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its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of IPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coiff
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

Music Selection
Steve Miller,
Livin in the USA


2/7/11
Oakland
jbm
(WIP)
its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of iPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coif
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

You Tube Music Video:
Black Eyed Peas
Joints and Jam

2/7/11
Oakland
jbm
(WIP)
There was an old person of Cannes,
Who purchased three fowls and a fan;
Those she placed on a stool,
And to make them feel cool
She constantly fanned them at Cannes.
judy smith May 2016
After Aishwarya Rai Bachchan gave us some impressive red carpet outings, all eyes were on Sonam Kapoor as she made her sixth Cannes appearance in a row. And boy, she lived up to our expectations in a whimsical Ralph and Russo sari-inspired gown with half cape. Her styling was bang on with pink lips, dewy makeup and middle-parted neat tresses.

Designers give thumbs up to the actor, without a second thought. “Sonam looks spectacular. I love the dramatic outfit. I loved the fact that Sonam wore no jewellery (except for a ring) and kept her hair straight with some interesting eye makeup,” says designer Manish Malhotra.

“I love this look. It is a great example of something experimentally grand and classic at the same time. I also like the jersey in the top portion, which adds a very modern and sporty vibe to a traditional embroidered half cape sari inspired gown. There is a duality I can sense here and it has surprising familiarity in terms of a classic Balenciaga vibe,” says designer Rahul Mishra.

Designer Rina Dhaka also loves her look, but believes that subtler looks can also work the same magic . “Sonam looks gorgeous. The outfit has a lot of volume, and yet it is controlled and figure hugging. I would call her a drape crusader,” she says, adding, “However, unlike Indian actors, international actors are going for understated, simpler looks. We guys tend to take on too much embroidery, making it look theatrical. These looks are bridal by western standards. But our audiences like this.”Read more at:www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/formal-dresses-melbourne
S M Chen Dec 2016
An oft-married actress from Cannes
Was known for her men and her tannes.
     Alone, she awoke,
     Stretched slowly, and spoke,
"Ah - I feel like a new mannes."
Ronald Jones May 2015
dilapidated memories of
porters holding luggage
pointed north, south, east, west
till above greasy lighted seas
a semblance poses:
broken windows hanging in
melancholic cadences of
dank repair and
doors of half remembered cabarets open and
close on treacherous gardens seething
tiny bones of lost dreams
a lover's whispered kiss hiding betrayal
a ballerina's advent through billowing pink clouds
a yacht moored to the docks of a mansion
slow winter sunsets kindling false yearns
naked summer skin now
expanse of cautious smiles and tender smokes
beneath the azure skies of
answered praise and fall
to each gathered day
Surreal Portrait
Kurt Philip Behm Mar 2018
Those living in Harlem
want to move to Midtown

The people in Midtown,
to the Upper West Side

The Upper West Side,
to the Long Island Shore

The Long Island Shore,
to Aspen or Vail

Aspen or Vail,
to the Champs Elysees

The Champs Elysees,
to the beaches in Cannes

People will search for where
life can begin

A place that remains distant
and far out of reach

An excuse to look outward
and not in themselves

Theirs souls left in turmoil
—their hearts not at rest

(Villanova Pennsylvania: March, 2018)
Edward Alan Mar 2014
Canto I: Exposition

A dampened quill and wrist unstill
Dare gallop ‘cross the page
Scribbled lines in black do shine
With much and fervent rage

And without fail, they tell their tale:
A passage tried and true
Lasting years, through hopes and fears
On page of yellow hue

Epic tales and loss at sea
Are listed in its text
The hand that writ this hallowed script
Can be no less than hexed

It begged, it sailed, it led a crowd,
It took a lady’s life
It stole, it smote, and always wrote
In volumes more than rife

He took this hand to unknown land
To carve a profound path
He set the sail for times to come
Yet tore himself in half

He lay awake in warm Toulon
In misty-morning May
The yellow birds in shrillest words
Alert him to the day

For too long days and longer nights
He’s waited for the word
The morrow here will mark the first
Of correspondence heard

Bonaparte has rallied here
To Toulon’s bustling bay
Three-fourths a score of battleships
To Egypt make their way

Before the high and mighty men
Joined with the water’s ebb
A note was slipped beneath the door
Assigned to M. Lefèbvre

Finally, a true decree
Has blest his merry course
Soon, eagerly, he’ll set to sea
Lost time his one remorse


Canto II: Aleron

Out to sea are thirty-three
That with me sail the tides
With these men, I trust my life
They follow where I guide

And so we’re gone from warm Toulon
Just days from the decree
Noble men off far ahead
And me with bourgeoisie

Bonaparte has aimed his fleet
To Egypt’s sandy shores
Through pirate gangs and ill intent
His roaring cannons tore

We follow in this taintless route
As far as we can trail
But soon we’ll turn half-way to stern;
To Gibraltar we shall sail

Days upon the Aleron
Are short but riveting
My men maintain their cheery air
And working still, they sing

No more of cloudy restlessness
No more of shady days
The blazing sun and windy waves
Have chased off my malaise

We pull our sheets and head from east
To curve around southwest
Past Ibiza, whose northern shore
Our Aleron caressed

The choppy sea grows thinner
And our nerves become unstill
The pirates of the Barbary Coast
Could leap in for the ****

And now, a sign above the line
Where water meets the sky
A tow’ring plume of certain doom
Is growing ever high

The heavens choke with blackest smoke
As fires burn a boat
The raw, impending fear of Death
Is clawing at my throat


Canto III: Skull and Bones

‘Tis hours later and we’re chased
Beneath the star-dogged moon
We tried to break away to north
But broke away too soon

Unknown, we tailed the pirate ship
Then saw the far black dot
The crow’s nest signaled skull and bones;
We held onto our knot

We much too late had turned around
My Aleron spun slow
Sheets so white in plain of sight
Had sold us to our foe

Our heaviest of itemry
Into the sea we cast
Rusty tools and iron spools:
Submerged, and sinking fast

Yet still we could not make a pace
To lose the rotten crew;
On our backs, they sailed our tracks
And split our wake in two

And so the misty moon is here
And watches like a ghoul
As we divorce our southern course
For Pillars of Hercule

The flick’ring light behind us
Like a glimmer in an eye
Stares and preys upon us
In cover of black dye

It grows and throws upon our ship
A light of fear and blood
It digs into our drowsy eyes
With sharpness of a spud

We hold on to our frantic pace
Till night invites the day
When to our right, in bright sunlight,
An ally heads our way

With Godly sound the cannons pound
The scoundrels far in back
Our brothers there in ship so fair
Repelled the foul attack


Canto IV: Gibraltar

In safer seas, our Aleron
Met with Le Taureau Bleu
We buy and sell and trade our stock
And praise and thank the crew

For safety’s sake, along we take
Two cannons of our own
We’ll stand a better chance against
The skull and crosséd bones

On we sail, on more and more
On through the placid day
No longer faced with poor intent
We make our merry way

Finally, from the vociferous chum
Upon the tall crow’s nest
“Land **! Land **!” Enthused, we know
Gibraltar’s over the crests

I decide to park (good-will flag on ark)
At the British colonial base
With cannons in stow, civilians are we
Attacking is surely bad taste

Just then, as I stood face-front on the deck,
A shrill squawking was cast
To the back I turned, and quickly discerned
A yellow bird up on a mast

How dare it perch there! I’d **** it, I swear
But I’d fire not a gun
Britons who spy me would surely deny me
Fair entrance, if that’s what I’d done

Instead I’ll sit tight; my crew is all right
They don’t mind the bird at all
I’ll listen and bear it, and try to forget
That the bird is the cause of my fall

Closer we draw to Gibraltar’s port
The Britons are within clear view
With a wave of a flag, they accept us in
But my anger cannot be subdued

I ready my gun; to the bird I have spun
And fire my shots to the air
The Britons, upset, rush onboard and get
Me constrained; and ensued despair


Canto V: The Crimson Owl

Silver chains kept me detained
As questioning carried on
Was I a spy for whom I ally?
Or was I simply a con?

