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"caption" poems
i am me you are you let me be you have no clue stop talking like you understand i'm tired of swimming toward your dreams i can hear my heart stop beating drowning in my own feelings a shattered mind lost in sand catastrophe appears on my screens but i'm no God no one in particular the most ordinary thing full of aspirations imaginations and colors i'm not going back to the corner i'm gonna run farther i'm gonna make it better the fire ignites the ocean send its waves raw emotion spilled into motion it's not broken it's golden why should i listen to others when i own the colors it's not only a caption it's satisfaction all the beautiful colors took a long time to show i do not fear it i do not hate it i'm proud i'm shining colors you can never see
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Jul 27, 2018
Jul 27, 2018 at 7:44 AM UTC
colors
She captioned his heart like she captioned her own pictures of herself: seemingly profound but obvious and unrelated to whatever touch-screen-camera-phone-app filter she used to unshade her blackness, his blackness, their blackness; with digital skin-lightening cream. As if to be dark was a sin. And so she edited herself to forgive herself. Because Jesus had eyes the colour of her contact lenses. Blue. Because to be holy is to be arbitrary. Because to caption his heart like she captioned herself was easier than to just ask for his soul through a no make-up selfie.         Or whatever else she thinks is actually her,         but still isn't.
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Sep 29, 2014
Sep 29, 2014 at 5:30 PM UTC
Captions.
00:31 and it's been about an hour since i saw you'd removed the word "happiness" from your caption and ever since then it's been all i can do to overthink; it's all i can ever do wondering if, maybe, just maybe, you'd finally seen what i see how i am not good enough for you i lose myself inside these thoughts at night when loneliness is my only company and darkness is my only right hand man, doing me no wrong i think about the times i've held your hand and then suddenly he hugs me tighter than anybody ever has, darkness, that old friend of mine - something which you are yet to be... hopefully i'd be yours, too, if you'd have me but i'm overthinking again, just always overthinking you said you needed time before we could begin now i'm starting to think we never will i get the need for space, i really do i'm just so insecure i feel like i'll be replaced by you baby you give me panic attacks and i think about you, your smile, your laugh how you removed "happiness" from your caption on that photo of us and now i'm wondering if i was the one that did it somehow, thinking maybe i ****** up already how is it that we're not even together and i can already feel myself rattling my nerves responding to a break-up that hasn't even happened i guess that's just part of how broken i really am i closed my eyes and let my head hit the pillow three hours ago how is it that i'm more wide awake now than i was then? all i want to do is sleep yet here i am my mind a merciless prison - i tell you: thinking murders me i'm begging you to figure yourself out before my paranoid anxiety does it for you please i'm such an impatient man patience is a virtue, they say, and i guess i have neither patience nor virtue just another of the many ways that i'm not good enough for you.
0
Apr 27, 2016
Apr 27, 2016 at 7:49 PM UTC
overthinking
00:31 and it's been about an hour since i saw you'd removed the word "happiness" from your caption and ever since then it's been all i can do to overthink; it's all i can ever do wondering if, maybe, just maybe, you'd finally seen what i see how i am not good enough for you i lose myself inside these thoughts at night when loneliness is my only company and darkness is my only right hand man, doing me no wrong i think about the times i've held your hand and then suddenly he hugs me tighter than anybody ever has, darkness, that old friend of mine - something which you are yet to be... hopefully i'd be yours, too, if you'd have me but i'm overthinking again, just always overthinking you said you needed time before we could begin now i'm starting to think we never will i get the need for space, i really do i'm just so insecure i feel like i'll be replaced by you baby you give me panic attacks and i think about you, your smile, your laugh how you removed "happiness" from your caption on that photo of us and now i'm wondering if i was the one that did it somehow, thinking maybe i ****** up already how is it that we're not even together and i can already feel myself rattling my nerves responding to a break-up that hasn't even happened i guess that's just part of how broken i really am i closed my eyes and let my head hit the pillow three hours ago how is it that i'm more wide awake now than i was then? all i want to do is sleep yet here i am my mind a merciless prison - i tell you: thinking murders me i'm begging you to figure yourself out before my paranoid anxiety does it for you please i'm such an impatient man patience is a virtue, they say, and i guess i have neither patience nor virtue just another of the many ways that i'm not good enough for you.
