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Waverly Mar 2012
I want a Monte Carlo
with woodgrain
that drips
lacquer
like liquid
metal.

How sweet is the sound
of droplets
of wetted desire
and my chucks
dotted
by the bark
of a melted,
condensed,
glossed
and
digital
earth.

My Alpine's
make bus-drivers nervous,
with their hallways
full of a thousand faces,
staring down
at me
as I crack holes
in the concrete
big enough
for a squadron of buses
to fall into.

My Carlo
should have two things
in bunches,
it should have
the smell of a woman.

The smell of her
stale mouth
that lets loose fumes
in grated vents.

The Carlo's
smell should rattle me
like fences
that jingle when I brush against them.

Secondly,
my Carlo
should
be serious
and black.

All black.

I want my Carlo to have
opals for headlights
like the smeared *** of a firefly
or the eyes
of a panther.

My Carlo should be so beautiful
that it takes me back to the forest,
to the forge,
to the hotel,
to the hospital,
to the altar,
to a place of peace so loud
that I could take it between my fingertips
only to break it in a purr.
Paul d'Aubin Mar 2016
Littérature et Politique

(Prose poétique en  souvenir de la lecture de Carlo Levi docteur, peintre, militant antifasciste  et écrivain)

Je ne pourrais assez remercier mon père, André (Candria en Corse),  qui pour me permettre un jour de comprendre la langue Corse qu'il n'avait pas eu le temps de m'apprendre car il enseignait déjà l'anglais,  me fit choisir l'Italien, en seconde langue au Lycée Raymond Naves.
Cette classe d'Italien cristallise les meilleurs souvenirs que j'ai eus de ce Lycée qui n'était pas d'élite,  au sens  social de ce terme menteur mais bien plus important, jouait alors,  ce  rôle de creuset social dont nous semblons avoir quelque peu  perdu le secret. J’eus la grande chance d’y connaître  mon meilleur ami, Roland P.., qui aujourd’hui, hélas, n’est hélas plus  mais dont l’Esprit demeure et qui  fut  l'ami si compatissant et fraternel  de mon adolescence tourmentée,  quelque peu Rimbaldienne.  Mes Professeures d'Italien étaient toutes des passionnées et si nous ne nous mîmes pas suffisamment, par paresse, à la grammaire; elles réussirent, tout de même,  à nous  ouvrir grand la porte de cette langue somptueuse,  l’Italien,  si variée et l’amour  de la civilisation Italienne qui a tant irrigué l'art et le bonheur de vivre. Parmi les romans que ces professeures de ce Lycée Laïque  et quelque peu «contestataire» (encore un terme qui s’est évaporé sous la gangue de l’aigreur et de la passion funeste d’une nouvelle intolérance pseudo-jacobine et pseudo « nationaliste »  )  nous firent connaître, il y a  dans ma mémoire et au plus haut de mon panthéon personnel, «Le Christ s’est arrêté à Eboli» écrit par le docteur de Médecine,   devenu rapidement, peintre et militant antifasciste de «Giustizia e Libertà», l’ écrivain Carlo Levi. Son  chef d'œuvre incontesté : «Christo si é fermato a Eboli» («Le Christ s’est pas arrêté à Eboli.») a fait le tour du Monde.

Envoyé  en relégation par  le «Tribunal pour la sûreté de l’Etat» créé par les fascisme (dans ce que l’on nommait le  «confino», dans le petit village d’Aliano en Basilicate,  pour le punir de ses mauvaises pensées et  de ses quelques minuscules actions politiques menée sous la chape de plomb totalitaire en ce  lieu, si perdu que même le Christ, lui-même,  semble-t-il, avait oublié, tout au moins métaphoriquement de s’y arrêter, Carlo Levi, au travers d’un roman presque naturaliste fait un véritable reportage ethnologique sur la condition des paysans et journaliers pauvres que l’on nommait alors : «I cafoni», (les culs terreux, les humbles, les oubliés d'hier et  toujours).

Contrairement à trop d'écrivains contemporains qui fuient les questions qui fâchent et surtout la question sociale  ( il est vrai que j’entends dire même par nombre de mes chers amis d’aujourd’hui  qu’il n’y aurait plus d’ouvriers, ce qui est inexact ;  il est  hélas bien exact qu’il n’y a plus guère d’écrivains provenant des milieux ouvriers, paysans et plus largement populaires. ) A l'inverse de notre littérature européenne contemporaine, laquelle s'est très largement abimée dans le nombrilisme ou,  pire,  la rancœur racornie et nihiliste, Carlo Levi,  lui, a réussi à atteindre la profondeur la condition humaine  et la véracité des plus grands peintres de l'Esprit ,  tels les écrivains Russes comme Gogol , Gorki , Tolstoï et Soljenitsyne, dans «le pavillon des cancéreux» ainsi que les écrivains Méditerranéens à la « générosité solaire » comme le crétois Nikos Kazantzakis  (dans la liberté ou la mort), Albert Camus, dans «la Peste» et  Mouloud Feraoun  (dans son  «Journal»).  Bref dans son roman, Carlo Levi va au plus profond de la tragédie intime et collective des êtres et ne masque pas les ébranlements sociaux,  et les Révolutions à venir qui font tant peur à notre époque de «nouveaux rentiers» de la finance et de la pensée  sans jamais verser dans le prêchi-prêcha. Ce sont de tels écrivains, sortis du terreau de leurs Peuples,  le connaissant  et l’aimant profondément,  qui nous manquent tant aujourd’hui. Ces écrivains furent d’irremplaçables témoins de leur époque comme Victor Hugo, avec «Les Misérables» avec ses personnages  littérairement immortels comme  le forçat en rédemption,  Jean Valjean, la touchante Cosette et bien sûr le jeune et éclatant  Gavroche. Ils restent au-delà de toute mode et atteignent l'Universel en s’appropriant la vérité profonde de ce qu’en Occitan,  l’on nomme nos  «Pais» ou la diversité de nos terroirs. Encore un immense merci à mon père et à mes professeures; il faut lire ou relire : «Le Christ s'est arrêté à Eboli». Car si nous regardions un  peu au-delà de notre Europe  tétanisée de peur et barricadée,  il  y a encore bien d'autres Eboli et encore tant de «Cafoni » méprisés, brutalisés et tyrannisés dans le Monde d'aujourd'hui !
Paul Arrighi
~
May 2023
HP Poet: Edmund Black
Age: 39 (almost)
Country: USA

Question 1: Welcome to the HP Spotlight, Edmund. Tell us about your background?

Edmund Black: "My real name is Merlin Edmund (Black) cause I believe in magic and besides, it matches my cool ;). I was born in Port Aux Prince, Haiti. I moved to the United States when I was 11 years old and I’ve been living in New Jersey ever since. Seems like here on Hello poetry I’m stuck on 34, like I'm frozen in time alongside error 502, but I’ll be 39 years young this year on May 6. But please don’t tell anyone ;) lol."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Edmund Black: "I wrote my first poem (ever) here on HP called Caribbean love, back in 2018, and I have been a member since. I wrote that poem after I returned from a missionary trip back home in Haiti, after I witnessed so much poverty on such a small island. And I wanted to write about all the suffering, the poverty and the beauty. At first I was afraid, I was scared because I didn’t know how people would take to me. But there was a piece of me that wanted to come out, wanted to be free, and to learn, to help others find their own Joy, gratefulness, peace and humility? I started writing to encourage myself and many others. The truth forever remains that we're all brothers and sisters. I wanted to sprinkle some love and hope around the world, seasoned with a little bit of madness."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Edmund Black: "I guess every writer is inspired by different things, for me I get inspired by all the little things I experience on a daily basis. I get inspired by hatred, poverty, love, music, nature, grief, etc. I get inspired when I'm desperately searching for a life in a happier world. When I feel the desire to remind myself and others that we're all the same. Everybody has a little bit of the sun and moon in them. Darks and lights in them. Part earth and sea, wind and fire. We have a universe within ourselves. We all can shine in the midst of dark moments and we have got to remember that, no matter the weight."


Question 4: What does poetry mean to you?

Edmund Black: "Have you ever met someone that makes you happy and smile, just from being around them? They make you feel good just from their laughter. They make you feel like all the problems or negativity that you may be facing during your daily activities, means nothing. They make you realize that it’s okay to make mistakes and still find ways to make things better. This might sound insane, but that’s poetry to me. It's healing, it's cathartic, it brings out strength from within. Trust me, you can write about anything and still come out with a win. Poetry is an avenue that lets you be free while holding the memory of the world in the palm of its hands."


Question 5: Who are your favorite poets?

Edmund Black: "I think my answer is going to shock you, Carlo. I DO NOT HAVE A FAVORITE WRITER OR POET besides you guys here on HP. But If I had to pick one famous poet, if it’s a must it would have to be Jesus Christ. He was a brilliant poet who had his work of art on every mind and heart in the world. His expression, His poems, His delivery and the depth of His thoughts. The poems are so relatable and beautiful. His words are addictive. Every time I am a little bit depressed and in need of a lift upon high, He is the first and only one that always comes to mind. He’s my inspiration…… Without question."


Question 6: What other interests do you have?

Edmund Black: "I love spending time in nature with my family; creating art in the backyard whenever I get a chance. Weight lifting and bicycling are two of my favorite hobbies, and plus I'm a foodie so I'm very passionate about my cooking ;) especially fresh seafood, hmmm so so so good. And lastly, I have a great enjoyment in fixing old houses and turning them into a home for families to enjoy for years to come, for a small fee ;) to me it’s a form of art. It’s a busy lifestyle."


Carlo C. Gomez: “Thank you so much for allowing me to interview you, Edmund! I really enjoyed getting to know you better!”

Edmund Black: "Thank you so much Carlo and to everyone who has ever shown me love, support, encouragement, forgiveness, concern...at any point in my life. Your grace, compassion, and mercy does not go unnoticed. I love you all. Be gentle with each other my dear poet brothers and sisters. To all writers and poets, don’t boo yourself off the stage before anyone has a chance to see you shine. Keep dreaming and your visions alive because without us the world would be empty, sad and without a sound. Let’s create joy for hope and hope for humanity……I am all gratitude Carlo and family, thank you 🙏🏽"




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Edmund a little bit better. I know I did. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #4 in June!
~
That which I discovered a Beat Squire
A Potential who I Trust can be Friend
As sincere as the News he respires
Giving you Updates which does make us Bend
Kaibigan, should you show the Numb Male
Which Ingredients we are truly made of
He chose you. That alone should just prevail
And Rice the Staple makes your Friendship oft
I mean this Good Thing. Being at your Best
And Youth such Buddy could ever provide
Live out this Stage well. Far from what the Least
Full-Cupped Elders think they could just Advise.
My Part is done. Decisions are your own
This Future is yours; Make it well-known.
#jancarlo717
~
June 2023
HP Poet: Patty Mager
Country: USA


Question 1: Welcome to the HP Spotlight, Patty. Please tell us about your background?

Patty M: "I was born an only child in a 3 generation household. I loved books, and playing imaginary games, and chasing my mom with really long nightcrawlers, my Grandpa raised in a washtub. I was a banker, and a financial banker for many years. I quit to do hospice for my Dad when he was to go into hospice. My husband had heart problems and my little Mom eventually got Cancer. So I nursed and loved them all. My Dad for a year, the others over an 8-year period. I saw the transition of each and the way each handled their ending, and I was there for them all. I consider that a special blessing."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Patty M: "I always wrote, but I found a poetry site 20 years ago, and began to write seriously. I've been published in many anthologies both in the US and abroad. I was nominated for the coveted Pushcart Prize twice and I once had a three-page spread in our local newspaper. I came to HP in 2014 and I love this special place with amazingly wonderful poets who have become really great friends."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Patty M: "Sometimes poems seem to write themselves, almost like automatic writing."


Question 4: What does poetry mean to you?

Patty M: "Poetry is spiritual, and a lifesaving rope that carries me through both good and the horrible times of my life."


Question 5: Who are your favorite poets?

Patty M: "My favorite Poets are: Sylvia Plath, Neruda, Billy Collins, Maya Angelou, Poe, Ginsberg, Anne Sexton, and Longfellow."


Question 6: What other interests do you have?

Patty M: "I love to cook, do crossword puzzles, read, and play card games like canasta, and spider solitaire. Being with family is my heaven."


Carlo C. Gomez: “Thank you so much for allowing me to interview you, dear Patty! I learned a great deal about you!”

Patty M: "Thank again Carlo. Thanks so much for all your help and kindness."




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Patty a little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #5 in July!
~
~
April 2023
HP Poet: Sarita Aditya Verma
Age: 47
Country: India

Question 1: We are so happy you could be a part of this, Sarita. Tell us how long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Sarita Aditya Verma: "I have been writing for the last six years (19th October 2016), that was the first time ever I wrote to express myself. I have been a member and have posting here at Hello Poetry since December 2016. This is the only place where I share my words, sometimes a copy of the same with friends who are willing to read. Hello Poetry has been my sacred space, I feel blessed to be here."


Question 2: What inspires you? (In other words, how does poetry happen for you).

Sarita Aditya Verma: "Nature has inspired me forever, be it rain, sunshine, trees or the blooming flowers. The length and breadth of vivid times and emotions. I usually write about the experiences in life, as I lightly observe around. Sometimes it could be a photograph, a painting or even my morning walk. In general, the geometry of life and the rainbow that shines. That’s how poetry happens to me."


Question 3: What does poetry mean to you?

Sarita Aditya Verma: "Poetry is one of the best experiences in my life. It has given me a sense of belonging, a space which is totally mine, brought in a lot of clarity, and words have set me free. 'Sometimes poetry, mostly life, unwritten quotes destiny shall write'- is what I believe in."


Question 4: Who are your favorite poets?

Sarita Aditya Verma: "I have been a science student, and haven’t had much exposure to literature/poetry in my graduation years. So it would be unfair to quote any of the greats here! Robert Frost and Mark Twain are the ones whose works I have enjoyed reading in school. The rest, most of my reading and learning experience, has been at Hello Poetry - from the many great poets and poetesses who share their wonderful work here, and I am grateful for that."


Question 5: What other interests do you have?

Sarita Aditya Verma: "One of my other interests is photography, I love the geometry of the subject- it’s all about angles and curves, and right moments to capture. I am drawn to nature and street photography. I am still into the process of exploring and acquiring the skills. I also enjoy listening to upbeat music :)"


Carlo C. Gomez: “Thank you so much, Sarita! We are really excited to add you to this spotlight series.”

Sarita Aditya Verma: "Thank you so much Carlo, for interviewing me here. I truly enjoyed the questions and am eager to know about and read from other contributors at Hello Poetry :)"



Again thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Sarita a little bit better.
– Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #3 in May!
~
Below are Sarita's favorite poems of hers and links to each one:

Bonding Free:
https://hellopoetry.com/poem/2943925/bonding-free/

The Words:
https://hellopoetry.com/poem/2704113/the-words/

Boundless Love:
https://hellopoetry.com/poem/2367490/boundless-love/

MastMaula:
https://hellopoetry.com/poem/2442476/mastmaula/

My Dear Poetry:
https://hellopoetry.com/poem/2331828/my-dear-poetry/

Recycle:
https://hellopoetry.com/poem/2028389/recycle/

Sharing the links to some of my older poems, hope you like them :)

Thanks and regards,
Sarita 🙏
~
September 2023
HP Poet: Old Poet MK
Age: 80, but feels 79
Country: Canada


Question 1: We welcome you to the HP Spotlight, Old Poet MK. Please tell us about your background?

Old Poet MK: "I was a poor scholar…difficult concentration issues from grade school onward…very little was known about dyslexia in those early years…it’s a bit of a different world…many blessings and all kinds of curses. I was fortunate to invent and able to patent a few things that people were willing to pay for. My wife and I opened a small factory and manufactured decorative accessories for interior designers in the commercial market, offices…malls…lobby’s, etc. Making a living doing something you enjoy…feels good…and for almost 40 years It was hard working fun…I was inventing day and night."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Old Poet MK: "I recall attempting poetry when I was in my early 20’s…lyrics for tunes, etc…but I didn’t keep a record of that period, it wasn’t until my early 50’s when Leonard Cohen captured me in the magic of his rhythmic language…it was a melodic trap…the lyrics blew my mind and my world got a little bigger, from that time on I wrote frequently…and read the work of many poets trying to figure out how it all works….I wrote for my own enjoyment and a deep desire to improve...I began to submit my poems on a couple of sites about 12 years ago…I finally found Hello Poetry in 2016…the best of the lot in its own way…There are talented wonderful people here…"


Question 3: What inspires you? (In other words, how does poetry happen for you).

Old Poet MK: "There’s no particular formula or pattern….I think it happens when I get a little edgy…and my unconscious has observed a puzzle untamed…for me poetry is self discovery, it emerges raw…and I do my best to tame it."