I kept face as the questioner paced
And the brute slapped me around
Lastly, I smiled, as after a while
They had no evidence found

With regret, they set me free
Determining I was no harm
But seconds before I went through the door
A fellow rushed in with alarm

Cannons, found inside my ship
As rifles point at me
Again, they had me cuffed and chained
And threatened hostilely

“Smuggling arms to enemy ships”
Was written in their book
Chained and gagged and stowed was I
No better than a crook

Between the pillars I was passed
But not as I had hoped
Both my arm and legs were bound
My fragile neck was choked

In the bowels of The Crimson Owl
I slept in dark distress
No other day, with truth I say,
Had I known such duress

The days had passed and I’d amassed
A hunger, fierce and true
All my thought was set aside
To find something to chew

When suddenly, the shrillest sound
Came flying from afar
A cannon shot had hit its mark
The mainmast it would mar

Sounds of death came all around
And finally toward me
My blind removed, I held in view
The pirates of this sea


Canto VI: Captain Riceau

I stepped aboard by point of sword
And left the burning Owl
“Bienvenue à Le Chat Fou”
Said a fellow through his scowl

But when I talked, they stopped and gawked
Surprised at me they were
A fellow French, I was embraced;
The Crazy Cat could purr

They brought me on, my captors gone,
And took me as their own
And for the time, I went along
And made this Cat my home

I was kept live, and was used for
My knowledge of the sea
For vengeance ‘gainst the Britons
I complied happily

For months - perhaps three seasons passed
I rode upon this ship
Captain Riceau valued me
He named me second skip

For cause unknown, we crossed the sea
Old Captain held his tongue
He would not tell us why we trekked
And chased the setting sun

He brought us ‘round the chilly tip
Of Chile’s southern shore
No reason from his crazy lips
Though long did we implore

Then at last, the day had passed
When Riceau caught a cold
His eyes were red, his limbs were dead
His breathing: hoarse and old

I became the skipper then
And buried him at sea
We cut up north to flee the cold
But at a loss were we

Confused and crazy we’d become
Just like the Cat, rode we
I thought to keep Old Captain’s path
And that meant mutiny


Canto VII: Mutiny

Two days it’d take for them to make
The foul and bitter plan
That I’d be through with Le Chat Fou
And they’d return to Cannes

I lay asleep, in sleep so deep
Dreaming of Calais
The maiden fair with yellow hair
Who one day would betray

In this dream, I heard her scream
And went to touch her cheek
But standing as a statue does
Her gaze was still and bleak

They dragged me back into this world
Then dragged me off the port
My lungs too filled with shockéd air
To object to this tort

They threw my pants and diary,
And sandals, as they laughed
For shoes could serve no purpose
On the ocean’s liquid draft

The flick’ring light before me
Like a glimmer in an eye
Stares but grows more distant
And retreats into black dye

An injury had placed me in
A lesser swimming league
Then again, it’d only serve
To cause me great fatigue

Three days, I had rode the tide
Of the western ocean’s waves
No shark, no squid, no slimy thing
For my flesh did crave

The crests came up like daggers
And fell like hulking trees
I prayed to God almighty
I survive the vicious seas

Finally, I set my stare
Upon the northwest sky
Far away, but clear as day:
An object in my eye


Canto VIII: Abyss

Although I swam me ‘cross the sea
As fast as my arm can
Dry throat and sun win victory
O’er me: a fainted man

Trapped in darkness once again
I spy my fair Calais
Screaming, shrill in bleakness then
With not a word to say

Over me her head hangs low
Her arm is slightly raised
Blood drips off her elbow
Her expression leaves me dazed

She’s gone; the air is hard to breathe
The wind is biting cold
A canopy of restless leaves
Is stirring uncontrolled

Lost inside this world of wood
I struggle to emerge
Feels like years have I withstood
While searching for the verge

No chirpings from my yellow bird
No noises all around
Not a sound is to be heard
But footsteps at the ground

No rodents gnawing at the bark
No insects in the trees
Alone I sleep in brush so dark
With nobody but me

In the drying mud I’m laid
Despondent of my fate
Looking through the verdant shade
The sun does penetrate

Streaming down, the light is rich
Bespeckled on the floor
Dancing ‘round without a hitch
Its presence I implore

I call upon the pouring light
To lift me from this hell
To nullify the chilly blight
Incite the warmth to swell


Canto IX: Land Forgets Itself

The burning light lends me its faith
Yet suddenly absconds
The dulling light projects a wraith:
My soul from the Beyond

The day retreats and turns to night
The moon in place of sun
Mute, and without touch or sight
I desperately run

Fleeing from my fading soul
Myself, I do berate
For no such being should extol
Escaping from my fate

Luscious leaves all turn to brown
They wither and fall fast
Suddenly, upon the ground
A dune of sand’s amassed

Crawling on the desert floor
And shaking from the cold
I hate and bitterly abhor
The night’s begrudging hold

In the distance, at the line
The land forgets itself
The beaming rays of light do shine
And warmth indeed does swell

Basking in the drenching sun
My coldness is expelled
Frigidity that night had won
Has fully been repelled

In the sands, I’ve laid to rest
To steal the heat of day
Yet no sooner had the sun caressed
Than sourly betray

Melted on the scorching sands
My body burned and scarred
I cannot lift my torrid hand
My feet have both been charred

The burning heat has ripped my lust
For life and will to live
My last resolve is brutely ******
Through Death’s unyielding sieve


Canto X: L’Oiseau Jaune

I coughed and spat the water that
I swallowed with my snores
Upon the sand my hand did land;
I’d made my way to shore

The beach was bright with fiery light
My skin was hot and red
I tried to get out of my head
Those visions that I dread

A novelist I once had been
Writing was my joy
With pen in hand, I could withstand
Each plot set to destroy

Yet Calais came and stole my heart
But also my free time
We wed and had a baby boy
Our life was too sublime

I raised my pen to write again
To feed the family right
I spent my days filling the page
And toiled all the night

When finally, she’d lost her mind
She needed to be loved
I tried to calm her shrill attacks
With no help from Above

My raging wife had grabbed a knife
And stabbed my writing hand
Yet somehow I had speared her eye
I couldn’t understand

At the elbow, I was chopped
And no more could I write
The widespread fact I’d killed my mate
Had augmented my plight

I beached onto an island;
This was no Chilean land
I walked around the grainy ground
And found nothing but sand

But soon a rescue ship had come
I was not too long gone
I read the name upon the port;
It was l’Oiseau Jaune
This was my senior thesis in high school, primarily inspired by "Rime of the Ancient Mariner" by Samuel Coleridge.
Mateuš Conrad Aug 2016
saying ******* seems so much more
easier when you're petting cats....
they just say it for you...
there he is, Quarus,
the operatic singer nearing sunset,
200 variations of a mulling of meow,
i end up calling him Orbison Rufus,
the ginger Roy of Peckham -
he basically meows lazily like Roy
singing... as said / i.d. (id est): the umbras
or umbrellas - counting the shadows'
version of Apache's yawn: ah-woo ah-woo
ah-woo nagging the reflex...
gave them the yawn and gave them 1950s
America... Billy the Kid talking to the king of
Specs... hank marvin.... cheese grater
with those teeth... dozen cows buckling with
the herding in while the dog carved a feel
for religion in the translation of the Vatican
from coliseum into football requirements...
the movies were great in the 1950s, just after
the technicolour... petting cats was never such a thrill...
the operatic meow, onomatopoeia from echo
in a cave to knock-on-wood...
200 variations of the knock
and 12 whiskey shots downed
while playing poker... 12 cowboys
1 Milwaukee and 30 Turks... classic Tarantino...
i said the Apache yawn... i never said giving
out smoke signals...
Quarus my ginger is demanded as having laughed...
he's Roy Orbison with the meow,
pretty much lazy...
looks like a murmur when he tries singing,
pretty woman, trolling down the street,
Gucci, Chanel, and everything in the scrapheap of lobotomy,
as is Paris necessarily mentioned: chiselled
white collars... Roy knew before Elvis...
the trick came with sunglasses,
and the gluttonous slur of the half-opened mouthing
for subsequent mouthing it off...
no amount of cheese in French could ever
charter the success of the cheeses added to cheeseburgers
with the milkshakes, which were plainly Dutch
laughing cows named Novices....
quick-melts and some said:
dreadlocks of string-yellow Gouda pulled
for a hippies' worth of Chinese chugging down
a pint or two, for worth of gag and the slim mascot;
the Chinese never taught Cannes arithmetic
of the thumb through to pinky...
i don't know how they taught counting
with their complex ideograms, they never taught
arithmetic give their encoding...
they taught pure math.. they never taught the simplest
of assurances... meaning so few of them became bankers.
Liis Belle Jun 2015
Forget about London, forget about LA
Or some sunny exotic island you visited last May
And flashback to that winter of young hopeful romance
Of our days strolling around the cobbled streets of France
Key into the Seine, our love sealed by the locks
Feeding bread crumbs to pigeons as they come by the flock
Lourdes's faith and divinity approves of our entwined hearts
Cannes opens its arms for our new united start

But London sticks to your mind
And now you live in LA
Surfing and lying in the open sun
The sunlight is your summer sleigh
Concrete streets and tall palm trees
There's no more chilly winter breeze

And back in France dies our last chance
Didn't you hear? They're removing the locks
They weigh down the bridge, puts people in danger
I guess love can't always last forever
Sometimes the burden becomes too much
And you burn everything that you touch
The time has come to extinguish the flames
And that's the end of our little French game
judy smith Feb 2017
He has given a luxurious twist to the dying art of weaving and popularised the use of Khadi. Award-winning textile designer Gaurang Shah is more than happy that the Indian fashion industry has welcomed handlooms. “As a textile designer, I would like to say the Indian fashion industry has embraced handlooms with lot of admiration and helped revive our ancient traditions of weaving art, like the jamdani weaves, that we use in creating our fashion pieces,” Shah told IANS.

“It also reinforced its unparalleled beauty around the world,” he added. The designer says that one must acknowledge the passion and intense amount of production hours every weaver at the looms puts to bring out timeless pieces of handlooms.

“The fashion industry did contribute to bring them back into vogue in recent years,” he said. Shah showcased his latest collection of 40 garments titled Muslin at Lakme’s Fashion Week Summer/Resort 2017. His anthology for the gala was inspired by romance of nature.