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35
Take a look At this decade's eternal light. Youth, beauty, happiness. In theory. Is that how it was for our parents? Top tags on this website #depression #suicide #heartbreak Are grandma's photo albums fairytales Or has something changed Without shame Unmarked blame Just a change Perseverance died At the doorstep of sarcastic self-deprecation, Cool-to-be-lame facades, Glorified depression, growing vines on glowing laptop walls With a generation, fetal position, ripped jeans and eyeliner, inside Self proclaimed **** If you say it first Those twisted lips of others Won't press on such a fresh wound And here we lose the metaphor Cut yourself So everyone else Is picking at scabs No one would hurt another Who hurts themselves Unless they're an *** So the words are silenced Are you stronger? Happier? Healthier? And so we can always be safe In our self loathing Until puppy eyes and perfect pictures Leave us hungry Hurt by the people who don't mind being ***** Gaining assets, stealing rights from under Our droopy dismal noses snapshot Caption: **** up, let down, repeat. Hate me. -politicians and companies will bash your head on rock bottom Looking up in disbelief at chemical burns from Big Mac's We'll look back down to pout about our pain. The only way to save ourselves? Perseverance Positivity Hope Though I conveyed none of those emotions in this poem. **** me. I'm a hypocrite. But my point still stands. Perhaps even stronger.
0
Apr 2, 2014
Apr 2, 2014 at 2:34 AM UTC
I'm Scared, Scarred, and Scrooge-like
~ he sings to her in floral bloom, melodic language all his own; his magnolia blossoms heralding the rays of warmth, his utterance to come. its shyly spreading pink, and softly budding green, proof enough to her aching heart that winter's cold cannot for long contain, within its icy grip any life that from their union came. for deep within these roots, yet he lives again in breathing form; that every year til him she holds, winter's loss must yield to spring. she beholds this heralding; as with slowly, warming heart she tilts her ear, listening; waiting for this dearest voice. for to her ears alone and to her heart only a rising medley, tender melody, a lullaby returned, to her... for her... he begins to sweetly sing, unmistakably, recognizably... his magnolia lullaby. . ~ post script. *inspired by a dear friend's photo and accompanying caption... "Logan's magnolia showing her first winter bloom." a remembrance of her title bequeathed at his birth; a reminder of his legacy that has not, will not ever end.*
0
Feb 20, 2015
Feb 20, 2015 at 9:56 AM UTC
magnolia lullaby
It is funny to see banners wishing Happiness displayed with cinematic glamour, the pictures and hordings of Banner heroes. The one at Tannery Road junction was peculiar to mention. Here it was common The captions "Happy" used to summon names of sundry festivals-Local  and national, even internstional. What's uncommon was the bold prints of a hero's name ARUMALAI outshining The caption and his larger than life picture establishing the photographer's digital brushing skills. A passer by wondered who'd be this Arumalai, Is he so great as to be advertised in polivynil? His glorious deeds may be what they want you to heed Still never ever seen or heard of his manners Anywhere than in these motley banners Just as a function at the Tannery road junction Each one passed by this colossal glance attracted provoking  protracted ruminance what do this expensive banners really mean? In another occasion the  glaring glorifying picture of ARUMALAI followed the tag Corporator, Below the man posing a DICTATOR. That was a period to a period of mystery! Banners changed with seasons with greetings on religious occasions Festivals of importance Birthdays of men even with crowded profiles of hailers Whose unrully manners Too clogging up the banners Like a wanted list of jailors. One day a strange banner hooked by the Tannery cross over Spooked and shocked every passer-by There the usual banner cut out the larger than life image blings-out Arumalai the BBMB corporator Posing as dictator! There was no wish of any kind. It was a notice startling any mind The sad demise of ARUMALAI The BBMB corporator Still possed as dectator By his living promoters. "He was sick and the local dispensary advised a minor operation. He was administered the necessary treatment. Was referred to a super-speciality centre and was declared dead. His sad demise was advertised, he was forty. His chummies complained of medical negligence", was the only news summary in major news papers... What was the reason for the minor surgery What're the preparations for the corporator's  operation All are mystery for a  causal itinerary passer by crossing over the Tannery Road junction, wondering at the strange envountering with banners that come and go Keeping no annals Floating on the mind for a while Stopping at the red's knell, Moving with the green signal The rise and fall of heroes As binary one and zero The banners tell a story tertiary Of the rise and fall of a luninary Within a plane ofmomentary Variation of red and green On the Tannery road's screen.
