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"calico" poems
In Oklahoma, Bonnie and Josie, Dressed in calico, Danced around a stump. They cried, "Ohoyaho, Ohoo" ... Celebrating the marriage Of flesh and air.
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13.7k
Life Is Motion
I Calico Pie, The little Birds fly Down to the calico tree, Their wings were blue, And they sang 'Tilly-loo!' Till away they flew,-- And they never came back to me! They never came back! They never came back! They never came back to me! II Calico Jam, The little Fish swam, Over the syllabub sea, He took off his hat, To the Sole and the Sprat, And the Willeby-Wat,-- But he never came back to me! He never came back! He never came back! He never came back to me! III Calico Ban, The little Mice ran, To be ready in time for tea, Flippity flup, They drank it all up, And danced in the cup,-- But they never came back to me! They never came back! They never came back! They never came back to me! IV Calico Drum, The Grasshoppers come, The Butterfly, Beetle, and Bee, Over the ground, Around and around, With a hop and a bound,-- But they never came back to me! They never came back! They never came back! They never came back to me!
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Calico Pie
It's like that time the windows blew open, And the gust carried snow in towards us, Us huddled on the couch under that calico crocheted blanket, And I looked at you, corners of my mouth pulled down, And you, You sighed, and shrugged, Removed your arm from around my comfortable shoulders, Struggled up and over to wrestle the pane And lock the shutters, And when you sat back down, you looked at me, And all I had to do was smile. It's like that time when we packed a picnic to the park, And we only made it so far as the lake Before our stomachs rumbled and your grumbling gave us an early lunch, And then after, lay in the grass, pointing out All the obscurities of our imaginations in the clouds. It's like that time I came home, So tired and worn out, Hair askew with a smudge of dirt on my cheek, And the lights were out, but you had lined the hall To the bathroom with candles, And as I made my way through their soft, whispering light Towards the escaping tendrils of steam, You jumped from the dark, Stifling my shriek with a hug. It's like that time I realized that I loved you, It's like that time right now.
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Nov 13, 2012
Nov 13, 2012 at 12:53 PM UTC
That Time
i saw the greater part of creation succumb to the piracy of numbness- the nimbus rage of torpedo cigars blowing blue-grey smoke into the dark lashes of love-struck little ***** thirsty angels with tangled curls of hair bashing their heads against bathroom walls screaming under their breath, not enough. i saw the green plastic- and her orange eyes and the soap-bubbles on the sidewalk and the soap frothing all over the sidewalk and the glass that took off like pristine bullets in every direction and- blood running over the cum-covered lip of the curb, flowing into the street- down to the drain, dripping into the hungry orifices of the big metal grate into sewer pipe salvation- destination unhindered by your humanity. god, this must be insanity and not even the good kind. but let's go watch the fire-works up on the roof- crawl out the attic window i let you go first to watch the electric calico trickle down your legs like a promise. i like the birds that fly in and out of your hair- the handkerchief at your hip, i like the crazy and the cool- the too cute for comfort and the fake angsty danger of your darkside. like morphine- the band or the drug? you're ironically detached with your semi-satanic languidity- and overdue serenity [i got a few overdue books at the library.] [they closed the library a long time ago.] i like to play catch with your presence- our eyes with the back-and-forth, the half-sent glances when we think the other isn't looking. but we were always looking- or at least i was always looking at you. i could see half inside of you. you were always half-naked- in the scanty rags of the latest fashion. when you breathed it was like nectarine noises- and muffled yelps of love. i watched your shirt move up and down on your chest and told you about "never knows best" it seems i've seen the greater part of creation succumb to the supreme softness and the best laid plans of motorcycles and mini-vans fall to pieces in my palms. and you were the greatest creation i saw on the roof that day. don't bat another pretty little eyelash at those tiny flashing pieces that go past like ricochets it's just one more night of strangeness and then you can be free again.
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Jul 11, 2012
Jul 11, 2012 at 1:34 AM UTC
shameless
i saw the greater part of creation succumb to the piracy of numbness- the nimbus rage of torpedo cigars blowing blue-grey smoke into the dark lashes of love-struck little ***** thirsty angels with tangled curls of hair bashing their heads against bathroom walls screaming under their breath, not enough. i saw the green plastic- and her orange eyes and the soap-bubbles on the sidewalk and the soap frothing all over the sidewalk and the glass that took off like pristine bullets in every direction and- blood running over the cum-covered lip of the curb, flowing into the street- down to the drain, dripping into the hungry orifices of the big metal grate into sewer pipe salvation- destination unhindered by your humanity. god, this must be insanity and not even the good kind. but let's go watch the fire-works up on the roof- crawl out the attic window i let you go first to watch the electric calico trickle down your legs like a promise. i like the birds that fly in and out of your hair- the handkerchief at your hip, i like the crazy and the cool- the too cute for comfort and the fake angsty danger of your darkside. like morphine- the band or the drug? you're ironically detached with your semi-satanic languidity- and overdue serenity [i got a few overdue books at the library.] [they closed the library a long time ago.] i like to play catch with your presence- our eyes with the back-and-forth, the half-sent glances when we think the other isn't looking. but we were always looking- or at least i was always looking at you. i could see half inside of you. you were always half-naked- in the scanty rags of the latest fashion. when you breathed it was like nectarine noises- and muffled yelps of love. i watched your shirt move up and down on your chest and told you about "never knows best" it seems i've seen the greater part of creation succumb to the supreme softness and the best laid plans of motorcycles and mini-vans fall to pieces in my palms. and you were the greatest creation i saw on the roof that day. don't bat another pretty little eyelash at those tiny flashing pieces that go past like ricochets it's just one more night of strangeness and then you can be free again.
