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CK Baker Jan 2017
cedar planks line the dim lit hall
morning snow begins to fall
sepia print in a chip wood frame
embers spark from the franklin flame

rustling sounds from bunks below
records play in a tight alcove
bacon grills on the iron sheet
gloves are warmed by baseboard heat

bean bags tossed on colored ****
papka placed as a punching bag
red brick wall with mounted poles
windows filled with glacier bowls

whiskey jack on the southern rail
a frozen patch of wine and ale
pine cones fall in gathering white
brothers bathed in firelight

sleighs are on the table top
canyon road is at a stop
northern winds that bite the face
lines are up the gondola base

cornice clipped on gully goat
the rubber man appears to float
alpine depths are on the rise
peaking sun through parting skies

triple ropes and nordic luge
honored guests from baton rouge
gelande jumps on rainbow drive
nostalgia’s light and warm reply
September Roses Jul 2018
Sit back and relax
Feel the waves wash over your back
In the melting sun
Looking at the clouds reflecting all the pinks and blues
Over the blooming hill, echoing white noise of chirps and crickets

Listen to the trickling of the slow water over the smooth rocks
Feel a warm wind brush your face
With your eyes closed
Enjoying the radiating warmth
And the soothing crackling of a log fire

Or sit and admire the shimmering spray
Of a waterfall smoothly crashing into the water of a sky kissed lake
Sunlight dancing through the vapor
Rainbows jumping through every droplet

Listen to the pitter patter of the rain, against a tin roof
Inside a warm cabin
Drifting to sleep
Soon to wake to the song birds chorus
And the blissful sun

Bask in it
And relax
Soℓ Oct 4
UNHURRIEDLY, THE days sink scarce, over sleepy cabins, banked breath fog the cold villages thick in white fire as if dying had a say made seeable. Now, in the shadows flake why not us illuminate the ghostly fever in silent resurrections.

It is a listless rhapsody.
It is love slumped.
It’s all the adrenaline of the grove
Among the ***** of the breeze,
It’s beyond the blue by boney antlers
A choir of tiny voices.
O delicate and crisp the daisies whoosh!
It chirps and sighs,
As the hoarse grass at last breath -
Under rapids that turn
The worn rolled pebbles,
This sorrowful soul
In this quiescent whinge.
Is it not ours? Yours and mine!
Whose unpresuming antiphon
By this cozy eventide; moonflower?

(c)  HollyD Poetry
So, if you've toured a realm where the sol sets shallow and closing times cinder unsuspectedly through the AM. You'll know the opposite arrives impossibly evident as well, eh?
Stu Harley May 8
where
does
poetry
dwell
in
a
lilliputian
red log cabin
in
the
pinewood forest
croob Dec 2018
me and the old lady
in our cabin, chillin
livin off the grid
livin off solar panels
and psychedelic drugs
roastin meat and
makin sweet love.

knock knock knock.

i turn to her in disbelief;
we live in the woods
south of nowhere
in a **** cabin
who could that be?

she huffs, shrugs
the knocking
intensifies
so i go
naked
to open it
(we're nudists)

it's a grizzly
ahhhh!
i freeze

but he's wearing
a suit, cradling
a briefcase
in his paws
what
the ****

he asks me
if i'm interested
in being mauled
i ask him
how can you talk
you're a bear right
and then he mauls us

and then i wake up
and it's just me,
my bed,
and my beloved
*****.
Whit Howland Oct 4
deep red logs
a perfect fit
buttered grout to fill the gaps

