Tweedledee said to Alice, "You like poetry-"

"Ye-es, pretty well-some poetry," Alice said doubtfully.

"What shall I repeat to her," said Tweedledee, looking round at
Tweedledum with great solemn eyes.

"'The Walrus and the Carpenter' is the longest," Tweedledum replied,
giving his brother an affectionate hug.

Tweedledee began instantly:

The Walrus And The Carpenter

The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright-
And this was odd, because it was
The middle of the night.

The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done-
"It's very rude of him," she said,
"To come and spoil the fun!"

The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying overhead-
There were no birds to fly

The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
"If this were only cleared away,"
They said, "It would be grand!"

"If seven maids with seven mops
Swept for half a year,
Do you suppose," the walrus said,
"That they could get it clear?"
"I doubt it," said the Carpenter,
And shed a bitter tear.

"O, Oysters, come and walk with us!"
The Walrus did beseech.
"A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each."

The eldest Oyster looked at him,
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head-
Meaning to say he did not choose
To leave the oyster-bed.

But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat-
And this was odd, because, you know,
They hadn't any feet.

Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more-
All hopping through the frothy waves,
And scrambling to the shore.

The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.

"The time has come," the Walrus said,
"To talk of many things:
Of shoes-and ships-and sealing wax-
Of cabbages-and kings-
And why the sea is boiling hot-
And whether pigs have wings."

"But wait a bit," the Oysters cried,
"Before we have our chat;
For some of us are out of breath,
And all of us are fat!"
"No hurry!" said the Carpenter.
They thanked him much for that.


"A loaf of bread," the Walrus said,
"Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed-
Now if you're ready, Oysters dear,
We can begin to feed."

"But not on us!" the Oysters cried,
Turning a little blue,
"After such kindness, that would be
A dismal thing to do!"
"The night is fine," the Walrus said.
"Do you admire the view?"

"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but
"Cut us another slice:
I wish you were not quite so deaf-
I've had to ask you twice!"

"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"

"I weep for you," the Walrus said:
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size,
Holding his pocket-handkerchief
Before his streaming eyes.

"O Oysters," said the Carpenter,
"You had a pleasant run!
Shall we be trotting home again?"
But answer came there none-
And this was scarcely odd, because
They'd eaten every one.

Put out a cigarette.
Lite a new one.
Take a shower.
Drink some coffee.
Quick brush of the teeth.

This is how John Carpenter starts his day.

Start the truck.
Lite a cigarette.
Drive.
Drive.
Lite a new cigarette.
Drive.

This is how John Carpenter goes to work.

Check in with the boss.
Sit down at typewriter.
Lite a cigarette.
Think.
Type.
Type.
Lite a cigarette.
Type.
Type.
Lite a cigarette.
Type.
Type.
Type.
Think.
Stretch.
Lite a cigarette.
Type.

This is how John Carpenter spend the first hour at work.

Repeat seven times.

Check out with boss.
Start the truck.
Lite a cigarette.
Drive.
Drive.
Lite another cigarette.
Drive.

This is how John Carpenter drives home.

Take off his coat.
Lite a cigarette.
Feed the dog.
Cook a steak.
Drink a beer.
Eat the steak.
Drink another beer.
Lite a cigarette.
Watch the ballgame.
Lite another cigarette.
Lite four or five more throughout the game.
Quick brush of the teeth.
Lite a cigarette.
Read.
Read.
Read.
Lite another.
Read.
Read.
Drink some brandy.
Fall asleep.

This is how John Carpenter spends his evening.

Repeat all of this 7,304 times.

This is how John Carpenter spends his life.

And when he has smoked enough cigarettes for a lifetime
and read enough for a life time
and eaten enough steak
and drank enough brandy and beer
and written enough novels
for a lifetime
he will die.
And only Mary Stein will miss him.

Hearts hurt this mourning, echoes quiet grief

For a husband-father slipped beyond autumn’s leaf

Into winter’s winds so harsh, who can bear the pains?

Yesterday his nearness felt today only his remains.

Remember love like it was, unbroken   circles knew

Life’s smoothness for time as it was, he and you

Recall family’s happiness given each a measure

A Carpenter of Scripture cradles a carpenter your treasure.

(3/6/12)

His future had been laid- for he was a carpenter by trade.
Just as a carpenter can mold anything out of wood
He could mold mans hearts and souls into good.

He would mold mans hearts with accurate precision
For this was his fathers decision.
He came to mold all the hearts of mankind
And open the eyes of the blind.

The world would come to know him as the king of kings
And see all the love that he would bring.
Throughout the centuries it will be told
He is the master craftsman of the heart and soul.

Now when we feel a tingle of  sensation
And a wanting to get more of inspiration
Look for the craftsman who could mold
The hearts and souls of man
To give you a helping hand.

when he made the heart of man
He left a corner deep within
Where the love for him can forever grow
And his love you could show.

Let all who know you - know this carpenter man
Who from evil he took his stand.
He has entered in you to mold you from the inside out
So you would know what loves about.

© L .RAMS

(3/6/12)

His future had been laid- for he was a carpenter by trade.
Just as a carpenter can mold anything out of wood
He could mold mans hearts and souls into good.

He would mold mans hearts with accurate precision
For this was his fathers decision.
He came to mold all the hearts of mankind
And open the eyes of the blind.

The world would come to know him as the king of kings
And see all the love that he would bring.
Throughout the centuries it will be told
He is the master craftsman of the heart and soul.

Now when we feel a tingle of  sensation
And a wanting to get more of inspiration
Look for the craftsman who could mold
The hearts and souls of man
To give you a helping hand.

when he made the heart of man
He left a corner deep within
Where the love for him can forever grow
And his love you could show.

Let all who know you - know this carpenter man
Who from evil he took his stand.
He has entered in you to mold you from the inside out
So you would know what loves about.

THE PROLOGUE.

When that the Knight had thus his tale told
In all the rout was neither young nor old,
That he not said it was a noble story,
And worthy to be drawen to memory;                          recorded
And namely the gentles every one.          especially the gentlefolk
Our Host then laugh'd and swore, "So may I gon,                prosper
This goes aright; unbuckled is the mail;        the budget is opened
Let see now who shall tell another tale:
For truely this game is well begun.
Now telleth ye, Sir Monk, if that ye conne,                       *know
Somewhat, to quiten with the Knighte's tale."                    match
The Miller that fordrunken was all pale,
So that unnethes upon his horse he sat,                with difficulty
He would avalen neither hood nor hat,                          uncover
Nor abide no man for his courtesy,                         give way to
But in Pilate's voice he gan to cry,
And swore by armes, and by blood, and bones,
"I can a noble tale for the nones                            occasion,
With which I will now quite the Knighte's tale."                 match
Our Host saw well how drunk he was of ale,
And said; "Robin, abide, my leve brother,                         dear
Some better man shall tell us first another:
Abide, and let us worke thriftily."
By Godde's soul," quoth he, "that will not I,
For I will speak, or elles go my way!"
Our Host answer'd; "Tell on a devil way;             *devil take you!
Thou art a fool; thy wit is overcome."
"Now hearken," quoth the Miller, "all and some:
But first I make a protestatioun.
That I am drunk, I know it by my soun':
And therefore if that I misspeak or say,
Wite it the ale of Southwark, I you pray:             blame it on
For I will tell a legend and a life
Both of a carpenter and of his wife,
How that a clerk hath set the wrighte's cap."   fooled the carpenter
The Reeve answer'd and saide, "Stint thy clap,      hold your tongue
Let be thy lewed drunken harlotry.
It is a sin, and eke a great folly
To apeiren* any man, or him defame,                              injure
And eke to bringe wives in evil name.
Thou may'st enough of other thinges sayn."
This drunken Miller spake full soon again,
And saide, "Leve brother Osewold,
Who hath no wife, he is no cuckold.
But I say not therefore that thou art one;
There be full goode wives many one.
Why art thou angry with my tale now?
I have a wife, pardie, as well as thou,
Yet *n'old I, for the oxen in my plough,                  I would not
Taken upon me more than enough,
To deemen* of myself that I am one;                               judge
I will believe well that I am none.
An husband should not be inquisitive
Of Godde's privity, nor of his wife.
So he may finde Godde's foison there,                         treasure
Of the remnant needeth not to enquere."