0
Dec 7, 2018
Dec 7, 2018 at 5:13 AM UTC
BANNER HEROES
It is funny to see banners wishing Happiness displayed with cinematic glamour, the pictures and hordings of Banner heroes. The one at Tannery Road junction was peculiar to mention. Here it was common The captions "Happy" used to summon names of sundry festivals-Local  and national, even internstional. What's uncommon was the bold prints of a hero's name ARUMALAI outshining The caption and his larger than life picture establishing the photographer's digital brushing skills. A passer by wondered who'd be this Arumalai, Is he so great as to be advertised in polivynil? His glorious deeds may be what they want you to heed Still never ever seen or heard of his manners Anywhere than in these motley banners Just as a function at the Tannery road junction Each one passed by this colossal glance attracted provoking  protracted ruminance what do this expensive banners really mean? In another occasion the  glaring glorifying picture of ARUMALAI followed the tag Corporator, Below the man posing a DICTATOR. That was a period to a period of mystery! Banners changed with seasons with greetings on religious occasions Festivals of importance Birthdays of men even with crowded profiles of hailers Whose unrully manners Too clogging up the banners Like a wanted list of jailors. One day a strange banner hooked by the Tannery cross over Spooked and shocked every passer-by There the usual banner cut out the larger than life image blings-out Arumalai the BBMB corporator Posing as dictator! There was no wish of any kind. It was a notice startling any mind The sad demise of ARUMALAI The BBMB corporator Still possed as dectator By his living promoters. "He was sick and the local dispensary advised a minor operation. He was administered the necessary treatment. Was referred to a super-speciality centre and was declared dead. His sad demise was advertised, he was forty. His chummies complained of medical negligence", was the only news summary in major news papers... What was the reason for the minor surgery What're the preparations for the corporator's  operation All are mystery for a  causal itinerary passer by crossing over the Tannery Road junction, wondering at the strange envountering with banners that come and go Keeping no annals Floating on the mind for a while Stopping at the red's knell, Moving with the green signal The rise and fall of heroes As binary one and zero The banners tell a story tertiary Of the rise and fall of a luninary Within a plane ofmomentary Variation of red and green On the Tannery road's screen.
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68
I got no more ***** on my arms, vaginal schemes and gospel psalms. Very private skinny tribes, lit up with oversized black lights. In the very end, everybody walks this way, they all move like idioms, they all wanna be lit up like stars. Some could be prevalent like cascading dreams, nauseous just like mesquite BBQ baby-back wings. Fly away little bird, fly away. But don't try to leave Or you won't get paid. I know very well, just what kinda caption your capsaicin Can be, lit up like honey blunts, golden stars on top of your christmas tree. Strawberry Swisher Sweets, Blueberry Dunhill flavors, poke your hand through the fence, make friendly on your neighbors. If you like Kimmel Live, Conan at Midnight too, recipes for the zombies, SS ****** Youth. Blow-up and be a party. Get off work and drink your check. Get down, get off- I'll show you. Just how Martin pays the rent.
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Apr 26, 2014
Apr 26, 2014 at 4:21 AM UTC
Payin' the Rent
Sunsets. Growing up I never liked the nights, As a child it signified the end of play with the rule that you had to be indoors at dawn. I remember the evil ticking sound of the tremulous hands of time as we were separated from our friends, with the sun wrapping up in the fragrant petals of the freezing cold nights. A spirit locked inside a world of silence and pure nothingness. The hot fire sparks assaulting my fragile skin of the hands over the fire at the compulsory fireplace,It's streaks of sorrow still trace their way into my soul. Until the day [God knows when] I saw the beauty of colors blending together, forming a magical hue through (You guessed it.) a cheap camera lens. Sunset is twice as beautiful through a camera lens. Now more than ever I go sit at my betch, snap the beautiful sunsets, and caption them with a nervous pulse knowing it’ll soon end. Only fair since nothing lasts forever. Darkness closes in, the fun begins. I reach for your hand. "Come with me into darkness."
