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brandon nagley Feb 2016
O' bygone poet's,
For where hath
Thou gone;

O' bygone poet's,
I keepeth thee alive;
In mine poetic song's.

O' archaic poet's,
Arise from thy
sepulchre;

O' archaic poet's,
Hath thou gone
Lost; massacred.



©Brandon Nagley
©lonesome poets poetry
Hilda Apr 2013
Bygone days that seem
so long ago I hope shall
live again!
A tranquil retreat among whispering pines
Sipping iced tea or lemonade
Feeling the breath of God
in a thousand breezes....
O! how I yearn for those
bygone days
to return with spring!



*~Hilda~
Terry O'Leary Sep 2015
1
Though still within our infancy,
we strive to thrive, but woefully
we flash and flaunt our 'primacy',
display our trophies pridefully.

Our terra firma ecstasy
destroys survival's harmony,
lays waste to life on land and sea.
Mankind, thy name is vanity!

By doubting Nature's regnancy,
defying laws with levity,
we strain our spheroid's symmetry
(perhaps a fatal fallacy?)

for, swallowed in the 'world of we',
we feed on vain insanity
with thoughts beyond eternity -
so strange when looked at mortally.

No use to seek a remedy
ensconced in ancient prophecy
for if not handled skillfully,
as clay we'll pay the penalty.

                              2
The Moguls rule with cruel decree,
control the crowds like puppetry,
pursuing greed addictively
with no accountability.

The wind, it reeks of Royalty
(awash in waves of perfidy)
while blowing ’cross the peasantry
(eclipsed in clouds of treachery).

The Queen, well steeped in snobbery,
sits, preening proud Her pedigree,
on throne of sculpted ebony
while sipping Sect immodestly;

to sate Her Regal Majesty,
a caviar clad canapé
is served with golden cutlery
by maidens bent submissively.

The King is bailed from bankruptcy
by Knaves who hoodwink artfully
the down-and-outer evictee
who wallows in their lenity.

Forsooth, the Money Monarchy
exalts the dollar dynasty
engaged in highway robbery
by Peacocks plumed in finery.

Yes, Jesters and the Fools agree
to truckle to duplicity
and laugh about it witlessly.
Long live the peon's penury!

                          3
To champion an oddity
(like two times twelve is fifty three)  
one reaches to theology
through paths of circularity.

In bygone trials of travesty
the doubters, draped in blasphemy,
endured the pain and agony
inflicted by the papacy.

Inspired by the Trinity
fanatics bent cosmology
in geocentric fantasy
while Bruno burned for heresy;

and aged women, randomly
accused of wicked witchery
by justice framed in infamy,
were racked and shown no clemency

That epoch of credulity
(when savants fostered sorcery
and practiced ancient alchemy)
arose in dark age quackery

as clerics dripping piety
(while raging, raving rabidly)
pervaded thralled society
with callous inhumanity;

'repent', they bellowed, 'verily,
forsake the world's iniquity,
live lives of want and chastity,
and give your gelt to God through me'.

                    4
The Masters make a mockery
of freedom and democracy
by holding down the uppity,
released from shackled slavery,

now fettered in a factory
else strewn across the Bowery,
still chained in bonds of bigotry,
immersed in seas of poverty.

And colliers, tapping balefully
in sunken-mine solemnity,
yet thrum a mournful monody
some call the digger's elegy.

To children, pale and raggedy
(behind a day of drudgery),
the boss man, oh so gallantly,
bestows a penny, niggardly;

though some are fed (belatedly),
their eyes recede in apathy
while bellies bulge, inflatedly,
with mothers watching, wretchedly.

When met with health adversity
or broken bone infirmity,
the pauper dangles helplessly
with no insurance policy;

and those engulfed in lunacy
are ailing blobs left floating free
in ******-dream obscurity -
a mired madhouse odyssey.

Ignoring mankind's unity,
the rich and poor dichotomy
breeds dismal doomed finality,
eventual nihility.

                        5
Renewing days of chivalry,
wild warriors fighting valiantly
bring freedom neath the gallows tree
while blending blood and burgundy

to toast the slaughtered enemy,
and so convince the colony
to cede with smile on bended knee
and yield her diamonds, silk and tea.

At first they call the cavalry
and then again the infantry,
so proudly primped in panoply,
with arms from finest armory

(embraced in hands so tenderly
bestow benign atrocity) -
and soon atomic weaponry
will extirpate posterity.

                          6
Misusing high technology
(to feed the face of gluttony)
depletes our Rock of energy,
now slowly dying thermally.

Our gadgets breathing CFC
fuel ozone holes' immensity
while cloud bursts, raining acidly,
wilt woods in their entirety,

and rivers, tainted chemically,
polluted biologically,
refill our cups methodically
and drown our souls organically.

Adjusting genes mechanically
may well blot out the bumble bee
annulling fruits' fecundity,
but brings big bucks reliably.

We wager perpetuity
to revel momentarily
in shadow-like obscurity
ignoring the futility,

but if we bet unknowingly
on fickle fate's contingency
and thereby act haphazardly
we're doomed to lose the lottery.

                 7
The modern day bureaucracy
abuses trust egregiously ,
embeds itself in obloquy
and offers no apology.

It paints the past in reverie
to camouflage the tendency
to strip away our privacy
which paves the path to tyranny.

With earlobes lurking furtively
that listen surreptitiously,
and eyeballs peering piercingly
we've lost cerebral sovereignty,

and those who dare to disagree
must hide away in secrecy
else crowd a black facility
(with water board anxiety).

                  8
Yes, sans responsibility,
our marble in this galaxy
will crumble in catastrophe
ere ever reaching puberty…
Cné Dec 2017
~
O Painter
with thy own eye
                        would thee
paint me in mine own natural hue
prithee paint me as i am,
imperfections
            and blemishes true

Load thy brush
                      with colors sundry
to maketh yond first pure sweep
across the ****** frieze,
fill'd with pangs of hunger.
paint me as i standeth
                  bethought, in deep

With mine own love and mine own desire,
blurring the edges unclean
with mine own regrets
                  and mine own mental gyre,
in mine own natural age,
               of deep forest green

O Painter
Paint me sinister turquoise,
in lavender and maroon,
combine the amethyst and amber
blend the iceberg
       and the indigo moon.

Paint me as i standeth,
       prithee see with thy eye
a mistress in yond lady plight
Prithee paint me all i am
i cullionly
a mistress in all yond lady might

Paint me in the optimistic
                             silv'r of dawn,
but don’t miss the purple
to shade the bruise
                              of the bygone.
paint me in the sky blue journal

O Painter
Paint me as a unique template
smudge black white and grizzled
merging all the colors of thy palette.
col'r me a rainbow
                            in a rainy drizzle

Paint me tall so yond i standeth
loftier than any mountain
Paint me as a dram bird, delicate
with soft feathers silken

Paint me harmony, as a violin
so yond i can sing thy solitary tune
paint me as thy poetry
         with song and melody
wrapp'd in a cocoon

O Painter
paint me as a dream yond rises
                               in did saturate colors
with a steady upbeat flight awry
tint, a fluttering
             of a quite quaint butterfly

Portray me with endurance
imbue so bold and bright
doth not hesitate
                to depict mine own mind
in profound fuchsia and white.

