of the recruiters.
A girl with a nice set of knockers,
might find herself with unwanted stalkers.
Fergie sang about her lovely lady lumps,
a good set of melons, still give me goose bumps.
***** always come in a pair,
why do bra's, they have to wear.
Even men who smoke lots of crack,
still can appreciate a good sized rack.
I don't care if there fake or real.
in a crowded room, I always cop a feel.
Girls love showing off some cleavage,
I wish I lived in a ***** village.
Babies need breast milk to make them stronger,
if the mom is hot, they may do it longer.
In conclusion, I love *****,
with whipped cream or melting ice cubes.
SE Reimer Jul 2016
~

we the people,
long have known
the write of
passages and poems,
whether bellwether,
envisionist or revisionist,
too oft have thought
this journey long,
and weight of hope and change
to another there belongs;
yet i subscribe
that we as scribes,
can right this ship,
not merely write it's wrongs;
for we it's pride
with hearts ascribe,
and note-by-note,
as carpenters and soldiers,
we its authors and its poets,
in words, in deeds,
writers, of a patriot’s song;
with deepest definition,
and inner soul reflection,
it's stanza, chorus, bridges,
we must lovingly inscribe.

~

*post script.

i know i am but one of many, who disillusioned, feel alienated, and could just as easily choose withdrawal as my reaction to our nation’s political plight. this then my belief, my plea, my hope we’ll see, withdrawal is not an option, that our words, deeds and even our writings carry weight, and bring with them hope and change to each community within which we each serve.  we are not merely writers of our history... we are authors of our destiny!  

if you are not an American, hope and pray for us, please, for we desperately need your support!!   if you are, pick up the pen... pick up the charge... be the change!!
Mateuš Conrad Feb 2017
anyone can be a dritte ***** fetishist... anyone! say one word in german, and the left will deem you adequate for a fist, rather than a lip... or at least that's how speaking german words, with their compound-anti-hyphen "getting together" looks like... the French utilise diacritical marks intended as syllable incissors: but frequently utilise them, unless you're Lacan and say: transcend them... i.e. move them to the side... ensuring that a monopoly on literacy is kept... the only remnants of Saxon in Anglo-Saxon is enclosed in chemical nouns.... the rarity of actually using a hyphen, you literally over-use in everyday sprechen... talk a word of deutsche and you're 1 centimetre away from saluting and to a hymn stating a sieg heil! Germany is originally community building, English, for all it's **** antics, isn't... Germany can have the concept of a zeitgeist tomorrow... German society is as thick as *****... Germans best represent *****... i never lived there, but i have enough instruments to see it... they have a tendency to disregard the individual when the mass is threatened... the Englsih? they don't have that tendecy... they are more into einsgeist than anything else... they are the single ethnic group that cherishes iconoclasm above anything else... i spent 3 weeks in Poland: how many times did i hear the word selfie used? not once, zilch... 0. i know that English is a lingua franca of modern times, but it's so easy to speak, given the fact that so many people speak, that i feel horrid using it... i want it to remain small, the tinniest of tiny in its post-imperial structure... comedy-hysterics prone... debating the question: why are Scots in the Houses of Westminster? making adequate demands? the English will never experience a zeitgiest... they're living in one at the moment, but given the disparity of accents: they''ll never accept it... which is why, whenever i travel to Poland, i have a luxury suite in how i deciphered diacritcal marks... i can't be recognised as a foreigner... but of course the gnat questions in Essex (England) given my Germanic physiogomy... it's self-evident... but why didn't god die in Auschwitz? i believe it to be akin to Jesus having no inkling into the struggle contesting the need to build pyramids... unlike the need for what later became a misinterpretations of Conquistadors seeing the Aztec similitude of Egypt... i.e. the scaffolds... capital punishment... ******* didn't get it... now the entire continent is overrun with them asking for the some obscure demand for a Juan buying them the next round of drinks... the English will never create a zeitgeist... my fascination with the dritte ***** is simply that: to see a zeitgeist... a complete and utter obedient ethnicity... a singular testmanet of a volk... Jews i too could praise, but they're too scattered, too "english" i.e. too individualistic, too disguised... i see them re-owning Israel a bit like some fetish ***** with latex and gimp... what i want to see is the volk, from the mistakes sentenced in Versailles... i want to simply see the volk... well... no can do... i can't see it, history says... it's a natural fetish of history students... American protests don't really do it for me... there's no omni-cohesion akin to a *****-like appropriation of the leader *****... that's the closest i'll ever get with getting to see a theocracy, minus the idiosyncratic psychosis... clear geometry! lines! shapes! regiments! i'm so tempted by it that i can't but lead my narrative with it! the English will never understand this concept... they're too idiosyncratic in their approach... they all think they're unique... or as that motto in school hanged over me echoed, it hanged there in the air like a guillotine, some anonymous dictator spoke to us: you're different... just like everybody else! it was never a concern for keeping a place of origin as ostriches might... ther was always that moral "obligation" surfacing from Hong Kong and king kong... and Timbuktu... which is why i said ω = oo and a pair of ****, or a bottom... and o = +h... or a breath central yielding to an islam of yhwh... versus the need for a macron over the omicron... and indeed the umlaut above the o merely invoked the siamese cut-off of e, so a tongue-curler... but the seeing the volk! we all go mad after a while... i can't see the years according to Adoolf as something worth a romance... it has all the traits of a noumenon about it... but you know why i write this? my grandfather remembers ᛋᛋ-men kleiden im schwarz in my home-town, just before the Russian army came with their youths who preferred to sleep with the animals in equivalent of Bethlehem grottos... he remembered the ᛋᛋ-men, not as kleiden im schwarz: but as.... herrbittebonbon... or should i punctuate that: herr! bitte bonbon! some have a fancy on remembering the romance of the Warsaw Uprising of '44... my only clue into the reality of world war ii was once said by my grandfather... and they gave him sweets... so that he ran home and had to put his hands under the tap, because the sweets were so glue-like, that only water could tear them apart in order that he might clasp something else... it's sad in a way: i ahve no memorial to go to... no need to express a pride... merely fragrant my vocab with a german word or two... to indeed see: that there must have been something human in that ******* embryo at some point... something counter Versailles... i can't feel being touchy about these neurotic spreading their opinions as if their opinions are above the facts that history dictates... and personal memories, however many generations apart... but at least kept... if my grandfather remembers ᛋᛋ-men being herrbittebonbon... i can only wish to have an unlimited amount of ****... given my libido... and the complexity of modern women demanding as they demand: the restrained man, the man not willing to explore easing ******* by having *** while she's in the cyclone... oh well.... thumbs up!

well... looking at it now, i can only see left-politics
without an economic model... or what happened when
communsim was undermined: my grandfather,
a communist party member has a state pension....
so it's not like he's on a 0-hour contract...
   what's missing with the current left-leaning
politics? an economic model...
the left has no economic policy in the west...
it was been weeded out, what with the original
model asserting Marx and Dickens' Oliver Twist
tragedy... the left has absolutely no
economic model, which makes for crude politics:
   once upon a time the workers
in eastern europe celebrated workers
day... and you had absolutely
no protest: i.e. not engagement in
Hegelian dialectics...
    minus: is there really a theological
dialectic? i'm not so sure
given that atheism is populist
in motto, and anti-centrist
and giving up the individual so easily...
i don't trust it...
       so i don't really
respect it, however many intellectuals
take to the pulpit...
   i too ordain myself with a strict rigour
of "religious" akin dynamics:
i drink to excess, daily...
   well... wouldn't you:
given too many wanted you dead...
you'd start to imitate them
and take gambles at your own life,
finally! **** me! they suddenly disappear,
those same people who wanted you dead!
****! gone... blah blah and pa pa much
later...
                i still think i'm more useful
rhyming snipptes i call poetry
and necessarily not rhyme: because i don't
like orthodoxy, whether church or
poetry bound... because it just seems
too much like ping-pong after a while...
   i never knew why rhyme needed rubric, strict,
only identifiable by rhyme...
  never knew why that was the case...
i always thought: impromptu against rhyme...
                  but i'll give Islam
one thing that overpowers the rest...
the fact that "saints'" heads are on fire...
rather than encapsulated in halos...
       i see the item: halo like
the fact that left politics is needy in a care for
anything but a rebellion against an economy...
left-wing politics have no economy to support...
you can't teach people communism
     without being left out in the cold
without Marshall Plan antics of benefits
and left with an idea of Marx...
            the shadow of Hegel looms too heavily
over the attempts...
  the shadow of Hegel is too thick
and coercing... to do otherwise...
                 leftist politics is without an economy:
therefore they have to imitate
  far-right tendencies...
  they have to employ damage...
well: this is coming from someone who's grandfather
was a communist party member...
                        i can't see the left....
i can't see a purpose: an economy as a wanking
hippy commune? really? is that all?
                     smashed windows, is that all?
i always liked the fact that Islamic saints
had their heads set alight... on fire my son,
on fire...
   no halo, akin to the current leftist attempt
at dialectics: by halo i mean: membrane,
i mean: the untouchables... meaning pristine ego...
if only the Sunnis allowed the artists of Persia
to come to their calling, to ease the strain
imposed by Muhammad...
but now... well: if writing is supposedly "holy"
what will the Sunnis ever make
of the iconoclasm of words in adverts?
nothing... are we being temped with a warring spirit,
are we? aren't we?!
   who's waking up the populists?!
you really want germans on the warring path?
of course... let me tell you how *william burroughs