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Jun 19, 2015
Jun 19, 2015 at 4:36 AM UTC
Sunsets (Reloaded)
In Worcester, Massachusetts, I went with Aunt Consuelo to keep her dentist's appointment and sat and waited for her in the dentist's waiting room. It was winter. It got dark early. The waiting room was full of grown-up people, arctics and overcoats, lamps and magazines. My aunt was inside what seemed like a long time and while I waited and read the National Geographic (I could read) and carefully studied the photographs: the inside of a volcano, black, and full of ashes; then it was spilling over in rivulets of fire. Osa and Martin Johnson dressed in riding breeches, laced boots, and pith helmets. A dead man slung on a pole "Long Pig," the caption said. Babies with pointed heads wound round and round with string; black, naked women with necks wound round and round with wire like the necks of light bulbs. Their ******* were horrifying. I read it right straight through. I was too shy to stop. And then I looked at the cover: the yellow margins, the date. Suddenly, from inside, came an oh! of pain --Aunt Consuelo's voice-- not very loud or long. I wasn't at all surprised; even then I knew she was a foolish, timid woman. I might have been embarrassed, but wasn't. What took me completely by surprise was that it was me: my voice, in my mouth. Without thinking at all I was my foolish aunt, I--we--were falling, falling, our eyes glued to the cover of the National Geographic, February, 1918. I said to myself: three days and you'll be seven years old. I was saying it to stop the sensation of falling off the round, turning world. into cold, blue-black space. But I felt: you are an I, you are an Elizabeth, you are one of them. Why should you be one, too? I scarcely dared to look to see what it was I was. I gave a sidelong glance --I couldn't look any higher-- at shadowy gray knees, trousers and skirts and boots and different pairs of hands lying under the lamps. I knew that nothing stranger had ever happened, that nothing stranger could ever happen. Why should I be my aunt, or me, or anyone? What similarities boots, hands, the family voice I felt in my throat, or even the National Geographic and those awful hanging ******* held us all together or made us all just one? How I didn't know any word for it how "unlikely". . . How had I come to be here, like them, and overhear a cry of pain that could have got loud and worse but hadn't? The waiting room was bright and too hot. It was sliding beneath a big black wave, another, and another. Then I was back in it. The War was on. Outside, in Worcester, Massachusetts, were night and slush and cold, and it was still the fifth of February, 1918.
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3.5k
In The Waiting Room
In Worcester, Massachusetts, I went with Aunt Consuelo to keep her dentist's appointment and sat and waited for her in the dentist's waiting room. It was winter. It got dark early. The waiting room was full of grown-up people, arctics and overcoats, lamps and magazines. My aunt was inside what seemed like a long time and while I waited and read the National Geographic (I could read) and carefully studied the photographs: the inside of a volcano, black, and full of ashes; then it was spilling over in rivulets of fire. Osa and Martin Johnson dressed in riding breeches, laced boots, and pith helmets. A dead man slung on a pole "Long Pig," the caption said. Babies with pointed heads wound round and round with string; black, naked women with necks wound round and round with wire like the necks of light bulbs. Their ******* were horrifying. I read it right straight through. I was too shy to stop. And then I looked at the cover: the yellow margins, the date. Suddenly, from inside, came an oh! of pain --Aunt Consuelo's voice-- not very loud or long. I wasn't at all surprised; even then I knew she was a foolish, timid woman. I might have been embarrassed, but wasn't. What took me completely by surprise was that it was me: my voice, in my mouth. Without thinking at all I was my foolish aunt, I--we--were falling, falling, our eyes glued to the cover of the National Geographic, February, 1918. I said to myself: three days and you'll be seven years old. I was saying it to stop the sensation of falling off the round, turning world. into cold, blue-black space. But I felt: you are an I, you are an Elizabeth, you are one of them. Why should you be one, too? I scarcely dared to look to see what it was I was. I gave a sidelong glance --I couldn't look any higher-- at shadowy gray knees, trousers and skirts and boots and different pairs of hands lying under the lamps. I knew that nothing stranger had ever happened, that nothing stranger could ever happen. Why should I be my aunt, or me, or anyone? What similarities boots, hands, the family voice I felt in my throat, or even the National Geographic and those awful hanging ******* held us all together or made us all just one? How I didn't know any word for it how "unlikely". . . How had I come to be here, like them, and overhear a cry of pain that could have got loud and worse but hadn't? The waiting room was bright and too hot. It was sliding beneath a big black wave, another, and another. Then I was back in it. The War was on. Outside, in Worcester, Massachusetts, were night and slush and cold, and it was still the fifth of February, 1918.
