when listening to
a Byzantine chant (Δεύτε λαοί)...
as much insight as
i had of the hebrew tetragrammaton
to meditate on
in phonetic encryptions
in other languages:
sly semitic *******: hiding
their vowels...

humor...
there's a west "contra" east
disparity...

yes...
                  the west's notion
of humor, staged,
is that of the comic...
or rather:
  the monologue...

comedy by western standards
is to be compromised
by a monologue...

comedy by eastern standards?
is to be compromised
by a "dialogue":
script...

comedy as monologue
contra...
comedy as... cabaret...

***: opera contra
operetta...

                novel contra
novella...

          some people can only
ingest so much
comedy of the audible
thought...
a monologue...
which is what is the compromise
of all of the notions
of the western take on comedy...

never has thinking become
so closely associated:
synonymous with
claustrophilia...

         but western comedy
is monologue...
or its current form...
and rarely a comedy worth
of being: diffused...
for a dialogue...
for a cabaret...

perhaps the medium
is missing an alternative suggestion...
perhaps the hidden
airy-narrator...
the thespian cult of the movies
is hiding the theatre...

but the cult of
the monologue comedy of
the stand-up,
this solipsistic-orientation
that has not
summoned the selbst to a da
with a sein...

         maybe the English sense
of humor has become
a tedium...
               one monologue too far,
notably vocated...
  maybe the English sense
of humor is missing
dialogue...
a cabaret...
so that at least two people
can laugh at the same
cause of amusement?

cabaret is a continental
"concept" for the expression
of humor...
i almost forgot how alientating
the standard, english,
medium for the expression
of humor is...
           cabaret is alien...
yet the solitary figure
on stage, the stand-up...
is the formal: normal...

     expressing humor via
the monologue is so alien to
the world beside the utility
of the english tongue...
perhaps an investigation
into: humor expressed via
a dialogue...
  no... not this ****** doubled
re-emphasis via
the conjunctions
of interjection to hush
yet add to the canned laughter...

to be honest?
i find it hard to laugh
at humor supported by
the fakery of canned laughter...
it's not that i am too lazy
to laugh:
but canned laughter is...
hiding the fact that:
something... isn't exactly
funny...

    i once saw a Pole attempt
to import monologue humor
to an audience best
associated to understanding
cabaret / dialogue humor...
bad idea...
that's it...

                but having to incline
the audience to remember
the use of:
nuance / metaphor...
like telling a person sitting
on a chair:
   a hammer & nails were used
too...

obvious this will not translate...
stand-up monologue humor
will be the standard for
expressing humor in the English
tongue,
and the form of humor
            in dialogue (cabaret) will
be only a musical...
there will never be: in addition -
the emphasis of the punchline
of the joke,
to be forwarded by one-dimensional
pseudo-actors of
the staged...
   since english humor has morphed
toward the emphasis of
monologue...
  catching the ears of:
who are in agreement with,
said statement...

     yet: the stage...
       english humor as a monologue...
thinking has become
so claustrophobic that it requires:
both audience, and stage...
no wonder...
  even the english themselves
find this and its subsequent
extension of: "what is humor"
bewildering...

  "too much" nuance,
or rather... plenty of nuance -
yet prescribed with:
precursor notices of -
legal tact...

            to me the english language
has forgotten a vital
verb,       cogito...
personally? i can't begin
to fathom why people would
be inclined to "think"
that their orientation around
this faculty could
ever breed a space,
or a fear to be associated with it...

but yes...
  the english best understand humor
as monologue...
they are so alien to humor
being expressed via dialogue:
on the stage of a cabaret...

              i simply forget to be awed
by this curiosity,
i remind myself to retort
to this observation
with a nodding approval of:
as you were, yes, as you were...

horror movie sountracks
i can listen to, no problem...
canned laughter samples?
i'm ******* petrified
of them...
              not, petrified, but, rather:
i was never supposed
to laugh... was i?

.let's begin: i've been watching youtube haemorrhage over the past few years (4 / 5 in total) and... i do still enjoy the sort of cabaret weimar associated with criticalcondition when comapred to beanie hat tim pool... sorry: i just like a bit of cabaret, i know that comedy is translated in the western lands by stand-up monologues, but in germany and poland: cabaret is the toy assurance to compensate the justifications for theatre or opera... i like criticalcondition, trans-, ******: my my, how did the chemistry prefixes of attachement groups of a benzene ring overpower bio-realism? imagine a blocked toilet in terms of hinduism / buddhism in terms of the metaphysics of reincarnation... well: metaphysics by their great culinary understanding implies: a return to the same debacle, perhaps only slightly elevated... we have already reached a post- gott ist tot scenario of metaphysics... gott is quiet apparent, since the ancient greeks believed that "shamed" men would come back as women: now? the women did a shortcut... they said: tod ist tot... wouldn't that be the case? a blocked toilet, well... if god has to die first, then death itself has to die, ergo: tod ist tot! ha ha... imagine... to think of the glamorous concept of eastern theology as nothing more than a plumber's day-shift... looks like the toilet is blocked... since... men are not spawning into female form after death, instead, deciding to spawn back into male form with a female "brain"... who is that god of mischief in hinduism? oh... look! Aditi! well it's not an isolated case, is it? i once picked up a thai surprise from a park bench, played her some jazz, ****** her in the garden... bangkok ladyboys are the duran duran of 1980s electro-puppy-pop! once god dies, death follows suit... after all... death is (a) shadow of (the) god... blocked toilet metaphysics, all the brahmin as running wild, naked, psychotic: but the lesser men were not supposed to know they were reborn into female bodies, there was that safety net in place to: let them reincarnate with an amnesia principle! what's happening?! the women are raiding up the ranks?! contrapoints compared to tim pool? sorry beanie-boy... you're not the beastie... quiet... i'd love to b.j. that make-up off from contrapoints... problem being... i love when a ****** speaks so much sense... but... hands... i find a woman's hands too be the most ****** aspect of her body... 4/5... that's a fraction... for my five knuckles in terms of hand size, ***** "envy" and what my five knuckles look like to a woman's 4? you get the picture... there is also another fraction... 72 genders?! wha-?! i see gender in the 3/2 fraction... a woman can satisfy three men... the ****, the **** the mouth... a man... can only satisfy 2... the **** and the mouth... oh... wait... 3/3... someone can be giving him a b.j. while he's giving him a b.j..... it's still a blockage of reincarnation though... the greeks believed the lesser man was to be reborn in a "lesser" body... ****, i always forget how the ratio works... i always think: 1 man has 3 options of entry, 3 women have 1 point of entry each... but fraction is wonky though... in that... a woman can entertain three variations of entry: mouth, ****, ****... but a man has to entertain two points of entry and one point of insertion... so the fraction still stands at 3/2... which makes the islamic celestial harem nonsense... unless equipped with an exess of res extensa ****** to satiate the hunger of 72 virgins... a ****** gambit if you ask me... 72 virgins sounds more like a headache than what Solomon forsake in owning for the queen of Shēba... king! Solomon! after all the *******, enough wisdom suddenly trickled into his head, and he chose the route of the monogamy of birds! mind you: whatever wisdom king! Solomon ever had to begin with... i would still favor king David... i like a man with a distrust of women and having an unadulterated desire for music as second to none medicinal property to cure existential ailments; i tried *******, no good... sure, great exercise... esp. with prostitutes... but an in depth analysis of the perpetuated banality of life and how to learn to masquerade it behind a veil of seemingly banal? a harem will not help, but music will. even nietzsche understood this... criticalcondition: i do actually fancy him it her they... she does have that: je ne sais quoi air... weimar cabaret "revised"... not quiet the switz cabaret dada voltaire... but all i know is the number of holes of points of insertion and the fact that i have hands the size that could hold a basketball in one... and how... oh, wow! i really came late to the asian fetish party late... here, have some grenades! **** ying, cat meng, na mu han, you mi, ni ye teng, ai sayama, hoshina mizuki, ayaka noda, (l)im ji hye, lie fei er, (barbie) ke er... ergo? this whole asian fetish scene? am i looking at dolls? i'm not even sure... am i white, by comparison to these procelain babushkas?! i'm not white: orange man bad! i thought so too: i'm... piglet! the i'm not white: these girls are... and the funny thing is, the "funny" thing, is? i don't have to see much more beside the cleavage or the ******* or the thighs to... hey! i'm a late bloomer to this asiatic fetish... side-tracked by the european transgender ******* and the thai surprise ladyboys... what is **** what isn't ****: that, really depends on how much you rely on your imagination... if a sight of white, porcelain cleavage gets you off... who the hell needs the whole "show"... after all... even the niqab is a game on how to arouse the male libido... it's pretty hard to be aroused by a fully exposed female torso like some maasai ivory beauty... then the "said" objects are more functional and designated for feeding purposes... than ***** *******... aren't they?! oh i can see a revision of the niqab... imagine this in saudi arabia... both the eyes are not hidden from view, as isn't the mouth! batman 2."oh"... oh i don't like these new communists in the west... white... priv. who, that japanese?! i'm not white, i said it already and i'll say it again: i'm not a porcelain doll! talk to the **** about white privilege... they're the ones with milk veils... my "white privilege" is only associated to having blond hair, green or blue eyes... it has nothing to do with... skin!

i’m suspicious of the ones that say: without telling the truth
we can moralise, by not stating the truth
we can allow ourselves falsehood in the prime
instinct to provide replicas of ourselves
without truth of two subject interacting,
but merely the truth of two objects interacting
reducible into the dwarf of darwinism
that speaks: over-sexualise and feel less encountered
by understanding the opposite!
so much is true in this era - with the english poodle
waggling in frenzies for the americans to spectate and applaud...
i’ve had to become a german in england,
the sort that might be liked by nietzschean arrogance,
but apart from that i’m working on how
certain people simply use words rather than letters,
how they can never use the shovels and pickaxes,
how this congregation of atheists at comic stand-up shows
is doing my head in: a theological mid-life crises,
this blatant take on theology using the logic:
from monkey you came, to monkeying you shall return...
now that trends like the crown all animals have,
all animals already unique do not need to replicate consciously,
but man is stumbling into wasting his conscious on replication,
on plagiarism... it’s so odd... so so odd! why would man
waste his consciousness to simply invoke replication?
where’s the self in that, the anti-frankenstein story so powerful
he does not wish to do anything other than marvel at
the connectivity of the bone to the nerve to the muscle?
the 20th century gave birth militant atheism -
the 21st century is labouring with a different kind of atheism -
the sort of atheism that says no barriers exist between master and servant
as between worm and pigeon - even though
the depression of the master is opposed to the servant’s depression
that he only spots analogues within the framework of
synonymity with other masters... ‘why are we so depressed?’
asked master a, ‘i have no idea,’ answered master b over lunch.
in the lower decks of the ship servant a says to servant b -
- ‘god, i rowed all day long, i’m so ****** tired!
no thought will keep me awake.’
- ‘that’s true, i’m knackered also, broken limbs of my effort
like a chestnut, no thought will keep me awake either,
lucky we exhaust the body.’
- ‘too true, with the body exhausted the mind is never disputed
never disputed by not having origins in thinking
but rather having origins in the body.’
- ‘verily, i rather our fate than the masters’ fate.’
- ‘why?’
- ‘as you said, our’s is the story of ****** demands,
their’s is a story of thought’s demands,
meaning they exhaust their mind in the accesses
thought provides, it’s like a secondary body we have no knowledge of,
they are exhausted by thinking because their body is not exhausted.’
- ‘makes sense.’
- 'hence their malady of melancholia and our as simple exhaustion.'
- 'where’s the buffer?'
- 'in the olympians, the discus throwers, the most positive lot, and due to this, the easiest
to break down from high positivity; they have no awareness
of complex thinking and are quickly undermined with all this sports’ psychology!'
- 'true to the burning tire... it's all dietary awareness and muscle bulk with them after a loss.'
- 'indeed, as our's is with aesop dreamily awaiting a freedom that’s an anarchy,as translated from aesop's fables into
spartacus' resolve.'
- 'ah yes, that old spartan revolt in the roman empire.'
so like i said, i do know that darwinism is the new super cool sensibility,
taking into account more than 10,000 years of history
and talking about it for 2 hours wishing that something
spectacular might happen tomorrow, or any other given day...
but like i said previously... darwinism just killed history...
outside the realm of journalism we’re talking millions of years...
so why would i give a **** if it’s a friday the 23rd of october in the imaginary year 2015?
well if you put crocodile into a pile of hyenas you’ll probably
get a a cuckoo mixed with a squid because of the beak shared by the two...
i know, atheism is cool, for now,
but when the quantum j provides the classical physics’ objects like jupiter
you’ll ask what the quantum of j is... and i’ll say... full-stop...
that’s because, perhaps, i never use language as:
copy - work - paste - with - copy - me - paste - on - copy - this - paste - one,
but rather...
w - grammatical arithmetic (g.a.) - o - g.a. - r - g.a. - k,
because no one can tell me that the letter j
is uniform in the context of i or k...
as the quantum phonetics of uttering the word
onomatopoeia... is no different from uttering the word bull...
so many variables of spotting the quantum physics
in pronunciation... so many varying levels of required energy
to utter j or k... onomatopoeia or bull -
so... what's the antonym of quantum - the maximum
amount of any physical entity involved in an interaction -
i know that poets speak of grains of sand = no. of stars
and that the mathematicians use the curtain of infinity
to digress... but finding the maximum will be harder
given that there will be no socratic knowledge to use as canvas...
i.e. nothing;
added to the fact that there’s a non-differential quantum
that makes ë and em almost identical in terms of the least energy used,
this humanistic paradox of bonding means there is no unique human
sound that doesn’t borrow another human sound to execute a phoneticism,
otherwise ë and em translate as eh and humming anti-treble of the lips, or finger licking mmm of kentucky.
actually... we have the opposite of quantum physics...
the body functions within an ~37ºC emission...
there are four seasons in a year... the earth's orbit is 365 days,
i just took all the known macro units
and consolidated them in the micro unit of joules undifferentiated
in terms of observable "energy."

the full moon is out, prime orb ever changing,
no talk here of grit and mundane,
i never speak of myself as a genius,
more like a plumber, i am, a plumber,
and poetry is like fixing a pipe,
i go in... and as quickly get the **** out,
it's painful to brood over volumes of excuses,
poetry is just as mundane as any other job,
it's a nasty affair of the heart,
whereas philosophy can build the Trojan wall
of systematisation akin to ever other sunrise or
sunset, poetry's wall is honesty and spontaneity,
divorce the two and you're writing poetry in
your spare time... ever wonder why Hegel etc.
didn't write their works in spare time?
it's because they were wholly engrossed, so that you
could speak about their "improper" jobs in your
salon spare time like a Pavlov experiment:
salivating drool to the knee like Rapunzel growing her hair;
there is no such thing as a failed artist,
unless his failures are best expressed by a woman
not having a hairdresser, i.e. the Assisi oath
of the Renaissance pundits - drunk stare twice,
carousel approach, master the spider-eye-effect
and you'll paint the Sistine chapel eventually,
catching Beelzebub eventually in colour.

i wrote an A-level essay on the counter-reformation,
apparently i was awarded the resulting grade with
much esteem from the post-graduate OCR...
hence the title... versus Cabaret Voltaire...
hence Cabaret Loyola... the former became a shadowy
version of the cure mixing with depeche mode anyway,
a mediocre club of cowgate in Edinburgh (cowgate
the origin of Heart of Midlothian football club, begun by
tango dancers or caleigh dancers or something)...
but in spirit of the cabaret as a makeshift church,
in guise of a priest, albeit spy-like plain clothes no uniform
no marching orders, the grand union, a marriage;
i know i didn't do the proper arithmetic on this example,
but how a marriage works when two poets collide,
Sylvia Plath's *new year at dartmoor (1962) a
and Ted Hughes' crow's vanity (circa 1972) b, i.e.:

this is newness: every little ****** (excuse),
looking close in the evil mirror crow saw
obstacle glass-wrapped and peculiar,
mistings of civilizations  (,)   towers   (,)   gardens
glinting and clinking in a saint's falsetto.
(with) battles he wiped the glass   (,)    but there came
only you, not knowing what to make of the sudden slippiness,
(a) spread of swampferns fronded on the mistings
the blind, white, awful, inaccessible slant.
a trickling spider   (,)   he wiped the glass   (,)   he peered
there's no getting up it by the words you know.
for a glimpse of the usual grinning face
no getting up by elephant or wheel or shoe.
but it was no good he was breathing too heavy
we have only come to look.
and too hot    (,)   and space was too cold
you are too new to want the world in a glass hat.
and here came the misty ballerinas
the burning gulfs    (,) the hanging gardens (;) it was eerie.