protective trees
wooden cask


floral garden
color splash

small troubles gone
worries in the wind


Whit Howland © 2019
Word illustration among clumsily executed idioms.
Logan Robertson Jul 2018
A black crow's darting eyes
spans the wheat field
and an orange pumpkin patch.
She sees
tall grasses of brown
seedlings,
bristling in the wind,
soon to be bushels of grain
and a pumpkin pie that she never savored.
She sits, atop her tree perch,
at times warm and storybook,
hidden by tree branches,
and at times out of harm's way
and infamy.
Her friends, the sun, and clouds in concert,
dancing along.
Her other friends bring alms and smiles.
Life is so good at times.
Down the road sits a mill
next to a waterfall
and a cabin,
with reindeer horns
hanging above the doorway.
She is in her element, happy,
carrying for her nestlings.
Back and forth her parental eyes dart
the hilly fields, a smoked filled chimney, and her babies,
all crawling with sustenance and awe.
Storybook.
A mother feeding a worm to her baby.
Storybook.
Off to her side is not a blind eye
watching her,
scary stick figures of
straw tucked under red shirts and hats,
with a tied tinfoil strips dotting
her eyes and tease.
Scarecrows, cease.
At times life is good nature, hand in hand,
knock on wood.
If only life could be circumspect.
Than darkness filling the light
and a stutter of life.
For a sad page is turned,
pause
... tears.
Then, feathers fall.
Hers.
The sound of a thud.
Silence and tears of her friend's swelling.
A baby's cry, missing her mother.
More orphaned tears.
Who would be this despicable?
On that rogue day.
A kick of a donkey,
an ***,
one bad rock on her path,
breaks the air,
as three little elementary kids were walking along
to school.
One, me, with a rock in his hand,
taking aim at her perch
and the death of the black crow's pages.
I confess.
... Bless me, Father, for I have sinned
it has been fifty years since
my last confession ...
a Tom Sawyer-like childhood gone worse.
I repent.
Some fifty years later I think of those first cairns,
including stealing the reindeer horns and milling
my brother and sister's storybook.
Waterfalls
stream tears, and a sorry boat
rowed downstream
sadly
thereafter.

Logan Robertson

7/25/2018
King Panda Aug 2017
I am unsure of the geology
of where you’re from.

I expect there exists
shelves and sheaths

pale grey-yellow
like serum in the blood

and rocks resembling
sun-weathered lobster

carapaces.
all of this enclosed by

a festoon of green pine—
its regalia cut sonic

and naked
wrung and wrung again

by august.
on the edge

a cabin is hemmed on
the skirt of ocean—

spikes of molding logs
propped and resting

akimbo.
a wave comes in.

a wave goes out.
a wave stays to shake

your hand.
introduces itself as

sensate verge
and wonderment.

home.

I can only imagine what
it is for you.
Ashley Chapman Sep 2017
I awoke
with mountains in their heights
that spoke
of memories that wove
through knees
thighs
and ***** bone --
to the inky waters of the lake below.

In that cabin
where the sable pines enclose
and all about
from coral-white
to grayish
turquoise-blue
snow.

That scene:
on the edge
where the stillness
Knows.
Written because it was inspired by Daisy Clarke's painting, a friend, of a mountain cabin scene surrounded by a lake.
Jillian Jesser Oct 2018
Just a light that doesn't fade
Just a warmth on winter days
Just a drink that quenches thirst
Just a dance now on the surf
Just a boy
Just a girl
Just a dress and hair with curls
Just a swim in a deep blue wake
Just a lust for heaven's sake!
Just a taste of cherry cola
Just a touch on sunkissed shoulder
Just a kiss, but where it leads
Just a longing
Just a need
Just me grasping your warm hand
Just forever, in the sand
Andrew May 2017
I could've sworn I saw a younger version of you
going in the opposite direction on High Street
I wanted to stop and say something
But I had to die a gruesome death
It's just that you looked like the edition of you
I'm ashamed to have tainted
And we've been down this road before...

Like the time we saw that guy hit that telephone pole
I knelt in the muck with a stranger in my arms
His fleeting life transfixed me to his world
But once life returned
My interest was gone

Similar to the time I saw that fox dying in the street
I left the solitude of my car to gaze into it's primal eyes
Without communication
All we could do was cry together
I couldn't decide whether to **** it or care for it
So I did neither
And just drove off
I understand it may seem cowardly
But the thought of it living and continuing
to suffer and survive was too beautiful
And the thought of responsibly nurturing it was too repellent
Not to mention those things can be dangerous
no matter how small they appear
I guess what I'm saying is bad things happen when I leave my car
Usually, I drive with the windows up and the doors locked
Loneliness fills the cabin
I opened my doors but nobody entered
Only tears filled the cabin
They cascaded out onto the road
Forming ice in the subzero winds
I lost all control
And just before I crashed
I could've sworn I saw a younger version of you
going in the opposite direction on High Street
Dead Rose One Feb 2015
"montana-says-yoga-pants-illegal" Look up on Yahoo

we got quite the stash,
under the illegal grass,
in our hidden home,
bring 'em out when
it's just the two of us,
looking to get exercised

o'course we have secret codes,
(yogurt slackers)
never call 'em by their real name
in public,
lest we get sent by drone
to the new
orange and black jail

when we be feeling
risky-frisky,
under our coats
we wear 'em semi-publicly,
but to blend in,
we only buy black,
seeing as we live
in new york seeity,
where we reside,
black be the only
legal color for approved
illegal street walking

never when we travel domestically
in case we get busted,
don't want to face
federal interstate charges
of inciting others to riot sensationally!