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99
he held up a dead coyote like he had just won first prize smiling from ear to ear a look of pride in his eyes the caption said "predator control" which brought a question to my mind if we call survival being a predator then what do we call our kind?
0
Apr 28, 2016
Apr 28, 2016 at 1:11 PM UTC
predator control
A picture of your dog With the caption "Are you doing anything this weekend?" As trivial as it seems No message has ever given me More hope
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Jun 5, 2014
Jun 5, 2014 at 12:26 AM UTC
Snapchat
Hers was the first face I found freshman year at FSU. I'll always remember that garish orange and green gator shirt, and pin with the picture of a bulldog, hanging from a noose. I thought, oh Jeez, she's got school spirit, and I shuddered at the image, of cheerleaders, and sports stars, recieving preferential treatment, but my first impression was far from the mark. She had a smile for miles and eyes to match. And a laugh that could shatter a frown. And she laughed any chance she got. The few pictures I have left of her, she is laughing and smiling in each... That big toothy smile, and that magical laugh... I remember the first time she kissed me. I was playing my guitar on campus, back when everybody did it, not just pretentious ********** trying to show off. She came up behind me, and did the old hands over the eyes routine, and of course I knew her voice immediately. She turned my head and kissed me, for the first time, and I could hear the whispering, and feel everyone's eyes on me, and it felt pretty **** good. How I wished someone had snapped a picture, for the FSView, with the caption " Future valedictorian kisses scruffy hippy freshman. Entire student body baffled." I was baffled. She was the talk of the campus, she spoke her mind always, and she was active all over the campus, doing this and that. I asked her one day, "Why do you make your life so complex, when do you rest?" and she said "My life used to be complex, because I made it that way. But believe it or not, with all I do around campus, really my life is simple and fun. If I didn't love what I am doing I would stop Will. Life is too short for complexity." I laughed, and I thought to myself, this woman is more complex than she lets on. We went out for my entire freshman year, but she graduated my sophmore year, and she got a job in London, and she moved away that summer. I said I would visit...I never did.. She said she would write...she did, once, to tell me she was getting married, she even invited me, but of course I didn't go.. She enclosed a photo of her and her fiance, and it was clear what she saw in him.. he had a smile almost as big as hers, and of course she was smiling too.. Of all the images burned into my memory that picture is the one that hurts me most. I wrote back, wishing her luck, and I told her I couldn't come, I never heard from her again, but I prayed that night, that he would treat her right, and if he took away her smile, I prayed he would suffer, until he put it back. Every time I close my eyes, I see that picture... that smile... I hope she's smiling, even as I write these words.