Question 4: What does poetry mean to you?

Old Poet MK: "Poetry is important to me….a sense of fulfilment digesting the work of the great poets…incredible philosophies between the words….reading the work of fellow poets…learning from heartfelt insight…I take my own work seriously and work ******* interpretation and refinement…it all feels a worthy time spent….squeezing meaning out of abstraction and allegory tongues or plain words. The freedom of poetry is a gift….the lightning speed of brevity conquers a complex point in a flash….compared to a few pages of prose…it is a fascinating creative process using colors of your own choice…up down or sideways…verse rhyme or hybrid…you birth an original poem."


Question 5: Who are your favorite poets?

Old Poet MK: "Leonard Cohen…I understand his misery. Irving Layton…another Canadian poet…a close friend and mentor of Cohen…fascinating love poems. Bukowski…for his genius and dignity. Mark Strait…amazing work that surprises. Billy Collins…the lightness of his heart. Emily Dickinson…who forced me to find the voice in a poem and it’s attitude to help me understand and interpret (as important as writing itself) and I don’t always get it…"


Question 6: What other interests do you have?

Old Poet MK: "It is wonderful when one retires and has a few hobbies and deep interests. I’m an Audiophile…with a proud record collection and old vintage gear. I clean, preen and constantly improve. I paint large abstract expression (acrylic on canvas), they take a long time, sometimes one will surprise me and end up on a wall. I’ve been playing saxophone since I was a kid….never could read worth a nickel, yet it’s been very rewarding…the challenge and joy of improvisation trusting your ear. In the world of jazz I’ve met and performed with amazing people…"


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, my friend! You are a wonderful addition to the series!”

Old Poet MK: "Thank you Carlo…Appreciated….What you do is not easy…"



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Old Poet MK a little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #8 in October!

~
My Dear Poet Feb 2022
Michele Di Carlo became a freak show
the day he climbed up a tree
To his dismay, that rainy day, he fell
and broke his bone in three

Some say, it could have been worse
a deformity for the hard ******
but humbled now, with a wrist to hide
now that his fingers were all twisted

Yet, no shame is in the mangled
Michele dangled no pity in his pain
He learned to show it off in pride
though be crippled or he be lame

When shaking hands with most men
he smiles, offering a disfigured hand
His strength was in his frailty
a bashfully better and stronger man

For on the day of his funeral
photos reveal before he died
an array display of his freakish limb
his best pose by his side

Even then, Mr Carlo in his coffin
requested only one thing when laid to rest
that when they placed him in the ground
they’d lay his hand upon his chest
Inspired by a funeral I attended
~
December 2023
HP Poet: Marshal Gebbie
Age: 78
Country: New Zealand


Question 1: We welcome you to the HP Spotlight, Marshal. Please tell us about your background?

Marshal: "My name is Marshal Gebbie and I write under "M" or "M@Foxglove.­Taranaki. NZ". I am 78 years old and a native son of Australia. I came to New Zealand for a looksee with a pack on my back and a guitar under my arm, intended spending six weeks but absolutely fell in love with the Kiwi people and this magnificent little jewel of a country nested deep in the waves of the great Southern ocean of the South Pacific. I've now been here 54 years and counting. I married darling Janet back about 35 years ago and we produced two fine sons, Boaz and Solomon both of whom have great careers, wonderful partners...and in Solomon's case, produced a delightful granddaughter for us to love and spoil to bits.

From ****** agricultural college I went to the darkest, deepest wilds of Papua New Guinea as an Agricultural Officer, returned to Australia two years later to become a secondary college teacher in Ag Science. Easily the most satisfying profession of my life in that I succeeded in drawing the pearls of enlightenment from within the concrete mass of the, then, recalcitrant, brickheaded studenthood to realise the wonder of discovery, involvement and engender, within them, a genuine spirit of endeavour. Stepping off the boat in NZ I took a bouncers job in a rough public bar, three months later I started my own brand new tavern @ the Chateau Tongariro in the skifields of Mt Ruapehu.

Seeing a unique opportunity and with no money of my own I bought a derelict motorcamp in the small country township of National Park, named the place "Buttercup Camp" and set about making the enterprize one of the very first destination holiday venues in New Zealand. I pioneered paddle boat white water rafting on the wild rivers of the North Island, commercial adventure horse trekking in the wilderness trails, guided adventure hikes across the active volcanos of Ruapehu, Nguarahoe and Tongariro. Cheffed three course roast dinners and piping hot breakfasts for up to 150 house guests daily and initiated an alpine flightseeing business and air taxi service to and from Auckland and Wellington International to the National Park airstrip, a long grassy, uphill paddock liberally populated by flocks of sheep and/or herds of beef cattle.

Somewhere along the way I earned myself a Commercial Pilots Licence and owned, through the duration, 7 different aircraft. With the sudden fiscal collapse of tourism in the late 80s along with several inconvenient local volcanic eruptions, I divested myself from "Buttercup", moved my young family to Auckland and took up a 20 year lease of a derelict motel in Greenlane. Within three months I had converted the business into Auckland's premier truckstop providing comfortable welcoming accommodation, piping hot dinners and early breakfasts with the added bonus of a pretty young thing serving drinks in the bar....Super service with a smile for the nations busy truck drivers.
It worked like a rocket for ten years then the local matrons objected to the big rigs starting up at 4am and the Ministry of Transport and the Local Authority shut me down.

I worked the last 12 years of my serious working life as a Storeman and Plant Coordinator for a major construction company building motorways and major traffic tunnels in and under Auckland city and in rural Hamilton. I loved every minute of it all and objected furiously when they retired me at age 75.

Now I'm happily a Postman Pat in a little rural country town on the coast called Okato, have been for three years and shall continue be, gleefully, until they put me in the box. It has been a helluva run....and I wouldn't have missed a minute of it all."



Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Marshal: "Poetry started for me when I wrote a beautiful ditty as an exercise at high school.....and the caustic old crow of a teacher said, publicly,...."You didn't write this!" That got the juices flowing and set me off on the tangent of proving my worth as a writer....and I have never stopped."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Marshal: "Falling in love for the very first time kick started the romanticisms....it took me years to mollify that. Since then and throughout life Poetry has hallmarked discovery, achievement, white hot anger, combat and delight!"


Question 4: What does poetry mean to you?

Marshal: "It is the medium of expression which allows the spirit to enhance and colour my world."


Question 5: Who are your favorite poets?

Marshal: "Samuel Coleridge-Taylor, Emily Dickinson, WL Winter, WK Kortas, L Anselm, Victoria (God Bless her), and a character, sadly long gone from these pages, JP. All favourite poets of mine."


Question 6: What other interests do you have?

Marshal: "With the slowing of my battered body these days I commit myself to my darling wife, Janet, our kids, now grown and living out there in the big wide world, and in growing and nurturing the truly magnificent gardens of "Foxglove" ......following the All Black rugby team and enjoying the serenity of a cut glass noggin of Bushmills Irish whiskey (neat), sitting in my favourite chair, watching the sun set in golden array over the grey waters of the distant Tasman Sea, far, far below."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, Marshal! It is an honor to include you in this series!”

Marshal: "Greetings Carlo and thanks for the opportunity to unload on my fellow poets."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Marshal better. I learned so much about his fascinating life. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez & Mrs. Timetable

We will post Spotlight #11 in January!

~
Below are some of Marshal's favorite poems and links to each one:

https://hellopoetry.com/poem/1620867/windwitch-of-the-deep/
Windwitch of the Deep by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/1274911/running-the-beast/
Running the Beast by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/386523/so-wetly-one/
Once, so wetly one. by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/435103/perchance-in-a-bus-shelter/
Perchance, in a Bus Shelter by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/389195/white-foggy-days/
White, Foggy Days by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com

https://hellopoetry.com/poem/266893/cheetah/
Cheetah by Marshal Gebbie
Click to read the poem and comment...
hellopoetry.com
~
April 2024
HP Poet: Pradip Chattopadhyay
Age: 63
Country: India


Question 1: A warm welcome to the HP Spotlight, Pradip. Please tell us about your background?

Pradip Chattopadhyay: "After graduating with honours in Geology, I worked in various sectors including railway, banking, teaching, accounts and audit, consultancy and advertising. I feel working in diverse fields have helped me to come across people and characters of many shades and hues. This probably broadened my perspectives and laid the foundation for my poetic creativity. I have a wife of 40 years, and we together have raised a family almost from scratch. We have our son, daughter in law and a granddaughter 5 years old. They have been a source of many of my work."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Pradip Chattopadhyay: "I have been writing poems since I was in 8th standard. Initially I wrote in my vernacular Bengali before experimenting with writing in English from the early nineties. There was a hiatus of nearly two decades when I didn't feel like writing. From early 2011, I have been among words regularly snatching time for creative pursuit from my work in advertising. The ***** went up till 2018, my most prolific period, before the curve went down. I admit I'm not writing as much as I would have loved to. Arrival of my granddaughter in early 2019 both added and eroded my urge to write. Most of my time was for her. I started with posting my work on Poem Hunter before coming to Hello Poetry on March 22, 2013 where my first post was 'My Name is Bond'. I post on no other site."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Pradip Chattopadhyay: "The spark that begets a poem is hard to explain. For me, it can be a momentary emotion, an impulse that's too compelling to ignore, a character or relationship, intimate or distant, an event or incident that might appear mundane on the surface, even a sight fleetingly seen. I have been an avid traveller, and moments with my wife during such excursions have produced many of my poems. The river has always been an inseparable part of my life possibly due to my growing up and living in the riverine areas. So the river silted or flowing has been a constant inspiration for my work. There are also other places for my poems. The daily market, slum, a pavement dweller, a daily wager, a salesman, religious beliefs and practices, faith, a journey, ruins, fairytale and so on. I place no limits on subjects; love, relationship, humour, horror, mystery, memories. Often they take the form of storytelling through a blending of experience and imagination. All said, what satisfies me immensely is to be able to write poems for children. I have tried a few trying to fit into a child's mind, a difficult process. Most of the poems rise and sink in my mind. Only a few see the light of ink and paper. Of late I've been a little lazy or maybe a little too busy for retrieving the ones that float for only a while."


Question 4: What does poetry mean to you?

Pradip Chattopadhyay: "For me, poetry is painting collages of life from within and without. The stimuli arise from the interaction between the external and the inner world. It is not to preach but to present what is seen and perceived by the poet, and leave the rest to the reader. You get down at the wrong station and see a reflection that you never thought existed within you. It becomes a poem. For me, poetry is touching upon the entire gamut of human emotions culling them from the simple happenings around us. Bringing out the hidden "more" than what meets the eye. Poetry is making meaningful an apparently simple happening. Even a mundane occurrence may contain the seed of a deeper realisation. For me, poetry happens for all that happens in our surroundings, be they conspicuously visible or not. The poet is an explorer and discoverer."


Question 5: Who are your favorite poets?

Pradip Chattopadhyay: "Rabindranath Tagore occupies a pedestal. He is universal in his dealing of all aspects of humanity. I also love to read Wordsworth, Shelley, Frost, Macleish and Neruda. I am not very familiar with contemporary poets in English language."


Question 6: What other interests do you have?

Pradip Chattopadhyay: "I love travelling and take interest in photography. Mountains attract me more than the sea. I have been to the higher altitudes of the Himalayas including Ladakh and Sikkim. Once I was a good reader but now I have fallen out of that habit."


Carlo C. Gomez: “Thank you so much for allowing us this opportunity to get to know the person behind the poet, Pradip! We are honored to include you in this ongoing series!”

Pradip Chattopadhyay: "I am thankful to Carlo for providing the opportunity to talk about myself and share my views with my poet friends on this site. The Spotlight on Poets is a greatly admirable effort to showcase the work of the many great poets here. Thanks to Carlo again for this truly encouraging initiative."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Pradip a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #15 in May!

~
Without the souls of Trouvere, will he aspire to spheres from where he can replicate himself in the ductile state of the ceremonious Energeia...? The naive action is univocal as the first practice modulated in inclinations and lexical motricities, where they die within their fears, failing to hope and convalesce their desecrated wounds congruent in concepts of Energeia, as an arbitrary neologism to move what in itself is not self- scrollable. Vernarth after witnessing Stratonice's intermission decides to run barefoot for those who banish needs on the parental scale of his range. Succeeded by the need of Energeia towards the impudent sense of being enraptured in possibilities, and supernatural substantialities that transported him in the Epistle even to his desiring hands, but in natural causes, and kinetic emotionality in the destiny of the principles of a movement that dialogues by a spinning spin; alembicated in particles of displacement time eccentricity, towards itself in the synonymous statics, providing intrinsic angles to be associated with the rotation of time and Epistolary demands so that the quantum light can relate the energetic spiritual emotionality, with the own dissociated relationship in the spaces of appearance; where it is to be believed that there is a moment of bias provided in the emotional-movement rooted in linear memories of the temporality of the Hellenic mental axis. Everything is proper in the coordinates of the speculating, which is adduced and duplicated in Poielípsis or unveiled generation of relativistic emotions. For this reason, Vernarth naughty importunates this metaphysical precognition, alluding to particles that generate dissimilar inclinations in lapses until reaching the threshold from when Stratonice partially divided its material and spiritual origin into stationary diversity, in meditated phases that will not take place nuclear, but in the polymathy of its exteriorized threshold, and of the emotional mass of its free and passionate matter that concerns its strident and impalpable Macedonian origin.

From this moment on, the intuition corresponds to the angular reinforcement of "Poielípsis", in this way the coordinate of the Souls of Trouvere becomes present, as pseudo images of the Diadochi, involving magnetized radial movements that will lie in the spheres of physical value., in the garb of the Gerakis and Petrobus, who strived in the sense of the energeia of the Epsilon neologism, not to restrict themselves as Aristotle affirms, investigating the being towards a mono-sense in this causal, of such alpha that it says the paradoxical, demonstrating the diversity of optics. Faced with this diatribe Vernarth from the naturalness decides to empower Souls that are part of both topics according to Vernarth, it is to alleviate the potentialities of the acts that apprehend the light of genius that coexists with both. What the entity justified us in unfolding will be delivered by divine intelligence, so as not to reduce the free power of the Epsilon that was extracted in the welcoming presence of Stratonice still withdrawn in the atmosphere of the Voielípsis (substitute scale of relativistic emotions of Vernarth). There are few seconds that can be extended more from a selective argument of trends in the specifications, which could be attributed to dimensions of the Trouvere period of souls, lacking stillness in simulated biological environments, as if they deliberate the naturalness of an expression of who It does not philosophize if something has to detach itself or grab hold of creation to privilege the natural, re-arguing affection when professing, if there is time to express it, so it is intuited what the virtue of muttering simultaneously in the laborious, and in what does not progress. The dynamics of this Poielípsis is to dress the Voielípsis, as an analogous addition of quantum causality and of temporal and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas, heading towards the prop in the mega absorption of Christian Aristotelian ideals. The souls of Trouvere will be residents of the indeterminate spiritual mechanics, to deposit effects of the incredulous versatility in themselves, in the sub-aquatic depths that coexist with the geological structure of the cavern of San Juan Apóstol, but in subterranean concomitance, under the same axial coordinate that is sustained sub-geological. Namely; They will coexist as long as the Mandragoron of the Duoverso and its Voielípsis are established, but three hundred and eight meters from its antipode in the underwater base of the Profitis Ilias.