Giving details about his range, he said: “Our collection incorporates weaves and techniques from West Bengal, Andhra Pradesh, Uttar Pradesh, Madhya Pradesh and Rajasthan. The amazing all-in-whites collections integrate gorgeous Mughal motifs and geometric patterns on Khadi, chikankari embroidery and Parsi gara.”

The designer’s collection involved 50 weavers working relentlessly for over six months. Shah, whose handloom creation made its way to the 69th Cannes Film Festival when Deepshikha Deshmukh, producer of Aishwarya Rai Bachchan starrer “Sarbjit”, stepped out in an ensemble featuring Paithani and Kanjeevaram details, says that handlooms are a glorious heritage of India and it is important to preserve and help the artists’ community grow.

“I would like to add that a few years ago this beautiful art was fading away. Thanks to persistent effort and motivation from label like ours, followed by the efforts of our Prime Minister Narendra Modi, that pushed Indian handlooms to higher level of acceptance,” he said.

Shah began his journey in the textile world with just two weavers and today the label works with 700 weavers, and the number is still growing.

“The biggest contribution we as a designer can make is to keep our artisans motivated and also help them gain confidence that it is a highly profitable profession,” said the designer, who has styled the stars like Vidya Balan, Sonam Kapoor and Kirron Kher.Read more at:http://www.marieaustralia.com/formal-dresses-adelaide | www.marieaustralia.com/red-carpet-celebrity-dresses
Mercury Chap Jun 2017
How fast her fingers move on
From work out tips to
Cannes festival link
Her heart and mind afloat in the
Jolly, juvenile winds,
She opens her wings and flies into the jet streams,
Soaring for the highest peak of her heart
Always dreaming, imagining her future fantasy,
Hoping reality wouldn't crush her
Before she even starts struggling.
Mark Toney Jul 2020
I'm the Big Dog—VY Canis Majoris
in the Big Dog constellation
that's why you still adore us
.
Howling loudly—I'm a star!
Among the biggest known to man
Distinctly visible from afar
so don't look for me at Cannes!
.
I'm an interstella' fella red
hypergiant pulsating fireball
which drives the ladies mad!
.
Living large in the Milky Way G
I'm bright and sizzlin' hot as can be
Full of soul, a potential black hole
So move it on ova' while I supernova!


© 2020 Mark Toney.  All rights reserved.
7/1/2020 - Poetry form: Personification - This flight of fancy packs star power! - © 2020 Mark Toney.  All rights reserved.
Nat Lipstadt Aug 2015
~~~

for Sjr1000
and his proffered invitation

~~~

delve and dive,
smack lip tasting each line we drop over the side,
as if it each worm is a new word
first time heard
or ever  écrit

explicate and parse
the shape, the portent,
looking for the double mystery,
the wisdom and the plaisir of two minds cojoining

our poems, indeed,
every one a  product of a stainless steal shiny can of worms,
so strikes me when,
that fishing trip day est arrivée

the worms will be of the glo variety,
whom when pole dipped,
will be like chocolate treats for catching poetry fish,
to rapture capture new reciprocity recipes

share and delight,
comparing size,
whose is most luminescent, tumescent,
whose poems will taste most délicieuse

men fishin n' writing male bonding, stainless steel strong, a men friendly completion competition,
you bring the worms in a cancan,
I'll bring the cannes à pêche^