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the calico quilt ragged and torn memories laced in the patterns the stirring of leaves and the scent of autumn falling foliage and falling hearts to differentiate the same would be futile for leaves and love both fell in fall and together became kindling ablaze in the hearth burnt to be the same ashes to differentiate the same would be futile the calico quilt left by the fire flames leap onto the fabric of that calico quilt together in ashes under the warmth of a fiery blanket the quilt, the calico tarnished, blackened all as ashes to differentiate the same would be futile
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Sep 19, 2011
Sep 19, 2011 at 12:16 AM UTC
the calico quilt. [2011]
So fine, the slender votive silence of palms, open to the torn banners of rain, so tender, such surrender in the gesture of hands... You pour so much of your red earth, to soothe and loosen the tongue from its leather tomb and adorn me with a lighter burden, too much mine, at one with the dark, lavish earth in all its sorrow, spun of the sleek commotion of silk and vanilla linens... I leaned into the ******* of my wings, honed from those muscular fairy-tale dreams... My mouth, learned solely on a valentine's shiny white kiss of hemlock, humming into the cells of the spellbound body, quelled by vigilance, your lips teach me now, how to go softly over the red earth of dahlias, in all their everlastings, your hands deep in the soil, reap... The resonating grail of memory, kept in its rich loam and coals spread over my mouth of red, red clay, so swells its golden hue of rose and rhododendron, too much mine, rising its fevers in the fawn brown of eyes, closed ... Over this long, shuddering quiet, you come in all your calico to calm the votive silence of palms, cupped in the earth of your hands, so much mine....
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Jan 15, 2013
Jan 15, 2013 at 12:47 PM UTC
Votive Silence:
We proposed for Witches Abroad on Broadway, a costume. As a lure to students, orange and black candy. Dancing at the prom, cell phones caught the ghouls. This stretch of road was full of cool cats. Unlucky ones were left on the side as skeletons. We swept them clear with our broomsticks. Our guns were not as brutal as broomsticks. Bristles hid the ******* end, as if in costume, No flesh, just skeleton. Like bags of orange and black candy, They were left, full of calico cat. Our familiars, our friends, dinner for a ghoul. They pulled at the ghoul, In the hands of a witch, danger came by broomstick, When ghouls snacked on cat, In their orange and black fur costume, Tasting sweet, like candy. They beat them up and down, but they find another skeleton. Them ghouls come faster, giving birth to others, another skeleton. Vocalizing desire for black and white, red and yellow make orange, a ghoul, Howls for student flavored candy. A witch lays out one, then another with her broomstick, Removing the face mask and costume. Them that can, holler their outrage in cat. Your *** was revealed in orange and black on a calico cat. Females cooled themselves of *** unwilling mates to a skeleton. Once alive, copulating loudly, now in a death costume. Walking upright, a neighborhood was destroyed by a ghoul. Neighbors watched, a witch patrolled on a broomstick. Your students were seen as human candy. One wife beater had a juicy rind, sweet and soured candy. At the dance, hors d’oeuvres were made of cat. Shot forward, it can create a hole, can a broomstick. Where stomachs used to be, a skeleton, Death conquers all, no more ghoul. One, now many properly attired for the Danse Macabre in costume. I found an orange, as broomsticks cleaned Broadway of cat candy. In my student costume and human face mask, my path is crossed by a cat. It disappeared as if it never was, visible only to Death, a skeleton made by ghoul.