The antithetical line is the verifiable germinability of those vertical events of the plinth settled by the Souls of Trouvere, containing the germinable starch of the growth of the ergonometric stirrup of the Zefian Bolt, which from zero elevation to 308 meters above the Aegean level will form a mega extra parapsychological bilocation, which will be gestated in its uniform vertical chronological numbering, with the pre-Christian Pythagorean and post-Christian representation in the coronation of Carlo Magno, mentioned in royal visions by the Apostle Santiago, in the versant apology of Pythagoras as an entity supra divine, envisioning the scenographic depository, and fragmentability of these three components of this start of the Hellenic Magna in the hydrographic, sub-terrestrial geological and residential basin of the Souls of Trouvere.
The upholstery of the Pythia of Herófila attacks the subtended of the flying buttress that supported the volcanic cavities of the Sub-Patmos, indicating its agreement with the Souls of Trouvere by its disoriented cognitive dissonance, generating paradigms that traced stones that formulated Aquarian sounds, in a dominant tonality by the minuscule machine of light, more distant from the incommensurability that escaped eclipsed in the resplendent major note that becomes monarchical by the hypotenuse of a rectangle in three subdominant angles. This brings about the thaumaturgy of Pythiais, the mother of Pythagoras who, together with Vernarth's Poielípsis, forge retentive songs given the scarce natural light that was only born from some of Trouvere's souls called Poielípsis, in stories of the oracular Delphians. The Poielípsis remains encapsulated from the thaumaturgy of the banal anti-desires that would make it mortal, for a hypotenuse that makes the gift of poetic prayer tangible, prompting the Bio axiom, by fertilizing scaled suspicions of repeated mortality in the banner of risk. Stratonice well points it out:

“The signal field has been prophesied today for the Apollo tripod. Having to reencause itself in three parts of the support of the oracles, and in clairvoyance in the pre and post Christian insemination of the gift of the word that redeems man from sin, sub-tenant of the flying buttress, from the interface of the supra trinity of sin as a blood element, and difficult to evade or avoid. Here the Hegemonic energy of Alexander the Great has been condensed in the arch of ideas, pointing out that the diseased body of Antiochus; my father…, is supplanted by that of the to happen all the trances and difficulties that are assumed after the hazardous departure in Babylon. Therefore he has to bring all the corollary prophesied in the death of my grandfather Seleucus in the hands of Ptolemy Ceraunos. Wanting to dress up the irrevocable interference that occurred in Judah by his Diadocos gangs, opting for the effect of his offspring, therefore on his spiritual stretch of energetic residual and static mass, ad libitum that will end when unleashed in his son. All will already be consumed in the pathogenic body of Antiochus, and of the love for my mother where she was abducted, and possessed she sees by retaliation from Alexander the Great for proven insubordinate ethical demands. "

Stratonice walks with the sendal that should be translucent by Santiago of Compostela. As an intra-everlasting geometric raconto, subduing fears that slide through the sendal of the dogma of the architrave, where no philosophy can look higher if it is not allowed, typical of vegetarianism or freedoms that turn green in fears that do not illuminate life. eternal, perhaps from the same Matematikoi who doubts a basis for Adfinitas, to understand limitless limits, taking Pythagoras to the soil of Crotona. Always, someone who is ignored of the linguistic power, he plans to rewind spheres that still weave crossed angles, placing himself in scores to consider as an irreplaceable past. The soul of Poielípsis adopted a Pythagorean conception, in the halters of the livid legions of Orpheus, as if it were his consecrated hypogeum where the high position was, to stir to the embankment where it will merge with the Zefian arrow. This liquefaction should purify all storage of cognitive and circumscribes of those ancestral, becoming reincarnable pre-Christians, who transmigrate in the need of osmosis of universal unity. Atonal music will transmigrate molecules to great sidereal distances, being the same replica of the other eurythmic, in multi-trigonometric periods, vivifying the fractional number residues as souls of the same numeral that finally perish of Pythagorean digits, perhaps at the angles of the Phalanxes of Vernarth or in the oblique crucial moment that slumbers in an elegy, flourishing in those beings that do not Live...! Already under-treated, they will only be souls tired of keeping themselves alive and deprived of their morbidity, in a dissociated cause of immortality that will distance itself from the forbidden abstinences, in liberating exercises of any count that ponders in the coming etymology of the Vita Pythagorae, on the divan of the joys of serving his doctrine, which saves himself, and which will save the Messiah, for those who in the soul have no sacrifice of a lamb that grazes..., nor on the pedestal that goes ahead in the centuries..., pasturing what nobody was capable of ?. The second triad of the oracle of Apollo of the Souls of Trouvere reveal Charles the Great, favored by the Apostle Santiago for the protectorate of Compostela and its spiritual regency, invited Charlemagne from Aachen, in 33 consecutive years of dispute with swords, stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne placed himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence.

In the second segment of the concave wasteland of the straight ascendant of Trouvere, he crowned Charlemagne emperor of Rome and the Franks, predicted by the Apostle James, in defensive papal struggles and in defense of Christianity. In this paradigm it appears how they are transmitted from the dead ungraspable world, they unite here in the axon of Poielípsis for the sake of the times that occur due to the anonymity of a silence that augured to link, and to know within what the endless intrinsically organic movement is, as well as the biological cosmos in the discovery of the Jacobean route. In what better region than the Dodecanese, he will be fused by twelve apostles, and now the brother of the son of Zebedee; Santiago brother of Saint John the Apostle. Dating back to 778 AD, spreading to Hispania. In the ****** and constant fight against the Saxons, Carlo Magno, entered Hispania crossing the Pyrenees, as a preview of the aforementioned Jacobean Route, everything raged witnessing their overwhelmed squares in the fueros of the Trouveres, who were Pythagorean elite soldiers, who had been bilocated in this post was Christian, preceded by the perfidious Basque in the forests, subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to continue them to Pamplona with Charlemagne. All escaped from Islam, and not a few Christians resented this affront, the dynamics will be reflected in the Songs of the French Gesta, to enter the Jacobean Route on the way to Santiago de Compostela, when the Calixtino Codex, in its book IV o Historia Turpini, the apparition of the Apostle Santiago to Charlemagne is told in dreams, pointing to the Milky Way as a way to find his tomb, which must free them from the Saracens to be able to venerate their relics with the enamels and medallions that they issued in the Apostle's crypt in Compostela. The souls of Trouvere, are beings that enjoyed a short life in the Pyrenees, they enjoyed the fortune of originating a liberator of post-Christian inheritances, mechanized by the exquisite citation of Pythagorean antiquity, behind indigo faded in red blood cells, to dress the sendal of the figure of Faith, freed behind those who should have dressed her as a Codex Calixtinus.

Five sections rose along the straight line of the Trouvere pyramidal axon, the base of the liturgical appendix that honors the multidimensional space, with antiphons for the cult of Carlo Magno on the underlying Patmos. Santiago was lacerated in the Holy Land far from his Brother Apostle Saint John, but he came to meet with the Trouveres who came from the rugged Pyrenees. Santiago passed the Strait of Gibraltar and reached Padrón, which is about 20 kilometers west of Santiago de Compostela; there some angels took him to the place where he actively rests. In a boat he arrived..., and always by the Mediterranean he will now reach Patmos, still acquiring the iconography that attempts to find Charlemagne, and a codex that would unite pre-Christians like Pythagoras and Aristotle united in the relic of the taxpayers transformed into three maritime rivers, concerned with a predicted belligerent episode, to say that all roads lead to Patmos, like Locus Sanctus, of all the shepherds who heal their sheep in which they are not of others that are populated with souls white, for the good of others. Thus the souls of Trouvere from the Pyrenees revealed themselves as predecessors of the raiding of the shells 308 meters below the Profitis Ilias, in agreement with Stratonice who would be arriving in Macedonia, where the passing of the centuries would tell him about the Jacobean Route instructed in confronts, and concordances with the airones of the Trouvere, protected by a rectangle in three subdominant Pythagorean angles in the dissipated darkness of the golden indigo of Theoskepasti, in the meridian of Kímolos.
Poielipsis Souls of Trouvere
~
July 2023
HP Poet: N (Neville Pettitt)
Country: UK


Question 1: Welcome to the HP Spotlight, Neville. Please tell us about your background?

N: "Although I currently post my little scribbles here under the initial N, I once used to sign myself off with my full first name which is Neville and in fact, I may well do so again .. For anyone interested, my full pen name is Neville Pettitt and it is only after much deliberation that have I decided to reveal it here today .. My birth name is different .. The reason for my caution is entirely due to my line of work .. I am employed as a clinical specialist in adult psychiatry, with special interests in substance misuse, personality disorder and clinical risk management .. Consequently, from time to time I may be called upon by the Coroner, local Mental Health Trusts, or very occasionally the police dept, to conduct in depth investigations into serious adverse events for example, murders and or suicides .. I hope the reason for my transparency becomes clearer as you read on (that is, assuming anyone actually does read on) .. I studied at both Middlesex & Hertfordshire universities and have occasionally served as a volunteer in psychiatric facilities overseas .. The longest was a few years ago at Tanka Tanka Hospital in West Africa the Gambia and Senegal to be precise where I managed to last just under six months .. I am as old as my tongue and a little older than my teeth, I was born and currently live in a beautiful part of England by the sea in the county of Somerset and in an old converted Banked Barn that dates back to 1547 .. I know I am very lucky .. I have two grown children .. My daughter heads up the hepatology department at a local hospital and my son has his own business .. My wife was previously a partner at a General Practice .. In 1995 I registered as a Kongo Zen Buddhist and am also a black belt student of Shorinji Kempo which I also used to teach .. "


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

N: "I guess I have been writing poetry for the best part of my life to date, certainly from around ten or eleven and I have been posting here at ‘Hello Poetry’ for around three years or thereabouts .. "


Question 3: What inspires you? (In other words, how does poetry happen for you).

N: "When asked what inspires me, I often find myself lost for words because there are so many things, I love nature, people generally, travelling, my work occasionally and those I encounter during the course of just being .. There’s probably not a lot that I have not been inspired to write about at some time or other .. Relationships of course do tend to feature a lot, as do both losses and gains of various kinds .. My lovely parents, now both deceased were also a great source of inspiration too .. I would be lieing if I denied getting pleasure from writing .. I get a great deal of pleasure from it .. and I enjoy trying to give others pleasure too .. Sometimes my muse deserts me for a while and I get those dreaded blank page days but always carry a pen and notepad around just in case something tickles my fancy or I get one of those light bulb moments .. "


Question 4: What does poetry mean to you?

N: "As already mentioned, poetry in many of its various forms has been a major part of my life, if not a friend and comfort for almost as long as I can remember .. I also use it as a means of expressing my self and communicating with others .. However, in the last five or six years, I have been publishing anthologies in order to raise money for each of my chosen charities .. Mental Health of course features, but also for Breast cancer since my wife had this .. More recently however, Brain Tumour research has been included following the death of my sister in law and my little niece developing a similar brain tumour too at age four years .. I currently have eight books/anthologies of poetry in print which are available almost anywhere on the planet from Amazon .. and these are listed in chronological order below a ninth is due out in early 2024 and called A Handful of Ghosts and a Woman in Blue .. a bit of a mouthful I know, but it features an old image of my wife on the cover ..

Turquoise & Other Shades of Blue

Somewhere Behind These Eyes

Victims of Indifference

Beautiful Bruises

The Logic of Fools

Cotton Girls & Paper Chains

Chasing Light

Slaves of Eros"



Question 5: Who are your favorite poets?

N: "My favourite poets are Leonard Cohen whom I kind of grew up with and who incidentally once wrote to me twice in fact .. or to be absolutely correct, the first time, he answered one of my letters to him .. I am also a fan of the late great Sylvia Plath, Charles Bukowski and oh’ so many others both classical and more modern .. "


Question 6: What other interests do you have?

N: "Other interests include travelling in particular foreign travel, dining in and eating out, gardening painting and drawing when I have time .. (hardly ever these days) I still practice zazen as per Kongo zen and I enjoy reading and listening to music .. "


Carlo C. Gomez: “Thank you so much for taking part in this series, my friend! You have truly enlightened us about yourself.”

N: "Finally, I would just like to say what a real and great honour and a privilege it was to be asked to post a little about myself here on this mighty fine poetry site and to express my very sincere thanks to anyone that follows me or reads just one of my works .. Many thanks to one and all .. Peace, Love & All Good Things, Neville"




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed Neville's story. For certain I have. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #6 in August!
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N: "Having been asked to list a few of my own favourite poems has proved impossible .. not because there are so many, but because, I truly feel that my next one will be it .. however, I do sincerely hope that others here who are kind enough to visit any of my scribbles will each have their own .."

Carlo C. Gomez: "I highly recommend Neville's book 'Turquoise and Other Shades of Blue.'  It's an anthology of 200 journeys. Open and direct, Neville allows us to be privy to his disquieting thoughts about life, love, loss, ***, curiosities, and travails; whether they be his successes or failures. The poem  ‘War Is Not for Lovers’ is an essential read."

War Is Not For Lovers:
https://hellopoetry.com/poem/3333072/war-is-not-for-lovers/

Link to book:
https://www.amazon.com/Turquoise-Other-Shades-Neville-Pettitt/dp/1699210268/ref=sr_1_2?crid=3MYUAAWTXINAK&keywords=neville+pettitt&qid=1688237395&sprefix=neville+pettitt%2Caps%2C146&sr=8-2
~
November 2023
HP Poet: Lori Jones McCaffery
Age: 84
Country: USA


Question 1: We welcome you to the HP Spotlight, Lori. Please tell us about your background?

Lori: "I was born Loretta Yvonne Spring in a tarpaper shack on Lone Oak Road, Longview Washington, on New Years Day in 1939. That means I’ll soon turn 85. In high School a boyfriend changed my first name to Lori and I kept it. At 29 I married and became Lori Spring Jones. (I signed poems “lsj”) I had one child, a daughter, and when 20 years later I divorced, I kept the Jones name. I married again, in 1988 and became Lori Jones McCaffery, sometimes with a hyphen, sometimes not. I’m still married to that Brit named Colin and I speak “Brit” fluently. I sign everything I write “ljm” (lower case). I didn’t know about handles when I joined HP, so I just used my whole name and then felt I may have seemed uppity for using all of it. If I had a handle, it would likely be POGO. Short for Pogo stick. Long Story. I have an older sister and a younger brother. Both hate my poetry. My parents divorced when I was 12. My mother’s family was originally from No. Carolina. I’m proud of my Hillbilly blood. I went to college on a scholarship. Worked at various jobs since I was in high school. Moved to Los Angeles in 1960 just in time to join the Hippy/summer-of-love/sunset-strip-scene, which I was heavy into until I married. I read my stuff at the now legendary Venice West and Gas House in Venice Beach during that period. I’ve been an Ins. Claims examiner, executive secretary, Spec typist, Detective’s Girl Friday, Bikini Barmaid, Gameshow Contestant Co-ordinator, Folk Club manager, organizational chef, and long time Wedding Director. (I’ve sent 3,300 Brides down the aisle) "


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Lori: "I wrote my first poem in the 5th grade and never stopped. I had an awakening in 1957 when I worked at a resort during school break and met another poet, who unleashed a need to write that I’ve never been able to quell. I joined Hello Poetry in 2015, I think. Seems like I’ve always been here. I tend to comment on everything I read here. I’ve received no encouragement from my family so I feel compelled to encourage my “family” here. I do consider a large number of fellow writers friends, and value the brief exchanges we have. I don’t know if Eliot intended HP to be a social club but among us regulars, it kind of has been, and I love that."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Lori: "Living inspires me. The intricacies of relationships, and the unpredictability of navigating society. A news story often does it. A song may stir words. Other poetry often sets me off on a quest of my own. I write very well to deadlines and prompts. I adore BLT’s word game and played it a lot in the beginning. Seeing the wonderful job Anais Vionet does with them shamed me away. I have hundreds of yellow lined pages with a few lines of the ‘world’s greatest poem’ on each, all left unfinished because I’m great at starts and not so great on endings. Some day, I tell myself….some day."


Question 4: What does poetry mean to you?

Lori: "Poetry has been a large part of my life as long as I can remember. I would feel amputated without it. I recited the entire “Raven” from memory in Jr. High School. I still remember most of it. More recently I memorized “The Cremation of Sam McGee” Poetry is my refuge - with words I can bandage my hurts, comfort my pain and loss, share my opinions and assure myself that I have value. It is where I laugh and also wail. I would like to think it builds bridges."


Question 5: Who are your favorite poets?

Lori: "My favorite poets include Edgar Allen Poe, Robert W Service, Amy Lowell (I read ‘Patterns’ in a speech contest once), Robert Frost, Shel Silverstein, and Lewis Carroll."


Question 6: What other interests do you have?

Lori: "I’m a collector. Whippet items, vintage everything, I read voraciously: 15 magazine subs, speculative fiction (SF) and anything else with words written on it. I try to read everything every day on HP. I watch Survivor religiously and keep scorecards. Ditto for Dancing with the Stars. I’m a practicing Christian with a devilish side and involved heavily in Methodist church work, which includes cooking for crowds and planning events."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, dear Lori! It is an honor to include you in this series!”

Lori: "Thank you so much for this very undeserved honor. This is a wonderful thing you are doing. I know I write with a different voice than many, and it is empowering to be accepted for this recognition. I apologize for being so verbose in answering your questions. When you get to my age you just have so many stories to tell."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Lori better. I learned so much. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez & Mrs. Timetable

We will post Spotlight #10 in December!