noted the creation of the schutzstaffel
as over-heard:
pet a kitten for month... then gauge its eyes out.
oh i have no care for a romance:
i'm seeing Paris contained in an envelope
citing the address: Hades... arise!
it's not the same Paris i remember, not the Paris
of 2004 or 2005...
       it's really a case of playing with
    an elastic band.... you pull it, stretch it...
but finally it snaps! and yes...
we'll be drinking schnapps in Libya at some point...
i'm thinking: what will ever make a man
relieve himself of using a hammer and a nail
as a carpenter, and take to a machine gun?
there must be an enzyme-point that just festers
in its ability to give momentum...
there must be... perhaps when being global merchants
leaves people too ordained to wait for death
that they start seeking it in the ***** of Mars?
   when utopia nears and merely breathes into
man's ear, and says no word, unlike a god:
that the fatality dynamo begins...
    akin to the fateful comparison of Damocles -
dangling, but at the same time: tickling... teasing...
isn't the Islamic world merely agitating?
  trying to move the Christian world from
fully engrossing the "protestant"-liberal
easy adaptation working from unearthing
the nag hammadi library?
              well... the left is without an economic
model... so it's politics is what it is:
    the original intention of Hegel:
        outlines of the philosophy of right -
what's the genesis of Marx... funny enough
the book is merely a collection of notes on lectures...
      there no thesis involved...
nothing as grand as what could stand alone
akin to the phenomenology of spirit -
they're just notes... just like i'm reading heidegger's
ponderings ii - vi... notes... half-baked scripts...
   so my post-communist inheritence...
just when inflation gripped Polish economy...
and we had the Kantian idea reaching pulpit
1000000zł, i.e. so many denials of a stable 1...
    thus the inner working of modern capitalism...
how certain things are really worth
nothing, as such: £0.000001 -
i can only guess to state, the only class of people
able to experience this counter-inflation    
in western societies are "artists"...
    or artists, in the context of a harold norse
autobiography: memoirs of a ******* angel;
i.e. getting published, giving ****...      
   it would have been easier under Stalin or ******...
at least the chance of martydom
and the holy ghost of censorship...
  at least it would have made sense then...
but the concept of counter-inflation isn't that alien...
it exists for a reason to suggest:
we really don't need so many contestants
in an x-factor show... we don't need so many
artists... counter-inflation is at work already...
   the same sort of inflation that worked its way
to ensure plumbers and carpenters, roofers
from eastern europe at the end of communism
were necessarily exported into western europe...
given the communist work ethic...
    hence the power of money, so inhuman and
akin to an elemental force that man
can contain with pocket-money as a child,
but as a man, can't contain neither forest fire
or tsunami, so too money: with the economic crisis...
money overpowers man, akin to the elements...
the same inflation in poland at work
to shift people is apparent now, but as counter-inflation...
because England can't be known as a nation
of singers... but of nurses and carpenters and
   shopkeepers, hence the counter-inflation:
when a song on Spotify is worth £0.000001 per streaming...
an immigrant plumber from eastern europe is
worth 1000000zł... or how the coordinate (0, 0)
cancels out... and we're left with what's later just
a pedantic fact stated by someone like me: a zzzzzzzz
coordinate...
            we can't control money no more than
we can control seas...
   could we ever not dream of being given enough
money to then not waste them on pointless urges
akin to a lottery win and the easy way, via no
business or syndicate?
   really? there's a reason we live in a time
that's necessarily soulless...
   i can't give it a piquant phrase (only a phrase
as germans put it, chemically, hydrocarbon spelling
akin to zeitgeist - spirit of the times,
and there's nothing holy about it...
   it just moves to the next generation,
and the next poker hand... so **** that trinity
um... person?) - it gets ***** with fashion...
   or as i see it: cannibalism of 20th century trends
as the neo-original basis of fashion in the 21st beginning...
this is the one time i'll get to coin a phrase,
i.e. pick up a penny from the street pavement...
   counter-inflation brought it about...
rather than a zeitgeist where we can share afflictions
and, perhaps succumb to empathy early on...
nein... none of that... let's see what we really see it as:
ebenegeist - or? the levelling spirit...
         ebene-    (level)... ah... even better!
   stufegeist... you hear it all the time!
                         buying a house and getting onto
the property ladder!
                                    stufegeist -
           always that tease, always that ******* carrot
and that donkey... well... that's one way to get
motivational... invert the inflation of Zimbabwe...
  ensure people stop dreaming,
   make a plumber worth £0.000001 in Zimbabwe
and £1000000 in England...
      likewise make an "artist" worth
   £0.000001 per poem / song / painting...
  and likewise make him worth £1000000
in Zimbabwe as a "good" person...
  well... by now completely mentally ill...
   but hey! it's money! look at money like you might
look at water or fire or earth... and it's not
exactly a Monday's edition of the Financial Times...
mind you: given that we're so "advanced",
and given how old the concept of money is...
   is it really not as primitive as it really is
in what it makes people do?
   oh sure, because i'm so not used to it:
i'd rather be paid with the currency of peanuts!
                but then my love for the art is greater
than my ability to buy a brand new kettle...
or a doormat... so... what's the word... m'eh?
My head is reeling
What a feeling
Bass line pounding through my brain
Skull is cracking
Quite nerve racking
I need something to help dull the pain

Images horrific
Pressure is terrific
Listening to what the station plays
Eyes are burning
The world is turning
It's like it is the end of days

I need to spend some time relaxing
Getting my music back into my head
Listening to ABBA oldies
followed by David Gates and Bread
An afterword or two by Chapin
With The  Carpenters along as well
Will help me clear my mind of what's there
And take away the images of hell

KHEL, hour of power
The station of the hour
Killing my braincells by the day
Hard Rock bottom feeders
Rotten Singers, silly bleeders
I don't know why I stay

Thrash and Metal
Brain won't settle
My head is almost set to burst
Glass and Glitter
Makes me twitter
I no longer think disco was the worst

I need to spend some time relaxing
Getting my music back into my head
Listening to ABBA oldies
followed by David Gates and Bread
An afterword or two by Chapin
With The  Carpenters along as well
Will help me clear my mind of what's there
And take away the images of hell

Hey There DJ
That's what the kids say
I do it just to help to pay the bills
Super sonic
I need a tonic
To help me swallow down the pain pills

Every morning
Without warning
The pain begins in my head
Metal grating
Music hating
I guess I'll feel alright when I'm dead

I need to spend some time relaxing
Getting my music back into my head
Listening to ABBA oldies
followed by David Gates and Bread
An afterword or two by Chapin
With The  Carpenters along as well
Will help me clear my mind of what's there
And take away the images of hell
Random thoughts of a morning dj at a heavy metal, thrash, radio station...by a dj who likes Neil Sedaka, The Carpenters, Bread, ABBA and other groups of that ilk.
Meghan Letson Dec 2012
A yellow fever burns with anger.
Mothers fill with a sense of danger.
As towns die and graveyards grow,
A carpenter’s child waits for snow.
Many lives this fever will take.
While others say this horror is fake.
This carpenters child is the only smart one.
For this fever only strikes on a hot days sun.
When winter comes and cools the air
the fever’s anger will disappear.
In the winter it hibernates.
So, dear child please wait.
In a land they is free
Yellow Fever struck in 1793.
Edna Sweetlove Jan 2015
O how I recall with joy a visit to Jackson, proud capital of Mississippi,
The land of the fearless fatties, the glorious land of the uber-obese,
A paradise enjoying amazingly high blood pressure and diabetes rates,
Thanks to the greed and gluttony of its 'proud-to-be-portly' inhabitants.

How delightful to stroll along its leafy boulevards, admiring the advertising
For junk food shops: "Super-Size Your Deep Crust Giant Pizza for only $1!"
"Real Men love our Emperor Size Cheeseburgers, King Size is for Kids!"
And "Come Try Our All Day Giant Breakfast with Triple French Fries!"

How enchanting to see furniture stores offering discounted extra big sofas,
Builders and carpenters with their cut-price floor-strengthening deals,
Tailors' shops with their displays of buffet pants and elasticated jeans,
Realtors promoting houses with double porches and wide internal doors.

And, O the trailer parks, those truly splendid residential areas,
With their giant size immoveable vehicles with spacious entry portals
To allow the immaculately dressed residents to carry in an armful
Of multi-packs of chocolate iced crème flavour filling Krispy Kremes.

But most wondrous of all, the myriad rival Pentacostal Chapels
With their guaranteed reinforced concrete padded sofa-pews
And their portrayals of plump Jesuses to make the fatties feel at home.
And all those "funeral parlors" with their gaping super-wide caskets.

How I loved the blinking stares of the sleep-deprived bible students
As they staggered out of an architectural wonder of a chapel,
Bleary-eyed after an all-night bible study session, and all eager
For a healthy breakfast of a dozen flash-fried sugar encrusted "donuts".

I was there in this glorious world centre of ever-escalating obesity
With my latest gorgeous lady love (at only 140 pounds and five foot two,
possibly the slimmest woman in the entire Jackson Metropolitan Area)
And we decided to try some good ol' Mississippi fine dining as a treat.

Holey Moley! What a feasts on offer: pan-fried catfish, deep-fried catfish,
Steaks the size of an encyclopaedia and all accompanied by unlimited fries!
Sweet potato and pecan pie with butter, sugar, eggs and extra cream,
And Mississippi Mud Pie with its chocolate crust and sticky chocolate filling!

(The chef de cuisine in our upscale diner told us that Southern cooks
had created this wondrous dessert because its sophicated ingredients
were available cheaply and the recipe required only minimal culinary skill,
and what's more it came with a treble serving of supermarket ice cream!)

We declined the bottomless cup of watery coffee with compulsory sugar
And enquired if we might have a bottle of his finest wine. Quel faux-pas!
The dear fatso was mortified and told us his was a Christian establishment
And strong drink was frowned upon. Did we think he was a degenerate?

That night we lay bloated like beached whales in our tasteful motel room
(its bed reinforced with ferro-concrete to deal with the horrid possibility
that any gargantuan visitors might wish to copulate vigorously);
Oh how we burped and farted, longing for a dose of bicarbonate of soda.

All good things come to an end so, after a nessy session on the toilet
(we filled it thrice), we bade farewell to the desk clerk and sloped off.
"Be sure y'all come back real soon," he declared, patting his fat gut,
"Cuz you both sure do look two real skinny Limeys, ya hear me?."

As we drove out of this elegant city that steamy Southern summer morn
In our rented 4X4 super-strong chassis Land Rover, how we smiled
At the scene outside Walmart where the special offer of the day
Was five pounds of free candies with every single assault rifle sold.

But alas! And alack! Tragedy was not so very far away that day:
Some corpulent teenagers toppled off the sidewalk under my auto's wheels
In their indecent haste to take advantage of the latest McDonald's bargain:
A quart of complimentary Dr Pepper's with a whole oven-fried McTurkey.