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Jul 14, 2015
Jul 14, 2015 at 7:43 PM UTC
I Found an Orange on Broadway Avenue
We proposed for Witches Abroad on Broadway, a costume. As a lure to students, orange and black candy. Dancing at the prom, cell phones caught the ghouls. This stretch of road was full of cool cats. Unlucky ones were left on the side as skeletons. We swept them clear with our broomsticks. Our guns were not as brutal as broomsticks. Bristles hid the ******* end, as if in costume, No flesh, just skeleton. Like bags of orange and black candy, They were left, full of calico cat. Our familiars, our friends, dinner for a ghoul. They pulled at the ghoul, In the hands of a witch, danger came by broomstick, When ghouls snacked on cat, In their orange and black fur costume, Tasting sweet, like candy. They beat them up and down, but they find another skeleton. Them ghouls come faster, giving birth to others, another skeleton. Vocalizing desire for black and white, red and yellow make orange, a ghoul, Howls for student flavored candy. A witch lays out one, then another with her broomstick, Removing the face mask and costume. Them that can, holler their outrage in cat. Your *** was revealed in orange and black on a calico cat. Females cooled themselves of *** unwilling mates to a skeleton. Once alive, copulating loudly, now in a death costume. Walking upright, a neighborhood was destroyed by a ghoul. Neighbors watched, a witch patrolled on a broomstick. Your students were seen as human candy. One wife beater had a juicy rind, sweet and soured candy. At the dance, hors d’oeuvres were made of cat. Shot forward, it can create a hole, can a broomstick. Where stomachs used to be, a skeleton, Death conquers all, no more ghoul. One, now many properly attired for the Danse Macabre in costume. I found an orange, as broomsticks cleaned Broadway of cat candy. In my student costume and human face mask, my path is crossed by a cat. It disappeared as if it never was, visible only to Death, a skeleton made by ghoul.
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Three striped cats daily demonstrate awakening: a) BijaChen: startles by pounce onto bed or banging of sunlit window blinds; b) BlueMonsoon: prefers annoying whining coordinated with scratching at blankets; c) LadyFiona: chooses a prickly psychic stare into my sleeping consciousness to disrupt dreams. (she must have been a witch's cat). Sleep you say? Mr. Rooster, lover of Flathead Lake cherries, rehearses a  solo operetta while strutting sharp grey claws inches from the screen door. Doze off? Thirty small brown-red-yellow-speckled birds usurp seeds at the swinging feeders in frenzied unharmonious clatter, While the low moan of iron hinged gate closes pale hay and tall horses into the corral. Rest? Urgently a  growling lawn mower slashes green strands of life and delicate insects from their microcosms of Little Earth, And calico barn cats dive from rafters onto feed sacks to devour the crunch of breakfast. Lao Tzu speaks no sound, eyes watch Two butterflies sweep though moist morning monsoon air.
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Jul 13, 2014
Jul 13, 2014 at 1:46 PM UTC
Lao Tzu on a Monsoon Morning
Jonathan Anderson's collections walk a confounding tightrope between naïveté and decadence. Much of his new menswear looked like clothes for a futuristic, spiritual retreat (Anderson himself said he wanted something "laid-back, Zen-like"), but the buckled patent shoes were purest dancehall honky-tonk. The fitted leather jackets were pretty flashy, too, especially when contrasted with multi-pleated pants in plainest calico or denim. "He took himself seriously," said the voice-over that launched Michel Gaubert's stirring soundtrack (a journey all in itself), but that felt like Anderson poking a little fun at his own expense—or at least anticipating reactions to his quirky rationale. He insisted his collection was actually like an imaginary world that a child might create for himself, akin to the tree houses he and his brother used to build. The preciousness that such a boy would bestow on things that are essentially valueless was reflected in the ordinary objects—keys, tools—that were transmuted into jewelry, the board game that mutated into a constructivist jacquard, and the calico or denim artfully constructed into the pants that made up the foundation of the collection. Some of the models were carrying a small metal frame on which curious little things were suspended, almost like charms to ward off who knows what. That subtly occult tinge has become something of an Anderson signature, the way he disturbs the refined with the raw, for instance—a thin strand of bamboo or a bandage of calico nipping the waist, or a crude smear of paint across a tulle top so fine it is barely there, or even a white feather stuck to a shoulder. Such touches feel last-minute spontaneous, but also off-kilter, which is exactly where Anderson wants to keep us. But his work is now so consistent that off-kilter is proving a rather pleasant place to be.Read more here:www.marieaustralia.com/evening-dresses | www.marieaustralia.com/formal-dresses
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Jun 15, 2015
Jun 15, 2015 at 2:01 AM UTC
J.W. Anderson
Jonathan Anderson's collections walk a confounding tightrope between naïveté and decadence. Much of his new menswear looked like clothes for a futuristic, spiritual retreat (Anderson himself said he wanted something "laid-back, Zen-like"), but the buckled patent shoes were purest dancehall honky-tonk. The fitted leather jackets were pretty flashy, too, especially when contrasted with multi-pleated pants in plainest calico or denim. "He took himself seriously," said the voice-over that launched Michel Gaubert's stirring soundtrack (a journey all in itself), but that felt like Anderson poking a little fun at his own expense—or at least anticipating reactions to his quirky rationale. He insisted his collection was actually like an imaginary world that a child might create for himself, akin to the tree houses he and his brother used to build. The preciousness that such a boy would bestow on things that are essentially valueless was reflected in the ordinary objects—keys, tools—that were transmuted into jewelry, the board game that mutated into a constructivist jacquard, and the calico or denim artfully constructed into the pants that made up the foundation of the collection. Some of the models were carrying a small metal frame on which curious little things were suspended, almost like charms to ward off who knows what. That subtly occult tinge has become something of an Anderson signature, the way he disturbs the refined with the raw, for instance—a thin strand of bamboo or a bandage of calico nipping the waist, or a crude smear of paint across a tulle top so fine it is barely there, or even a white feather stuck to a shoulder. Such touches feel last-minute spontaneous, but also off-kilter, which is exactly where Anderson wants to keep us. But his work is now so consistent that off-kilter is proving a rather pleasant place to be.Read more here:www.marieaustralia.com/evening-dresses | www.marieaustralia.com/formal-dresses
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Calico Beauty, Without human effort you win roars of cherish. lifting not a gloved finger you give us what we need. you are soft-nuzzle tentative: a humble pad-pad-pad when it longs to be heard. all softness in your shrinking night-sky back. my hand searches for the cold baby-down and you are sweetly out of reach. how sweet indeed. Dali’s very own you take your ocelot pride with surreal stillness on a pedestal that is not yours. and sometimes you rest in foggy caution and I steal a close moment. but too close! your headlights flash and you swim away. I have not the cruelty to pursue you.