~
Mateuš Conrad Apr 2016
perchance an epic was necessary, to consolidate the scattered thinking, and indeed, once a certain life, and was lived with a cherishing heart, the heart broke, and life turned from adventures to a more studious approach, and in here, a comfort was found, never before imagined explorations - of course sometime a tourist in the arts does come, but such tourists quickly fade, and the pursuit becomes more enshrined - to levitated towards epics is perhaps the sole reason for the cherished memory of some - and how quickly all can revolve around a searched for theme, after many incorporations were minded - as one to have travelled the Mediterranean, another to have been eaten by the great mandarin silkworm of the library of Kangxi - heading along the silk route with spices - indeed the great mandarin silkworm of the library of emperor Kangxi; as i too needed a bearing - to inspect the trickster of lore and the godly blacksmith of the north.

by instruction - an accumulation of the the zephyrs
into a vector, headed north,
toward the gluttonous murk of ice, jesting
with aches to the bulging and mesmerised crescendo
of adrift stars captured in the tilting away -
to think of an epic, to keep out-of-time of
spontaneity and thistle like swiftness in the last
days of summer, that Mercury brings the new
tides of the tetravivaldis -
   brought by the λoγος of a γoλας -
for reasons that satisfy the suntan copper of
the ***** - the λoγος of a γoλας - yet not toward
Monte Carlo or any hideout of money well invested
and greedily spent for a charm -
no, north bids me welcome from afar -
this norðri fløkja, this    ᚾᛟᚱᛞᚱᛁ       ᚠᛚᚢᚲᛃᚨ -
by my estimate, i could not take the nonsense
of numerology of a certain specialisation,
i took what was necessary, i pillaged the temple
of Solomon, perhaps that the dome of the rock
might stand - with its glistening dome and
its sapphire mosaics - i don't belong among
palm trees and date trees - hence i turned to
deciphering and subsequently encrypting -
as i have already with *ᚱᚨᛒᛖ
:
the journey of an Æsir through a birch forest
on a horse.
                    with this method in mind:
(a) ᚾᛟᚱᛞᚱᛁ       (b) ᚠᛚᚢᚲᛃᚨ:

(a)
the need to acquire possessions accumulating
into an estate, is a journey encountered
day by day, although a journey on ice

(b)
cattle only thrive near water,
auruchs did not, and hence illuminated
their way to extinction,
         by way of the Æsirs' harvest
(to eat up diversity of life, and create
a godless world of man).

my escape route came from ᚠ - mirroring שִׂ
although the former standing, the latter sitting
down, although the former fathomable
to my pleasure, the latter unfathomable
to ascribe numbers to letters for patterns -
i seek no patterns, hence my sight turned to
the northern sights, and meanings amplified.
                
the greeks were intended to explore abstracts,
having stated a triangle
they invented the ² symbol and what not,
it was because
they didn't bother extracting a phonetic unit
from something definite,
they classified such endeavours barbarian,
what reasonable greek of 13% reason and
87% reality would extract alpha from
the sound you made when
saying ansur (ᚨᚾᛋᚢᚱ) - i.e. attention -
i.e. deriving a definite sound differentiation
for alphabetical rubrics from a definite thing
(in whatever classification that might be)?
the greeks used the alphabetical rubric of
crafting a definite sound from an indefinite thing,
so they said: acronym, aardvark, assumption,
                       α                 α      α     α,
then they said α² - there are no antonyms -
but indeed there were, hence the Trojan nation
settling in the boot, that's Italy,
the Romans escalated the greek theory
beyond taking out a definite sound distinguished
from other distinguishable sounds,
abstracting what the alphabetic sound assured
a list under alpha: assumption, advantage,
acorn, etc. -
the latins were the first atomist after the greeks,
the greeks believed in atoms, but had no
microscopes to prove atoms existed,
such scientific faith found no parallel;
the latins ensured this was true,
ending with castrato sing-along -
the latins furthered abstracting sounds from
definite orientation which the greeks did
working from ice into iota,
the latins just sang i, i, i -
of course chiral behaviourism of such dissection
emerged - hatch a plan, plan a chisel -
it's very piquant i mind to let you know -
the greeks abstracted nouns in order to create
the alphabet, the barbarians still used
proper nouns to speak proper, the greeks
thus created synonyms and antonyms to add
to the spice of life - after all,
not deriving definite alphas from
cursors that acknowledged points of origins
created diacritical stressing like comma and
semis of colon and macron, not deriving them
from definite things, shunning a helpful
vocabulary bank to an unhelpful vocabulary
banked: synonyms and antonyms the Gemini's
birth of rhetoric;
but the latins were rejected with their atomic theory
of pronunciation, since they became laden
with diacritics - punctuation marks of a different sort,
you can measure a man sprint one hundred metres,
but is that also measuring a man to say
mān or män or mán? i know that the slavic ó = u
given the scalpel opening the ensō to craft a parabola -
but it's not necessarily an accent debate
but a punctuation debate... the emergence of
the diacritic symbols above the letters is due
partly to their joy of the popes listening to
castrato operas and the fact that the romans
went too far... hence the chiral nature of certain
symbols when dittoing - the barbarians used
definite things to assert definite sounds -
the greeks used indefinite things to assert definite
sounds - mind you, if the romans became too
abstract with their little units that became engraved
with punctual accenting, then the greek letters
became laden with scientific constants as necessarily
fathered, unchanging in the pursuit of Heraclitus' flux -
for example... Pythagoras and the hypotenuse:
                            σ / κ² = α² + β² -
           or?
                             c² (ć) = a² (ą) + b² / š (bubble beep
                                                           bop barman backup hop
                                                           of shackled kakah
                                                           or systematic oscillation
                                                           for bzz via burp);
πρ² is still more stable
                                 than what the latin alphabet allows -
hence why greek phonetic encoding was used in
science, and latin phonetic encoding was used in music,
can't be one or the other - added to the fact that
latin encoding had too many spare holes with
the evolution of numbers, and greek didn't have them,
hence β-reduction in lambda calculus and F-dur and A#

the one variant of the grapheme (æ) they didn't include
among expressions: graphite and grapheme
was the variant - gravitating to an entombing
of the excess aesthetic - geresh stress -
somehow the twins match-up to a single womb:
àé vs. áè: V vs. Λ - Copernicus wrote over all
of this with the flat earth uselessness
in terms of navigation - flat earth is useless...
huh? flat earth is the only system that gave
Columbus the chance to explore the new world -
no flat earth no Columbus -
that satellite named Luna was no tool
in navigating across the Atlantic - believe me
i'm sure -
                  or that grapheme (æ) varied like statistics
or like the characters in the book of genesis
that famous adam und eve (kim and kanye):
chances came, chances went:
it was still a draw on the tongue tied decipher:
àè and áé proved another notation for plurality
was necessary, not at the beginning of the word,
but after, hence the possessive article 's,
we could have parallelism, there was a crux,
how once the chiselling of letters came about,
more economic to chisel in a V than a U,
both the same, much easier though...
almost barbaric i might say...
sigma (Σ) enigma rune e (ᛖ) - this compass
is a ******* berserker, god knows if it's
mount Everest or the Bermuda Δ

but one thing is for certain, never you mind how
a language is taught unless you mind it,
not that conversational athenian is really what
i'm aiming at - but a lesson is a lesson nonetheless,
out of interest something new,
richard von Coudenhove-Kalergi,
and what preceded him, namely pan-slavism,
just when the polish-lithuanian commonwealth
did a little Judaic trick of its own,
although snorkelling in the waters of not writing
history for less a time than israel -
you can't beat ~2000 under water - although
you could if your little tribe had an einstein
among them, or proust or spinoza, then
you could effectively become a whale, popping
an individual out from the rubble to say a polite
'hello' and 'when will the dessert be served?'
but indeed, learning a language on your own,
how to learn from scratch, the greek orthography,
and why omicron and not omega,
the give-away? sigma - purely aesthetic reason,
                             νoμισματων

                             nomismaton

omicron                                                 omega

                 you write omicron at the front
                 and omega at the back
                 pivot letter? two: σ     μ &
                 νoμι-                                -ατων
                      ­                     |
                 anything here  
                 will use o            and anything
                                              here uses ω

alike to sigma:
                          χωρας (choras, i.e. country)

sigma (ς) not sigma (σ), i.e. digitalising languages
without a clear connectivity of letters,
block-a-brick-block-a-brick-digit-digit-digit
you learn that handwriting is gone,
two options, your own aesthetic reasons now,
remember, some paired for the ease of handwritten
flow - digitalised language changes the aesthetics,
you make your own rules (considering exceptions
of oh mega mega, ergo revision -

                                       χoρας,

but still the sigma rule, others esp. o mega
you stamp on them like βλαττια, i.e. cockroaches -
κατσαρίδα                 not         κατςαρίδα

all perfectly clear when you explore plato's
dialogue from the book Θηαετητυς (as you might
have noticed, the epsilon-eta project is still
in the storage room of my imagination) -
but indeed in the dialogue, between socrates
and the "hero" of the book theaetetus -
a sample, without an essay on the theory
of knowledge -
socrates: ...'tell me theaetesus, what is Σ O?'
theaetetus: yes, my reply would be that it is
                    Σ and O.
socrates: so there's your account of the syllable,
                isn't it?
theaetetus: yes.
socrates: all right, then: tell me also what your
                  account of Σ is.
                                                             ­   (etc.
or as some might say, a shrug of the shoulders,
a hmmpf huff puff of hot air, impractical interests
and concerns - well, better the impractical
problems than practical problems, less feet
shuffling and nail-biting moments with your
tail between your legs and an army of
intellectuals working out what went wrong
and how history will solve everything by
the practical problems repeating themselves) -
you know that inane reaction - others would just say
Humphrey Bogart and nonetheless get on with it.

some would claim i was begot a second time,
not in the sixth month period of the aqua-flesh,
how did i actually related to the life aquatic,
for nine months i was taught to hold my breath,
however did this happen?
a miracle of birth? ah indeed the miracle of
a crutch for a woman - spinal deformities -
9 months, sort to speak, in water or some other
fluid - merman - a beastly innovation -
next you'll be telling me beyond this life
we turn into centaurs, given the Koran's promise -
you'd need the appetite of a breeding horse
to satiate the 72 - or thereabouts - martyr or
no martyr - 72? that's pushing it -
or as they say among children - a chance playground
without swings or sandpits, but very careless
gravitational pulling toward a certain direction;
nonetheless, they might have that i did indeed
settle of a sáttmáli                  ᛋᚨᛏᛏᛗᚨᛚᛁ
                  við         ­                  Vᛁᛞ
                  tann                         ᛏᚨᚾᚾ
                  djevul                      ᛞᛃᛖVᚢᛚ -
the hands you see, fidgety -
     hond handa grammur burtur    úr   steðgur
     ᚻᛟᚾᛞ  ᚻᚨᚾᛞᚨ  ᚷᚱᚨᛗᛗᚢᚱ   ᛒᚢᚱᛏᚢᚱ  ᚢᚱ   ᛋᛏᛖᛞᚷᚢᚱ
         the hands give an ardent pursuit
                                                 away from rest -
well not that my poems will ever reach
the islands in question - and indeed an
uneducated guess propels me - what does it matter,
λαλος babbler meant anything, indeed λαλος,
language as my own, is a language that i can
understand - and should anyone omit
disparities - a welcome revision would never tease
nor burn my eyes - but the phonetic omission
peeved me off: woad in water, ventricles in a
variety of entanglements - it's just not there -
and indeed, orthographically, if there are no more
optometric involvements of omicron's twin -
then the stance is with you to use whichever pleases,
i can't tell the difference, unless i was a pedantic
student, aged 70, with a granddaughter i wanted
to be wed teasing a millimetre's worth of
phonetic differentiation between the two -
POTATO PA'H'TAYTOE TOMATO TA'H'MAYTOE -
linguistically one's american and the other
is british, which looks like greek and latin
upside-down and in a mirror: pəˈteɪtəʊ, təˈmɑːtəʊ;
or as the spaghetti gobblers would put it:
the tetragrammaton is working on their
texan drawl (dwah! ripples in china) -
or the high-society new england ******* *******
coo with a cuckoo's load of clocks -
before being sent off to england for a respectable
education, something en route Sylvia Plath -
but not to ol' wee scoot land - ah nay - well
perhaps for a year and then talk of north european
barbarism of a deep friend pizza and mars bar.

and when descartes finished with christina
queen of sweden, she became an animate portrait
of feminine attempts at philosophising,
she was basically ostracised from society,
well, not society per se, she didn't become a stray
dog, but she forgot certain functions of
the upper tier - lazily modern man decides
to hide phenomena from understanding
individual instances, with the kantian guise
of a noumenon, hence cutting his efforts short -
indeed queen christina of sweden was ostracised
by society - only after descartes finished educating her;
and indeed to most people a little bit of sloth
equates to an amputation of some sort -
yet only with the x-files' season 2 episode 2
i've learned of the effects of prolonged alcohol
"misuse", that little boxing match in my liver?
it's not a pain as such, it's actually a hardening
of soft tissue - with prolonged alcohol exposure
soft tissue organs harden, notably the liver -
and it's not a pain, it's a hardening.
but indeed queen christina of sweden was ostracised
by her tier of socialites - i'm glad diogenes
didn't get to her, but then again a bit of cloth
goes a long way this far north -
yet unlike the encounter with napoleon by hegel
diogenes' encounter with alexander lasted longer -
which tells you the old method does no service
to a little bit of material accumulation -
but perhaps the acumen was briefer when you were
ably living in a barrel - and to think, as only
that being the sole expression, not so much
a body without organs as stated in the thesis
of anti-oedipus by deleuze and guattari -
a consideration for a body without limbs - prior
to a footprint an imprint on the mind -
carelessly now, a diarrhoea of narration -
how rare to find it - perhaps this idea of epic
poetry is a default of writing per se -
with this my whatever numbered entry i seize
to find escape in it - a lack of ambition -
a loss of spontaneity that's a demanded mechanisation -
by volume, by inaneness - to reach a single
technique accumulative zenith, and then back
into the ploughing, rustic scenery and the
never-bored animals - i rather forget such escapades -
and there i was dreaming of a grand
runic exploration - some imitable game -
some scenic routes - yet again -
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
~
August 2023
HP Poet: Amanda Kay Burke
Country: USA


Question 1: We welcome you to the HP Spotlight, Amanda. Please tell us about your background?

Amanda: "It just so happens my HP handle is my actual full name. When I originally signed up on this site it was wordybirdy333 but a friend of mine suggested my real name would seem more professional and I was inclined to agree so Amanda Kay Burke it's been ever since. I am 28 years old physically but will forever be a kid at heart. And I was born and raised in the US; Alaska more specifically. I have to admit I haven't accomplished a whole lot yet in my life, seeing as how I suffer from recurring depression/addiction problems. Which is probably an excuse, but hey everyone has their issues. I have lived in a small town called Willow, AK basically my whole life; I have only been out of state one time (that I remember) but I would love to travel and see the world one day. My mother passed away last year so since then I have been keeping my dad company trying to provide whatever emotional support I am able to. I have a Chihuahua named Mocha and she is my best friend and one of my only friends these days but the few people I do hold close to my heart make my life worthwhile."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Amanda: "I have been writing poetry since I was just a kid, probably nine or ten years old, but I remember being eleven when I wrote the first poem that I knew was actually good. I have been a member of HP since April 2017 so that makes six years now huh? Wow time flies..."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Amanda: "Patty m described it perfectly when she said that it feels like they write themselves at least the truly superb pieces do. I don't know where the words come from sometimes they just flow from the pen and when I'm done I read it over and get goosebumps because I can't believe that it came from my hand/brain. But the majority take a lot of effort. I like to challenge myself to always keep writing when I can, even when I have writers block and don't approve of the result. And I always post it eventually just to compare against my other works. (No matter how cringey) those I derive inspiration from my daily experiences mostly heartbreak/relationships/depression/substance abuse I am not very good at writing happy poems I try about nature and other positive subjects but they lack the raw talent and depth of my darker poetry."


Question 4: What does poetry mean to you?

Amanda: "Poetry for me has a very loose definition I have crafted everyday conversations into poems before for instance. I also believe some experiences in life can be considered poetry or at least equates to it in some manner such as making love or the setting sun if that makes any sense to anyone besides me."


Question 5: Who are your favorite poets?

Amanda: "My favorite poets are Dorothy Parker, Ogden Nash, Edna St. Vincent Millay, Leonard Cohen, and Eminem who is in my opinion the greatest poet of our generation by far. After all, rap stands for 'rhythm and poetry'."


Question 6: What other interests do you have?

Amanda: "My other interests are art such as coloring, painting, and I recently received a pottery wheel that I haven't tried out yet. Music is also a huge part of my life, I love writing lyrics to instrumentals, listening to different artists to broaden my tastes, or just singing along to old favorites. I have also recently gotten into online gambling such as slots and blackjack."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, Amanda! You are a wonderful addition to the series!”



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Amanda a little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #7 in September!
~
Acme Jul 2021
If I kiss the ring
will I be a thing?
I just want rules
so I'm not a fool.
I'll dance faster
for the Master.
Is it Eliot York?
Timetabled dork?
Do I need to find
a place more kind?

Uh Oh!
The monsters back in town
slow burn alcohol stove
keeps its water boiling
ready to blow this place
to hell any minute now.
I've been crying in
the arms of strangers
you're my mute ghost
all I have is a bit of hope.
Please, answer me.
How can we please?
~
March 2024
HP Poet: Caroline Shank
Age: 77
Country: USA


Question 1: A warm welcome to the HP Spotlight, Caroline. Please tell us about your background?

