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“Ruin seize thee, ruthless King!
Confusion on thy banners wait!
Tho’ fanned by Conquest’s crimson wing,
They mock the air with idle state.
Helm, nor hauberk’s twisted mail,
Nor e’en thy virtues, Tyrant, shall avail
To save thy secret soul from nightly fears,
From Cambria’s curse, from Cambria’s tears!”
Such were the sounds that o’er the crested pride
Of the first Edward scattered wild dismay,
As down the steep of Snowdon’s shaggy side
He wound with toilsome march his long array.
Stout Glo’ster stood aghast in speechless trance:
“To arms!” cried Mortimer, and couched his quiv’ring lance.

On a rock, whose haughty brow
Frowns o’er cold Conway’s foaming flood,
Robed in the sable garb of woe
With haggard eyes the Poet stood;
(Loose his beard and hoary hair
Streamed like a meteor to the troubled air)
And with a master’s hand, and prophet’s fire,
Struck the deep sorrows of his lyre.
“Hark, how each giant-oak and desert-cave
Sighs to the torrent’s awful voice beneath!
O’er thee, O King! their hundred arms they wave,
Revenge on thee in hoarser murmurs breathe;
Vocal no more, since Cambria’s fatal day,
To high-born Hoel’s harp, or soft Llewellyn’s lay.

“Cold is Cadwallo’s tongue,
That hushed the stormy main;
Brave Urien sleeps upon his craggy bed:
Mountains, ye mourn in vain
Modred, whose magic song
Made huge Plinlimmon bow his cloud-topt head.
On dreary Arvon’s shore they lie,
Smeared with gore, and ghastly pale:
Far, far aloof th’ affrighted ravens sail;
The famished eagle screams, and passes by.
Dear lost companions of my tuneful art,
Dear as the light that visits these sad eyes,
Dear as the ruddy drops that warm my heart,
Ye died amidst your dying country’s cries—
No more I weep. They do not sleep.
On yonder cliffs, a grisly band,
I see them sit; they linger yet,
Avengers of their native land:
With me in dreadful harmony they join,
And weave with ****** hands the tissue of thy line.

“Weave, the warp! and weave, the woof!
The winding sheet of Edward’s race:
Give ample room and verge enough
The characters of hell to trace.
Mark the year and mark the night
When Severn shall re-echo with affright
The shrieks of death, thro’ Berkley’s roof that ring,
Shrieks of an agonizing king!
She-wolf of France, with unrelenting fangs,
That tear’st the bowels of thy mangled mate,
From thee be born, who o’er thy country hangs
The scourge of Heaven! What terrors round him wait!
Amazement in his van, with Flight combined,
And Sorrow’s faded form, and Solitude behind.

“Mighty victor, mighty lord!
Low on his funeral couch he lies!
No pitying heart, no eye, afford
A tear to grace his obsequies.
Is the sable warrior fled?
Thy son is gone. He rests among the dead.
The swarm that in thy noon-tide beam were born?
Gone to salute the rising morn.
Fair laughs the morn, and soft the zephyr blows,
While proudly riding o’er the azure realm
In gallant trim the gilded vessel goes:
Youth on the prow, and Pleasure at the helm:
Regardless of the sweeping whirlwind’s sway,
That, hushed in grim repose, expects his ev’ning prey.

“Fill high the sparkling bowl,
The rich repast prepare;
Reft of a crown, he yet may share the feast:
Close by the regal chair
Fell Thirst and Famine scowl
A baleful smile upon their baffled guest.
Heard ye the din of battle bray,
Lance to lance, and horse to horse?
Long years of havoc urge their destined course,
And thro’ the kindred squadrons mow their way.
Ye towers of Julius, London’s lasting shame,
With many a foul and midnight ****** fed,
Revere his consort’s faith, his father’s fame,
And spare the meek usurper’s holy head.
Above, below, the rose of snow,
Twined with her blushing foe, we spread:
The bristled Boar in infant-gore
Wallows beneath the thorny shade.
Now, brothers, bending o’er the accursed loom,
Stamp we our vengeance deep, and ratify his doom.