(as the priest added: dear children of the word / of words,
you have come to this blank piece of paper
so that the ink might seal your fingerprints
over one another in the presence of punctuation
and the literate community. literate union is
sacred in that it enriches others, but robs you.
it binds those who enter it to be faithful only unto
themselves and unfaithful unto others.
etc. etc. - and whereas some pinpoint the event:
afar in articulation the two horrid articles:
i do does not necessarily mean i will -
and with what ******* are you to write a prenupital?
the bets are off... the priest has gone mad,
because he can't be bothered revising the vows with
a secular consent)...

         yes, i did pair up the poems with one
arithmetic coming short and the other exceeding the potential
of interaction... after all, he lived much longer,
and she was baking cranium & cartilage pie in an open
oven.

They say there is a broke light for every heart on Broadway.
They say that life's a game then they take the Broadway.
They give you masks and costumes and an outline of the story.
Then leave you all to improvise their vicious cabaret.
In no longer pretty cities there are fingers in the kitties,
there are warrants, forms and ******* and a jackboot on the star.
There's *** and death and human grime in monochrome for one thin dime
and at least the trains all run on time but they don't go anywhere. 
Facing their responsibilities either on their backs or on their knees.
There are ladies who just simply freeze and dare not turn away
and the widows who refuse to cry will be dressed in garter and bow-tie
and be taught to kick their legs up high in this vicious cabaret. 
At last the 2014 show the ballet on the burning stage!
The documentary seen upon the fractured screen.
The dreadful poem scrawled upon the crumpled page! 
There's a police man with an honest soul that has seen whose head is on the pole
and he grunts and fills his briar bowl with a feeling of unease.
Then he briskly frisks the torn remains for a fingerprint or crimson stains
and endeavors to ignore the chains that he walks in to his knees. 
While his master in the dark nearby inspects the hands with brutal eye
that have never brushed a lovers thigh but have squeezed a nations throat.
And he hungers in his secret dreams for the harsh embrace of cruel machines,
but his lover is not what she seems and she will not leave a note. 
At last the 2014 show!
The situation tragedy!
Grand opera slick with soap!
Cliff-hangers with no hope!
The water color in the flooded gallery. 
There's a girl who'll push but will not shove
and she's desperate for her fathers love.
She believes the hand beneath that glove
may be one she needs to hold.
Though she doubts her host's moralities she decides
that she is more at ease in the land of Doing-As-You-Please,
than outside in the cold.
But the backdrops peel and the sets give way
and the cast get eaten by the play.
There's a murderer at the matinee
there are dead men in the aisles
and the patrons
and the actors too are uncertain if the show is through,
and with sidelong looks await their cue...
but the frozen mask just smiles. 
At last the 2014 show!
The torchlight song no one ever sings!
The curfew chorus line!
The comedy divine!
The bulging eyes of puppets, strangled by their strings!
There's thrills and chills and girls galore,
there's sing-songs and surprises!
There's something here for everyone reserve your seat today!
There's mischief and malarkey,
but no queers or yids or darkies within this ******* carnival...
THIS VICIOUS CABARET!

/once upon a time, the sugar impetus, suddenly devolving into the auto-digestive minding of fat residue... come the brain-digesting-proteins-in-Alzheimer's.... and... piquant varient of: falling "short".

    /somewhere along the tongue
to mind loss of ember...
       i... seem to have lost
the technical usage of
   a spanish variant of ditto... namely
the wheelchair bother...
             glum look
confiscating the gimp pride...
i.e. territorial passengers?
      my bad...
                    thank god
this is neither too intelligent,
nor too dumb...
        at least we have
the middle ground covered./

the form of "translating"
the eastern version:
             a... cabaret...
of the western:
     res rarus ex cogitans...
   thing, rare
to find among "thinking"...
the joke per se
is:  the ******* monologue!
eastern people can only digest
cabaret humour,
  tickling a chance for
theatre...
these days nothing at all
is funny...
esp. with the missing
limbs to add to a language
tailored to a body...
Ramadam poetry:
             having eaten
a *******'s worth
of operatic oysters
impersonating
        tonsils...
         serious point though...
why is eastern humour
only fathomable
  when translated within
the confines of a cabaret...
and the west,
  resorts to the extended
"concern" for thought,
     being made puppet
with strings akin to
   tzitziyot being missing:
oh god,
   revising with circumcision
to mind...
             western humour
and the monologue...
  a weird affection
  for voyeurism...
              the: solo act...
        which can hardly be
translated into the eastern
european sentiment for
the cabaret...
    it's really become a
scenario of:
not that i might laugh...
        but i am
prone to the lethargic
expression of humour...
     eastern humour
is less autistic in expression...
hence the cabaret...
            but this
jerking off on a stage
           solo-take-on-
american acronyms?
               short of what?
    what's the funny part?
i'm dying to confiscate
laughter into my *****...
      stand-up contra
     cabaret...
      low-body-language-skills
           in stretching
     a snail into a shoelace...
   sort of ha ha?
           point being:
comedy in the format of solo,
who doesn't
    invite the concept
of      cabaré(t)
  into affairs being minded...
             ray goon oogh...
     shot me dead...
                 stand-up solo
is what's decided upon
as the off-shoot of
         the ritual of thought...
the θ-ought...
       moral precursor of
choice...
              comes the cabaret...
theatre of jokes,
contra the:
    mono-back-to-square-uno
spotlight...
             i'll let
the intelligent people schprech...
     i'm too dumb
to even mind this,
                    "inconvenience";
tomorrow is just
another day in minding
the 15th century...
          and yesterday,
is...
               a challenge
on taking bribes,
              with a back into
tomorrow inconveniece of:
     making bets...
roulette sun-dance
                            minors.

Ill-fated crowds neath unchained clouds: the Silent City braved
against a sudden flashing flood, unleashing lashing waves,
which stripped its stony structures, blown with neutron bursts that laved.

Its barren streets, although effete, resound of yesterday
with chit-chat words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes,
which limn its frail forgotten tales, in weird unworldly runes
with symbols strung like halos hung in lifeless, limp festoons.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, throughout the doomed domain
reflecting white, wee wisps of light in ebon beads of bane
which cast a crooked smile across a faceless windowpane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
whelm ballrooms, bars, bereft bazaars, though no one’s left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep beyond the mushroom clouds.


No ghosts of ones with jagged tongues will sing a silent psalm
nor haunt pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
for churches, mosques and synagogues abide without a bruise.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

A church’s Gothic ceilings guard the empty pews below
and, all alone amongst the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stray footsteps swarm through church no more (apostates that profane)
though echoes in the nave still din and chalice cups retain
an altar wine that tastes of brine decaying in the rain.

Coiled candle sticks, with twisted wicks, no longer 'lume the cracks -
their dying flames revealed the shame, mid pendant pearls of wax,
when deference to innocence dissolved in molten tracks.

Six steeple towers, steel though now drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

The chapel chimes? Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillon, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.


No saints will come with jagged tongues to sing a silent psalm
nor bless pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm.


Beyond the suburbs, farmers’ fields (where donkeys often brayed)
inhale gray gusts of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

Green trees gone dark in palace parks (where kids once paused to play),
watch lifeless things on phantom swings (like statues made of clay)
guard marbled tombs in graveyards groomed for grievers bent to pray.

And castle clocks, unwound, defrock with speechless spinning spokes,
unfurling blight of reigning Night by sweeping off her cloaks,
and flaunting dun oblivion, her Baroness evokes.

The sun-bleached bones of those who'd flown lie scattered down the lanes
while other souls who’d hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The wraiths that scream in sleepless dreams have ceased to terrify
though terrors wrought by conscience fraught now stalk and lurk nearby
within the shrouds of curtained clouds, frail fabrics on the sky.

And fog no longer seeps beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears in sheets of shallow gray.

The City’s still, like hollowed quill with ravished feathered vane,
baptized in floods of spattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No umbras hum with jagged tongues nor sing a silent psalm
nor lade pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play
while celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.

-I-

Adoration-
Somnambulists cast
paradise magic, allowing a thimble to fall
upon the floor of our private heaven
(a perfect disquiet to our loving)

We daily reveal our reclusive
sensitivities, a flash (a lowered head, laughing distinctly)
Trailing close behind German poets/path of devotion, a second summit of their passionate influence, rippling generations ago now:

(vineyards caught by grasping suddenness/placating daytime/fig & flame/false tower of Babel, ornamental ruin/he feels owed the sensations of an active spirit, to repent the contrary forces within him/myself)

-II-
                      & upon my reflection in the Cabaret of Hell,
I see a gate perched at the base of my wondrous
Sehnsucht-apparition

                    BLUE MOON                 WALLFLOWER

(or perhaps the other way around?)

Overtaken by oscillating darkness/hall of mirrors (memories)
distorted flashbulb *** and anger

until the acts become indistinguishable from themselves/doubly
******* tigers brushstroked in animal blood... essence of devour/temper/
captivation, incredible lips, pulp teeth, pure excitement all disfigured
& joyous

-III-

My azzurine goddess, faced away in
shame, no wonder why!

(hair let down in a drowsy spill of
uncertain hours, wavering in a sullen high, thickly feeling,
the immensity/pleasure renounced for a cabbalist subliminity)

Mockery of the dead dead dog/blind in boyhood/while
curious ghosts skate across the ice-peripheral of our dreaming

I feel love, and horror/a frigid hand who's body I have dissolved-
-caressing my back tenderly
bordering terrific malevolence

...Later, in another try at my own eternal return, I find my comfort brother, accompanied by an overhead
divination lantern..

pounding! At the sun skull, for you (my cherished)
are of high order
I tempt soaking the cloth,
to steer the intention

..missing black mass, indulging instead
on feverish Damascus perfume

Splash ramp
down. Flesh, wailing
vampire/poet
hidden by darkly earth to inevitably
decay by their self-solitude

(descent writhes in the milk of heartache
and cusps the night firmly in his *****
withering palms)

I refuse this fate, and
in Western-fashion
fire down the city worshipper which was once
I, too        (unmercifully so)

..burying his bones in the Scottish dirt

Terrarium hydrangeas, pale (yourIrises) lipstick daggers
slashing in the white sleeve-
red with epicurean
baptism

-IV-

Big bad wolf
banished to his hole,
I kiss the winter fruit clean from your mouth (succumbing to pinnacles of fire/your lost domain) ******* on pebbles, trying to crack through the surface
like a dragon's egg for pride
(big bad wolf is hungry)
We wear away the season, memorizing the newspapers
which are tossed carelessly to our door. Ah, the kitchen ballet dancers are finally tired..endowed to the triplicate beauty
that we individually define (takes a bit to get there)

You/I privileged to ******* Venice with our mutual
imagination,                              owing to Calvino

To crave eachother
as an Acrobat craves the

trapeze

Willows shading
and lily pads pointing.
posing flowers.
Sunlit hues of blues
and sharp burlesque red bulbous scorpion tails,
in a cabaret bouncing between
the shallow pools edges.
Sliding where crickets hum aboard,
performing. A dive for frogs,
and under it all the mud
could be kicked,

Fish would frenzy,
Dancing in the dark boite.

someone once said: only the natives can be designated
free speech...
the immigrants can have their dog
and let it bark, along with whatever thinking comes
their way...

exploring the last remains of thought -
well then... suit and boot me up for some "thinking"
as i extend it into writing...

if i were of the native stock... "elsewhere":
most probably h'america or australia... even in italy
having tea with mussolini i'd be:
an expat... as an outsider among outsiders
but among my sameness-namesakes of surnames
akin to jones and smith:

i will never be an "immigrant" among...
it's not even a voice of cocern, this little voice of
mine...
an englishman who decides to move
to h'america is an expatriate for the native
englishman who stayed behind...
he's never an immigrant...

perhaps other nations view the people that left
them in such a positive light?
where else to emigrate to that doesn't
speak basic english with a tinge of
a "welcoming" plethora of accents?

proudly having expatriated...
or having to have had to humbly emigrated...
bark bite and tail in tow...
my the luck of being an expatriate...
readily prepared with a francophile basis...
e.g., or some other: less frost-bitten
idealism as the work ethic of:
work work work...

we know the english immigrants
as expatriates... but i doubt that people
from where i from would call me...
an expatriate... they'd call me...
eh... hangman noose... a deserter...
god forbid the fact that i somehow managed
to integrate... but then found myself wondering...

have, have integrated into... "what"?!
today i was truly astounded...
after all... Romford, Essex... England...
can boast about a few things...
notably? it's the past place you can buy vinyl
without amazon.co.uk...
you can actually play the buyer and the person
that loiters with his shadow...
flicking through a dictionary of sorts...
finding a record...