Caroline Shank: "I am 77 and I live in Milwaukee, Wisconsin. When I worked for Barnes and Nobel for ten years, customers asked me frequently for suggestions. I believe 'The Alexandria Quartet' by Lawrence Durrell is a serious contender for best prose fiction which has been written. Also 'The English Patient' by Michael Ondaatje is such a teaching tool on how to write the greatest novel ever written. I digress."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Caroline Shank: "I have been writing poetry since the adolescent striving of the very lonely. I am not sure how long I have been posting to Hello Poetry. At least 3 years, or maybe 5?"


Question 3: What inspires you? (In other words, how does poetry happen for you).

Caroline Shank: "The unusual image will send me running for pen and paper. Usually what inspires the senses: a wind, an odor or perfume. I still remember my love affair with Chloe perfume. And! English Leather! Those were the days. Great sadness or anger will send me to my laptop but those poems do not usually survive."


Question 4: What does poetry mean to you?

Caroline Shank: "Poetry means that I have a place in a wonderful place. Once in awhile."


Question 5: Who are your favorite poets?

Caroline Shank: "My favorite poet's are: T. S. Eliot, Rainer Maria Rilke (the Stephen Mitchell translations), E. E. Cummings. I am a fan of Sara Teasdale's, her From the Sea is amazing. I save Shakespeare for the best nuggets ever. Anna Peters, her “I Am Not a Gentle Person” is a tour'd if ever. I love the poetry that is a much needed relief from The Civil War. Especially Lorena. I guess that's a song. Only one poem of Ezra Pound's, The Metro. It is a graduate course in image exploration."


Question 6: What other interests do you have?

Caroline Shank: "I used to be a huge consumer of books. I read all the time. I find that at my age I can't keep reading without finding something else to do."


Carlo C. Gomez: “We wish to thank you for giving us this opportunity to get to know the person behind the poet, Caroline! We are honored to add you to this series!”

Caroline Shank: "Thank you, Carlo! I am very grateful for all the encouragement you have given me."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Caroline a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #14 in April!

~
Yule and Monte Carlo

While I sit and watch circus Monte Carlo
and get annoyed by the undignified use of wild animals,
perhaps except horses, they are beautiful and dumb and get oats to eat after
the performance,
There is no peace for the Palestinians and their struggle to win
back their country and bullets sing through the night.
I watched a bland concert where Jerusalem was sung by three tenors
but having heard Placido Domingo, they didn't measure up.
Then the ads came on in Portugal they last forever, I fall asleep
and didn't see the clowns.
~
October 2023
HP Poet: Maddy
Age: 65
Country: USA


Question 1: We welcome you to the HP Spotlight, Maddy. Please tell us about your background?

Maddy: "Retired Teacher now Media and Digital Literacy Educational Consultant and writer."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Maddy: "Been writing since I was eight. Three years now as an HP member."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Maddy:  "Poetry wakes me in the middle of the night on airplanes and when I walk. It is still one of my best friends other than my husband, sister, and Best BFF Irene."


Question 4: What does poetry mean to you?

Maddy: "It is my friend and companion and is a precious asset. Without it my life would be empty."


Question 5: Who are your favorite poets?

Maddy: "Thoreau, EE Cummings, Sappho, MAYA Angelou, Carole King, Emily Torres, Mary Oliver, Millay, and many here on HEPO."


Question 6: What other interests do you have?

Maddy: "I love Travel, Photographer, Nature, Cooking, Theatre, Concerts, and Reading."


Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know you, dear Maddy! You are a wonderful addition to the series!”

Maddy: "Thanks and looking forward to it and your review of my book on Amazon."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Maddy a little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #9 in November!

~
Maddy: "My books 'Put Your Boots On and Dance in the Rain' and 'Beautiful Heart' are both available on Amazon.com, Barnes and Noble.com and local bookstores in the US. My best poems are here on Hello Poetry, you can choose."

"Here are five of my favorites." - Carlo C. Gomez

Anatomy of a Poem:
https://hellopoetry.com/poem/4440901/anatomy-of-a-poem/

Special Someones:
https://hellopoetry.com/poem/3265576/special-someones/

Isles of Skye and Iona:
https://hellopoetry.com/poem/4427746/isles-of-skye-and-iona/

Only You:
https://hellopoetry.com/poem/4731877/only-you/

Beautiful Heart:
https://hellopoetry.com/poem/4569936/beautiful-heart/
Waverly Nov 2011
The kind of cars
that I like,
are those 87' monte carlos,
subs
big as aircraft carriers
in the back.

Gold spoke
wheels,
able to turn
holes in the sky.

Chameleon
paint jobs,
green
and full
in the sun,
fading to black
and
glossy
in the shadows.

When I was a teenager,
the kings
used to ride by
in the
monte carlos
with open
windows
letting loose
a humbling roar
so loud
that it
put
ubiquitous vapors
into
the air.

The neighborhood smelled
like the thumping
and the hard hum
of their vibrating
windshields.

The kings
always
let the car slide slowly
in neutral,

and as they took
stock of their domain,
Their glossy gold fronts
made you realize
why gold
was
so important
each tooth looked like
a tablet of commandments.

Our wife-beaters
were
stained with ketchup
and other things
that bleach could never
get out,
and we smelled
funny.

But the kings
wore hawaiian shirts
and smoked
cigars.

The kings
were the preachers.


One of the kings
was Luke's brother,

whenever he stopped at a corner
we'd pile around
putting our fingerprints everywhere
until
he told us
to
"*******,
don't you have any
home-training?"

Luke would stand closest,
squinting
as he leaned on the driver-side
window,
all that bass
hammering
his bones.

"How much
did you pay for it?"
Reggie would ask
from the back,
peeking his head over,
trying to see
the king.

The king would smile,
and say
"enough."

we'd all be rapt.

He'd get a call
on his cellphone,
and we
would come up
with crazy numbers.

Luke didn't even know
how much
was
"enough".

The kings held the secret
of god
and power.

I wanted to be as close to god
as they were,
I wanted to know the secret
to contentment.

I wanted to come back home
with money like
the kings with gold teeth.
The Good Pussy Oct 2014
.
                                J o h n
                              Dillinger
                       ­    "P retty Boy"
                           F l oyd "Baby
                          Face"    Nelson
                 ­          Al   "Scarface"
                           Capone  "Ma
                           c h i ne   Gun"
                           Kelly  Charles
                          "Lucky" Lucia
                           no     B u g s y
                           Siegel    Carlo
                           Gambino Jack
                           Diamond Tom
                           Devaney Jame
                           s Coonan  D a
          wood Ibrahcan       Kray  Brothers
        Demetrius Flenory  Joaquin Guzman
          James  Burke           Meyer Lansky
             Bonnie                         Clyde
When they were on the skeptical air, they seemed to feel greenish bunches fallen on the hooves and the frogs of the Alikantus helmet that was appreciated in contrasting imagery in the "V", ignoring possessions in the four patrimonial endowments, to ensure the runaway Supramundis that was waving galloping detached from the tapestries and pictures of Messolonghi. The bed of the plants of Kanti and Alikantus was cracking at the nail of the whitish lunula of their hooves that multiplied behind the substance of Carlo Magno, mounted in his Bayard with four sections riding on the impulses of their caps, in the direction of his cavalry by the Jacobin route upon reaching Zaragoza. The holistic robbery and his ingrown nails were ungulating on the nearby trees in some of his riders, in order to be able to mount them raised and prevent them from ambush. When they supported the third sighting and its third phalanx, chestnuts ungulated in the distal areas of the helmet and of the palfreys that were going to Messolonghi, reducing the number of their fingers, thus in this way they could become dogmatized before the rough ground, and their tendencies in the spaces of Elliniká leptá apó diastima, “Hellenic minutes of space” towards the shortest time of the minutes that allows them to be relocated before reaching Messolonghi. More past than the marked footsteps on Compostela, it was before heading them, marking himself with the anticipated quantum of speed already acquired by Carlo Magno's Bayard, which he carried on his dorsal due to the footsteps of other similar ones that supported him. In the scene of parallel convergence, the troops of the beasts were crossing in different spheres of quantum time, in the adversary of Carlo Magno.

The anatomy of the place was distinguished by the crowds of their marked footprints, and some chestnut frogs repopulating in the contour of the hooves of their hooves, redistributing the impact zones to reestablish themselves, to do the same of their bones in global anti-components. organic materials, to encapsulate and ring them in the fibrous components of the Zefian Virolifero, which had a seismic impact on the collagen of its parallel and on the retracting of the coronary band of its hooves, to extravert energy that will sustain the curbs, before riding back. by all the heights that besieged them, as if they were thousands and thousands of herds bringing their archaic verses from afar. When they felt the repercussions of monstrosity, they found themselves surrounded by feeling themselves in the magnificent metropolis of the chestnut trees, offending the embankment with great impulsiveness in the burnished clouds, paying tribute to Vernarth, and his entourage who glorified them as they navigated together through the skies of Greece, in the semi-human herds of Apollo who went out of their way to lose themselves neurologically, when their feudataries sailed through the atmospheres of the Cyclades, under a pensive aeromorphic figure that appears commenting:

Says Vernarth: “after listening to this amidst the luminous clouds, before taking me from frequent acrobatics, before me Raeder suspended from the heights, he invited me by reciting some odes before heading to Patmos. He briefly illustrated us in quotes about the Messolonghi poets. Raeder, holding firmly to Petrobus's legs, was concentrating, and he was excited, but at the same time very delighted to be coming to his land very soon. Thus the verses would fill him with great spirit to start a new stage. After being very well received by the routes of the temperate sigh, the present wind would take them to Kissamos / Crete, where they will remain flying in the irascible spree of celebrating a great event when they land on this great island. Then they would leave for Kalymnos and Kinaros by the route of the Cyclades, to finally establish themselves in the Dodecanese dominions. Perhaps venturing in boldly by being sublimated by the tiny mists blowing from the Metelmi wind, with the unnoticed shifting Mediterranean climates of the exhausted eastern.

The Sibyl Tiburtina supports Raeder gathering him to her arms and telling him: “You will receive my warmth that will imprison the house of the high priest, whose scene will be represented in Procoro on its corresponding neutral folio. Succeeding in expletives from the past, which was no longer intended or harassed at him. The Armas Christi will once again swirl with the Souls of Trouvere from the last irascible recesses of the Eolonimi winds in the holistic of all the winds that named Vernarth. "Your children will not live again, the military Macedonian will hear", their physical resurrection will flee from the unconverted taking place after the tree of Mars when they liberate the innocent fallen from the versicular belief, which segments the ray in its half where no minute will be able to hit him "

Antiphon of Triburtina: “Son of David they will give us the consorts, by setting the table in the center with the newly molded bread, and his authority will not have to distribute it into the pieces of an earthly life that allows them to bring it to their mouths. We will all be converted singing all the fantasy of giving what should never have remained in our hands, even if they have never been greedy for him. "
Codex XXII - Ultramundis Messolonghi
Fair is thy site, Sorrento, green thy shore,
  Black crags behind thee pierce the clear blue skies;
The sea, whose borderers ruled the world of yore,
  As clear and bluer still before thee lies.

Vesuvius smokes in sight, whose fount of fire,
  Outgushing, drowned the cities on his steeps;
And murmuring Naples, spire o'ertopping spire,
  Sits on the ***** beyond where Virgil sleeps.

Here doth the earth, with flowers of every hue,
  Heap her green breast when April suns are bright,
Flowers of the morning-red, or ocean-blue,
  Or like the mountain frost of silvery white.

Currents of fragrance, from the orange tree,
  And sward of violets, breathing to and fro,
Mingle, and wandering out upon the sea,
  Refresh the idle boatsman where they blow.

Yet even here, as under harsher climes,
  Tears for the loved and early lost are shed;
That soft air saddens with the funeral chimes,
  Those shining flowers are gathered for the dead.

Here once a child, a smiling playful one,
  All the day long caressing and caressed,
Died when its little tongue had just begun
  To lisp the names of those it loved the best.

The father strove his struggling grief to quell,
  The mother wept as mothers use to weep,
Two little sisters wearied them to tell
  When their dear Carlo would awake from sleep.

Within an inner room his couch they spread,
  His funeral couch; with mingled grief and love,
They laid a crown of roses on his head,
  And murmured, "Brighter is his crown above."

They scattered round him, on the snowy sheet,
  Laburnum's strings of sunny-coloured gems,
Sad hyacinths, and violets dim and sweet,
  And orange blossoms on their dark green stems.

And now the hour is come, the priest is there;
  Torches are lit and bells are tolled; they go,
With solemn rites of blessing and of prayer,
  To lay the little corpse in earth below.

The door is opened; hark! that quick glad cry;
  Carlo has waked, has waked, and is at play;
The little sisters laugh and leap, and try
  To climb the bed on which the infant lay.

And there he sits alone, and gayly shakes
  In his full hands, the blossoms red and white,
And smiles with winking eyes, like one who wakes
  From long deep slumbers at the morning light.
~
January 2024
HP Poet: Melanii
Age: 27
Country: USA


Question 1: We welcome you to the HP Spotlight, Melanii. Please tell us about your background?

Melanii: "My real name is Arianna. I was born and raised around Dallas, TX and am currently still living here. As it relates to writing, my background draws heavily from exposure to the arts as a child and the fascination, I guess, for beauty that this instilled. My parents (but especially my dad) were enthusiastic about music, art, history, literature, and the sciences, and my interest in all of these topics was piqued by association. Growing up I can recall countless visits to the local art museum, watching documentaries in the evenings after school, attending operas with my parents, and running home after school in the early days of each month to see if the latest issue of National Geographic had arrived so I could soak up the pictures and get lost daydreaming of faraway lands and peoples.

With time these influences grew into a general interest in the humanities. I attended the University of North Texas in Denton from 2014-2017 and studied anthropology, French, and Russian after doing a 180 on my initial intention of studying and pursuing psychology as a career path at a different school. At the time it felt kind of reckless, but in hindsight it was definitely the right decision.

After graduating, I was working as a barista and somewhere along the way ended up going to Prague for a month in the summer of 2018 to do a TEFL certification, fell into poetry that fall, and then returned to Prague for 11 months in 2019 to teach English. It was very much the best and the worst of times: I met some amazing people while there, took the opportunity to travel around a bit, and lived and learned from a horrendous relationship that also transpired during that year. I definitely went into that experience without any clear objectives or expectations; looking back, life definitely took that complacency and turned the tables with it, and while it took several years afterwards for the dust to fully settle, I've made it out the other side stronger, more intentional, and more assertive than before.

Since then, life has really just been what it's been. There have been ups and downs, of course, but the lows don't hit as hard anymore. Right now, there's not much to report and I plan to keep it that way. It's nice. Peaceful. It's a new year, and with it I will continue to focus on working, saving money, making a dent in the hydra that my reading list has become, and overall just living well and building towards the future."



Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Melanii: "As a teenager I’d scribble fragments of poems here and there, but never considered writing to be a hobby. That all changed around September 2018 when, for whatever reason, I decided that I enjoyed writing and wanted to dedicate more time to it. As mentioned in Question #2, this was right around the time I was preparing to relocate to Prague. It's kind of hard to describe; maybe it was just the excitement of the unknown, but that whole period of time had a sense of magic and beauty about the way it was unfolding which the “discovery” of poetry as a creative outlet only elevated."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Melanii:  "At first, it seemed like “there was inspiration around every corner”, to quote another poet I read here on HP one time (can't remember who it was or the title of the piece, but they were describing how great poets like Bukowski seemed to find inspiration so effortlessly, and the way they phrased it has stuck with me). Fast forward five years to today, and while I don't write as prolifically anymore the words come when I have something to say.

Inspiration comes from many sources for me: music, art, and nature; random thoughts, feelings, ideas, and observations; the works of other poets; travel when it happens; disappointments in family and other relationships; loneliness…

As far as the actual writing process goes, it's pretty random. More often than not, I'd say the poems write themselves and I just jot them down once they're ready, or as they evolve and refine themselves to fruition. Not the most thoughtful approach, but it comes from the heart."



Question 4: What does poetry mean to you?

Melanii: "To me, poetry is a language — specifically a language of consciousness in its purest, most elemental form. Poetry has the ability of transcending and even defying the typical rules of language without losing cogency, and for me it's this inherent flexibility that makes it at once so unique and so impactful as an art form."


Question 5: Who are your favorite poets?

Melanii: "Federico García Lorca, Li Qingzhao, and Pablo Neruda are the top 3 names that come to mind. I enjoy the unique way that each one of them uses language and imagery to illustrate the pieces of their lives and humanity which they decided to share through their writing. There's an element of surrealism, sensuality, and expansiveness running through each of their writing styles that speaks to me in the way it encompasses the beauty and complexity of life's possibilities across good and bad times alike."


