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Barry Jun 2018
The busker stands upon  a busy street.
With a guitar case laid out in front.
As the busker sings, while playing on guitar and heart strings.
Not asking just hoping passers-by will stay for a while. And maybe even place some change in the case.
And yet standing there while dreams and time drift by.
The busker  still waiting to be discovered.
Is yet happy just to be doing what that person enjoys  the most.
Martyn Thompson Aug 2011
i - Introduction:
ii - Lismore Park
iii - The Road to Maidenhead
iv - Town Square
v - Contradiction, contraband
vi - Saturday Afternoon
vii - The Circus Comes to Town (Sunday)
viii - The Show
ix - The ringmaster
x - The Fracas
xi - An incident at Upton Park
xii - No ball games
xiii - New found…
xiv - Nearly done
xv - Another time…

i - Introduction:

Come friendly bombs you’ve still to hit
The place whose name means quagmire
The town, the place that’s left bereft
Of soul, of spiritual fire.
But hurry, hurry, please be fast
For the crack dealer plies his trade
With slight of hand and cunning
A ghetto he’ll have made

The peroxide perms have now all grown
And muster outside shops
To wait for the be-suited sales rep
With his rocks and his alco-pops
They’ve all spawned offspring of their own
Fifteen-year-old cradle pushers
Who sold their souls in return for hope
To thirty year old cradle snatchers

Come friendly bombs it’s plain to see
The vacant, empty faces
The lifeless eyes, the pallid skin
The love that leaves no traces
The love that lasts a knee trembling minute
Outside Harry’s and Sluffs
A love that smells of emptiness
O they cannot get enough

Come with me, look over there
To the sculpture in the mall
The stainless tree with it’s stainless birds
And stainless birdsong call
A bird sings and the town all stops
To see from where this sound will show
A bitter disappointment when learned
It was played on the radio

Community service on the airwaves
To draw the crowd together
A song played, a one hit wonder
Reminds us nothing is forever
The sterile radio station plays on
Opiates to which we should yield
And bare our souls and be grateful for
The song of Bedingfield

ii - Lismore Park

The sight of a child playing in the street
Is one of day’s gone bye
But Lismore Park sees them out in droves
Stealing cars and getting high
The twelve year old sent out to play
Whilst mother takes a knap
But really she’s having it away
For a fiver and a brown wrap

The party at the house next door
That never seems to stop
The men all come and go and paw
Girls in this knocking shop
But halt weary traveller, stop!
Come sit and rest your back
The bench awaits you on the green
And the deluded maniac

The man who knows what’s wrong with you
And how to make it better
As long as he keeps his soul filled up
With cheap White Lightening cider
Six large cans for a five-pound note
From the corner shop near the school
An offer really not to be missed
And to make the drunkards drool

A songbird sits on the climbing frame
And sings his cheerful tales
A tune too much for our dear lush
The maniac exhales
The songbird sings and fills the air
With a loving string of notes
That reminds the sitters on the bench
There may still be a hope

A radio plays ‘that’ song again
Should you dare to forget the rhythm
The bird has flown away now
Fed up with this hypnotism
The airwaves are now filled with dross
Thanks to the flat opposite the green
The weary traveller moves on
“Better days has this place seen”

iii - The Road to Maidenhead

O friendly bombs do try to miss
The sweet blossom, the fragrant smell
The flowers, the green grass of the parks
The havens in this hell
Be careful around the Jubilee River
With it’s wildlife and sculpted hills
For a walk in this very man-made place
Will surely heal your ills

But spare no mercy for the superstores
That pollute and destroy our thoughts
“If it’s not on the shelf, we haven’t got it…”
The familiar assistants’ retort
Take no prisoners with the office blocks
That lay empty year after year
For they clutter up the atmosphere
And have no value here

O friendly bombs, o friendly bombs
The cabbages are all grown
They read the Sun and sing along
To the radio’s dreaded drone
Whilst in their vans they speed on by
Jumping all the lights
To price a job – a small brick wall
Based on a thousand nights

The car showrooms… the car dealers
Stack ‘em high and sell them cheap
Chop-chop salesman, soften ‘em up
The rewards are there to reap
Finance, part exchange or cash
Anyhow you like
“No sir, not me sir…
…I’d prefer to use my bike”

