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"calvary" poems
348 I dreaded that first Robin, so, But He is mastered, now, I’m accustomed to Him grown, He hurts a little, though— I thought If I could only live Till that first Shout got by— Not all Pianos in the Woods Had power to mangle me— I dared not meet the Daffodils— For fear their Yellow Gown Would pierce me with a fashion So foreign to my own— I wished the Grass would hurry— So—when ’twas time to see— He’d be too tall, the tallest one Could stretch—to look at me— I could not bear the Bees should come, I wished they’d stay away In those dim countries where they go, What word had they, for me? They’re here, though; not a creature failed— No Blossom stayed away In gentle deference to me— The Queen of Calvary— Each one salutes me, as he goes, And I, my childish Plumes, Lift, in bereaved acknowledgment Of their unthinking Drums—
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I dreaded that first Robin, so
Dear God, I heard so much about you Until it is burning me in my heart I want to tell you how I feel, but I don’t know where to start. They say that you are the answer To the way I feel inside And once I am in you, I will Have something to be my guide I picked up the bible that Had collected dust on the shelf I decided to read it and find out for myself. I read about how they nailed your Precious body to the cross, And the reason for this; was to Save that which was lost. Tears poured from my eyes as Joy overtook my soul I found a lot out about you that I was never told. I read about Job and All that he went through And the three Hebrew boys That had all faith in you I just had to write you Jesus And let you know how I feel No matter what I am told; In my heart I believe you are real. As long as I have your spirit, I will never be alone You told me if I hold on, You would give me a new home. I am taking you at your word Because it means a lot to me The day you died on Calvary, It was to set me free. Thank you for bringing me out of the world And giving me a brand new life I promise to keep your commandments And do that which is right I promise to teach my children To obey every law And not let a day go by Without you being in their thoughts I have to go now Jesus And share you with someone else As much as I want to, I can’t keep you to myself. I want to thank you for saving me, And being my friend I thank you for your love, And your grace unto the end. Love Your Precious, Precious Child
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Jul 20, 2016
Jul 20, 2016 at 8:43 PM UTC
A letter to God
Dear God, I heard so much about you Until it is burning me in my heart I want to tell you how I feel, but I don’t know where to start. They say that you are the answer To the way I feel inside And once I am in you, I will Have something to be my guide I picked up the bible that Had collected dust on the shelf I decided to read it and find out for myself. I read about how they nailed your Precious body to the cross, And the reason for this; was to Save that which was lost. Tears poured from my eyes as Joy overtook my soul I found a lot out about you that I was never told. I read about Job and All that he went through And the three Hebrew boys That had all faith in you I just had to write you Jesus And let you know how I feel No matter what I am told; In my heart I believe you are real. As long as I have your spirit, I will never be alone You told me if I hold on, You would give me a new home. I am taking you at your word Because it means a lot to me The day you died on Calvary, It was to set me free. Thank you for bringing me out of the world And giving me a brand new life I promise to keep your commandments And do that which is right I promise to teach my children To obey every law And not let a day go by Without you being in their thoughts I have to go now Jesus And share you with someone else As much as I want to, I can’t keep you to myself. I want to thank you for saving me, And being my friend I thank you for your love, And your grace unto the end. Love Your Precious, Precious Child
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54
549 That I did always love I bring thee Proof That till I loved I never lived—Enough— That I shall love alway— I argue thee That love is life— And life hath Immortality— This—dost thou doubt—Sweet— Then have I Nothing to show But Calvary—
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That I did always love
I'm not your saint, I am the thorn, I'm the havoc you will mourn. I cradled your heart, and bore this taste, I smeared the carnage upon your face. I took control, I snapped your will, I taught you ****** not to **** I ***** the violence, I made it raw, I captivated hate with awe. I stole your disgust and made it mine, put your filth upon this shrine. I abused the knowledge, twisted your fame, in hope that I could be your blame. I craved your envy, seduced your lust, I shattered the belief that held your trust. I made you all of which that you are not, I am the decay which your body will rot. Sabotaged your tender whims to mend, to prove to you, that I do not bend. Who had the control, was it me or you, I will show you just what love can do. Make you a God and then tear you down, Lets show the world your painted crown. The throne of cardboard, easy to inflame, Your blood of Calvary, a stench of shame.