Oy! What a horrid mess my fender made of their pudgy, mottled flesh
And how wise we were to speed off before the cops arrived
At least, we avoided being beaten us to a pulp for being leftist libtards
Come to laugh at the dear redneck ways south of the Mason-Dixon Line.
The uniVerse Aug 2016
I dream of innocence
of days long spent
beneath summers sun
a Carpenters son
and royal daughter
a Queen and a martyr
one girl one boy
eyes fuse like alloy
caught in a sudden trance
a courtship dance
loves hypnotic rituals
of star filled visuals
white lights against black night
white Knight versus black Knight
this is now a game of chess
strategizing what to do next.

Three is a crowd
how I wish he wasn't around
your first mistake
so I sit and wait
for the nightmare to be over
for my Knights mare to save her
I already know the pain she's due
it's as old as the sun, this rain isn't new
nothing washes away infidelities sinning
nothing can make them white sheets of linen
once innocence is lost like paradise
if only you took another roll at the dice
maybe fate is predetermined numbers
and maybe innocence only exists in slumber
maybe it was lost at birth
maybe it's just an ancient curse
inherited from days long ago
maybe we were never white as snow.

But still I have this martyrs cause
yet still I never really give pause
the Knight that sacrifices for his Queen
for he has already witnessed all to be seen
history repeating itself
Déjà vu sapping our health
reincarnated pain
can the black Knight ever be slain?
or is it just another side of the coin
everyone is still curtain drawing
hiding from the dark
the day that's lost its spark
black night only masks the sun
black Knight versus the Carpenters son
but white lights appear in the sky
the white night is there when we die
when our numbers finally up
when our slumber finally stops
the ending of the night
maybe we aren't really Knights
maybe we are all just pawns
so innocence can be reborn.
https://www.instagram.com/p/ByEKcNQHA_z/
A Child’s Story

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

Rats!
They fought the dogs, and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

At last the people in a body
To the Town Hall came flocking:
“’Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation—shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, Sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain—
I’m sure my poor head aches again
I’ve scratched it so, and all in vain.
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

“Come in!”—the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red;
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in—
There was no guessing his kith and kin!
And nobody could enough admire
The tall man and his quaint attire:
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the selfsame cheque;
And at the scarf’s end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to be playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And, as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”—was the exclamation
Of the astonished Mayor and Corporation.

Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled
Like a candle flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives—
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout a Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out ‘Oh, rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce and inch before me,
Just as methought it said ‘Come, bore me!’
- I found the Weser rolling o’er me.”

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple.
“Go,” cried the Mayor, “and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”—when suddenly, up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest **** with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something for drink,
And a matter of money to put in your poke;
But, as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

The Piper’s face fell, and he cried
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdat, and accept the prime
Of the Head Cook’s pottage, all he’s rich in,
For having left, in the Calip’s kitchen,
Of a nest of scorpions no survivor—
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe to another fashion.”

“How?” cried the Mayor, “d’ye think I’ll brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling, that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farmyard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by—
And could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain’s side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,—
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me:
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings:
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the Hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says, that Heaven’s Gate
Opes to the Rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six”:
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street—
Where any one playing on pipe or tabor
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great Church-Window painted
The same, to make the world acquainted
How their children were stolen away;
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

So, *****, let you and me be wipers
Of scores out with all men—especially pipers:
And, whether they pipe us free, from rats or from mice,
If we’ve promised them aught, let us keep our promise.
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
Steve D'Beard Jun 2014
We, the people of this country, in your eyes are:

babblers, bachelors, bafflers, baiters, barkers,
beakers, beaters, brawlers, blamers, beggars,
bloaters, bloopers, bombers, boozers, blunders,
bruisers, bafflers, bluffers, burglars and burners.

That's why you feel compelled to keep your foot on our heads
keep us down, put us down, push us down
subjugate us, belittle us, berate us.

We, the people of this country, in our eyes are:

butlers, bouncers, bakers, buyers, barbers,
cake-makers, delivery-takers, cocktail-shakers,
taxi drivers, cancer survivors, employers and hirers,
music makers, entertainers, window washers, foster takers,
plasterers, carpenters, scaffolders, sparks and builders,
boxers, carers, coaches, tailors, shoe makers,
designers, illustrators, multi-language facilitators,
dog walkers, dog trainers, bikers and cycle couriers,
doctors and nurses and all the emergency services.

We are the People, the reason you are where you are now
you sometimes forget that we exist as people, somehow
locked in your ivory towers with gold plated showers
and MP expenses and investment banker pretenses
this is not theater, its real life drama, its not just a bluff
its time to stand up
and say enough is enough.
Raymond Walker Apr 2012
The Dawn.



The sails hang large,
upon the sundered crew,
His father had not looked
on him with pleasure.
Poseidon’s son, and king,
of the Athenian dream,
he lands upon distant shore
in disrepair and lean.
a mighty voyage undertaken,
to gain iron for Athens might
but tide and storm wracked seas
has built upon this plight.

They land for food,
upon an endless plain
succour wanted, nay required,
lest all have been in vain.
Approach is made
by women strong in might
proud horses they sit and watch
before the sun, a glorious sight.
Amazons he knows of
they are too watched with fear
they are stronger than men he knows and watches as they near

















War queen she sits
upon her horse and awaits
these men that dare to land
But give them sanctuary she states.
her lover and second
looks in awe to the queen
these men given succour by amazons
this never has she seen







Antiope queen of all,
the plains for leagues around
Knows not a men, allows them not
but for trade on holy ground
Eluthera, freedom her name,
her second and lover same
wonders of this tall man, slim waisted,
lean, and asks his name.

Theseus he calls himself,
states his intentions and past
Antiope sits and listens and wonders
the seeds of fate are cast.
Eluthera watches Theseus’  face
and knows there is love there born
Though she believes it not,
from her home by love is Antiope torn
boats repaired and sail set
Theseus sets sail for home.
Antiope returns with him, they marry,
she is never more to roam.












Theseus song.

This woman of the plains, Amazon.
She sits her horse, sweet and proud yet strong.
She protects my honour, though tis' not her due
and speaks with eloquence no savage she.
Never before have I met my equal, in all things, man
or woman.
She is this and more
I can feel love from under her mein
This I know was destined
this even I without peer they say.
this even I understood.
yet here she stands, and walks and runs,
and here love awaits.














Elutheras song.

Here I have lived with the horse
and the sky,
who is god.
My name is freedom
and that is what I have
what can civilisation give us?
that we do not already have
what can walls provide,
that we, do not already know.
God, the sky. The horse, these our walls are.
He speaks well this Athenian, but what is speech
he looks well, but what can he give her.
She has all that there is.
and love she has, love of her sisters,
in her bed, and in our heart,
what can he give her.

Antiope's song.

To her I owe honour,
to him I give love.
what will become of this?
to her I owe love
to him i give honour,
what will become of this?
he is everything
she is everything
the plains are everything
the horse is all
yet I will betray my sisters
I know that now.
I will betray this life
I know that now
he is my equal in all
she in war I betray my people.
for love.































Part2

The tears of Eluthera.

Dripping
Burning
Hating
Loving
She must be returned
Rising
Loving
Lying
Hating
She must be returned
Rising
Rising
RISING
RISING
She must be returned
RISING
She must be returned
To her people
She must be returned
To her horses
Her gods
And me

RISING

She must be returned
They have taken her
She must be returned
She has not left













RISING

She must be returned
For they have taken her
Kidnapped, stolen her
He has taken her
Loved her
***** her
She must be returned
She is ours
She is our queen
She is
My love

RISING

Arise, sisters, arise
And let us take back what is ours
Arise, sisters, arise,
Let Athens quake at our power
Arise sisters arise
We will take back our queen
Arise sisters arise
That the might of Amazonian be seen.

We will raise an army
The greatest ever seen
To Athens and battle
For bloodshed keen
Unite the plains
And march and ride
And no quarter
Given either side.

Masii geti and copperhead
Scyths,Thracians, tower builders and
Copperhead Scyths
Dardanians, and all
The three tribes of ty kyrte ride
For Athens and revenge
To Athens and revenge.











Antiope’s song(2)

I stand here, beside pillars of stone
I watch from the acropolis
And wait
Theseus works with his people
He rules not by might
Of arms
But by deference
He holds his rule
With love
I hold the babe and watch
I can feel fate
Drawing near
I hear the thunder
Of hooves from the plains
And wait
I know he will prevail
This man I love
And wait And so I know
I will wear armour
Again
Before the end.
Before the end    
























Part 3
The battle.

Athens

We waited
We awaited their coming
Rumours formed
Rumours grew
Of a foe so strong
You can hear thunder
In their passing they say

Arm the cooks
Arm the carpenters
Athens will fall
Arm the viniers
Arm the boys
Athens will fall
The plains tribes
United they say
Athens will fall
Impossible I know They hate each other
More than us
They say

Thunder in the distance
And smoke fills the air
The dust of advance
Reaches our lair



Was that the flash of lightning?
Or glint of sun on a spear
Amazed we stand and watch
As they draw near
The lion of Athens will
Hunt now from its lair
To contend with the
War-horses baleful stare











One hundred and fifty thousand you say
One hundred and fifty thousand
One hundred and fifty thousand
Against 20 starts this day.