this land is not my land,
maybe it is yours,
but if you come alooking
for us, we got a cabin
in the deep words,
where we practice
dress code freedom,
no ties, shirts untucked,
navel (oranges) fully exposed,
button down shirts always  unbuttoned,
(my high school days
revolutionary first strike)
hoping to escape
the idiots we
place above us
to "govern"
ryn Sep 2014
Doom train hurtling along
Through the fog in my mind
Towing freight, rectangular and oblong
Dim headlights, you're travelling blind

Five carriages long, excluding engine and caboose
Metal against metal, spitting sparks on steel
Undetermined path, rails will choose
Chugging along on dirt covered wheels

In the cabin, I see the light
Emanating from your furnace
Swallowing up coals in your gaping bite
Tongues of flames licking the surface

Fire breathing, spewing thick black smoke
Almost unseen, against the dark of night
A long plumy arm as if extending to choke
And plug the remaining sources of light

Meandering precariously on tracks that weave
Over uncharted, unfathomable terrain
Your store, so reliably you heave
Worming your way through my brain

What's in that cargo of yours?
What lies within those boxcars?
What drives you to diligently run your course?
What fuels you to travel near and far?

Loads of self pity, self loathing and self reproach
Snaking your way to an unknown destination
Screeching brakes as if a stop you approach
Herald the train of dubious intentions

Light is upon you, dark will dissipate
Your plumes starting to lessen from your stack
The dawn breaking horizon you didn't anticipate
To see another charging towards you on this very same track...
See "Light Train"
See "Collision Course"
Nesma Aug 2018
Dear me,

I hope this letter finds you kind, I hope it finds you at ease,
I hope it finds you as you were born.. a soft spring breeze.

I am writing this letter to inform you that your time is not up, that you still have space to unfold, that you are a continuum that doesn’t have to settle for the broken uni-verse where you were unraveled.

You, love, are not limited to your synonyms.

You, love, can develop into a hurricane that doesn’t dwell in a farmer’s cabin.
You, love, can develop into a hurricane that travels between the back of your mind and its front.
You, love, can develop into a hurricane with a FedEx envelop for a title.
You, my love, can develop into a hurricane that transports your memories from the backyard of your colon to the backside of this letter.

You, love, can develop into a sandstorm speaking the names of the Saharas to your left and to your right.
You, love can develop into a sandstorm that does not blind the sufi midnight traveler.
You, love, can develop into a sandstorm that travels beyond the desert.
You, my love can develop into a sandstorm carrying a water-well for the thirsty.

You, love, can develop into an ocean that doesn’t stand in arrogance where there is land.
You, love, can develop into an ocean that waxes and wanes to the rhythm of the moonlight caressing you.
You, my love, can develop into an ocean that doesn’t erode the rocks standing on its shore.

You, love, can develop into a soft spring breeze that makes a home of all the other seasons.
You, love, can develop into a soft spring breeze that gently ****** through a baobab tree trunk.
You, love, can develop into a soft spring breeze that playfully tickles the arms of a refugee on her bus to camp.
You, my love can develop into the synonyms you are not limited to.

Kindly find attached to this letter the love your father has tucked in bed a long time ago and never double checked on it.
Kindly find attached to this letter the understanding your mother stored in the kitchen cabinet she is too short to reach.
Kindly find attached to this letter the forgiveness you have tried to grow out of sunflowers seed every winter.

Sincerely,

Yours.
spysgrandson Sep 2012
I was...

encased in a silver humming tube
shooting through blue sky and soft clouds

the attendant (my daughter’s age) stood
thin knuckles gripping the seat in front of me
whiter than clouds zipping past the window
her doe eyes transfixed on the men
praying with each shallow breath
they would ask nothing of her

some spoke English, some gibberish
waving their razors in ominous dance
slicing the air that carried their words

a pilot at their feet,
a thin red trail, a single line
the only biography he had
written on the cabin carpet
between the cockpit and
where they stood
barking at us, punctuating their orders with prayer and praise
to some God I did not know