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Nov 14, 2012
Nov 14, 2012 at 6:00 PM UTC
Be thy shame - 2008
(co-written by Sharon Robinson) Everybody knows that the dice are loaded Everybody rolls with their fingers crossed Everybody knows that the war is over Everybody knows the good guys lost Everybody knows the fight was fixed The poor stay poor, the rich get rich That's how it goes Everybody knows Everybody knows that the boat is leaking Everybody knows the captain lied Everybody got this broken feeling Like their father or their dog just died Everybody talking to their pockets Everybody wants a box of chocolates And a long stem rose Everybody knows Everybody knows that you love me baby Everybody knows that you really do Everybody knows that you've been faithful Ah give or take a night or two Everybody knows you've been discreet But there were so many people you just had to meet Without your clothes And everybody knows Everybody knows, everybody knows That's how it goes Everybody knows Everybody knows, everybody knows That's how it goes Everybody knows And everybody knows that it's now or never Everybody knows that it's me or you And everybody knows that you live forever Ah when you've done a line or two Everybody knows the deal is rotten Old Black Joe's still pickin' cotton For your ribbons and bows And everybody knows And everybody knows that the Plague is coming Everybody knows that it's moving fast Everybody knows that the naked man and woman Are just a shining artifact of the past Everybody knows the scene is dead But there's gonna be a meter on your bed That will disclose What everybody knows And everybody knows that you're in trouble Everybody knows what you've been through From the ****** cross on top of Calvary To the beach of Malibu Everybody knows it's coming apart Take one last look at this Sacred Heart Before it blows And everybody knows Everybody knows, everybody knows That's how it goes Everybody knows Oh everybody knows, everybody knows That's how it goes Everybody knows Everybody knows
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Everybody Knows
(co-written by Sharon Robinson) Everybody knows that the dice are loaded Everybody rolls with their fingers crossed Everybody knows that the war is over Everybody knows the good guys lost Everybody knows the fight was fixed The poor stay poor, the rich get rich That's how it goes Everybody knows Everybody knows that the boat is leaking Everybody knows the captain lied Everybody got this broken feeling Like their father or their dog just died Everybody talking to their pockets Everybody wants a box of chocolates And a long stem rose Everybody knows Everybody knows that you love me baby Everybody knows that you really do Everybody knows that you've been faithful Ah give or take a night or two Everybody knows you've been discreet But there were so many people you just had to meet Without your clothes And everybody knows Everybody knows, everybody knows That's how it goes Everybody knows Everybody knows, everybody knows That's how it goes Everybody knows And everybody knows that it's now or never Everybody knows that it's me or you And everybody knows that you live forever Ah when you've done a line or two Everybody knows the deal is rotten Old Black Joe's still pickin' cotton For your ribbons and bows And everybody knows And everybody knows that the Plague is coming Everybody knows that it's moving fast Everybody knows that the naked man and woman Are just a shining artifact of the past Everybody knows the scene is dead But there's gonna be a meter on your bed That will disclose What everybody knows And everybody knows that you're in trouble Everybody knows what you've been through From the ****** cross on top of Calvary To the beach of Malibu Everybody knows it's coming apart Take one last look at this Sacred Heart Before it blows And everybody knows Everybody knows, everybody knows That's how it goes Everybody knows Oh everybody knows, everybody knows That's how it goes Everybody knows Everybody knows
