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"cardstock" poems
I’m always falling and I often end up drained. I wish instead of tumbling that I could fly on my paper cranes. On my paper cranes I’d fly over cardstock trees, to land inside an origami garden and sit on folded peonies. I’d go on a newspaper sailboat and float over the tissue sea to visit cardboard whales and foam board manatees I wish that all my troubles, were made of paper too, and that I could solve them by folding a world for you.
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Mar 10, 2016
Mar 10, 2016 at 1:34 PM UTC
Paper Cranes
Some kind of craftsman is working at his bench Peeling ribbons of soft wood under a dim lamp He watches the growing pile of discarded strips. The timecard is now an electronic monitor An old woman at the factory wishes That it were instead a thick piece of yellowing cardstock So that she could use a hole punch. Somebody’s daughter is dancing naked in the yard A business man drives by and hopes that somebody will photograph her. He is remembering the blush on his lover’s face When he first saw the photo of her and her sisters Flat chested, unclothed, and splashing together in the bath. The waitress from town has left for school. Somebody there is brushing the hair away from her eyes And wondering whether or not it is a good moment to kiss her. Meanwhile there is a young man sitting in his regular spot in her diner Wondering if her eyes really were the color of the winter grass He is contemplating joining the army. A wiry beggar is sitting outside of a convenience store He asks for a cigarette and gets not even a sideward glance Later he asks a thin, young thing for a few dollars Once she is gone he goes inside to buy a pack And smokes them immediately. There is a funeral processional going through town. There is a woman at the end driving with clenched hands She feels guilty because of her anger But the traffic is making her late for work. You may now kiss the bride. And he does. The older women are crying. Without any of these things It seems we would be left with nothing, but an insatiable thirst for punctuation.
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Apr 7, 2012
Apr 7, 2012 at 2:31 PM UTC
An insatiable thirst for punctuation
Some kind of craftsman is working at his bench Peeling ribbons of soft wood under a dim lamp He watches the growing pile of discarded strips. The timecard is now an electronic monitor An old woman at the factory wishes That it were instead a thick piece of yellowing cardstock So that she could use a hole punch. Somebody’s daughter is dancing naked in the yard A business man drives by and hopes that somebody will photograph her. He is remembering the blush on his lover’s face When he first saw the photo of her and her sisters Flat chested, unclothed, and splashing together in the bath. The waitress from town has left for school. Somebody there is brushing the hair away from her eyes And wondering whether or not it is a good moment to kiss her. Meanwhile there is a young man sitting in his regular spot in her diner Wondering if her eyes really were the color of the winter grass He is contemplating joining the army. A wiry beggar is sitting outside of a convenience store He asks for a cigarette and gets not even a sideward glance Later he asks a thin, young thing for a few dollars Once she is gone he goes inside to buy a pack And smokes them immediately. There is a funeral processional going through town. There is a woman at the end driving with clenched hands She feels guilty because of her anger But the traffic is making her late for work. You may now kiss the bride. And he does. The older women are crying. Without any of these things It seems we would be left with nothing, but an insatiable thirst for punctuation.
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33
On the bus, on the plane, a child kicks the seat, Loudly sings a half-song on repeat. Watch the adults wince, the parents hiss under their breath, their patience thinned to wire. They stare harder at their safety cards, at crossword clues, at the blue glow of movies they won’t remember. This is the invitation- Not the kind printed on cardstock, but the kind that comes with grape jelly fingerprints, with questions about the clouds, with shoelaces that won’t stay tied. Tell me more about that dragon. That’s not a shadow, it’s a mountain. What would you name the ocean “ocean” was taken? When they cry, que the jokes, make a peanut packet talk- and the aisle is lighter for it. How could this not be better than folding yourself into a seat, guarding your stiff silence? Soon they’re gone, dragging backpacks like spare limbs, wet-cheeked or grinning. I sit in the quiet, watching the passengers already back to their closed faces. The question stays: how could that human response not be better when the world hands us small, loud, unrepeatable gifts- and we hand them back unopened?
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Aug 15, 2025
Aug 15, 2025 at 10:12 AM UTC
Unopened
He was larger than life    even shriveled       even the size of a septuagenarian    even at 85       even growing smaller in mind and spirit    the last year I saw him he was larger than life and    I still looked up . . . . He was 59 and I    was a child with arms and legs dangling        as though they were made of purple and orange pipe cleaners and when he said to hang on    I thought of Forefathers       of Revolutionaries    hanging on to their ideals and my arms wrapped tight    like the rubber band on his bread . . . . The long-ago far-away again and    again of the Last Year I Saw Him    seems to come around       like Fruit Stripe on a bicycle wheel    seems to come around       like a broken holiday of can/can't come because/without and you drop    like a barbell weight like a drop of blood       like a ream of cardstock printed with maps to find you and    to find you and to find you had just received a thick file from    the Feds.      Again.
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Sep 24, 2013
Sep 24, 2013 at 4:43 PM UTC
The Last Year I Saw Him . . . .