0
Aug 30, 2012
Aug 30, 2012 at 10:11 AM UTC
Even As I Write These Words
Hers was the first face I found freshman year at FSU. I'll always remember that garish orange and green gator shirt, and pin with the picture of a bulldog, hanging from a noose. I thought, oh Jeez, she's got school spirit, and I shuddered at the image, of cheerleaders, and sports stars, recieving preferential treatment, but my first impression was far from the mark. She had a smile for miles and eyes to match. And a laugh that could shatter a frown. And she laughed any chance she got. The few pictures I have left of her, she is laughing and smiling in each... That big toothy smile, and that magical laugh... I remember the first time she kissed me. I was playing my guitar on campus, back when everybody did it, not just pretentious ********** trying to show off. She came up behind me, and did the old hands over the eyes routine, and of course I knew her voice immediately. She turned my head and kissed me, for the first time, and I could hear the whispering, and feel everyone's eyes on me, and it felt pretty **** good. How I wished someone had snapped a picture, for the FSView, with the caption " Future valedictorian kisses scruffy hippy freshman. Entire student body baffled." I was baffled. She was the talk of the campus, she spoke her mind always, and she was active all over the campus, doing this and that. I asked her one day, "Why do you make your life so complex, when do you rest?" and she said "My life used to be complex, because I made it that way. But believe it or not, with all I do around campus, really my life is simple and fun. If I didn't love what I am doing I would stop Will. Life is too short for complexity." I laughed, and I thought to myself, this woman is more complex than she lets on. We went out for my entire freshman year, but she graduated my sophmore year, and she got a job in London, and she moved away that summer. I said I would visit...I never did.. She said she would write...she did, once, to tell me she was getting married, she even invited me, but of course I didn't go.. She enclosed a photo of her and her fiance, and it was clear what she saw in him.. he had a smile almost as big as hers, and of course she was smiling too.. Of all the images burned into my memory that picture is the one that hurts me most. I wrote back, wishing her luck, and I told her I couldn't come, I never heard from her again, but I prayed that night, that he would treat her right, and if he took away her smile, I prayed he would suffer, until he put it back. Every time I close my eyes, I see that picture... that smile... I hope she's smiling, even as I write these words.
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68
A skeleton in a fingerprint A dancing bag of bones A cantilever shade of gray A prisoner all alone A silent pulsing partner A drift this blot of ink A catch phrase in the darkness A caption on the brink A blistered swirl of images A channeled mystery A skeleton in a fingerprint A different piece of me
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May 5, 2014
May 5, 2014 at 7:01 PM UTC
A Skeleton in a Fingerprint
Up in the air the parachute went Droplet in gold and came in a box being sent The Gold parachute shined from above There were many ideas one could think of As the parachute dropped down The parachute sparkled all around Two couples kissing in the parachute in descend A romance being started from a different kind of blend A parachute reading, “SPREAD LOVE TO ALL” Also underneath caption, “WITH LOVE SOMETIMES YOU FALL AND YOU MUST GET UP AND NOT LET IT BE A STALL” The parachute descended safely down to land It became its own fanfare.
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Mar 30, 2014
Mar 30, 2014 at 1:57 PM UTC
THE GOLDEN PARACHUTE
I caption this 'The Kiss' A greeting lips that meet anticipating tongues that touch arms around you holding tight such is the kiss, not a marble statue not Rodin's just a man's imagination.
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Jan 2, 2014
Jan 2, 2014 at 1:42 AM UTC
(Caption this)
yes you can mention how cold it is Though you can't expressly show the cold. literally breaching my innocence To capture your heart. we don't count memories of love much as they greatly shine in our lives only the wonders of how its started reflects its stages in flow. Time developes it and so does it fade with it worse than a burial laying ....the dangers of s waterfall tameable on probability In a nightmare of a swim on land.
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Sep 16, 2014
Sep 16, 2014 at 4:15 PM UTC
Caption with Essence
For stale appearance I don't give a fig since I won't see my friend for quite some while but wit and humour always are in style and I have grown to like this sort of gig. Put on some hair, the deal is not so big as you imagine. I do not revile the belly laugh, nor yet the honest smile since I am me beneath the longest wig. In prose or verse the sentiment is true that we're the grace that we have got to lend to each occasion where the good may meet to speak a while and give good peace its due in wintertime. Still all fine things must end and happy moments pass with foot too fleet.