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553 One Crucifixion is recorded—only— How many be Is not affirmed of Mathematics— Or History— One Calvary—exhibited to Stranger— As many be As persons—or Peninsulas— Gethsemane— Is but a Province—in the Being’s Centre— Judea— For Journey—or Crusade’s Achieving— Too near— Our Lord—indeed—made Compound Witness— And yet— There’s newer—nearer Crucifixion Than That—
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One Crucifixion is recorded—only
Dry land, quiet land of night's immensity. (Wind in the olive groves, wind in the Sierra.) Ancient land of oil lamps and grief. Land of deep cisterns. Land of death without eyes and arrows. (Wind on the roads. Breeze in the poplar groves.) Village Upon a barren hill, a Calvary. Clear water and century-old olive trees. In the narrow streets, men hidden under cloaks, and on the towers the spinning vanes. Forever spinning. Oh, village lost in the Andalucia of tears! Dagger The dagger enters the haert the way plowshares turn over the wasteland. No. Do not cut into me. No. Like a ray of sun, the dagger ignites terrible hollows. No. Do not cut into me. No. Crossroads East wind, a street lamp and a dagger in the heart. The street quivers like tightly pulled string, like a huge, buzzing horsefly. Everywhere, I see a dagger in the heart. Ay! The cry leaves shadows of cypress upon the wind. (Leave me here, in this field, weeping.) The whole world's broken. Only silence remains. (Leave me here, in this field, weeping). The darkened horizon's bitten by bonfires. (I've told you already to leave me here, in this field, weeping.) Surprise He lay dead in the street wit ha dagger in his chest. Nobody knew who he was. How the streep lamp flickered! Mother of god, how the street lamp faintly flickered! It was dawn. Nobody could look up, wide-eyed, into the glare. And he lay dead in the street with a dagger in his chest, and nobody knew who he was. Soleá Wearing black mantillas, she thinks the world is tiny and the heart immense. Wearing black mantillas. She thinks that tender sighs and cries disappear into currents of wind. Wearing black mantillas. The door was left open, and at dawn the entire sky emptied onto her balcony. Ay, yayayayay, wearing black mantillas. Cave From the cave come endless sobbings. (Purple over red.) The gypsy calls forth the distance. (Tall towers and mysterious men.) In an unsteady voice his eyes wander. (Black over red.) And the white-washed cave trembled in gold. (White over red.) Encounter For you and I aren't ready to find each other. You... as you well know. I loved her so much! Follow the narrowest path. I have holes in my hands from the nails. Can't you see how I'm bleeding to death? Don't look back, go slowly, and pray as I do to San Cayetano for you and I aren't ready to find each other. Dawn Bells of Cordoba in the early morning. Bells of Granada at dawn. You are felt by all the girls who weep to the tender, weeping Solea. The girls of upper Andalucia, and of lower. You girls of Spain, with tiny feet and trembling skirts, who've filled the crossroads with crosses. Oh, bells of Cordoba in the early morning, and, oh, the bells of Granada at dawn!
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Poem of the Soleá
Dry land, quiet land of night's immensity. (Wind in the olive groves, wind in the Sierra.) Ancient land of oil lamps and grief. Land of deep cisterns. Land of death without eyes and arrows. (Wind on the roads. Breeze in the poplar groves.) Village Upon a barren hill, a Calvary. Clear water and century-old olive trees. In the narrow streets, men hidden under cloaks, and on the towers the spinning vanes. Forever spinning. Oh, village lost in the Andalucia of tears! Dagger The dagger enters the haert the way plowshares turn over the wasteland. No. Do not cut into me. No. Like a ray of sun, the dagger ignites terrible hollows. No. Do not cut into me. No. Crossroads East wind, a street lamp and a dagger in the heart. The street quivers like tightly pulled string, like a huge, buzzing horsefly. Everywhere, I see a dagger in the heart. Ay! The cry leaves shadows of cypress upon the wind. (Leave me here, in this field, weeping.) The whole world's broken. Only silence remains. (Leave me here, in this field, weeping). The