“Al lah, A lah…”
more threatening chants
“Allah, Al lah”
more—a shrill scream interrupted this dream
as one yanked an attendant to his side—more venomous words
flying at us like poisoned arrows
(but all of us too frozen to move as these flew through pressurized air)
“please” the only word she uttered before she froze
eternally in the arms of her ****** assassin

the lump in my throat fell, I leaned forward and others did too
(I never saw, but surely they did)
trying to think through the hateful haze
to younger days
how to disarm an assailant—they had to teach me that
I had to remember that—we did that for our beret
but I couldn’t reach back
not further than that morning
when I said good bye to my son

still (“Al lah, Ah lah”—ripping anger from their guts)
I thought, I can do something

the attendant beside me, tears now flowing from lost eyes
(whose smooth blond hair now even looked like my daughter’s)
backed up, her trembling hand brushing my shoulder
(did I think, the last human touch for her, for me?)
my hands grabbed her fingers and I squeezed them gently
(just as I had my own child when I left her side at the altar—
did I say the same words, “Be happy, you deserve it...I love you”)
she looked at me, raindrop tears now instead of fears
we smiled faintly as I pulled her to my seat and rose to my feet

outside the windows
gray square stones now filled the air
blocking the morning sky
where are the clouds I thought…
but only for a second
we
are
not
hostages
we are…going to…

I did not feel the cabin floor as I moved towards the miscreant crew
between me and the cockpit door
I was young, light and agile again, sailing at them
their words no longer calling for their god
but now they spoke in direct command,
nothing of some promised land, but
“STOP OR WE WILL…”
we will…what?
Could I have laughed at the irony…
or we will what?

another now with me, no older than my son
(and looked like he as well)
headed down the aisle
towards men now racing to meet us
four against two
but somehow I knew we would never meet

the lump was in my throat again, my clenched fists relaxed
my own teary eyes turned to the windows, away from the maddening screams
and between endless glass, steel, and stone
I got a glimpse of pure blue sky
last night CNN had a special about 9/11--reminded me of this narrative written on the 5th or 6th anniversary of the event
Cottage
Ah
Burrow
Inside
Now
KiraLili Aug 2016
It's rare to find someone you can listen too
Small talk and debate is not for me , I need not defend a point of view or conviction
Neither is answering questions
Talks should flow like a river on summers day
Where all becomes apparent slowly through dialogue
Long days are perfect for this
No one has to argue to be right ,  just listen to the voices of  a mind relaxed
One head in the lap of another  , all cares gone , natural discussion in nature
Opinions are replaced by thoughts
Finally free from the confines of the dailies
Pondering's replace logistical cares
Nothing is heated , no ones words tramples the others
Like the heat waves off the rocks of summer
Words rise shimmering as they do
Warming thoughts rise from chilled wine throats
Sometimes it's poolside at a dinner party
Or sitting over a kitchen island as one cooks
In front of a cabin fire or fire pit
It's easier in the long days of summer
Places heated by the sun
Make it easier to unstop your throat
Loafe with me on the grass—loose the stop from your throat;
Not words, not music or rhyme I want—not custom or lecture, not even the best;
Only the lull I like, the hum of your valved voice.

Walt Whitman
Lazhar Bouazzi Jun 2017
A cabin that had once been white
Stood, peeled, on the shore of Carthage.
Looking like a tipsy scarfaced knight-
Eyes shut to Dionysian carnage.
A pack of lost dogs roamed around it,
Their pangs of want they sought to manage.

The lone cabin stood on the wrinkled sand,
Like a young tree on Shott el Jerid's* white pale
Whom the white monster forced to speak with the hand:
“Basta, no stubborn resistance from me will avail.”

The fuming sun displayed his festival of fear
Over dogs who could handle their thirst no more;
While the salt has now made its white task clear:
Gnawing the sapling and gnawing evermore
Till the sole mark on the Shott shall disappear.

Now the poet who has only half-chosen the vision
Half not knowing what to do, tried to listen
To the trickle of his one obstinate cheer
Oozing through the new orange laptop,
He had purchased from a japanese peer.

(c) LazharBouazzi
“*Shott el Jerid” is the largest salt lake in Tunisia and the Sahara desert, with a surface area of 7OOO km2. As far as the poem is concerned it would perhaps be helpful to say that the gigantic dry salt pan has the shape of a wolf.
Nat Lipstadt Apr 2018
I am not the master of my writing

-
my writing masters me,
seizing me when the seizure is a sure thing,
it dictates to its enslaved scribe
what it desires this utensil to reveal and expel -
the contraries
who having battled to a ****** draw leaves the battlefield trembling with indecent indecision; the optimal conditions for its macrobiotic invasion of my brain stem;

the she-muse offers me two choices:
she wants a poem writ forthwith
on the lyrical expression
of depression and refusal is
non optional

so I fantasize escape and that becomes
her property as well;
evidence against me to be used at my trials,
the one where there is no statue of liberty
from the limitations of prior bad acts;