What should I more say, but that this Millere
He would his wordes for no man forbear,
But told his churlish tale in his mannere;               boorish, rude
Me thinketh, that I shall rehearse it here.
And therefore every gentle wight I pray,
For Godde's love to deem not that I say
Of evil intent, but that I must rehearse
Their tales all, be they better or worse,
Or elles falsen some of my mattere.                            falsify
And therefore whoso list it not to hear,
Turn o'er the leaf, and choose another tale;
For he shall find enough, both great and smale,
Of storial thing that toucheth gentiless,             historical, true
And eke morality and holiness.
Blame not me, if that ye choose amiss.
The Miller is a churl, ye know well this,
So was the Reeve, with many other mo',
And harlotry they tolde bothe two.                        ribald tales
Avise you* now, and put me out of blame;                    be warned
And eke men should not make earnest of game.                 *jest, fun

Notes to the Prologue to the Miller's Tale

1. Pilate, an unpopular personage in the mystery-plays of the
middle ages, was probably represented as having a gruff, harsh
voice.

2. Wite: blame; in Scotland, "to bear the wyte," is to bear the
blame.

THE TALE.

Whilom there was dwelling in Oxenford
A riche gnof, that guestes held to board,   miser *took in boarders
And of his craft he was a carpenter.
With him there was dwelling a poor scholer,
Had learned art, but all his fantasy
Was turned for to learn astrology.
He coude* a certain of conclusions                                 knew
To deeme by interrogations,                                  determine
If that men asked him in certain hours,
When that men should have drought or elles show'rs:
Or if men asked him what shoulde fall
Of everything, I may not reckon all.

This clerk was called Hendy Nicholas;                 gentle, handsome
Of derne love he knew and of solace;                   secret, earnest
And therewith he was sly and full privy,
And like a maiden meek for to see.
A chamber had he in that hostelry
Alone, withouten any company,
Full *fetisly y-dight with herbes swoot,            neatly decorated
And he himself was sweet as is the root                           *sweet
Of liquorice, or any setewall.                                valerian
His Almagest, and bookes great and small,
His astrolabe,  belonging to his art,
His augrim stones, layed fair apart
On shelves couched at his bedde's head,                      laid, set
His press y-cover'd with a falding red.                   coarse cloth
And all above there lay a gay psalt'ry
On which he made at nightes melody,
So sweetely, that all the chamber rang:
And Angelus ad virginem he sang.
And after that he sung the kinge's note;
Full often blessed was his merry throat.
And thus this sweete clerk his time spent
After *his friendes finding and his rent.    Attending to his friends,
                                                   and providing for the
                                                    cost of his lodging
This carpenter had wedded new a wife,
Which that he loved more than his life:
Of eighteen year, I guess, she was of age.
Jealous he was, and held her narr'w in cage,
For she was wild and young, and he was old,
And deemed himself belike* a cuckold.                           perhaps
He knew not Cato, for his wit was rude,
That bade a man wed his similitude.
Men shoulde wedden after their estate,
For youth and eld are often at debate.                             age
But since that he was fallen in the snare,
He must endure (as other folk) his care.
Fair was this younge wife, and therewithal
As any weasel her body gent and small.                      slim, neat
A seint she weared, barred all of silk,                         girdle
A barm-cloth eke as white as morning milk                     apron
Upon her lendes, full of many a gore.                  ***** *plait
White was her smock, and broider'd all before,            robe or gown
And eke behind, on her collar about
Of coal-black silk, within and eke without.
The tapes of her white volupere                      head-kerchief
Were of the same suit of her collere;
Her fillet broad of silk, and set full high:
And sickerly* she had a likerous eye.          certainly *lascivious
Full small y-pulled were her browes two,
And they were bent, and black as any sloe.                      arched
She was well more blissful on to see           pleasant to look upon
Than is the newe perjenete* tree;                       young pear-tree
And softer than the wool is of a wether.
And by her girdle hung a purse of leather,
Tassel'd with silk, and *pearled with latoun.   set with brass pearls
In all this world to seeken up and down
There is no man so wise, that coude thenche            fancy, think of
So gay a popelot, or such a *****.                          puppet
Full brighter was the shining of her hue,
Than in the Tower the noble* forged new.                a gold coin
But of her song, it was as loud and yern,                  lively
As any swallow chittering on a bern.                              barn
Thereto she coulde skip, and make a game                 also *romp
As any kid or calf following his dame.
Her mouth was sweet as braket, or as methe                    mead
Or hoard of apples, laid in hay or heath.
Wincing* she was as is a jolly colt,                           skittish
Long as a mast, and upright as a bolt.
A brooch she bare upon her low collere,
As broad as is the boss of a bucklere.
Her shoon were laced on her legges high;
She was a primerole, a piggesnie ,                        primrose
For any lord t' have ligging in his bed,                         lying
Or yet for any good yeoman to wed.

Now, sir, and eft sir, so befell the case,                       again
That on a day this Hendy Nicholas
Fell with this younge wife to rage and play,       toy, play the rogue
While that her husband was at Oseney,
As clerkes be full subtle and full quaint.
And privily he caught her by the queint,                          ****
And said; "Y-wis, but if I have my will,                     assuredly
For *derne love of thee, leman, I spill."     for earnest love of thee
And helde her fast by the haunche bones,          my mistress, I perish
And saide "Leman, love me well at once,
Or I will dien, all so God me save."
And she sprang as a colt doth in the trave:
And with her head she writhed fast away,
And said; "I will not kiss thee, by my fay.                      faith
Why let be," quoth she,

A carpenter was given task;
nobody thought it could be done. 
A bridge that spanned eternity 
was priority number one. 

This carpenter, he had no tools;
materials he had so few.
Yet without doubt he set to work- 
he knew just what he had to do. 

With two great beams of solid wood, 
fastened in a criss-cross fashion,
and three old nails, wrought of iron,
completed his fateful mission. 

He had worked with a crew of twelve, 
but in the end, he toiled as one. 
Regardless, he had kept the course,
and labored til the bridge was done.. 

He never had union backing, 
and was never properly paid. 
Where other workers would have quit, 
this carpenter would not be swayed. 