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Feb 24, 2010
Feb 24, 2010 at 2:52 PM UTC
A caption
mantra and insolence hand in hand intercepting the idea of the baby boy crush applying to me like kinetic sand barbie dolls at the marriott saccharine jewels in the sewers rot with the old girlie i had a tap on lipstick peeling away like a deteriorated vinyl record's song let the angels waver, barter, become sicker and quote 'say anything' as if it's a 90s sticker have vomit-stained carpet posted and uploaded to the black market webs caption it ****** me" and let the media do the rest tired of these wicked games isaac position me with rachel some day at the mosque, eve and ann is scratched out into the old testament books pack the bags let's go the hilton's booked etch and sketch situated on the train tracks along with two birds together feet lazily dangling bargaining with god to finish them over ****** denial, toothbrush stuffed in the dog's mouth ran down the line, kissing him to the south lost the baby girl along the way let the dirt do the talking gargled some milk and jack daniels honey in large arms, lucid dreaming never seemed so calming
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Sep 25, 2018
Sep 25, 2018 at 7:54 PM UTC
lucid kissing
on ruby jacobs walk, a small girl asked us for money for ice cream. she eyed our cones                                 yours, lemon                                 mine, strawberry with a child’s hunger glinting and opportunistic as she held out her palm for coins. i was not yet accustomed to the shapes and sizes, to a dime being smaller than a nickel, and in any case wanted to preserve them for souvenirs so we shook our heads and walked away. a year later, writing this poem, i learned that ruby jacobs was a local restauranteur who, as a boy, illegally sold ice creams for a nickel on the boardwalk.                                                 a nickel is the larger coin                                                 the size of a ten pence piece.                                                 i know that now. the wide atlantic rose from a sloping manicured lawn         star-spangled,                                 like everything here,                                                                 the airborne flag                                                                 above a wide pavilion                                                                 a fanatic wedding cake topper                                                                 against the blood-blue sky.         i slipped out of my shoes and let the white sand burn my feet, and jaggedly fill the spaces between my toes. the atlantic held open its arms though we weren’t, as we imagined,                 looking east                 looking home but south to new jersey, across the bay. the gnarled boardwalk was a song of the twentieth century         a roll-call of mass-market capitalism         here in the city that didn’t invent the concept         but certainly perfected it:                                                 hot dogs                                         amusements                                 ice creams (we’ve covered that)                         fridge magnets                 baseball caps         i bought an espresso cup with a picture of the president and the caption:                          ‘huuuuge!’ i stopped to take a photograph of a space-age building from the fifties which turned out to be                                         a public toilet. later from the sunbaked d train, brooklyn spread out beneath us the houses garnished with flags, then the city coughed us up on seventh avenue and night fell five hours early.
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Jul 20, 2019
Jul 20, 2019 at 7:51 AM UTC
coney island hymn
on ruby jacobs walk, a small girl asked us for money for ice cream. she eyed our cones                                 yours, lemon                                 mine, strawberry with a child’s hunger glinting and opportunistic as she held out her palm for coins. i was not yet accustomed to the shapes and sizes, to a dime being smaller than a nickel, and in any case wanted to preserve them for souvenirs so we shook our heads and walked away. a year later, writing this poem, i learned that ruby jacobs was a local restauranteur who, as a boy, illegally sold ice creams for a nickel on the boardwalk.                                                 a nickel is the larger coin                                                 the size of a ten pence piece.                                                 i know that now. the wide atlantic rose from a sloping manicured lawn         star-spangled,                                 like everything here,                                                                 the airborne flag                                                                 above a wide pavilion                                                                 a fanatic wedding cake topper                                                                 against the blood-blue sky.         i slipped out of my shoes and let the white sand burn my feet, and jaggedly fill the spaces between my toes. the atlantic held open its arms though we weren’t, as we imagined,                 looking east                 looking home but south to new jersey, across the bay. the gnarled boardwalk was a song of the twentieth century         a roll-call of mass-market capitalism         here in the city that didn’t invent the concept         but certainly perfected it:                                                 hot dogs                                         amusements                                 ice creams (we’ve covered that)                         fridge magnets                 baseball caps         i bought an espresso cup with a picture of the president and the caption:                          ‘huuuuge!’ i stopped to take a photograph of a space-age building from the fifties which turned out to be                                         a public toilet. later from the sunbaked d train, brooklyn spread out beneath us the houses garnished with flags, then the city coughed us up on seventh avenue and night fell five hours early.