Useth the colors yond thee would borrow
Thy palette not yet exsufflicate
Paint mine own loss and mine own sorrow
in search of a shade so ******

Adorn mine own heart in glowing garnet
at which hour thee paint mine own love
add a true broken blue shade
of the cloud and the rain above;

Study mine own dry sorrow
                              in mine own soul
useth any shade thee plaited
soften the edges of control
in a tinge of xanthene.

O Painter
Prithee paint me
Mine own passion and mine own spirit
shall has't a crimson r'd hint
mine own remorse and mine own regret
shall reflect an ink stain print

Paint me in mine own eye so true
O Painter
but add a dash of courage too

~
When I paint, I’m never quite satisfied as I see all my mistakes, blemishes and colors not quite right. I tend to keep painting to try and get it all right. At some point, I arrive with the conclusion, if I keep going I’m going to mess it up. I stand across the room and, it’s then that I’m amazed at what I have created. I like to think that I’m seen in the same way by my creator.
O'er the midnight moorlands crying,
Thro' the cypress forests sighing,
In the night-wind madly flying,
Hellish forms with streaming hair;
In the barren branches creaking,
By the stagnant swamp-pools speaking,
Past the shore-cliffs ever shrieking,
****'d demons of despair.

Once, I think I half remember,
Ere the grey skies of November
Quench'd my youth's aspiring ember,
Liv'd there such a thing as bliss;
Skies that now are dark were beaming,
Bold and azure, splendid seeming
Till I learn'd it all was dreaming —
Deadly drowsiness of Dis.

But the stream of Time, swift flowing,
Brings the torment of half-knowing —
Dimly rushing, blindly going
Past the never-trodden lea;
And the voyager, repining,
Sees the wicked death-fires shining,
Hears the wicked petrel's whining
As he helpless drifts to sea.

Evil wings in ether beating;
Vultures at the spirit eating;
Things unseen forever fleeting
Black against the leering sky.
Ghastly shades of bygone gladness,
Clawing fiends of future sadness,
Mingle in a cloud of madness
Ever on the soul to lie.

Thus the living, lone and sobbing,
In the throes of anguish throbbing,
With the loathsome Furies robbing
Night and noon of peace and rest.
But beyond the groans and grating
Of abhorrent Life, is waiting
Sweet Oblivion, culminating
All the years of fruitless quest.
Rolling down St. John's Heritage Highway
after Sean, my grandson's birthday party
I belt out my pioneer song with vigor
echoing across the vast beauty,
wide open, sacred spaces
pristine vistas

Norman Rockwell cows grazing
in bygone pastures happily
moo along

Driving past the yellow deer crossing sign
Florida woodlands giddyap near the edge of the road
long brown antlers prancing to
a timeless rhythm

I hope and pray that I can somehow
kindle a spark of appreciation
in my niece and grandsons
so that they may behold
the baffling greatness
and mystery that is our universe

These young'uns are mighty attached to the
virtual reality, world and landscape
of computer technology

A sprinkling of cowboy stars flash
an omnipresent wink
Sunset bonfire explodes across
the frontier horizon

Turning the corner onto Emerson Drive
smoldering scarlet orange embers
reflecting lights
shoot fireworks, launch rockets
through an ever expanding field of vision
Piyush Gahlot Jan 2019
Stressed ?, Tensed ?, Frustrated in a blow ?,
Go to desert, beach, hill or a mountain of snow,
Sure, plan a trip, better make it solo.
Be free, feel the thrill, fear, love as you go.
Travel to unknowns, meet strangers say hello.

Feeling hurt?,
Stretch a desert,
Feel the sand,
Slipping through your hand,
Realise everything isn't in your control
A camel safari make it a goal.
Experience the culture, mix with locals
to rediscover yourself.

Are you in pain?
Head to mountains,
Altitude will test you in every way,
Your petty issues will go stray,
Try trekking, feel the snow,
Chilly breeze upland it blow,
Challenge your limits.
Trivial issues but mighty mountains digits.

When in doubt,
A beach you scout,
Feel the tropical sun,
Respect the relentless sea overrun,
You surf, sail and try the ****** fun.

Go beyond, challenge your limits,
Experience the miracles of nature,
Subside your pain, let stress be a bygone,
Rediscover yourself in the far unknown.
Many of us are going through unimaginable hard times,
But ugly truth about life is, it goes on.
I see traveling and going to unknowns as a remedy to the pain and frustration. This way one can rediscover himself and find meaning to life.
Flo Dec 2015
If only I had known
We'd be separated for so long
I would have treasured
Each moment
Valued as it was the last
I wish I could rewind time
Julie Grenness Jul 2015
I reminisce by this railway siding pond,
Musing on rail relics rattling on,
Recalling lives and times bygone,
But memories of their shades linger on,
The lonesome call of distant steam trains,
Eras that may never come again,
I see they're gone nowhere in particular,
Replaced by planes and transport vehicular,
I imagine queues on foggy platforms,
Awaiting the misted trains' shadow forms,
Standing by, expecting the status quo,
I blink my eyes, where did they all go?
Looking backwards along yesterday's track,
I'm no kid any more, get off my back,
I reflect and reminisce,
Nostalgia is for the times we miss,
I'll reminisce by the railway siding pond,
I recall the times and lives bygone,
As ghosts of rail relics keep rattling on......
I aimed to write a lyric poem for a change. Feedback welcome.
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------


W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
By David John Mowers

Oceanus, Acheron, Styx and Gyges, Phlegethon,

Phaeacians lament, mourn the loss, Scheria, dissolved in froths.

Virgil’s tale, found correct, a land too good, a nation wrecked,

Nausikaa, burn the ships; their minds released, cool airy nips,

Below the wave, watery grave, submerged to bottom, fathoms by stave,

Fathoms some more, until the whorl, descending to, another world.

Through Omphalos, to Land of Sleep, awaits a beast, where time has ceased,

Darkness here, underworld, cold and frigid, below the whirl,

In solemn grave, souls released, judged and counted, by the beast,

Deeper than, the deep itself, past drowning fairies and dying elves,

Who did mourn them? Those golden men, magic mariners, Mino's kin?

What wrong was seen? What vice not true? What awful sin? What did they do?

One thousand years, first black age, Two thousand more, to find the stage,

Cast off Aries and cast Orion, to find beginning, of Golden Lion.