Now, in the end, his blood and sweat, 
the bridge's strong foundation made. 
The final sacrifice of  life 
made sure its timeless glory stayed.

There is no toll to cross this bridge; 
the price was paid in blessed blood. 
Who'd have thought a bridge to heaven 
could be made from a cross of wood?

oh, these messages, you send,
invitations to a gala, a black tie affair,
but only if willingly pay the exorbitant fare,
your money's no good, you must dare,
find and write the poem hid within

how cold are the carpenter's hands,
the weather, but an added obstacle,
this heat, makes dying different difficult,
the wood bearing cross requires additional nails
and flesh, for the extra load he's bearing,
when it snows blood in Jerusalem

the whole world can transition
when one man dies and another is risen,
where oh where lies then, the juxtaposition?

there is none, for man is man,
his divine spark, embedded,
to his maker's mark, wedded,
neither snow or sun,
can ever, either, extinguish*

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
any message you send can and will be turned into a poem

Thank you ~
for a life not to trade
blessings, in spades
tight spaces
behind laundry doors
packed closets
and open drawers
gator tails, tarnished brass
cracks in kitchen sliding glass
wet towels, withering plants
foundation filled
with carpenter ants
buckets piled with
shoes and tags
village clothes
and saddlebags
peeling paint
and broken walls
****** seats
in bathroom stalls
clogged pantry
frigid rooms
table scribe
and carbon fumes
comfort capsules
empty tanks
broken limbs
from children’s pranks
**** finger
double tongue
long goodbyes
and sidewalk dung
cluster flies
chavie’ clique
accompanying
the hypocrite
cracked back
and hidden smiles
chalk on board
with mr miles
atomic wedgies
closing doors
wrotten eggs
and open sores
jaw jack
nasty folk
dinner calls
for pig in poke
penny pinchers
double dip
yellow mouth
and silver tip
brown nosers
thick red tape
paper cuts
and pimple nape
gallivants
so out of norm
the joy of life…
in basic form

In the 1970s there was a wave of soft pop that struck America
one band at the crest of that wave was The Carpenters
formed by Richard and Karen Carpenter
they were wildly successful
their song We’ve Only Just Begun is still a ubiquitous wedding song
Karen’s smooth and pure voice drew giant crowds
but despite how timeless her music is
it is equally contrasted by the briefness of her life.

Karen captivated a worldwide audience with her music
but some people just can’t be reached
indoctrinated by our superficial society
thinking every celebrity should be a supermodel
critics made snide comments about her being Richard’s chubby sister
even though she wasn’t overweight
and Richard was addicted to Quaaludes
but even more important than the public was Karen’s own mother
who worried of the public’s feelings more than her own daughter’s.

Karen felt pushed to lose weight
so she hired a nutritionist
who loaded her down with carbohydrates
which obviously made her fatter
crushing her faith in nutrition
turning her towards unhealthy methods
...which worked...at first...
but unfortunately it kept working
and she refused to change, unlike her body.

Fans who once cheered for her
now gasped when they saw her emaciated skeleton take the stage
they thought she might’ve had cancer
and were concerned about her weight
but to her it was the same crowd telling her to lose weight
now telling her to gain weight
she was done hearing it
and stuck in her ways.

Her friends were worried about her
and pleaded for her to seek help
but her mother’s profession was repression
so Karen hid her depression
while her mother told her psychiatrists were for crazy people.

Karen tried using a man to make her problems disappear
and married Tom Burris two months after meeting him in 1980
he would verbally abuse her; calling her a bag of bones
then he’d *** money off her; amounts up to $50,000 at a time
needless to say the relationship was ill fated
and they divorced in 1981.

Finally Karen’s friends convinced her to see a therapist
who brought her family into a counseling session
and urged them to tell Karen they love her
of course Richard was willing to say so, they were always really close
especially after Karen had helped him with his own addiction issues
but Karen’s mother refused
berating the therapist for using her first name; Agnes
and informing him that wasn’t how their family did things.

Karen Carpenter passed away February 4, 1982 at the age of 32
she died from ipecac poisoning
she used the substance to induce vomiting every day
and it slowly dissolved her heart.

Richard was devastated.

There’s not much I can add
I guess Karen’s story speaks for itself
it just ****** me off critics jeer with impunity and without empathy
they’re free to cajole great artists while having no value themselves
driving artists away until we’re only left with negativity
it makes me want to cut out all the demons’ razor sharp tongues
before they get a taste of another angel’s wings
but would that really protect those angels
if they’re born to demons?

I could have been a carpenter
With a callus on my hand
Or a marina worker
With my feet inside the sand
I could have been a historian
With glasses and a globe
But I’m just a lowly laborer
And my bones are getting old

I could have had a bank account
With lots cash and dough
Or a white picket fence
And I’d watch my green grass grow
I could have been successful
With sleep and no stress
But I chose dreams and passions
And still I feel I’m blessed

I could have never met you
With your big red sixties hair
Or could have never shared a night
In the starlight of your stare
I could have never known the truth
Lived my life a lie
But honesty has found me
Loving ‘til I die

I could have never realized
What a lucky lad I am
Or could have never battled
For what I believe in
I could have given up on it all
And laid down in defeat
But my love you do inspire
Me out onto the streets

I could have been a carpenter
With a hammer and a nail
I could have been a fireman
With a hard hat and a pale
I could have been lot of things
For there’s so much to be
But if I had to pick on one
I would pick on me

The Warden roused them early
on this, their final day.
He marched them out on hobbled feet-
Grey trucks took them away.

Doctors, lawyers, engineers,
All captured in a raid.
German Soldiers had been killed
Reprisals must be made..

Fathers, Husbands, sons all caught
within the **** snare.
Among them was a carpenter
Who bowed his head in prayer.

He’d walk the hills of Rome no more
Nor touch a lover’s cheek.
Here, near the Via Appia
He’d find eternal sleep.

Five by five they entered in
to the foreboding cave.
There they knelt for benediction,
the kind that pistols gave.

The cave became a charnel house
Each man shot in the head.
It reeked of blood and excrement
Flies feasted on the dead.

The carpenter fell once or twice.
Can blood for blood atone? .
His killers coveted his coat
and forced him to disrobe.

By now they had grown sloppy
with drink and hate and fear.
The first shot missed completely
The second grazed his ear.

In seconds live eternities
He said his final prayer:
“Forgive them, Father, even this
done out of hate and fear

several shots rang out just then
each found his noble head
they shot him once more, in his side
to make sure he was dead.


Explosions rocked and sealed the cave
With tons of rock and stone
They didn’t think to post a guard
The grey trucks drove back home.

These wrists are unfinished,
Not torn
And not cut.
A slice here,
And a slice there,
Now decorated with blood.

488

Myself was formed—a Carpenter—
An unpretending time
My Plane—and I, together wrought
Before a Builder came—

To measure our attainments—
Had we the Art of Boards
Sufficiently developed—He’d hire us
At Halves—

My Tools took Human—Faces—
The Bench, where we had toiled—
Against the Man—persuaded—
We—Temples build—I said—

Carpenter, carpenter
With hammer and nails
Fix all your problems
'Till something else fails
When something does
You're not to blame
It's the end of your youth
The end of this game
You've built what you needed
And fixed what you could
But this adult life
Isn't made of wood.