darkened horizon's bitten by bonfires. (I've told you already to leave me here, in this field, weeping.) Surprise He lay dead in the street wit ha dagger in his chest. Nobody knew who he was. How the streep lamp flickered! Mother of god, how the street lamp faintly flickered! It was dawn. Nobody could look up, wide-eyed, into the glare. And he lay dead in the street with a dagger in his chest, and nobody knew who he was. Soleá Wearing black mantillas, she thinks the world is tiny and the heart immense. Wearing black mantillas. She thinks that tender sighs and cries disappear into currents of wind. Wearing black mantillas. The door was left open, and at dawn the entire sky emptied onto her balcony. Ay, yayayayay, wearing black mantillas. Cave From the cave come endless sobbings. (Purple over red.) The gypsy calls forth the distance. (Tall towers and mysterious men.) In an unsteady voice his eyes wander. (Black over red.) And the white-washed cave trembled in gold. (White over red.) Encounter For you and I aren't ready to find each other. You... as you well know. I loved her so much! Follow the narrowest path. I have holes in my hands from the nails. Can't you see how I'm bleeding to death? Don't look back, go slowly, and pray as I do to San Cayetano for you and I aren't ready to find each other. Dawn Bells of Cordoba in the early morning. Bells of Granada at dawn. You are felt by all the girls who weep to the tender, weeping Solea. The girls of upper Andalucia, and of lower. You girls of Spain, with tiny feet and trembling skirts, who've filled the crossroads with crosses. Oh, bells of Cordoba in the early morning, and, oh, the bells of Granada at dawn!
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[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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Mar 9, 2014
Mar 9, 2014 at 10:01 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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1072 Title divine—is mine! The Wife—without the Sign! Acute Degree—conferred on me— Empress of Calvary! Royal—all but the Crown! Betrothed—without the swoon God sends us Women— When you—hold—Garnet to Garnet— Gold—to Gold— Born—Bridalled—Shrouded— In a Day— Tri Victory “My Husband”—women say— Stroking the Melody— Is this—the way?
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Title divine—is mine!
The power of contentment is a strong force, composed of the sense of inward sufficiency; for we’ve been promised the strength to succeed when we open spiritual eyes and dare to see… His divine plan of grace and abundance for us. Christ, the Alpha and Omega, beginning and end, demonstrated His Love with actions at Calvary, giving us the privilege to be called His friend. We should not be worried about personal needs, for we’ve been equipped to address all of them; study The Word, apply His principles to your life and you’ll enjoy Life, without feeling condemned. For contentment has nothing to do with your wants; it’s being satisfied on the way to where you’re going. Boldly ask God for wisdom; trust Him and His timing; continue to be blessed by the seeds you are sowing. Don’t be affected by Life-stealing, negative emotions; find your identity of being one of His girls and boys; real contentment is the underlying power to be happy- learn to lean on Biblical promises and the Lord’s joy! . . . Author Notes: Loosely based on: Rom 11:36; 1 Tim 6:6; Eph 3:20; Jam 4:2; Phil 4:11-13; John 3:16-17 Learn more about me and my poetry at: http://amzn.to/1ffo9YZ By Joseph J. Breunig 3rd, © 2014, All rights reserved.
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May 1, 2014
May 1, 2014 at 1:49 PM UTC
Poem: Power of Contentment
Jesus! We shout out in shame as we are looking for someone else to blame. Lord! We exclaim in vain as we look to see the falling rain. Oh God! We report in a storm filled with salt as we decide it is not our fault. We know it we say it but do we believe it ? Use our heart Just help us start On Calvary our heart's he won So shout it out to the Son!
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Oct 1, 2011
Oct 1, 2011 at 9:58 AM UTC
Shout!