i actually left the house for ulterior motives...
but i succumbed to the allure...
and as i walked the January 2nd 2020 highstreet
in Romford...
i heard english... as a spoken language...
twice in the pedestrian commute...
and of course when it came to a lingua franca
scenario of buying or selling something...
otherwise:

perhaps i retained my primitive instincts
and the tongue and should have left it with a ghost
of me back in the clarifying vicinity of
an airport 50 miles from Warsaw...
i have bigger things to worry about though:
how i should start learning Romanian...
even though: i thought bilingualism was a good
idea?
it's not?

not among the natives could i ever be
an expatriate...
an ever: never... like any more thesaurus
sharpening would do the trick to balance
the optics of "perspective"...

if it wasn't a mistake...
it has still been a purchase:
freddie hubbard on the trumpet,
jackie mclean on the alto sax,
kenny drew on piano,
doug watkins on bass
and pete la roca on drums...

the only reason as to why i bought
a gramaphone was to buy the only cheap vinyl
there is... jazz...
to escape the earphones...
to find the complete volume of space
that would later be deemed:
confined to a room... cell... or some alternative
variation: but... oh jeez...
how wrong it was of me...

make a note: alto sax jazz is not for you...
remember: alto sax jazz is not for you...

a sensation of being a foreigner in
an already double-dutch foreign sense of land...
anything that drops from clinching
to the London transport system
with the trains and the tubes and buses
is: england...
the england of my youth where i remained
like that... dunce in the ****** tunes cartoons
interlude...

and what of my citizenship on paper?
wave a passport around
like a benchmark or an otherwise easy
accent-identifier?
perhaps i don't even know:
Bristolian - my best guess with this acquired
tongue...

but at least buying jazz is getting easier...
freddie hubbard a known name...
but... no... alto sax jazz is not for me...
now it figures...
i can get away on a whim when
a trumpet solos... but not when an alto sax
solos... i really can't stomach it...
will i give this Bluesnik record back?
no, i need a testament -
i have bought something
but the self-reflection is free...

there's only so much classical music escapism
you can try -
before long you realise that the people
listening to classical music...
mostly... when they make requests...
want "something soothing"...
want "something jovial"...
or usually it's a piece of music that has
been attached to a movie...
classical music - apparently doesn't feed
people a subtle stream of images...
and it's obvious: those requests are not phoned
in on by blind people...

imagine... the ****** of F... when you have ⠋
to work with...
what is an sunrise... a sunset but a dash
of colour... a spring of the heavens
an autumn of the heavens...
but my my... in this inverted listening of jazz...
⠙⠑⠑⠏
⠃⠇⠥ ⠑    DEEP BLUE...

if i were blind: and came to the pearly gates...
i'd ask for letters: primo pronto!
later i'd worry about colours and shapes...
as i'd probably stick to my first passion
and hearing this fathomless shapeless
sounds that... abide to no lineage with a recant
of a triangle's use of 90°...

otherwise... what if you've been fed
the: classical music when listened to when a child
will increase your i.q. -
but what are the chances that you will:
"regress" from listening to classical
music and take to jazz?
perhaps because jazz has to be felt,
it has to be heard, first,
rather than... the silence and scribbles
of a composer at his desk -
where a classical music composition
is very much like writing:
that whole a prior shabang!
none of the a posteriori zigzagging
of impromptu and jazz?

one thing is certain... i'm not going to
be a fan of alto sax jazz...
sonny clark on piano - yes...
art blakey on drums - yes...
kenny burrell on guitar - yes...
alto sax no... ah... but give me tenor sax
and... no please no big bang jazz
equivalent to thelonious monk...
at least jazz gives you pedestrian tastes
and whims...
nothing akin to bowing at the altar
of a Beethoven: or talking lightly of
the man - "the man"...

and who the hell said that being
objectivity "works all the time"
that objectivity "runs the marathon"...
alto sax jazz is pedestrian music...
don't get me wrong...
you want to walk down a busy street
and you want to drown the sounds
of progress: no horses sneezing,
no horses' hooves playing tic-tac-toe
chess on cobweb stones...
alto sax jazz is your take-out
walk-through...
but when you're hunched in a chair
and pecking at a keyboard with
ten good beaks of the tips of your fingers...

again: how do the hands rest before
the keyboard?
the right hand:
index middle, pinky and thumb...
the ring finger is used for the: delete button...
a revision - the pinky does the enter -
and the cascade follows...
the left hand?

primarily the index and *******...
the thumb is always attached to space...
shared with the right hand's *******
to space,
i can't remember if i ever used my ring
or pinky finger of my left arm...

so much for inverted chiromancy...
the polacks will never give me the wings
to be an expatriate...
i will be forever: he who abandoned
that land running with milk and honey...
but... look at how they stand behind those
from england that decided to go "elsewhere"...
they are not immigrants...
they are... expatriates...
have nothing filthy them it comes to
the connotation...
it's not sad it's not funny it's: somewhere
"in between"...

because we know that the only russians
that ever make it out of russia
are the oligarchs... and by that standard
of "sentiment": they're always welcome...
who wouldn't welcome the pharaohs without
giza pyramid ambitions of construction?!
passing chalk as cheese -
and passing... ink for blood...
perhaps i haven't sweated enough to be allowed
to write but as little as this...

there's always this sense of alienation
among the germanic tribes of "israel":
europe... even if they are the scots or the welsh
suckling at the teats of romulus & remus' lupa...
as the old saying goes among the slavic people
when "integrating" into a germanic-esque society -
by the time you have integrated...
there's this dog-**** pile of Babylon left...
and the germans are: "nowhere"!

the saying goes via:
if you go among the crows...
you must croak their croak...

here's to flying high as an imitation seagull!
brazen: into this arable land...
that's being teased by the Thames estuary...

passing through a Warsaw train station
i noticed the immigrants / the expatriates
on the eastern front...
mostly mongols...
notably the ukrainians...
but now in england i'm starting to think
in concrete terms... better start learning
Romanians...
and on the street: you can't see a focus of
who's here and who isn't here...
back east the Roma people stood out
like a sore thumb or a voodoo plum and...
that didn't bother the locals since they were
meshed like glue...
but, here, in england?
everyone's a sore thumb a voodoo plum...
because the natives,
the blessed idiosyncratic professional
eccentrics have left and...
i'm not going to be the first chasing them down...

London the only and last bastion is
overrun with the whole lot of us...
well: the "us" vs. "them" mentality...
don't get me wrong... i'll still listen to the concerns
of the peripheries... in this cest pool
of immigrants, degenerates...
old people who "forgot" to move...
the lunatics the in-betweeners and the old guard
clinging on...
perhaps, after all... english was a very
accomodating language...
it wouldn't take a genius to learn it from scratch
being thrown into the deep end of the pool
aged 8...
who was mute aged 8 going to school
being moved from "east" europe to this island
with... no prior to linguistic connection?
moi...

and now look at me... i'm teasing myself
with... sordid welsh as if i were ever the posterboy
for welsh nationalism...
scottish nationalism? eh... if they were to retain
their gaellic roots...

expansion:
the longing for those who have left:
in the anglo-sphere - expatriate...
the abhoring sense of those who arrive -
immigrant...
otherwise... the english are always
and everywhere: welcome...
hence the expatriate status of those
who have left their native land...
even in h'america: a shared language:
to be an immigrant... while speaking
the same language?! how preposterous!

the difference between eastern style
comedy presentation and western style
comedy presentation: on stage...

the eastern folk prefer cabaret: theatre dialogue
montages...
the western folk prefer stand-up:
monologue samuel beckett esque
performances...
'woe i... stand alone in this infinite
space and... find others to laugh with...'

- perhaps we're not being less funny because
we're lowering our "i.q.": yes, the we are...
we are... lowering...
i find lee evans to be funny...
a laurel and hardy weren't exactly funny
by modern comedy standards that:
it's only funny if it's intelligent...
if there's a crossword puzzle at the end of "it"...

perhaps pride is the shackle...
and ham... what ever happened to self-depreciating
humor that managed to somehow
elevate you as also having a sense
of humor:
do intelligent men even laugh
at something that isn't a word-play or
a corset of wit?
perhaps we're experiencing a drying of wip...
perhaps the jokes are only supposed
to come: days after as a form of
reflection on the sigma canvas:
the joke has to exist outside the performer
and the stage... it needs to be: a live-experience...
it has to take on DASEIN qualities?
it has to be internalised?

that: oh yeah... that's funny...
perhaps the same thing has to be observed
and it can't be retold in an impromptu
fashion shackled to a stage?
the stage is the new camp-fire?
i thought so too... about the television...

as: here's to slagging off everything that's
being published online bypassing
the editorial process of selection...
well... if it weren't for all the seriousness
surrounding internet banking...
and internet shopping...
pen to paper...
******* clinching a ripped roll
of cushioning paper
and a pseudo-***** imitation
for a wipe while massaging my prostate
over the enlightened prospect
of dropping the blitzkrieg plump-dump-plum
into an echoing lake in the ceramic basin...
otherwise...

a seanse with that moment of realisation:
"something is happening to us
collectively"... it's as if: we're under a spell...
oh i was under a spell today...
watching alec guinness in the fall of the roman
empire...
and as coming from a people
that were never conquered by rome?
on this fine fine island that was...
well... my hopes were also high for
the conquests of the mongol empire...
and the remains of it in the form of the tatars
in crimea...

here are my tattoos... it's hard to break from them,
it's hard to wash them away...
but at least i can attest:
my brain might be all fat and sponge and
electricity... but there's some skull and skin
to be had of it...
otherwise... why would the year 1066
be important for me... why would the magna carta
be important for me?
i too have my years in tattoos on this big brian
of mine...

otherwise there's that copernico-darwinian
surge of: journalistic science...
i still find it staggering that darwinism continues
to capture the imagination of people...
"of people"... only in Wittgenstein was left
alone in finding that Copernicus did something
astounding... this surge of "awakening"
via darwinism: this statistical bombardment
like it was some tabloid journalism:
throwing a pebble at a mountain while
also ushering in a mantra: grow by
a poppy's seed added height! grow!

perhaps i'm just jealous...
among the polacks i will never be an expatriate...
what a jealous people...
an englishman who moves to france...
comes 20 year later...
he will have never experienced
the mark of cain: immigration "humphrey bogart"...
he or she moved to france...
perhaps to italy...
i remember being in greece and...
i was nothing when i said i was ******:
but with british citizenship! to add...
so what?
well... so what greece...
i latched onto some north africans
and went to **** away the night
in some strip-bar where i had
two strippers either head o' mine...
and it was constellations galore...
grandmother Etna said:
rest here, among the smooches poor child...

i borrowed Etna from when Aeneas
"left off"...
****'s sake... this is the Meditarrean
and not the Baltic? where is the amber
the whiskey and the leverage of gratations
of time?!

i will agree. Macedonia come night traffic
of quicksilver tinging?
if the metal is cheap and you douse it in some gold?
a mountain dripping fresh from some quicksilver
from the moon peering at it?
objectivity what?

the finite plateau of snow-riddled Serbia...
and perhaps that's because these people
speak their own language...
and have so... and i'm just the next
"english" tourist...
a jack kerouac americanism and:
oh sure! sure!
spectacular fly-over country tourism!
everything's so so different!
and yet all so oh so much the same!

darwinism was going to run the 5000 meter
race... it's currently running the 10000 meter
race... god help it in running the marathon
of still pretending: old news is new news...
i can't distinguish between darwinism
and copernican discovery...
only in the english-speaking world
would this discovery not escape a criticism
from ancient greece and some, some predecesor!

wouldn't anyone just bore of darwinism
if they were told: over and over again:
the copernican "reality"?
a scientific fact is... akin to a religious dogma...
until... it becomes regurgitated with
enough time, with enough journalism and...
tabloid wind... and after a while...
it's only worthwhile to be spoken to
amnesia peoples of the world: unite!
it's hardly "stupid" or "intelligent"...
more or less overlooked...
because a pebble thrown at a mountain:
is... no added mountain to behold...
conventional wisdom is the only wisdom
that there ever was made to be made:
available...

nonetheless, the circumstance stands...
unless from the slavic hemisphere
of europe...
unlike any other circumstance: other than
the one given, among islanders...
among continent builders akin
to australia and h'america...
the post-racial societies of post-colonial
spain in south america?
ever wonder why the brazillians don't
look for inspiration from the portugese
when it comes to football?
you'd think: those yanks better have
the best football team in the world...
they haven't exactly looked back...
back at "us": oh god... tea afternoon and cricket...
baseball wha'?
basketball? "football"?
why are "we" looking forward and "they're"
looking back?
perhaps i should learn some spanish and
get some insinuation about:
the argentinian sense of lack when looking
back into spain...

or what else is there to be had?
move to Greenland... admire Denmark...
**** it: do the whole stretch and find
some locals on the Faroe Islands...
perhaps i too will find a tomorrow...
but tomorrow i will find: sobering up
and having to deal with: everything beside jazz...

mmm... "delayed gratification" prospects...
seven kings: canon palmer catholic school...
when boys are educated alongside girls...
what if i went to Ilford County High?
what if i were born to immigrant parents
and wasn't an 8 year old immigrant?
what if i went to the Ilford Ursulines?
the all-girls school... the former, Ilford County High?
what chances of me being an intellectual
******?

what, oh the chances!
perhaps praying: segregated... is a tad extreme?
but perhaps ******-exclusion policies:
teaching boys throughout their puberty
as segregated from girls in the same hormonal
development "range" is...
well! how else! you take a boy and girl
and you put them into the hormonal cocktail!
just because it's in a shared educational
environment... why these teenage pregnacies
you ask?
i wouldn't ask such blunt questions...
not since the genius of Copernicus
couldn't attract these...
psychological left-over intelligenstia clingers...
that darwinism has allowed...
what it darwinism and journalism?
everything! the ant as the ego
inside the mind of an ape...
the dormant tapeworm embryo
inside the mind of an ant:
with siesmic consequence of a disturbance
of the collective hive network...

borrow too much from an ape...
borrowing from an ape is one thing...
it's the borrowing from all other
animals: with the ape as the backdrop
that's truly bothersome!
at least religious spew the same facts
over and over again...
scientific dogma? who keeps track?
tomorrow might be the next:
butter vs. margarine controversy!
what sort of "religion" is science
(it's not a religion... if it's not...
why does it have to cohabit a bed
with journalism then, to spew "new",
"improved" facts, then?!)
when... it's so ******* finicky!

look via the ape long enough:
it won't matter whether it's a geocentric
of a heliocentric system that
reigns above your head, no torso,
a pickled spine...
legs and arms floating about like:
an octopus experiencing spasms
pickled in brine...

perhaps these are the zenith years of
darwinistic popularity...
perhaps like the copernican popularity...
there will come a time of:
fatalism... that somehow all of this
is... inevitable...