Man of Heavens, Beast agrees, Bull of Sky, Ox of seas,

Land of Punt, Land of Éire, Ogyges blue, hearts on fire,

All the seashores, all the mines, Tribe of Dan, from ancient times,

Port of Sais, Port of Thera, Port of Lagash, bygone era,

Sailor’s horse, Minotaur, a lyre is crying, strummed guitar, nation dying, abattoir.

Ochre foams to sanguine depth, there they rested, where Kronos slept,

He’ll never answer, he doesn’t care, we’ll never know, if this was fair.

Our hearts in sadness, hands on the gates! I curse you Poseidon!

. . .and your Sea of Fates!
Every historical and mythological reference to the kingdom of Atlantis which was destroyed by it's founder; Poseidon. All of the characters including the archaeological agreement on the historical basis along with Geo-location as well as an approximate age of occurrence, extent of the kingdom set to metered rhyme.
ConnectHook Oct 2015
Oh Language, where hast thou hid thyself?
Thy once-bright spires decline to dust.
The calm, well-reasoned flow of wisdom
a bygone memory. I’ll not trust
these tween-to-twenty-something’s prattle;
endless babble of self-absorption
centered in pleasure-maximizing:
narcissistic thought-abortion.
Dude—they’re SO not app’ed for language
used by dad ten years ago.
I’m totally DONE with their, like, verbiage
They’re all: Smartphone Teenage Show.
It’s just, like, TALKING—without words
in language ghettos; texting proud . . .
Their lack of precision offends my brain—
They ought to be ashamed (out loud).

Vygotsky’s vaunted Z.P.D,
and Bakhtin’s heteroglossic crack
along with Roland Barthe’s pet parrot
Are SO like totally talking smack.
https://connecthook.wordpress.com/2014/03/15/hung-on-a-psychosociolinguistic-scaffold/

ZPD ZPD ZPD ZPD ZPD
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------



W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Hilda Dec 2012
Breezes whispering secrets
On a balmy afternoon
Memories of bygone days
Half-forgotten now.

*~Hilda~
Dodoitsu
© Hilda December 31, 2012
Marcus Lane Mar 2011
A proud man,
Upright and unshakable
In belief and morals,
Once only I did I see him
Without a tie.

A child of Edwardian England,
The links Of his watch chain
Glinted
As they hung
With formality and elegance
From his waistcoat pocket,
Yes, even as he worked.

And work he did.
Patiently,
Brilliantly and tirelessly
With ingenuity and imagination.
A craftsman from a bygone age.
A master of his tools.

Grandfathers are soft,
Playful, bear-like in their
Gruff-whiskered familiarity.

Not Poppy.
Unwittingly aloof from his grandchildren,
We avoided the need for directly addressing him,
Unsure of where we stood.
He’d probably have secretly
Loved the informality
Of our secret nickname.
I hope he knew.

The chapel piano did for him.
Too much weight for his work-weary ticker.

Grandma gave me his pocket watch to keep,
And for a time I treasured it,
Measuring its weight
Like a smooth round pebble
In my palm.
A workman’s watch;
Practical.
A yellowing face
Behind a scratched
And hazy glass.
But accurate,
And precise.
Reliable as the man.

Detached in life,
I liked to hope that
Gazing down,
Watching,
He just might have
Laughed
In loving acknowledgement of his
Grandson’s curiosity
And foolishness
Sitting cross-legged on the carpet,
With heart-thumping nausea

Adrift in a sea of springs.
© Marcus Lane 2010
Marian Dec 2012
Bygone days of yore,
Mem'ries fade into my mind,
From golden years passed!*

*~Marian~
brandon nagley Aug 2015
i.

A Vintage Alfajor necklace
To veil mine sovereign belle;
Betrothed for heaven's comfort
We hath already been through hell.

ii.

Ourn bygone time
Hath strengthened us for forthcoming rapture;
I'll be right next to her, in her allure
No death, forever, happily ever after.

iii.

I'll tryeth daily, tis none maby's
I'll doeth anything, for mine Filipino baby;
As tis I'll maketh her, forget her past
I'll be her bishop, she shalt be mine eternal hourglass.

iv.

As time goeth fast, I mustn't lose the thought
That tommorrow doth not always cometh, we dieth, get lost;
Though she hath found me, I knoweth what being saved mean's
I wilt liveth every day as mine last, and liveth it for mine queen.

v.

So dearest reyna, soulmate, and best friend
When thou doth readeth this, know ourn love shalt not end;
As we both understandeth, this planet is just a passage to the next
We wilt meeteth in this life, and afterward's, pag-ibig at it's best.


©Brandon nagley
©Lonesome poet's poetry
©Earl Jane nagley dedication
pag-ibig means love Filipino tongue.
Terry O'Leary Jan 2014
I’m on my way, I’ve got to go
(the reasons why you’ll never know),
whisked away in winter’s winds, your sleeping sighs remind me.
And I’ll ramble where I please,
sometimes slipping to my knees,
phantom memories a’ chasing close behind me.

Well, I’ve often made my way
within the dark before the day,
but it’s never that I’ve ever felt this lonely.
So I leave this parting note,
the first farewell I ever wrote,
though these lines embody more than farewell only.

I’m on my way, I’ve got to go,
’n what I’ll find you’ll never know,
concealed in clouds of untamed clover, tussled hair reminds me.
And I’ll ramble where I please,
sometimes slipping to my knees,
phantom memories a’ chasing close behind me.

Alas, my love has grown too strong
for I’ve lain with you so long
with your every need perceived, though never spoken.
’n as I try to disengage,
I’m like a tiger in a cage,
hesitating ’fore a padlock hanging broken.

I’m on my way, I’ve got to go
(across a bridge you’ll never know),
to quench abandoned burning hills, your yearning lips remind me.
And I’ll ramble where I please,
sometimes slipping to my knees,
phantom memories a’ chasing close behind me.

Should you wake and shed a tear
finding me no longer here,
save your weeping for another, not so ghostly.
’n if you scan the spangled sky,
as you ache when asking why,
realize ’twas really you I wanted mostly.

I’m on my way, I’ve got to go
(reshuffling cards you’ll never know),
defying fate beneath the stars, your diamond eyes remind me.
And I’ll ramble where I please,
sometimes slipping to my knees,
phantom memories a’ chasing close behind me.

Shun the shadows in the late
disappearing through your gate,
aghast and groping through their early morning sorrows,
like the echoes of my thought,
flitting, fleeting, overwrought,
as reflected in the realms of vague tomorrows.

I’m on my way, I’ve got to go
(’n what I’ll see you’ll never know),
pursuing pebbles on a beach, your freckled nose reminds me.
And I’ll ramble where I please,
sometimes slipping to my knees,
phantom memories a’ chasing close behind me.