Inspiration often manifests itself in a female form poetry, prose, pretty girls igniting creativity.  7th grade heart smitten hand clenched scrawling, attempting to formulate the essence of the oak tree where we met.  Charcoal pencil cardstock paper smudged hands furrowed brow stealing glances at her face  (call it "motivation") increasing heartbeat blood flowing to my  fingertips through the wood and onto paper. It's cyclical... tree trunk felled  for pencil and paper, reincarnated as an oak in a marriage of the two.  Wood reformulated, oak leaves reaching to the sun--  the glowing aura of her.  The oak tree picture its likeness and she-- all left behind  in time distance memory.  Years later, I feel it again: the siren song of a muse.  But long abandoned charcoal, cardstock paper gone.  Now, I am a painter I decorate my canvases with words of you, for you  the one who makes my fingertips prolific they fumble searching for the path  to a Masterpiece.
0
Apr 25, 2014
Apr 25, 2014 at 12:43 PM UTC
Muse
my little blue boy In the cardstock full moon Don't you know you always go away too soon? It's like looking through glasses too strong of a prescription The lines are all hung up tangled and torn Mismatched worn right down to the umbilical cord From a dusk morning To a dawn night Ugly ducklings not too ready for flight And I'm singing a song to you (Not that you can hear it But I'm singing)
0
Sep 9, 2015
Sep 9, 2015 at 10:09 AM UTC
lessons in therapy
Behind the double oak doors at 71 Horatio Street, lower west side, there’s a pink striped hallway with a checkerboard floor. Up the stairs to the right there’s a corner bathroom with a drip in the whitewashed stucco ceiling that will start when you take a long shower upstairs. The window has rusty bars over it and looks out over a backyard made of brick, with potted plants. Past the corner bathroom there’s an apartment with long rooms and creamy walls. This was my house,, but across the apartment, past the corner bathroom, through the striped hallway, and down the stairs to the left was the entrance to my home. **** and Liz Merryman to this day live in the bottom apartment at 71 Horatio Street, lower west side. Between each spindle on the carpeted staircase down is a wind up toy from ***** antique collection. They still work, but my sister and I may be the only kids that he’s ever let touch them. Beneath the staircase is a jar of butterscotch that magically refills whenever someone takes one, or five, or sometimes even ten.. The living room in their house is where all the living goes on. The kitchen is in the living room, recipe’s hanging from the ceiling on bit’s of faded cardstock or stationary. The dining area is tucked between the spice jar and the bookcase, a glass coffee table from which **** and Liz have eaten their way through thirty years of marriage. Out the sliding door is the brick backyard. If you sit on the faded stones and watch the unrestricted ivy wrapping around the potted fruit trees you can almost imagine you are in London, and that under the brick there is real soil not a subway station. I paddled my way through childhood in that backyard on 71 Horatio Street, lower west side, and if I cried when I left New York City, I cried for **** and Liz, and the apartment at the bottom of the stairs.
0
Feb 23, 2014
Feb 23, 2014 at 3:09 PM UTC
**** and Liz
Behind the double oak doors at 71 Horatio Street, lower west side, there’s a pink striped hallway with a checkerboard floor. Up the stairs to the right there’s a corner bathroom with a drip in the whitewashed stucco ceiling that will start when you take a long shower upstairs. The window has rusty bars over it and looks out over a backyard made of brick, with potted plants. Past the corner bathroom there’s an apartment with long rooms and creamy walls. This was my house,, but across the apartment, past the corner bathroom, through the striped hallway, and down the stairs to the left was the entrance to my home. **** and Liz Merryman to this day live in the bottom apartment at 71 Horatio Street, lower west side. Between each spindle on the carpeted staircase down is a wind up toy from ***** antique collection. They still work, but my sister and I may be the only kids that he’s ever let touch them. Beneath the staircase is a jar of butterscotch that magically refills whenever someone takes one, or five, or sometimes even ten.. The living room in their house is where all the living goes on. The kitchen is in the living room, recipe’s hanging from the ceiling on bit’s of faded cardstock or stationary. The dining area is tucked between the spice jar and the bookcase, a glass coffee table from which **** and Liz have eaten their way through thirty years of marriage. Out the sliding door is the brick backyard. If you sit on the faded stones and watch the unrestricted ivy wrapping around the potted fruit trees you can almost imagine you are in London, and that under the brick there is real soil not a subway station. I paddled my way through childhood in that backyard on 71 Horatio Street, lower west side, and if I cried when I left New York City, I cried for **** and Liz, and the apartment at the bottom of the stairs.