i see one answer: this cage of grammar
this cage of whatever this god made human
pressures me into complying to...
to the last typo! i will stand against it!
without caging me into a use of emoji or
some other hieroglyphic purse of:
shortened "thinking"...

the "seven silences" might have passed
around my presence that i dare not
call it: in concrete - figure...
and still my eigth silence to unmask
nothing more than a mask...

who are these immigrants, these tight brewed
broods, these furrow brows
representing the native pensive "squint":
of anything beside the eyes and a thought
of h. p. lovecraft?
perhaps inside of europe:
but as ever... without a russian passport...
without a russophobia that's
a tickling hard-on... the "in-between-land"...
perhaps the balkans...
who are we... to these germans and quasi-germans?

we use their tongue, their zunge...
their everything they will otherwise allow themselves
to deny: perhaps this is not Dublin,
this is not Glasgow this is not Cardiff...
perhaps this is not Italy,
this is not France...
perhaps this is "europe" as long as
Scandinavia is involved...

woe a we unto us: the viking Rus...
or some lent word of lost vogue...
last time i heard:
these northern ******* are in no favour
of treating the Spaniards or the Greeks
as their equals...
as long as they have rich arab pimps
race their lamborghini brute ******
down... knightsbridge...

then! and only then! iz ist europa "reconquista"!
"reconquista"... i'll defend these poor polacks
that didn't think it...
"necessary" to only learn english in order
to comply to the global dictum of neu-communist
internationalism...
- what, they didn't teach you you stupid
**** that it only took to learn from english?!
- last time i heard... not teachings polish
to a canape of anything beside the french,
the spanish... also worked!

english as a language is oh so accomodating...
the people will react like antibiotics,
naturally... enough of darwinism and you'll
be found, bound, to having to reference it...
past a de facto menu:
and more like a subjectivity...
there's only so much truth that can be stated...
before fiction has to reply...
because... how many regurgitated facts
can be regurgitated...
before the desert of fiction and...
there's only the fact of a bottle of water...
that remains...
and there's not impetus to walk toward
an oasis...
a fata morgana is hardly a scientific experience...
when experienced...
it's something associated with
a desert and within the desert must either:
live... or die...

what if etymology was to become the new
standard for journalism...
what if one were to escape this contant
bombardment of darwinism...
like it wasn't the next new vogue akin
to the copernican "revolution"?

is that even possible?
whenever i return to Poland...
esp. in Warsaw... i'm a deserter...
i'm not an expatriate...
the native english call those who left
with a sense of longing...
somehow: or at least that's the leftover...
the expatriates from the inside-out
perspective... never the immigrants...

i'm an immigrant and...
a paper citizenship is: no citizenship at all...
a passport is only worth a passport
at a border crossing...
in between the everyday daily affairs?
'where are you from?'
****... 'Bristol?!'...
i'm hardly going to speak
the cockney cockers or an essex schlang...
am i? ***!
all but ******* plumbers and church pulpit
mongers... and some over-ripe
riddle fruits: if not simply left
bottles of wine for the bears...

the first part though, bothers me...

someone once said: only the natives can be designated
free speech...
the immigrants can have their dog
and let it bark, along with whatever thinking comes
their way... in mere thinking...
and a dog barking...

the natives will only have a freedom of speech...
what if an immigrant becomes a citizen?
just asking...
what if an immigrant is granted a citizen
status?
well then... i am your humble example
of a civic nationalist...
such a confusing term...
it must be: for the natives...

oh ****... what language am i using?
the language of the... natives!
rubric civitas!
civic nationalism is reserved for:
those that came from abroad...
i guess the ethno-nationalists never made
this distinction clear:
watching their contemporaries leave their
native pit of woe...
and they would never call them:
deserters... only... only... expatriates...
after all... aren't we in the postmortem of ancient Rome?!
isn't this the time when the remnant
english come out and glorify being
the conquered people of this: lettering?

what is civic nationalism?
what is learnt, integrated nationalism...
this is civic nationalism...
how about the english forget about something,
like solving crosswords...
esp. among the middle-classes...
and let's envision their globalist dream!
let them learn a second language
and let us all become bilingual!
oh no... not polyglots... just bilingual!

i can't be an ethno-nationalist...
em... because (a) (b) and (c)?
aren't the post-colonial commonwealth
remnants of the empire the sort
civic-nationalists there's talk of?
what language am i writing in?
hebrew?! mandarin?!

ethno-natioanlism and its tribalism...
civic-nationalism and its state...
where does the church fit into all of this?
it's like not being an amuptee but
nonetheless being prescribed a "missing limb"...
the **** would i need a third arm for?
wilt the third leg allow me to run faster?!

i guess the term ethno-nationalist is
conflated with civic-nationalist in the ethno-nationalist
realm of "debate"...
a civic-nationalist is your casual parlance
h'american patriot...
patriotism in h'america: nationalism (still)...
in europe...
if we have to: hello, my name is: bob
do it all over again with the squares
and dictum assertions and what not attached...
between the ethno-nationalists and
the civic-nationalists...
the inter-nationalists...

i'm a civic-nationalist because:
i fear people need concrete examples...
i will not move back to Poland...
except on the holidays...
to visit my grandparents...
which is why i have retained the labour
of a native tongue... and "identity"...
i will remain in England...
until England becomes: Alle-Land...
and even when all these
ethno-nationalists ******* to Australia...
and become civic-nationalists over there...
well: over there good luck!

why would anyone ask an ethno-nationalist
the question: are you a civic-nationalist or?
civic- implies:
i'm a Brit from a grand "beyond":
circa 3000km away...
civic is a bewildering prefix for the nationalist
of a ethno- persuasion...
it really is... esp. when this ethno-nationalist
doesn't believe in the existence of
expatriates... that he would remain... "stuck"...
and that somehow... ethno-kin could come
and replace... those kin that left: "in good faith"...

savvy?!

Sweet Butterfly, with wings now dry 'tis time to break away
and light upon the leaves of dawn while weeping willows sway,
not reminisce 'bout chrysalis discarded yesterday,
but treasure life, with colors rife in nature's cabaret.

Sweet Butterfly, you sometimes sigh "terrene so strange and new”,
but take a chance, with winged expanse of fairy-like bijou,
to taste delight in random flight, to drift beyond the blue
and then collect her naked nectar, sipped in morning dew.

Sweet Butterfly, you question why the breeze is seldom soft
when swirling you, your wings askew, while floating free aloft.
Some seem to find their peace of mind believing gods have coughed,
but others, downed, have often found more freedom when they've scoffed.

Sweet Butterfly, you needn't cry, the fields are full of clover,
and meadowlands bare braided strands that winds in waves flow over -
but if you fear that, more than here, another mead is mauver,
just flutter by, beneath the sky, unfettered flitting rover.

Sweet Butterfly, farewell, goodbye, you've left this world behind.
I oft gaze back along the track of flowers that you've mined
recalling days of light sashays and movements unconfined
that complement the firmament where beauty lies enshrined.

/notably concerning graduate education at the university of Edinburgh: why do these doctors think they can teach, who made them so, well, what's the word, useless, demeaned at having to teach? every time a doctor of chemistry was asked to teach it was like watching someone being tortured in an iron maiden... sure, a professor of chemistry could teach, just like every single post-graduate, PhD student should have taught, a doctor of chemistry didn't teach, unless he taught as Americans are prone to speaking in acronyms, and they say the Scots speak an undecipherable english... like **** they do, understood them like I might understand the zest pinch of a hobskotch chili! after all, the chemistry doctor doesn't exactly make use of his PhD students, but since they were the sheep first to the slaughter before the guillotine of knowledge, they could translate the higher tier chemistry to the undergraduates... no one sane enough would want to learn chemistry from a doctor of chemistry... those men and women are lost to their own enterprises, to their own Faustian romance, to teach chemistry at university, it would be best to be taught by those inclined to further adhere to advanced pedagogy... post-graduates ought to replace doctors in teaching undergraduate material... balanced out by the fact that the said doctors would not require the help of PhD students in research, with what already is time wasted on lecturing, what to them is, the ****** obvious... but then again... the supply and demand isn't there... even though PhD students could teach, they don't, smug chemistry doctors lecture in the guise of solipsism... theyd rather be engrossed in their research than give lectures... but since those trained PhD monkeys do all the trial and error, wasted time, which the doctors themselves could do... they waste their time on giving undergraduate lectures... because these recent protests at universities, where students complained about not having enough time spent with doctors in the field... I'd start by bemoaning not being given enough post-graduate time... after all, the people who closest to jumping over the waiting benchmark.../

in vino veritas:
due proof that snobbery
and that indie collection
of the smiths' reissue
only goes so far,
    comparatively,
Miles Davis' kind of blue
isn't overrated nor is
it overplayed,
notably a conversation
with Boris, the Russian
in Edinburgh,
who had to pick sketches
of spain as his favourite...
pop music versus ******
fetishes... people will be
ashamed of pop song guilty
pleasures than any bedroom
"deviances",
the boat the boat, whatever floats
yours...  
mine? seven years late,
Britney spears' criminal...
because John Coltrane'
a love supreme is easier
to digest than ******* brew?
fudged packed *******
and a perpetuated crescendo...
Boris could have took to
Porgy and Bess...
         or the birth of cool...
whatever it was,
high above Steppenwolf
   desiring the immortality
of a Bach... still:
       there's Händel...
but let's face it,
both sides lost something,
whatever the iron curtain
was, there was also
something akin to the,
jazz window...
                  because can you
even imagine jazz being learned
at a music liceum?
       i still don't know why
the Japanese love classical music,
or why it's Chopin rather than
List embedded in their heads,
not the gentle fingers of Satie
or Debussy...
         two Portuguese jesuits did
little to spread Christianity,
but music written by Chopin
found its atom, its universality
of translation...
                  even withe the Higgs...
something that is non-divisible,
not atomic, not sub-atomic,
                               über-atomar...
supra-atomic, which includes
the sub-atomic spectrum...
         a perpetuated ad continuum
     of ad per se, in addition to:
an addition, an addition,
        a void brimful of a lost
paraphrasing...
                          in the name of...
in the direction of (the) ortho-
   and of (the) meta-
    and of (the) para-...
                  amen.
                       the upright,
rigidness of: jump off a building,
see pancakes at the bottom...
the desire for a hier-und-nach...
well.. telegram cipher from 1930s
**** Germany,  in response
to heidegger's da-sein...
     da-nach...
                 no need to explore
the paragraph, just enough tease
to block out images of, "paradise"...
       para or besides norms,
    a phenomenon and
      an anomaly that's a res per se,
Kantian for: noumenon...
          a proposition without a school,
or tree of logic, which,
Husserl did manifest...
    in phenomenology...
              I can't help but notice
that classical music is only
relevant today because of movies...
listen to any classical music chart,
7/10 times it's music accompanying
a movie...
               comparing
kind of blue to midnight sonata?
yep, the later is overplayed...
   it's no longer a piece of music,
but a literary cliché...
      even in such wonderful books
like geek love by Katherine Dunn...
jazz is the only genre of music
that comes close to prog. rock,
    id est, no song: an album...
      even though I admit
king crimson's in the court...
     with children of men
      as a backdrop...
once upon a time the iron curtain
and the jazz window...
    rap, shmap, shpindle me dingo...
and the old man still lectures me
on work, born in 1939,
who still remembrance the Soviet army
of boy-soldiers and black-clad SS-men...
oh there was work just after the war,
given what Aries took with
the harvest just years prior...
                       woe to the aspiring poets
born in a cocoon of a father
who laboured by perfecting a trade
that, apparently,  no future Englishman
would take up! or if they did...
only via the trickling down
of the plutocratic, extended family...
and a ****** job they did too...
         well... if everyone is willing
to be and only be, a pop star entertainer...
I'd hate to imagine this piece
to be an instruction manual,
   a cohrent: whip and stirrup
demanding a gallop...
                       perhaps less cabaret voltaire,
and more jackson *******,
because why should painters be
allowed all the excuses under the sun?
and when will I see a poetry anthology
written solely by critics?
          oddly enough:
or rather, the pitfall...
     reading a poem never manifests
itself in a drive to write one myself...
an enzyme of a blank,
      a substrate of a butcher's novel...
or rather... a meaty novel, preferably
historical, notably one
that serves as an answer to Muslims
with regards to:
   remembering the Crusades,
forgotten the Golden Horde...
           and never really bothering
to look into the other crusades
against the Prussians, Lithuanians,
Kashubians et al.
                   such feral lands...
perhaps if you speak the language
as well as Norman Davies...
  you might, just might, not stand out
like a sore thumb in these parts.

drinking warm whiskey... isn't so bad...
it could be much worse:
it could be warm *****:
     not cold enough to reach a gomme syrop
consistency...
life's so tragic... sometimes...
       a warm ***** is like a warm beer...

what am i supposed to say?
i'm just tired of wanting to be in love...
i'm tired of hating...
   i'm tired of being angry...
i'm tired of being preditable and also:
slithering in pickling juices...
i am tired of love because...
               when it was "love"...
it wasn't dog eyes and a leash...
         or: never mind the solipsism of cats
when they still desire to mark your
forehead when sniffing it...
or come up and greet you:
with a "bodzio"... a head-****...

    so much of my cognitive capacity
became a wasteland from having
both woman and love on a peddlestool
of the ideal...
                   it's terrible waking up...
but that "terrible" sometimes becomes
as... exhilarating as taking a cold shower...
or watching a flock of sparrows chirp...

and the ***: cocoon ***... under bed-sheets...
all my one-night stands happened this way...
under the bed-sheets...
i'm happy to give a comparative literature of:
well... at least in the brothel we did it
under dimmed lights...
****-naked on the sheets...
having showered first
and downed a slacker of ms. amber:
oh you know it's bad...
that i have to call whiskey a very personal
investment narrative...
it's not whiskey... it's... ms. amber...

i should have been drinking long ago...
come shoulder to shoulder with
both my paternal and maternal grandfathers...
cocoon ***...
and if you don't think a man can be "*****"...
at the brothel?
  there's the concept of: creaming-up...
if the oyster isn't salivating enough...
yes... "****"... cocoon *** with a sawdust ****...
sanding paper **** more like...
oh the agony: but to my liking...
yeah bud: stick your lesser want of limbs
into a meat-grinder:
is that penetrating enough?
      who would forever suppose...
it's a kangaroo pouch of safety...
the nadir of lucifer's birth:
     free-falling: head first... but not through
a ****... not some floral pattern...

     cesarean... cesarean... are we going to give
births to kaisers or dull-eyed: deer...
i very much like to imagine a band
of mad-laughter hyenas...