“Edward, lo! to sudden fate
(Weave we the woof. The thread is spun.)
Half of thy heart we consecrate.
(The web is wove. The work is done.)
Stay, oh stay! nor thus forlorn
Leave me unblessed, unpitied, here to mourn:
In yon bright track that fires the western skies
They melt, they vanish from my eyes.
But oh! what solemn scenes on Snowdon’s height
Descending slow their glittering skirts unroll?
Visions of glory, spare my aching sight,
Ye unborn ages, crowd not on my soul!
No more our long-lost Arthur we bewail.
All hail, ye genuine kings! Britannia’s issue, hail!

“Girt with many a baron bold
Sublime their starry fronts they rear;
And gorgeous dames, and statesmen old
In bearded majesty, appear.
In the midst a form divine!
Her eye proclaims her of the Briton-line:
Her lion-port, her awe-commanding face,
Attempered sweet to ****** grace.
What strings symphonious tremble in the air,
What strains of vocal transport round her play!
Hear from the grave, great Taliessin, hear;
They breathe a soul to animate thy clay.
Bright Rapture calls, and soaring as she sings,
Waves in the eye of heav’n her many-coloured wings.

“The verse adorn again
Fierce War, and faithful Love,
And Truth severe, by fairy Fiction drest.
In buskined measures move
Pale Grief, and pleasing Pain,
With Horror, tyrant of the throbbing breast.
A voice, as of the cherub-choir,
Gales from blooming Eden bear;
And distant warblings lessen on my ear,
That lost in long futurity expire.
Fond impious man, think’st thou yon sanguine cloud,
Raised by thy breath, has quenched the orb of day?
Tomorrow he repairs the golden flood,
And warms the nations with redoubled ray.
Enough for me: with joy I see
The diff’rent doom our fates assign.
Be thine Despair and sceptred Care;
To triumph and to die are mine.”
He spoke, and headlong from the mountain’s height
Deep in the roaring tide he plunged to endless night.
Nigel Morgan Jan 2013
I’m thinking about you today. Hard not to, the specialness of it all. Today you’re putting up of an exhibition. Some artists call it a show, but you’re quite consistent in not calling it that. I admire that of you, being consistent.
 
I was thinking today about your kindness. You phoned me as soon as the children had gone to school, making time to call before you left. I know you were drinking your start-of-the-day coffee, but it was a kind thought all the same, phoning me. You knew I was upset. Upset with myself, as I often am. It’s this being alone. Not so much as a cat to keep me company. Just my work, the reading I do, my thoughts of you, those letters I write, and my attempts at poetry.
 
During the last few days I’ve tried to write directly of what I’ve observed, not felt, observed. Like those wonderful Chinese poets of old describing in just a few characters the wonder of the seen rather than the speculation of the felt, avoiding all emotion and fantasy. I try to write in a way that holds to the ambiguity and spread of meanings the poems those ancient Chinese composed.
 
It’s winter-time. Yesterday we were expecting the first snowfall of winter, and it arrived late in the night making the morning darkness mysteriously different, changing the indistinctness of distant trees to become a web of silver lines, in the no-wind snow resting on branches, clinging to boughs and trunks.  I stood in the pre-dawn park in wonder at it all, holding each moment to myself, in the cold breath-stopping air. I thought of one of the Chinese snow poems I know and some of those different ways it has been translated. Here are three:
 
A thousand mountains without a bird
Ten thousand miles with no trace of man.
A boat. An old man in a straw raincoat.
Alone in the snow, fishing in the freezing river.
 
A thousand peaks: no more birds in flight.
Ten thousand paths: all trace of people gone.
In a lone boat, rain cloak and a hat of reeds
An old man’s fishing the cold river snow.
 