I offer the she-muse two choices:

give me a cabin with WiFi
and self-enforcement of solitary confinement and
tie me up with the rope remainders of broken bonds,

bonds that tied me up worse
when they were broken
and the peaceful withering
that won’t disrupt disturb nobody
from a distance

my other choice is to bury me
forthwith next to my parents
and shutter my constant tearing eyes which are drop-resistant

muse says that’s no choice
I own your voice stilled or not,
will bill your soul’s account for
denial of poetic services

weep; i don’t want the noises that curse this troubled
bodyship don’t want recollections good or bad

the muse-***** cackles with insanity of delight
for she accepts this writ as partial payment
on her commission, whispers I love your
lyrical expressions of depression
that ****** recognition algorithms
alert me that seizing time is nigh

there is no on/off switch for one like you:
father son and holy ghost
Paul Hansford Jan 2016
The oxygen that we breathe
in
and
out
every minute of every day
is not lost
but shared
re-used
recycled
recirculated.

If we are in the same room –
or sealed hermetically for hours
in the cabin of a plane –
we breathe continuously
the same air,
the oxygen goes from me to you
and back again.

But air currents,
prevailing winds,
the jet stream,
cyclones and anti-cyclones,
all move the atmosphere further
and further still,
so that even if we are
on opposite sides of the globe,
separated by oceans,
it is a statistical certainty
that I still breathe in
atoms of oxygen
that were once
inside
you.

Do they carry your thoughts,
your feelings,
your poetry to me,
or mine to you?
Who can say?
I can but hope it,
as I thank you
for keeping me alive.
PoserPersona Jul 2018
He pulled and parked the supply red wagon,
then climbed the mast to the captain's cabin.
Captain Red is ready for adventure.
A quest to collect the world's best treasure.

His pirate crew is renowned far and wide.
They're rough and tough and they don't ever cry.
But none of them boys has the captain's stuff.
So don't mess with him, man, cause he don't bluff.

This motley crew has achieved many feats,
has never suffered a single defeat,
and has seen the most incredible things:
whales, whirlpools, storms, mermaids, krakens and kings.

"Set sail," squaws the boss as he munches lunch
and the Ocean Destroyer leaves port Wunche.
These rolling green hills are now ocean waves.
That blue sky, however, remains the same.
...
"Hey Benjamin!" beams the first mate Susanne.
Impeding the journey that just began.
"We already played this game. It's my turn!"
The first mate trumps the captain, Ben will learn.
...
Her spacesuit crew is renowned far and wide.
They're smart and nice and they don't ever lie.
But none of these girls has commander's stuff.
So don't mess with her, girl, cause she don't bluff.

This brainy crew has achieved many feats,
has never suffered a single defeat,
and has seen the most incredible things:
aliens, black holes, stars, and martian springs.

"Lift off!" beams the boss as she munches lunch
and the Star Chasing Rocket leaves base Wunche.
These rural backyards are now rocky space.
That blue sky, however, remains the same.
...
"Hey Susanne!" beams the pilot Benjamin.
Impeding the flight before it begins.
"We already played this game. It's my turn!"
The pilot trumps commander, Sue will learn.
...
Boys and girls grow up and out the front door.
Those children’s games evolve to adult chores;
those kiddy lawns to grandparent’s domain.
That blue sky, however, remains the same.
Amanda Jean Oct 2016
Long winding
Lost roads
Dead dog
Or maybe mountain lion
(**** roadkill)
Car stopped in the middle of the road
Woman drove off the side of the road
(with the ******* pigs)
Gas station stops
No service area
Keeping me on long winding lost roads!

Now there
Misty fog
Hot steam
As I baptize with bubbles
In this hot tub at Grand Haven
A locked cabin
Enjoyed for a time by myself
Alone.
A raggedy old doll,
all ***** and dusty,
lying on the floor of old cabin.
When snuggled at night,
he sat up and sang,
a verse of the spellbook
of Sabians!

“Golden-haired the raven!”

“My heart warmed of her presence,”

“Golden-haired the raven!”

“Her flowering scents so pleasant,”

“Golden-haired the raven!”

“My mind about a treasure,”

“Golden-haired the raven!”

“My fortune is her pleasure,”

“Golden-haired the raven!”

“Lost I am you see?”

“Golden-haired the raven!”

“Sun-ray crowned was she!”

“Golden-haired the raven!”

“Oh golden haired my raven!”