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2
I've been writing this novel For a long time As long As I have Been alive Centered in lead Scratching on paper Cursively engaging Building in plot Filling in the margins With side machinations Occasionally Pausing Lingering on a particular line While taking the care to design A bookmark (Bookmarks Those crafty place keepers Designed in paint and pen ink Thicker than page Indenting the chapter Permanently altering The binding) Ornanate slips of cardstock Decorated In delicate flourish Complex mandellas Sacred geometric design This novel I am writing It's leafs dogtoothed Still awaiting it's leather Porcupined and thickened throughout Promises To be the intrigue of a lifetime If only for the art itself (JL)
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Jan 9, 2016
Jan 9, 2016 at 11:32 PM UTC
That time I lost my place
There is a quilt on the bed in Shea's room, Pink, red, blue, green, and violet, Lace and stripes and polka dots, White pillowcases with crisp corners. There are books on the shelves, different genres, Stuffed in sideways and upways and frontways, old fantasy, thrillers, adventure, Smudged ink in their yellowed margins. There are papers on the desk by the wall, Poems and Post-its and signatures, Cardstock cut into star-shapes Journal entries and unfinished sentences. The closet is empty in Shea's room Cobwebs and dead ladybugs lie still A lamp has a cord around its middle No breeze stirs the air; the curtains are closed. There should be music in Shea's room. There are songbooks, yes, but no hum of the heater No branch scrapes the window outside When a storm comes, the raindrops fall without rhythm No longer are things made in Shea's room. The colors are faded in Shea's room. They say that there's something in Shea's room Memories and fragments and pleasant dreams They say stories came alive and still linger Seeping through the cracks of the wooden floorboards Horses graze in green pastures in Shea's room. But I know what's really in Shea's room. There's a year's worth of dust coating Shea's room Not a thing has been touched for months There's no Shea to be seen in Shea's room Since she headed for the hills and never came back There's no life and no soul in Shea's room Shea's room is an abalone shell The inner shine scrubbed away by disuse Only shadows survive in Shea's room. There is nothing alive in Shea's room. Just an empty closet And books And Post-Its And ladybugs And remnants
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Jul 13, 2016
Jul 13, 2016 at 6:11 PM UTC
Shea's Room
There is a quilt on the bed in Shea's room, Pink, red, blue, green, and violet, Lace and stripes and polka dots, White pillowcases with crisp corners. There are books on the shelves, different genres, Stuffed in sideways and upways and frontways, old fantasy, thrillers, adventure, Smudged ink in their yellowed margins. There are papers on the desk by the wall, Poems and Post-its and signatures, Cardstock cut into star-shapes Journal entries and unfinished sentences. The closet is empty in Shea's room Cobwebs and dead ladybugs lie still A lamp has a cord around its middle No breeze stirs the air; the curtains are closed. There should be music in Shea's room. There are songbooks, yes, but no hum of the heater No branch scrapes the window outside When a storm comes, the raindrops fall without rhythm No longer are things made in Shea's room. The colors are faded in Shea's room. They say that there's something in Shea's room Memories and fragments and pleasant dreams They say stories came alive and still linger Seeping through the cracks of the wooden floorboards Horses graze in green pastures in Shea's room. But I know what's really in Shea's room. There's a year's worth of dust coating Shea's room Not a thing has been touched for months There's no Shea to be seen in Shea's room Since she headed for the hills and never came back There's no life and no soul in Shea's room Shea's room is an abalone shell The inner shine scrubbed away by disuse Only shadows survive in Shea's room. There is nothing alive in Shea's room. Just an empty closet And books And Post-Its And ladybugs And remnants
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42
you wanna take a guess? you wanna take a guess at this? guess nice long and hard. take a second guess if you need one. it’s ok to second guess. in fact, i insist you take another and keep guessing because guessing is smoke. in this tight circle, we’re taking guesses. i am an educated guesser. bummed guesses for awhile. bought my first guessing glass one July. play the guessing game all my days and guess my days away. they make guesses into the same thing as candles and its spiritual. it feels like taking an infinite number of guesses in one breath. your guess is as good as mine. drop to the next level. it is the doctor’s thesis of guessing. It is conjecture and formality, but with the fractal reasoning of a true American pack of guesses. they’re the guesses at the end of something replete. the last guess you have left. out of guesses. There is a string of panic tied to the last guess, which we tuck, flip, hide in the bottoms of cardstock caverns. when the time comes to draw the last straw, B. there is nothing to guess at but a missing paycheck. These are the only answers we ever get. A. she is there, all smiles and fresh questions with a bunch of guesses. she is my best guess yet.
0
Jul 18, 2020
Jul 18, 2020 at 5:50 PM UTC
guessandcheck
I spend my days thinking in poetry- perfection never penned, perpetually falling upon my own deaf ears and disintegrating into the great nothingness, only to be recycled into bits and pieces of other poems never to be read with each night the words vanish, one by one, as I repeat them incessantly, hoping that I just might recite a stanza upon waking I wish that my mouth would open and out they would come, perfectly pressed upon cardstock, fresh with that inky smell I swear still lingers on my finger tips and pillowcases instead, I lay still and silent, and watch hopelessly as they drift into dreams
0
Aug 16, 2014
Aug 16, 2014 at 12:54 AM UTC
pickupthepen