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"carnies" poems
When I was a little girl I loved going to the fair. seeing the clowns rides and carnies. but my favorite thing to see at the fair is the fun house Remember those? Where mirrors flooded the walls bending towards you distorting the image you saw to one of absurd portions Nose swelling larger legs shrinking hips inflating. I loved seeing the shapes my body could take. ...I haven't been to a fun house in years. And even if I went I know the mirrors would look like those that hang in my room. Body dysmorphia is it's own fun house one full of insecurities and self-hate. It makes regular mirrors bend my perception of reality. Makes my stomach bloat thighs inflate cheeks widen eyes shrink My mind has turned into a trapeze act And I don't know if i want it to stop.
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Dec 19, 2014
Dec 19, 2014 at 12:46 PM UTC
Fun house Mirrors.
It's a circus Without the tent, Without the colors, Without the fun. A mad circus. And the carnies and the freaks, That's you and me and them, my friend. To whom do we perform to? Ask yourself that!
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Apr 22, 2013
Apr 22, 2013 at 3:18 PM UTC
Circus!
Crawl with me back behind the the Midway glare of lights so bright they blind you to the inevitable. Slink into the shadows where the carnies laugh at the marks; the sound of their mirth decomposing at the edges of their mouths, falling to the ground to slither away in the darkness. Sneak behind the glowing banners where the peeling paint is stained with a thousand yesterdays and there is no happy endings or smiling child with over-sized toy. See? There beyond the glow of the calliope sleeps a girl, thumb in tear stained mouth, curled into herself in the hay. Momma's busy where the ***** sound drowns out other noises. And there, where the fat lady hangs her garments to dry in starlight, she watches the townies stroll and wishes she had a different role to play. Behind the warped boards of the spinning wheels the boy strains to hear coded words to know which lever to press, unless he sees the shiny toes and knows to vanish into the night. Walk the Midway with me now-- the cotton candy spun dreams melting; the grainy taste no longer sweet. The bolt is loose on the tilt-a-whirl but it is late and tear down starts when the last rider bolts for home. Magic and fantasy are folded into boxes, packed away like disjointed clowns in an undersized car until the next day, the next town, the next nameless place and all the dreams are spun once again for the believing, the foolish and the blind.
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Jul 10, 2012
Jul 10, 2012 at 7:29 PM UTC
Siren Call of the Carnival
I told you the carnies were ripoff artists, but If you really wanted, you could have said the real prize was the love in the air that night.
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Sep 24, 2015
Sep 24, 2015 at 5:38 AM UTC
Prize
#*(What.. the Construct is not God?) A final flare across the falsehood. A message for the Circus carnies, their "Feerless Leaders" surrounded by all of those foul-smelling little Circus-midgets who stroke their emptiness as they feed on the open wounds of women and call it poetry. The girl has walked off the stage—and now you're left to perform for ghosts within that never-ending moshpit of clown-driven bumper cars.. signaling each other with nifty little 'doublesecret', nursery-school codeword handshakes..* ***This is not her elegy. This is your eulogy.*** You never had her. You only had her wounds. You dressed them up in silk, fed them validation like wine, watched her dance in your smoke and thought that was devotion. But devotion doesn't need an audience. And healing doesn't ask your permission. She’s walking now— through the neon bones of your kingdom, past the velvet ropes and half-dead prophets, past the pit bosses and poets with nothing left to say. She is not yours anymore. Not her mind. Not her mouth. Not her mercy. The girl is leaving Las Vegas. And all you have left is your mirrors and your rot. You built your house on applause and gaslight, and panting beneath the throne. You offered her fame in fragments— tried to turn her trauma into theater. But she has remembered her name. And it is not Object. It is not Muse. It is not ***** She is not your story. She is not your audience. She is not your ******* redemption arc. She owes you nothing. Not a final poem, not a farewell kiss, not a second read-through of your mask. The curtain is down. The light is off. The only thing echoing in this theater is the sound of your own need. You tried to brand her with brokenness. You tried to cage her in shame and call it belonging. But she has slipped through your stagehands like smoke returning to the mountain. And now, you will eat yourselves. You will tear your velvet gods limb from limb, looking for the magic you could never hold. Because it was never yours. It was hers. And she is gone. Gone, like a daughter returning home, with the fire still burning in her chest and no need to ask permission. Let her fly. Let the city crumble. The girl is leaving Las Vegas. And none of you  pathetic ************* will follow her out. #
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May 4, 2025
May 4, 2025 at 10:26 AM UTC
Leaving Las Vegas.