We arm the cooks
The carpenters,
the old men
And small boys Barely out of swaddling
Not yet finished
With their toys

We surge and struggle in the press
And surge again
Shields locked
And helms down

We surge and struggle, and they gain
And surge again
And retreat
And die
And die

Our own archers and artillery
They fire on us now
There’s no escape
There’s no escape
But forward to the press
To surge and struggle
Forward to press
Back to die
Forward to death and back
And we die
We die
We surge and struggle
Ever backwards
Ever backwards
We surge and struggle and we die
And we die










We surge and struggle
And widows are born
We surge and struggle
Like children forlorn
Ever backwards
Ever backwards
And we die
And we die

The toll is paid

We surge and struggle
But Athens will fall
Now wounded all
And dying
We surge and struggle
But hope has fled
Ever backwards
And to death

The advance of ty kyrte

We hold the field
But at great cost
We hold the field
Many horses lost

We are at the gates
But with great cost
We hold the town,
Many sisters lost

One more push sisters
One more charge
We are at the gates
Athens is lost









Back we were pushed
And back we fled
Through the town
The city streets
And fortress
Back we were pushed and back we fled




With shout and moan
Curse and groan
Clash of shield
We did yield
Every yard
With scream and yell
Fay and fell
Warriors now
We did yield
Every yard
































For every step
They paid
Like us
In blood
For every inch
They died
Like us
In mud






Horses skittered
Legs and bones broken
For every step and token
Move, every surge
And repulse
Until we stopped
Until we stopped
We could not see
We could not tell
But there was no
Where else to go
We stopped






















PART 4
The end

No where else to go,
No further back to fall
No retreat
No quarter
We stood
The battered
The bruised
The wounded and dying
We stood
For there was no choice










A commotion to the left
A horse rides out
On it rides death
And beauty
On it rides hell
And hope
On it rides Antiope
Armoured, and armed
Dressed
For death


Heroes she slew
Theseus behind her
Glauke, grey eyes
Queen was first
We advanced and slew









Kings she killed
Theseus behind her
Saduces of Thrace
Fell there, as his son
We advanced and killed.

How many heroes fell?
To her axe and bow
To many here to tell
Whispered word
Silence fell.
As Eluthera took the field
The fighting stopped
And silence grew
The battle decided here

The fate of Athens on the scales









Antiope rode for higher ground
Eluthera the lower
Antiope charged and threw
Javelin with all her power
Three times they charged
Three times they threw
And both wounded waited
A final charge, for death
They knew, the outcome fated.

There Antiope fell
By her lovers hand
Unarmed
And seeking death








Eluthera sat atop
Her steed and keened
Victor
With victory lost

Theseus faced her now
On foot and sword drawn
Deplete
And cursing fate





Theseus king no more
But husband bereft only
Maddened
Down  on her bore
There Eluthera fell.
































Twenty Years have past
fleeting,
Twenty, tears been shed
Weeping,
Twenty, lives lost,
mourning,
twenty hopes, die
burning,

The people, return,
Zeus smiles
rich in livestock
and strength.

Twenty years ago
the titans clashed.
Twenty years ago
the winds of fate lashed.
Twenty years ago
lovers died.
Twenty years ago
The Scyths lied.

Theseus, in memory,
plans sacrifice,
for his lost love,
once his wife.






Antiopes shrine
is sundered as Poseidon
shivers,
earthshaker.













And on the plains
the battle rages,
deplete,
bereft,
Eluthera, whole again,
freedom once more,
leads,
the charge,
the last charge,
of the Amazon
against the Scyths.


The End
I am kind of sorry for adding this for i wrote it years ago and well you can see for yourself it needs some work, but i do likle the idea of the classical poem
Mateuš Conrad Aug 2016
^or the equivalent of the bushidō, i.e. way of the citizen: shimin dōro (shimindō).

it's truly electrifying watching the Olympics, the diversity of
bodies, it simply shames the football ballerinas
complaining about their tiaras
and fouls *****-whiskers tingling **** -
oh ooh oh god, the end of the world!
i finally find my body type,
Greco-Roman 130 kg wrestling,
or 105 kg weightlifting, no six pack...
you watch the Olympics long enough to
sterilise what's otherwise turkey-feeding
of image... i think the discus throwers
are hot, the archery from South Korean with
their porcelain pelicans shattering on the one touch...
the Croat beauty is atypical of
Slaven Bilić - itch - that's a diacritical mark
that's itchy - breve or acute... c̆ that alternative,
along with the c̆ech - Český Krumlov - chequers-ski -
Gucci and other associates of Milan did
a runner... we don't accept anorexic in the
Paraolympics... maybe we should enter old twiggy
daddy longshanks in the races... invent
Metaolympics...  so i found out where i'm designated,
130kg Greco-Roman wrestling and 105kg weightlifting...
that's my body... if i were to be tyrannised by
the dictatorial rule of volleyball and football
i'd be nowhere... no spectrum, no difference...
some like Twiggy Ramirez at the ping pong shoo
(**** **** ****... believe me,
non-purpose onomatopoeia usage is a replacement
of sensibility knocking, i use it when i just
want a sound, not necessarily an accessible
direction of finalising a meaning) -
but watching the Olympics is like watching
the Greeks under Roman rule... the marble genius
of the spectrum of sizes... and coerced differences
ploughed into one...
which had me bewildered about the other duality,
i always thought that the Spartan way of life
was about raw physicality... that all Spartans
had to be physically fit, ten potato sacks on their
shoulders running up Etna...
and that the Athenians concerned themselves
with aesthetics of the arts and clues...
it's not about athletics at all...
i'm a Spartan in that respect, sure, i donned
the long hair like any Spartan might,
men with long hair, women with a Niqab, whatever,
Satan's postbox as the crude English myth said it was...
i might go and see a ballet, but let me tell you,
any first act of ballet is tedious... you can't warm up
to liking any ballet in the first act...
it's all downhill during the second and third acts,
but the first act is horrid...
i realised that there was another dimension of
the Spartan life, it's not the physicality at all...
Spartans' physicality is about efficiency,
we have weightlifters in Sparta, but we have
bodybuilders in Athens, the former concerns itself
in pragmatic matters, the latter in aesthetic matters...
same in art... the Spartan way concerning mental
aptitude is to do with the basics, with very little,
a minimalism, a park bench, a few beers,
a conversation... otherwise? the Athenian reign on
ballrooms, cocktails, royal dinners, flamboyance,
degeneracy, and outright excess...
forget the Olympic plus, the variations of bodies...
footballers and anorexic catwalk models...
we're talking blubber fetishes of Rembrandt -
then into the psychic life of Sparta - simplicity,
twinning with the Japanese way of life...
over and over again... simple fulfils perfection
by not competing, so self-absorbed it is,
so solipsistic it will remain... and it is an art-form
the Spartan life, if i get my sleep,
have my tobacco, a bottle of whiskey and a few beers,
a white page... the end.
the Athenian model discounts what that famous
Spartan argued for: carpenters, plumbers,
better than the claims of being a "son of god",
he broke out, on the prescription that ****** him
by the authorities: deus ex machina -
try imitating him, it's harder than you think.
the Athenian model of the arts and impracticality -
the Spartan model of geometry and practicality -
the Olympics taught me that the Spartan way of life
is not solely concerned with physical exercises,
that the physicality of body be the sole concern,
that one is to perfect the body...
the Spartan way of perfecting the mind is just as rigid
as the body demands... the pentagon of an event,
how strained is your hearing, your eyes or your tongue?
it concern the simplicity of all things being perfected,
rather than the Athenian counter of the complication
of all things being unlearned and in pyramidal schematics
expected: courtesy of approaching a king...
the dinner arrangements, the starter fork, the main meal
fork, the dessert fork... a Spartan would just look at it
and say: they can use chop-sticks because the chef
knew how to cut into bite size... i'll forget the knife
and use the one fork throughout the meal...
she better be wearing that crown of hers throughout
the meal... otherwise she's no queen, i'll just watch
her slurp the soup with that Mt. Fuji balancing on her head...
**** the airs, and all of Jane Austen.
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.

Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.

But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.

Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.

In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.

I did not think of my body at needle point.
Even the cornea and the leftover ***** were gone.
Suicides have already betrayed the body.

Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.

To ****** all that life under your tongue!-
that, all by itself, becomes a passion.
Death's a sad bone; bruised, you'd say,

and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.

Balanced there, suicides sometimes meet,
raging at the fruit a pumped-up moon,
leaving the bread they mistook for a kiss,

leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love whatever it was, an infection.
James M Vines Dec 2015
Last  night I had a dream of a man working wood. He was a simple soul, but his hands were steady in his work. Each piece of wood he cut and shaped with delicate care. As I approached him I saw that he had no shoes. I asked sir where are your shoes and he looked at me and smiled. He said that the last pair are over there. In the corner of his shop, I saw his sandals all worn and broken. He continued with his work and I ask why are you shoes so worn. He looked at me and smiled as he told me a of his journeys and of the burdens he bore. He said that he wore out many pairs of shoes, each one in a labor of love. He said I have carried many burdens and with each burden, my shoes have worn away. Now all burdens are lifted and that is the last pair. I was happy and sad as I walked away, then I awoke and stared into the night. As I though about the shoes and the carpenters words, I realized that his words rang true, as in my dream Jesus had lifted my burden from me.
Such faith, conceived by truth-revealing trials
Would open up the way for sojourn hearts
Which, too long groaning, some contend the while
And fix not, pierced through with searing darts
Of cruel despite.  The back and not the front
Too much pursued, then turns away the thought
Which, rightly meek, could otherwise wax blunt
The plaint of sorrow, though not falsely wrought.
The vale they pass, and must, which set before
Is flood with tears of loss for grace remiss
Unkindly given, faithfully now born-
Both cheeks for smiting, doubly felt love's kiss.
Forbearing calls of tempted wrath, uncouth
They still the soul with love to love in truth.

Miners do not bemoan their lot or odds
Toiling amidst the mountains for the boon
Of rare and costly things, nor curse the gods
That one is later rich, one richer soon.
Attentiveness they hold who sooner reap
The treasure that's around them secret sown
While into every crevice careful peek
To pluck what heedless others pass unknown.
Life is not slack to proffer all the glee
Of finding underfoot their stainless wealth
If but the waking heart might, pious, see
The subtle vision slipped their soul in stealth.
A fool to Fortune's ways too tempted cling
As others own great price in common things.

What is a plowman’s good who does not know
To rend the fallow starts a noble work
And sluggard helper who rose not to sow
For early rains, and still the labor shirks?
All seasons come upon a certain time
Accounting naturally important ends
Then run together, pending to adjoin
And pass one into each toward that they tend.
So bides the heart, all dispositions moved
Proportionate to their respective toil
And meets the trials of reason, thorough proved
To blend experience for richer soil.
Such faithfulness lays hold upon the tares
And garners truth in joy of harvest tears.