Just before dawn,
he sat up in bed,
to look upon his
new little girl.
Shined-up his button eyes,
and tilted his head…
then snuggled back into her curls.
Poetic tale
Crystal lived alone in the cabin Ray had built for her. Ray had left long ago but she thought of him often and sometimes went to see him in the city. She was an artist and a dabbler in many fields. Her house was a kaleidoscope of stained glass windows and half finished art projects. It was built almost entirely of wood with a beautiful stairway to a loft bedroom replete with a skylight window on the stars. Set in the mouth of a valley next to a clear stream the cabin looked almost as if it had grown there.

Crystal spent most of her time on her art projects, in fact she made her living that way. She was well known for the macabre nature of her works and they sold well at the local art fairs. Most of the scenes she painted could not possibly have existed on earth. Take for example the orange sky and purple mountains of Mariners Delight or the river of blood in Cosmic Conception.

Often Crystal would meet Ray at the art shows and they would discuss his books or her latest works. It was just such an occasion that preceded the first of her dreams.

Although Crystal had often dreamt of playing in a large meadow surrounded by reflections of her art work this dream had been different. She awoke from a scene in the woods where she had been the object of a grotesque conclave of creatures almost beyond description. There had been a huge goat like creature leading a chant, "Rada nema nestos Yreba, Rada nema nestos Yreba", for a group of creatures that resembled animals. There was a black toad sitting on a rock of seemingly impossible crystalline form, while an agile spider danced on the spokes of its luminous web above her. The smell of blood, the heat of the fire, and the constant and oppressive chant, "Rada nema nestos Yreba, Rada nema nestos Yreba" with all eyes directed at her. She woke with a start, it was early morning, her bed was a tangled mess, and she was covered with sweat. She felt she could almost smell wood smoke, and somewhere in her mind she could still hear the echos of the horrible chant.

It wasn't until almost a year later that the dream repeated itself. She had just completed what she considered her greatest work, a large mural like painting called Id Conclusion. It was a matrix of human forms in contorted and deformed conditions against a backdrop of misty images of human holocaust, war machines, and atomic clouds. She had gone to bed in a storm of thoughts on human depravation and greed. The scene was the same, the spider, the goat, the half human animals, all seemed the same, except for the chant, it was different. "Rada nema nestos Yreba, Raga mantra nestos reale, Yreba Yreba Shiva kommt da." Lightening cracked and a creature appeared. He seemed a man but was built more like a large monkey. Light seemed to follow him like an aura. He was the obvious master of the conclave and all stood back at his approach.

Crystal was lying on the stone altar in the center of the glade and although not bound she was incapable of motion while held in Yreba's gaze. That this creature was Yreba was obvious since all had bowed down now and the chant had changed, "Yreba Yreba teach us to grow." Crystals eyes were glazed and her naked body shown in Yreba's light. All her past works were floating across her mind like a collage. Lost in ecstasy she responded to his aggression like a wanton beast, screaming and writhing in the flow of his energy.

She woke to find her cabin in shambles and she was lying in the center of the living room on the floor, she panicked and ran to her car, slammed it into gear, and sped off down the road.

Ray was sitting in his office at the University that morning when Crystal burst into the room. "Ray, Ray, I've had a dream, a horrible dream, it was, I was!" "Slow down Crystal! You've had a what?" said Ray. Crystal sat down in a ball of frenzy and continued.

About an hour later Crystal had finished her story. Ray spoke, "So you say this is only the second time you've had this dream. Tell me more about Yreba. Does he resemble any of your art works?" "No", she said, "He seemed a lot more like that creature you told me about that day we were discussing witchcraft. The one who was supposed to be the personification of ****** desire evoked for the *** ****** of the ancient Persians."

Ray walked to his bookshelves (he was a professor of ancient mythology and religions) and pulled out a book called Necromancer by Abdule Azerod. "As I recall" he said "that creature was also a god of fertility." He thumbed slowly through the book, "yes, here it is. What did you say this creatures name was? Yreba? Very strange that's almost exactly this Persian deities name, Youruba. It seems he was evoked every year on the vernal equinox to assure ****** reproductivity and if you think that's frightening, feature this, last night was the vernal equinox." Crystal was stunned. "Do you think there's a connection" she stammered? "Don't be silly girl, this was three thousand years ago. Why don't we drive out to your cabin and see if we can find some clues."

Twenty minutes later they were standing in Crystal's cabin. What had seemed so disorderly to Crystal in the morning was now clearly a purposeful state of order. All of her sculptures were arranged neatly on the stairs to the loft, and her pictures were arranged so as to face the spot on the floor where she had awakened. On the floor where she had lain was a large five pointed star. "What does it mean Ray?" "I think it's a pentagram" he stated. "Is anything missing?" "Not that I can see" she said. "I don't think we had better stay" he said, "Find what you need and we'll go back to my house. You can stay there until we figure it out."