#*(What.. the Construct is not God?) A final flare across the falsehood. A message for the Circus carnies, their "Feerless Leaders" surrounded by all of those foul-smelling little Circus-midgets who stroke their emptiness as they feed on the open wounds of women and call it poetry. The girl has walked off the stage—and now you're left to perform for ghosts within that never-ending moshpit of clown-driven bumper cars.. signaling each other with nifty little 'doublesecret', nursery-school codeword handshakes..* ***This is not her elegy. This is your eulogy.*** You never had her. You only had her wounds. You dressed them up in silk, fed them validation like wine, watched her dance in your smoke and thought that was devotion. But devotion doesn't need an audience. And healing doesn't ask your permission. She’s walking now— through the neon bones of your kingdom, past the velvet ropes and half-dead prophets, past the pit bosses and poets with nothing left to say. She is not yours anymore. Not her mind. Not her mouth. Not her mercy. The girl is leaving Las Vegas. And all you have left is your mirrors and your rot. You built your house on applause and gaslight, and panting beneath the throne. You offered her fame in fragments— tried to turn her trauma into theater. But she has remembered her name. And it is not Object. It is not Muse. It is not ***** She is not your story. She is not your audience. She is not your ******* redemption arc. She owes you nothing. Not a final poem, not a farewell kiss, not a second read-through of your mask. The curtain is down. The light is off. The only thing echoing in this theater is the sound of your own need. You tried to brand her with brokenness. You tried to cage her in shame and call it belonging. But she has slipped through your stagehands like smoke returning to the mountain. And now, you will eat yourselves. You will tear your velvet gods limb from limb, looking for the magic you could never hold. Because it was never yours. It was hers. And she is gone. Gone, like a daughter returning home, with the fire still burning in her chest and no need to ask permission. Let her fly. Let the city crumble. The girl is leaving Las Vegas. And none of you  pathetic ************* will follow her out. #
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54
You were as temporary as the incendiary summer heat that baked our skin to golden brown & sent us seeking shade to simmer down. You were as temporary as the indulgence of our inner child, time spent sprawled out in our sheets watching Saturday cartoons without a care or central air, entangled in our underwear. You were as temporary as the cherry popsicle stains melted into my skin with our summer sin. 90°. Sticky & sweet. I remember pretending we were wearing lipstick or were deranged carnies on the run. We laughed at our absurdity, drunk on our fun, composing insane scenarios to shake up the inane existence of a small town Midwest summer, languid with little other entertainment. I'd wield an empty wooden stick & read one-liners from the side of it. You were as temporary as the tattoos we got together at the dusty county fair that were sure to wear away with sweat & sultry August air.   You were my summer love affair.
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Sep 2, 2015
Sep 2, 2015 at 10:16 PM UTC
Temporary
Steven never forgot The time at the fair When he won the ring toss But lost his dad Have you seen my dad? His name is Whensle Steven told the carnies but the carnies so cruelly told him Whensle is a girl's name
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Jun 7, 2010
Jun 7, 2010 at 10:38 AM UTC
County Fair
what an audacious title! she squealed, condignly to speak of the soul, and more, to enter the holy land of priests, poets, seers, and carnies to discover the synovial moan between one's craggy crafted countenance and the invisible breath of god   to find a place, backwards in time that may lend itself to rhythm and rhyme but will never settle silently on the page   between the soul and the façade, the mud in which we are stuck,   a bonded place, in a travesty of space   where a voice cries for help   yet is never heard
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Mar 21, 2014
Mar 21, 2014 at 8:59 PM UTC
the soul, the façade...and in between*
Portable Carnival. You pack it up and roll it away two weeks to the day that it arrives. The lives of these carnies have never mattered. They exist only as a part of the traveling freakshow. Something we pay money to stare at, to laugh at, to mock. It’s degrading, but it’s how the freaks have to earn their living. It’s how Two Toe Toby affords his next meal. But he doesn’t have a favorite sit down restaurant, because they keep putting him back on a bus and sending him to a different city to manage the tilt-a-whirl; And all the hurling ***** from children's’ stomachs that are full of corn dogs and cotton candy. Portable Portajohn. A traveling **** storm. Citizens come and give us their paychecks in return for cheap thrills on rinky **** rides that spin their minds into oblivion. Just so they can say they’ve tasted the clouds and all of the pollution that surrounds them. And just like that, we leave again. Vanishing into our next city, for a scheduled two week period.