The carpenters, with line and cornered rule
Perfect their plan, all purposes befitting;
Discerning every plane, they make it true
To need and art, nothing good omitting.
Time, space, and material, they well acquaint
To suit what in idea they have known
And do not reckon aimlessly to joint
The forms of care which discipline bestows.
Determining at first, their soul aspires
With upright means to prove a steady norm
In outward style, contracting the attire
To fit, more solid, ‘gainst the pending storms.
All ends appraised, no castle in the air
They raise integrity’s undoubted lair.

The shifting winds of glancing pride toss-on
The ship of fools ambition ere the port
Of youth is left, though life will not disport
With careless confidence and ****** throngs.
Awake you sleepers, grab onto the helm
Of discipline and keep a watchful eye
For them false prophets' quackery that o’er whelms
The halting reason; now, the trial draws nigh.
Set sail for deeper waters, brave the depths
Of judgment, yet retain a stern relief
'gainst piercing cynicism, which has cleft
Many strong hull upon the siren’s reef.
A hero braves the dark, where Dagon preys
To pluck the pearly gem from wisdom's lay.

Seeming and unseemly, like and dislike
The teeter and the totter is such play
Of mind and meaning, cause and mirrored sight
Which founding can confound the night with day.
The child is parent to the man while life
On loss is nourished; so a fusion rules
The universe inverse, returning strife
To compound allegory, deft endued.
Now what in words the wise of men contend
Consistent with or contra-wise contrived
Truth veers centripetal as spirit bends
The line’s division into circumscribed.
So Hermes’ message, as with salty might
Transforms the fixed in point of solving light.

The trials’ invocation always lends
Two ways to go, all faithless thoughts determined;
Another’s liberty of life extends
And once encompassed, all sure hope resounds.
What outward and destructive ways are there
In boasted things and ****** aspirations
Darkens careless souls that proudly bear
The cruelty of reckless estimations;
Though as an envoy of the light there’s one
That demonstrates a proven dignity
In all the world, illumined as the Sun
Their character’s sublime prosperity.
Such paragon of peace must ever live
In conquest of the other's death and sin.

As donning faces for the shift of things
Accommodation is the passing rite
That opens up upon the newest things
Where right or wrong, as given's, always nice.
What dogma won, in things of captured worth
Then fails for certain as both night and day
Impose fierce gauntlets which, ordained by birth
Initiates into humanity.
Whether comes fair or foul, truth ever is
Between what was, perhaps that which shall be
Where nothing good's received, nothing given
Except that proven by integrity.
More prudent hearts, in seeming-self discern
What loss to own, what gains to yet forgo.

No longer bothered in the waking hours
To vex the soul with thoughts of cruel reproof
They lighten every gloom with kinder bowers
And firm affections for shared primal youth.
Life’s promises they keep and sooner turn
On admiration of a sincere care
That judges not but, ever ready, learns-
What good or bad, by name, is common shared.
So being one within a true respect
They dare no more contend with right or wrong
Nor weary coming days with old regrets
But thank the night as harbinger of song.
At last to love in truth and constant live
By word of grace, their best of care to give!

Confessing nothing rash to vainly give
An estimation of life’s fleeting span
They overcome the world and constant live
In each, uniting, as is fit to stand.
Too soon, contesting banter comes about
On winds of contradiction, outward born
For inward wreck upon the teeth of doubt
As partial men from better self are shorn.
But owning what is due in right respect
Of station that sets all among the stars
So puny, comes a night to recollect
Those cares that found and folly each discharged.
Without more striving then, their way bestows
A humble truth, in love more plainly known.

So comes the proof upon transcendent will
To study every thought and whispered care
In what is sought and how may grace distill
The phantom soul; from private ways to bear
All things of good and evil in compound
As strange concoctions are at first the mead
Of sojourn ways, from ancient roots to bound
With vital links of continuity.
No star of vacant hope to glimpse at first
Where subtle intimations strike the mind
For sacred unction, urging on a birth
Through shadowed veils of self and misty kinds.
Once found in each, born by integrity
They compass perfect care to open up
The fount of golden youth while manhood’s key
Unlocks the treasures of salvific sup.
Such ripened grace of knowing, rightly heard
Stores up the nations, garnering the world.

A vision in the heart of Man, more true
To magnify the deed and, pure as gold
Proved equity of faith in each that holds
As dung all things which strife of pride once lured.
Allied and filling up the high measure
Of righteousness, with precepts born of love
It rectifies the will, drawing treasures
From Hade’s misty shrine and dank abode.
Thereby to light their lamps and truth reflect
The awesome wonder of life’s unity
While nothing of their tears to yet regret
Nor grant a loss to love's great sanctity.
Great mystery, though measured in the known
It rises, all in each and each in all!

Who knows what by this awful sight is spied
For proofs more sturdy, sought upon the word
To shape the justice of their dawning days
And lift to yet new life the palling world?
More subtle than the silent creep of time
It slips on by like whispers of a dream
To walk amidst the hustle and the grind
Of souls, too careless snared by cruel disdain.
Not here or there with proud insistency
Nor couched in dainty flirting of the mind-
A form of light and golden verity
Clothed in itself, itself a world sublime.
Substance of being, hope without a fear
This faith, indemnified by countless tears.

Ten thousand times ten thousand worlds employed
With weight and number, light and vast devoid
Before this fairest seat could faith enjoin
As heaven’s solar dame to the sublime.
Compressed within its bowels, the work's distress
From many tons of ore brings forth one stone
Which rare carbunculus the sage invest
With value, their beloved to adorn.
But this and all true wonder has not shown
What men and women may, in time, bequeath
As one pure breath of aurum spirit, born
To comprehend and compliment the rest.
Great agony has justified the odds
In consequence of Man, revealing God!
Daniel Mashburn Sep 2014
I'm feeling like the hero in a Salinger book
Dodging your questions and all your ***** looks.

And when you turn the next page
I'll wish things'd stayed the same.
Between the lines about last year
And this year's opening phrase.

Every feeling I've carved
In with a pen
Dragged across paper
And threw in the trash bin.

What a waste of my time
Can I please waste yours?
I'm sitting on front steps
And knocking on back doors.

It's a perfect day for bananafish
It's a perfect day to feel alive
It's a perfect day for bananafish
It's a perfect night

And at times,
I feel like I've changed.
Learned all my lessons
And shouldered all the blame.

But I know,
It's a feeling short lived.
I'll give up the ghost
And let bitterness sink in.

And I'm sure
By the end of the night,
I'll have plans to call you
But those plans just won't feel right.

It's a thing
I know I'll regret
But you'll get married next year,
so I might as well forget.

Raise high the roofbeam, carpenters
We'll make the house come crashing down
Raise high the roofbeam, carpenters
I'm bringing it down
How distant, the departure of young men
Down valleys, or watching
The green shore past the salt-white cordage
Rising and falling.

Cattlemen, or carpenters, or keen
Simply to get away
From married villages before morning,
Melodeons play

On tiny decks past fraying cliffs of water
Or late at night
Sweet under the differently-swung stars,
When the chance sight

Of a girl doing her laundry in the steerage
Ramifies endlessly.
This is being young,
Assumption of the startled century

Like new store clothes,
The huge decisions printed out by feet
Inventing where they tread,
The random windows conjuring a street.
In March of 2010 a 46 year old white male was brought to this hospital after a severe 'episode'. He was placed in the Mental Health Intensive Care Unit .  He was diagnosed with " Major Depression ". This is considered Slow Death , a treatable disorder by the AMA currently . Artist and Architect will lay out Hallucinations and conceptual designs , Engineers , Mathematicians and Surveyors will coordinate more pills at higher doses because minute details to within fractions of an inch followed by schizophrenia by Earth moving equipment , graders , bulldozers , psychotic episodes , dump trucks , Carpenters and Concrete ,  bi-polar disorder and  Bricklayer will labor different Help treatment methods because the drugs are having absolutely no piece by piece constructing form , pylon , shoring embankments for Steel Worker and Welder ,Pipefitter and Increased risk of suicide was reported for Plumber and all manner of tradesman , supplier and Pharmacist ........
            Psychiatrist and Psychologist will formulate a treatment plan which will include drug therapy and counseling sessions with Electrician and patient and Spouse plus other family members if needed in order to reach the island Drowning which will be a difficult task . Emory Hospital is conducting new research because they finally admit to depression drugs  not working in Freak more than half the patients today , like every other building bridges in hopes of getting to the island that is depression .
Created confusion purposefully ! I  blended the two topics together so that the plight of the mentally ill could be read by some that are more worried about our infrastructure right now. Cry for help blended in a topic that is receiving far more attention these days !

Copyright September 25 , 2015 by Randolph Wilson * All  Rights Reserved
Devon Baker Aug 2011
But the arsonist in a world of carpenters.
I’ve got matches at the salute,
wired blazoned between my every ashened knuckle,
heart beat furious
I’ll be this worlds iron furnace.
Their flames dance and sprawl
through flaunted finger
and slide of hand,
I’m the psychopath
and these flames children to command.
I dwindle fractured beaten to broken
hardly live to bless lips with breath.
I’ve but one choice,
to torch this world to a forever neverness
or stumble shadeless,
a shadow to brush past life to exist to view.
Always wishing to make a difference, to move, to make new.
Mateuš Conrad Nov 2016
it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.


it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.

   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.


- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a
'll Never Fall In Love Again Lyrics
from Close To You

"I'll Never Fall In Love Again" is track #1 on the album Close To You. It was written by Bacharach, Burt / David, Hal.
Here to remind you, here to remind you
Here to remind you, here to remind you

What do you get when you fall in love
A girl with a pin to burst your bubble
That's what you get for all your trouble
I'll never fall in love again, I'll never fall in love again

What do you get when you kiss a guy
You get enough germs to catch pneumonia
After you do, he'll never phone you
I'll never fall in love again, I'll never fall in love again

Don't tell me what it's all about
'Cause I've been there and I'm glad, I'm out
Out of those chains, those chains that bind you
That is why I'm here to remind you

What do you get when you fall in love?
You only get lies and pain and sorrow
So far, at least until tomorrow
I'll never fall in love again, I'll never fall in love again

Don't tell me what it's all about
'Cause I've been there and I'm glad, I'm out
Out of those chains, those chains that bind you
That is why I'm have here to remind you
Here to remind you, here to remind you, oh, here to remind you

What do you get when you fall in love
You only get lies and pain and sorrow
So far, at least until tomorrow
I'll never fall in love again, I'll never fall in love again
Andrew Rueter May 2020
In the 1970s there was a wave of soft pop that struck America
one band at the crest of that wave was The Carpenters
formed by Richard and Karen Carpenter
they were wildly successful
their song We’ve Only Just Begun is still a ubiquitous wedding song
Karen’s smooth and pure voice drew giant crowds
but despite how timeless her music is
it is equally contrasted by the briefness of her life.