               coal-burning black eyes...
      i am tired of giving up my thinking to any
and all ideals of love...
i could have invested my (th)ought i
into... conjuring up an electric bulb...
        a frankestein...
                i became so tired of love...
i had to come across a brothel:
to steal kisses from prostitutes
     and attempt a theft of the halo of st. augustine...
mummify letters in books...

which i have done...
        but love is such a never-dog...
                    one relationship that involved as cooking
together: beside the already necessary
prerequisite of *******-for-free...
her period, the ******, and cooing her
to do it in the bathtub with the water running...

or this: moment when enough ms. amber
is in me... and i turn to...
         the chants of the templars:
            crucem sanctem...
                   dum pater familias...
          da pacem domine...

that clarity of a transaction...
              the growling dog overwhise
teased with food already presented to him
in a bowl...
          count of fingers...
                    
     i'm tired of love... of all of my body...
this nail blunt head from being hammered
too often...
           it escapes me:
why should my libido be compensated
when it requires: exhaustion...
to find the most fanciful thought:
only when the libido is exhausted:
   and if i have to do it myself: so be it...

but of so many people worried:
i am indeed... "worried"... when will it...
subside... die off...
this quills': marquis de sade:
leverage of: to read books using only
one hand...
                        if the acne is so prolonged
to make me...
belzeebub's favourite ***** of:
what precedes ****** / anti-wrinkle creams...
one maggot 'ere... another...

it is simply exhausting to love:
as one is expected to love via fiction...
and it is too costly to love:
poetically... anything but language...
esp. acquired language:
a language learned... most certainly
not passed from a grandmother to a mother
to a son...
some could claim to call these words:
in vitro...
         and on that matter...
which part of me is experimentally "dead":
the mind... or the body?
i am not... a native of these parts...
a native...           a native...

this is the part of the year when
winter is crucified... and reborn as spring! no?
all ******* rose buds and sparrows chirping!
who can love... so... ideally...
idle though: to make the burdens
of the most... boorish matters needing:
stressed concerns for "detail"...

  am i one of the last ones that still
bought a *****-mag when
the free **** was available online...
                     twitch... i'm an old ****:
in a 34 year old body... because:
keeping up... became synonymous with
being distracted...
                  cam-girl... etc. etc.
            "soz": but there just isn't any bragging
to be minded...
or a:        h'american striptease... d'uh: tease...
the carnival of the wriggling maggot
came to invoke
kissing the eyelids... gently teasing
the tip of the nose with a bite...
                             this body... or that body...
an a sculptor...
   in the brothel i was only robbed... once:
well... "robbed"...
this coke-head distrated me with:
do you want to use this *****...
          the proprietors' henchman...
a little turk by the time: i presume to be:
Osman came up with a bundle of stolen cards
and asked me: which one is yours?

that's a pretty good effort...
        i must have been up to no good...
once we stopped ******* because: she started
seeing downton abbey in an epileptic flicker...
yes: and me ******* her wasn't,
exactly... a ******* chocolate fondant...
          
it seems so... pristine when...
two bodies are allowed to touch...
without all that extra baggage...
that is desired to... "beside" the otherwise...
readily available carnality of the act...

e-girl vidoes: teases...
                                    what can be the best
compliment... one could possibly give to...
byzantine culture / the "modern" greek?
   ah... Αγνή Παρθένε... the singing...
                          
   mulier... no... not a woman or wife...
             hardly a property right...
something to boast and concern oneself for
the rattling of feathers of peacocks...
     mulier... the french playright...
ugh... molière - yes, him!
            molière donning a mullet! yes...
and not one of those charles II wigs...
from one wig alone...
               you could have made...
oh... roughly... an orchestra's demand
for violin and cello bows...

              pissy-pant french of 14 year old
past: one direction fandom...
                            for every male fan of tool...
a declared ownership of a *****...
better still... a screwdriver...
    that would be something...

                                or when stand-up comedy
was communist enough to entertain:
a cabaret form... an **** oddity (bottom)...
can't enough not tire of
stand-up solipsism...
the stand-up solo project of...
back-and-forth with an audience of canned
laughter?
cabaret... doesn't have to be switz
ja herr doktor voltaire...
         but some sort of ping-pong...
a game of squash...
i do not know... of a single concept of
sport... where there's only one...
concept-riddle of engagement...
can comedy... or rather... should comedy
have "evolved" beyond the cabaret...
famously: in theatre-land...
stones in his pockets...
two bodies on stage...
  with a plethora of...
how the sequence went...
   BRONSON...
bronson "vs." or rather:
"nursie" vs. "mr. petersson"...

          two names: Conleth Hill and
             Sean Campion... oh look... capital! letters!
yes: of note... circa 2001...
and that's when...
   this... stand-up... hard-on "comedy"
of stand-ups...
no... no cabaret format...
internal-monologues extending into...
an octopus attempting cliff-skimming:
climbing... failing miserably...
   if it's such a "comedy"...
    where's heidegger's hammer?
last time i heard: even by ol' martin's standards:
you'd require two people to talk
about philosophy as a "side-project"
when hammering in nails...
how can one person tell a joke?
oh but they can...
on special occassion(s)...
         the joke is better translate via a dialogue...
rather than a monologue...
last time i heard...
  
comedy doesn't require these stand-up
geniuses...
imagine... ******* is actually...
a *** act...
taking a **** is actually a...
        get together meal for three...
and that's the loaf... equally spread...
for the devil's dozen...
   ******* will satisfy any champagne socialist
get-together...
      
   i have to become bored of love...
the sort of love that would never come with:
the impetus of darwinism's ideologues...
for: now that i have become a father...
           i'm less and less: a ***** satyr!
               wish me 70+ age and being freed
by dementia to curse like a cobbler
and a seafaring man...

              that overbearing: no room for impromptu:
when solo...
otherwise... no otherwise...
just that strict: regime of... an expectation
for and with: canned laughter...
all that's missing are two tin cans
and a placenta of stiched-up tongues...

... for all the movie buffs...
it's not enough to blunt your eyes on movies...
actors: and their subsequent roles
in 3D... why did up stand-up...
the grand mass-orchestrator of giggles be
allowed to cue the audience...
like any minor dictator might: from
argentina or romania?

                 back toward the ***...
yes... stealing kisses from prostitutes...
this was never going to be one about Wordsworth's
"celibacy"... which you would be expected
to partake in... just having bit into
the forbidden fruit of ****** with your sister...
or so... they might say...

daffodils and that "doris" of the...
will the word ****... somehow prevent
you from seeing ****** ****...
or ******* ****?
then at least there's the hope...
to make minors of ettiquete standards
of the: proper social contract approach:
with civility... or therefore: none...

i am finding a rare occassion for:
an as to why, i would ever do anything to begin
with... grow a beard (1)
grow a beard to stop myself shaving (2)
grow a beard to hide my double-chin (3)...
grow a beard because
growing my hair long became boring (4)...
grow a beard because i wanted
to scratch my ***** on my face rather than
scratch them on my "eden region" (5)...
the other reasons congregate under
the status of... rubric and tally...

(6) to grow a beard is better than growing
the hair long...
no chance of becoming bald...
long hair attracts too much female attention...
last time i heard a woman who grew a beard
became a circus-act...
a beard is the safest territory to mind...
when there's a woman that...
somehow needs to compensate!

         all of a sudden: i have forgotten *****
envy... when i came across
beard envy...
   i am... very much so...
envious of mel gibsons beard...
in general: but esp. so in the role...
of prof. murray... with him donning
a cravate and a top-hat to boot:
the epitome of what all men of the world
could have wished for:
the victorian gentlemen...
fiercer still: an autodidact...
a dog without a leash... eh?

     i pity the tattoo of ethnicity:
given that: i would be english...
an ukranian would be scottish...
or a lithuanian... the tattoo of ethnicty or a past...
that i would be the ******...
and there was this tide of cossacks...
i would be... the ******...
           and there would be some
ingenius pict equivalent...
            in my abode...
                      
    i am tired of love...
the most attired love of idealism...
as i am tired of hate:
and anger...
i am tired of both of these latter:
when there's no boxing match interlude
to match-up with...
i'm tired of love as i am tired
of retribution and of justice...
i am tired of gambling...
what right is there fore me:
to steal from the blind?
           i am tired from: expectations...
i am tired of ideals...
i am tired of hate because:
if i wasn't i'd still find it...
egregious to spot the minor offences
of citing the prefixing n-...
                                        as... nothing short
of an "oops" of b-               and -igger!

i'm tired of being: a civil monkey...
if i'm tired of love...
if i'm tired of hate...
i can never tire of language...
but if i become:
zoologically kept: inept...
                      ha ha! ha ha! ha! ha!
i: dodo: tire: and Tod:
of: ******: improm:     p'tooh!
         savvy or the sinking ship?!

                       RATZ!

better a concern for prostitutes:
seeing that... there's no...
jackie ol' myth to be cooked from my "affairs"...
i thought about:
how about... now was the best time...
to not **** prostitutes...
i stole kisses...
an exercise in making videos...
bring back blockbusters!
             bring back blockbusters!
**** the content creators of youtube!
give, me, back, my, *******, jukebox!
give, me, back, my... thesaurus algorithm!
give, me, back, my, *******, jukebox!
give, me, back, my... thesaurus algorithm!

           once upon a time: dubbed:
paupers... the homeless...
prostitutes... now... eh... one sly loss of calling
these... the... leeches of: welcome tomorrow!
so the price of... being...
astounded... that's it?!
                the magnified statement
of karma-phobia...
there has to be a concept akin to:
karma-phobia when islamophobia is already
too bogus to touch...
there has to be: karma-phobia...

a ******* a canvas:
i went down this alley because...
i just... wanted to show-off...
for myself...
the most better part of myself i could never
show with... a girlfriend...
and showing my best:
armed with merely a dog and a leash:
just wasn't enough:
or a fabergé egg: missing a matryoshka doll
"detail"...

like kicking a dog in the *****...
like... attempting to catch a mosquitos
by the ******* donning boxing gloves...
the lowest of the low:
of picking the "fruit"...
jackie ol' burrow: ripe-kipper...
and that merry-o-round of...

                give me enough upper-body volume
to rummage and ruminate...
to clearly identify the psychopaths
leisuring themselves over a thursday's
afternoon worth of sun-soaking
a metaphor of bath...
         and all those minor grizzly detials
of swathing a mosquito or two...
because we are inclined
to spare the flies...
because: we just, are... thus inclined...
i hear an argument: i will: without a doubt...
also hear a guillotine do us all a favor
of detailing the: "chopper"...

my my: that ripe keeper of a pulsating
neck's worth of a rhubarb...
salmon teriyaki...
                                       n'est ce-pas?!

in between: calling it learning to tie one's
shoelaces...
having no better synonym detail
of comparison other than...
             with depeche...
                                no song to be worth
any particular: sort of... originality...
and or in... detail...
                   there's only a hope for
giving a particular sort of wind:
associated with a month...
and with a month: a sorting-out of a year
within and beyond a decade...
a century...
                    
this had to be forever: and one...
enough for the worth of tonight...
and with it... no other, better, compensation
other than my own input;

ha ha!                          grace?!

/               listening to lionel nation:

    a lawyer...

     and i... seriously can't tell
the difference

between what a lawyer
calls a play-on-word,

             and what a poet is...

who the hell needs to ingest
psychadelics,
   when you can listen
to a (probably) retired lawyer?

i appreciate that people
like stand-up comedians,

        or what's called cabaret
humour in eastern europe -

nope, no stand-up
       beckettesque: monologue
humour in some parts
of the world...

cabaret comedy?
                  a... dialogue...

but it's not like i'm
a scholar and will write a book
about this minor observation...

lawyer within the ratio comparison
of a poet?
    can't tell them apart...

the EU hinges on monetary
transparency...

fidgety with an algorithm,
entry:
  greek act of putting coins on
           the eyes of the dead...

apart from charon (karon,
no, chitty chitty bang bang)

       i guess that's what
nietzsche called the alchemical
principle, the book he never wrote,
but anticipated:

about the transvaluation of
all values -
                 id est: the second tier
of the gold standard,
the concept of money
  transvaluates:
   id est: translates a value of
something,
into a value ascriptive
purpose of another...
  
  then comes the description...

britain was always
in an informal agreement
with the EU,
given that it kept its currency...

it was never a formal bond,
inscribed with the sharing
of a collective currency,
    there was no vote to begin with,
the import of eastern european
labour coincided with the fact
that british children experienced
the cold sweats of:
   having to fall into a victorianesque
bbq of manual labour...
instead staging madness...
    
   england always retained
its currency... so what the ****
is blalxit?
         on an island,
   with its own currency...
   a bwehxit would have truly
happened, had britain adopted
the euro...
   the rest? a smokescreen.

- but there is no actual noun
to "decipher":
greek act of putting coins
        on the eyes of the dead
put into the griding machine
of words that is an algorithm...

a rite, but no name for the rite?!
seriously?!

there's is no name for it...
hence this poem, as a counter
explanation...
   a zeno paradox
coinciding with the example
of achilles and the tortoise.

i appreciate the ancient greek
analogy:
  or rather, "ancient":
in that... it was a... age of curiosity.

came the satanic dark ages,
came lucifer's enlightenment period...
where the **** are we at?
did we skip a part, a page,
a "something" from
inscribing humanity's autobiography?

no... but we are alive,
          and we are outside heidegger's
sense of dasein...
         having moved into the domain
of                   jetztsein...

considering the fact that,
german, as a "language" with regard
to how to define space...
    in translation in english (of course)...

    zeit... sure, time...
but space?
        raum?          oh right... roam?
nein nein nein!              oh... room?
                       das ist alle?

hence the second composite of time,
outside the casual expression
'there was a time... when...'
           akin to the: once upon...

no here, no there... jetzt!

p.s.

   well yeah... carpe diem in "reverse":
or as i like to call to -
immaculate immediacy -
a trance stace of waiting and waiting,
but never actually awaiting
anything, to be particular.

By the run of wine, by Champagne's flow,
Swine did dine and watch the show,
'tween Squelch and Squeal, they Screamed, "Bravo!"
As merry went, did jolly go,

They drink their drinks, they oinked along,
To cabarets enchanting song,
So hypnotized, it won't be long,
'til Something goes horribly wrong....

For how were the jolly hogs to know
That butchers sat in the fifth row?
As blades grew sharp, their haste did grow,
Impatient to get on the go,

The sows were deafened by the tune,
The boars blinded by drunkards view,
But tact is what the butchers do,
But time at hand is profit due...  

So nice the price of pork these days,
And chops and ribs are all the craze,
A roast in beer with honey glaze...
Makes fortunes for the butchers blades.