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Oct 19, 2015
Oct 19, 2015 at 5:23 AM UTC
Frida Kahlo
Hovering, its gentle, gleam a'glitter, Sun rays hugging so daintily the plains of grass That it could have been akin to quiet coveting Of their transient green so far from its grasp Then, as if in secret rising from the earth's coat, From blades made chartreuse with sunset's caress, There lifts a drunken, blanketed quiet that fill- In preparation for the night- the land's every crevasse Upon the branches arching, merging, enweaving, Where the last few robins had been orchestrating, The leaves give their tiny bodies up to the fading breeze; A waltz so natural both need not bother hesitant contemplating In dappling, splotching, sparks of amber scintillating a hue, The trees too the sun embraces; the shades of sunlight Creating a calico on its surface, still dull greens and greys amidst Its autumn forgery, aureate bleeding bright Nocturnal symphonies crescendo in harmonic chirps, croaks, and hoots; As sunlight spools it's last golden threads to defy it's cruel god or master, Who reigns, an even more kingly victory, wins last of battles, drags the sun down To horizon's prison- subterranean capture.
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Jan 25, 2019
Jan 25, 2019 at 11:52 AM UTC
An Ode to Sunset
I held up that grand quilt in my tiny hands, thoughts rushing past my mind. That denim piece splattered with red paint, ah, remember when you wore that for the first time as you picked carrots with Dad? That cotton piece filled with a vibrant orange, how could you forget? That was the dress you wore to your first ever play recital. That baby pink rayon piece, you wore that on the first day of high school, you could not forget. That grey wool piece, that was your Christmas present, and you wore it near the fire. You spilled hot coco on it. That rare purple leather, that is too important to forget. Remember, it was the jacket you wore on you first date. That blue flannel piece, you loved that one. You wore it all the time, ever since the first time you wore it when you won “best speaker” at a school competition. That brown cupro piece, you wore that to your mother's birthday, the one where she got promoted to L.A. That green polyester piece, never can forget, could you? That was the shirt you wore when Dad and Mom divorced.   That white lyocell piece, you wore it at your graduation party, and your whole family was there. That barkcloth piece, it was a day to remember, you united with you brother once again in that dress. That calico piece, you wore that to the hospital when Granddad got a heart attack. That black and white damask piece, that was so beautiful, so you kept it for your dinner. Which you hadn't realized was your engagement dinner with your boyfriend. That red gingham piece, wow, that was the time you met your dad's girlfriend. And Mom had not moved on. That black lace piece, a day never to forget. It was the funeral of your Granddad’s, and that was the dress you wore. That grey gauze piece, it was the shawl you wore when you visited your grandma, and found out she was ill of depression. That amazing white gazar piece, a memorable day. It was the dress you wore to you wedding. That turquoise silk piece, *too soon after your wedding. It was the part of the purse you took to your Grandma's funeral. * That white and blue jacquard fabric, that was the fabric you had for your curtains, when you moved into your own house. That leopard print intarsia piece, it was an amazing day. Your mother visited you the first time in your new home. The both of you cried with the rain pouring outside. Nothing could have ruined that beautiful moment together, united. That satin cobalt blue piece, that dress you wore to the dinner with your parents and husband. Only to later realize that you brother had met with an accident. That exotic lantana piece, you remember, don't you? You wore that dress when you met your brother days later, severely hurt. That red lace piece, you went to London with your husband wearing that. You were so excited. That madras piece, it came from that cushion out of the four your husband bought you. That cream organdy piece, your mother had found it in her closet, a dress from her mother's, and wanted to give it to you. That deep purple paisley piece, you wore that on the day your mother died. And like that, all the thoughts came back to me. All the pieces of my past, fit in together. But it never made sense – that was how my life worked. And there were more pieces, more parts, to fit together, until my life was spread out in front of me. Like a patched quilt.