She moves with
      Grace
The Gracious meeting in denial
He's the baron of beef delicious side
Reproduction picture full slide
The most
   Casual face

Met the eternal masterly
    Artist face
Saying Oh! Grace
The other side of midnight
     Mask Face
She could overjoy anyone's
Heart in the right place
    Deceiving Face

The miracle of love principles
Such skepticism could it be overjoyed realism

But a hell of a time with heavenly bliss
What a shock when he gave me my kiss
His Crooked face to longevity nose
Hiding place A-Rose

Beachy trance-set face

Highlands of Scotland,
anybody would want her
     *Joyful face

He's the baronial
Secluded caves but risky dives
The turn only If?? I
could turn back the time
The events strictly
confidential

Her apple cheeks bathing suit
He is picking her fruit
So soothing the fiddle
Tinman whistles the ladies harps

Their medieval moment's help!!!
The swords  bust to his manly chest
Sleeping Inn New castle west
Their best bedrest

The cupboards open overjoyed
invitation decorative cans
Of greens, pinks, purple passion

And flourless chocolate cakes
Powdered lips love his reaction

She was seductively awe-inspiring
The top hills of Ireland grass
vividly raised her legs
The bowl next to her
The Rose blush wines
Bare it Fruit and figs

The baronial tug of war wigs

Melodious birds the
Grand One
The thousand piano words
Overjoyed but
under the {Baronial} weather

So lordly new threads tailored
White-collared
carpenter pants
Men of the herds
She's the
Caron French boutique

There ****** desires
The creature within
Wildly mating like critiques

Her perfumes so extinct
mysteriously
Overjoyed her heart
So cultured violin strings
Dollhouse Castle to restore
With her unique touches,
he wanted more

The steps tiring like a killed deer
every muscle he could hear

Over elaborating how people are dating
With a  stamped from the very
heart  approval
But hard times such laboring
Sitting in her
overjoyed chair
His face all Scrooged
no gifts of flowers
What are the odds of this pair

Over and over again her rainbow
her sensitivity we need longevity
The  endless walls are caving in
We are not so overjoyed by
this monster garden
She had her first breakdown
Going up the
Jack and Jill Ireland hill
In the longtime what long run
Way too short
It didn't come from above

The vintage oldtimer
radios sitting
together with
family listening
so long ago
So commercialized
The crazy shows
Where do you really want to go,
you just want to shut everything off

He called her the powder puff
Waiting for the nocturnal star
Those scrubs and hot rubs shower
Over my knee-high boots so in
love cahoots

Oh! It's her
The smart student
Owl Hoot whats to boot
Eating her shepherd's pie
so lordly full lips word-me
Ireland Holy Land
of love and beauty

Overly scrupulousness
The time of blessings

But the baronial loved to be
overly entertained
And she would sit there  
Blue-blooded royal dishes
Got flushed away no wishes

Oversimplification
Like the hardest love
of multiplication
The ****** overstimulation
Over embellished
But you're still positive
overjoyed
But why did she
want to vanish

Over-programming
    Web-Face
Destroyed her
Apple jubilee computer

Spiritual Zen
Or new lover Amen
Ever touched by Ireland maidens
Like the crimson and clover
I do believe in the
Four leaf clover Face

Like the only thing she picked
were the weeds
More beauty of life and deeds
Or tons of sorrow wondering
how she
would feel tomorrow?
We will never know

her mouth was sandpaper.

her mouth was sandpaper
and she spoke like
a smooth surface,
words scraped into fluidity
like a wooden sphere,
turned over behind teeth ‘til all friction
is lost.
she spoke like the walls of a birdhouse
in the room of a dead carpenter:
pretty unassembled things.

her mouth was sandpaper
and every kiss chafed,
rubbing raw my lips
and tongue
crafting with each touch
drawing blood like
juice from an apple,
like sap
from wood already cut from the tree.

her mouth was sandpaper
and she told me
i bite my lips,
rip at
the inside of my mouth,
cannibalize myself cell
by cell.
bone saws in her mouth.
the only difference between teeth of jaws
and saws
is mercy
(and she swallowed her mercy long ago).

her mouth was sandpaper
and she spoke like a carpenter’s hands:
rough palms,
tough pads,
a utilitarian artist
a crafter of dead flesh.
a mortician for dryads
and kodama.
the art and the artist
in lips
tongue
and teeth.

her mouth was sandpaper
and i brought mine to hers
again and again,
her bitten-rough lips
opening like doors to
purgatory.
less entrapment than addiction -
returning once more to nails and hammers,
hell’s blacksmiths below
heaven’s painters above.
coming back home
to the space between,
to bone saws
and a carpenter’s hands.

her mouth was sandpaper
and her voice was carpentry,
her teeth bone saws
her words
birdhouse walls.
her mouth was purgatory
but her hands
were hands.

her mouth was sandpaper.
i held her hand
and chafed my lips raw.

The carpenter sits in his rocking chair as he thinks,
as the sun drowns itself into the dark clouds, he waits.
Waiting for something to tell him that he is no longer a boy anymore,
that his maturity and humility have been masqueraded
Into a body that resembles him.
Every night, when he eats, he sits alone
His plate as round as the moon,
He lights one candle on his dinner table.

Most nights, when he is drinking heavily,
he walks to the back of his house,
sits in front of an old wooden bench,
gazing across the lake and he picks up a book,
construing ideas and proposals that he fails to recollect the morning after.
He reads poems to himself, poems from books.
Poems about the nature and history of the human condition,
about the muscles and the tendons in our bodies
that bend and crumble and shiver at our disposal.
Bottle in his left hand, book in his right.
And sometimes he switches hands to highlight his drunken dexterity.
Clinching his book of poems as if they were his children,
too afraid to go out into the soft fear of the electric night,
and he was the wild one to present to this world.

He feels abandoned, dismayed,
and he no longer sees a light at the end this tunnel,
like someone or something is closing it,
leaving a crevice wide enough just to test and to tease
his willing and purpose to escape from it.
He feels a burning in his chest
as he trickles down the last drip of scotch onto his lips,
tasting death like it was tapwater.

It's midnight and he has to wake up in six hours,
wake up to a routine where his work becomes unnoticed
because he doesn't have the ***** to stand up for himself.
So, he sits and he waits for something to happen,
something fantastic or supernatural to help him grow wings
so he could relieve the tension on his shoulders,
his bones realigned to fit the being of gods.
He closes the book, walks back to his house
and blows his one candle at the dinner table,
blackening the room to fit the clouds of the night.
He lies in his bed as he engulfs his body with his comforter,
hoping to never wake up in a world that will not hesitate to laugh in his face.

From my window I see
branches dripping
gray fog.
I face a long day
heaving heavy boards,
testing
my brittle back,
glasses wet
with sweat,
porcupine fingers
bristling splinters,
shaping lumber
with a clear heart.

Carpenter, carpenter, what do you say?
Cut wood all day,
bring home the pay:
a pocketful of sawdust.

With strange joy
I can't wait
to begin.