Sur mille montagnes, aucun vol d’oiseau
Sure dix mille sentiers, nulle trace d’homme
Barque solitaire: sous son manteaux de paille
Un vielliard pêche, du figé, la neige.

 
So beautiful, arresting, different. It holds the title River Snow and the poet is the Tang Dynasty philosopher and essayist Lui Zongyuan.  My snow poem First Fall, written last night as the snow fell on the wet street outside, as you were falling through my thoughts, softly, but not onto a wet street, but a distant garden we know and love, but have yet to see in winter’s whiteness.
 
And now today you’re driving to a distant location to hang your work of paper, silk and linen, full of expectation, every contingency and plan in place to enable the work to make its mark in a location you know, where people may recognize your name and will come to say warm words of encouragement, maybe a little praise. And at the end of the week when the exhibition opens I’ll be there, trying to be invisible, taking photographs if I can of you and your admirers and supporters, and thinking (myself) how wonderful you are, your lovely smile lighting up the gallery, being welcoming, beautiful always.
 
Only today you’re further away from me than ever. Around coffee time I miss your quiet explorative ‘it’s me , like a mouse on the telephone. The inflections of those words questioning the appropriateness of the call, meaning ‘Are you busy? Am I interrupting?’ It may take me a little while to ‘come to’, but interruption? Never, just the sheer joy that it’s you colouring the moment.
 
I think of the landscape you’ll be driving through. I’m imagining the snow-sky clearing and becoming a faint blue with the sun’s brightness clarifying those wold lands, those gentle folds of fields between parallelograms of woodland standing stark under the large skies and promulgating the long views gradually, gradually stretching towards the sea coast.
 
I like to imagine you are singing your way through the choruses of Bach’s B Minor Mass, but in reality it’s probably the Be Good Tanyas or Billy Joel playing on the CD player. Such a relief probably after those silent journeys with me. I usually relent on the homeward leg, but I crave silence when I’m a passenger, and I’m now always a passenger, so I crave silence for my thoughts, such as they are.
 
While you are being the emerging artist – but probably on your way homeward - I have taken myself down to my city’s gallery and to an exhibition I’ve already seen. I have a task I’ve been promising myself to undertake: copying an exhibit. I arrive an hour before the gallery closes. I leave my bicycle behind the foyer desk. There are more staff about than visitors. It’s gloriously empty, but the young twenty-somethings invigilating the spaces group themselves strategically near adjoining rooms so they can talk (loudly) to each other. It’s Facebook chat, barely Twitter nonsense. I have to block it all out to focus on the four pages and a P.S of a sculptor’s letter to a critical friend. The sculptor is writing from springtime Cornwall on 6 March 1951. The critical friend will open the letter the next day (when there were 3 deliveries a day) and the Royal Mail invariably arrived on time. He’ll pick it up from his doormat before breakfast in grimy Leeds, though the leafy part near Roundhay Park. The sculptor begins by saying:
 
It is so difficult to find words to convey ideas!
 
In this so efficient Cambria typeface that introductory sentence loses so much of the muscle and flow of the human hand. Written boldly in black ink, and so full of purpose, I read it a month ago, a photocopy in a display case, and knew I had to capture it. And it’s here entire in my note book, on my desk, carefully copied, to share with you my darling, my kind friend, the young woman I hold dear, admire so much, become faint with longing for when, as she crosses that gallery where she has been hanging her work (in my imagination), I am caught as so often by her graceful steps and turn.
 
I don’t feel any difference of intent in or of mood when I paint (or carve) realistically, or when I make abstract carvings. It all feels the same – the same happiness and pain, the same joy in a line, a form, a colour – the same feeling at the end, The two ways of working flow into each other without effort  . . .
 