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Dec 18, 2014
Dec 18, 2014 at 3:32 AM UTC
Patched Quilt
I held up that grand quilt in my tiny hands, thoughts rushing past my mind. That denim piece splattered with red paint, ah, remember when you wore that for the first time as you picked carrots with Dad? That cotton piece filled with a vibrant orange, how could you forget? That was the dress you wore to your first ever play recital. That baby pink rayon piece, you wore that on the first day of high school, you could not forget. That grey wool piece, that was your Christmas present, and you wore it near the fire. You spilled hot coco on it. That rare purple leather, that is too important to forget. Remember, it was the jacket you wore on you first date. That blue flannel piece, you loved that one. You wore it all the time, ever since the first time you wore it when you won “best speaker” at a school competition. That brown cupro piece, you wore that to your mother's birthday, the one where she got promoted to L.A. That green polyester piece, never can forget, could you? That was the shirt you wore when Dad and Mom divorced.   That white lyocell piece, you wore it at your graduation party, and your whole family was there. That barkcloth piece, it was a day to remember, you united with you brother once again in that dress. That calico piece, you wore that to the hospital when Granddad got a heart attack. That black and white damask piece, that was so beautiful, so you kept it for your dinner. Which you hadn't realized was your engagement dinner with your boyfriend. That red gingham piece, wow, that was the time you met your dad's girlfriend. And Mom had not moved on. That black lace piece, a day never to forget. It was the funeral of your Granddad’s, and that was the dress you wore. That grey gauze piece, it was the shawl you wore when you visited your grandma, and found out she was ill of depression. That amazing white gazar piece, a memorable day. It was the dress you wore to you wedding. That turquoise silk piece, *too soon after your wedding. It was the part of the purse you took to your Grandma's funeral. * That white and blue jacquard fabric, that was the fabric you had for your curtains, when you moved into your own house. That leopard print intarsia piece, it was an amazing day. Your mother visited you the first time in your new home. The both of you cried with the rain pouring outside. Nothing could have ruined that beautiful moment together, united. That satin cobalt blue piece, that dress you wore to the dinner with your parents and husband. Only to later realize that you brother had met with an accident. That exotic lantana piece, you remember, don't you? You wore that dress when you met your brother days later, severely hurt. That red lace piece, you went to London with your husband wearing that. You were so excited. That madras piece, it came from that cushion out of the four your husband bought you. That cream organdy piece, your mother had found it in her closet, a dress from her mother's, and wanted to give it to you. That deep purple paisley piece, you wore that on the day your mother died. And like that, all the thoughts came back to me. All the pieces of my past, fit in together. But it never made sense – that was how my life worked. And there were more pieces, more parts, to fit together, until my life was spread out in front of me. Like a patched quilt.
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black cats under calico sky's in catacombs.white out mask mirrored eyes white owl massacre  night, leaving the bones take off mask you are home you live in your cave escaping hoards of insane is this all a dream this cant be reality its obscene,its us its everything, passing fling refrain from truly connecting parting your society collapsing into the sea ****** debauchery hearing screams in the a trophy of atrophy this is everything I am wanting, and yet nothing at all its a quick trip to the bottom, but this time your on top again ride the horses the moist rainy night show me I am wrong and prove your are right so I may worship at your feet and steal away the night
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Feb 24, 2015
Feb 24, 2015 at 11:44 PM UTC
Atone
When addiction runs deep, Like the blood in our veins, Its impossible to kick, Unlikely to abstain. For we are what we love,   And we love what we are; It’s said that an apple,  From its tree won't roll far. Her parents were junkies, Generations gone by, So deep in her blood, It’d be cruel to deny. I’ve found in resistance, I beat my head on a brick, So no longer at odds, I embrace life as her fix. “Honey, can you fix this?” She says, smiling at the sale. At the lamp I look closely, It stands tired and frail; It's brass tarnished dark,  Its wire is frayed. In my head I say, “No," then, “Sure babe,” someone else said. Believing I’ve dodged one,  I breathe a sigh of relief; We return to our Jeep, and Drive away down the street. Then I glance in the mirror, And what do I see, It’s that LAMP in my back seat, Staring smugly at me. *“This dresser will be cool, In robin's-egg-blue;”* Just describing the hue, I see her almost drool. *“Yeah, natural on top, It's frame painted, then glazed... You’re the best at glueing drawers!”* She adds icing with praise. *“Look, here’s a chair I found, with pretty calico; If you fix it's broken arm, You’ll be my hero! Cuz I am sure it will fetch,  Ten times what I've paid.”* I’m a wage earner no longer, She pays me in accolades. That bowl with mustard yellow, Picture frames of wood & plaster; An old tin box, and this small broach, A barrel chest with leather straps. A jewelry box,  (A lover’s locket found inside) Each purchase she makes, Adds satisfaction, and pride. Her addiction runs deep, She’s my bargain-maker; Not a corporate girl,  But she’s a mover and shaker. Yes, she's my ****** And I am her fix; Together we’re a duo, "Can we peak in your attic?" In my chair as I write this, I feel something, turn and see; And there pinned to the cushion,  Is a price tag poking me. Now I’m nervous as a cat, Wouldn’t want to fall asleep; For fear I could wake up,  In the back of someone else's Jeep!