Should you glimpse a troubled form
within a restless ruby storm,
turn your collar 'gainst the wind and never follow.
For by then it’s much too late
(yes the distance far too great)
and you’d only find the feathers of a swallow.

I’m on my way, I’ve got to go
(along a road you’ll never know),
adrift on half-forbidden paths, your slender back reminds me.
And I’ll ramble where I please,
sometimes slipping to my knees,
phantom memories a’ chasing close behind me.

Should you yearn once more to tease,
unleash your breath upon a breeze
’n let the whispered winds of yesterday caress me,
and perchance recall the time
(when our love was in its prime),
I relied upon your laughter to possess me.

I’m on my way, I’ve got to go
(’n it’s so hard you’ll never know),
entwined in twirls of fortune’s wheel, embracing arms remind me.
And I’ll ramble where I please,
sometimes slipping to my knees,
phantom memories a’ chasing close behind me.

Once I was yours and you were mine
sipping pearls of purple wine –
except these haunting hints, there’ll be no spectres chasing.
’n if the flashbacks grow acute,
I’ll strum the strings upon my lute
subduing bygone ancient ghosts, still standing, facing.

I’m on my way, I’ve got to go,
’n what I’ll hear you’ll never know,
though echoed in a thousand drums, your throbbing ******* remind me.
And I’ll ramble where I please,
sometimes slipping to my knees,
phantom memories a’ chasing close behind me.

Well, the candle by my side
has now melted down and died,
though its fire blazes on within the mirror.
And the clock behind the door
is throbbing, pounding with a roar,
as my moment to depart approaches nearer.

I’m on my way, I’ve got to go
(along a shore you’ll never know),
engulfed in deep and distant tides, your restless thighs remind me.
And I’ll ramble where I please,
sometimes slipping to my knees,
phantom memories a’ chasing close behind me.

But I’ll take along the ring,
the one you carved for me in spring,
though it journeyed as an orphan on my finger.
And I’ll hang it from my neck
while I ***** a lonesome trek,
as a keepsake of your ardor, while it lingers.

I’m on my way, I’ve got to go
(’n what I’ll see you’ll never know),
immersed in fields of flowers wild, your amber eyes remind me.
And I’ll ramble where I please,
sometimes slipping to my knees,
phantom memories a’ chasing close behind me.

Now I’ll kiss your sleeping eyes
ere I mount the blushing skies
as I bid farewell, adieu, in morning’s splendour.
Then I’ll fade within the haze,
immured in miles of my own maze
as I wander, breaking chains of love’s surrender.

I’m on my way, I’ve got to go,
’n when I rue you’ll never know
the pulsing passions of the past and shadows that remind me.
And I’ll ramble where I please,
sometimes slipping to my knees,
till the phantoms start a’ fading far behind me.
Onoma Nov 2013
~in plain, and sadly o' spake...
fear here wholes me, that--
we as Whole have submitted
our words.
that is...we more, and the more
remain unmoved by their seldom
come... per, and per poetic.
our very existence seems to
write us...bereft o' words.
how...and How...shifty the medium...
birth's subscribed us to--as to be
sidestepped perpetually by creeping
things...could it be...could it be...
a scribbler's de-nied an opus, magnum...
trying to scribble upon a Hurrah-icane's
bygone eye wall?

Konstatinos Mark
Dreams of Sepia Jul 2015
My life has shrunk
to fit the skin
of this small town

to live inside
the microcosm
of it's streets

to tell it's sad tales
of love & loss
& bygone travels

to walk the ways
I've known
since childhood

even the guest
that came last night
is from the street

I lived on
when I went
to college

& who was
also labelled 'mad'
here by the docs

this is a town
like any town
that locks it's dreamers up

& spits them out
to live branded
& afraid of their own shadows

a town
I want to leave
a town that once I loved
Alex B May 2015
The last knight had died ungallantly
He folded in a disappointed silence
As did the age he stood for.
So long to the bygone era.

The romanticism of a stoic ideal
Remained to mark his passing,
Like an obituary in the paper
That people glance at for a brief moment
Before continueing with the idleness of their day.

The muddied sky of an industrial world
Stretched over a land like a blanket of shame
To destroy the traditions of a knight
Who once fought for the people who turned to destroy him.
Teaching by Example
can be rather difficult
in a World where people seem to refuse
to learn how to teach themselves,
let alone have the humility
to concede the very fact
that there has been opportunity
that they have opted to miss,
however consciously.

To learn
is up to One's self;
no one else can, let alone will, do it for you.
we slept all
bundled up in
beds too tiny
meant for
one


limbed and
twiny under
breathy blanket
quilted by
your mom


in pokey dorm rooms
loud and
clambersome


we slept all
upside down
in princess bed
of brass ornate
and painted
ceramic of
flowers pink
and dainty


pulled and
rubbled out
from rummage
sale in
somebody's
front yard


enclosed by walls
of wood
a-seep with
rugged deep
grotesque koala
gnarl


we slept all
pulled out long
on foamy
futon


slats a-stick
in ribs and
jutting out


to wailing
whooping
siren sounds
and tv screams
and chopper
chops
and others'
midnight
lovers' fights


a-pound and
hot and grimy


we slept all
lofted up
and alcoved
cozy
high in castle
attic


nunnery
monastic


circled round
by clouds
and crows and
osprey


wings a-soar
wings a-flap
dizzying up our
weathered dreams


with
cat a-curled and
purring at
our tender feet


and farback
memories
swirling sweet


of bygone nights


of bygone plights


of sleeps
slept other
places


© 2017 Adelaide Heathfield
The bed on which you sleep is full of memories. The sounds that swirl around, the light that filters in, the lumpiness or firmness of its cradling round your body, and the scent of the person with whom you share it becomes inextricably linked to that bed itself.

A couple in love graduates from bed to bed as they progress through ever-changing life circumstances. And the memories of those beds contain the memories of all the happy, miserable, beautiful, and strugglesome times that befell them in between all those sleeps.
ConnectHook Dec 2017
Children drugged with truthless tales . . .
Unwise men embrace their treasure;
Algorithms urge the sales
In malls devoid of merry measure.

Plastic sparkles in the air;
Automotive ads turn festive . . .
Forced good nature everywhere
Makes the shopping crowds grow restive.

Corporate greed spins altruistic
Hyping goods, suppressing Christ.
Our Yuletide is their big statistic
Oversold and underpriced.

Secular beribboned fluff:
Peace, Goodwill . . .  but don't say God !
And heaven knows you've had enough;
Just download the app—acquire the mod.

Coca-Colaed, Disneyfied
You're wrapping paper for their fire;
Eggnogged, Santa-ed, thrown aside
While Babel's flames roar ever higher.