Had the swine been wise, for moments thought,
To greed they are cash to caught,
They could have run, they could have fought
And not been swine to the onslaught,

But they danced and sang, stupid and heavy
As butchers killed the swine of many,
That now sit in pieces, at a deli,
Their wage in wallet, meat in belly.

On a cabaret I sat
In the usual corner
Where you could always
Find me.
Misty eyed, sick and tired
Of the world that defines
You and me.
It doesn’t where we met
How we met
When we met.
I’m not even certain
If I’ll ever see you again.
As I stare at the bottom of the bottle
And sip the last drop
Of my whiskey.
The world turned hazy.
I made my way towards the door
And found myself chasing
Another you
Waking up
In someone else’ bed again.

Sonnet.

Depuis huit jours, j'avais déchiré mes bottines
Aux cailloux des chemins. J'entrais à Charleroi.
- Au Cabaret-Vert : je demandai des tartines
De beurre et du jambon qui fût à moitié froid.

Bienheureux, j'allongeai les jambes sous la table
Verte : je contemplai les sujets très naïfs
De la tapisserie. - Et ce fut adorable,
Quand la fille aux tétons énormes, aux yeux vifs,

- Celle-là, ce n'est pas un baiser qui l'épeure ! -
Rieuse, m'apporta des tartines de beurre,
Du jambon tiède, dans un plat colorié,

Du jambon rose et blanc parfumé d'une gousse
D'ail, - et m'emplit la chope immense, avec sa mousse
Que dorait un rayon de soleil arriéré.

thankfully my nostalgia concerning the late
20the century, coincides with my youth,
i mean youth, and that i also mean
****** idealism, when women were phantoms
and could never be girlfriends or
widows, or tears shed at the grave,
or nothing needy, nothing clinging,
nothing resembling mussels...
         i have to admit, i got ***** the moment
i detached myself from thinking about god...
the third partisan of the a priori
implant dictated by time & space...
            i didn't only shove my genitals into
her genitals, i shoved my ego into her
concept of god... and i subsequently became
a dimmed version of st. augustine...
              because that part of me didn't exactly
make confetti from her reasoning....
shoom!
          scalped me and dragged about 1000
tumbleweeds in its travels...
             the grand point? i didn't see
   a hairdresser, for the next never ever...
unless they do trim ***** to coincide with
      funny tattoos...
                     i don't know... maybe i was really
ultra-idealistic about women before i lost
my virginity, that after i lost it, after i lost
the foremost grace, i didn't learn the gorilla
impetus to keep one... let alone a harem...
   women really were fun and beautiful and
mysterious when i had them in my head...
      after the fact that i learned too late that they
also took a ****, i couldn't believe it!
        me, adapting to this? this fog-smeared
creature? yes, i can see my nihilism,
                    i''ve been burning that amber light
of a litre of whiskey per night for quiet some time,
drop by Collier Row's Tesco and look at the c.c.t.v.,
but then i put on some creedance clearwater revival
(not cool, aha, used the whole name, right?
cooler me saying c.c.r.? bukowski, lebowski...
same ****, different cover) -
   but i really did experience love... i know... huh ha...
did i recover from it? i'd probably have
recovered from 20 ****** over-doses...
        she got married, obviously...
  because women, don't idealise men...
  unless they meet the criteria of what men are supposed
to own... man idealising woman is a woman per se...
woman idealising man is a man contra per se...
                     after all, a man idealises
thinking about a temp. storage space for his
*******...
              which later turns into offspring...
   any woman could agree to being part of that phlegm
and being content at housing those "lucky" offshoots
in her kangaroo rucksack...
           it's as ugly as European thinking is going
to get, it can't get more scientific than this...
   i really do need a square on a rectangular canvas
to prompt a generous conversation about redifing
the point: we're not going back to the Milan school of
oil on canvas... or Rembrandt...
      it's not happening.
so creedance clearwater revival and graveyard train...
how we have bass guitar, and it's nibbling,
just nibbling... just grooving...
                  more like stalking but keep in mind
nibbling... and the there's no rhythm guitar,
because the guitar is just making accents,
the guitar is just twitching... i can't believe how
un-jazz comprehensive modern music is...
                   rhythm doesn't belong to the guitar,
there shouldn't be a rhythm guitar...
rhythm is all bass and drums...
          and i say that: because i hate metallica and how
i can never hear the bass guitar when i listen to them...
no wonder the original bassist got scribbled off...
   i love bass, don't you love bass?
something has to overpower the strength of drums
in modern music, something has to restrain
drums... needs to set the soothing rhythm,
rhythm guitar can't do that, you need the bass
guitar... bass guitar is, quiet frankly,
the most underrated instrument in modern composition...
techno techno! bongo bongo parties of
               berlusconi... bongo bongo... hatchet plus!
yes... silvio... we have the guillotine around here
too... choppy waters... plenty of sharks...
   enough to take a bite, though.
   and i thought naked lunch was bad...
well, i didn't, i didn't even want to plagiarise the Tristian
Tzara bound to it, reminiscent of cabaret voltaire.
huh?   ah yes... creedence clearwater revival,
and the bass on graveyard train, like water coming
down from a leaking tap...
  tum dum doom ta dollop... and it sounds nothing
like that... but something to allow the guitar what
it does best, sure, it joins in the rhythm section at
the beginning of the track... but then the guitar
sets up a momentum of creating accents,
  no rhythm = no solo... accents...
   little licks of being there... very ******* jazzy...
my my, so jazzy... and that's the safe ground to have
in music, retaining the jazz...
             otherwise you get into territory akin to
classical music's anithesis... the opposite of classical
music is... earthquakes... techno techno... drum drum...
drum drum... drum, drum... drum drum drum...
classical music was all about breathing...
  césar franck's les éolides (the breezes) -
and the antithesis? techno techno... muffed up techno:
ambient music... refrigerator sounds...
muffer up drums...
               don't get me wrong, i do listen to
e.g. man with no name...
         but it's rare to hear the jazzy side of things...
  it's just such a waste to see the bass guitar
not used as it should be, i.e. being over-powered
by drums... and using so much rhythm with
a guitar... having the rhythm and the solo...
  like squeezing a pair of testicles of a celibate monk...
god, that hush hush: tone down, tone, tone down,
tone, down... down... down...
             pst... kaput....
                                      i really did start talking
about something else, didn't i?
                this is new... digression as a column of
rhetorical perfection... fair enough having the rhetorical
skills, talking persuasively (well, just lying)
    about the same topic... but find me the rhetorician
than utilises digression, and forgets his talking
because he's changing subjects without really
    categorising them as being different....
    it's a trance state akin to eastern meditative practices...
digression as the most pleasing form of rhetoric,
teachers' oratory technique... not politicians' oratory...
   i never understood why digression was
not the foremost element of rhetoric...
                    political rhetoric is always about
ensuring people remember something,
they never do...
                        politicians drill in the points...
   and for some reason, they never talk to rhetorical
perfection, i.e. being able to digress...
                the most persuasive rhetoric is the rhetoric
with digression at its core...
                       or at least that's how i learned
english from a scotsman...
                                just blah blah blah blah
and at some point, there always will come an aha!
which is the next best thing to an eureka.

Ah Consuela! Invoking vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then,
                 as we kissed when she parted, my friend.
Through those ruins I tread towards the footlights, now dead,
                 where I’ll muse as her shadows ascend.

                  .
                          .
Ah Consuela! I’m watching, she teases the mirror with green Spanish eyes;
her serape entangles her brooches and bangles
                 like lace on the sorcerer’s looms,
and her cape of the night, she drapes tight to excite,
                 and her fan is embellished with plumes.

Ah Consuela! I’m watching as spectators savour her green Spanish eyes;
taming wild concertinas, the dark ballerina
                 performs on the music hall stage,
but she shies from the sound of ovation unbound
                 like a timorous bird in a cage.

Ah Consuela! I’m watching, she quickens the pit with her green Spanish eyes;
as the cymbals shake, clashing, the floodlights wake, flashing,
                 igniting the wild fireflies,
and the piccolo piper’s inviting the vipers
                 to coil neath the cold caldron skies.

Ah Consuela! I’m watching the shimmering shadows in green Spanish eyes
as I rise from my chair and proceed to the stair
                 with a hesitant sip of my wine.
Though she doesn’t deny me, she wanders right by me
                 with neither a look nor a sign.

Ah Consuela! I’m watching, she looks to the stage with her green Spanish eyes,
(for her senses scoff, scorning the biblical warning
                 of kisses of Judas that sting,
with her pierced ears defeating the echoes repeating)
                 and smiles at the magpie that sings.

Ah Consuela! I’m watching faint embers a’ stir in her green Spanish eyes,
for a soft spoken stranger enveloping danger
                 has captured the rhyme in the room
as he slips into sight through a crack in the night
                 midst the breath of her heavy perfume.

Ah Consuela! I’m watching, she gauges his guise through her green Spanish eyes
– from his gypsy-like mane, to his diamond stud cane,
                 to the raven engraved on his vest –
for a faraway form, a tempestuous storm,
                 lurks and heaves neath the cleav’e of her *******.

Ah Consuela! I’m watching the caravels cruising her green Spanish eyes;
with the castanets clacking like ancient masts cracking
                 he whips ’round his cloak with a ****
and without sacrificing, at mien so enticing,
                 she floats with her face facing his.

Ah Consuela! I’m watching the vertigo veiling her green Spanish eyes,
while the drumbeat pounds, droning, the rhythm sounds, moaning,
                 of jungles Jamaican entwined
in the valleys concealing the vineyards revealing
                 the vaults in the caves of her mind.

Ah Consuela! I’m watching life’s carnivals call to her green Spanish eyes,
and with paused palpitations the tom-tom temptations
                 come taunting her tremulous feet
with her toe tips a’ tingle while jute boxes jingle
                 for jesters that jive on the street.

Ah Consuela! I’m watching, she rides ocean tides in her green Spanish eyes,
and her silhouette’s travelling on ripples unravelling
                 and shaking the shipwracking shores,
as she strides from the light to the black cauldron night
                 through the candlelit cabaret doors.

Ah Consuela! I’m watching, she dances till dawn flashing green Spanish eyes,
with her movements adorning a trickle of morning
                 as sipped by the mouth of the moon,
while her tresses twirl, shaming the filaments flaming
                 that flow from the sun’s oval spoon.

Ah Consuela! I’m watching, she masks for a moment her green Spanish eyes.
Then the magpie that sings ceases preening her wings
                 and descends as a lean bird of prey –
as she flutters her ’lashes and laughs in broad splashes,
                 his narrowing eyes start to stray.

Ah Consuela! I’m watching fey carousels spin in her green Spanish eyes,
and the porcelain ponies and leprechaun cronies
                 race, reaching for gold and such things,
even being reminded that only the blinded
                 are fooled by the brass in the rings.

Ah Consuela! I’m watching, she shepherds the shadows with green Spanish eyes,
but as evening sinks, ebbing, the skyline climbs, webbing,
                 and weaves through the temples of stone,
while the nightingales sing of a kiss on the wing
                 in the depths of the dunes all alone.

Ah Consuela! I’m watching the music and magic in green Spanish eyes,
as she dances enchanted, while firmly implanted
                 in tugs of his turbulent arms,
till he cuts through the strings, tames the magpie that sings,
                 and seduces once more with his charms.

Ah Consuela! I’m watching, the citadel steams in her green Spanish eyes,
but behind the dark curtain the savants seem certain
                 that nothing and no one exists,
and though vapours look vacant, the vagabond vagrants
                 remain within mythical mists.

Ah Consuela! I’m watching as lightning at midnight in green Spanish eyes
kindles cracks within crystals like flashes from pistols
                 residing inside of the gloom
as it hovers above us betraying a dove as
                 she flees from the fountain of doom.

Ah Consuela! I’m watching, distilling despair in her green Spanish eyes,
and the bitterness stings like the snap of the strings
                 when a mystical  mandolin sighs
as the vampire shades **** the life from charades
                 neath the resinous residue skies.

Ah Consuela! I’m watching, she looks to the ledge with her green Spanish eyes,
for the terrace hangs high and she’s thinking to fly
                 and abandon fate’s merry-go-round.
At the edge I perceive her and rush to retrieve her –
                 she stumbles, falls far to the ground.

Ah Consuela! I’m watching the sparkles a’ spilling from green Spanish eyes.
As I peer from the railing, with evening exhaling,
                 I cry out a lover’s lament –
there she lies midst the crowd with her spirit unbowed,
                 but her body’s all broken and bent.

Ah Consuela! I’m watching, she beckons me hither with green Spanish eyes,
and I’m slightly amazed being snared in her gaze
                 and a’ swirl in a hurricane way,
but the seconds are slipping, my courage is dripping,
                 the moment is bleeding away.

Ah Consuela! I touch her - she weeps tender tears from her green Spanish eyes;
as the breezes cease blowing, her essence leaves, flowing,
                 in streams neath the ambient light,
and the droplets drip swarming, so silent, yet warming,
                 like rain in a midsummer night.

Ah Consuela! I hold her, am hushed by the hints in her green Spanish eyes,
while her whispers are breathing the breaths of the seething
                 electrical skeletal winds,
and the words paint the poems that rivers a’ slowin’
                 reveal where the waterfall ends.

Ah Consuela! I’m fading in fires a’ flicker in green Spanish eyes,
as she plays back the past, she abandons and casts
                 away matters that no longer mend.
           .
                  .
And she reached out instead, as she lifted her head,
                 and we kissed as she parted, my friend.
           .
                  .
                          .
Ah Consuela! I’m tangled, entombed, trapped in tales of your green Spanish eyes,
in forsaken cantinas beyond the arenas
                 where night-time illusions once flowed,
for the ash neath my shoulder still throbs as it smoulders
                 some place near the end of the road.

Whispering night fades to sable dull morning
Verda in black whilst her mother is mourning
cabaret clown-show dances in deep
Verda is down in the valleys of sleep

Verda takes pills in a sinister tomb
smiles wicked smiles and her eyes turn to moons
mummy is rocking away by her side
and pulls out her teeth to a sweet lullaby

Girl-child Verda, who loves cuts and bruises
with a stitched-up mind which she frequently loses
and a mother who stops her from having her play
other children are pink but her Verda is grey

Delicate lace is lined in her coffin
Verda in black whilst her body is rotting
chemical residue flows in her veins
Verda's no child and her mother's insane

Friday, August 01, 2014, Buttes-Chaumont Parc, Paris, France.



Why do I need feminism? We all have our reasons. We all have our stories. Let me tell you about my day:



I was sitting on a hill in the grass at Buttes-Chaumont park, a lovely historical area in Paris. I wanted to be relatively by myself so I could write in peace and smoke without drawing attention to myself. I’m sitting, book in my lap, a pen and cig between my fingers, when I am approached by a man. My main concern was determining whether or not he was the po-lice, but he had no characteristics of cops. He appeared emotionally stable and had good hygiene so I wasn’t too uncertain, (isn’t it kind of bad how we judge people on that stuff?), still, I wondered what he wanted, dreading having to talk to someone when I was merely trying to write in peace. I figured he was going to ask me for something to smoke.