Karen captivated a worldwide audience with her music
but some people just can’t be reached
indoctrinated by our superficial society
thinking every celebrity should be a supermodel
critics made snide comments about her being Richard’s chubby sister
even though she wasn’t overweight
and Richard was addicted to Quaaludes
but even more important than the public was Karen’s own mother
who worried of the public’s feelings more than her own daughter’s.

Karen felt pushed to lose weight
so she hired a nutritionist
who loaded her down with carbohydrates
which obviously made her fatter
crushing her faith in nutrition
turning her towards unhealthy methods
...which worked...at first...
but unfortunately it kept working
and she refused to change, unlike her body.

Fans who once cheered for her
now gasped when they saw her emaciated skeleton take the stage
they thought she might’ve had cancer
and were concerned about her weight
but to her it was the same crowd telling her to lose weight
now telling her to gain weight
she was done hearing it
and stuck in her ways.

Her friends were worried about her
and pleaded for her to seek help
but her mother’s profession was repression
so Karen hid her depression
while her mother told her psychiatrists were for crazy people.

Karen tried using a man to make her problems disappear
and married Tom Burris two months after meeting him in 1980
he would verbally abuse her; calling her a bag of bones
then he’d *** money off her; amounts up to $50,000 at a time
needless to say the relationship was ill fated
and they divorced in 1981.

Finally Karen’s friends convinced her to see a therapist
who brought her family into a counseling session
and urged them to tell Karen they love her
of course Richard was willing to say so, they were always really close
especially after Karen had helped him with his own addiction issues
but Karen’s mother refused
berating the therapist for using her first name; Agnes
and informing him that wasn’t how their family did things.

Karen Carpenter passed away February 4, 1982 at the age of 32
she died from ipecac poisoning
she used the substance to induce vomiting every day
and it slowly dissolved her heart.

Richard was devastated.

There’s not much I can add
I guess Karen’s story speaks for itself
it just ****** me off critics jeer with impunity and without empathy
they’re free to cajole great artists while having no value themselves
driving artists away until we’re only left with negativity
it makes me want to cut out all the demons’ razor sharp tongues
before they get a taste of another angel’s wings
but would that really protect those angels
if they’re born to demons?
K Middleton Oct 2012
Them bastardized youths fell outside, dizzied by a reality unsolved.

Their maws scowled judgment and drooled Pabst down improbable bodies each of them lay in the stink of subtle conformity.  

Fiercely unique culture beasts starved away in suburbs; Wikidrifting, those drugged litterbugs scampered.

Dropout fish fast against the current of their time, tired from dancing through desperate crowded nights and disparate lonely dawns, dangling degrees and the specters of success burning incessant their pride.

They were the *******, made so over time contracted by blind parents to nine-to-blithes in which quiet desperation, credit nooses, and irony were the small print.

They were carpenters afraid of their hands.  With chisel to headstone, they lied on the hoods of used Japanese cars, panning the radio for a real connection and gazing up at vanishing constellations.  

They were their poison and they their elixir, but a cold cigarette was a much quicker fixer of Helplessness Blues and the back of a Bible where a brief intellectual wrote “I am suicidal.”

For how does the turn of the epigram read to those who care less with every new beat of a drummed-up society so high off its piety that seeing stars vanish is simply a shame?  

Those *******, dropouts tragically remiss, those Supertramps, Kerouacs, Cohens, and wits.

They were the alternative, urbanite fools that littered alleys with Greek fables and Tibetan tattoos.  

Criterion flash cards and the literary canon allowed them to flirt with god in verse and art clues until *******’s canvas did rip off their eyelids which left them to know only Socrates knew.

They danced and they writhed, then ****** to pass time, and kept on their passions till lost were their minds.  Then they all died, those blasphemous *******.

But at least they washed on the back of their crimes.

At least they danced.

At least they were.

And there may be something to movement in chaos.
Shepherd. That cry's from the first cuckoo of the year.
I wished before it ceased.
Goatherd. Nor bird nor beast
Could make me wish for anything this day,
Being old, but that the old alone might die,
And that would be against God's providence.
Let the young wish.  But what has brought you here?
Never until this moment have we met
Where my goats browse on the scarce grass or leap
From stone to Stone.
Shepherd. I am looking for strayed sheep;
Something has troubled me and in my rrouble
I let them stray.  I thought of rhyme alone,
For rhme can beat a measure out of trouble
And make the daylight sweet once more; but when
I had driven every rhyme into its Place
The sheep had gone from theirs.
Goatherd. I know right well
What turned so good a shepherd from his charge.
Shepherd. He that was best in every country sport
And every country craft, and of us all
Most courteous to slow age and hasty youth,
Is dead.
Goatherd. The boy that brings my griddle-cake
Brought the bare news.
Shepherd. He had thrown the crook away
And died in the great war beyond the sea.
Goatherd. He had often played his pipes among my hills,
And when he played it was their loneliness,
The exultation of their stone, that died
Under his fingers.
Shepherd. I had it from his mother,
And his own flock was browsing at the door.
Goatherd. How does she bear her grief? There is not a
shepherd
But grows more gentle when he speaks her name,
Remembering kindness done, and how can I,
That found when I had neither goat nor grazing
New welcome and old wisdom at her fire
Till winter blasts were gone, but speak of her
Even before his children and his wife?
Shepherd. She goes about her house ***** and calm
Between the pantry and the linen-chest,
Or else at meadow or at grazing overlooks
Her labouring men, as though her darling lived,
But for her grandson now; there is no change
But such as I have Seen upon her face
Watching our shepherd sports at harvest-time
When her son's turn was over.
Goatherd. Sing your song.
I too have rhymed my reveries, but youth
Is hot to show whatever it has found,
And till that's done can neither work nor wait.
Old goatherds and old goats, if in all else
Youth can excel them in accomplishment,
Are learned in waiting.
Shepherd. You cannot but have seen
That he alone had gathered up no gear,
Set carpenters to work on no wide table,
On no long bench nor lofty milking-shed
As others will, when first they take possession,
But left the house as in his father's time
As though he knew himself, as it were, a cuckoo,
No settled man.  And now that he is gone
There's nothing of him left but half a score
Of sorrowful, austere, sweet, lofty pipe tunes.
Goatherd. You have put the thought in rhyme.
Shepherd. I worked all day,
And when 'twas done so little had I done
That maybe "I am sorry' in plain prose
Had Sounded better to your mountain fancy.
[He sings.]
"Like the speckled bird that steers
Thousands of leagues oversea,
And runs or a while half-flies
On his yellow legs through our meadows.
He stayed for a while; and we
Had scarcely accustomed our ears
To his speech at the break of day,
Had scarcely accustomed our eyes
To his shape at the rinsing-pool
Among the evening shadows,
When he vanished from ears and eyes.
I might have wished on the day
He came, but man is a fool.'
Goatherd. You sing as always of the natural life,
And I that made like music in my youth
Hearing it now have sighed for that young man
And certain lost companions of my own.
Shepherd. They say that on your barren mountain ridge
You have measured out the road that the soul treads
When it has vanished from our natural eyes;
That you have talked with apparitions.
Goatherd. Indeed
My daily thoughts since the first stupor of youth
Have found the path my goats' feet cannot find.
Shepherd. Sing, for it may be that your thoughts have
plucked
Some medicable herb to make our grief
Less bitter.
Goatherd. They have brought me from that ridge
Seed-pods and flowers that are not all wild poppy.
[Sings.]
"He grows younger every second
That were all his birthdays reckoned
Much too solemn seemed;
Because of what he had dreamed,
Or the ambitions that he served,
Much too solemn and reserved.
Jaunting, journeying
To his own dayspring,
He unpacks the loaded pern
Of all 'twas pain or joy to learn,
Of all that he had made.
The outrageous war shall fade;
At some old winding whitethorn root
He'll practise on the shepherd's flute,
Or on the close-cropped grass
Court his shepherd lass,
Or put his heart into some game
Till daytime, playtime seem the same;
Knowledge he shall unwind
Through victories of the mind,
Till, clambering at the cradle-side,
He dreams himself hsi mother's pride,
All knowledge lost in trance
Of sweeter ignorance.'
Shepherd. When I have shut these ewes and this old ram
Into the fold, we'll to the woods and there
Cut out our rhymes on strips of new-torn bark
But put no name and leave them at her door.
To know the mountain and the valley have grieved
May be a quiet thought to wife and mother,
And children when they spring up shoulder-high.
Kleff Frank May 2016
A warrior dreamt a chilly night
Those swords clashed shields with all their might
When archers blocked the sun with arrows
Where men were struck by grief and sorrow.

He thought about his younger days
Through his mother’s eyes and assuring gaze
That even though he would love to carve
Destiny would make him fight and starve.

That someday he would have to swear
His life to a king who would not dare
To fight alongside for his greed and gain
Who would care about gold but not about grain?

Why couldn’t I be just a carpenter’s son?
And not have to fight under the blazing sun
As the world had peace if not for the kings greed
To plunder a village and make it bleed

The warrior haunted that chilly night
As it was not his first war to fight
But only if he could be a carpenter’s son
And not have to fight under the blazing sun
Shepherd. That cry's from the first cuckoo of the year.
I wished before it ceased.

Goatherd.              Nor bird nor beast
Could make me wish for anything this day,
Being old, but that the old alone might die,
And that would be against God's providence.
Let the young wish.  But what has brought you here?
Never until this moment have we met
Where my goats browse on the scarce grass or leap
From stone to Stone.

Shepherd.         I am looking for strayed sheep;
Something has troubled me and in my rrouble
I let them stray.  I thought of rhyme alone,
For rhme can beat a measure out of trouble
And make the daylight sweet once more; but when
I had driven every rhyme into its Place
The sheep had gone from theirs.