The godlessness shines right on through
Where Christmas lyrics die, unheard.
The Yule-log and the sparks that flew
Expire in embers long unstirred.

The old usurper carting toys
And Chinese knock-offs in his sled
Sets off a lot of empty noise:
Insanity in green and red.

The lurker leers and hauls his bag
(jolly antichrist distraction)
While flying Bishop Nicholas' flag:
A winter psy-ops covert action.

Only message left: go drink!
And may your cup o'erflow with cheer
Before you risk to start to think
Yourself and God right out of here.

Hallmark haloes, bygone kitsch
enwreaths the memory of the years,
Kindling maudlin sadness which
wells up in melancholy tears

For Christian culture (rest in peace)
Long-corrupted by dollar signs;
For fa la la and fattened geese
And holly midst the ivy vines;

For Dickens' gospel of the season
Anglican angelic ghosts
Pushing us beyond unreason
Toward the future's spectral hosts;

For folklore now reduced to ash
Commercial blow-outs, ***** snow;
For Saturnalian urge to smash
the store-front windows where they show;

For useless manger figurines
Passed down from some more faithful time;
For hallowed and nostalgic scenes
No longer worth a Roman dime.
I still love Christmas but its ongoing commercial secularization by corporate globalists makes me retch (into my mulled wine).

Nonetheless, like Scrooge, I intend to keep Christmas well.
By the way, that's Merry CHRISTmas.
(No Christ, NO CHRISTMAS)

https://connecthook.wordpress.com/2017/12/19/christ-massed/
Steve D'Beard Dec 2012
Inspired by a vintage ****** postcard from the 1920s - 30s:

The Muse sits resplendent
caressed in sepia tones and pastel cream
gilded with the glaze of a bygone era
her silk Charleston negligee
worn proud like a vintage ornament
perched on an aesthetically pleasing
shapely pert insolent *****
blossomed with tiny beads of sweat
the heat of such anticipation
entices the pearls of the ******
to pamper and pleasure their perversions

etched as if in a radiance of candlelight
the flickering limbs pulse their bloom
nimble fingers of dancing shadows
cupping the feline curves of a chaise longue
the purposefully out of place set piece
the fantasy of a gentleman's reading room
caked in casked sherry
and Nat Sherman cigar infused aromas

her elegant pose sumptuous reclining
elbow length satin gloves
sensually wrapped in wanton desire
******* clasp a Sorbranie Black Russian
smoked like a sultry gypsy
with a fervent demeanour
from a silver opera cigarette holder
beckoning with the cats eyes of mischief
over Pinced nez eyeglasses
with a fascination imbibed
in the praxis of passion

the peach skin of refulgent youth
directs the viewer downwards, slowly
survey each contour of olive skin
and stroke every hidden cleft of fabric
to glimpse the nubile thighs of grace
leading the eye to the arch of an ankle
slipped like a fitted glove
nestled in the cleavage of her calf
and the chastity of future wonderment

the forgotten photograph
captures a period in time
the memories of the muse
now in motionless existence
a demure allure forever frozen
once lost, but now
never forgotten
Inspired by a vintage ****** postcard from the 1920s - 30s
Hilda Sep 2014
And still I dream of stepping back into yesterday
Where time flowed so freely golden with serenity
We would sit in pine scented grove and sip lemonade
Our talk tranquil as sun dappled creek murmuring in quiet wood
Never arguing or complaining but flooded with blissful reverie
A time bygone and peaceful, learning to know each other again
Listening to the background symphony of cicadas and katydids
Poignantly nostalgic with yearnings of bygone days
Watching velvety dusk deepen into shades of whispering night
Relishing each breeze laden with moss and murmuring pine
Anticipating the dawn awakened by drowsy robins and wood thrush
Skies east to west stained with strawberry hues and dreams renewed
And still I shall dream on

**~Hilda~
© Hilda September 7, 2014  Eleven o'clock PM
Robin Carretti Aug 2018
The trees juice swallowing
Dread-locks opening the
key to my heart
Pulling Amber Agate to the end
wishing the wagon
was my good luck hand
So helpful than my
hallucination struggling
wilderness mission
Apple abandoned Mcintosh
her computer
The thirst compelled her
So Gingerly lemon tea
4 -2 beer pockets

Four letters not to like
H-E-L-P_$$$
if you only knew abandoned hike
Imagining stew of rabbits
Four people Fast Wendy
4 meals for 4
Sahara desert burger


The Amber ghost of
two wrinkled catalyst
Did time desert me
4:44? Paralyzed list
No Star wars may the
force be with Amberlized
Quicksand lowered
  water was drying
  Her abandoned party
type Diva evaporated lava

Amber the corner of her lip
all pruned couldn't sing
Slenderman slumber nails and dirt
Amber people are the strange
wagon getting hurt

1- Hot it is (..)
2- Is it wrong to feel abandoned
3-Wrong being sold out to Uncle Sam
What was?
4- Was she blinded all alone S-O-S
5- SOS surrender distressed wood belong?
6- Belong to be dumped
near a wagon deadbeat song
7- Song didn't move lonely emptiness
, please help
8- Help wanted not just any sign
9- Sign was stolen and Amber rose
10- Rose so ember plain and desert storm
he gulped
11- Gulped left with one (.)
12- One far two stars bygones
13- Bygone the last line 13 I= phones
Help
_

deleted numbers
Now don't disappear on me
I was abandoned too many times
The dirt and the sand stayed still
No cell phone picture to install
We feel abandoned perhaps not all but the ones that do here is a hike to find something with meaning is it in the stars or our numbers hearing the loud sounds of the big hike of thunders
―Go Forth
Flourish in The Light
Of The
Estival Sol,
Elysium of the Soul,
Once you have vanquished
The Stygian,
Your Soul
Awaits You―


~I bid you
Immortal Heartsease
And
Armistice of Ataraxia:
The Reverberation of our Souls
In the Key of Elysium~.





I. Archean Prelude

The echoes
of your
Memories of
The Light & Airwaves
Pine to
Bloom in Reminiscence
Over the
Days of Yore.


II. The Echoes of Existentiality

We are all atomic particles;
Molecular Particles,
Of an aromatic
Omniscient,
Omnipotent,
Omnipresent Mist:
The Cosmo-Plexus of Empyreal Love

―Echo forth comrades―

~Evanesce,
Into the Empyrean,
Etherealized Lightscape
Until the
Visage of Creation
Enskies us
To the exalted
El Dorado~



II. Tempus Fugit

The Promise
Of the
Morrow
Is nigh:

The Yesteryears
Wax
Distant Ages,
Wax
Archean Aeons;

(Eventuality of Existence)

Our Bygone Days
Of Lovelit, Loveless Life,
Antiquate and
Our Soulwaves
Wax
The Spirit of
The Ancient of Days.