He didn’t. Instead, he asked if he could sit by me. I look around and scan all the other vacant spaces he could sit instead, making it obvious that there was plenty of room to sit instead of right the **** next to me. It’s a pretty big park. “Si ca ta derange pas?” I wasn’t planning on staying long anyway, but I knew he wouldn’t be dangerous as there were many families and couples and runners and walkers, old friends and young kids playing. I felt safe enough, and he seemed harmless. I figured if anything, I could practice my French, which was always nice.



I said okay. He sat, and for a moment we sat in silence. I made myself a sandwich with baguette and cheese and offered him some. He politely declined. We started talking.



I asked if he was Parisian, and he told me he lived there for a while but was from Afrique. I didn’t catch which country, but I don’t think he specified which region. He asked about me, and I told him I was American, born in DC, but I came to France every so often and it was my first language. We talked about travel. We talked about the chaos in the Middle East, and how it was prophesized in scripture. He told me he was Muslim. I told him I wasn’t religious.



I told him I acknowledged the importance of texts, but I believe our ability to think has evolved in 2000 years and we have more information now than we did then. I told him there was too much life and I could not fit it all into one magic being which sprinkled glitter and said “Let there be” and we were created. I told him I really liked the Asian philosophies of Buddhism and Daoism. We talked about peace. We talked about Human Rights and the beauty of diversity, and how marvelous it was people could live among another in peace.



I said it was cool, and I even said it was cool that even as a black man in Europe and an Arab-American woman, we could talk freely without hostility and social division. We talked about closed-mindedness and Conservativism. I explained cognitive dissonance contributing to conflict, generated by opposing views and resistance/reluctance to consider new ideas. We talked about Psychology. I told him I was a writer and I told him about Cabaret Populaire in Belleville and the poetry community in Paris. I told him I love Paris. We talked again about travel.



He told me he was in Germany last weekend, and I told him I was in Langen Tuesday night. He told me he always wanted to go to the U.S.A. We talked about immigration. We talked about the American Dream. We talked about money. I told him I was proposed to the last time I was in Lebanon. We talked about reasons people marry. I reminded him today was the first of August, which meant I’d been with my boyfriend for two months. We talked about love. We talked about monogamy, polyamory and infidelity. We talked about Islam. We talked about racism.



We were sitting there talking for an hour or so, which I was especially grateful for, because besides having an interesting conversation I was able to speak in French for all of it, as he did not speak English (apparently he spoke German, though). I stood up to leave and told him “Enchanté,” but before I started walking off he motioned for me to look at his phone. I was wondering if he was trying to add me on Facebook or follow me on Instagram or something, but I am instead confronted by a picture on his screen of him laying on his back on a bed, with an ***** ***** as the focal point.



Furious, I asked him “Pourquoi tu ma montre ca?! J’ai pas demande a voir ca!”



The stupid smile on his face disappeared and was replaced by a look of slight hurt, confusion, and surprise.

“Bordelle! C’est dommage—mais c’est ca—des hommes et femmes ne peuvent pas parler normalment, vraiment!”



And for the vile words I wanted to spout, I scoffed instead, too much of a lady to shout or get emotional, but I made sure to call him out and stand my ground, exuding negative energy and making it clear with my few words that that was not okay.



I gave no impression of interest in seeing his ****, so why did he do that? Even if he thought I might want to (hell never) he should have heard me ask or vocally say “yes, you can do that.” However, I did not ask; there were no prompts, hints, innuendos or even suggestive, flirty phrasing that would serve as an indication of ****** interest on my behalf.



I don’t want to be cynical and assume all guys are perverts and avoid any conversation because I’m not a rude person (generally). I’m not sexist. I value conversations and friendships with people without emphasis of gender importance. I try not to assume that everyone is sketchy or has ****** up motives. Some people just want to talk.



I wasn’t going to blatantly ignore or dismiss him because he was a man, nor because he was black, foreign, or Muslim. But where the hell is he from that he was socialized and thought that was appropriate or wanted?

I did not ask. The worst part is that he seemed like a genuinely alright person, but then he had to ruin it by whipping out a **** pic. Gross. What’s even more gross is the sense of entitlement he had, thinking it was acceptable to do that. You are a stranger. And I don’t want to see your ******, you disgusting *******.



I really don’t like assuming **** about people or making generalizations. I’m not going to assimilate one ****** with every group they are assigned to and stereotype against every person of that respective group. But fuckkkk. It’s annoying and disappointing that what I thought was a pleasant talk and exchange of ideas with a friendly stranger was actually a plot to show me his ****. ****.



The moral of this story is to say why feminism is needed, because this happens to people every day. If you still need further assistance understanding, please allow me to elaborate:



1)      I need feminism because it allows me to stand up for myself and feel confident about stating that I’m uncomfortable with unwanted behaviors and I’m not going to tolerate them.



These behaviors include, but are not limited to:



1)      Showing me **** pics

2)      Assuming it’s okay to show a girl you met not even an hour ago a **** pic (Do not even say it’s because of a culture difference, because I know of Frenchies who don’t do that)

3)      Approaching me because I’m sitting alone (I accepted that because I assumed he wasn’t going to violate my mind like that (good thing I don’t have photographic memory) but I didn’t wave over and say “Hey, you look friendly! Come over and talk to me!”)

4)      Asking me how serious things are with my boyfriend

5)      Asking me about my bisexuality—only to invalidate it

6)      Assigning me behavior expectations because of my gender

7)      Trying to control the way I do or do not reproduce

8)      Expecting me to behave a certain way because of my sexuality

9)      Judging me based on my sexuality

10)  Openly discriminating against people and expecting me to be okay with prejudice

11)  Using racist terms… because you’re a racist

12)  Dehumanizing the oppressed





Because I don’t know what you studied about it (wait—most people who disagree with feminism haven’t and are completely misinformed) but:



Feminism is about equality, and it doesn’t feel very equal when I show someone respect but I get no respect in return. And if you associate feminism with fauxminism and misandry, please educate yourself. (If I had Tumblr still, you better believe I would’ve already posted this). To quote the great words of Jay in Jay and Silent Bob Strike Back: "Remember, don’t whip your **** out unless she asks."

I assume you once danced the Cabaret
By how you strut your Flexi-Form abroad
This I figure on weeks-by-two per se
The Ardent Friend your Fervour can behold
T'was the Charm which every Fruit can discuss
And win many Smiles for a Pint or Ink
Telling us flat, Life can take us that Far,
In a Bus run by Monday's Downey Sink
Was it wrong to know the Inner-Woman-You
That Principle so many Thinkers deny:
"******-Hub! Buck-Forth! Lev, Lev, Lub, Lub, Le, Loo!
Then Drink your Bub-Clouds to Barrels on high!"
Nah, Forgive my Fishes, Sir! I bestate
You're one Sav Foretainer - Dance with me, Mate!

We sit together and talk, or smoke in silence.
You say (but use no words) 'this night is passing
As other nights when we are dead will pass . . .'
Perhaps I misconstrue you: you mean only,
'How deathly pale my face looks in that glass . . .'

You say: 'We sit and talk, of things important . . .
How many others like ourselves, this instant,
Mark the pendulum swinging against the wall?
How many others, laughing, sip their coffee--
Or stare at mirrors, and do not talk at all? . . .

'This is the moment' (so you would say, in silence)
When suddenly we have had too much of laughter:
And a freezing stillness falls, no word to say.
Our mouths feel foolish . . .  For all the days hereafter
What have we saved--what news, what tune, what play?

'We see each other as vain and futile tricksters,--
Posturing like bald apes before a mirror;
No pity dims our eyes . . .
How many others, like ourselves, this instant,
See how the great world wizens, and are wise? . . .'

Well, you are right . . .  No doubt, they fall, these seconds . . .
When suddenly all's distempered, vacuous, ugly,
And even those most like angels creep for schemes.
The one you love leans forward, smiles, deceives you,
Opens a door through which you see dark dreams.

But this is momentary . . . or else, enduring,
Leads you with devious eyes through mists and poisons
To horrible chaos, or suicide, or crime . . .
And all these others who at your conjuration
Grow pale, feeling the skeleton touch of time,--

Or, laughing sadly, talk of things important,
Or stare at mirrors, startled to see their faces,
Or drown in the waveless vacuum of their days,--
Suddenly, as from sleep, awake, forgetting
This nauseous dream; take up their accustomed ways,

Exhume the ghost of a joke, renew loud laughter,
Forget the moles above their sweethearts' eyebrows,
Lean to the music, rise,
And dance once more in a rose-festooned illusion
With kindness in their eyes . . .

They say (as we ourselves have said, remember)
'What wizardry this slow waltz works upon us!
And how it brings to mind forgotten things!'
They say 'How strange it is that one such evening
Can wake vague memories of so many springs!'

And so they go . . .  In a thousand crowded places,
They sit to smile and talk, or rise to ragtime,
And, for their pleasures, agree or disagree.
With secret symbols they play on secret passions.
With cunning eyes they see

The innocent word that sets remembrance trembling,
The dubious word that sets the scared heart beating . . .
The pendulum on the wall
Shakes down seconds . . .  They laugh at time, dissembling;
Or coil for a victim and do not talk at all.

with well worked hands
he pulls on the sea
     like the hem of a pale skirt dancing 'round his lovers hips

it's what she loves about him most

the way that the tide ebbs and flows
     with the rise and fall of his sun-stained chest

seashells
and gull feathers
and bits of fishing net
     woven into his hair
like the threads of canvas sails

aqueous thunder-head eyes
look like they've seen the fall of every empire
      and soon
they'll witness the fall of ours

he smells of salt-cured wood and the sun
and it's the kind of smell you'll never forget
nor properly describe

he moves like magic

     like waves
          lapping at the shoreline in the calm of dusk

with an anxious tongue
and an appetite that's never satisfied
     he licks the wounds of any heart
he's strong enough to bare the weight of any burden
          of any trash barge or sea ferry

ear pressed to his chest
     like a conch-shaped vessle
          the labor of his heart valves plays like sailor songs
in an empty cabaret

     nerve-wrackingly beautiful

I have long sought quiet.
And please, let me be clear: quiet.
Not the quietus Hamlet desired,
No “consummation devoutly to be wished” for me.
No, with or without a bare bayonet,
UNBEINGNESS is hardly what I seek.
It is not the predicament of death,
But the quiet spectacle of the grave I envy.  
Originally a city mouse,
I am familiar with the urban soundscape.
I know city noise, amped up in decibels.
Noise-induced stress, shrill and enervating,
Add to the mix a working-class neighborhood,
Where someone is always hammering,
Using a power tool of some kind,
Repairing, improving an older, somewhat decrepit home;
But a steal as the realtors say.
Or vehicles, like Old Havana relics,
Held together by secular prayer,
And thriving underground Cuban capitalism.
Then just for fun: "Let’s send the ******* to war."
Tympanic membranes be wary and be ******.
Stretched and perforated,
Compressed and torn,
Shredded like wheat.
Pummeled by shock wave.
I was Lear wandering the heath,
Your ***-cheeks cracked:
“Cataracts and hurricanes . . .
Oak-cleaving thunderbolts . . .
Sulphurour and thought-executing fires . . .
Singe my white head!”
Cue Cabaret music (Cabaret (1972) - IMDb www.imdb.com/title/tt0068327): “Willkommen, bienvenue, welcome . . . to Indochine,”
First a Weimar-Saigon suckee-fuckee,
Then out to The ****,
Mind-numbing concussion,
Reek of jellied gasoline,
Charred meat,
Assorted red entrails,
Obliteration of thought complete.

For us there is no Stray Dog Cabaret -
Our art burns at the end of a welding rod
And in the muscled turning of a wrench
In heat and sweat against a frozen bolt

Old work trucks parked in an oyster shell lot
Eaten with rust from the chemical air
And past the gates, cracking units, and tanks
A plywood paradise with ice-cold beer

Some of us work the night shift to pay our way
Through college, where we learn that we are

                                                             privileged

I am a dramatized china doll,
but I never rouge my knees.
The MC introduces me as Scarlett.
Lulu embraces me as we saunter
off the platform.  Whistles follow my footsteps
digging into my brain, fermenting,
to strong wine.

Gentlemen enter the club to leer
at cabaret girls dancing in lace.
Some are drawn to the boys of the club,
the ones in the dark corners with kohl-rimmed
eyes and eager kisses.
From their seats in the dimness, the audience
fails to notice rips in my blouse, cigarette
butts smudged out in the wings.  No one
sees the ***** face powder spread out
among the lighted mirrors, overused,
my own makeup dried out.
Their giggles and applause keep
the club alive, filled with dead
grins from dinner to dawn.
Drum roll—my turn.  
We rid them of their troubles.

About me young careless feet
Linger along the garish street;
Above, a hundred shouting signs
Shed down their bright fantastic glow
Upon the merry crowd and lines
Of moving carriages below.
Oh wonderful is Broadway -- only
My heart, my heart is lonely.