Crystal never returned to the cabin. Ray sold it for her and bought her a new house in the city.

Crystal got sick a few months later. She was sitting in the doctors office now awaiting his return. "I have good news" he said. "Good news" Crystal groaned. "Yes" he said, "Your pregnant."
Aliens can make you pregnant of mind, it's the hawkowl facts.
I named my bird dog Yreba.......I'm in so much trouble!!
jim a salesman lives in a cabin in the woods
on a hot sunny day he would sit outside and relax
on this day day the sun isn't shining so he would sit in his room with the light on pretending it was sunny day.
not really sure where i was going with this just randomly pop in my head
Ashley Chapman Sep 2018
Past our past,
Yours and mine,
My soul yearns,
As I walk by silver clad trees; 
A favourite parked orange vintage Saab;
And memories newly raw, too.


I

Then quite extraordinarily,
The Cosmic Whale,
Stirs in my solar-plexus,
And my objectivity dissolves,
As conscious consciously hears:
The song of my inner Gypsy,
And look!
My Narwhal,
Up among the stars,
Beyond days and nights,
Roaming free,
Scything milky ways in half,
Fireballs disrupting,
In infinite timelessness,
Beyond the pull of gravity,
Where no vortex holds:
The 'othering' whirlpool,
That keeps us compressed
- as a collapsed star -
Gone!
At last my Cosmic Leviathan blows
- ALL is released and falls away.

II

Such is my Cosmic Behemoth:
The funnel *****
And inside out,
Is turned.
As at last on course;
Whoo! Whoo! Whoo?
But no-one replies!
The navigation station is empty:
This is motion without traction,
And no acceleration,
Slipping atoms would only slow!
The flow,
No windows either on the view,
As even visual truths are but fleeting,
And words muddy the clear unconscious streaming,
As the journey beyond mind begins.

III

The worldly maze recedes,
A bird's-eye vision steers the empty ship;
No harbours are plotted,
From here on
- endless flight in night,
Without end,
Wings blaze occasionally nearby,
A host of fireflies pattern the cosmic pool,
A whole immensity in which to dance.
Space,
Growing,
Stretching,
Expanding outward,
Not as we would have it, but as it is beyond our eyes.
Where space is born,
Again and again,
And so!
Exults in nothing,
A self beyond understanding,
In silence thrives,
Where sense logic makes no waves.

IV

The Cosmic Whale is off,
All attachments gone,
Like a flake of skin,
A fold in time -
Falls off.
The anchor dropped,
Is not retrieved,
What use is I -
When the clock's monotony no longer counts!

V

The surface disappears,
The ocean depth submerges,
In the cabin
The lights are dimmed to monochrome,
As navigators know,
Blind sees the furthest.
Charts are soon forgotten,
The imagination leads:
Ueah, the Cosmic Mind,
Vast and free
In all directions!
No need to plot a line,
Instead like the humble earthworm,
Who in darkness fertilises:
Beauty, how unimaginable, how unknowingly,
Is by all that envelopes guided,
As from the cracked ***!
Which in Reality was suffocated,
The source is nourished.

VI

As my Cosmic Whale plunges the deeps,
Look to the expanse:

     The eternal behemoth whose flight
     Everywhere provides,
     Guileless and unobjectified.
     A subjectivity that knows no
     bounds,
     Is unto itself unknowable.

In brushstrokes.
The universe,
Is as it rolls Created.
Where logic has little to do,
As all,
Already simply is.
This poem is actually about the ego's death. How I will mourne it, and how the fight to let it go will be immense as it is for us all. Death in life comes in many shapes, not ultimate death, but our relationships, *le petite mort*. Of course, there is life beyond relationship death. Beyond a sense of end; and yes, ultimately all is good preparation for that all consuming final death. This poem was inspired by untenable love for another; by the paintings in bold, almost lurid, but zen-like brushstrokes of a fellow Tunnel member, Genevieve Leavold; and by my mate Chris Godber who alluded to whales. It also has to do with my Gypsy heart and Celine's Salon, in Soho at Troy 22, where we celebrated the traveller's soul. Finally, a YouTube clip of a talk given by Guru Mooji in which awareness is being conscious of conscious.