Outside my warm studio the snow has retreated east and I’ve opened the window to hear the Cathedral bells practising away, the city on a Tuesday night free of revellers, the clubs closed, the pubs quiet. In this building everyone has gone home except this obsessive musician who stays late to write to the woman he adores, who thinks a day is not a day lived without a letter to her at least, a poem if possible.
 
I’d quietly hoped to be with you tonight, but you must have something arranged as I suggested twice I might come, and you said it wasn’t necessary. But I have this letter, and something to write about. Alas, no poem. My muse is having the evening off and I am gently reconciled to the possibility of a few words on the telephone before bed.
The best chapter in the book
Most re-read pages of all

with creases on its once smooth edges
Your fingerprints on her pages

Yellow strikethrough markers drawn across her words

You have marked your territory
Made her yours

There is no denying it

The chemistry

Each time your eyes are fixed on Cambria

Her words come flooding through your medulla
A shock wave of euphoria mixed with jolts of guilt

Then you realize

Oh ****!!

She marked her territory!!!
She made you, HERS.

©Belema. S. Ekine
B Young May 2014
Hop hopeless off the L
searching for hell
"works" "works"
"subs" "subs"
"Bars" "Bars"
"Xanny Bars"
The Avenue Chant
Howl the diseased infected addicted ****
The Avenue Chant
an open drug bazaar is a beautiful thing for one playing the beautiful *****
Requiem for a Nightmare

You ask what I need
knowing what I want
Hop down the corner
You know the best spot
they got the fire
I got a house to burn
You ask, can I get one?
I think in first person with a laugh
perhaps I would give you a leg for one
I see you could use it
We keep walking
you keep limp, limp, limping down....
Cambria
Crutches clacking off the littered decaying pavement
The boys are out in town (when aren't they)
the block is hot (as always)
I wait around the corner
You do my ***** business
Our ***** business
Everyones ***** business
You swing back, deed done, dirt in hand
awwww
yeahhhhh
the stamp is cobra
I remember this ****. mm.
this **** is good
The printed snake swims up and out
siphoned from a tiny
baby
blue
bag
cleansing all insecurities, all fear, all humanity.

We limp along
You tell me how you ended up on these streets
wife kicked you out, job fired you, veterans insurance cut you.
The American dream as it looks, on Kensington streets,
circa2013
etc. etc. etc

I feel bad, but, not really, emotional skeleton,
Numbed.

I leave you with some rocks, not much,
then go off kicking
rocks all the way Redrocks
H>O<W
long can I continue without being caught in crosstalk.

A skinny white privileged boy from the suburbs
seeing his future
trotting away before his eyes
The
everlasting
haunting
crouching
limping
creature of death
A
rotten
old one
legged
......junk
Y
Calli Kirra Sep 2013
LA, Hollywood, I'm in love
Malibu, Palm Springs, what a rush
Santa Monica, girl you got it all
Glass table girls, "gimme a twirl"
NoHo, Big Bear, Cambria
Taste the sun, look at the view
The moon will teach you what to do
Flip that hair, we get down anywhere
Everywhere, look over there
In your underwear, wine on the stairs
Baby chill, who cares
Sjr1000 Feb 2014
We gathered
At
The lighthouse at Piedras Blancas
Called by an unknowable
Incandescent
Calling.
Carpenters
Electricians
Bums
Drifters
Grifters
Women doctors
Professors
Rangers
Mothers of young children
Truck drivers
Salesmen
Rascals
And the occasional party crashers
And
Me
A poet and wanderer by trade.

We were called to the ocean
To see.
We didn't know why
We traveled from far and wide
To
The spot at the lighthouse at Piedras Blancas
North of Cambria Pines
South of San Simeon
On the California coast
To
The spot we were summoned
To
Witness the rapidly out of control growing
Of the white mass on the skin of the ocean
Consuming
Wasting
Inch by inch
Foot by foot
Mile by mile
Devouring the ocean
Cells out of control
Determined by one pure drive
The drive to survive
Which ultimately would cause
All to die.