they'll accuse of being heinous poets turned into
collaborateurs,
to which we'll laugh responding in unison,
for sure, bien sûr!
^fishing poles
~~~
SJR 1000
This really got me thinking, a couple of immediate responses. On the prospect of reviewing, the image that comes to mind is standing in the bathroom, when you can line up the mirrors, one in front and one behind, until our reflection finds infinity.

On our attempts, though written about fishing, by applies to our poetry as well: The joy of fishing is
the pursuit of the elusive but attainable, a series of occasions for hope.

Your volume, thick or thin awaits, stories told by a knowing soul.

Go for the gold, Nat. It'll make all the neuroses worth it.
Sjr1000
ReplySjr1000
John Buchan wrote the quote, the charm of fishing...an opportunity for a perpetual series of occasions for hope...
Nat Lipstadt
ReplyNat Lipstadt
When we going fish in' ?
Nat Lipstadt
Reply Nat Lipstadt
That is a famous image of the post war French existenialists; Camus Je pense
Nat Lipstadt
Reply Nat Lipstadt
Can't express enough how much your caring and delving deep means to me.
Sjr1000
Reply Sjr1000
We're just going to have to open one more can of worms.
Thandiwe Dec 2015
The simplicity of life is heavily veiled by the intricate challenges of life, leaves the soul broken and gasping at the possibility of a new life.

Better and masked with joy.

The homeless youth looking at life with vague eyesight,  sees no were beyond his unique DNA and instead succumbs to the prison of drugs.

Believes no further than what he was told and carries his dreams in the joint he smokes.

It puffs up and mingles with the clouds, escaping his head, reaching the Maker of a new beginnings.

We were never given a memo and were never expected to survive the cruelty that sunk its claws into our backs.
Dream further then your reality because that is were dreams reside.

As the years progress we need to worry....as it has been exposed...it only gets worse.

The Creator knows beyond this life, He gave this life and carries our lifes in His perfect Hand. The thoughts of Him no mind can imagine. It is said He breathed the stars into place, one of those stars being as big as Mount Everest, whole earth is merely the size of a golf ball when compared to its bigness....glorious and unimaginable, it's called Cannes Majories.

When the blows of life hit, we are never trained to fight, never ready to resist, we might sink but again the mass expects us to swim.

Is it even possible to see ourselves in their eyes, in His eyes....when the imperfections speak louder then our uniqueness.

Hold close those you love dearly and confine in their belief in you.

This world and life was never meant to be easy, love is what we dream of and live hoping we will one day be engulfed in the arms of our significant other.

Unjudged, undisturbed, in discriminated,  loved with everything that makes you who are.

So sudden time flies, leaving no room to expand and delve in the possibility.

This life we might not know, this time we may not know how to measure, some mysteries are left for the after life and the now is for the bold.

Secrets have no place in the open mouth of society  they always have something to say.

But who will you listen to......Battered and scared, hurt and perplexed as to why  bad things happen to good people....as the always say...

When a smile is all I could offer, in return a hot mess that leaves questioning my existence for as long as I'm breathing.

But wait, you have not robbed me, instead you peeled my eyes to see the world is ugly, not pretty and heavy laden by far worse abuse.

The challenges we face are greater than our intelligence, as they say only the bare and brave survive.

Day by day bad is reported, announced for the world to know we are heading for the worst.

We look at sights of our yester years and burn with deep sorrow, how did we survive.

The human being is clearly designed to handle far more then we can imagine.

Hold no reservations to what love can do...what God can do.

Crossing racial barriers and cutting deep into the fibres of the ******* propaganda.

There is no room for hate...how can there be when the simple things are free.

The teachers of faith tell us  so much truth and yet the heart fails to nurture the truths they speak.

The world seems to attract more then repel, we ought to listen yet it seems far from reach.

Time...They say heals all wounds, does it really?

Perhaps it does but fears has cemented our feet in the mess of our decisions.
NitaAnn Feb 2014
You know what ***** about distraction? When you stop distracting yourself all the crap you were distracting yourself from barges back in, uninvited, slamming the door behind it. It doesn’t really care that I didn’t extend an invitation, and now, once again, I have an unwanted houseguest. And of course it expects to be ‘entertained’, it can’t just sit quietly in a corner, in the farthest room of the house and read a book or something. No way! It’s always right in my face, under my feet, vying for my attention. It’s vile and ugly…I don’t want it here! I can’t stand to look at it, and when it forces me to stare into its craggy, decaying face, cracked and scarred skin.

It displays my past with sober horror as if it’s a cabaret, and I am the audience. I can feel the bile rising in my throat; there is ***** in the back of my mouth, threatening to come forward with powerful force.

It croaks and taunts me, “Come on Nita, let’s have another look at today’s lunch.”

I’m sick to my stomach just being in the same room with it and I know it is only a matter of time before I will be sick. It sits down next to me, I feel my breath quicken in apprehension of what is to come. It smells of liquor and stale cigarette smoke and I gag as I try to slow my breathing down, try to calm myself.

It inches closer to me, touches my thigh, whispers into my ear, “Mind if I sit down, have a glass of wine? I prefer red, but if you don’t have an open bottle, white’s fine. I don’t want to be an inconvenience.”

Yeah right! My leg feels like ice now, my skin crawling from his touch. I begin to shake as I try to move away from it, remove his hand from my upper leg. It won’t let me escape; it knows there is no way to break free. It knows once the film starts I will be unable to look away from the turmoil that is happening in front of me. And not only is the movie in 3-D, I can actually suffer with the star of the show, I feel what she feels, I see what she sees. When she bleeds, I bleed. When she cries, I wipe her tears from my face. I feel her fear and her angst.

As the film starts, it knows I’m unable to shelter myself from the motion picture and it flaunts it in front of me as though it is a screening fit for the Cannes movie festival. Incapable of looking away I see my own eyes looking back at me. I become her, the ******* the screen, I feel his hands on my body and I feel his breath on my skin.

I can feel the filth on my soul like it’s my own skin. I know my worth. I burned it into my existence. I am branded. I am unclean. I can’t wash him off of me. I have dry heaves now, there’s no more vomiting, there’s nothing left inside of me, except filth and shame. I can feel my heart beating in every single inch of my body. My face is hot and my cheeks feel bruised.

I scrub my skin until it’s read and raw but the filth cannot be removed. I ***** until my stomach convulses and there is nothing left but he is still inside of me. I cut my flesh in an effort to bleed him out of me. I watch the blood run down my pale skin and pool onto the floor but I still feel him, he’s still here.

I am nothing. He made me nothing. I am pathetic for struggling with this still, years later. Nita, get over it! Move on!
Lux
I.

Temps futurs ! vision sublime !
Les peuples sont hors de l'abîme.
Le désert morne est traversé.
Après les sables, la pelouse ;
Et la terre est comme une épouse,
Et l'homme est comme un fiancé !

Dès à présent l'œil qui s'élève
Voit distinctement ce beau rêve
Qui sera le réel un jour ;
Car Dieu dénouera toute chaîne,
Car le passé s'appelle haine
Et l'avenir se nomme amour !

Dès à présent dans nos misères
Germe l'***** des peuples frères ;
Volant sur nos sombres rameaux,
Comme un frelon que l'aube éveille,
Le progrès, ténébreuse abeille,
Fait du bonheur avec nos maux.

Oh ! voyez ! la nuit se dissipe.
Sur le monde qui s'émancipe,
Oubliant Césars et Capets,
Et sur les nations nubiles,
S'ouvrent dans l'azur, immobiles,
Les vastes ailes de la paix !

Ô libre France enfin surgie !
Ô robe blanche après l'orgie !
Ô triomphe après les douleurs !
Le travail bruit dans les forges,
Le ciel rit, et les rouges-gorges
Chantent dans l'aubépine en fleurs !

La rouille mord les hallebardes.
De vos canons, de vos bombardes
Il ne reste pas un morceau
Qui soit assez grand, capitaines,
Pour qu'on puisse prendre aux fontaines
De quoi faire boire un oiseau.

Les rancunes sont effacées ;
Tous les cœurs, toutes les pensées,
Qu'anime le même dessein,
Ne font plus qu'un faisceau superbe ;
Dieu prend pour lier cette gerbe
La vieille corde du tocsin.

Au fond des cieux un point scintille.
Regardez, il grandit, il brille,
Il approche, énorme et vermeil.
Ô République universelle,
Tu n'es encor que l'étincelle,
Demain tu seras le soleil !

II.

Fêtes dans les cités, fêtes dans les campagnes !
Les cieux n'ont plus d'enfers, les lois n'ont plus de bagnes.
Où donc est l'échafaud ? ce monstre a disparu.
Tout renaît. Le bonheur de chacun est accru
De la félicité des nations entières.
Plus de soldats l'épée au poing, plus de frontières,
Plus de fisc, plus de glaive ayant forme de croix.

L'Europe en rougissant dit : - Quoi ! j'avais des rois !
Et l'Amérique dit. - Quoi ! j'avais des esclaves !
Science, art, poésie, ont dissous les entraves
De tout le genre humain. Où sont les maux soufferts ?
Les libres pieds de l'homme ont oublié les fers.
Tout l'univers n'est plus qu'une famille unie.
Le saint labeur de tous se fond en harmonie
Et la société, qui d'hymnes retentit,
Accueille avec transport l'effort du plus petit
L'ouvrage du plus humble au fond de sa chaumière
Emeut l'immense peuple heureux dans la lumière
Toute l'humanité dans sa splendide ampleur
Sent le don que lui fait le moindre travailleur ;
Ainsi les verts sapins, vainqueurs des avalanches,
Les grands chênes, remplis de feuilles et de branches,