Bon Voyage!
Sister and I loved to play, to run and twirl and roll in grass all day. Momma gets mad when we go too far but our yard is massive we live on a farm! Running on rolling fields of prairie, singing and laughing and acting merry, shot right through the tree line that marks our abode, slid across the rocks on Old Joser Road, saw an old lady who walked with crumpled toes and spoke too and listened too a pack of crows, plucking weeds and picking a thorny flower she called out to us that fateful hour;

  “Oh my and how lovely, two twins so cute! I had thought no one lived so far out here, away from the town and its charming cheer? Why don’t you come over and meet my pet crows and I’ll show you two a trick that nobody knows!”

  I leaned down to consult with sister you see, she being younger she’s littler than me, I told her to stay close while we watched the show, then we’d be off and away we’d go;

  “Okay old lady my name is Tim and this here’s Tam and this place you’re in, is our family farm and that guy in the field, well that’s our Dad, and if you mess with us he gets real mad, so no funny business in this game and we’ll be nice to you just the same.”

  “Agreed indeed you little man and I can’t wait to see you in my pan!”

  Now I had to think on this real hard. Did that mean something about being able to see or was she talking about eating me? No matter, no problems and boy those crows, did they sure put on some funny shows and acted like they had lots of smarts and seemed just like pets and warmed our hearts;

  “Thanks old lady we gotta go we’re almost late for dinner you know?”

  She moved too fast and came right up and pulled out an odd-looking wooden cup;

“Wait there dearies, not so quick, about that dinner and my sweet shtick, you see you owe me a trick too, two coins I’m asking there of you, you bring them up to my cabin on that hill and I’ll teach you some magic and give you a thrill!”

  “Okay lady!”

  I agreed as we ran, if we don’t get home soon it’s gonna be my can! ‘Cause I know my pops he’ll beat my **** and I’ll be sent upstairs with nothing to eat, so I told little sister to move those feet!

caesura

  Whisk you down the road of boiled toad, and singeing hair, of whispered things and fires' flare, of evil looks from open books, pigeon’s toes and a chicken gizzard, while around your legs it crawls and creeps, my hungry lizard that never sleeps! You gawk! You stare! My wrinkly-face, the dank rank air in my dingy place, the dusty shelves a-lined in books and creepy crawlies in every nook, cobwebs and spiders at every corner, piggies run squealing while the chickens banterer, ravens caw at strange green light from lantern but back to all those shadow corners where little bad things spy and salivate, thinking on what they had last ate, and there you are shaking, nervous, trembling; a porky little piece of meat and something we all want to eat!

  “Oh don’t be scared my little one, I’m kidding, teasing, just having fun. Hand me the coins I asked for earlier, when we crossed paths along Old Joser, draw near to me, come here, come a bit closer!”

  Be careful will I not to bare my teeth, or lick my lips or stare too deep, for one is easy, two a dangerous feat and I so want to have my little porky piece of meat! I stood on a ladder with little Tam on my shoulder, so she could see the *** as it smoked and it smoldered, I directed little Tim over there to a seat and he saw me lick my lips as I thought about their meat.

  “Aha ha ha ha ha!”

  I laughed out loud as I cast in the dust and the billows changed color and kiddies made a fuss, but then the sparkly things popped and shimmered in their eyes, while both of them let out marvelous sighs, bewildered, bemused and tricked by my lie, I threw Tammy in to my cauldron to die!

  “Nooooooo!”

  Little Tim, little Tim did he let me in and punished will he be for that little sin, I whispered a spell and took up my broom and zapped a hole in the floor out in the room, where Tim was running and dropped him in a hole, down a tunnel he went that saved his soul, for out he shot back on Old Joser Road, no wiser no worse for the trick I showed!

Now listen up children or this is your lot,

For I’m out there always lurking with my ***,

I’m always hungry and so are my crows,

We’ll eat you up all the way to your toes,

“Jimson and sassafras, morning glory, woodrose seed,”

“A ***** of my finger, lock of my hair, a thimble and tweed,”

“Two coins, a cauldron, my cunning and your breed,”

“Whenever I’m hungry that’s all that I need!”
(Joser: Joe-Sir) rhymed with (Closer)
This is a retelling of the Sumerian story of Tim-Tam which is the origin of Hansel and Gretel. This entire piece came to me in a dream and I wrote it down in one sitting over ten minutes. Grimm's Fairy Tales are about warnings to small children...warnings that not ALL adults are good people and sometimes starving old people in the woods use trickery to eat kids. The phrase 'two twins' is a reference to the dual nature of myth as both actual events and cosmic. Gemini and the two earthly children.

Two coins to pay the boatman who takes your soul across the river Styx.
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