Desire naked, linked with Passion,
Goes trutting by in brazen fashion;
From playhouse, cabaret and inn
The rainbow lights of Broadway blaze
All gay without, all glad within;
As in a dream I stand and gaze
At Broadway, shining Broadway -- only
My heart, my heart is lonely.

this ins't the Cabaret Voltaire moment,
but it almost feels like one,
i'm not cutting up newspapers into
singled-out words to pull out of the bag
like some magician with a top hat and a white
rabbit... i know i can influence people,
and that's my prime worry...
but sometimes you get to point out a correlation
of your own words the preceding day,
and the day that follows in newspapers...
and i do think that newspapers are the perfect
canvases to work from, to write a poetry,
all the tabloid presses get left in the gutter,
the famous and the rich get their faces printed
on its pages, but they nonetheless end up
in the gutters and get stamped on...
if i'll ever set up a polished Instagram profile
i'll think about keeping a clean lifestyle
photo-feed just prior i get my shoes polished...
so this ain't a Dada-revision...
i'd love for it being so... starting with
cuts of newspapers like writing a ransom letter...
you know i stress the need to avoid censoring
swear words, i'm getting systematically peeved
about this practice continuing...
like i said, newspapers are more about poetry
than philosophy ever wished to attack...
of course some of those trailing in the marathon
with their idealism will still meet the natural
critique... but poetry these days is more about
journalistic adventures solo
than essences, orchestras, ideals and singing
about Larks... those that lag behind will get burnt...
believe me... they're already barbecue burnt
chicken wings... and it does happen,
not like Cabaret Voltaire rebellion Dada,
i mean writing something akin to the argument
between Newton and Leibniz about who
discovered the mathematical Antarctica first:
calculus... it doesn't matter...
a day ago i wrote about swear words being
like conjunction words, the lubricants that scare
away dictionaries and thesauruses...
and what do i get today?
I SWEAR THAT'S POETRY... (Tom Whippie),
page 37 of the Saturday Times...
the jyst noting of things:
they are poetic, expressive, build trust and offer
a crucial linguistic hammering...
also aligned with Asterix and Obelix due to
their malignant oncology...
but! but... a US academic has called for a rehabilitation
of swear words, saying: 'profanity is poetic'
(Michael Adams, University of Indiana) - adding
'poetic because it's a surplus of expressiveness
and also poetic because there is something
in an extremely frustrated person finding no other
word suitable fir the level of frustration they feel'.
well... i just liked the idea of toying with
grammatical classification... i already said:
i would condense that statement into... to be honest,
and to be honest once more, and once more again...
i like to see these words like conjunctions -
which is the polar opposite of what western
society deems as: ******* **** and a demise
to further encourage dyslexia - the same joke
from Poland about the graffiti: huj and chój and hój..
people laughed at the excess aesthetic of the latter
two examples... bellybutton intellectualism of
the world (i.e. English) doesn't necessarily have to be
right... but nonetheless, Prof. Adam's in his
in praise of profanity speaks about the versatility
of swearing, that it has a power to make it
a much underappreciated linguistic device...
'there are words that punctuate experience; profanity
is artful speech'... add the word therapy to
that statement and you become a Guru...
socially useful, like teenagers using slang and acronym
encoding to talk cool, but also to provide the herd
an insight against paedophiles... nothing new...
paradox? you cannot praise profanity without
rules of legislation being imposed...
failing to preserve profanity would mean letting
down future generations... then the *** comes out...
a Prof. would talk about restraints...
straitjacket vocabulary... casual swearing...
oh right... i ought to fit my larynx with a bow-tie
for the formal affairs of the world...
i never expected my poems to be Grecian marble
smooth because i was about to gobble caviar and
champagne... well, let's face it...
somehow Evelyn Beatrice Hall's Friends of Voltaire
seems a bit redundant these days - it's no longer:
i disapprove of what you say, but i will defend to
the death your right to say it - is that at all true these days?
i always thought that the internet was more of
a thinking platform than a stage to shout your
opinions... maybe i was wrong... the sins of thinking
and leaving your thinking output exposed
in a public realm rather than in your bedroom
drawer... i rather be offended than live my life
out in an Apathetic Utopia of Fascist Islam...
******... just shoot already, but make sure i'm dead
rather than disabled.

La frente apoyo en la vidriera...
el cielo azul se engalana
y en la fúlgida primavera
canta su canción la mañana.

La mente inclino a lo más hondo
del alma en campos del Ayer;
y marchito miro en el fondo
todo lo que vi florecer.

Soplan auras primaverales
dando más vigor a los músculos.
¡Aquí las brumas otoñales
y el silencio de los crepúsculos!

En el parque crece la yerba
bajo el radiante resplandor.
En el alma todo se enerva
al paso lento del dolor.

Y evoco alegres ilusiones,
campos azules, abrileños;
la juventud con sus canciones
iba entre rosas y entre ensueños.

Fulgurante el cielo reía:
¡Cuán hermoso era el porvenir!
Vino la tarde en pleno día
y todo comenzó a morir.
La frente apoyo en la vidriera...
Verdes árboles, sol radiante
¡Juventud!… ¡también primavera
Fuiste del corazón amante!

¡Días que el alma triste evoca,
alba rosada del amor!
¡Boca que buscaba otra boca,
polen que va de flor en flor!...

En jardines primaverales
las libélulas entre aromas;
rosas rojas en los rosales
y destilando miel las pomas.

Y van surgiendo en un ensueño
amores de la juventud.
Pasan con el labio risueño
en concento de arpa y laúd.

Entonces... retoño y retoño
en los rosales a la aurora...
¡Como lenta bruma de otoño
la tristeza bajando ahora!

En el alma, al ensueño abierta,
algo de antiguo trovador,
y de la vida en la áurea puerta
con sus promesas el Amor.

De la luna la luz de plata
brillaba en el barrio desierto,
y una canción de serenata
subía al balcón entreabierto.

Pendiente la escala de seda
de los barrotes del balcón...
Del pasado ya sólo queda
un rescoldo en el corazón.

Paseos bajo luz de luna
por alamedas de rosales;
dos bocas que el amor aúna
en claras noches estivales...

Entonces... cantos, alegría,
juramentos de eterna fe;
y ahora, gris melancolía
del dichoso tiempo que fue...
La frente apoyo en la vidriera:
en el parque, vestidos blancos,
y amantes en su primavera
bajo los pinos en bancos.

Primeros versos a la amada,
cantos primeros de ilusión...
Son hoy cual queja desolada
en el fondo del corazón.

Tú, flor de la tierra nativa,
de los ojos fuiste embeleso.
Sólo a tu boca, rosa viva,
le dio la muerte el primer beso.

Cuando se recuerda el pasado
hay un deseo de llorar.
¡El árido camino andado
si se pudiera desandar!...

Sombras doloridas que vagan
y esperanzas muertas deploran:
Astros que en tinieblas se apagan
y voces que en silencio lloran!...

A la claridad matutina
fragante erguíase el rosal...
¡ya sobre el agua gris se inclina
la amarilla rama otoñal!...

Una palabra... un juramento...
¿era verdad o era mentira?
Mentira o verdad es tormento
cuando sola el alma suspira.

Se abría a la luz la ventana
en un radioso amanecer,
la ilusión decía: «¡Mañana!»
y el corazón dice: «¡Ayer!».

¡Mañana! ¡Ayer! Polos remotos...
lo que es dolor y lo que salva.
Claros sueños y sueños rotos,
gris de la tarde y luz del alba.

Y el Amor, que en sombras se aleja,
el alma dice: «¿Volverás?»
Y como una lejana queja
se oye en el pasado: «¡Jamás!»

La hiedra fija sus raíces
aún bajo nieve en la piedra.
Recuerdos de días felices:
sois del corazón... ¡siempre hiedra!
Aromadas rosas de Francia
en los casinos y en el Ritz;
Rosas que dais vuestra fragancia
en Montecarlo y en Biarritz.

Reservados de restaurantes;
de vida de goce ansias locas;
El áureo champaña espumante;
temblando de ósculo las bocas.

Nerviosa espera la cita,
Penumbra de la «garconniére»,
Fausto a los pies de Margarita
En el rosado atardecer…

Otra... Extraño acento de arrullo,
honda nostalgia en su mirada,
y severo siempre su orgullo
en su dolor de desterrada.

Su imagen el pasado alegra,
y fijos en la mente están
su traje blanco y su capa negra
en las carreras de Longchamps.

Días lejanos de estudiante,
embriaguez de ideal divino,
El corazón, rosa fragante,
en noches del Barrio Latino...

Midineta bulevardina,
boca roja, frente de lis,
Incitadora, parlanchina,
jilguero alegre de Paris.

Y del «cabaret» la alegría...
¿Era del Rhin o era del Volga?
¿en su vida un misterio había...
¿era su nombre Elisa u Olga?

En otra, del vuelo al arranque,
mirar nostálgico... y ¡pasó!
Muchas veces junto a un estanque
soñando la luna nos vio.

Tú, mejicana-parisina,
de cabellos como aureola
de luz de sol, y habla divina
entre francesa y española.

En la tristeza de un suspiro,
lejos, a la orilla del mar,
una margarita aún te miro
melancólica deshojar.

Húngara triste, flor bohemia,
De ojos miosotis de Danubio:
¡cuán adorable era anemia
En marco de cabello rubio!

Tus pupilas vagas de Isis
fingía decir un adiós;
Y casi exangüe por la tisis
caíste en golpe de tos...
La frente apoyo en la vidriera...
Un claro sol el cielo dora,
riega rosas la primavera...
El otoño en el alma llora.

Se oye como una voz que ruega,
como un gemido de laúd...
¡Es en la tarde que llega
el adiós de la juventud!

Drag isn't weird if you know and understand what it is on all levels.
Is it dressing like a man or vice versa? Yes.
But that's only part of what drag is and what it means to people.
First, there are many forms of drag used by people around the world.
There are men who dress in drag as women.
There are women who dress as men.
Then there are Bio Queens or Faux Queens.
Which are drag queens who are performing as their biological gender.
Like when a women puts on drag make-up and looks like a girl.
That's because she is a girl.
She'd just doing a different form of drag because she likes doing drag.
By the way, drag queens are people who dress in drag.
This can be done for fun, as a career choice, and for both reasons.
Some people just dress in drag because they like to.
Others do it because they like making people laugh and have fun.
It's acting because you are becoming someone else when in drag.
It's a full body commitment that takes more than a minute to do.
Someone once said that they thought it was weird to see it on TV.
And I can say that weird was my first impression to when I saw it.
But then I started to get into someone (who will remain nameless unless you want me to reveal them. Which I will when you want me to.)
Who got me to see that drag really was a form of art and not silly.
Drag is a serious and comedic  part of the industry that's noticed.
Shows done at Cabaret's and at ( dare I say it) gay bars.
Yes, it's very common that people who like the same *** do drag.
But let me remind you that plenty of straight people do drag.
But there is a misconception that drag is putting on a wig.
And that is far from the truth because it takes a lot of work.
You're constantly experimenting with make-up and outfits.
You have a collection of wigs that you were daily.
And if you are a drag queen professionally, then you work.
And by that, I mean that you work long days in drag.
By the way, when you are in drag you are covering a lot.
You need to wear a bodysuit that fits the gender and uh.
You also need to do something so your, well, you know.
Friend can't be seen, if you aren't a girl that is.
And you need to pin back your hair so the wig stays.
Which people say is very tight so you need to get used to it.
But believe me when I say that drag isn't weird.
It's a form of expression that tends to help people.
Many performers use drag as a escape coat, you know?
A way to get away from pressure and open up more.
It helps them be who they wanna be and say whatever.
When you're in drag playing a character, it's fun.
Because you can say what you want without worrying.
Because it was said by your drag persona, not you.
So when you see drag on TV and don't get it.
Look it up online and do some research before you judge.
Don't say that it's weird and it's not normal.
Because that's an insult to all the people who do drag.
Drag is a community where there are many people.
Thousands of people believe in drag and do drag.
People are in drag right now going to another city.
Going somewhere because they have a performance.
Where they make you laugh and forget for 2 hours.
You can find humor if you don't let it bug you.
Not all of them are innocent in terms of manner.
Some have a very explicit way of thinking & speech.
But that's their style and how they like to be in drag.
Give it a chance before thinking that it's nuts.
Look into some people and see how they really are.
Look up interviews of people out of drag.
Because they tell you how the character was made.
And then you find out that they are normal people.
They just act for a living as sometimes the other gender.

/ oh no no no... you don't get a jew artefact at this point, when the play of words comes between the son and the mother... no no no... you're target; she should be a ****, a stripper, a *****... but when you do what this, "englishman" did? undermining the concept of personal property? ownership? his property infringes on your property, and somehow: my, yours, our's doesn't compute... i'm ******* craving to **** my neighbour... because all i have left to lose is... frothing at the mouth.

at a supermarket:
within the confines
of a cashier:
- 'is this your typical
friday night?'
say it plain, chubby...
**** it: more cushion
for the pushin'...
   sunglasses at 6am?
a reply:
      - 'it could be'
  - 'if you were part of it'
            - 'what?'
i'd love to fiddle with excesses
of porky...

   migrant crisis?
  more like a ***** cricis...
    import black ****
given the white boy lay low...
it's not even funny,
i find it funny attempting
to whistle...
which i can't,
given that i found laughter...

just don't come between me
and mt "neighbour":
cos i'll **** the ******* ****!
and "he's" watching me?
sorry:
     i'll **** the ******* ****
****-face-****!

no, i will;
  i can't conceive retaining
the anglophone aspect of comedy
within the confines
of the monologue,
with a cabaret....
  
      i'll **** him...
next time we exfoliates
speaking to my mother,
and not... looking
         into my eyes...
  
   "englishman": spew!
   you! now! clean up this
*******!
*******,       english!
like you bred a people,
gesticulating with
a hand gesture...
new yankies...
    britain: home,
           of the the wankies.

p.s.

no... private property contra
private property
within this ****** vogue...
             i seriouslly will throw
a **** into his garden,
and say...
                not enough fox hunting,
d'uh!

The show must go on, Frogmore
says, and Lottie sits and has
a quick drag on her cigarette and
sips the foul coffee from the

drinks machine. Legs ache, head
banging, back stiff. She inhales
and thinks of Frankie and his
coming to her place the previous

evening and wanting to stay over
for the night. The cabaret takes it
out of her. The eyes on her, the talk
going on while she and the other

girls do their bit. Frankie such a
sweetheart, such a Mr Softy, curled
up on the sofa, his huge overcoat
as a cover, his head sunk into a

cushion, sleeping. She watches the
smoke rise from the cigarette, she
lifts it and the smoke rises in short
circles, like her father used to do

when she was a kid sitting on his
knee. Watch the smoke Kid, see
how it rises like some kind of message
to the gods. And he laughed about

that back then. She felt safe on his
knee even when he used to let it rise
and fall like some kind of riding  horse.
Now it is just the cabaret and the lonely

nights and Frankie on the sofa because
his old lady threw him out and he won’t
sleep with Lottie because he’s a good
Catholic boy and anyways, he said, it’d

get too confusing and he’d just lay there
on the sofa on those nights and she’d lay
alone wanting company and maybe someone
to hug her real close. Hey, Frogmore says,

you in this next dance or what? What do I
pay you for, huh? Sit about and smoke
yourself to death? You want to die do it
in your own time not mine. She stubs out

the cigarette **** and drains the foul coffee
in one last gulp. The music has started up
their theme bit for her and other girls and
out there in the audience drinking, eating

and talking, maybe Frankie staring or her
father with his latest flame without beauty
or brains or nice figure or remembered name.

Life is a maze.
Life is a phase
Life is a craze.
Life decays
Life can amaze
Life can be full of clichés
Life filled with schooldays, holidays, long delays.
Life is a labyrinth, with a Minotaur in the shades
Life is full of constraints
So leave the maze, untangle your hair and meet me in a different cabaret, I'll be there
I'll show you how life is just one big malaise, we need to fill the maze with a blaze of glory.
After all life is a story. The ending the same, we all die, but in between, we runaways from the maze can drop the chains and create our own tales of the maze.
*And those tales can be quite amazing!