Les vieux cèdres touffus, plus durs que le granit,
Quand la fauvette en mai vient y faire son nid,
Tressaillent dans leur force et leur hauteur superbe,
Tout joyeux qu'un oiseau leur apporte un brin d'herbe.

Radieux avenir ! essor universel !
Epanouissement de l'homme sous le ciel !

III.

Ô proscrits, hommes de l'épreuve,
Mes compagnons vaillants et doux,
Bien des fois, assis près du fleuve,
J'ai chanté ce chant parmi vous ;

Bien des fois, quand vous m'entendîtes,
Plusieurs m'ont dit : « Perds ton espoir.
Nous serions des races maudites,
Le ciel ne serait pas plus noir !

« Que veut dire cette inclémence ?
Quoi ! le juste a le châtiment !
La vertu s'étonne et commence
À regarder Dieu fixement.

« Dieu se dérobe et nous échappe.
Quoi donc ! l'iniquité prévaut !
Le crime, voyant où Dieu frappe,
Rit d'un rire impie et dévot.

« Nous ne comprenons pas ses voies.
Comment ce Dieu des nations
Fera-t-il sortir tant de joies
De tant de désolations ?

« Ses desseins nous semblent contraires
À l'espoir qui luit dans tes yeux... »
- Mais qui donc, ô proscrits, mes frères,
Comprend le grand mystérieux ?

Qui donc a traversé l'espace,
La terre, l'eau, l'air et le feu,
Et l'étendue où l'esprit passe ?
Qui donc peut dire : « J'ai vu Dieu !

« J'ai vu Jéhova ! je le nomme !
Tout à l'heure il me réchauffait.
Je sais comment il a fait l'homme,
Comment il fait tout ce qu'il fait !

« J'ai vu cette main inconnue
Qui lâche en s'ouvrant l'âpre hiver,
Et les tonnerres dans la nue,
Et les tempêtes sur la mer,

« Tendre et ployer la nuit livide ;
Mettre une âme dans l'embryon ;
Appuyer dans l'ombre du vide
Le pôle du septentrion ;

« Amener l'heure où tout arrive ;
Faire au banquet du roi fêté
Entrer la mort, ce noir convive
Qui vient sans qu'on l'ait invité ;

« Créer l'araignée et sa toile,
Peindre la fleur, mûrir le fruit,
Et, sans perdre une seule étoile,
Mener tous les astres la nuit ;

« Arrêter la vague à la rive ;
Parfumer de roses l'été ;
Verser le temps comme une eau vive
Des urnes de l'éternité ;

« D'un souffle, avec ses feux sans nombre,
Faire, dans toute sa hauteur,
Frissonner le firmament sombre
Comme la tente d'un pasteur ;

« Attacher les globes aux sphères
Par mille invisibles liens...
Toutes ces choses sont très claires.
Je sais comment il fait ! j'en viens ! »

Qui peut dire cela ? personne.
Nuit sur nos cœurs ! nuit sur nos yeux !
L'homme est un vain clairon qui sonne.
Dieu seul parle aux axes des cieux.

IV.

Ne doutons pas ! croyons ! La fin, c'est le mystère.
Attendons. Des Nérons comme de la panthère
Dieu sait briser la dent.
Dieu nous essaie, amis. Ayons foi, soyons cannes,
Et marchons. Ô désert ! s'il fait croître des palmes,
C'est dans ton sable ardent !

Parce qu'il ne fait pas son œuvre tout de suite,
Qu'il livre Rome au prêtre et Jésus au jésuite,
Et les bons au méchant,
Nous désespérerions ! de lui ! du juste immense !
Non ! non ! lui seul connaît le nom de la -semence
Qui germe dans son champ.

Ne possède-t-il pas toute la certitude ?
Dieu ne remplit-il pas ce monde, notre étude,
Du nadir au zénith ?
Notre sagesse auprès de la sienne est démence.
Et n'est-ce pas à lui que la clarté commence,
Et que l'ombre finit ?

Ne voit-il pas ramper les hydres sur leurs ventres ?
Ne regarde-t-il pas jusqu'au fond de leurs antres
Atlas et Pélion ?
Ne connaît-il pas l'heure où la cigogne émigre ?
Sait-il pas ton entrée et ta sortie, ô tigre,
Et ton antre, ô lion ?

Hirondelle, réponds, aigle à l'aile sonore,
Parle, avez-vous des nids que l'Eternel ignore ?
Ô cerf, quand l'as-tu fui ?
Renard, ne vois-tu pas ses yeux dans la broussaille ?
Loup, quand tu sens la nuit une herbe qui tressaille,
Ne dis-tu pas : c'est lui !

Puisqu'il sait tout cela, puisqu'il peut toute chose,
Que ses doigts font jaillir les effets de la cause
Comme un noyau d'un fruit,
Puisqu'il peut mettre un ver dans les pommes de l'arbre,
Et faire disperser les colonnes de marbre
Par le vent de la nuit ;

Puisqu'il bat l'océan pareil au bœuf qui beugle,
Puisqu'il est le voyant et que l'homme est l'aveugle,
Puisqu'il est le milieu,
Puisque son bras nous porte, et puisqu'à soir passage
La comète frissonne ainsi qu'en une cage
Tremble une étoupe en feu ;

Puisque l'obscure nuit le connaît, puisque l'ombre
Le voit, quand il lui plaît, sauver la nef qui sombre,
Comment douterions-nous,
Nous qui, fermes et purs, fiers dans nos agonies,
Sommes debout devant toutes les tyrannies,
Pour lui seul à genoux !

D'ailleurs, pensons. Nos jours sont des jours d'amertume,
Mais quand nous étendons les bras dans cette brume,
Nous sentons une main ;
Quand nous marchons, courbés, dans l'ombre du martyre,
Nous entendons quelqu'un derrière nous nous dire :
C'est ici le chemin.

Ô proscrits, l'avenir est aux peuples ! Paix, gloire,
Liberté, reviendront sur des chars de victoire
Aux foudroyants essieux ;
Ce crime qui triomphe est fumée et mensonge,
Voilà ce que je puis affirmer, moi qui songe
L'œil fixé sur les cieux !

Les césars sont plus fiers que les vagues marines,
Mais Dieu dit : « Je mettrai ma boucle en leurs narines,
Et dans leur bouche un mors,
Et je les traînerai, qu'on cède ou bien qu'on lutte,
Eux et leurs histrions et leurs joueurs de flûte,
Dans l'ombre où sont les morts. »

Dieu dit ; et le granit que foulait leur semelle
S'écroule, et les voilà disparus pêle-mêle
Dans leurs prospérités !
Aquilon ! aquilon ! qui viens battre nos portes,
Oh ! dis-nous, si c'est toi, souffle, qui les emportes,
Où les as-tu jetés ?

V.

Bannis ! bannis ! bannis ! c'est là la destinée.
Ce qu'apporté le flux sera dans la journée
Repris par le reflux.
Les jours mauvais fuiront sans qu'on sache leur nombre,
Et les peuples joyeux et se penchant sur l'ombre
Diront : Cela n'est plus !

Les temps heureux luiront, non pour la seule France,
Mais pour tous. On verra dans cette délivrance,
Funeste au seul passé,
Toute l'humanité chanter, de fleurs couverte,
Comme un maître qui rentre en sa maison déserte
Dont on l'avait chassé.

Les tyrans s'éteindront comme des météores.
Et, comme s'il naissait de la nuit deux aurores
Dans le même ciel bleu,
Nous vous verrous sortir de ce gouffre où nous sommes,
Mêlant vos deux rayons, fraternité des hommes,
Paternité de Dieu !

Oui, je vous le déclare, oui, je vous le répète,
Car le clairon redit ce que dit la trompette,
Tout sera paix et jour !
Liberté ! plus de serf et plus de prolétaire !
Ô sourire d'en haut ! ô du ciel pour la terre
Majestueux amour !

L'arbre saint du Progrès, autrefois chimérique,
Croîtra, couvrant l'Europe et couvrant l'Amérique,
Sur le passé détruit,
Et, laissant l'éther pur luire à travers ses branches,
Le jour, apparaîtra plein de colombes blanches,
Plein d'étoiles, la nuit.

Et nous qui serons morts, morts dans l'exil peut-être,
Martyrs saignants, pendant que les hommes, sans maître,
Vivront, plus fiers, plus beaux,
Sous ce grand arbre, amour des cieux qu'il avoisine,
Nous nous réveillerons pour baiser sa racine
Au fond de nos tombeaux !

Jersey, du 16 au 20 décembre 1853.
Musa, ma jolie banane jaune
Toute mûre et parfumée,
Avant que je te pèle et que je te déguste
Je te regarde et sous le masque de ta peau
Je vois l'ombre de ton jardin secret.
Ce n'est ni un potager ni un verger secret
Ni un champ de vigne ni une oliveraie ou une mangueraie
Ton jardin secret est une plantation
De cannes éternellement précoces.
Tu défriches, tu plantes, tu sarcles, tu boutures
De ta houe de ta pelle et de ta pioche
Tu creuses, tu nettoies, tu récoltes
Tu luttes contre les cyclones et la sécheresse
Et les ravageurs
Tu vois fleurir
Et tu aiguises ton sabre pour la récolte.

Quand les roseaux sucrés
Atteignent le ****** de leur fruité
Ta coupe millimétrique
Taille dans la chair des cannes
Un spécimen
Qu'une fois rincé à l'eau de ta source
Tu suces à pleine bouche
Tu broies sans merci
Malaxes, presses, purges.
Le vesou sourd de ton sein droit
De sa belle couleur vert canne
Cent pour cent bio avec un goût de mirabelle
Et de ton sein gauche le lait gicle en punch coco
Et la source se déverse dans un bénitier
Où je communie aux deux espèces
Irradié de ce jardin secret.
mike Feb 2015
a crazy man attacked me in the morning before i killed a little boy in Cannes.
i prayed for a miracle
when i woke
next to his tattered body
but only got sick
from his flesh.
im much more concerned about
my own flesh now and
need to end it.
this is a terrible waste of time and
Robin Carretti Jul 2018
Us-Plus-Kiss-Miss-Toss-Loss-
Boss-Mess-Dress-Bless-Us-
2- Out-Guess- us but never 2 Confess
To take this all in letting words
breathe out
The paintbrush built-in fantasy
hot how it hit

  The stroke of fingers linger the mind
Letting the hard life  leave us behind
Rose blood-Family stem-gem

The rule of thumb
Traveling Jamaica ***
Shes the Cherry plum
But laughing banging his drum
"Of Sin'
On the run Us or them 2-Digest

Is all this really us? Out of context
The (Quest Vernal Falls) that's next
Disguises ((French Masquerade Ball))
Kiss me Kate show Kate plus eight

"Carnal Knowledge' beauty of things
Us or they call out to them just call
(Us) the time is precious but they need

A Yosemite mountain of solitude
All for them but don't leave us
We are the (Us) and Bed and Breakfast
(Us) no fuss and them do they stay?
Us together feminine 2- B pink flamingo
clouding ****** of heavily creamed lust
of birds, their words to always tweet and trust
And him (Artsy Truer blue) out time goes bye bye
Her seeded bread Levy rye
2 of us divineness of me guitar strumming
his words everlasting recite a play
Entering sunnyside their hips both
sideways
(Always Us) the front "Riviera Cannes"
ride
The narrowing **** skirt
seducing some point of view
Hilltop nonstopping our heart views

The emblem signs and codes
of Da Vinci solving whats lost

The  music fits like keynote
The Classical  piece Pavarotti
leadership connection of
romantic hands
How and why is it us
and not them that needs the
workmanship
2 lips kiss that's (Us) we are the
Women*ly-Divine-ship  Niagara
waterfalls but (Us) we remain vividly tall
The Meeting congrats wishing well
Manship

Love for us fire between hearts listen
The hearty bread lips really ripen
(Love Inferno) the
Islands of Sorrentino
and for them, salsa rhythms
All hums into procreation of symbols
Better spirit of love they met there rivals
As we reach the higher forces
I am here one time
But never again that's not my realism
I will always be here to see everyone again
The first creation the Holy Time meets