An age old chair, in seasoned teak wood
carved, a perfect work of art, nothing less than
a masterpiece, and a  reminder of so much past,
sat regally before our wondering eyes, tempting
on the central court yard of my  ancestral home,
where generations lived.
                               Wanting to sit like my grandpas of yore
I found a carpenter, perhaps the last one for this work
who understands the air that surrounds the chair.
We discussed the concept,
design and the kind of wood
it has to be  made,to create a replica
to bring back the grandeur of times past.
But then, found  not an easy task  it is
"Do you deserve it ?" the bearded
carpenter, was so blunt in his skeptic stance!
He  puzzled me  with his questions
Yet we were keen to give it a try.

The adamant carpenter relented
after many sessions of questions
and answers, perhaps my passion
did the trick, his eyes made me believe.
He promised to make me a chair
(The kind none would dream in this age)
as if it's a mission divinely assigned,
"You need to change a lot to deserve it"
he insisted, suggests a series of
purification rights  "for your confused soul"

"To fit  in to a chair like this , fulfill
all it's  demands"in my ear he whispered
as if I am the chosen one for an ancient  throne.

An  antique chair shaped by the imagination
of my distant ancestors, now changes me
and without slightest  resistance I submit;
would I ever know what is happening?

She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
       A TALE IN VERSE OF EARTHQUAKE, ISLAND FASTNESS, MALEVOLENT SPIRITS,
                                                AND REDEMPTIVE LOVE.

Oh my it is great...
to have this headache...
after trying
to understand
what numbers are real and fake

I don't see
how this will help me
through my course of
life
Will I ever be
trying to see
what the angle of a chair is again?
or will I ever need to use
how to find a hypotenuse?

I've thought and thought
for a very long time
and came up with a list
of jobs that would ever
need algebra

Math teacher
Crazy Math obsessor
Architect
Carpenter
scientist (on occasion)
contractor
Someone who builds triangles
kite maker
someone who makes graphs
salesman/women

Too bad that isn't any of the jobs I ever want...

Algebra...
oh how my head burns
and I'm sorry if you like it
I don't mean to offend
but Algebra just aint my jam
I'd rather be painting
or writing
or singing
I'd rather be strumming(my guitar)
be sleeping
or eating
I'd rather
go play soccer
or basketball
or ski
Really I'd just rather be free
free of the confusion
I feel after class
of the helplessness
that I have
towards math

Oh how am I going to survive???

PS. I still have to live through geometry (I **** at shapes)
pre calculous (I don't even know what that is) and calculous (Ugh ***?)

I hope you enjoyed my "radical" poem!

Before the night paints the world dark
Daylight surrenders to the evening and fades
A carpenter digs through the dead tree’s bark
Before nightfall a hole has to be made.
A hole has to be made before nightfall
There isn’t any place else he could stay
Since he can’t make the night stall
He must fast dig the passageway.
He must fast dig the passageway
Make for him a warm space
Till the sun gifts him another day
He once more gets back his happiness.
He once more gets back his happiness
The thought drives him in the cold night
It’s enough if he can just dig a warm space
To hold on patiently for daylight.
He must hold on patiently for daylight
A rewarding time until dawns darkness
A warm space he must dig for the night
Therein lies the woodpecker’s happiness.

Sight’s no carpenter’s hammer
No quick dry concrete
It’s flimsy and topples in the breeze
Just because you feel it
Doesn’t mean it’s real

there was a little man a carpenter was he
he loved carving things from the branches on the tree
he carved a little bird then made its little wings
then he made a whistle so the bird could sing
made himself a cage of the very best
and with little branches he made the bird a nest
he lived all alone and needed company
now he had a pet  carved out from a tree
suddenly something happened it was rather strange
he looked at the bird and it began to change
now the bird was real  and at last he had friend
this story is complete and has a happy end.

four years ago i became a carpenter
and started to build a wall
between myself and the world.
people came and went
and tried to take out the bricks
like they were playing jenga.
and some people walked up to me
with a sledgehammer in their hand
and knocked me down with the wall.
as the years went by
my wall got taller
and the people became fewer
until there was no one left.
i'm starting to rethink my blueprints
because it's getting lonely over here
and i forgot the windows.

*(a.m.c.)

"Here the hangman stops his cart:
Now the best of friends must part.
Fare you well, for ill fare I:
Live, lads, and I will die.

"Oh, at home had I but stayed
'Prenticed to my father's trade,
Had I stuck to plane and adze,
I had not been lost, my lads.

"Then I might have built perhaps
Gallows-trees for other chaps,
Never dangled on my own,
Had I left but ill alone.

"Now, you see, they hang me high,
And the people passing by
Stop to shake their fists and curse;
So 'tis come from ill to worse.

"Here hang I, and right and left
Two poor fellows hang for theft:
All the same's the luck we prove,
Though the midmost hangs for love.

"Comrades all, that stand and gaze,
Walk henceforth in other ways;
See my neck and save your own:
Comrades all, leave ill alone.

"Make some day a decent end,
Shrewder fellows than your friend.
Fare you well, for ill fare I:
Live lads, and I will die."

Two screws in a week have turned loose.
Upholstery? It's needin' a boost.
So off to the carpenter's place,
A quick calming break from the rat-race.

The best looking go daily, you know.
Always ready for their final show
Though weekly's required
to keep ruddy and clear,
Pity those going but twice a year.

Seems like he can fix in a jiff
A heart that has hardened too stiff;
And when soul's window pane
Has grown cloudy again,
He'll wash it and call it a gift!

He left His home in paradise
And stepped through the portal of time
He chose to come and pay the price
And die for another's crime

Leaving all He knew behind
His throne was empty and bare
Knowing the only thing He'd find
Was a lowly carpenter's chair

He who made the Heavens and Earth
Had no place to lay His head
He becomes a man through ****** birth
A King without a bed

From a manger to a rugged cross
To set the whole world free
Both Heaven and Earth felt the loss
That day on Calvary

To die for a stranger, a sinners death
Ten thousand angels at His command
Father forgive them still on His breath
A Journey, I'll never understand

The Nakedness of Execution*

~for Balanchine~*

the empty page possesses the perfect clarity of nothingness,
making it perfectly clear nothingness has no business here

come, execute,
clothe thy nakedness,
be a carpenter and build
a shelter for your cover  

be a carpenter

construct the art that dresses thy body
yet, undresses the glowing glory spirited nakedness
we desire,
let us see the visibility of your naked invisibility

execute
unmasked unadulterated unasked unmodulated

pick the wood, select the tools, carve the words
on your forehead, Carpenter Cain
that we may copy them onto our eyes

ask then what can I make of my perfect clarity
and execute
disclose yourself, clothe ourselves

A yellow fever burns with anger.
Mothers fill with a sense of danger.
As towns die and graveyards grow,
A carpenter’s child waits for snow.
Many lives this fever will take.
While others say this horror is fake.
This carpenters child is the only smart one.
For this fever only strikes on a hot days sun.
When winter comes and cools the air
the fever’s anger will disappear.
In the winter it hibernates.
So, dear child please wait.
In a land they is free
Yellow Fever struck in 1793.