The voice we had heard
Was mother ocean
Wailing to the
Sun and moon
And
Stars
For her offspring
She would never see again...
Calli Kirra Dec 2014
I'll fall for you like running in the dark
Fall into your quivering heart
Your crystal eyes, and they'll cling to mine
Like Cambria clouds tumble into the night
And the chords you play will clutch to me,
Pull us ever closer, like the fog and streets
Any white room turns green from you,
I would do anything you wanted me to
Salil Panvalkar Sep 2015
My playlist on Youtube writes itself into a poem
It elicits Love, Lust, Loss anger along with a few other emotions
Ratatat takes me on a tour of Rome
PHOX shows me how to dance in Slow Motion
John Denver joins me on the tour of Country Roads

Highlight Tribe encourages me to Free Tibet
Bioshock Infinite do I dream of with Schyman Elizabeth
Kavinsky with his beats, urging me to Outrun
Lose Sight now and again with Andrew Bayer and Ane Burn

Abandoned Pools take me down the memory lane in Clone High
Foo Fighters whisper in my ear that I too can Learn To Fly
COCAINEJESUS, Akira, beats and samples; I have PINEAPPLEKISSES
Cloud Nothing reminds me that I should Stay Useless

Discover A Little Opus as I take a ride on Little Comets
Sky Rabbit opine and observe the present In Our Times
Joey Badass shares with me his funky ideals of World *******
Coheed and Cambria describe brotherhood in Key Entity Extraction

Geroge Ezra sings an ode to fathers in Listen to the Man
Perfect shows me the other side of the coin with Simple Plan
The Peppers tell a story of starting over covered in Snow
Shakey Graves says takes a chance and Roll the Bones

John Wayne Gacy Jr. the serial killer is immortalised by Sufjan Stevens
Imagine Dragons, the subconscious and fears come alive in Demons
Owl City tells a fantastic fable about insomnia in Fireflies
Ellie Goulding finds sweet slumber even in dark times in *Lights
One of those days when you want to do nothing but to feel.
And nothing makes me feel like music.
Valerie Csorba Feb 2015
It's getting hard to sleep because I've noticed every single thing you've touched on my bed smells exactly like you. I can almost feel you here holding me closely and not letting go, our fingers laced together so tightly we are nearly inseparable.

I'm trying to find the right words to describe you... but you're just too perfect. Every single word you say to me burrows into my brain like a parasite and will not leave its nest; reminding me constantly just how lucky I am to have you.

I am terrified that this is all a dream, that I'll feel myself falling off the edge of a building and my body will **** me awake before I splatter all over the ground and I won't know you as well as I do, or I won't get to know you as well as I want to.

I hugged you tightly that night as we lay together; and I'll tell you now that I  was afraid to fall asleep. The truth is I nearly cried as we held each other in the dark of my room, as Coheed and Cambria filled the air.

You see, last time I had held someone this close to me I was informed he wouldn't be there when I woke up because he will have gone home, leaving me with an empty space in my bed that I had not asked for. In fact, I had nearly begged him to stay so I didn't have to be alone... Just for one ******* night... but he disregarded anything I said. He left.

But, this time when I woke up the next morning I was warm from a loving embrace, which is something I had clearly never really felt before. I felt comforted instead of chilled from the cold shoulder of someone who shows very blatantly he doesn't give a **** about how he makes anyone feel.

And that morning, I received precious kisses on my shoulder blades as I struggled ever-so-gently to wake up and my heart nearly melted in your perfectly sculpted hands.

That morning I was woken up by shivers, butterflies, and happiness instead of drowning in a disgusting alcohol-free cocktail of misery, dread, and anxiety over all of the things I said wrong and needed to apologize for.

I was able to ******* live instead of recoil at the thought of any lonely days following... I was capable of laughter and sleeping without the aid of medication I never wanted to ******* take in the first place.