The bustle of the weekend crowds
The steamy traffic queues
Stare too hard at that red car
And suffer the abuse
Overtake the blue one now
And make him toot his horn
See him raise his voice in anger
To satisfy his scorn

iv - Town Square

Saturday morning, seven o’clock
The town begins to wake
A pair of sleeping winos
Dream about their fate
They plan their morning sermon
But who will really care
For what they say means nothing
Less than their icy stare

The busker and the balloon man
Wait to take their turns
To entertain and irritate
And suffer being spurned
By a thousand shady shoppers
Who’ve heard it all before
And probably given hard earned cash
To make them play some more

The trickster and the barra’ boys
Set up all their stalls
Selling mobile phone covers
And fake branded hold-alls
Adorn your phone with logos
Hankies for a pound
“Yes sir, we’re here on Sundays…
…(Providing there’s no police around)”

Grab a baked potato and sit
And watch the folk go by
Some will have you in hysterics
Some will make you cry
The man on his double-glazing stand
In his suit and in his tie
The perspiration on his head
Watch him wilt and fry

The songbird settles on the wall
And sings to our delight
A merry sonnet that will inspire
Dreams we’ll have that night
The wino shouts his sermon now
The bird has paused his song
This post-war sprawling Hooverville
Muddles slowly along

v - Contradiction, contraband

On the steps of the library he screams aloud
Through a mist of smuggled gin
“You’re all fools, the lot of you is ****
I’ve not committed sin…”
“It’s not my fault I’m a lush… a drunk
I don’t choose to live this life”
“You’re all wrong in carrying on
It’s you what’s caused my strife”

In his wretched form he abuses the world
Pooh-poohing this and that
A skunk telling the world it stinks
The polemic polecat
“Society has robbed me of everything
And left me less than whole”
“The only day that’s good is Thursday
When the postman brings me dole”

On Friday he meets his dealer
To fuel his pickled mind
The man with the van on Saturday
With the spirit and the wine
By Monday, he’s all skint and broke
The weekend has passed him by
He takes his place on the library steps
We shake our heads and sigh…

Every week the same routine
The same routine again
Like clockwork his life ticks on by
The suffering and the pain
But he tells us it’s all our fault
We’re the ones not right
But it’s very easy for him to say
The man who’s so contrite

The children watch him puzzled
It’s more than they can bear
“It’s very rude…” their mothers say
“To stand like that and stare”
But what, do they expect their young
To ignore this fool a mumbling?
For they will see it for what it is
A stormy weather warning

vi - Saturday Afternoon

I sit on a wall in Slough with friends
Sharing the Dutch export
Watching and laughing at the world
And it’s variety of sorts
A happy bond that we all share
The joy of simple things
Come friendly bombs and gather round
Watch us while we sing

The friendly bombs you call upon
Are they straight off the shelf?
It’s my belief, my firm belief
The bomb is in yourself
Ticking slowly by and by
Just waiting for the code
To trigger you and trip the switch
To make the bomb explode

We watch the people from where we sit
The hellholes they’ve all made
They don’t live they just exist on
The edge of a razor blade
Stop! Step back and take a look
It’s not too late to change
And become what you really want to be
An icon of your age

Over now to Langley Park
To sit and bathe in the sun
O friendly bombs please wait a while
Until this day is done
But what will tomorrow bring my friends?
And will it come too late?
Something that may save us all
The bombs may have to wait

A sedate sleepy Saturday
Away from all the crowds
Share a joke, a ****, a smoke
And laugh together loud
The sun warms our sombre souls
As on our backs we lie
Staring as the clouds roll by
United under the sky

vii - The Circus Comes to Town (Sunday)

Halt now, wait awhile please
Stop the counting down
Today the air is charged with joy
The circus comes to town
Must have arrived last night we think
Under cover of dark
And settled down and pitched it’s tents
In the grounds of Upton Park

The queue to purchase tickets
Trails far along the road
No. 53 offers cups of tea
From outside her abode
The crowds are mum, they say not a word
As they wait their turns to go
Inside the circus big-top tent
And sit and watch the show

We settle down and take our seats
With an ice-cream and a coke
But wait, where are the circus clowns?
Is this some kind of joke?
A wall of mirrors fades into view
And puts us in a spin
Reflecting all the bright lights
The colours and the din