over again for family and (Us)

The mighty (Us) Kingdom green
grass remarkable time infinite-yum lips
to trust like the (Shabbat Shalom)
So rural riveting a focal point for them
her finger does the talking  

Remembering a time so refreshing
Stunning dressed  for him ravishing
It can disappear  just like them
Us-Striking, Perhaps them- irresistible,
And when will our time be desirable
The Statuesque Robin Risque
What makes words feel good
Like love really should
Sweetness finger cakes
The morning hike climb oral

Great lakes (Us) to be___-    them
Over and over out of line mistakes
The babies digging smiles kids sandcastles
Sensuous muscles on the limb
Tudimine meadows succumb
Cheek to cheek (Us) no time for them
Jupiter jeweled for "Us" and for them,
nerve-shaken the best  cool I tune stir
Those full  happy hours of drinks

Us ((Awaken)) coffee warms both of our hearts
Watersports the Cherub of Valentine of darts


for (Us) or them?
Why do they say blue is depressing
The ocean of sweeter nymphs
Solving Us with words "I love you"
in high legs of depth
Provative Imaginative
Her body of water
Never leaving (Us) behind
The self-esteem boost

To compliment being **** is a
the great thing for (Us)
For them what sets a great impact
Enticing someone else?
Wait what about (Us)
Being drawn to them is it always them?
The ancient times Athena Grecian far away
love the closeness tables set and lightness
Mom and Me perfect Us never the long distance
And Dad makes a smile poem plus at a glance
Like Mom sewing your dress hem spinning me
Like traveling to France I did
Is it (Them) or (Us) you decide
Heres to (Us) no fuss just a voyage and no Boss around. We are on higher Eternity of love ground our time and place mystical focal points. Do we love and honor to trust erotically flow between all of us take the trip with Us or them?
Kurt Philip Behm Feb 2020
Those living in Harlem
want to move to Midtown

The people in Midtown,
to the Upper West Side

The Upper West Side,
to the Long Island Shore

The Long Island Shore,
to Aspen or Vail

Aspen or Vail,
to the Champs Elysees

The Champs Elysees,
to the beaches in Cannes

People will search for where
life can begin

A place that remains distant
and far out of reach

An excuse to look outward
and not in themselves

Theirs souls left in turmoil
—their hearts not at rest

(Villanova Pennsylvania: March, 2018)
Stephe Watson Dec 2018
There is within me
a moon-
a twilight Cézanne,
a barren Bhutan,
a dim-lit Rodin,
a mirage-less Sudan.

There is within me
a moon-
a post-war Japan,
a loveless Quran,
a last place at Cannes,
a Carson 'n couch
(without his McMahon.)

There is within me
a moon-
a 4th place finish in Laussane,
a certain Cohen sans his Suzanne.

a moon
a hunk of frozen rock, reflecting
gold sherd from all around
a spark in the dark, wholly drowned
the shiniest, hope-giving speck for years unbound

up close though,
should one
ever
dare to come
(of course none
ever
shall/have)
the sharp and unworn, no-color regolith

ever
alone, alone, alone he is
ever
on the verge of dirge he is

unhappily repeating to himself-
repeating to himself,
repeating to himself,
repeating to himself...

to himself,
to himself,
to himself...

by himself.
Poetry-ply / Response Ability /PooretReply


Thank you and a bow to
Heath
(AKA Taoist Poetry)
whose poem,
posted on 11/5/14
https://www.facebook.com/profile.php?id=100005264928556&fref=ts
inspired what follows and which begins:

"There is within me
a forest man..."
Unis dès leurs jeunes ans
D'une amitié fraternelle,
Un lapin, une sarcelle,
Vivaient heureux et contents.
Le terrier du lapin était sur la lisière
D'un parc bordé d'une rivière.
Soir et matin nos bons amis,
Profitant de ce voisinage,
Tantôt au bord de l'eau, tantôt sous le feuillage,
L'un chez l'autre étaient réunis.
Là, prenant leurs repas, se contant des nouvelles,
Ils n'en trouvaient point de si belles
Que de se répéter qu'ils s'aimeraient toujours.
Ce sujet revenait sans cesse en leurs discours.
Tout était en commun, plaisir, chagrin, souffrance ;
Ce qui manquait à l'un, l'autre le regrettait ;
Si l'un avait du mal, son ami le sentait ;
Si d'un bien au contraire il goûtait l'espérance,
Tous deux en jouissaient d'avance.
Tel était leur destin, lorsqu'un jour, jour affreux !
Le lapin, pour dîner venant chez la sarcelle,
Ne la retrouve plus : inquiet, il l'appelle ;
Personne ne répond à ses cris douloureux.
Le lapin, de frayeur l'âme toute saisie,
Va, vient, fait mille tours, cherche dans les roseaux,
S'incline par-dessus les flots,
Et voudrait s'y plonger pour trouver son amie.
Hélas ! S'écriait-il, m'entends-tu ? Réponds-moi,
Ma sœur, ma compagne chérie ;
Ne prolonge pas mon effroi :
Encor quelques moments, c'en est fait de ma vie ;
J'aime mieux expirer que de trembler pour toi.
Disant ces mots, il court, il pleure,
Et, s'avançant le long de l'eau,
Arrive enfin près du château
Où le seigneur du lieu demeure.
Là, notre désolé lapin
Se trouve au milieu d'un parterre,
Et voit une grande volière
Où mille oiseaux divers volaient sur un bassin.
L'amitié donne du courage.
Notre ami, sans rien craindre, approche du grillage,
Regarde et reconnaît... ô tendresse ! ô bonheur !
La sarcelle : aussitôt il pousse un cri de joie ;
Et, sans perdre de temps à consoler sa sœur,
De ses quatre pieds il s'emploie
À creuser un secret chemin
Pour joindre son amie, et par ce souterrain
Le lapin tout-à-coup entre dans la volière,
Comme un mineur qui prend une place de guerre.
Les oiseaux effrayés se pressent en fuyant.
Lui court à la sarcelle ; il l'entraîne à l'instant
Dans son obscur sentier, la conduit sous la terre ;
Et, la rendant au jour, il est prêt à mourir
De plaisir.
Quel moment pour tous deux ! Que ne sais-je le peindre
Comme je saurais le sentir !
Nos bons amis croyaient n'avoir plus rien à craindre ;
Ils n'étaient pas au bout. Le maître du jardin,
En voyant le dégât commis dans sa volière,
Jure d'exterminer jusqu'au dernier lapin :
Mes fusils ! Mes furets ! Criait-il en colère.
Aussitôt fusils et furets
Sont tout prêts.
Les gardes et les chiens vont dans les jeunes tailles,
Fouillant les terriers, les broussailles ;
Tout lapin qui paraît trouve un affreux trépas :
Les rivages du Styx sont bordés de leurs mânes ;
Dans le funeste jour de Cannes
On mit moins de romains à bas.
La nuit vient ; tant de sang n'a point éteint la rage
Du seigneur, qui remet au lendemain matin
La fin de l'horrible carnage.
Pendant ce temps, notre lapin,
Tapi sous des roseaux auprès de la sarcelle,
Attendait en tremblant la mort,
Mais conjurait sa sœur de fuir à l'autre bord
Pour ne pas mourir devant elle.
Je ne te quitte point, lui répondait l'oiseau ;
Nous séparer serait la mort la plus cruelle.
Ah ! Si tu pouvais passer l'eau !
Pourquoi pas ? Attends-moi... la sarcelle le quitte,
Et revient traînant un vieux nid
Laissé par des canards : elle l'emplit bien vite
De feuilles de roseau, les presse, les unit
Des pieds, du bec, en forme un batelet capable
De supporter un lourd fardeau ;
Puis elle attache à ce vaisseau
Un brin de jonc qui servira de câble.
Cela fait, et le bâtiment
Mis à l'eau, le lapin entre tout doucement
Dans le léger esquif, s'assied sur son derrière,
Tandis que devant lui la sarcelle nageant
Tire le brin de jonc, et s'en va dirigeant
Cette nef à son cœur si chère.
On aborde, on débarque ; et jugez du plaisir !
Non **** du port on va choisir
Un asile où, coulant des jours dignes d'envie,
Nos bons amis, libres, heureux,
Aimèrent d'autant plus la vie
Qu'ils se la devaient tous les deux.
Mateuš Conrad Jul 2022
i was pretty sure there was no album they (the red hot chilli peppers) released between Californication and By the Way... but i stumbled upon something curious today upon waking... oh... i do know that they released a single in between the two albums... or was it after By the Way? Fortune Faded... well... i just found the Fortune Faded album: 1. starlight 2. save the population 3. fortune faded 4. bicycle song 5. runaway 6. leverage of space 7. rolling sly stone 8. brandy (you're a fine girl) 9. 50fifty 10. mini epic (**** for your country) 11. black cross 12. i feel love 13. flea's trumpet treated by john 14. tuesday night in Berlin...

again: this terrifying heat: best leave watering the garden
till after 10pm...
a b.b.q. dinner: black kiшka with onions...
what's a black kiшka? a cross between black pudding
and Haggis...
                         "cultural appropriation":
i wonder who borrowed from who...
                        well... it's not a ******* sombrero so:
i'm taking bets on the roulette...
             this weather only allows cycling after 8pm...
last time a car pulled up to me and a guy
hollered out of the window: there are your lights?
what lights? exactly... and drove off...
******... prior to that a woman screamed out of
the window and started driving off...
i caught up with her and screamed back:
******* *****... showed her the finger and disappeared...
fair enough... i'm riding in hours nearing
the kingdom of nocturnal creatures...
i fixed a back light today... there, better, *******?!
no... not good enough...

i have this one particular route... it takes me about
one and a half hours...
i call it: el clásico... why? i used to take it almost
every day after school after i turned 16...
there was this one summer... a magical summer...

it was a summer where i would usually visit my
grandparents...
mainly my grandfather: we'd go fishing...
we'd go cycling...
he would introduce me to his friend who also liked
to cycle for long period of time...
all retired people... and we'd cycle
via Bałtów: picking up goat's milk from this old
lady in a proper out of the way ****-hole of
a place to live...
             anyway... that summer back in 2002
i had a plan... i was growing my hair long:
in school there were jokes: Chewbacca... blah blah...
why don't you grow your hair into a mullet?
ha ha...                    ha ha... it wouldn't look good
on someone as fat as i was...
i finished my G.C.S.Es as a a chubby chub...
   after the summer... i came back weighing in
105kg... coming back to 85kg...
  
                     wow... how the dynamic changed...
a new girl from Australia started eyeing me up
as we started our A-levels... i suddenly became
visible...                    but? i still remained myself:
i was playing cards with the guys...
  perhaps the nerdy guys i used to hang around
swapping Pokemon cards with ended...