Happiness they call it... I forgot what that felt like.

It's simply sublime.
Anna Jun 2013
I miss nights
Where the saga
Of Coheed and Cambria
Filled my head.
When my violin sang
Sweetly in tune with my mind.
Tonight, there's nothing but silence
And all my instruments are sitting
Broken.
I have no more favorite albums
To sing me
Slowly
To sleep.
All I have is me
And a couple broken strings.
Daniel Dec 2017
IV
For my 20 years of existence.
I'm just a loner, depressed guy.
I never go out.
Never spoke with someone or even laugh out.
But this heroes I encountered is the best to tell y'all about.

When I was on my Highschool,
My cousin introduced me some cool music,
Some music I never listened before.
It all started from Red Jumpsuit Apparatus,
My Chemical Romance, Alesana, Blessthefall, and more.

But the one I remember most
And the one I'm still loving to listen is Coheed and Cambria.
Their album Good Apollo, I'm Burning Star IV, Vol. 1 is a gem.
I just imagined myself floating in some equilibrium
With their tracks in it.

Ah man, I'm so lucky I encountered them.
Bless their sweet souls.
Jay earnest Jul 2023
I was genuinely an evil person to my ex
I made you feel low
And devoid of all self worth

I abused you mentally and physically
Dehumanized you
Made you feel like trash
But I was ultimately projecting my own lack of self worth
And there's not much to learn here
But I
Was a ******* and I'm sorry

I hope I learn my lesson for real.
I deserve it, because I
feel it in my soul and it
   hurts
even now
Alias Adobe Jenson Albertus Aldus here
wed Alexandria (Algerian, an all around
American Typewriter gal) scattershot
with Antiqua ancestry, she told me
after I Aster while Aurora Borealis

shimmered overhead, while temporarily
embarking on long day's
journey into night
("yule Jean," I uttered
for no particular reason,
while taking a knee).

Upon spontaneous spur of moment
(not prematurely *******)
whim we pledged our troth
courtesy local Justice of the peace

at a pitstop named Baskerville
renown for landmark Bell
designed by Georg Belwe
in collaboration with inscription
by poet and cleric Pietro Bembo.

Whatsapp parent tis obvious influence
upon Berkeley Old Style,
plus subtle nuances difficult to discern,
nonetheless affecting one
Bernhard Modern as well

incorporating bankrupt trumpeting
apprentice Giambattista Bodoni
envisioning aspiring career as Bookman
titling initial publication;
The art of the deal.

Linkedin to aforementioned
aliens perhaps...maybe...
lost tribes of Israel long since
swept into dustbin of history,

a puzzling hyperlinked conjunction,
but with nebulous, mysterious,
gaseous, ambiguous
personage, and/or place
merely identified as Bulmer.

As iterated, we decamped
in proximity to Caledonia known to me,
a transplanted Californian FB,
who spent countless blocks of time
shuttling to and fro Calisto MT,
where pennies pitched into
fountainhead with Atlas shrugged.

Thee above ayn nee auld
rand (dom) blurb
invites intimations, yes...
viz pre Cambria yen
humanity awoke, where

sophisticated indigenous peoples
sparsely outnumbered,
they nonetheless compensated
minuscule population size
vis a vis did intriguingly fashion
(bug a boo)

underground elaborate Capitals
two identified as Cartier,
and Caslon Wyld
housing many a "FAKE" Antique,
circa Fifteenth Century
purported predecessors of Catull farmers

easily mistaken for garden variety
prehistoric Asian Tsen
Centaur re: yen creature,
what with Century Old Style,
Century Schoolbook,

New Century Schoolbook,*

Century Schoolbook Infant
teenage ninja mutant turtle vestige
aligning their (ain't fib)
be yen cool visionaries,
donning tortoise shell bifocals,
otherwise affixed i.e. born that way

with poker faced purblind outlook,
and whose shockproof
shell acted carapace
tricked out to unseen observer
as an eye opening spectacle.
In Times New Roman, I font
to hitch wagon to a star.