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If, one day,  a fairy went to my room and grant me a wish, I would ask her to give a one day tour at fairy tale land. First, I will seek Cinderella and introduce her the new released washing machine.  I will give her an elegant Primadonna shoes and create an escalator in Prince Charming's castle for her convenience. Next, I will wake up Aurora from her nightmare with my full blast metallic rock music. I will give her the gift of gorgeousness and she will be called "The Sleeping Gorgeous". I  will look for Rapunzel's hidden castle and give her a new pixie cut hair. I will suggest her to have an elevator in her elevated castle. I can endorse her Prince the microphone, so it would be effortless for him to shout  "Rapunzel! Let down your hair". I will also go to Snow White and add bananas, mangoes and cream to her apple and give her the recipe of fruit salad. To maintain her white skin, I will give her BB cream and cherry red lipstick from Mac, for her kissable lips. Lastly, I will take a photo with the fairy tale characters and post it on Instagram, with a caption "TOUCH DOWN! FAIRY TALE LAND"
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Jul 22, 2014
Jul 22, 2014 at 1:58 AM UTC
Trip to Fairylandia
814 One Day is there of the Series Termed Thanksgiving Day. Celebrated part at Table Part in Memory. Neither Patriarch nor ***** I dissect the Play Seems it to my Hooded thinking Reflex Holiday. Had there been no sharp Subtraction From the early Sum— Not an Acre or a Caption Where was once a Room— Not a Mention, whose small Pebble Wrinkled any Sea, Unto Such, were such Assembly ’Twere Thanksgiving Day.
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One Day is there of the Series
you're the same as I remembered you:                                                              eyes like daggers                                                swim towards my barefeet it's almost summer again: it's too hot to hold you, or                                                                        anyone. sighs about tomorrow: "you're just going to fall asleep again." I avoid the mess and go straight for the spill: lips. eyes. brain. you're the lipstick on my coffee cup, the smell of smoke after a house burns down. she screams about the horses, the costumes, the memories:                                                                                                 I tell her to be quiet. "just shut your mouth! just shut your god ****** mouth!" and again,                                                                                               "you're hideous" in a different way. the anger moistened breath (shouting) released her from the frenzy of being herself.                                                                            standing in front of you, arms shaved and knees lotioned: "thank you", from the voice of insanity, signed on the back of a handmade book with your name on it.                                                          exit: left ear right ear left ear right ear left here. Words like ghosts      they go straight     through her. lack of empathy lack of mourning lack of desire lack of satisfaction it all goes down the drain: in this house                                           (clogged with hair [it doesn't matter who's, so don't ask]). the boredom cries out (again) with freedom                                                                      and instead we call it "relaxation". (things we think but we never think)                                   to say: I lost the meaning of vacation counting license plates on the way to Texas. (would bring back more than just the dead) it would bring us                     back to dead, and death would say (something ringing in our ears) that we understand.               that we understand the things we want to, whatever they may be, and then maybe:                   in death                                we can find peace.
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May 22, 2011
May 22, 2011 at 1:24 PM UTC
anti-code-caption: you're difficult.
you're the same as I remembered you:                                                              eyes like daggers                                                swim towards my barefeet it's almost summer again: it's too hot to hold you, or                                                                        anyone. sighs about tomorrow: "you're just going to fall asleep again." I avoid the mess and go straight for the spill: lips. eyes. brain. you're the lipstick on my coffee cup, the smell of smoke after a house burns down. she screams about the horses, the costumes, the memories:                                                                                                 I tell her to be quiet. "just shut your mouth! just shut your god ****** mouth!" and again,                                                                                               "you're hideous" in a different way. the anger moistened breath (shouting) released her from the frenzy of being herself.                                                                            standing in front of you, arms shaved and knees lotioned: "thank you", from the voice of insanity, signed on the back of a handmade book with your name on it.                                                          exit: left ear right ear left ear right ear left here. Words like ghosts      they go straight     through her. lack of empathy lack of mourning lack of desire lack of satisfaction it all goes down the drain: in this house                                           (clogged with hair [it doesn't matter who's, so don't ask]). the boredom cries out (again) with freedom                                                                      and instead we call it "relaxation". (things we think but we never think)                                   to say: I lost the meaning of vacation counting license plates on the way to Texas. (would bring back more than just the dead) it would bring us                     back to dead, and death would say (something ringing in our ears) that we understand.               that we understand the things we want to, whatever they may be, and then maybe:                   in death                                we can find peace.
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