Set of cave genes If you could read... pluri freedoms of the dark light of ignorance teach understand that breathe under the Naturality Natural Nature is not necessary to have an understanding heart and store on their empty heads of knowing ancient rain where wisdom possess. If dance on every grain of chickpea for each foot plant what could a plant obey; foot, Plant, and Plantation...

Resulting in kingdoms on my animals, fungi, plants, and protists, media freedom as a seed to reach our evolutionary lack of ceased hopeness...

First  Ellipsis Angle loneliness"God felt Chained"

Chained down by dragging the last link of its multiple arcane freedom in which transfigured recent swings where he collapsed with the latter being of himself whose life lies lifeless alive but lost. The latter that child not to know and deprived of nascent freedom that will never be born and come knowledge in our genome of Independence.

When the caveman thought to be a complement to the world is enslaved by the mystery of lost in himself... The born and born, never dies, that's so naive and innocent... is still full unaware of their free will, rather it is he who must re-literate and be a living part of the ancestral genome Cavernario component. Oh Heavenly Lord of the steppes I look because more of you today without having lived what you lived, as he would have played with my gaze to succor and keep you had fallen into the fangs of an animal, or you had fallen on the glacier cliff where he has separated you from your Clan Cave.

Emancipation means to be always innocent, my blood runs through yours,
I read and understand any phenomenon of deprivation exist without you lack wisdom satiate if all your generations crushed by the ignorance of falling subject will be well, me and my being I take my precognitions as a tormented child's worst nightmare before about sleeping. Sixth Papal almost, almost kneel before the creation of memorizes creation. This prerogative Lord lives Bread’s God Minor remaining....of whose iconography will not leave this fifth fraternal dimension will not come, if not more will enter the latter end of absolute solitude... and shorter than the last thousand years of Neandertal.


Cavernary Political and Ellipsis:

On a day of gentle wind and tense rain proclaiming Clan joined, they all shouted running, the ground shook and the children slept in terror... the 10 infants who were talking about the Sign from above, but the nines they crossed his arms remaining to create solidarity roof that protects the man in your imagination...
The eighth child of the clan ran quickly into the arms of his mother and she imagined how far, how far would never come... uncharacteristically who came with his brother seventh had in their hands the word of entertainment of Being, to be a plaintiff political all of braiding them together with lines enabling the hermit may decide that creation is a mass of lines of certain fashions together, everything sings like the slightest cyclamen dew on the line pointy rough fallen fungus. All arms folded on the upper porch of the Vatican Macario in Franconia, saying that many who unite in their fevered requests large modern man ceased to be autonomous when it came out of their caves and charnel pit.

Ran all she enjoyed doing that almost without knowing whether or not they fall...
Ran because of every day the sun ahead of them a lesson for a man of the future...
They are running to be released the day of his birth chained to stars of light, to carry him to his mother and father, sneaking to his brothers.

Brother worn eleventh birth to her existence as another being evolved Eukaryotic: Surely those provided beings of cell membranes rhizomes reflected in higher liberty lives purged of ectoplasm walk without a discounted subsidiary. Shakespeare in Helsingor appeared immune to a blood brother to all that limits the Draconian feel in the pinnacles drawn 700 greened steeds. From the deepest swoon in the underworld subway Helsingor, follow the prevailing souls presided over by the great ear of the hard sandcastle, stressed hard Ghosts of Stratford upon Avon.

Freedom plague spits words of pancreatic poisoned exordium, spits verses of confusion disorders without permission, without solid bass sound without liquid sea that resists mad edges followed by solid sound...
But smaller stones give priority to conjugate final sentence and noble verses Guardian
to mission how important would Liberation:

Maybe it's a synonymy of Astral Solar...
It is not Solitude, is a free nation that has its own kind prosecutor's office for even when Euthanasia closes your eyes to the astral, will run the stones of the Sea of joy believing that neither you dare if there is no healthy grass to clarify the rainy day terror.


Reverse walk creeks aggravated birds feet, walking great playful ruse.
Reverse run my comrades preparing festivity meals with chandeliers and singing lay plenary., Singing Avenue pine port Firenze, Second run subtracting minutes and hours the minute is enough for me with your face in my arms to recognize your longevity anathema times oblique faces for lip-smacking hailstones Templars.

In 1297 in northern Italy nearby rural families migrate to chalky Venice, Perugia came the exiles walked to find their independence south of the Iberian Peninsula. They were so atoned as in the echoing flutes, harps, zithers, and harpsichords field temperate; They invited the blunting of intemperate monocordio.

Golden Chariot Carrenio

The golden carriage carrying them came without a single space rather than inheritances acquired goldsmiths of ancient noble and chaste solid shine. Carrenio; the coachman wore on his left arm bracelet thousand mobile travel without stopping to drink more water and to feed their horses. After revamping its gold pieces bartered by a slave who was getting Carrenio Christians fleeing the Romans. Well, they fled as far as the plains of great earthly squandered his memory and that end of the end should come.

How am away from my land more I learn it's back to her,
There is no ground for the first time, but that which is foreign
Carrenio of Perugia and sensed that ****** was Jewish ashes,
Luther King black paste of burnt forest,
Mandela and Biko Ogre garage from Victorian Empire,
Gandhi in his humility is always put behind the Sun
to figure out the small
Tagore trashed my heart caressing the entire universe uncorrupted
Hölderlin together in the cabin waiting for his mother at Zimmerman,
That my beloved Borker forest should shine gold teeth with black resin,
Theresa of Calcutta was eaten and swallowed all diseases lepers knowing good taste proverbial dessert psalm,
Jose Miguel Carrera was more than a trench, clay bullets in each of his temples where he received
To be doubly Lonco is to be halved, lacerated by lay his head on his land, not galloping on his back throngs of wit and hope out Nazareth trembles when an F-16 diluted ***** covering landless caravans Heritage continues to lead the people killed but the mosque wall has been Fe Erecta.
Helena plenipotentiary Kowalska at Vilnius, Faustina Divine Mercy Diadema
The agonizing deprivation of millions of people with cancer in every continent of private well-being analgesic, weighed down by increased pain, almost as strong as the Master Hammered Golgotha, so it was that Joshua has cancer always to slow it down on us. Benigno whether metastasis, malignant albeit benign finance.
The death of an innocent little angel devoured by the beast remains as a fluff hairless sardine in the jaws of a shark baron.
Khalil Gibran writes that with both hands to support the reviewer behind in Bicharri and bohemian Paris,

Salvador Allende Gossens was born since he was deceived by his parents who would heal politics, would rather dig their ancestors in their brains scattered in the currency in face seal or tail of.

Frei Montalva that today has to receive the Macro Augusto Heaven their arms, their sorrows, and regrets, although his worst military executioner.

Legion is an offshoot of liquid central gray material, which defers well done becoming but not defeated, it is the decree of the divine threshold space Living or ceases to live, that failure does not exist, it is the postponement of success - success.

The Genocide September 11 in New York was a ritual, who produced was a small wrath strength of the Rotary world, as the camshaft is upset in the history of trying to make more alphabet in schools where the flag hoisting and found scholars in West and East, so they can learn more than reading of both unlettered, lip and water to possess it to write with it. The worst disaster is read with the memory that will never happen... I write my greatest need with lipstick and my greatest need I write eagerly to participate. Yesterday I passed by a boutique and buy lipsticks that are closer to the language, written with the mouth and not the hand. !