that time this girl in English class started flashing
her legs in English class: thighs... the thighs of Gemma...
she was intending to flash them at the guy next
to me in the bench... he got off with
running to the toilet for a quick ****...
while i looked and was immediately scorned...
"told off"... pervert...
   it's like a match-make made in heaven of Islam...
the girls don NIQABS and the boys don sunglasses...

how i was told off...
until another Gemma from Thailand told the
other Gemma (Laporte) to cool off...
stop flashing... but... hey WHITEWHITEWHITE...
magical summer...
   i lost the weight... the sun allowed my hair
to grow long enough to grow long enough
to be able to give me a French braid...
like that one donned by Johnny Depp in
Chocolate...

                           realisation period... now i was
changing the dynamic of worth...
       i started bringing weirder and weirder fruit
for lunch... pomegranates... passion fruits...
kiwis... well... kiwis are not that weird...
                             i was still playing cards with the boys...
the sudden spike in the girl's interest
in me i sort of ignored... i was ignored prior...
focused on education and education it was...
but i was already spotting all the examples
of the ancient fable of high school sweethearts...

obviously after university some people thought
they were born in a small town in a small world
in a snail world...
   they had to move: London's not enough...
New York over here... South America over there...
try being born in ostrowiec świętokrzyski:
now i'm the king rat of London...
                   on a bicycle at least...
i don't need to move...

come on... it's not like i came on a banana boat
from "x"... but it's not like i'm a mr. smarty
from Warsaw: from one capital to another capital...

i don't like writing about this...
after all... i wasn't too "bad boy" enough:
oh i get it... i sometimes lend myself to "the narrative":
i'm being sold a narrative of Darwinism that:
apparently doesn't play out in reality...
my deficiencies? i drink... but i self-imposed that...
on myself... survival of the fittest?
i'm 6ft2... 100kg... chances of me "catching" cancer
are slim... i have 20-20 vision...
   i blast music on full volume on headphones
sometimes on hours on end... but i can still
hear an electric car creeping up on me when cycling...
i have basic morals...
    
     it's not that i think that i'm the perfect catch...
god's gift to women...
i just think that the prescribed narrative of Darwinism
for man is a load of *******...
survival of the mediocre... cattle...

i'm using the sort of objective language that's
expected of me...
             this is what Darwinism provided:
there are no rules in place:
when there was once humanism there's now only
some version of animalism...
we lent out attention to make the world
coherent by employing animals to explain
our... disgruntlements...
    our objections... me? i'm trying to find the man in
man: ontology...
rather than finding a man in animal...
i find finding the man in animal: slightly boorish...
perhaps even boring...
but we borrowed from too many animals
in order to clarify how we are to behave...

this is exclusive to the English-speaking world...
in that case? i'm a ******* BEAR...
i'm a "loner": are bears, "LOSERS"
because they are loners?!
                           i'm a bear: you ******* chimp!
how's that? who would win a ruffle-and-tuffle
between a gorilla and a bear?
am i even asking this question?
                    
медведь (niedzwiedz) vs. горилла (goryl):
exactly... what's дь? dź...
                     and дъ?           dż....
                              soft via acute
          hard via the otherwise hiding caron...
swapped from RZ between R and Z
or with the case of coupling D and Z...
well: "who knows"...

                        the Copernican revolution made
sense... but the revolution the morphing
of Darwinism: man looking into a telescope
while at the same time looking up into the "telescope"
of an ape's ****...  is another matter...

never mind... i had this route...
   a surfer's body...
   and hair to prove it...
                 we ****** off elsewhere after high school...
i was the only one that went as far as Scotland...
the "king's route": after all... didn't
William gain an education in St. Andrews?
i was in Edinburgh... dangling like a spider
atop Cow's Gate...
                          this could: just work...

but what is "the" el clásico?
a route i used to take after school almost every day
after having lost all that weight...
this was a different variation...
an extended 'un...

starting from Collier Row...

1. up the B175
2. down B 1459...
3. Collier Row Road
4. onto the B174...
5. onto the A1172...
6. New N Rd toward Hainualt St.
7. A123
8. at the Fairlop roundabout staying
   on the A123...
9. coming to the A12 on the Gants Hill
keeping to the A123
10. gearing up to Winston Way...
11. the A1083 roundabout...
12. straight onto the A118...
13. it's still the A118 Seven Kings... switches names
from High Road to... London Road
(cycling in reverse... London Road would be known
as Romford Road)
14. at the roundabout take the A125...
15. turn into Exchange Street...
16. via Western Road onto Eastern Road
17. stop at the headlights...
       18.  cross the A1251 like a pedestrian
onto Carlton Road...
19. cycle up to Gidea Park station:
     20. Balroges Lane
  21. Station Road..
   22. then unto Upper Brentwood Rd.
23. until "returning" unto the Main Rd.
              the A118...
24. the onto Pettits Lane..
25. crossing the A12... onto Pettits Lane N.
26. at the roundabout onto the B175...
   then into Wallace Way...
then into a service road... then... home...

the "incident" happened at point 9. on the A123...
at high street Ilford...
my god... how much it has changed...
little ******* Bombay...
it used to be a predominantly Jewish...
but now? the whole world settled here: it would
seem... one Turkish restaurant one Indian
restaurant after another... fair enough:
i still don't have my headlight on...
because a road-bike is not made for noctruanal
musing... Nietzsche might have envisioned
walking to be the catalyst for inviting thought:
i tend to keep to cycling to wake up
my sleeping-mind...
i remember this one motorist slowing down
to "excuse me from giving excuses"
for not having tail-lights: yeah... thanks "dad"...
but this old man was trying to do
something unimaginable in terms of English traffic
laws: he was trying to prove a point by:
jail-walking...
he just stood there astounded and exclaimed:
where are your lights? i cycled past him
and pointed at my rear:
what the **** is this? look! that's at least
one half of the lights necessary,
so? *******!

   that's the first time i became insolent to an elder...
why? no one else in makeshift Bombay seemed
to care...
there's a billion of them: a billion more
will come...
         you don't make critique of me while
i cycle: i turn into a Hydra...
one the adrenaline kicks in... i become a notorious
*******...
i pointed it out to him:
perhaps he had good intentions...
perhaps... citizen-policeman my ***...
if i had enough time i would have suggested:
so... is the Redbridge Council...
saving money... on not turning on the street-lights
at the appropriate time?
then again: would you?!
could you make the same **** comments
concerning those Deliveroo electric cycle couriers
who don't bother?!
just because i'm white i'm supposed
to keep / meet high standards?!
*******: old man...
      
you will pass making this sort of comment
because "someone" is Indian... while
i get the brunt of your "civic duty" because
i'm white? to hell with that sort of *******!
you may be old: but you should understand
someone telling you to ******* like someone
telling a baby to *******...
because you can mouth off your fellow
European: like a diseased creature of defeat
when it comes to your fellow...
but: cower: before the altar of ******* HINDUSTAN!

i am a monster! people tend to create those...
isolated instances of insolence...
i can't give two-***** two care
whether English girls get ***** by Pakistani
gangs in Rotherham...
i can't... i told a man to get off my case...

you may: criticise me when walking... kneeling...
sleeping...
but this old man just chose to be iritated
by something already hanging...
too late to correct? me?

there's a fury in my thought as much as there's
a wind to couple it with!
but... you wouldn't dare...
to make this suggestive-correction
for some Hindustani "******* compatriot":
some ******* Sikh baron?!
white man easy access to white man...
THANK **** I'M NOT ENGLISH
AND THAT I DON'T HAVE ANY POST-COLONIAL
GUILT TRIPPING TO WAIT FOR ME...

me? i'm in CAMP ****... **** it...
go all out... this makes absolutely no ******* sense...
but this old man: did he think old age would
save him, from me turning around and telling
him to *******? did he?
he wouldn't have attached so much
concern for "traffic": cross the, ******* road:
at the allocated segments... your ******* prune...

oh but i love the anger: it's invigorating...
it's no longer angry white man...
it's the angry anonymous cyclist...
   but it's forever the ******* desperate black man...
anger *** desperation...
what a cocktail!
        borrow from the Darwinism... ha ha...
not by the focus of what's man's "plan"...
              
WHITE VS. WHITE...
of course he wouldn't have commented on some
deliveroo courier cycling on an electric bicycle without
lights... i had the rear covered...
but no! white on white "guilt" implies:
i'm the one who's to keep standards:
no one else is... why, should, i?
i can be nice to old men... drink a beer...
chat with them on a bench... about their grandchildren
and their pets... not... NOT... when i'm cycling...
you try taming a monster...
you tell me i'm a ****** cyclist...
   the end...

                      my sclera and my iris disappears...
i literally turn blind with rage...
at a time: begging for the borough of Redbridge
to turn on the: ******* street-lamps...
no... 9pm not good...
       this old man should have shut his:
******* mouth...
now i feel sorry that he had to hear:
******* from me...
                 i shouldn't speak to elders like so...
but if one: ******* akin to him
had the ***** to tell one white boy:
to keep his headlights up-kept... while ignoring
all the Hindu-*******-stan "couriers"
the "pass"? for fear of racism...