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Oct 12, 2013
Oct 12, 2013 at 1:16 PM UTC
The ****** and Her Fix
When addiction runs deep, Like the blood in our veins, Its impossible to kick, Unlikely to abstain. For we are what we love,   And we love what we are; It’s said that an apple,  From its tree won't roll far. Her parents were junkies, Generations gone by, So deep in her blood, It’d be cruel to deny. I’ve found in resistance, I beat my head on a brick, So no longer at odds, I embrace life as her fix. “Honey, can you fix this?” She says, smiling at the sale. At the lamp I look closely, It stands tired and frail; It's brass tarnished dark,  Its wire is frayed. In my head I say, “No," then, “Sure babe,” someone else said. Believing I’ve dodged one,  I breathe a sigh of relief; We return to our Jeep, and Drive away down the street. Then I glance in the mirror, And what do I see, It’s that LAMP in my back seat, Staring smugly at me. *“This dresser will be cool, In robin's-egg-blue;”* Just describing the hue, I see her almost drool. *“Yeah, natural on top, It's frame painted, then glazed... You’re the best at glueing drawers!”* She adds icing with praise. *“Look, here’s a chair I found, with pretty calico; If you fix it's broken arm, You’ll be my hero! Cuz I am sure it will fetch,  Ten times what I've paid.”* I’m a wage earner no longer, She pays me in accolades. That bowl with mustard yellow, Picture frames of wood & plaster; An old tin box, and this small broach, A barrel chest with leather straps. A jewelry box,  (A lover’s locket found inside) Each purchase she makes, Adds satisfaction, and pride. Her addiction runs deep, She’s my bargain-maker; Not a corporate girl,  But she’s a mover and shaker. Yes, she's my ****** And I am her fix; Together we’re a duo, "Can we peak in your attic?" In my chair as I write this, I feel something, turn and see; And there pinned to the cushion,  Is a price tag poking me. Now I’m nervous as a cat, Wouldn’t want to fall asleep; For fear I could wake up,  In the back of someone else's Jeep!
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72
My calico looks like the Lion of Judah preamble her deftness with cooked chicken and a sprinkling of lactose Poor dear , perfect though she is we all have our travails. I am finding it hard to believe age does not make her wary in fact shes grows deeper into her role A totem and a sustainer curled up in the one.
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Jun 11, 2012
Jun 11, 2012 at 2:59 PM UTC
Jennifer - the farmer's cat
Deep Mystique in calico coat Stealthy Strut as if to gloat *Diamond Eyes to bend the world to her might just enough to satisfy her kitty curiosity* She's mindful and sharing playful and daring by winking and staring, she puts her prey under her spells, like Pavlov's dogs to ringing bells. Be careful if you are guided in to cuddle or to coo If she decides to change her mind, there's nothing you can do! A tricky personality and god-like gusto Never underestimate or you'll say, "Uh-Oh!!" She's definitely a different breed Not like all the others I love my feisty feline, She's my Cat of many Colors.
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Feb 12, 2015
Feb 12, 2015 at 1:15 PM UTC
Cat of many Colors
On a cafeteria table, in the middle of February, the kind where it gets dark at 5pm, sat eight minature figurines made of shells— brown, speckled, like a calico cat with googly eyes on the middle of their heads, one business man with a black derby, one with a pretty pink bow, or even one with blue suspenders, and all their chubby bellies rounding out over their pants. The woman with her iridescent nails, bony fingers, the skin pressed thin against her knuckles, lines them up in a perfect row, tilting their heads into one another as if they are having a tiny conversation admist the numbers being called— B14! She stamps in red. B14! A man pushes a cart around the tables, like one mows grass around graves, with fifty cent candy bars and potato chips on flimsy paper plates. He asks the woman if she wants ice in her Pepsi, but she just blows a long sigh of smoke and flicks the sparks behind her back. He doesn’t ask her to pay. G56! She touches the head of the figurine with the mustache. G56! I’ve lost count of how many numbers I’ve missed, but then there’s you, your hand on my thigh, creeping, your fingers pushing my cotton skirt up, up, and up— O74! We play with acrylic chips instead of stampers. We’d like to win the lottery tickets, maybe cash them in at the gas station after we drink a couple iced teas and snack on Mentos cause we ran out of money two bottles ago. The figurine with the fishing pole has one pupil that lies at the bottom of the eye, lop-sided, and staring at me while I pretend that I have G47! or pretend that this isn’t the first time you’ve brought me here, G47! instead of a real date. Or pretend that I can’t hear the woman cough, and cough, and cough as she switches stampers between every ten calls or touch this figurine or move that one, just slightly, this way or that or N44! She doesn’t have it. N44! I don’t have it. Don’t worry, child, you’ll have it all someday, she whispers, sideways from her mouth, with your thumb making circles around my hipbones, and the man pushing the cart, the squeak of the wheels B7! But I don’t have it. B7! I don’t have it. I don’t have it.