Freedom, debauchery, libration, drawer, Bookstores..! Carrenio..: he said see I'm right! Raise and educate has a great synonymy with autonomy because the ancestors wrote everything that deprived them and made them fear, but do not have to eat the autumn gives me to dress the return of spring, bread orchid, and cineraria. Hence by that inner syllabic singing hunger sated that sought sheet to sheet rid of everything until the end of the book as the encounter between night and day without considering oblivious to anything or anyone on the track window swing wind, wind seeping.


It was old Zeus or Hera of Antique,
Cavern to house geometric polyphonic, angular seeds to create fashions kiss kissed everything that any vertical plane does not fit with the closed horizon
For hands and angels, Hebrews the inner soul of every carpenter and stonemason shrunk, wash their eyes and cheeks with songs of vibration and idyllic comfort,
Everything resembled and sounded Bethlehem 2.0 deities choirs sweeping grasslands,
The similarity of this clairvoyant child is born in a cave...
Rising motherly free Soliloquy Papini sitting to the right of ruminant cattle,
So archaic that to be born is not born in a clinic mega Cristus but hundreds of kilometers and hundreds who are born with the undergirding whispers and servitude being.
Where the multi gray impetuous born star is a healthy gauze story in the present tense... this angelic child grows by Miriam washes his feet in a belligerent abolished stone. His father must wash their hands on a stone which is where measured his ecclesiastical mystical stature, stone Madonna to heal his feet where he leaves to free himself, to free us... Marble gamete fémina vault, where he sleeps without knowing whether it is due, the ***** fell from the sky.
How wise is the Wise, it makes permissible for much more than two thousand years we stone quarry wheel and wheel, homily, and blessing to not wake at night to sleep startle middle and uphill.

Me of the referent of antiquity is not me of today is polished cobble stone,
Useful weapon quarry road there and backtrack to have blisters stone and soft thoughts under my pillow soft stone as a whole.

If you're ****** private living and have a free soul choosing coexist, then you are low in the cemetery on a tombstone of heresies.

Neolithic early 4500 after Hildegard von Bingen and his entourage and prowled full and channeled, swooning in her swoon with flowers in his hands and his followers planting forests on top of Stonehenge.

Carrenio says...: you see I'm right, we coexist, I die like the worst ****** cancer and then put a tombstone Stonehenge conspire in my honor black pain prayers of Salisbury. It blooms in vibrant red rubies that detonate in chromaticity and life. The stream itself is exceeded the aquatic plant Macarenia.

Call us and civilize us, outdated as far as my tired feet though I come not ashamed to see my new tracks.

Carrenio says...; see I'm right Joshua has traces of gold from other Caterpillar shod feet. Antique everything is prescribed according to their legacy today is Lent Pro that came before it was Lent vestige Pentecost came to be a nickname of the mystery of the passion in less than a rooster crows.

Beside it is the mystery of the disappointment of stubborn demon, which helps you all carry the cross, but not the entire load. Fire and Light at dawns where the splendor born...


Genome Freedom, even today every centimeter of my witness of each component, if the basic origin of the signs of the primitive world, is that we have lost the bark of the lexicon, which does not allow us to understand the meditations to ask for something, not You need to ask something. Today genome is requesting something because thousands of people who asked for millions of years, now it's time to cater to them. They were wrapped in cloth shroud of spiritual sacredness, today cemeteries mega dance their souls leave no sleepers both much grass on their heads not yet sullied by the puppet Azrael.


Impossible not to decorate the rocks forged empires that fall into the rubble, they bring 476 d. C., a new opening Middle age freedom of travel both in history thousands of years begins a new axis Golden Carrenio’s Chariot.

Carrenio Wagon

This great colossal ship Carrenio time is a timber that holds the sky, a beam that does not faint or distended thousands a. C, and the old age of King's large musings that were forgotten. It is astride ship millennium, their history of oppression has seen in the wheel, instrument wise rolling like a wheel before 5, 000 years ago, here  We fought and prostrated to distant lands millennium after millennium him away.

Golden Chariot is the structure that freedman us to enforce a new life on earth, even the Gods prided themselves move the stars to constellations called her noble Auriga sailing in full the Universes and Cartwheel Galaxy or cart Wheel. As if to say that when the Universe and its own mythology, were visited between them inch by inch by wherever they shine.

Carrenio mask and frame used had strength, temper, and tittle. When the first libertarian squall of antiquity came closer, Rome was already small and nobles populate what is a quote, Piccola. The executioner always frightened and starts out of his own wickedness. Markos Botsaris as did in Greece, and surrounding towns Messologhi remote, they were free more than tuned in massif Arankithos high wind. He was riding to Kanti once again with the golden rider Etrestles of Kalavrita. According to the Chronicle that came from distant millennia has envisioning promote its neighbor's heroic to free Messolonghi of ****** wars. All this I saw with his own eyes Carrenio, every thousand years styling with Etrestles, cleaned their nostrils so that new breed of horses to thrive,

Avignon, in the necropolis, witnessed as Azrael was cleaning his wings Jade antipopes, another story begins... even he seeks to candela who can read this story, and who can provide it from hand to hand cutting semicolons who disclosed.


Second  Ellipsis Angle  New Era:

Ara released the ropes throwing a big ship, History makes a man is at the center of the world. Revolutions, thinking, communication, and especially vindicate man in his right-libertarian. artists with their creations flowing all over the world, mutating classic Renaissance to abstract overlook. Family appearing welfare and needs. A ramble and so many broken laws. Mankind is distracted l film and theater artist of tradition. Art now has sound and movement, then social and political revolutions are industrial that unite everyone behind the pivot deployment of social classes.


Everything evolves until we get tired of doing so. It rests and then continues. This is modern reality, we wrote about the history of events on facts that have never been told. The world has tired all the Eras, but each pause time that has happened has been recharged, nothing finished if not started again. After so many wise lawyers, clergy plunged into great towers bound books. Is evident again can not read or understand. Our realities are missing valid without knowing I close and then open another door. human and civil rights, fair wages, so excessive autocracy monarchy. Freeman can walk along the paths, even if they were trenches.

Zephyr soft murmur which clutters in the Irises by Van Gogh, the painter is the biggest star trek, called with his feet images and colors that would make his own liberty to live naturally insane. And many others Brueghel "Triumph of Death" that roam the countryside, perhaps a medieval piece of Tarskovski; Andrei Rublev in futile painters decorating steps in the fontano chignon Androniko Monastery Moscow, extinct Rublev 70 years, Tarkovsky 54.

Early ellipsis - Campo dei Fiori in Rome to see die at the stake Giordano Bruno by order of the Holy Inquisition. The irruption of the Inquisition, but their feet are touching the flowers, the seasoned cassock continues to haunt the universe of Faith Dominica Trastevere, it is seen to lectures on how to be bold with the informers and the Whistle Blower dies without shade in spring, you resist the star on the asphalt on the magical island of holiness.