Question 6: What other interests do you have?

Melanii: "I enjoy traveling and would love to be in a place someday where I can do so more often. The urge to explore again has been gnawing at me recently, so after a little bit of research and number crunching, I renewed my passport and booked a flight to Peru for three weeks in March. I had promised myself to visit a new region the next time I traveled, and despite growing up in Texas I have yet to visit Latin America. The plan is to start in Cusco, sightsee there, then head south into Bolivia to tour the Salar de Uyuni, which has been on my bucket list since learning of its existence from National Geographic. I couldn't believe that a place like that was real, and words cannot express how excited I am to finally experience the landscape in person! With March marking the beginning of the end of the rainy season, I'm hoping to still catch some of the “mirror” effect that the salt flats are so famous for. After touring the flats, the plan is to take an overnight bus back to La Paz before heading north again towards Lima with some sightseeing stops along the way and a few days left over in the city before flying back home. So we'll see what happens!

Languages are a long standing interest as well. I studied French for 7 years between high school and college, and Russian for the 3 years I spent at university. Since graduating, I've kept up with both through podcasts, YouTube videos, news articles, and music, and despite being far from fluent in either it's helped a lot with retention and comprehension. Learning ancient Greek has also been an on-and-off endeavor since 2017 after reading Euripides’ plays and deciding that I'd like to read Medea in its original text someday. Time will tell if that ever happens, but I did recently complete an online introductory course to the language which was a nice memory refresher and helped with unpacking some of the grammatical concepts that threw me for a loop back when I first started and which are part of the reason I fell away from Greek in the first place. After Greek, I would like to learn some Coptic, Farsi, and Turkish, and would be satisfied with learning to read at least one sentence in Mandarin in my lifetime.

Outside of travel and languages, I enjoy researching and cooking dishes from various cuisines, reading, taking walks, trying out different exercise classes on days off (recently I've done tai chi, pilates, barre, aerial silks, and kickboxing, but in the past I've tried pole fitness, archery, aerial silks, cycling, and horseback riding), visiting art museums, dropping by the symphony or opera once in a blue moon, and watching videos and documentaries on philosophy, history, theology (not religious, though, just curious), and science."



Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know the person behind the poet, Melanii! We have loved adding you to this series!”

Melanii: "Thank you so much for having me and for all your efforts conducting this series of interviews! It's truly a pleasure having the opportunity to break the ice and learn more about our fellow poets."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Melanii little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #12 in February!

~
I continue to be amused &
Captivated by Gabriel García Márquez,
His Love in the Time of Cholera,
Captivating me still.
His simple use of the name
“Bolívar,” por ejemplo.
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There is something uniquely Latin
About life in Latin America,
Once again, stating the obvious
For all the media-slain retards
Hovering around me.
Their never-ending enthrallment
With Strong Men,
Particularly when strength is
A measure of one’s honor,
Hizzoner,
Your honor,
To wit: Honor Killings.
In practice, a sober demonstration
Of the theory as it is practiced.
Americans—with swarthy exceptions—
Do unfavorably view most of us who
Can trace our ancestry to Southern Europe.
“Southern European,”
Itself a vicious racial slur,
And remains so north of Eboli,
No surprise that Christ stopped there,
According to Carlo Levi, writing off the
Il Mezzogiorno, beyond redemption.
Southern European:
Smug words you make them eat,
Throwing Greco-Roman Civilization
Up into their faces.
Athens & Rome--
Epitomes of culture and class--
Patricians, of course, yet
Skifoso bragging rights for all those
***** scratched plebeians of the mob.
But I digress.

Strongman Latino-Americano.
Some Bolívar, some José Martí.
Why not some Fidel?
¿Por Que No?
Tu compadre, Gabo--
Tu Generalissimo Cubano.
How could you miss, Gabo?
Castro lobbying for you, twisting the
Surreal & squirrely qualms
Of Nobel Prize Nabobs.
(SAS: Flights to Sweden, Norway and Denmark - Scandinavian Airlines www.flysas.com/en/us/‎ Welcome to the official SAS US website. Find the best flight bargains from the . . .)
You owe that bearded strong man, Gabo.
Fidel Castro: Maximum Leader to be sure--
Like Omar Torrijos & Noriega--
Panamanian Reds,
Tasmanian Devils!
And Sonny Barger –
Dubbed Maximum Leader,
By Hunter S. Thompson's Hell's Angels:
(The Strange and Terrible Saga of the Outlaw Motorcycle Gangs RetroBites: Hunter S. Thompson & Hell's Angels (1967) - YouTube ► 6:21► 6:21 www.youtube.com/watch?v=ccyu44rsaZo‎ Jul 7, 2010 - Uploaded by CBCtv Hunter S.Thompson defends his book against an irate Hell's Angels biker.)
Come Perón, come Hugo Chávez.
But, Hark-a-lark,
Let’s wait a sec
Lest we forget
Cristina Fernández de Kirchner,
One tough, Argentine *****,
Illustrating again for all men
The root of all machismo:
La Mujer!
The ***** that bore him;
Nurtured & nursed him.
****** & ****** him.
La Mujer!
(La mujer sin cabeza (2008) - IMDb www.imdb.com/title/ tt1221141/‎ Rating: 6.4/10 - ‎1,815 votes Directed by Lucrecia Martel. With María Onetto, Claudia Cantero, César Bordón, Daniel Genoud. After running into something with her car, Vero experiences a... I get 7 cents for each link, each hit, making poetry pay for once, the savvy poet, a marketer finally figuring out how to avoid death in the gutter, a death penniless, diseased, babbling and insane.)
Yes, the woman,
The woman, who loved him,
That widow who buried him.
The woman—at any particular
Time of life, in his life—
The woman who just happened to be there;
Was just hanging around
During that brief, emphatic,
Conversation lull.
Genesis got it wrong:
Adam was a stiff rib of Eve,
Made from sterner stuff,
A creation conceived in torture,
Reared in disequilibrium.

Women create the men they touch.
Strong women.
glass can May 2013
old makeup spilled on my floor
***** clothes strewn on my floor

You can hardly see the carpet for all the clothes carelessly being trodden on.

Blue holiday lights are strung around the mirror.

I am watching Andy Warhol eating a hamburger
I am watching Andy Warhol eating a hamburger
on a new, thousand dollar laptop, slick-as-a-whistle, paid with a magnetic swipe.

For the past six months,
I have had less than four hundred $
combined in checking and savings,
and that number dwindles by the day.

I have no groceries,
but I've got fistfuls of orange prescription bottles,
and I was handing pills out like treats and candy.

(but they are needed, much and every day)

Where did all these bills come from?
Money is paper, but it means things.
Suddenly, it costs money to breathe.

Eating? Oh pshaw, that costs money, time, and the store's six blocks away.
We can subside on government cheese, beans, and the fiery licks of whiskey.

I pout on my throne of ***** cotton, thinking
"I get what I ask for, when I ask, and it always comes--at a price!" I sigh.

It's always over a hundred dollars more than I could spare
and brings bad luck, moreso than a couple broken mirrors would,
smashed over a the front of your mother's blackest cat.

"Quick! Let's do designer drugs with the paltry change given by our parents, given as allowance!
I wouldn't feel like I wasn't nothing, nothing at all," I say, batting my eyelashes, "Wouldn't they feel proud of our feelings of entitlement to the greater things in life and consciously responsible adult-like decisions?"

I crack open my father's checking account with that swipe of a magnetic strip,
it makes me seem responsible when he sees I just use it for pills and foodstuff.

(I prove I love him, and he loves me in this way)

Now, together, we will buy strawberries with his money, until our lips are pink.
They must be four dollars, at the very least, then we eat like the bourgeoisie (!)

I kiss the cheeks of my reflection in the bathroom
"Como ca va, darling? Comme si comme sa. . ."
I lick my lips, put on red lipstick and then blot,
tousling my hair, tipsy, as I touch up my face by
licking the tips of eyeliner up like a cat's little tail,
the ends of eyes, coated with eyeliner as black as
my tightest velvet pants and dark, dark heart.

We go together. You and me.

Lying on the floor, holding hands, in vinyl bliss
listening to the crooning of sweet Francoise Hardy,
and the addictions of the near-dead soul of Lou Reed

You should move to a big city
and I'll come call, prepaid, with
a voice that is thick and ripped,
from expensive French cigarettes
chattering of sugar-white beaches
as I cross the seas all on a plane,
burning money all along the way
all the while drunk on red wine,
twirling my fingers around, with
bags under eyes, a little anemic

(I think it adds to the glamour)

We will go out to a dimly lit place
We will go out dancing then after

I will put on dab perfume under my ears and on my wrists,
I will wear black tights for pants, but first, do a little *******
and you will fasten the clasp on my silver necklace tonight,
while I smoke, before helping me put on my favorite fur

And we will go see Andy, at the factory
I hear he's doing something
with that Basquiat fellow (!)

I will go follow false luxuries, come with me.
I will gamble with you in Monte Carlo or Las Vegas,

just as long as you pay my rent at $695 per month,
and keep pretending,
until I die, or overdose, or something.
because being poor is extremely glamorous
Mateuš Conrad Aug 2016
have you ever made a spider a Palestinian? i have, today, refreshing the paint-job on the back of my house, a whole family strutting away from fresh paint being applied (poets cure boredom, they simply don't know it), the cardigans erase & rewind, my uncle would be perfect with his age to work out the demographics - my age circuit, 30 and listening to the palette of those in full-throttle of the 1990s - anyway, refreshing the paint on the back of my house, not for dough, but for the sweat of my brow - learning i succumb to acrophobia on the ladder - but i did it anyway... i love phobias, they're not the fear, they're like a box of chocolates... you never know what will make you startle... it's not permanent, phobias shouldn't be considered permanent, they're too reflexive... and we all know that nibbling them in the reflective realm immediately suggests irrationality, not to a reaction, but to a continuum of a reaction: a ladder, a giant spider to boot. but i never watched a spider eat fresh paint... watched the ******* do the nibble on paint... ***** - a getty cardinal spider shooting paint pollutants with its leg, eating the Chernobyl cocktail, the rainbow melt in a puddle of oil spill... junkies everywhere; so that done, a beer and a quick look at the Olympics...

if table tennis was as relevant as table tennis -
i prefer table tennis,
judo is too cool too - classic Greek wrestling
with feet to match the hands -
i think in terms of the Olympics we're in
the Gobi desert - so many sports are shown only
once every 4 years, the once that don't make the dough...
i'd prefer the Olympics without the pop culture
exponents that keep us hungry for spectacles
during the 4 years apart -
hand-ball, Romania thrashed by Angola -
ladies first, of course,
and weight-lifting, weighs in at 48kg and lifts
80+kg... well Jihad John versus G.I. Jane...
a pretty match up... look, i came from a certain background
i won't be making politically correct statements,
if it weren't for my personal initiative i'd be scooping
grub from an industrial flat surface roof like my father...
i don't mind getting paid... i just love the fact that i will
and if ending up homeless, i have enough heart already
to start a religion, or something.
of course i'll miss my personal library of books and albums,
who wouldn't? i'll join the divorcee crew and it'll be
like it always was supposed to be.
but am i really that ridiculous? think about it,
i use ridiculous words in my vocabulary, after all i went
to a catholic school, it was bound to happen -
not true secular cool, sorry -
but is my usage of certain words completely penniless
more ridiculous in the form of an oligarch buying
a pearl entombed in a custard pie? of a yacht for a month
at Monte Carlo? seriously? if i utilise the words
Paraclete or Antichrist after just skimmed rereading of
a psychiatrist's religious venture in Jung's *answer to Job

am i as ridiculous as those barons?
i don't think so... i read that book like Flaubert instructed
concerning all books: read in order to live it -
a book is a transplant, some leave a heart, come a ****,
some a brain, some a pint of blood with a book...
i hope to leave the worm of hell licking your ear for a sloppy
Jim - read Jung... almost atypical German Christian
intelligentsia byproduct, neutral Swiss just after the second
world war... Freud read Nietzsche and so did Mussolini...
****** was very much Jung... it's a strange book...
we all know that the Greeks hijacked Judaism...
the Romans were like: whatever that meant...
shoved it into a cauldron of the prefix omni-
and attributed to the prefix geographies and geometries
all inclusive (herr deutsche came along though) -
but the Greeks hijacked the oddity of Judea at that
special time because they had scientific inclinations
rather than aesthetic inclinations of the Romans,
and they wanted answers... got **** all...
it's not the Jews that thought the Greek involvement
ridiculous, it was the Romans... hence the omni-
and -presence, -potency, etc. - the Greeks just had
those mythical names for ****... Logos, Sophia...
that's the funny thing with mythology and history -
the book of Revelation by the looks of it simply looks
like a redemption of Oedipus... mythology is a logic
of history where either none was recorded on papyrus
since no one required hush-hush intrigue talk and people
spoke to each other face to face rather than to a profile -
mugs and mustard seeds -
you can always buy the book, C. G. Jung answer to Job,
it's peppered with too much Greek, and very little
Roman care... the theological addition of a globalised world
(under monotheism, failed and thriving, whichever)
is bound to play the montage of omni- and simply add -
God = omnivocab - i have my limitations of words -
i had to censor or rather select a vocabulary in order
to process the interchanges to reach a conclusive churning
without an ultimate goal other than to preserve a continuum,
like Balzac boring everybody with the 19th instalment of
the human comedy. so after reading this book on religious
matters by a psychiatrists i'm sorta bothered...
i'm tripping... obviously not seeing any hyper-geometry
of your choice... i just think the Greeks did the most horrid
hoarding and looting know to man... which reflected
the looting of Byzantium and never reaching the Holy Land...
the barbarians never cared to be honest, they only
started caring when they started to castrate the boys
for the "holy" choir rather than circumcise them...
then they went Berserk... the book of revelation can only
mean the quantum mechanics of history, bound to
mythology - Oedipus was very real... the blackened
heart of Greeks even though Aristotle, Socrates, Plato...
that intellectual import and expression didn't help...
after all Eddie Gein gave birth to the latter part of the 20th
century pop culture... Texas Chainsaw... Haemorrhoid Hannibal,
House of a 1000 Corpses.. history and journalism
dismisses mythology, i dismiss journalism as simply
a hyper-sensitivity that keeps dialectics out of the picture,
a monologue of opinions... mythology just doesn't seem
that insensible given our perspective into history with Darwin
and millions of years ago with the sea-turtles... you know
how gossip works... it sooth the reality of it had happened...
because we prefer oysters and chicken thighs to digest than
the tales of Eddie, oh yeah... Fe Maiden... d'uh!
the Greeks looted the Hebrews to purge themselves of
Oedipus... the weakness came by keeping estranged with
Narcissus and iconoclasm... you want an extract?
bombshell blonde at your bidding -
assumptio mariae: mary as the bride is united with the son
in the heavenly-chamber, and as sophia, with the godhead
.
basically Mary is a schizophrenic ****-child of lust
for a Roman centurion who makes the story of a ****** birth
her wish to bed-wet her son (Jesus) into joining **** John
and Toe into her ****** (***** *****, like her already)
in heaven - she thinks her body will **** her "******-birth"
son and her wisdom (Sophia is her alias, or nickname)
will **** god in the head. oh hell this is sacrilege -
i'm not afraid of it... boo! ha! caught you mouth dry with the
boogie man. so this is a psychiatrist reasoning his religion...
as i said, the Greeks had no omni- Roman put the **** back
into his boots before he starts river-dancing...
all these quizzical ultra-mythical words that the Greeks
used starting with the Logos and Hippocrates were attached
to the failed Platonism of the unconverted Damocles principle
and the tyrant succumbing to drink and never bound to
a sober wish for anything more - (i'm guessing his intentions
were laid with Nietzsche as source of discipleship) - in short
let's just say that Platonism failed in practice,
and it needed a populist movement, a redemption from
the curse of Oedipus came from Hebrew with the schizoid-birth,
Joseph bin Adam was: better bite that ****** of the cow-fruit
and remind her of the stoning practices around here -
oh it's all pretty much Eastenders around here, it's
not the ******* Vatican marble corridors, we're talking
Gaza dust sneezing while whipping the donkey's *** to
move along... split-mind: beautiful metaphor... premature
dementia, obviously misunderstood... if premature "dementia"
while so much creativity among the split-minded...
it's like all the zodiac signs became jealous of Gemini,
incorporating Gemini-Solipsism... well, i have a neck like a bull
and a *****-count like a charging bull... but the thinking
behind the 3.a.m. is kinda staggering... oh right, you want
more quirky clues from Jung's book:
- silvia loret
- maritza mendez
- aria giovanni             (get a hybrid and i'll believe in Disneyland) -
****, that ain't what i was going to write, never mind,
you get a chance to see the palette of what's fudge for
fucky-fucky sized 16+ and what the Renaissance men
knew would be better than duck-feathers in pillows;
- meister eckhart: gott ist selig in der seele
- puer aeternus: vultu mutabilis albus et ater
    (of changeful countenance, both white and black)
- pius XII's apostolic constitution (munificentissimus dei)
   words like muni-imus really make you train in
    grammatical arithmetic, don't they? playing doctor with
   them as to where to cut them for a aqua format of rivers
   is quiet like reciting a 5x table up to 30 (sometimes)
- oportebat sponsam, quam pater desponsaverat, in θalmis caelestibus habitare (the bride whom the father had espoused had to abide in the heavenly bridal-chambers): st. john damascene (encomium in dormitionem);

summa summarum?
Nietzsche answered Job... this is my answer to Jung as also an answer to Lot - **** your daughters, your wife turns into a pillar of salt... and i equate that as a precursor to the man of sorrows on the ****** crucifix - salt is a metaphor for misery (that's etymology for you); and the Roman phonetic encoding survived over the fates of Egyptian and Babylonian is precisely why the adopted son of Caesar later made his uncle's adopted nephew his successor - as with the four dogma canon gospels, we're replicas of the tetragrammaton... well... i was never confirmed, i'm one short of joining the god-men that came out from catholic school after choosing a name for themselves they could have changed not having wished to be known by the two names given to them by their parents... few did... i just ended up an acronym of Einstein: M C E.
“If you or someone you know
Has been diagnosed with Parkinson’s . . . ”
You can tell a great deal about UNLV,
My Vegas morning, easy listening
Radio station of choice,
When I first sit down,
Sit down to work in the morning,
One can surmise from the
Target demographics of so dire,
Such sober pronunciamentos, by
DJ Mueller, 91.5 The Source»
Live from UNLV/KUNV
Las Vegas kunv.org/KUNV
The Jazz Lounge with
Frank Mueller, Thursday, 7:00 am-11:00 am.
So don’t say I never
****** your ****--metaphorically speaking—
Herr Mueller, my good friend.
And while we’re on
The subject: WORK.
They never tell you that
Writing is such ******* hard work,
Which explains my need to **** up &
Lubricate the mechanism,
Before I start.
But I digress.