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Oct 14, 2014
Oct 14, 2014 at 12:38 AM UTC
Bingo Nights
On a cafeteria table, in the middle of February, the kind where it gets dark at 5pm, sat eight minature figurines made of shells— brown, speckled, like a calico cat with googly eyes on the middle of their heads, one business man with a black derby, one with a pretty pink bow, or even one with blue suspenders, and all their chubby bellies rounding out over their pants. The woman with her iridescent nails, bony fingers, the skin pressed thin against her knuckles, lines them up in a perfect row, tilting their heads into one another as if they are having a tiny conversation admist the numbers being called— B14! She stamps in red. B14! A man pushes a cart around the tables, like one mows grass around graves, with fifty cent candy bars and potato chips on flimsy paper plates. He asks the woman if she wants ice in her Pepsi, but she just blows a long sigh of smoke and flicks the sparks behind her back. He doesn’t ask her to pay. G56! She touches the head of the figurine with the mustache. G56! I’ve lost count of how many numbers I’ve missed, but then there’s you, your hand on my thigh, creeping, your fingers pushing my cotton skirt up, up, and up— O74! We play with acrylic chips instead of stampers. We’d like to win the lottery tickets, maybe cash them in at the gas station after we drink a couple iced teas and snack on Mentos cause we ran out of money two bottles ago. The figurine with the fishing pole has one pupil that lies at the bottom of the eye, lop-sided, and staring at me while I pretend that I have G47! or pretend that this isn’t the first time you’ve brought me here, G47! instead of a real date. Or pretend that I can’t hear the woman cough, and cough, and cough as she switches stampers between every ten calls or touch this figurine or move that one, just slightly, this way or that or N44! She doesn’t have it. N44! I don’t have it. Don’t worry, child, you’ll have it all someday, she whispers, sideways from her mouth, with your thumb making circles around my hipbones, and the man pushing the cart, the squeak of the wheels B7! But I don’t have it. B7! I don’t have it. I don’t have it.
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56
I see the stars during day with young and old just like me dark grey blue clouds behind a burnt calico tree velvet lightning from my fingertips kissing and true words only from our lips multicolored raindrops bursting to the ground and when we speak we echo all around we echo all around echo all around we echo all around echo I don't see it and I don't care about what it should have been all I see is what I love and what I really miss don't complain I'm not there I'm in a better place this is my stop I got my grin if only you could see my face Mountains green and full of waves coming from a smooth warm breeze animals free and untamed calm with their spirit just the same no room for time because it doesn't exist free your mind and center into bliss open up your heart and grab yourself a brush think of nothing tragic you got a magic canvas That will echo all around us it'll echo all around us it'll echo it'll echo all around us oh echo I don't see it and I don't care about what it should have been all I see is what I love and what I really miss don't complain I'm not there I'm in a better place this is my stop I got my grin if only you could see my face A golden silhouette upon the shadows from the sun the lion sleeps within my pride while the wolf howls at night they rule my land when I'm gone searching for my queen to take her out of this world and back into my dreams who you are is exactly who I am who we are is different when you understand who you are is exactly who I am who we are is different when you understand I don't see it and I don't care about what it should have been all I see is what I love and what I really miss don't complain I'm not there I'm in a better place this is my stop I got my grin if only you could see my face
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Apr 18, 2012
Apr 18, 2012 at 4:51 PM UTC
Stars during day (my paradise)
I see the stars during day with young and old just like me dark grey blue clouds behind a burnt calico tree velvet lightning from my fingertips kissing and true words only from our lips multicolored raindrops bursting to the ground and when we speak we echo all around we echo all around echo all around we echo all around echo I don't see it and I don't care about what it should have been all I see is what I love and what I really miss don't complain I'm not there I'm in a better place this is my stop I got my grin if only you could see my face Mountains green and full of waves coming from a smooth warm breeze animals free and untamed calm with their spirit just the same no room for time because it doesn't exist free your mind and center into bliss open up your heart and grab yourself a brush think of nothing tragic you got a magic canvas That will echo all around us it'll echo all around us it'll echo it'll echo all around us oh echo I don't see it and I don't care about what it should have been all I see is what I love and what I really miss don't complain I'm not there I'm in a better place this is my stop I got my grin if only you could see my face A golden silhouette upon the shadows from the sun the lion sleeps within my pride while the wolf howls at night they rule my land when I'm gone searching for my queen to take her out of this world and back into my dreams who you are is exactly who I am who we are is different when you understand who you are is exactly who I am who we are is different when you understand I don't see it and I don't care about what it should have been all I see is what I love and what I really miss don't complain I'm not there I'm in a better place this is my stop I got my grin if only you could see my face