III. Nova Cosmogony

Betwixt the Realms
Of the
Beneficent Matriarch Mirror,
Beyond
Terraqueous Gaia
Unfurls the Vista,
Your Fulgurant Dreamscape:

Only the Sapient of Sages
Doth denude:

The Incorporeal Incarnation
Of
Virtue, it’s vesture,
Na’phesh

The Decrepitude of Withering
Dovens the Divine
In the
Vestibule of Vanity,
Sanctimony & Superciliousness
Thence deliquesce;
Bearing womb of Light.

IV. Celestial Morphology

Unveiling the Substance
Of Space and Time;
Spirit and Soul;
Euphony, Harmony;
Atrophy, Intrepidity
All are Entity

Once
Pristine yet vacuous,
Flourishing into
Mystical and shimmering
Nothingness, gropes
For Meta-Astral ―form;

Ventus Divinitas,
The Cosmogonist’s Agenda
Resonates
Through the
Inchoative Universe.

V. The Temporal Hither:

Her Genesis
Waxeth
Vestal Vicissitudes:

She is
The Twilit Quiver
Uprising in
Darts of the Dawn,

Until
Arrows of Antemeridian
Light Cascade
Our epidermis
With the incendiary
Sovereignty of Sol.

Dusk:
Chars the Canvas
Of Ethereal Skies,
Garnetiferous,
Moonlit, Martyred Mind’s Sky;
The Eve’s Imperator
And
Inquisitive Spirit Eyes.

By Luminaries
We’re ensorcelled
Corpulent with thought.

~Wondering upon,
Vacuous a fathomed
Cosmogenesis. ~



VI. Tempus et Spatium:


~There are
Edicts unseen
The Esoteric of the Macrocosm

Only the
Transcendent of Tellurians
May tell of
The Life-Rending,
Sunder forth:

Semantics in Constellations;
Gaian Whispers of Sylvan Tale
The Arboreal Wisdom,
Musicality in Zephyrs ruffling Trees of Vale
Hearken unto further
The Winged-Symphonic Bees
(The Bombinating Orchestra)
Soul Untethered = [ Meta-Consciousness ^ Spiritus de Liberty]

Einstein’s General Relativity= [Spatium ^ Matter ↔ Energy ^ Motion]

~

(Time & Space
The height,
The width,
The depth,
And
The breadth)
The Empyrean One
Enshrined in Pantheon
Our Virginal, Vestal Souls
Efflorescent Eternity
In our hearts?
(Ecclesiastes 3:11)

Time is fickle
A
Hydrean Leviathan:

Whilst ye
Voyage her
Seven Seas,
Moor naught
In her
Elapsed chronology;
Her caprice
And ire
Shalt not
Be quelled.

Be roused
From
Somnus,
Unto her
Perpetuity of
Aqueous Abyssal, Dream Deep Sea;
Tenuous,
Diaphanous,
Rare,
Tender,
Instinctive,

∞ Her Moments ∞
∞ Extinguished ∞
∞ At Birth. ∞

∞ Eternally, ∞
∞ Reincarnated; ∞
∞Anew.∞

∞The Cosmic Spectrum∞
∞Is Infinite∞

∞Excelsior, Godspeed∞

∞ Elo’him ∞





VII. Ultima Thule:

We
Empyrean souls,
Doth abide
In
Pearlescent raiment.

The Cosmogenesis is our Dreamscape:
.
We are all a cosmos,
Expanding, contracting;
Ebbing, flowing;
Hitherto and thitherto;
Red-Shift and Blue-Shift.

Until the Mellifluous Morn,
Whence the
Zephyr of Life
Reverberates the Musicality
Of The
Arboreal Sages.

Terraqueous Gaia
Whispers
The Hope of the Ages.
Spirits betwixt
Greater Eden and She’ol.

Count the stars,
Enumerate every
Constellation in The Cosmos
Of your Soulscape scintillating
Upon thine Mind’s Sky.

Whence Luna and Sol
By the Wisdom
Of your starlight.
Are benighted, beseech
The Ancient of Days

For within The Supernal Wavelength
Of the Hallowed Dove.
We glean refuge
Our Aegis,
Providence.

Awaiting the
Golden, incendiary pinions
Of the
Revenant Phoenix to resurrect us.
Allow the Holy Spirit
to be your Polaris,
― to Elysium.

~By Agape’s Armistice:
Ascend,
The Peaks of Heartsease.
Commune with the Cosmos,
Wax
Salvera y Jiustizia
Brethren,
I plead.~”


~This Sacred Lotus seed
Was sown
Into the
Into the Soil of your Souls
, ―By the Astral.

You are a melody,
Sung by
A coloratura,
Burst into a
Tapestry of Fioritura:

Of Hope,
Faith,
And
Love



(May you
Reap
The Virtues of the Lord)

Betwixt

Na’phesh,
(The [Your] Living Soul)

&

Kos’Mos’
(The World)

The Apotheosis of the Astral Flame
Awaits
You
Starry-Eyed
Phantasmagoreans~
Celestial Morphology © is the multi-epistled poem which I sired during the Estival vicissitude. Twas an ineffable cadenza that exhales of the incorporeal essence of mine entity. I had been toiling in sweat, blood, and tears over a written project at the time; consequently, this is the thematic poem begotten.
     It transmutes the zeitgeist of my summer into the Golden Raiment of Polymathy. The oppressed coals of my woe erupted from the igneous core of my heart as these adamantine words. This starry soundscape is the astral crux of my work during 2018.
      I think that there was a vast expanse of my understanding of the world that had been repressed. It had almost been veiled from the heightened sight of my Over-Soul. This was in my sheltered, infantile longing to elude heartache. To keep the flesh- sundering maladies of the world outside my apartment walls: love, passion, iniquity, penitence, forgiveness, piety, cultural fission, intolerance, injustice, indignation, divinity, melody, mysticism, schism, mania, trepidation, faith, wisdom, darkness, and temporally transcendent pain.
          This was my transcribed anarchy against a Fascist Regime. A country exalting body that calls its denizens creationists whilst they slaughter every creation under the sun. The sociological edicts that dictate how art should be produced, the pace, that tell us not to speak of discrimination and mold us to turn a blind eye to the harsh realities of 21st-century postmodern society heavied the air. I just needed to vent and let every bit of internalized asperity or self-directed hatred out in a beautifying paradigm.
      I'm realizing more and more that life is tough and quite frankly, short. I'd rather write for an infinitude on one poem, for the sake of saving myself, rather than compromising my own integrity (and creative latitude). The writing was becoming a drag: less about quality, and more about quantity. Thus, after months of phantasmagorical drought, I bestow a glistening glade of sterling words.
I hope this poem reverberates upon thine soul waves. Please comment as I am open to any feedback; moreover, I beseech it of thee. My deepest gratitude comrades.