Goatherd.                   I know right well
What turned so good a shepherd from his charge.

Shepherd. He that was best in every country sport
And every country craft, and of us all
Most courteous to slow age and hasty youth,
Is dead.

Goatherd. The boy that brings my griddle-cake
Brought the bare news.

Shepherd. He had thrown the crook away
And died in the great war beyond the sea.

Goatherd. He had often played his pipes among my hills,
And when he played it was their loneliness,
The exultation of their stone, that died
Under his fingers.

Shepherd.    I had it from his mother,
And his own flock was browsing at the door.

Goatherd. How does she bear her grief? There is not a
     shepherd
But grows more gentle when he speaks her name,
Remembering kindness done, and how can I,
That found when I had neither goat nor grazing
New welcome and old wisdom at her fire
Till winter blasts were gone, but speak of her
Even before his children and his wife?

Shepherd. She goes about her house ***** and calm
Between the pantry and the linen-chest,
Or else at meadow or at grazing overlooks
Her labouring men, as though her darling lived,
But for her grandson now; there is no change
But such as I have Seen upon her face
Watching our shepherd sports at harvest-time
When her son's turn was over.

Goatherd.              Sing your song.
I too have rhymed my reveries, but youth
Is hot to show whatever it has found,
And till that's done can neither work nor wait.
Old goatherds and old goats, if in all else
Youth can excel them in accomplishment,
Are learned in waiting.

Shepherd. You cannot but have seen
That he alone had gathered up no gear,
Set carpenters to work on no wide table,
On no long bench nor lofty milking-shed
As others will, when first they take possession,
But left the house as in his father's time
As though he knew himself, as it were, a cuckoo,
No settled man.  And now that he is gone
There's nothing of him left but half a score
Of sorrowful, austere, sweet, lofty pipe tunes.

Goatherd. You have put the thought in rhyme.

Shepherd.              I worked all day,
And when 'twas done so little had I done
That maybe "I am sorry' in plain prose
Had Sounded better to your mountain fancy.

                              [He sings.]

"Like the speckled bird that steers
Thousands of leagues oversea,
And runs or a while half-flies
On his yellow legs through our meadows.
He stayed for a while; and we
Had scarcely accustomed our ears
To his speech at the break of day,
Had scarcely accustomed our eyes
To his shape at the rinsing-pool
Among the evening shadows,
When he vanished from ears and eyes.
I might have wished on the day
He came, but man is a fool.'

Goatherd. You sing as always of the natural life,
And I that made like music in my youth
Hearing it now have sighed for that young man
And certain lost companions of my own.

Shepherd. They say that on your barren mountain ridge
You have measured out the road that the soul treads
When it has vanished from our natural eyes;
That you have talked with apparitions.

Goatherd.                        Indeed
My daily thoughts since the first stupor of youth
Have found the path my goats' feet cannot find.

Shepherd. Sing, for it may be that your thoughts have
     plucked
Some medicable herb to make our grief
Less bitter.

Goatherd.    They have brought me from that ridge
Seed-pods and flowers that are not all wild poppy.

                              [Sings.]

"He grows younger every second
That were all his birthdays reckoned
Much too solemn seemed;
Because of what he had dreamed,
Or the ambitions that he served,
Much too solemn and reserved.
Jaunting, journeying
To his own dayspring,
He unpacks the loaded pern
Of all 'twas pain or joy to learn,
Of all that he had made.
The outrageous war shall fade;
At some old winding whitethorn root
He'll practise on the shepherd's flute,
Or on the close-cropped grass
Court his shepherd lass,
Or put his heart into some game
Till daytime, playtime seem the same;
Knowledge he shall unwind
Through victories of the mind,
Till, clambering at the cradle-side,
He dreams himself hsi mother's pride,
All knowledge lost in trance
Of sweeter ignorance.'

Shepherd. When I have shut these ewes and this old ram
Into the fold, we'll to the woods and there
Cut out our rhymes on strips of new-torn bark
But put no name and leave them at her door.
To know the mountain and the valley have grieved
May be a quiet thought to wife and mother,
And children when they spring up shoulder-high.
Overwhelmed May 2010
take the drug
our fatal fusion
the peace and
the peacock
are one thing
but completely
opposite

the goal is to
killing what
juxtaposition
is to carpenters

the artist and
the fisherman
share their the
same trade

blocked by
so many in
realization
of the poison
but you can
not stop the
flood of idiots
as they come
like a tsunami

the ****** solution is to
dumb down and keep
happy

your keeper is the warden
the warden is a fish locked
in with a net

keep your drugs
I’m good
(or I’ll pay)
your solution is not mine
mine is the tap tap tap of
the keys of my computer
mine is man lacking a so
happy future that to be
lonely is to regret my
death
Robyn Jan 2013
It was a highway that brought me here
Stuffed into a expensive car with four adults and good music
We drove for what seemed hours
Arriving on the slick, black streets of the Emerald City
Down a rabbit hole of old cars and termite ridden stairs
Past an old couch and a stray cat
Into a cold room with heaters stacked and jumbled
Full of pianos and good and beer
People I've known for twelve years
And people I've met only once
People I don't know
Different skins, of their own, of animals
Frizzy and cropped hair, wine and mason jar glasses
Walls painted silver, gleaming under forty year old lamps
Mismatched furniture and occupants alike
Sirens singing in the background
Children running through the foreground
Old friends and a blind man with a big dog
Visual artists and IRS agents
Musicians and carpenters
Mechanical engineers
Cobbled together around and old fireplace and a rosewood piano
Sharing stories and songs, sons and daughters
Tales from the road, and wedding pictures
I sat on an orange pleather couch in the makeshift kitchen
Watching theses people's children play with bionicles and dolls
Reading books and drawing on walls
Playing drums and answering calls
Fighting for bathroom stall
These are my people
I know them all
You come along... tearing your shirt... yelling about Jesus.
     Where do you get that stuff?
     What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
     bankers and higher-ups among the con men of Jerusalem
     everybody liked to have this Jesus around because
     he never made any fake passes and everything
     he said went and he helped the sick and gave the
     people hope.

You come along squirting words at us, shaking your fist
     and calling us all **** fools so fierce the froth slobbers
     over your lips... always blabbing we're all
     going to hell straight off and you know all about it.

I've read Jesus' words. I know what he said. You don't
     throw any scare into me. I've got your number. I
     know how much you know about Jesus.
He never came near clean people or ***** people but
     they felt cleaner because he came along. It was your
     crowd of bankers and business men and lawyers
     hired the sluggers and murderers who put Jesus out
     of the running.

I say the same bunch backing you nailed the nails into
     the hands of this Jesus of Nazareth. He had lined
     up against him the same crooks and strong-arm men
     now lined up with you paying your way.

This Jesus was good to look at, smelled good, listened
     good. He threw out something fresh and beautiful
     from the skin of his body and the touch of his hands
     wherever he passed along.
You slimy bunkshooter, you put a **** on every human
     blossom in reach of your rotten breath belching
     about hell-fire and hiccupping about this Man who
     lived a clean life in Galilee.

When are you going to quit making the carpenters build
     emergency hospitals for women and girls driven
     crazy with wrecked nerves from your gibberish about
     Jesus--I put it to you again: Where do you get that
     stuff; what do you know about Jesus?

Go ahead and bust all the chairs you want to. Smash
     a whole wagon load of furniture at every performance.
     Turn sixty somersaults and stand on your
     nutty head. If it wasn't for the way you scare the
     women and kids I'd feel sorry for you and pass the hat.
I like to watch a good four-flusher work, but not when
     he starts people puking and calling for the doctors.
I like a man that's got nerve and can pull off a great
     original performance, but you--you're only a bug-
     house peddler of second-hand gospel--you're only
     shoving out a phoney imitation of the goods this
     Jesus wanted free as air and sunlight.

You tell people living in shanties Jesus is going to fix it
     up all right with them by giving them mansions in
     the skies after they're dead and the worms have
     eaten 'em.
You tell $6 a week department store girls all they need
     is Jesus; you take a steel trust ***, dead without
     having lived, gray and shrunken at forty years of
     age, and you tell him to look at Jesus on the cross
     and he'll be all right.
You tell poor people they don't need any more money
     on pay day and even if it's fierce to be out of a job,
     Jesus'll fix that up all right, all right--all they gotta
     do is take Jesus the way you say.
I'm telling you Jesus wouldn't stand for the stuff you're
     handing out. Jesus played it different. The bankers
     and lawyers of Jerusalem got their sluggers and
     murderers to go after Jesus just because Jesus
     wouldn't play their game. He didn't sit in with
     the big thieves.

I don't want a lot of gab from a bunkshooter in my religion.
I won't take my religion from any man who never works
     except with his mouth and never cherishes any memory
     except the face of the woman on the American
     silver dollar.

I ask you to come through and show me where you're
     pouring out the blood of your life.

I've been to this suburb of Jerusalem they call Golgotha,
     where they nailed Him, and I know if the story is
     straight it was real blood ran from His hands and
     the nail-holes, and it was real blood spurted in red
     drops where the spear of the Roman soldier rammed
     in between the ribs of this Jesus of Nazareth.
Lili Mar 2013
Maybe it was that cold daunting stare
Fists clenched
Cold sweat
Love ******* grinch… was it me?

Did I invest my heart in a shattered jar?
Filled to the brim,
Spilling over with hate..
Slowly brewing a monster?

Trying to protect what could never be protected
Two carpenters competing to fix
A door that never fit
Why am I here?

That instant flicker in your eyes
Spitting venom from parted lips
Seeking vengeance on an unintentional damage
Or was I the damage?
Robert C Howard Mar 2015
Resting couched and cross-legged
by the hearth at Old Faithful Inn
I read of fire-seared Montana.
My restive mind roams back
a century and a half
to when flames ruled Yellowstone -
cracking open Lodgepole cones -
spending seeds on blackened soil.

Youthful pines soared skyward:
tutored by seven score seasons
of showers, frost and sun
nourished by leaf-meal and char.

Then loggers came to notch their trunks
and sent them arcing to the forest floor.
Carpenters fixed them to the wall
where the moose head stares me down.