364 The Morning after Woe— ’Tis frequently the Way— Surpasses all that rose before— For utter Jubilee— As Nature did not care— And piled her Blossoms on— And further to parade a Joy Her Victim stared upon— The Birds declaim their Tunes— Pronouncing every word Like Hammers—Did they know they fell Like Litanies of Lead— On here and there—a creature— They’d modify the Glee To fit some Crucifixal Clef— Some Key of Calvary—
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The Morning after Woe
You were beaten and bruised, for the sinful likes of me; three nails pierced Your flesh, as You were hung… at Calvary. An unthinkable act of Love was cruelly executed for me; for You took the punishment, that had been… meant for me! With forgiveness on Your breath, You requested a pardon for those, who carried out judgment on You, as a death sentence was imposed. A spear was ****** in Your side, as Your demise was underscored; when it was mundanely removed, both blood and water had poured. [chorus] On The Cross of Calvary, Love was brokenhearted; Salvation was paid in full; Grace’s flow was started. [bridge] We don’t fully understand, God’s goodness towards us; Sin’s debt was wiped out, by the sacrifice of Jesus. We adore Him, since Christ had truly loved us first; He bore the painful brunt of payment for Sin’s curse. . . . Author notes Inspired by: 1 Pet 2:24; Gal 3:10-14; 1 John 4:19 Learn more about me and my poetry at: http://amzn.to/1ffo9YZ By Joseph J. Breunig 3rd, © 2016, All rights reserved.
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Feb 20, 2016
Feb 20, 2016 at 8:37 PM UTC
Poem: On The Cross of Calvary
725 Where Thou art—that—is Home— Cashmere—or Calvary—the same— Degree—or Shame— I scarce esteem Location’s Name— So I may Come— What Thou dost—is Delight— ******* as Play—be sweet— Imprisonment—Content— And Sentence—Sacrament— Just We two—meet— Where Thou art not—is Woe— Tho’ Bands of Spices—row— What Thou dost not—Despair— Tho’ Gabriel—praise me—Sire—
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Where Thou art—that—is Home
∙∙∙◦◦•◎•◦◦∙∙∙ A God of everything From my hopes to my dreams and even more.. A miracle of the world from its earthly to the heavenly everyone adores.. A wonder to my eyes from man whose blinded faith he lets them see.. A voice of my song symphonies of life lose its note you conduct a new.. An ark of Le voyage sailing tides of shore to shore trod waters core.. A blimp up above gracing colors of glacial on air everlasting he care.. A rock of revelation standing every storm to storm Avant is his norm.. A shepherd of lambs from my heart whilst was lost to him, I found.. A cross to my soul were Calvary’s sins he bargains a new life regained..
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Jul 22, 2017
Jul 22, 2017 at 11:22 AM UTC
God of Wonders ✞
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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Apr 7, 2015
Apr 7, 2015 at 12:42 PM UTC
Original Content (Pt. 1, 2 & 3 With Commentary)
[PART ONE] xeroxed, RT'd and plagiarized so many times on so many blogs tween blogs to republican blogs to blogs in Russia and blogs no one ever scrolls though... original content is prey but I have a warning for they: overrated, over-shared content aggregators beware the lines you swap can rot and ware the World Wide Web does not care. [PART TWO] original content original contests original continent original controversy original coordination between strangers original calvary riding their connection into the battlefield of internet memes; creating nothing and sharing everything [COMMENTARY] original nothing, nowhere, nobody except facebook "Funny Vidoes!" & "Cool Quotes!". 'Like' pages whose sole originality lies within their own existence but nothing they share. They steal from the rest of the web and re-post what they find for out-of-the-loop troglodytes; often done so in inferior context and with no perspective. The 'refried beans' phenomenon, I call it. I find it fitting because 'refried beans' are a double misnomer. The name comes from 'frijoles refritos' - which means 'well-fried' not 'refried'. They are also never traditionally fried more than once. Yet the name sticks, it gets repeated, it gets re-shared and now that's what they are: refried beans. This phenomenon is why I believe art and all original content eventually become so over-shared and overrated that it's no longer interesting but irritating. These three parts of the poem "Original Content" are separated in abstract authorial presentation. The author has clearly expressed his dislike for the disjunct un-imagination of the internet and presents it as such. [PART THREE] original authors losing control of their audiences who believe they are the creators and the artist's art is somewhat shareable original miscommunication between web 1.0 and web 2.0 reality original alphabet they use to type on their keyboards original grammar they learned in school original money their gov't printed original content they re-post original refried beans original content orginal contet ogrinal cotent ognal ctt oc .