Carrenio says: Come I'm right, we can not read, because the brutality of the Cosmos is manure per ton weathered in the backyard of the aristocracy. I will continue with respect and crosed in Crete. Lila Kedrova means the fear of bunk bed tied to her bed and is free in foreign lands leg. Queen insular matriarchy, she lives more than any Greek Goddess, waiting for his Adonis, to fill out honors. Win an Oscar but lost to Zorba, he loses his house but won a Tony Awards. How many women teach us that to win you have to give everything to lose his brains, and thus count as the lost number remains to be retained. Zorba whines in her arms, she moans in the arms of her husband Zeus Steve, proof of a new era. Onyx for his tomb, plate of this great tragedy.

On the evening of December 14, 1964, attended the premiere. Soul of Carrenio was with them but was denied his attendance at the banquet, finally running out and watching the glasses lips and stoles spent his neck.

                                          
          ­                      Numbered Mysterious Death
                                                  Mané

If I have to feel floe on my feet and cold in my prayers will be the Dark Glory. What is slimming rays of the day, everything smelled of silence, maybe it was Kennedy, or better was The Mané.

Closure of my glory suffers the wind...
Flowers lying silence my soul alight,
Thick square displays the song of my voice...
When they speak Quadratils one to one order their
Spirituous voice.

And the spirit singing fiber of my heart told me:
Never you say I Exist ¡ not exist because they do not exist!
Only face daily the different reflection of your body
In front of yourself with another face and another body...

I want to talk with the thought
And this same subtract my little silhouette,
Lavishes wingless bird that flies only in their theology...
That is the duty and melt with my look,
Solid colors components
Crunching the altars of heaven retaining its pale warmth of anorexia.

Yellow Glory hair good event...
If you receive yellow lights, plus I do not sing my own game here in my empty veins,
Yellow my heart...
Yellow my heart
Yellow my collective heart.

They are run by large green and sunny meadows, children who had Mane in this major milestone in its last gasp. Now she is the mother of his children; it up and them in the last temptation of the mystery of death.

Carrenio keeps rolling, the brightness offered his Golden wagon to the ground. Gold grooves ago, and looking at where it realizes that it's landmass light mud. Since he felt whispers from the confines of time he had never felt as if you were finishing your journey or the world. It raining years and years and continues because nobody mends the mysterious death Numbered.

Heaven and Earth did not hold, the bottom fell precipitously pocket Lord and denied several times uncontained. She shivered in the World and the rooster crowed several times to never be heard or the Pentagon.

He is walking and knees bent,
we embraced by the golden chariot and oxen nor held
we bent us all lying on his knees,
up shoulders not hear from where came the bad grace of his departure,
numbered all the time of complaints of how then she would come,
It is unknown who would be but brought wine in his hand on the crispy mask
We ran from side to side and nothing was real

Everything seemed to sing in the chapel on a sad day,
But I hear loudly like Latin and watchfulness,
Those who know his mystery is no stranger to them
They all look but transgress the sin of silence.

Carrenio still absorbed in the hallway,
Angulo ellipsis she comes winged like a star burning tar,
A high speed to give us the new
No garden can deprive greet in speed visit
Dome comes, it comes on the eve of the new moon.

Numbered Widow mysterious,
Mané is a land of golden color and no celestial whoever wants in his cell,
A breath test, and feeding the Toffy and his henchmen
That sustaining more lively detail, there is no one that can not be targeted

It was modern, it was night, it was his torn life as an accomplice of his exile abandonment in his allegory of tender dismissal. Carrenio achieved so say goodbye to the beams of light that told him of the mysterious death Numbered. He sat on the roadside and drank some wine. Then dry with his handkerchief his neck, and have never wanted to experience such an event in a toast ever drunk.

Third Ellipsis Angle  of  New Era

Independence of Chile, it concerns Mapuche atingent case. Araucania pound, then 1818 central Chile. In Brief, Earth makes free an entire nation. His naive and primitive braves inhabitants emancipated themselves from all sides, they came to save a people who were just following where nobody can reach. Independence of the United States separates us for approximately 42 years, breaking up owners of nowhere. Industrial Abolitionist and South Slaver and Agraria. The biggest event that more than 640, 000 men and fallen activists planted safely from repression fields.

In Chile all rule resembled this secession in today's Araucano man prays for his fallen by almost more than 3 centuries in Chilean lands of Araucanía’s men. Lautaro genius and his supporters the heart of Pedro de Valdivia ate; Map ever made to your battle mapping Tucapel. "Initiation and final symbol occurred after 282 years of fierce war" and Mapuche land forever their independence from the Spanish Empire Captain-General important in foreign lands never subjected to foreign rule would eat.

The Machis and Loncos make supplications in native forests falling on them pollen on its back as if nothing out 10 times better...

To Libertas strengthen in the west is necessary to push the limits of the earth beneath his tongue and penance for the greedy entangled in the lines of bloodied sky, rebellions Chieftains death-defying all together at the edge of a cliff. 1769 The Pehuenches led by Lebian Cacique, joined the Mapuches razing Yumbel and Laja, the most peaceful Huilliches also joined mass alerting perhaps innocent people land blood-stained war and the Mackay Luchsinger.

No doubt portals military rebellion trigger blood, where they opened a tip and swords in the past. Here's reading concern is that the succession is timeless time, a sword without a sword, but on the tip of her blood is seen where there were herds and warriors crushed by their own footsteps. Here the phenomenon of freedom begins; Humanity runs treading his own footsteps, to save his family from a threat, but not strange forces that force you to use your defenses, because in the groves populate many helpless souls with his sword unused at the expense of being forced to use.

Freedom genome; It aims to reach where it has not come without looking back,
Chalices pour out is where the troubadours do not cuddle her close looks like time, singing while watching the changes are not of a new life


Heaven star,
Come to me,
I ask a sign to see them arrive,
Because I want to thus been dragged
Being together Eager to feel...
Those respites without being comforted
going to the mouth of the serpent.

About the Garden,
My home is to put my love,
He has to put the days imagining close...
To enjoy yourself is nonexistent...

Oh, my house tormenting me...!
Because in it I feel your smell
They are alone lights
Where I would wait for me to be in the dark...

In the coming future,
You will not see or hear my anger...
Perhaps my happiness nor peace praying
As the spear in the hands of the perpetrator.

You know a storm of whispers
I do sow your name in the wilderness,
It's because my judgments of hope
They mount up arable land deposited in my frenzy
Misled by a love which is my love.

But you never understand,
Because time has invaded my dwelling,
Invading my brain to give
It has invaded my choosing to love...

On the grass path,
Every time I move away from you,
I turn to see if you have not been...

Love came,
And I think that leaves us alone to avail ourselves
Ranging in our time...


But I can not resist his silence,
For my house want the noise of its action,
Why keys to the gates that serve my understanding.

Tramples my heart the fragmenting oddities into smaller pieces,
Your answer that call.

Tur love be like if I had created...
As if only you had appreciated your beautiful creation.

Do not destroy your work expresses in his mystery give life to your dreams!
Man aiming better earth, ask some of you to join your dreams...

! Your wife of this land does not procrastinate your misfortune,
I discover far peaceful landscapes like an echo in the spring,
As large and deep as your forgiveness for loving me more


It tells the Earth to the Sun in its perky tear benefactress of new opportunities as good and healthy smile rainbow on the back of Oviedo sheep valleys of freedom of Pietrelcina life.

To be continued…