The ringmaster enters, cracks his whip
And hands out little slips
“Everyone’s a winner” was
On every body’s lips
The clowns they all appear now
With a modicum of fuss
Hold on just a minute now!
The clowns we see are us

A spotlight points up to the gods
At the top of the trapeze
A giant money spider glides
Down with greatest ease
He touches each and everyone
All paralysed with fear
And hands out ten pound notes to all
Then promptly disappears

viii – The show

A strongman strolls out slowly with
A length of iron bar
A leopard spotted leotard and
Moustache sealed with tar
He looks around the big top with
A menace and a sneer
Surveying all the audience
He seeks a volunteer

The white van man he raised his hand
The tattoo on his arm
Said this man must not be crossed
To do so would mean harm
The strongman bent the iron bar
Across the van man’s back
Then invited him to strike him down
An unprovoked attack

The van man clenched his hand and hit
And hurt his mighty fist
A statue of the strong man shattered
Turning into mist
The van man stood and stared in fear
The mist it gathered round
And carried out our hero driver
He hardly made a sound

No-one clapped we all just stared
Our faces ghostly white
The strongman re-appeared and looked for
A second stooge that night
No-one raised a hand in fact
No-one said a thing
The strongman shrugged and vanished…
Empty was the ring

A knife thrower was the next to appear
And seek the help of one
With nerves of solid steel and courage
Secondly to none
Down came a fallen woman
Who said she had no fear
A knife was thrown and pierced her skin
Her right large ear-ringed ear

ix – The ringmaster

A second knife it struck her chest
She didn’t seem to weep
She didn’t seem to be in pain
Although the knife was deep
A third knife struck her arm and then
A fourth it struck her head
The knives that should be missing her
Were hitting her instead

Horrified the crowd looked on
Without a fuss or row
The woman now all full of blades
Politely took her bow
She then went back and took her seat
And never said a word
Not another word she said
And not a word she heard

A magician was the next to charm
And thrill us with his tricks
He pulled a rabbit from his hat
Then sat it on some bricks
He then threw watches at this beast
That grew to a great size
The rabbit caught them all and juggled
Them to our surprise

But here’s the rub when we all looked
At places on our wrists
No watches were there to be seen
A cunning little twist
The magician cracked a whip and put
The rabbit in a stew
Which vanished there before our eyes
Vanished out of view

The magician he announced that he
Alone did have this plan
To mystify and amaze us all
With his clever hand
Indeed he was the ringmaster
That owned this circus troupe
That terrified and petrified
Our frightened little group

x – The Fracas

A swarm of bees engulf us now
And cover us with honey
The ringmaster cracks his whip again
The bees all turn to money
Then suddenly the fight begins
As we grab this flying stash
Filling up our purses now
With the hard-grabbed cash

The ringmaster, a clever man
Calms us with his sigh
“There’s plenty here for everyone
…And more than meets the eye”
Suddenly a flock of doves fly
Sweetly through the air
They then attack the baying crowds
Pulling at their hair

Then with a deafening bang, a crack
A flash of burning light
We all cascade towards the floor
The circus out of sight
Confused we all stare around
Thinking it absurd
This bizarre spectacle should vanish
Gone without a word

I look from face to face to face
Whatever could this mean?
We all are laughing nervously
How stupid have we been?
We talk about the day’s events
We talk and talk some more
A voice booms from out the sky
“I’ve opened up the door”

“I’ve brought you all together now
To pander to your greed
To watch you take from fellow man
Deny him what he needs”
I reach in to my pocket
For the money I did place
It reads “Admission: 1 adult
To The Human Race”

xi – An incident at Upton Park

That week the local paper ran
An exclusive full-page ad
“Faland’s Travelling Circus Troupe”
“The most fun ever had”
But no review was there to read
To tell of our event
The strange encounter with this circus
To which we all went

The following Sunday we meet up
In groups of three or four
Since that incident in Upton Park
The spectacle we can’t ignore
No-one knows quite what it means
I don’t think that we’ll ever
Understand all that happened here
That brought us all together

Perhaps there is a deeper message
Given on that day
Faland may be telling us
That we have lost our way
He simply used us all as tools
To illustrate our folly
That had now become too serious
A risk to things so jolly