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37
*And I fight hard,fighting the battles all alone It doesn't matter whether I lose but I have to win So I fight with love and courage in my bone I fight for brothers and sisters gone Getting filth of guilt on my soul hitherto clean And I fight hard,fighting the battles all alone I ensure my foes regret why they were born Slaying them with neither Calvary nor shoulder on which to lean So I fight with love and courage in my bone Its for my people's safety and for my own I don't want to see them chained in slavery where I've been And I fight hard,fighting the battles all alone I want them to cross to safety and not drown in jeers and scorn To blind their sight to the injustice and despair I've seen So I fight with love and courage in my bone I wont dare let my family groan and moan I can't forgive myself if they are trapped between And I fight hard,fighting the battles all alone So I fight with love and courage in my bone*
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Jul 20, 2015
Jul 20, 2015 at 4:43 AM UTC
I FIGHT MY BATTLES
[Verse 1] Baby, I’ve got a bad wander lust Probably cuz I’m trying to get a head rush The white ponies come to tie me down But they don’t know I want them now I’m covered in my own desire And that reminder won’t make me cower I’m hungry for the flash of white For numbness in the cold of night [Chorus] Baby, it’s that wonder dust Got me aching to get a head rush I know they are coming to get me Coming to get me, the ******* cavalry I know pain comes when they are gone I know it’s wrong, but it has been too long I’ve got my arms spread open wide For them to come and jump inside They’re coming to get me Coming to get me The ******* Cavalry [Verse 2] I know what they want, and I can’t wait Their bittersweet tang I long to taste They will be here when I die But at least I will be riding high The cavalry won’t stop until My nose is packed, my brain is filled I can’t wait until that last day When all the pain has gone away [Verse 3] I know you don’t see me like this But it would be my dying wish For my mind to fly upon white doves And reach the place so far above My face will never feel the pain For the cavalry will have done its thing They medicated all my soul And now I’ll never feel the cold
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Jan 13, 2011
Jan 13, 2011 at 8:39 AM UTC
******* Calvary
I've been waiting on top Of Calvary Hill Watching the whole world go by While I'm perfectly still And as the winds of change blow over My soul begins to break away But I'm holding for the moment My suffering will end I'm waiting Waiting I'm waiting Waiting on top I'm waiting in the darkness Of a bottomless pit Crying out loud to my brothers As they walk away And as the silver falls into their hands My heart begins to break But I'm holding for the moment My suffering will end I'm waiting Waiting I'm waiting Waiting in the darkness I'm waiting in the desert Of a foreign land Driven from my home By the kingdom of man And I can still hear their screams I have to leave them behind me But I'm holding for the moment My suffering will end I'm waiting Waiting I'm waiting Waiting in the desert I'm waiting in the valley In the shadow of a man Curses leave his lips As a stone leaves my hand I bet my life on a promise And I'm holding for the moment My suffering will end I'm waiting Waiting I'm waiting Waiting in the valley I'm waiting in the furnace The flames roaring high Condemned to be burned For the King I can't deny Though the world believes I'm done My battle has already been won I'm not alone And we're holding for the moment My suffering will end I'm waiting Waiting I'm waiting Waiting in the fire I've been waiting on top Of Calvary Hill Watching the whole world go by While I'm perfectly still And as the winds of change blow over My soul begins to break away But I'm holding for the moment My suffering will end
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Oct 19, 2020
Oct 19, 2020 at 12:38 AM UTC
Waiting