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Jan 16, 2019
Jan 16, 2019 at 11:56 AM UTC
Portable- Horrible-
Been riding this catastrophic carousel For too many years. I remember I was once happy, Eager. Mother said she loved me, I never believed her. Here, Crystal **** smells like cotton candy. Here, Balloon animals are filled with nitrous. Everyone seems content here, The horse on the carousel provides A surplus of serotonin. Crazed clowns cashing in On their crooked version of capitalism. Their ferris wheel of fear and loathing Never stops spinning. I used to berate the carnies, Now the carnival is a part of me.
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Mar 20, 2017
Mar 20, 2017 at 8:58 AM UTC
Gehenna's Carnival
To this day kids are being called names.  The classics were ‘hey stupid’, ‘hey spaz.’  Seems like ever school has an arsenal of names getting updated each year.  And if a kid breaks in a school and no one chooses to hear it, do they make a sound?  Or are they just background noise on a soundtrack stuck on repeat and people say things like, ‘kids can be cruel.’  Every school was a top circus tent and the pecking order went from acrobats to lion tamers, from clowns to carnies, all of these miles ahead of who we were - we were freaks.  Lobster clawed boys and bearded ladies.  Oddities juggling depression and loneliness, trying to kiss the wounded parts of ourselves and heal.   But at night, while the others slept - we kept walking the tightrope as practice and yes, some of us fell.  But I want to tell them that all of this, is just debris.  Left over from when we decide to smash all the things we thought we used to be.  And if you can’t see anything beautiful about yourself, get a better mirror, look a little closer, stare a little longer.  Because there’s something inside you that made you keep trying, despite everyone who told you to quit.   You built a cast around your broken heart and signed it yourself, you signed it ‘they were wrong.’  Because maybe you didn’t belong to a group or a clique.  Maybe they chose you last for basketball or everything.  Maybe you used to bring bruises and broken teeth to show and tell but never told because how can you hold your ground if everyone around you wants to bury you beneath it - you have to believe that they were wrong.  They have to be wrong.  Why else would we still be here?  We grew up to cheer on the underdog because we see ourselves in them.  We stem from the root planted in belief that we are not what we were called.  We are not abandoned cars stalled out and sitting on an empty highway, and if in someway we are, don’t worry, we only got out to walk and get gas.  We are the graduating class of we made it.  Not the faded echoes of voices crying out, ‘names will never hurt me’.  Of course they did.  But our lives will only ever always continue to be a balancing act.  That has less to do with pain, and more to do with beauty.   BEAUTY
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Sep 30, 2015
Sep 30, 2015 at 7:45 AM UTC
to this day
To this day kids are being called names.  The classics were ‘hey stupid’, ‘hey spaz.’  Seems like ever school has an arsenal of names getting updated each year.  And if a kid breaks in a school and no one chooses to hear it, do they make a sound?  Or are they just background noise on a soundtrack stuck on repeat and people say things like, ‘kids can be cruel.’  Every school was a top circus tent and the pecking order went from acrobats to lion tamers, from clowns to carnies, all of these miles ahead of who we were - we were freaks.  Lobster clawed boys and bearded ladies.  Oddities juggling depression and loneliness, trying to kiss the wounded parts of ourselves and heal.   But at night, while the others slept - we kept walking the tightrope as practice and yes, some of us fell.  But I want to tell them that all of this, is just debris.  Left over from when we decide to smash all the things we thought we used to be.  And if you can’t see anything beautiful about yourself, get a better mirror, look a little closer, stare a little longer.  Because there’s something inside you that made you keep trying, despite everyone who told you to quit.   You built a cast around your broken heart and signed it yourself, you signed it ‘they were wrong.’  