Every week now we all gather on
This hallowed piece of land
And this is very odd because
Nobody makes the plan
The idea comes to all of us
A self-ignited spark
And draws each of us in turn
To meet in Upton Park

We picnicked then we all played games
Then talked about the rain
We toasted our new friendships
And vowed to meet again
The bombs, the bombs they’ve all slowed down
Compassion saved the day
This newfound love we now all have
Must surely pave the way

xii - No ball games

The joy did not take long to spread
Across our grimy frowns
And bring a little sunshine
To lighten up this town
Happiness is upon us now
The whole of Slough-kind
Depending on how you look at it
And on your state of mind

The lush upon the library steps
The wino on the bench
The Publican and Landlord
The ***** serving *****
They all wear smiles and laugh a lot
And speak of wondrous things
A songbird perches on the fence
And merrily she sings

The children, o the children
How they sing and dance
Always being friendly
In any circumstance
They have no care for politics
You’ll see it in their face
They want to play with everyone
Who’s in the human race

Meanwhile back in Upton Park
The townsfolk meet again
But there’s no talk of horror
Or suffering and pain
Instead though how a monument
Should be erected in our names
And pulling down the signs
That read ‘No Ball Games’

The bombs have all stopped ticking now
And line up by the wall
And every now and then they clang
Just to remind us all
If we get too complacent
And don’t respect our friends
We’re marking down the seconds
To our bitter end

xiii – New found…

We shared our food and shared our tales
Life stories we all told
They made us laugh they made us cry
Left us warm and cold
The suffering we did speak of
Helped us understand
How fellowman and woman kind
Dwelt in other lands

We laughed at tales of folly
And stories of the past
Stories that we are in awe of
Stories that will last
For another thousand years or more
And travel on the wind
A gentle breeze that talks to us
Thrilling to the end

Gathering momentum
Our stories travel far
Picked up and told by new folk
Under glowing stars
They bring warmth and humanity
Softened by the rain
They travel back to each of us
To be re-told again

Who’d have thought this loving joy
This beacon in the dark
Would begin upon the grass
Of hallowed Upton Park
The greed has gone or mostly so
Now happiness is here
We’ve seen the light and now must spread
Our messages of cheer

Looking back it hardly seems
We could have been that way
Not caring if each other lived
To see another day
This new found near Utopia
Must spread across the land
And we must stand to offer all
Our warm and guiding hand

xiv – Nearly done

The story is now almost told
Of how a strange event
Saved us from our selfish selves
A message heaven sent
With cunning tricks and sleight of hand
The error of our ways
Was written up in greasepaint
Shining through the haze

A strange di
I wrote this in about 2004 - loads of literary influences in this poem. It speaks for itself really. Having read through it, I think I ought to revise / review and re-write some of it, but this is the original.... yay!!
eva Sep 2013
when people ask me 'what type of poetry do you like?'
i tell them that i like real poetry
not fake meaningless poetry with technical words that i don't even know.
i tell them poetry has to have EMOTION
and it doesn't have to make sense.
it doesn't have to rhyme, either.
poetry should be raw. it should be written when you don't think you have anything to write about
like that time you were lying in bed and thought of a single word planted onto paper to create a whole stanza, and then five stanzas.
find poetry in music. in the low guitar riffs and the drum beat. find it in the lyrics and the vocals. find words in trees. in lights. in a bottle of nail polish. in your first love and your last laugh.
find poetry when you fall and a stranger helps you up. find it in a busker at the train station. find it when you give that busker some money and find it when you see that the busker appreciates you. find poetry in poetry.
clumsy unedited rambling blahblahblah silly words formed to make something at least a bit legible
‘A festive song for thy ears’,
Sang the jovial busker;
Brimming with gratitude,
With pennies of silver
Or the coppers from well-worked hands,
The heavy gold of the rich;
Once weighed down pockets
Generously giving.
‘A festive song for thy hearts’,
Sang the jovial busker;
Playing with precision,
With clarity and care
Or the subtlety of pristine art,
The blending sound of the voice
Soothingly warming.
Published in ALFaaz E-Magazine Vol.2 December 2021 edition. Punjab, Pakistan.
©️ Joshua Reece Wylie 2021.
Nigel Morgan Nov 2012
We’d been to concert at the Town Hall. It was a Saturday night and still early for a Saturday Night Out. So many people on the streets. The girls barely dressed, the boys bouncing around in t-shirts. Older people threaded along the pavements walking purposefully, but ‘properly’ dressed, and now making their way, as we were, for the station.