Excelsior Forevermore,

Sanders Maurice Foulke III
dj Aug 2012
We have engendered   them.

Our   babies.
Our annelids. 
Facsimiles of Us.
A gushing warm viscous  fluid
And  a conglomerate of meat
From the womb pods of our hive
Rush out into your  oxygen.
Our mass will grow indeed.
And,
Our perfect mitosis will repeat -
More beautiful
Babies.
Our perfect mitosis will repeat -
More beautiful
Babies.
8 become 16; 16 become 32
You (solo)
Must know by now; no  doubt
Individuality is a cold, broken loop
An anachronism of a bygone era

Pass through  Our membrane , insect.
And be born infinitely back through it.
We will have you spread-out in our warmth
Under our skins; apart of our million-chambered heart

Join Us.
based off a speech by "The Many" from the 1999 PC-game System Shock 2.
England! My England! can the surging sea
That lies between us tear my heart from thee?
Can distant birth and distant dwelling drain
Th' ancestral blood that warms the loyal vein?
Isle of my Fathers! hear the filial song
Of him whose sources but to thee belong!
World-Conquering Mother! by thy mighty hand
Was carv'd from savage wilds my native land:
Thy matchless sons the firm foundation laid;
Thy matchless arts the nascent nation made:
By thy just laws the young republic grew,
And through thy greatness, kindred greatness knew.
What man that springs from thy untainted line
But sees Columbia's virtues all as thine?
Whilst nameless multitudes upon our shore
From the dim corners of creation pour,
Whilst mongrel slaves crawl hither to partake
Of Saxon liberty they could not make,
From such an alien crew in grief I turn,
And for the mother's voice of Britain burn.
England! can aught remove the cherish'd chain
That binds my spirit to thy blest domain?
Can Revolution's bitter precepts sway
The soul that must the ties of race obey?
Create a new Columbia if ye will,
The flesh that forms me is Britannic still!
Hail! oaken shades, and meads of dewy green,
So oft in sleep, yet ne'er in waking seen.
Peal out, ye ancient chimes, from vine-clad tower
Where pray'd my fathers in a vanish'd hour:
What countless years of rev'rence can ye claim
From bygone worshippers that bore my name!
Their forms are crumbling in the vaults around,
Whilst I, across the sea, but dreamthe sound.
Return, Sweet Vision! Let me glimpse again
The stone-built abbey, rising o'er the plain;
The neighb'ring village with its sun-shower'd square;
The shaded mill-stream, and the forest fair,
The hedge-lin'd lane, that leads to rustic cot
Where sweet contentment is the peasant's lot:
The mystic grove, by Druid wraiths possess'd,
The flow'ring fields, with fairy-castles blest:
And the old manor-house, sedate and dark,
Set in the shadows of the wooded park.
Can this be dreaming? Must my eyelids close
That I may catch the fragrance of the rose?
Is it in fancy that the midnight vale
Thrills with the warblings of the nightingale?
A golden moon bewitching radiance yields,
And England's fairies trip o'er England's fields.
England! Old England! in my love for thee
No dream is mine, but blessed memory;
Such haunting images and hidden fires
Course with the bounding blood of British sires:
From British bodies, minds, and souls I come,
And from them draw the vision of their home.

  Awake, Columbia! scorn the ****** age
That bids thee slight thy lordly heritage.
Let not the wide Atlantic's wildest wave
Burst the blest bonds that fav'ring Nature gave:
Connecting surges 'twixt the nations run,
Our Saxon souls dissolving into one!        
Rangzeb Hussain Feb 2011
Journey to Mecca – The IMAX Experience

Imagine the scene... There are crowds of people milling about, some in queues, some chatting by the windows, others sipping a warm drink. There are children playing in corners, babies drinking milk, and wherever you look you see people of all creeds and races united under the banner of a shared humanity. And what is the reason for this diverse cross section of society to be present in one place on a quiet and sleepy Sunday afternoon at Birmingham’s ThinkTank? The answer is right there across the busy foyer. It is a poster for a new IMAX film called “Journey to Mecca”. The very air bubbles with excitement and expectation as the cinema staff cut the proverbial ribbon and usher the people into the auditorium.

Space, vast and open, is the first thing that hits the audience as they take their seats and let their eyes wander over the immense spectrum of the IMAX screen. A map unfurls across the screen and a narrator explains the time and lays down the background to the scene that is about to commence. The year is 1325, the place is Tangier and the story is about a man who is about to embark upon a journey to the holy city of Mecca on a pilgrimage. The charismatic young man is Ibn Battuta, he stares at the stars that twinkle across the canvas of the night sky and he dreams of spires, of domes, of jewelled cities that sparkle in the desert sands, and his vision swoops like a falcon over the alleys and streets of the kingdom until they rest upon the Ka’aba, the sacred building at the heart of Islam.

Ibn Battuta bids farewell to his beloved family and sets out on his journey which will see him tested, both physically and psychologically, as he travels to the fabled city of Mecca. His trials and tribulations on the road to Mecca are detailed with an emotional richness rarely seen in modern cinema. The script is nuanced in a way that allows the audience to connect with the action and the various characters. The depth of research and the care in which the tale is told is delicately balanced. This is cinema as entertainment and as education.

The film reveals the magic and wonder of the Hajj by contrasting the life of Ibn Battuta with modern day worshippers at the same holy sites as those visited by the young traveller all those years ago. The scale of the event is brought to realisation in a way that will make even the most jaded film connoisseur gasp with astonishment.

In terms of technicalities, the IMAX technology is notorious for being extremely expensive and difficult to master. The format does not allow for the creative freedom that one can utilize in 35mm, so it is to the credit of the crew that this film looks seamless and breathtaking. Every single frame of the drama is a beautifully crafted canvas that seems to glow like a painting. The cinematography is exemplary and employs a painterly palette. The deserts and mountains are dry, cracked and dusty brown like wrinkled parchment while the sun drips golden lava across the scorching landscape. The white garments of the pilgrims are like beacons floating in the creamy dust of the desert sands whilst the tapestries hanging in the bazaars are lovingly stitched in green and blue threads; and the silver and gold bangles on the arms and ankles of the village girls ****** and twinkle. The atmosphere of warmth and friendship is apparent in every scene, especially when the succulent food is shared by the soft red glow of the campfires. High above this blend of colours, languages and the swirl of human emotions are the dancing stars that ripple in the heavens. The spectacle and sounds of a bygone era are stunningly designed.

The soundtrack also serves the film quite well. The music is never intrusive or melodramatic, it is there as a soft accompaniment to the proceedings. The use of strings, Moorish mandolins, African percussion and the human voice brings an exotic and ethereal ambiance to the drama.