Just in case you haven’t noticed,
In case you had not been taking heed, CNN:
There’s an exciting new, radical ******,
Left-wing personage & presence
Making a play for the main room,
Center stage, center ring
Global Palace & Amphitheater.
I refer, of course to
Pope Francis:
Media-savvy, media mensch,
Crafting his own image,
Playing to the masses,
Choosing the namesake--
Francesco—right outta the gate,
Zip outta some Franco Zeffirelli
“Brother Sun, Sister Moon,”
Saint Francis di Assisi,
Talent show.
Born Jorge Mario Bergoglio,
In Buenos Aires, Argentina,
He worked briefly as a
Chemical technician
(Read: “bomb maker”)
& Nightclub bouncer
(Read: “sadist”)
Before resuming
Seminary studies, 1969.
(Tribute PSA: October 29, 1969: Happy 40th Birthday to a Radical Idea! Bill Duvall, SRI computer room. Late 1960s, the evening of October 29, 1969 the first data travelled between two nodes of the ARPANET, a key ancestor of the Internet.)
Pope Francis is a master at technology,
As any aspiring Global Wizard must be.
He has a special web site:
“Papal Bulls & Other *******.” Palabras del Papa Francisco - News.va www.news.va/es/source/vatican-va Translate this page PAPA FRANCISCO. AUDIENCIA GENERAL Miércoles 13 de mayo de 2015. [Multimedia]. Queridos . . .

Francis: Pope in Rome,
Signing international treaties again.
The Holy See himself—that
Wacky Argentinian--
One of many Lefty Cardinals,
Pulls off upset ordination in
Vatican City, God’s little 110 acres,
Our world’s smallest city & sovereign state,
Patrolled by a wacky-striped
Swiss Wackenhut Swat Team,
The Vatican: former playground for Nero,
**** Command Central for Caligula,
Construct of Mussolini’s $92 million
(More than $1 billion in today’s
Ever more worthless,
Ever more inflation soaring money!)
Lateran hush money,
Vatican monopoly money,
Seed money for colonial expansion,
Il Duce signing on behalf of
King Victor Emmanuel III,
Remembered today
Mainly for his short stature, &
Exile to Alexandria, Egypt,
Where he died and was buried.
“Vic the Man,” as he was known
Here in the Principality of Monaco,
“Vic the Man in Monte Carlo.”
But I digress.

Just the other day, Pope Francis
Signed another international treaty,
Recognizing Palestinian statehood,
Generating praise from Palestinians, &
Criticism from Israelis, who said:
“The move does not advance peace efforts.”
“Even this Philo-Semitic pope,
This pope who cares about the Jews,
Even he doesn’t get it,” said
David Horovitz, Editor,
The Times of Israel,
Which is what one would expect from
The guy who wrote the book:
A Little Too Close to God,
Still Life with Bombers:
Israel in the Age of Terrorism
. . .

It is tempting to ignore the
Sheer ego, the colossal megalomania
That is Jorge Mario Bergoglio,
Truly a personage of great moral suasion,
Whether he’s cleaning the feet of the homeless,
Dialing up strangers for late-night chats or
Convincing the self-described atheist,
Raúl Castro to give Catholicism a second look . . .
This pope who took the name of a
Nature-loving pauper,
This Pope in Rome,
Francis:  Transformative,
Revolutionary gust.
Pontiff, from Latin: “a bridge,”
Spanning the God-Man divide.
We are talking about a brotherhood,
That survived both Borgia & Medici,
And other assorted kink-fests for centuries.
Just what bizarre peccadillo
Required the resignation of
Benedict XVI, in itself, a
2,000-year first?
Francis:  the first Jesuit Pope.
Francis: the first Pope from America.
Francis: “The circumstances surrounding
Benedict's decision to step down
Will titillate scholars and the journalists alike,
For many years to come,
Given his resignation came so soon
After the “VATI-LEAKS” revelations:
Vatican bank corruption,
Pederast-priest cover-ups, &
Other ignominious fiascos
Requiring significant damage control.

One would think that an institution
With their own royal observatory,
The Papal See’s inter-galactic,
Night-vision telescope, Mount Graham,
Southeast of Tucson, Arizona,
Could steer clear of faulty stars.
J Patrick H Feb 2013
What is that reality that appears to me in dreams,
chock-full of misgivings and doubt. I counteract my fear of life
with my fears of slumber,
dust in my eyes and stiff as lumber.

In truth - I'm not stiffened
by fear,
by nausea,
post-pubescent sacrilege,
or all of the above.
I'm not up-kept,
grizzly with ennui;
I'm dizzy, confiding my loss.

I feel the lips that kiss
but can't be drawn: from mind,
stencil
paper
pen,
on sheets of thick
pale and
cellulose,
for the heart to mend.

My unsteady hand
is my fearful friend

A soft embrace
from a warm mind

Somber
and so full of Life
clung to by the scent of Death

Endowed
with an eternal promise and regret
from veins of plants
or the glow of stars.
Cold, mechanical debt.

(my heart, so full of...)

(my mind, so hot with...)

(my body, trembling in...)

I am gulf-like
a stream full of trees and glass
echoing a promise of shattering wind.

Will I be published
after my death,
asleep predating, a life conceived.
Will I live to see myself alone,
and to discover
that which I'm not?
Or will I stutter
and wallow a curse,
Up towards the sky,
Until the final verse.
On a boast
or chasing the Rail,
pale as dirt, and shallow still.

Will my true love abandon,  break, strain,
Burn away the wax,
or hurry to blame?

Omit my evils from the star-charts,
then just to vacate the void.
From the half-broken corridors of rocks,
nooks, crannies.
Carry laughter through the night
burn the effigy bowed-down,
before dawn's courageous,
ever-splaying light

Angels,
of Carlo and Marx,
plenty by noon
festoon,
again by day
thus replay,
Endeavor to infinity, fair child.
Remold the light by Day
and remold the Day
by Night.
~
February 2024
HP Poet: Jamadhi Verse
Age: 39
Country: USA


Question 1: A warm welcome to the HP Spotlight, J Verse. Please tell us about your background?

Jamadhi Verse: "I was born and on and off raised in a small town in Northern New Jersey, about 25 minutes outside of New York City. My childhood was a constant, unstable state of motion. As a little girl I was always changing homes, schools, and states every year, dissolving possessions, driving back and forth across the country in all directions on the open, endless road. Always beginning new chapters that required the courage to say hello and the inevitability of saying goodbye. The only thing that remained familiar and everlasting was the acceptance and necessity to repeatedly let go of everything and everyone and have faith that there was nothing that could not be regained in some new form, in some new place. I studied at Pace University in Manhattan and Middlesex University in London, as an Anthropology major with a minor in Religious Studies. I have spent most of my adult life in Seattle, Washington and have lived very simply. I have never felt a pull toward a specific career or setting down permanent roots. I don’t wish to own a home or become a parent. I am inclined only to explore and learn as much as I can, to watch and marvel at unpredictability, and to write of my witnessing it. I am blessed to have had many adventures and I have a lot of interesting and strange stories."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Jamadhi Verse: "I have been writing poetry on and off since I was a child, but words did not become a flowing torrent for me until I was in my late 20s. The unaddressed and unspoken suddenly wanted outside of me. The silence and stoicism that my childhood strictly enforced could stand its firm stance no longer. The dam broke and the river roared and suddenly for the first time ever, my true self was speaking and I was learning about the woman that it turns out that I am.

I have been on HP for almost 8 years. Through this site I grew loud my own inner voice, discovered my strength, and broke away from my shyness. I learned I could allow myself to write without trepidation. HP has allowed me many close friendships and even a loving relationship with another poet here. This site has been a true gateway and an unexpected journey."



Question 3: What inspires you? (In other words, how does poetry happen for you).

Jamadhi Verse: "A thin, crescent moon hanging in the black sky. The reverberating sound of the waves. Longings that run so painfully deep they create a chasm in your being. Nostalgia that cuts deep with illusion. The magic of a moment dancing its circles around you. Everything comes to me, wanting to be put into Words."


Question 4: What does poetry mean to you?

Jamadhi Verse: "I found poetry as a means to finally use my voice. I grew up in traumatic circumstances as a child, learning very early on that the best way to stay strong was to be quiet and keep all opinions, needs, and desires to myself. I was inwardly a very intense world of observations and dreaming that was completely stifled and uncharted. I was so good at dismissing my own feelings that as I moved into adulthood I had to admit that I knew nothing of my own self. I never let anything inside me, out. Poetry was the unraveling confession. The voice that refused to stop speaking until my eyes and heart were finally wide open to who I am and my stance in life. It was my complete release into trust, gratitude, and acceptance through full honesty. Once I discovered I could closely connect to others through this medium and realized that poetry helps to inspire, heal, and even walk other’s through their most challenging points in life, it became my central meaning. Poetry is our inmost intimacy, grown ripe when given to the light. It feeds others through their famine and plants new seeds."


Question 5: Who are your favorite poets?

Jamadhi Verse: "Rainer Maria Rilke, Rumi, Pablo Neruda, Ann Sexton, T.S. Eliot. They are the light and shadow in everyone."


Question 6: What other interests do you have?

Jamadhi Verse: "Photography is as crucial a part of my life as my writing. I love to take walks deep in nature. I am a passionate music enthusiast and see as much live music as possible. My record is 76 concerts in a year. I love to travel and have visited 14 countries so far. I have a deep kinship with animals and enjoy birds and dogs best. I enjoy reading, puzzles, live theater, and museums. I am interested in all subjects that fall into the realm of mystery and the paranormal. I practice psychedelic exploration, meditation, sensory deprivation, and other forms of exploring our consciousness."


Carlo C. Gomez: “We wish to thank you for giving us this opportunity to get to know the person behind the poet, J Verse! We are honored to add you to this series!”

Jamadhi Verse: "Thank you with all my heart for allowing me to speak today and for your receptiveness to my words. I heal because you listen."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Jamadhi Verse a little bit better. I surely did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #13 in March!

~
raj Jan 2015
Atletico’s progress to this stage has been somewhat sloppy to say the least, following a second leg showing at the Vicente Calderon which allowed minnows CE L’Hospitalet to walk away with an historic 2-2 draw.

<a href="http://eventsonnet.in/real-madrid-vs-atletico-madrid-live-streaming-telecast-live-score­-lineups-time-date-venue/">Click here to watch now!t</a>

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• -----------------------------------------------------------------­-------------
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The loss at Valencia on Sunday for a near full strength Real Madrid returning from victory at the Club World Cup and a winter break came as a shock to everyone.

A title race is well and truly on again this season so it may come as some relief for the players of both camps to lock horns away from La Liga.

Failures for both Barcelona and Real Madrid at the weekend mean Atletico are level on points with Barcelona, each a point behind leaders Real but Carlo Ancelotti’s side do have a game in hand.
Watch Real Madrid vs Atletico Madrid live stream here. we provide you free streaming links here. Check out the active links here.
Max Neumann Jan 2021
tizz is love it or hate it, nuttin' in between
addicted to yayo like sheen, 500 bpm heartbeat
don't do it anymore, but remain psychotic
and hunt down idiotics like a carnivore

from florida to berlin, from tropic to toxic
deep in da game, da grimy streetz know my name
it'z tizzop, 14.8 inchez of hip-hop

hangin' at rashid'z, shisha ready, cuban necklace
three men in da back but ya don't know who it iz
all of 'em are dark-skinned, all of 'em are bearded
most important of all: all of 'em are fearless

we don't know what it meanz to be scared
just some migrantz who will now be heard
da territory split up: kurdz, arabz and turkz
we got our own law, like omerta, like da cosa

one apartment here, and one block' there
like bushido did, back in da dayz wit fler
sonny black carlo, godfatherz, yeeeah

power is about makin it and takin it, unlike nine said
unlike any other guy said, and if ya don't wanna buy it
find ya eyez in da wine-red, da choppaz are wild catz
ya can use them for da furiouz, some become notoriouz

otherz don't and die, but dey will be honored:
watch da muralz; urban networkz, also in da rural,
and five-o just remainz neutral; it is crucial to be brutal
as it iz to remain truthful; lyricistz can't deal wit diz
g-boy attitude of tizz: letz celebrate diversity
and ante up on google, i write barz and do diz
i'm a little too youthful for these oldskoolish
~
March 2023
HP Poet: Thomas W. Case
Age: 53
Country: USA

Question 1: We are very happy to have you participate, Thomas. So how long have you been writing poetry, and how long have you been a member of Hello Poetry?

Thomas W. Case: “I've been writing poetry since I was 16, and I've been a member of hello poetry for 3 years.”


Question 2: What inspires you? (In other words, how does poetry happen for you).

Thomas W. Case: “The things that inspire me to write are life: the good, the bad, the ugly. Emotion inspires me to write. Poems come to me in many different ways. Sometimes in pictures, sometimes a word will pop into my head and I will write around it. And sometimes a situation in my life will transpire and I will write to process it.”


Question 3: What does poetry mean to you?

Thomas W. Case: “Poetry is cathartic for me. It's a lifesaver, it gives me a unique perspective on the world, it helps me to make sense of life. Poetry is my highway through the madness.”


Question 4: Who are your favorite poets?

Thomas W. Case: “Charles Bukowski, Pablo Neruda, Dylan Thomas, and W.B. Yeats.”


Question 5: What other interests do you have?

Thomas W. Case: “Writing short stories, reading, and spending time with my kids.”


Mr. Timetable: “Thank you so much, Thomas! We really appreciate your willingness to be the first one to be spotlighted.”

Thomas W. Case: “Thank you, man. I look forward to seeing the post and how it turns out.”



And thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Thomas a little bit better.
– Carlo C. Gomez (aka Mr. Timetable)

We will post Spotlight #2 in April!
~
Below are Thomas’ favorite poems of his and links to each one:

Lonesome Neon Nights: https://hellopoetry.com/poem/3699838/lonesome-neon-nights/

Stabbed by the Autumn Leaves: https://hellopoetry.com/poem/3727658/stabbed-by-the-autumn-leaves/

In Lieu of Flowers (a personal favorite of the Timetables, too): https://hellopoetry.com/poem/3910240/in-lieu-of-flowers/

And then the Night Comes: https://hellopoetry.com/poem/4404576/and-then-the-night-comes/

And I Will Rise: https://hellopoetry.com/poem/4680341/and-i-will-rise/

He also has a YouTube channel where he does poetry readings: https://www.youtube.com/@ThomasWCase
Paul d'Aubin Mar 2017
« Des Hommes prophétiques en face de leurs époques face à la souffrance causée par les périodes de réaction et de reflux »

(Relation d’une conférence donnée le 13 janvier 1940 à Toulouse par Silvio Trentin sur le principal Poète romantique Italien Giacomo Leopardi)

Prélude à une commémoration

C'est à la bibliothèque interuniversitaire de l’Université de Toulouse-Capitole alors que je me plongeais avec ferveur dans la lecture des ouvrages sur les « fuorusciti » (appellation donnée aux exilés politiques Italiens) que je découvris un opuscule de 118 pages, issue d'une conférence prononcée à Toulouse, le 13 janvier 1940 devant le « Cercle des intellectuels Républicains espagnols » par Silvio Trentin. Cette conférence fut prononcée avec la gorge nouée, devant un public d'intellectuels espagnols et catalans, la plupart exilés depuis 1939, et quelques-uns de leurs amis toulousains non mobilisés.
L'intense gravité du moment ne les empêchait pas de partager une ferveur commune ce haut moment de culture la culture Européenne intitulée par Silvio Trentin : « D’un poète qui nous permettra de retrouver l'Italie Giacomo Leopardi »
L'émotion fut grande pour moi car cet ouvrage me parut comme le frêle esquif rescapé d'un temps de défaites, de souffrances, rendu perceptible par le crépitement des balles de mitrailleuses, des explosions d’obus s'abattant sur des soldats républicains écrasés par la supériorité des armes et condamnés à la défaite par le mol et lâche abandon des diplomaties. Silvio Trentin avait gravé dans sa mémoire des images récentes qui n'avaient rien à envier aux tableaux grimaçants de nouveaux Goya. Il avait tant vu d'images d'avions larguant leurs bombes sur les populations terrifiées et embraser les charniers de Guernica. Il venait de voir passer les longues files de civils, toujours harassés, souvent blessés, emportant leurs rares biens ainsi que les soldats vaincus mais fiers de «la Retirada ». Il venait de visiter ces soldats dont parmi eux bon nombre de ses amis de combat, parqués sommairement dans des camps d'infortune.
Ces Catalans et Espagnols, qui s'étaient battus jusqu'au bout des privations et des souffrances endurées, étaient comme écrasés par le sentiment d'avoir été laissés presque seuls à lutter contre les fascismes, unis et comme pétrifiés par un destin d'injustice et d'amertume.
Mais ces premiers déchainements impunis d'injustices et de violences avaient comme ouverts la porte aux «trois furies» de la mythologie grecque et une semaine exactement après la conclusion du pacte de non-agression germano-soviétique, signé le 23 août 1939, par Molotov et Ribbentrop, les troupes allemandes se jetaient, dès le 1er septembre, sur la Pologne qu'elles écrasaient sous le nombre des stukas et des chars, en raison ce que le Général de Gaulle nomma ultérieurement « une force mécanique supérieure».
Une armée héroïque, mais bien moins puissante, était défaite. Et il ne nous en reste en guise de témoignage dérisoire que les images du cinéaste Andrei Wajda, nous montrant de jeunes cavaliers munis de lances se rendant au combat, à cheval, à la fin de cet été 1939, images d'une fallacieuse et vénéneuse beauté. Staline rendu avide par ce festin de peuples attaqua la Finlande, un mois après, le 30 septembre 1940, après s'être partagé, avec l'Allemagne hitlérienne, une partie de la Pologne. Depuis lors la « drôle de guerre » semblait en suspension, attendant pétrifiée dans rien faire les actes suivants de la tragédie européenne.

- Qu'est ce qui pouvait amener Silvio Trentin en ces jours de tragédie, à sacrifier à l'exercice d'une conférence donnée sur un poète italien né en 1798, plus d'un siècle avant ce nouvel embrasement de l'Europe qui mourut, si jeune, à trente-neuf ans ?
- Comment se fait-il que le juriste antifasciste exilé et le libraire militant devenu toulousain d'adoption, plus habitué à porter son éloquence reconnue dans les meetings organisés à Toulouse en soutien au Front à s'exprimer devant un cercle prestigieux de lettrés, comme pour magnifier la poésie même parmi ses sœurs et frères d'armes et de malheurs partagés ?
I °) L’opposition de tempéraments de Silvio Trentin et Giacomo Leopardi
L'intérêt porté par Silvio Trentin aux textes de Percy Shelley et au geste héroïco-romantique du poète Lauro de Bosis qui dépeignit dans son dernier texte le choix de sa mort héroïque pourrait nous laisser penser que le choix, en 1940, de Giacomo Leopardi comme sujet de médiation, s'inscrivait aussi dans une filiation romantique. Certes il y a bien entre ces deux personnalités si différentes que sont Giacomo Leopardi et Silvio Trentin une même imprégnation romantique. Le critique littéraire hors pair que fut Sainte-Beuve ne s'y est pourtant pas trompé. Dans l'un des premiers portraits faits en France de Leopardi, en 1844, dans la ***** des deux Mondes, Sainte-Beuve considère comme Leopardi comme un « Ancien » : (...) Brutus comme le dernier des anciens, mais c'est bien lui qui l'est. Il est triste comme un Ancien venu trop **** (...) Leopardi était né pour être positivement un Ancien, un homme de la Grèce héroïque ou de la Rome libre. »
Giacomo Leopardi vit au moment du plein essor du romantisme qui apparaît comme une réaction contre le formalisme de la pâle copie de l'Antique, de la sécheresse de la seule raison et de l'occultation de la sensibilité frémissante de la nature et des êtres. Mais s'il partage pleinement les obsessions des écrivains et poètes contemporains romantiques pour les héros solitaires, les lieux déserts, les femmes inaccessibles et la mort, Leopardi, rejette l'idée du salut par la religion et tout ce qui lui apparaît comme lié à l'esprit de réaction en se plaignant amèrement du caractère étroitement provincial et borné de ce qu'il nomme « l’aborrito e inabitabile Recanati ». En fait, la synthèse de Giacomo Leopardi est bien différente des conceptions d'un moyen âge idéalisé des romantiques. Elle s'efforce de dépasser le simple rationalisme à l'optimisme naïf, mais ne renie jamais l'aspiration aux « Lumières » qui correspond pour lui à sa passion tumultueuse pour les sciences. Il s'efforce, toutefois, comme par deux ponts dressés au travers de l'abime qui séparent les cultures et les passions de siècles si différents, de relier les idéaux des Antiques que sont le courage civique et la vertu avec les feux de la connaissance que viennent d'attiser les encyclopédistes. A cet effort de confluence des vertus des langues antiques et des sciences nouvelles se mêle une recherche constante de la lucidité qui le tient toujours comme oscillant sur les chemins escarpés de désillusions et aussi du rejet des espoirs fallacieux dans de nouvelles espérances d'un salut terrestre.
De même Silvio Trentin, de par sa haute formation juridique et son engagement constant dans les tragédies et péripéties quotidienne du militantisme, est **** du secours de la religion et de toute forme d'idéalisation du passé. Silvio Trentin reste pleinement un homme de progrès et d'idéal socialiste fortement teinté d'esprit libertaire pris à revers par la barbarie d'un siècle qui s'ouvre par la première guerre mondiale et la lutte inexpiable engagée entre la réaction des fascismes contre l'esprit des Lumières.
Mais, au-delà d'un parcours de vie très éloigné et d'un pessimisme historique premier et presque fondateur chez Leopardi qui l'oppose à l'obstination civique et démocratique de Silvio Trentin qui va jusqu'à prôner une utopie sociétale fondée sur l'autonomie, deux sentiments forts et des aspirations communes les font se rejoindre.

II °) Le même partage des désillusions et de la douleur :
Ce qui relie les existences si différentes de Giacomo Leopardi et de Silvio Trentin c'est une même expérience existentielle de la désillusion et de la douleur. Elle plonge ses racines chez Giacomo Leopardi dans une vie tronquée et comme recroquevillée par la maladie et un sentiment d'enfermement. Chez Silvio Trentin, c'est l'expérience historique même de la première moitié du vingtième siècle dont il est un des acteurs engagés qui provoque, non pas la désillusion, mais le constat lucide d'un terrible reflux historique qui culmine jusqu'à la chute de Mussolini et d'Hilter. A partir de retour dans sa patrie, le 4 septembre 1943, Silvio Trentin débute une période de cinq jours de vie intense et fiévreuse emplie de liberté et de bonheur, avant de devoir replonger dans la clandestinité, en raison de la prise de contrôle du Nord et du centre de l'Italie par l'armée allemande et ses alliés fascistes. Bien entendu il n'y a rien de comparable en horreur entre le sentiment d'un reflux des illusions causé par l'échec historique de la Révolution française et de son héritier infidèle l'Empire et le climat de réaction qui suit le congrès de Vienne et la violence implacable qui se déchaine en Europe en réaction à la tragédie de la première mondiale et à la Révolution bolchevique.


III °) Le partage de la souffrance par deux Esprits dissemblables :
Silvio Trentin retrace bien le climat commun des deux périodes : « Son œuvre se situe bien (...) dans cette Europe de la deuxième décade du XIXe siècle qui voit s'éteindre les dernières flammèches de la Grand Révolution et s'écrouler, dans un fracas de ruines, la folle aventure tentée par Bonaparte et se dresser impitoyablement sur son corps, à l'aide des baïonnettes et des potences, les solides piliers que la Sainte Alliance vient d'établir à Vienne. »
C'est donc durant deux périodes de reflux qu'ont vécu Giacomo Leopardi et Silvio Trentin avec pour effet d'entrainer la diffusion d'un grand pessimisme historique surtout parmi celles et ceux dont le tempérament et le métier est de penser et de décrire leur époque. Silvio Trentin a vu démocratie être progressivement étouffée, de 1922 à 1924, puis à partir de 1926, être brutalement écrasée en Italie. En 1933, il assisté à l'accession au gouvernement d'****** et à l'installation rapide d'un pouvoir impitoyable ouvrant des camps de concentration pour ses opposants et mettant en œuvre un antisémitisme d'Etat qui va basculer dans l'horreur. Il a personnellement observé, puis secouru, les républicains espagnols et catalans si peu aidés qu'ils ont fini par ployer sous les armes des dictatures fascistes, lesquelles ne ménagèrent jamais leurs appuis, argent, et armes et à leur allié Franco et à la « vieille Espagne ». Il a dû assurer personnellement la pénible tâche d'honorer ses amis tués, comme l'avocat républicain, Mario Angeloni, le socialiste Fernando de Rosa, son camarade de « Giustizia e Libertà », Libero Battistelli. Il a assisté à l'assassinat en France même de l'économiste Carlo Rosselli qui était son ami et qu'il estimait entre tous.

IV °) Sur le caractère de refuge ultime de la Poésie :
Silvio Trentin laisse percer la sensibilité et l'esprit d'un être sensible face aux inévitables limites des arts et techniques mises au service de l'émancipation humaine. A chaque époque pèsent sur les êtres humains les plus généreux les limites inévitables de toute création bridée par les préjugés, les égoïsmes et les peurs. Alors la poésie vient offrir à celles et ceux qui en souffrent le plus, une consolation et leur offre un univers largement ouvert à la magie créatrice des mots ou il n'est d'autres bornes que celles de la liberté et la créativité. C'est ce qui nous permet de comprendre qu'au temps où l'Espagne brulait et ou l'Europe se préparait à vivre l'une des époques les plus sombres de l'humanité, la fragile cohorte des poètes, tels Rafael Alberti, Juan Ramon Jiménez, Federico Garcia Lorca et Antonio Machado s'engagea comme les ruisseaux vont à la mer, aux côtés des peuples et des classes opprimées. Parmi les plus nobles et les plus valeureux des politiques, ceux qui ne se satisfont pas des effets de tribune ou des honneurs précaires, la poésie leur devient parfois indispensable ainsi que formule Silvio Trentin :
« [...] si la poésie est utile aux peuples libres, [...] elle est, en quelque sorte, indispensable — ainsi que l'oxygène aux êtres que menace l'asphyxie — aux peuples pour qui la liberté est encore un bien à conquérir] « [...] La poésie s'adresse aussi "à ceux parmi les hommes [...] qui ont fait l'expérience cruelle de la déception et de la douleur».
Le 16 03 2017 écrit par Paul Arrighi
Third Eye Candy Dec 2012
the size of you now from way back here my dear
you may not know but let me tell you... how you fill the pavilions with your ether whiskers
and your sumptuous mask. the all night habit of your ring finger's habit.
the flinch of your dashing rabbits.
you might be breathing something from monte carlo.
but your flames flamingo. yooouuuu don't even know the half... but the whole thing reeks of pablum
and bamboo shoots. illustrious pulp. you are not the virtue that you want
as much the virtue that you lack. the size of you now
from way back here, is merely the reticule of god's ******
with the rubber-room bullets and the nice lighting.
you have wind chimes in your wrinkles again.
are you that much gone from nod
as you might seem steam
on a roof of a low owl
atop giant
mouse ?
lize kingston Aug 2013
Starlight shines from limousines
On the streets of Monte Carlo
But I'd prefer a cup of tea
In a caff with Gary Barlow.
He'd draw inspiration from
The drabness of the venue
And weave sweet melodies around
The items on the menu.
Spreading sounds of happiness
Around the greasy spoon.
He may be a chub-a-lub
But he sure can write a tune.
I could take him back to mine
To feast on milk and cookies.
Watching pirate DVDs
In my flat above the bookies.

I would part the curtains
So the jealous neighbourhood
Saw me ****** rewarding
The blond scribe of 'Back for Good'.
He could climb atop me
Like he mounted Kilimanjaro
Everything changes forever
Once you've tasted Gary Barlow.

Down to earth despite his millions
Cuddlier than Robbie Williams.
Looking pensive in a vest,
Gary Barlow is the best.
SøułSurvivør Jul 2021
There he is! Celeste thought. He's been hiding from me again. But Carlo says he likes me! That's why he hides. He likes me & doesn't want to show it. Well. I want him to show it. I need him to! I need him! But what if Carlo has misjudged? Or, worse, if he's lying? Oh, no! Please don't let that be the case! I'll die...

Jase felt Celeste's eyes on him. He turned quickly and caught the girl standing there. Her long white stretch cotton dress was backlit & she wore no slip. Thus the shadows of her long legs were visible. It was as if the gods played a game... how far can Jace be pushed before he snaps? The wind was in on the conspiracy. It gusted against the front of the dress, pressing into the lush place between her thighs. Oh, God, he thought. Not now, of all times! No. It wasn't the gods tempting him. It was the very devil!

"Alright... you caught me!" Celeste said with a nervous laugh. "I'm "busted" as Carlo would say." Her bangs blew back from her forehead, revealing her more mature heart shaped face. She drew her breath in, ******* up every ounce of courage she owned and the rest came out in a gust, "Carlo taught me how to kiss. I want to know if I'm doing it correctly. Will you tell me?"

Jason Alexander was caught off guard. He was dumbfounded.
"WHAT??!!!" Alex had heard some things come from the lips of this child, but he was completely unprepared for this one!! "He did WHAT??!! AND NO!!! You let him kiss you?? You know better than that!!"

That's when he saw how much courage it took for her to ask... and how her lips were slightly swollen. Bruised with passion.  Uh, oh. That little ****** really had kissed her! Her face crumbled like paper & she began to sob.

"Celeste. I'm sorry... c'mon." He walked over to her slowly and put his hand on her shoulder. She shrugged herself away from him, forcing him to take both of her shoulders and hold her firmly.

"My dear girl. He shouldn't have done that. I told you before. He might be 12 years old chronologically,  but he's going on 40, and he's in love with you. More fiercely than any man twice his age. You must be careful! Did he... um... did he French kiss you? Do you know what that means?"

"NONE of your BUSINESS, NOW!!" The girl-woman practically shouted it.

Jace shushed her... "Look! Be quiet! This is a very sensitive, private conversation we're having, and we don't need ears, much less eyes!

Her whole mein changed. He wants privacy does he? Wants things secretive? Well. I'll give him a secret to keep.

"Don't you want to know how he kissed me? What he did? I'll tell you. Actually this will be a lesson for show-and-tell...

Celeste stepped forward into him, put his face between her hands and gave him a strong, deep kiss...

At first he went to push her away, but his lust got the better of him. He found himself winding his arms around her warm, slender body and kissing her back!

Her tongue pressed into his lips. He opened up his mouth to try to say something... anything! Deftly her warm little tongue flicked into his mouth,  and she ran it deliciously over the sensitive gums above the back of his teeth. He practically shivered. His desire was mounting, and he had to do something. Fast.

Again he took her by her shoulders and dragged her off of him.

He looked at her with undisguised desire. they sure didn't make 15-year-olds like you back when I was growing up.  I'd have gotten better grades..."

Celeste smiled. No. She *grinned!!
:You do like me!! Just like Carlo said!! She went to kiss him again,  but he took her wrists and pushed her back, turned on his heel, and stalked away. Quickly. Before he changed his mind.

That wantonness *had
to be nipped in the bud. He knew just how he'd do it, too. So. You like to kiss girl-child? I'll give you a kiss you'll *never forget...

— The End —