Because maybe you didn’t belong to a group or a clique.  Maybe they chose you last for basketball or everything.  Maybe you used to bring bruises and broken teeth to show and tell but never told because how can you hold your ground if everyone around you wants to bury you beneath it - you have to believe that they were wrong.  They have to be wrong.  Why else would we still be here?  We grew up to cheer on the underdog because we see ourselves in them.  We stem from the root planted in belief that we are not what we were called.  We are not abandoned cars stalled out and sitting on an empty highway, and if in someway we are, don’t worry, we only got out to walk and get gas.  We are the graduating class of we made it.  Not the faded echoes of voices crying out, ‘names will never hurt me’.  Of course they did.  But our lives will only ever always continue to be a balancing act.  That has less to do with pain, and more to do with beauty.   BEAUTY
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4
Have I been too long at the fair? by Michael R. Burch Have I been too long at the fair? The summer has faded, the leaves have turned brown, the Ferris wheel teeters, not up, yet not down . . . Have I been too long at the fair? NOTE: This is one of my earliest poems, written around age 15 when we were living with my grandfather within walking distance of the Nashville fairgrounds. I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again. Keywords/Tags: state, fair, carnival, carnies, Ferris, wheel, teeters, teetering, up, down, summer, fall, leaves, falling, time
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Apr 7, 2020
Apr 7, 2020 at 6:03 AM UTC
Have I been too long at the fair?
After you spilled hot cider on the opal-purple plastic sequins of the dress our great- grandma bought you, we ran down a cigarette-smoke saturated neon alley that dripped red blues and greens between ivy-wrapped cracks in the antique-brick buildings across the lopsided street. Carnies barked over plywood counters draped in tablecloths, shouting, “Prize every time!” at kids grabbing pink ducks from a foodcolor-blue model of the White River, while other kids popped balloons with darts like the syringes our town is famous for stabbing like stakes into undead methed-out arms, and we hid behind a coffin-shaped green porta- ***** near the chain-linked swings. You held your nose in a gloved hand and tried to dry the steaming cider with a napkin I found hanging half-out a yellow trashbag full of skunked beer and flies, and you said, through mascara- poisoned bubbling black streams and sour-pink lips, “Mamaw’s probably mad enough I only won Miss Congeniality — just imagine how mad she’s going to be when mom goes to the hospital tomorrow and tells her that the cocktail- dress she worked to death to put her spoiled great-granddaughter in smells like rotten apple pie!”
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Jan 3, 2018
Jan 3, 2018 at 8:49 AM UTC
Transmission No13: A Poem to Help You Lose the Persimmon Queen Contest
Have I been too long at the fair? by Michael R. Burch Have I been too long at the fair? The summer has faded, the leaves have turned brown, the Ferris wheel teeters, not up, yet not down . . . Have I been too long at the fair? NOTE: This is one of my earliest poems, written around age 15 when we were living with my grandfather within walking distance of the Nashville fairgrounds. I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again. Keywords/Tags: state, fair, carnival, carnies, Ferris, wheel, teeters, teetering, up, down, summer, fall, leaves, falling, time
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Apr 5, 2020
Apr 5, 2020 at 2:07 AM UTC
Have I been too long at the fair?
Tag me tag you Underneath the freshly spilled milk and on top of the smooth soft skin Impulsive behavior is gnawing at my curled toes Escape into the illuminating shadows of the ever smiling carnies One blast into utopia, one shivering since of a smiling soul She leads me as I lead her into our feverish ritualistic desires Onto the table and underneath the freshly spilled milk My eyes twinkle , my body numb Pure delight is heavenly As I tag her she tags me
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Sep 13, 2016
Sep 13, 2016 at 12:28 AM UTC
Untitled