Alias Adobe Jenson Albertus Aldus here
wed Alexandria (Algerian, an all around
American Typewriter gal) scattershot
with Antiqua ancestry, she told me
after I Aster while Aurora Borealis

shimmered overhead, while temporarily
embarking on long day's
journey into night
("yule Jean," I uttered
for no particular reason,
while taking a knee).

Upon spontaneous spur of moment
(not prematurely *******)
whim we pledged our troth
courtesy local Justice of the peace

at a pitstop named Baskerville
renown for landmark Bell
designed by Georg Belwe
in collaboration with inscription
by poet and cleric Pietro Bembo.

Whatsapp parent tis obvious influence
upon Berkeley Old Style,
plus subtle nuances difficult to discern,
nonetheless affecting one
Bernhard Modern as well

incorporating bankrupt trumpeting
apprentice Giambattista Bodoni
envisioning aspiring career as Bookman
titling initial publication;
The art of the deal.

Linkedin to aforementioned
aliens perhaps...maybe...
lost tribes of Israel long since
swept into dustbin of history,

a puzzling hyperlinked conjunction,
but with nebulous, mysterious,
gaseous, ambiguous
personage, and/or place
merely identified as Bulmer.

As iterated, we decamped
in proximity to Caledonia known to me,
a transplanted Californian FB,
who spent countless blocks of time
shuttling to and fro Calisto MT,
where pennies pitched into
fountainhead with Atlas shrugged.

Thee above ayn nee auld
rand (dom) blurb
invites intimations, yes...
viz pre Cambria yen
humanity awoke, where

sophisticated indigenous peoples
sparsely outnumbered,
they nonetheless compensated
minuscule population size
vis a vis did intriguingly fashion
(bug a boo)

underground elaborate Capitals
two identified as Cartier,
and Caslon Wyld
housing many a "FAKE" Antique,
circa Fifteenth Century
purported predecessors of Catull farmers

easily mistaken for garden variety
prehistoric Asian Tsen
Centaur re: yen creature,
what with Century Old Style,
Century Schoolbook,
New Century Schoolbook,

Century Schoolbook Infant
teenage ninja mutant turtle vestige
aligning their (ain't fib)
be yen cool visionaries,
donning tortoise shell bifocals,
otherwise affixed i.e. born that way

with poker faced purblind outlook,
and whose shockproof
shell acted carapace
tricked out to unseen observer
as an eye opening spectacle.
m Jun 2023
we felt it coming, or I did
  and we watched it for some time
  watched the shadow of something bigger than our imaginations
  that should have been soft and lively
  fall. and by the time it was to us, it had bloated
  bulbous in the abyss

but more time has passed, it may have been years,
  and we have found way to eat it,
  scuttling and gleaming.

there are more of us than it felt. crawling out of the
  sand, immobile for eons, staring as stars fell from
  the sky, or nasty anglerfish, or from ourselves.

but this meteor is nurturing. our own little cambria,
  and we spring to action, claw in claw,
  turning rot into joy
Qualyxian Quest Jan 2023
So I see the sign that says Cambria
On my drive into DC
Might be a hotel
Not sure

I once saw a Welsh Dragon
Painted on a car
Drove past quick
A blur

The problem with being heterosexual
Is
You spend 35 years thinking
About her

That don't look a thing like me
You must be joking
I said
I wish I were

                      No tenure.
Jay earnest Sep 2023
They persist and feast on my **** which is gelatinous and sickly
& paraded by the local
satanic convention

I'm awake at 7am
& Have managed to dream about crickets in prayer

I have no boss
But I still feel subjugated. Maybe some day
I'll be free
when my corneas are fitted for the massacre

I used to love
someone
named Cambria,
now she
sits behind glass unaware
of my existence;
I saw this coming

— The End —