              *******... old, man...
no no... you should have been crossing
the road at the designated place...

ENOUGH! OF THIS POST-COLONIAL ENGLISH
ANTI-RACIST CLOWNING!
you have your little, *******, inter-racial escapades...
your little inter-*** trans-gender fetishes...
sooner will the Russian invade the Ukrainian
than see this ******* be sieved to the top!
no! niet! nie!

if i were adorning a darker skin tone...
if i wasn't a my usually "self" copper-neck of suntail
imprint... would this elder: pseudo-elter
make such a remark?
          oi! bruh! where'z your simmer framez?!
Cannes the walk but Cannes the: ******* talkz?!

for a minute i thought he cared... a minute later
i realised: citizen-policeman...
citizen-;policemen belong in the crowd of
*****... cultivating ulterior tactics of submission...

i didn't just exchange a ******* too with
my grandfather... my grandfather would have said:
cycle on... this petty ******...
i'm exploring my hands...extending my fingers
in a way that will not allow a handshake...
first: purses... and fists clenched...
"hello"...

why is it an "el clásico"?
the distance takes under two hours...
adding the wind? and after having eaten a dinner?
not bad...
no... though: no...
this "white guilt" *******...
i'm not buying it... the RUSSIANS are not buying it...
i'm with them... i'd sooner a fellow ethnic tribe:
akin to me: suffer... than leave them for the pastures of
the cancerous ideas of the "west":
mind you... i simply can't care about Ukraine:
thank you... Ukraine... for Chernobyl...
an atomic BOMB is a BOMB...
but a nuclear REACTOR? is a ******* nuclear REACTOR?!
why does my mother blame me for her ailments?!
why did the Jews receive world war II reparations
while the Polacks didn't? why didn't we receive
Chernobyl reparations? why does my mother blame me
for my birth? if the ******* trees...
changed colour from spring to autumn during
this advent... she blames me: she doesn't
blame Chernobyl...

*******: weningmenschen!
                        menschen von hafer: und knabbern!
the Russians will sooner wage war against
their own ethnically minded:
than succumb to the mindset of the:
eroding west! and i would too!
     mind you: i think i already have!
i would wage war against my own kind
than make them succumb to the most ******* worth of
scrutiny: unlike the propaganda of Orwell...
this "double-think" is an an "extra-think"...

the English don't believe in ethnicity:
they believe in race....
me? i believe in race...
that's why i deem myself as an compound:
Anglo-Slav...
was it that hard, for Anglo-Saxons to emerge?!
I'M, *******... ASKING...
you might as well give me a ******* reply!
no reply?! good! TOLL!

zweigesichtmurmelnkastrat:
that's how i see the natives of the land i live in...
i don't even need to bring
the Zeppelins, either...

mein blut ist sieden:
zu punkt von auferstehen die toten!

ich bin wildbeäugt!
Maître de boucan
Je construis mon ajoupa à flanc de montagne.
Il n 'y a cette nuit ni vent ni pluie
Dans ce pays en suspension
Entre bois, montagnes et précipices.

J'ai franchi avec toi sept rivières à gué
Escaladé les parois abruptes
Tandis que les diables faisaient grand bruit
Sortaient en miaulant et piaillant de leurs repaires
Pour aller voleter au-dessus de la mer.

Malgré leur chant d'effroi je ne désarmais pas, au contraire
C'était pour leur chair noire, douce et exquise
Que j'étais là en plein Carème
Dans cette montagne aux Diables.
Ni grives ni perroquets ni perdriques ni perdrix
Ne m'auraient fait dévier de ma chasse
Sans chiens et sans bâtons
A ce mets délicieux que sont les diablotins.

Je me voyais déjà les déloger de leurs terriers dans les falaises
Et les manger de broche en bouche
Selon les règles boucanières d'antan
Ou dans une feuille de cachibou ou de balisier
Quand tu m'as soufflé en me mordillant l'oreille
Ton envie urgente de pastrama fumé aux sarments de vigne.
Tes désirs sont des ordres
Mais comment trouver en pleine montagne aux Diables
A trois heures et quelques du matin un mouton sauvage,
Un agneau de pré-salé,
Un bélier broutant dans les vignes
Qui accepte de gaîté de coeur d'être sacrifié en holocauste
En pleine période de jeûne ?

Je me mis à prier le Révérend Père et la Vieille Dame
A qui je promis l'abstinence perpétuelle
De ces diablotins et autres cottous
Au goût de poisson
Pourvu qu'ils me fassent tomber du ciel
La divine pitance de tes ovins délicieux .

J'ai commencé à ramasser les herbes et les brindilles
Les branches de cannes sèches et les écorces de coco,
Les branches sèches de manguiers et de citronniers
Le chiendent, le *****-contra pour parfumer.
Et le silex et l'amadou pour mettre le feu.
Un peu d'alizé pour la fumée.
Et de la patience pour que le feu prenne.

Mais en lieu et place des moutons
Il se mit à pleuvoir sur notre bivouac
Une volée de cent un de ces volatiles blancs et noirs
Daciens comme Dalmatiens
Frais, séchés puis marinés aux rayons de lune
Tous volontaires et consentant à la dégustation magique
Du pastrama fumé de diablotins

Goûte-moi donc à ce vin de madère
De derrière les ******
Sans lequel je ne pars jamais en excursion
Et pardonne-moi pour le mouton
Si tu veux demain je te ferai un pastrama d'oies traditionnel
Voire un pastrama de voyelles
Marinées dans le miel, le thym, le sel
Le romarin, le laurier, le poivre et le piment
Le sel, l'ail et l'huile d'olive
La menthe, l 'oignon et le vin rouge à volonté
Ce que tu voudras, tant que tu voudras...

Mais goûte-moi ce matin avant que le jour ne se lève
Ce pastrama de diablotin fumé
Essaie et dis-moi !

Tout est affaire de goût et d'accoutumance !

Savourons ensemble le panorama et le pastrama
Savourons l'altitude de ces diablotins rôtis à la broche
Et fumés aux sarments de chiendent et *****-contra
Savourons la manne et l 'abstinence
De cette nuit étale de printemps-hiver
Au sommet de la Souphrière
Avant que conformément à ma parole
Je n'entre dans les Ordres.
KV Srikanth Dec 2021
Complete Creative control
Apart from playing the lead role
I'd rather destroy my career
Than give others the power

Long drawn film making
Big budgets and months of scheduling
Multiple characters and sub plots
Bringing them together on a studio lot

Filmmaking style of his mentor
Spaghetti Western genre creator
Sergio Leone the director
Whose direction he did the trilogy under

Studio backed Actioner
Don Siegel was the auteur
Met his second mentor
Worked 5 films with this Director

Fast paced and minimalistic
Was Siegel' s characteristic
Fewer set ups to shoot
Lesser number of characters to boot

Direct approach to the story
No sub plots to deviate from the itinary
In your face filmmaking
No time wasted in its processing

Audience are intelligent
Premise he learnt to implement
Explanatory scene and dialogues done away
Both the styles he now had under his sway

Dots left unconnected on purpose
Audience watching him global and diverse
Each to their own conclusion
Was the underlying scoring point of his direction

Built a team at Malpaso
Regular Stock company scenario
Editor Cinematographer Designer
Made films like a express luxury liner

Handled various genres
Doubling as Actor and Director
Made everyone wonder
With his output as a Producer

Not low budget fare
But optimally budgeted affair
Restricted shooting days
Edited along the way

Handled off beat themes
Increased his creative esteem
Many remade later
Nothing like this master storyteller

A one night stand
Kept the viewer on the edge
A Drifter seeking vengeance
Ghost or brother left to the thinker

Alcoholic cop sent on purpose
Retrieve a witness who'll cause more trouble
A loser cop as a protagonist
Feather on the cap for this perfectionist

Love for Jazz and Country
Stealing a plane from another Country
Harry Callahan made you day
With Go ahead make my day

Priest saving a community
Disappearing affecting the continuity
Caddiallac comedy
Partnered with Charlie Sheen in the Rookie

Played the legendary John Huston
Premiered at Cannes and won good reviews
An Army film about the Marines
Wonderful film that's more that it seems


Dedicated a film to Sergio and Don
Compounded their skills in this milestone
An Anti Western about a reformed former bounty hunter
Deciding to saddle up to save his children from hunger

Deliberately paced and terse
Classic Western in every frame
Emotional emptiness of killers
Unwilling to conform to society and loners


Conscience is his friend
Whom he looses in the end
Kills those responsible
Regretting every time he triggered his rifle

Clint pays homage to his films
And his mentors in the credits
Reinvented his image  with merit
The film won 4 Oscars to his credit

This only covers half his career
Handled complex themes later
Never deviated from his core principle
Trusting his feelings m he for gut in the middle all the trouble

Never yells Action or Cut
Let's go and that's enough the way he puts
Principal photography ahead of schedule
Compromising on the quality not even miniscule
Ryan O'Leary Dec 2023
What will the 20th Century

Holocaust survivors say of

Season 2 the 21st Century

reproduction in full colour

with new and more efficient

directors than in Season 1.


The Judea **** role being

played by the IDF needed

no rehearsal, as Fascism,

according to screenwriters

is reflexive, it's in their DNA.

May be box office success.
KV Srikanth Apr 2022
12 years since
Made your last appearance
Rumours of Alzheimer's
Hope Its not true
A film a year
For over 50 years
For fans to cheer
Every decade an Oscar
Given by your peers
Box office success
A habitual process
Cannes Venice Berlin and Tokyo
Only a part of your portfolio
Highest paid movie star
Percentages of gross and merchandise sold you got
100 million dollars for playing
The Joker in Batman
No one yet to get closer
Voted greatest Actor
Biggest movie Star
Fans ready to watch
You next and every fare
Loved by all
A. Style icon
Method in the madness
Madness in the method
Best describes who you are
Kid from Jersey
Conquered every peak
Your fans across still seek
A film with your name
Above the title
In the heart of the fans
Millions awaiting just wave the magic hand
One final performance
To resonate for the next decade
Happy Birthday to the legend
Whom stardom and awards at beck and call
Seen it all
Roger Corman knew it all
Took his casting call
Live long live healthy
Deserve this and more
For painting stories of reality and fantasy
With ease

— The End —