“Journey to Mecca” is a journey of hope, a journey of understanding and a journey that will inspire. The sheer magnitude and beauty of this film left the audience awed and instilled a desire to learn more about the past which we sometimes neglect to reflect upon in our fast moving lives. This film is an ode to peace, love and compassion, and acts as a bridge of understanding between the past and present. And, as the film fades to black at the ******, there is a final haunting image that will resonate with every member of the audience. The message is simple and poignant. It illustrates the transient and swift nature of life; it shows how we glow brightly by the light of the noon day sun and then fade into the tranquil shadows of the coming twilight. Our journey in this life should be one that respects all of humanity despite our cultural or political differences. It is not often that one leaves the cinema knowing that your soul has been moved by something rare, delicate and exquisite. This was one of those rare occasions.
Amitav Radiance Feb 2015
The lines on the face
Traces back to the past
So many narratives
And many more emotions
Have made an impact
Deep furrows on the face
Remembrance of life’s events
Sometimes tears flowed
Parallel to the lines of happiness
Etched on the face and forehead
A sanctuary of bygone eras
The face tells it all
victor tripp Jun 2013
I never knew his real name and my youthful imagination named him uncle funky the peanut man as bagged peanuts burnt were hopefully sold from a makeshift stand now on this June 2013 morning my mind slowly opens the door of youthful memory and I see soiled pants turned over shoes old hat crooked atop long gray hair  brown hands waiting for a dollar exchange as funk clings to the untended skin like fleas on a homeless dog whiffs released randomly would stagger a prime boxer the times changed with the town sweeping uncle funky away with yesterday and the past of bygone days and I wonder and it is"t a very pleasant wonder whatever happened to uncle funky?









ut to be sold hopefully from a makeshift stand now on this june 2013 morning my mind opens the door of youthful memory and I see clearly soiled pants and shirt old hat atop of unseen hair  brown hands waiting for a dollar exchange as funk clings to the unbathed skin like fleas on a homeless dog whiff released would stagger a prime boxer the times changed with the town sweeping uncle funky away with yesterday and the past of bygone days but I wonder and it isn"t a very pleasant wonder whatever happened to uncle funky the peanut man?
Marian Sep 2015
In a dreamy woodland
There's a cottage just for me
And it's waiting there now
Beside a peaceful stream
Where quiet maples grow
And deer are not afraid
Where mushrooms grow in sweet silence
And sunlight glistens amongst the leaves
There's an enchanted cottage
Hidden in those shady woods
Where running cedar
And lady ferns intertwine
Where tears never fall
From any eye
That is where my secret abode
Is found in shadowy canopy
Of sun-dappled trees
Where dewdrops passionately kiss
The demure bluebells
Where breezes whisper
Through tall, swaying pines
And rustle ancient autumn leaves
From many seasons ago
Where time stands still
And woodland fairies dance
Where willow harps are played
Echoing in dreamy breezes
Through the trees and dancing through the air
Waltzing with the butterflies
Touching the lemon citrus sun
With fingers of gold
And spring days bygone
That's where you'll find me
Dreaming riparian
Scent of petrichor
Healing my soul
In summer woodland yonder

*~Marian~
Written: September 3, 2015, Around Midnight.
Hope You All Enjoy It!!! :)
The release caught me through a free-fall darkly.
Hanging on-air, falling off-world,
I can honestly say I didn't care anymore.

Gave up our minds
and cranked up the sound,
We got lost
in the times that were found:
Some of my fondest memories
were those surreal house-parties
when we delved into experimental ontology;
Playing with substance, when revelation
could strip fundamental to no sensation.

Somehow I'm still alive
and for that I can't apologize,
'Cause I don't know why.
The practice of perception-altering did absolve,
Glorify/Idolize the heathen mob.
I'm telling it as I've seen it;
Perception's a demon.
Discovery and exploration are what they are,
I for one advocate adventure.
Desperado Dan
Is a man with a plan
To cash in a bit of Kensington
On some high grade *****
Cos right now he's got a couple of scores
But not a great deal more to loose

You see, our Dan is a master of the modern day quill
He works an open office, clocking in and out at will
But after reading all the greats from his and every bygone age
He lives in a time where the mp3 subverts the written page

So night and day he hums away
Searching for that hit chorus
And he knows you can't cut corners
When it comes to tanking up on creative juices

A Desperado is larger beer spiked with tequila
Some say it's for scoundrels to make charming girls easier
But our Dan's quest is noble.
He has a dream we'd all like to believe in
He simply wants to do his whole life’s work in just one evening
And a Desperado seems to conjure all six hats within one head
So if two minds are better than one...well, nuff said

He dilutes them at first, pulling the wool over his own eyes
Until, catching reflections on the glass, he sees through the disguise.
And before long you'll find him chugging straight from the bottle
Then, in a blur of paper and pen, Dan writes like there's no tomorrow.

He writes and writes and writes some more
a couplet, a bridge, an underscore
Ploughing verses like trenches through the ****** white paper
Dropping napalms just to see what pops it's head above the wreckage.

Then, surveying the new landscape, he quarries in every direction…

Linearly; because it's most straightforward like that
Circularly; because they used to think the world was flat

Logically; because... Well duh!
Laterally; which gives the brain a stir

Diagonally; some kinda a + b = c rap from back in the day
In reverse; because sometimes we unknowingly face the wrong way

Unapologetically
Down dead ends
Just to see the view

He picks up clichés and looks under them for clues

Desperado Dan
Calls for desperate measures
As the evening wears on
He indulges all his earthly pleasures

And down they go with a Yo ** **
What a ***** desperado!
***** I say! Now he's mixing with ***
Still his pencil flies with a blistered thumb

'E starts to drop 'is H's
And forgets to cross his l's...sorry t's
He paces back and forwards
An he talks like mushy peas

Rummaging frantically through chaotic pockets
Conjunctives falling to the floor
He can't find the word he's after, but who cares? There’s plenty more!
He begins to vengefully split infinitives in two
And hurl metaphors across the kitchen
Sending mountains of ******* up ***** of paper flying
Like snowballs after the thaw
Which slowly melt into puddles of lonely vowels and consonants.
Long after he has gone.

----------------------------------------------------------­---------------------------------

But all that was before the "Doodley Dee"
And his dream came true with a change of key
The song which people can't help to hum
From OAPs to the I-generation
And people hummed it all over
And in all sorts of weather
Until someone decided we should hum it forever.
And they paid Desperado Dan for every hum
Not bad work for a blistered thumb

So now our Dan seems a lot less desperate.
From time to time he evens finds an hour or two to rest a bit
Sitting on the veranda of his studio in the south of France.
Applying the finishing touches to another comedy romance.
Sipping a very fine Sauvignon, no Desperado in sight.

They're all safely packed away in the cellar

Just in case he gets the urge

Late at night.

— The End —