Montana pine cones crackle as I read.
After soaking rains have quenched the flames,
those seeds will rise to giant towers
before yielding to the whine of chainsaw teeth.

A gray haired man will enter
a rustic Montana lodge,
a coffee mug clutched in one hand,
the morning paper in the other
and sit fire-warmed by a granite hearth
set in a wall of Lodgepole Pines.

*January, 2007
Included in Unity Tree - Collected poems
pub. CreateSpace - Amazon.com
nivek Jan 2017
Your goodwill sent on an eternal path
-touched all hearts ever made
one thought in a universe of pain
-healed so much in its simple way
all those rippled ponds
-the gentle creation of a world of love
from the carpenters sweat working wood
-to hanging on the wood of the cross.
For the low low price of just being within' earshot,
the conversation analyst will run a full diagnostic on your conversation.

You know how that perfect comeback
feels, three weeks after
You didn't say it?

In training, representatives for Inbound sales listen to recordings of their own phone calls and critique them like Art majors in a studio class.

Our conversation analyst.
Looks at you like a shoe on the wall.

Unlike the psychology major,  the conversation analyst will never share his results.

He'll just judge you.
Silently.

He doesn't speak.
His fourth grade english teacher taught him that the carpenters house is never finished.
She was referring to her husband, the carpenter, not finishing the renovations on their new home, but the conversation analyst heard it as a metaphor, and adopted it as a universal truth.

Much like a painting controls the path your eye travels the canvas, or the scientific process that goes into composing music,
the way you build rapport is one of those things that people don't realize can be an art form until they wittness it professionally.

Our conversation analyst considers himself  Socio-passionate.

Which amuses him, when he deducts points from your conversation for not empathizing correctly.
Or not giving effective compliments by asking a relevant question afterwards.

The conversation analyst is not always mute. On special occasions such as first impressions he is a fine conversationalist.

You can meet the conversation analyst for the first time, as many times as you want.

If the carpenters house is never finished.
The conversation analyst
exemplar at listening,
Will never hear you.
DREAMS

I was an ice baby.
I turned to sky blue.
My tears became two glass beads.
My mouth stiffened into a dumb howl.
They say it was a dream
but I remember that hardening.

My sister at six
dreamt nightly of my death:
"The baby turned to ice.
Someone put her in the refrigerator
and she turned as hard as a Popsicle."

I remember the stink of the liverwurst.
How I was put on a platter and laid
between the mayonnaise and the bacon.
The rhythm of the refrigerator
had been disturbed.
The milk bottle hissed like a snake.
The tomatoes vomited up their stomachs.
The caviar turned to lave.
The pimentos kissed like cupids.
I moved like a lobster,
slower and slower.
The air was tiny.
The air would not do.
*
I was at the dogs' party.
I was their bone.
I had been laid out in their kennel
like a fresh turkey.

This was my sister's dream
but I remember that quartering;
I remember the sickbed smell
of the sawdust floor, the pink eyes,
the pink tongues and the teeth, those nails.
I had been carried out like Moses
and hidden by the paws
of ten Boston bull terriers,
ten angry bulls
jumping like enormous roaches.
At first I was lapped,
rough as sandpaper.
I became very clean.
Then my arm was missing.
I was coming apart.
They loved me until
I was gone.



2. THE DY-DEE DOLL

My Dy-dee doll
died twice.
Once when I snapped
her head off
and let if float in the toilet
and once under the sun lamp
trying to get warm
she melted.
She was a gloom,
her face embracing
her little bent arms.
She died in all her rubber wisdom.



3. SEVEN TIMES

I died seven times
in seven ways
letting death give me a sign,
letting death place his mark on my forehead,
crossed over, crossed over

And death took root in that sleep.
In that sleep I held an ice baby
and I rocked it
and was rocked by it.
Oh Madonna, hold me.
I am a small handful.



4.MADONNA

My mother died
unrocked, unrocked.
Weeks at her deathbed
seeing her ****** herself against the metal bars,
thrashing like a fish on the hook
and me low at her high stage,
letting the priestess dance alone,
wanting to place my head in her lap
or even take her in my arms somehow
and ****** her twisted gray hair.
But her rocking horse was pain
with ***** steaming from her mouth.
Her belly was big with another child,
cancer's baby, big as a football.
I could not soothe.
With every **** and crack
there was less Madonna
until that strange labor took her.
Then the room was bankrupt.
That was the end of her paying.



5. MAX

Max and I
two immoderate sisters,
two immoderate writers,
two burdeners,
made a pact.
To beat death down with a stick.
To take over.
To build our death like carpenters.
When she had a broken back,
each night we built her sleep.
Talking on the hot line
until her eyes pulled down like shades.
And we agreed in those long hushed phone calls
that when the moment comes
we'll talk turkey,
we'll shoot words straight from the hip,
we'll play it as it lays.
Yes,
when death comes with its hood
we won't be polite.



6. BABY

Death,
you lie in my arms like a cherub,
as heavy as bread dough.
Your milky wings are as still as plastic.
Hair soft as music.
Hair the color of a harp.
And eyes made of glass,
as brittle as crystal.
Each time I rock you
I think you will break.
I rock. I rock.
Glass eye, ice eye,
primordial eye,
lava eye,
pin eye,
break eye,
how you stare back!

Like the gaze if small children
you know all about me.
You have worn my underwear.
You have read my newspaper.
You have seen my father whip me.
You have seen my stroke my father's whip.

I rock. I rock.
We plunge back and forth
comforting each other.
We are stone.
We are carved, a pieta
that swings.
Outside, the world is a chilly army.
Outside, the sea is brought to its knees.
Outside, Pakistan is swallowed in a mouthful.

I rock. I rock.
You are my stone child
with still eyes like marbles.
There is a death baby
for each of us.
We own him.
His smell is our smell.
Beware. Beware.
There is a tenderness.
There is a love
for this dumb traveler
waiting in his pink covers.
Someday,
heavy with cancer or disaster
I will look up at Max
and say: It is time.
Hand me the death baby
and there will be
that final rocking.
September Nov 2013
You remind me of my first acid trip.
Of all the quirky people in the world
holding handfuls of trees

You're the one I would like
to wrap in ivy leaves and
take home.

Can you believe me?

I will unwrap you in a year and we will
find god under the sea.
Swimming like seagulls, fishing like carpenters—
we have no skills but we will build a house.


It will be a simple house.
Mateuš Conrad Jun 2016
rub it in... rub it in why don't you? isn't that the point of capitalism, this competitive mentality? why're you looking at me as if i killed your mother with a ******* harmonica?

i love how people regress their national frustrations
into sports - England is perfect with football...
oh? did i poke a beehive just now?
is Brexit for real now? it is now...
apparently one of the Icelandic managers is a
dentist, he just does the coaching in the summer
part time - i was walking for my daily metabolic
dosage of alcohol a little suspicious, acting out
all doom and gloom - well, it's more fun than
paying your taxes or seeking out career promotion
to be honest, after all, abolishing asylums turned
the entire social cohesion stratification into an
asylum, everywhere you go you have the phantoms
of "men in white coats", everywhere, can't ****
in an alley, can't drink a beer in public,
forget adrenaline *** - the entire human potential
of civilisation the Englishman stashed in his semi-detached,
by the way... don't you think that a Londoner will
find himself in lost-territory outside of London?
i love how the S.N.P. are in parliament 'aving a go
at voicing their compulsion for Brussels' choc &
guillotine chop policy - they want in... oh! does this
mean goodbye Jack ol' Boy? really? well, if you need
a ***** might as well be Wales - they're hanging, they're
hanging, and finally the bubble will burst,
why not Union John (like a toilet) or a Union Jeremy?
Union Jeffrey - Jaffas? Jizzum - Jazz?
but they're out for certain, if a bunch of
barbers, carpenters and sheep herders can beat them
living the Leicester City dream, i'm thinking of them being
the second Denmark from 1992 -
i've had so much emotion in my heart that now
i have a ******* headache - go on! a third goal! get in!
bam wam thank you Black Betty, bam ba'h lam.
it's not the football that interests me as much...
you seen the fans? ha ha! *a'woo!
              a'woo!                                    a­'woo!
a'woo!          a'woo!            a'woo! a'woo! a'woo!

mind you the sober wisdom of Alan Shearer
but that ******* chant man! coupling the missing
trill in the English R (how many gym sessions was that
to get the R to not trill? 2000 years and counting?
trickier than a French phlegm hark mind you)
and extending the E, well, the A isn't really necessary,
it's still reel...
*but who the hell decided what vowel goes where
and what vowel goes in anywhere given a change from
i - aye - and í - as in a punctured punctuation of
e    - prolonged -            and c            -
            a variant of        is              i.e.           ís
and not the German                   iß                    -
called a Kama Sutra of tonguing - slightly zeddy -
you really start to get polishing that mahogany table
for starters - no one gave me the rule books,
what's an offside, what's an penalty, etc. etc.,
i'm working at the scrapheap of language -
there was no congregation akin to the Diet of Worms
(ˈʁaɪçstaːk tsuː ˈvɔɐms) - try deciphering this
educated alphabet - upside-down Cyrillic for starters,
a bit of French, Greek iota, then circus without
a sheering process to add the -ta:k, and there too
a gamma is missing due to the softening into a kappa,
tsu;?                     huh?      why not              ßu?
to mind the Chiral (kye-rawl) nature of S and Z?
ich haben, ih blaben blabshen? *****-slap this to Jupiter,
i will... Tao no mayo in this ninja chow mein -
then it just, gets nuts! ɔɐ is what i've been discussing
about the umlaut - could have just written Wörms -
it's not straight arithmetic - it's that ɔɐ... thing...
like woad but more like woo'ed - you sort of have to
speak sideways - wo'o'erms - werms - or
so i thought.
Mateuš Conrad Jul 2016
why my poetry is as if a heilig schrein?
teutonisch schwarz auf weiß -
kreuz imitieren zunge -
Preußen war etabliert pre Weimar:
verloren ein Verstand mit Jagiełło;
die punkt auf sein?! nichts zu hinz,
unless electorate Hector
and that Trojan vigil to mind,
with aviation of Ottomans deciphering
the gallop and sneeze of the Arab breed -
more racehorse and less dummy of carpenters'
excess.

— The End —