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60
Oh, sweet calico You flittered and you fluttered Before the cruel men Pinned your wings, and held you Under Examining, every colour And stripe, on your surface Comparing, every pattern You made To a control they deemed Ordinary Their tongues were as rough As their calloused hands Yet their minds were like sharp knives Or scalpels Dissecting your Entirety Three green dots You were marked with, before they placed you Into a four by four Box And promptly Forgotten about
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May 14, 2013
May 14, 2013 at 10:24 PM UTC
calico
Broncos bucked up Rattled rangeless restless For 24 days now Cowboys gone awry Drunk in their sheets. Shooting out windows Instead of black hats. Divining honor in Hoop skirts. Belching sarsaparilla Soaked six shooters. Go West young man? No. Sorry. Invest young man. Get blessed young man. Get dressed young man. Distressed ghost towns Remain inflections Calico ribboned echoes of Freedom's hyena laugh & Liberty's lonesome howl.
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Feb 19, 2014
Feb 19, 2014 at 11:53 PM UTC
How the West was Done
Damask and Death Velvet and Violence Satin and Suffering Organza and Oppression Calico and Corpses Paisley and Pain Taffeta and Torture Lace and Listlessness
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Oct 3, 2012
Oct 3, 2012 at 1:31 PM UTC
Between The Cloth
Went to the doctor today Should've stayed in for the day Got really bad news Doctor see's What no one wants to see the letter C Had to tell my family ***** so much, to be in reality Why did this happen to me Lord please give me an absentee I want to get rid of this demon So I can have some freedom I'm like the calico cat in the hood Like Nick said I'll bounce back like she would I know if I die mother f---er you better not meet me at the pearly gates cause you won't be on your feet I'll ram you right through to the Devils cage where you need to face your own rampage I will fight for my life Just like I fought you with all my might You may haunt me now But you won't do it up there I've done some shady s--t I guess I deserved all of this I'm a fighter, and I will sting you like a bee Like the great Mohammed Ali
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Mar 2, 2017
Mar 2, 2017 at 8:40 AM UTC
C
fire me towards a career or something (any/or/either/neither) because i haven’t been playing music and i’m starting to seem the emaciate-pit peach on  a too-tall tree of plenty just out of reach of tantalus, waist-deep in a river of cornsilk braids too rich for eyes, too coarse for tongue or teeth garden of goddesses wielding life-flow geometry keep the hounds and ghost-things at bay. undress a smoky corset, tendrils, or turgid rapids, swatting ceases less twining strands than flies. i wish it away, woven comfort, a web of fraying calico and red tape, bearing the weight of an arachnid slew. yet away with it yields my downfall, tumbling branch to branch, unfeeling, unthinking, but for my parachute. i lost a life to watching a mirror and the marker in my hand, but it could not stop the leaves from drifting, nor the water from taking the leaves, nor those leaves from disintegrating. simmer down, shudder breath, breathe deep &center
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May 13, 2014
May 13, 2014 at 12:32 PM UTC
melocotónita
Send me away to some Dixieland town, to some one-bank, water-tower, small-time town, with simple backwoods thinkers, and boys playing hooky with sinkers. Send me away from these weak city girls, with their sleek plastic looks and their chic, stylish curls. Give me instead those natural ladies, in hand-me-down calico skirts. Give me the girls who brush their hair twice, then frolic with dogs in the dirt. I will always strive to impress a woman in a home-made dress. But I will never apply my modest ploys to the wooing of ladies who thrive on city joys and the jive of city boys.
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May 20, 2012
May 20, 2012 at 6:11 PM UTC
The Jive of City Boys
Salty mess is laminated  in hard rime whilst the moth ribbons like a broken lasso  over the bathroom tiles. In your letters  the handwriting conveys  your shaking vulnerability in the fog. The rime and  The grapefruit soap  and lye solder your calico dress in blisters With cascading Tempera over your chest Along the globe  of your eye, camel eyelashes powdered skinny  with make up shower with sadness then close in drug dry desperation. Your legs  are dolphins enthroned  in scarlet  with grazes and gazes grace them with concern.
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Apr 17, 2014
Apr 17, 2014 at 3:07 PM UTC
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