I've been waiting on top Of Calvary Hill Watching the whole world go by While I'm perfectly still And as the winds of change blow over My soul begins to break away But I'm holding for the moment My suffering will end I'm waiting Waiting I'm waiting Waiting on top I'm waiting in the darkness Of a bottomless pit Crying out loud to my brothers As they walk away And as the silver falls into their hands My heart begins to break But I'm holding for the moment My suffering will end I'm waiting Waiting I'm waiting Waiting in the darkness I'm waiting in the desert Of a foreign land Driven from my home By the kingdom of man And I can still hear their screams I have to leave them behind me But I'm holding for the moment My suffering will end I'm waiting Waiting I'm waiting Waiting in the desert I'm waiting in the valley In the shadow of a man Curses leave his lips As a stone leaves my hand I bet my life on a promise And I'm holding for the moment My suffering will end I'm waiting Waiting I'm waiting Waiting in the valley I'm waiting in the furnace The flames roaring high Condemned to be burned For the King I can't deny Though the world believes I'm done My battle has already been won I'm not alone And we're holding for the moment My suffering will end I'm waiting Waiting I'm waiting Waiting in the fire I've been waiting on top Of Calvary Hill Watching the whole world go by While I'm perfectly still And as the winds of change blow over My soul begins to break away But I'm holding for the moment My suffering will end
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One ever hangs where shelled roads part. In this war He too lost a limb, But His disciples hide apart; And now the Soldiers bear with Him. Near Golgotha strolls many a priest, And in their faces there is pride That they were flesh-marked by the Beast By whom the gentle Christ's denied The scribes on all the people shove And bawl allegiance to the state, But they who love the greater love Lay down their life; they do not hate
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At a Calvary Near the Ancre
561 I measure every Grief I meet With narrow, probing, Eyes— I wonder if It weighs like Mine— Or has an Easier size. I wonder if They bore it long— Or did it just begin— I could not tell the Date of Mine— It feels so old a pain— I wonder if it hurts to live— And if They have to try— And whether—could They choose between— It would not be—to die— I note that Some—gone patient long— At length, renew their smile— An imitation of a Light That has so little Oil— I wonder if when Years have piled— Some Thousands—on the Harm— That hurt them early—such a lapse Could give them any Balm— Or would they go on aching still Through Centuries of Nerve— Enlightened to a larger Pain— In Contrast with the Love— The Grieved—are many—I am told— There is the various Cause— Death—is but one—and comes but once— And only nails the eyes— There’s Grief of Want—and Grief of Cold— A sort they call “Despair”— There’s Banishment from native Eyes— In sight of Native Air— And though I may not guess the kind— Correctly—yet to me A piercing Comfort it affords In passing Calvary— To note the fashions—of the Cross— And how they’re mostly worn— Still fascinated to presume That Some—are like My Own—
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I measure every Grief I meet
As I sat there praying on my knees. I thought of what Jesus did for me. How he shed his blood on calvary So that satan's shackles on man would be broken free. How could someone so powerful and perfect, Have so much love and compassion for the unworthy? This is the love I want to share with others He said "delight in giving to one another," “be quick to forgive" So I lift my hands in joy for what Jesus did. his love hung for hours on a tree so that people all over the world could be set free. That, my friend, is what Jesus did for me.
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Jun 6, 2017
Jun 6, 2017 at 1:41 AM UTC
What Jesus did for me
Memories, just faded memories By alan spivey Looking out my window, Eleanor is playing on the old rope swing that’s hanging down from the old oak tree. Mary is walking up the steps from going into town to open my front door. The horses are whining and ready to rest from their long ride. The carriage so black and shiny stands there with pride. The Calvary just passed on their way to who knows, since I can’t move to see what’s going on, my bones are crackling I am getting old. Memories, just faded memories, Eleanor isn't there the swing has fallen years ago the old yellow ribbon Mary tied for her husband who never came back home only a little piece still shows on that old oak tree. My doors swing open and closed with the wind, my window has since been broken. I .. I still see Mary and Eleanor but they never come through my doors or play on the old swing. They just fade away like faded memories. I am old my bones are crackling I am falling down more often for I am their house I am whom Mary’s husband made for her before he went to war. Memories, faded memories
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Jun 9, 2013
Jun 9, 2013 at 5:15 PM UTC
Memories, just faded memories