I know He noticed her because He stopped, momentarily. We were holding hands. He loves to hold my hand. That evening I remember squeezing his hand firmly as if to say how pleased I was He was here and I was not walking to the station alone. I have done this, walking to the station alone, so often. It is good to have someone close at such times, someone to talk to about the performance, the music, what is going on around us. We walked right past them.

I noticed the man first and then the child. He was very tall, very dark, wearing a black leather jacket I think. He was not scruffy so much as untidy, dark and untidy, with curly hair that did not know a comb. He was busking. He sang an incomprehensible song in a language I didn’t recognize, playing an electric guitar plugged into a small amplifier by his feat. He turned from side to side as he sang as though looking for an audience. I remember his trainers and the soft guitar case open on the pavement with a smattering of coins. Then, this child.

Over the last two days I’ve examined the scene in my memory. I’ve sought to recall as much as I can about this little girl. She was not that little I think for her age, perhaps seven or eight. Stocky. Thick golden brown hair. A sensible skirt covering her knees, a fawn jumper with some sparkly decoration. Tights or long socks perhaps. Proper shoes. I keep examining my mind’s photo. What I recall most vividly was her large smiling eyes and her expression. This is my daddy, it said. He’s singing and I’m here looking after him. I’m his smiley girl here on the city street. It’s late. Other children back home would be in bed, but I’m here smiling at the people passing.

Yesterday we talked about this couple, the little girl mostly. He brought the subject up. He’d been thinking about her too. He’d been puzzling over the two of them. As a pair they seemed so physically different, hardly father and daughter. It was the (possible) daughter’s gaze, her twinkling eyes that had spoken to him - as they had spoken to me. This is my daddy, those eyes and that smiley face had said. And she was holding a bear.

Why did I not mention the bear until now? Of course, she was holding her bear. She had both arms around her bear. She was hugging her bear to herself. It was a mild evening for March – she wore no coat. He looked a good bear, not too old or small, not the kind of bear she’d been given in infancy, perhaps recently acquired but well-loved, well-hugged. A bear that seemed entirely right for her age, for her slightly old fashioned clothes. The sort of clothes I might have worn as a child. I think of a photo of me at that age dressed in a Cloth-Kits dress, with an Alice band, with glasses and lots of curly hair.  

He said ‘I’ve been wondering about the two of them. Did they have a home? Where would they go to when it became late?’ Was there a mother? Was she working somewhere on that Saturday night and the father had to take the girl. Was she wearing her best clothes? She looked OK. A glowing, healthy face, a face that reflected the bright, coloured lights of the city street.’

Suddenly, I realised there were tears in his eyes. I thought, He is imagining a story. He is imagining a story of this seven year old who should have been tucked up in bed with her bear, like my little boy with his blue blanket. He was imagining her life., her past in some Eastern European town, where she went to school, where she had friends and relatives, where she had been born and brought up, and been loved. And now the girl was here in this not so distant city. Perhaps illegally, without the papers, smuggled in as so many are. Her father, swarthy, even a tinge of the Roma perhaps, but she so different. It was the golden brown hair. Thick hair, a ribbon tied in it. A pink ribbon.

He had thought of his little girl, now fifteen, only when she was that age, seven. Oddly similar in some ways, the thick hair, the smiley face, a different but ever present bear, an infant’s bear, not a bear she’d take with her except in a bag. A bear not to be seen with at seven, but loved.

‘I’ll call her Katya,’ He said. The girl, not the bear.

And later He did. Every few days He would mention her – just in passing. ‘Do you think Katya’s  at school today?’ ‘I was in the city this afternoon, but I didn’t see Katya.’

He wrote about her and her father. A little story. I haven’t read it. He just told me He’d written it; He’d thought of following them in his imagination. He was a little embarrassed telling me this, and He didn’t offer to show me the story, which is unusual because when He mentions He’s written something He usually does. And so I wonder. I wonder how long this memory will stay with him and whether He will follow this couple (and her bear) into the future, create a story for them to live in.

Perhaps it will bring him the peace He does not have. The peace I try to give him when He is with me at home and we sit in my little house, at my table eating toast with Marmite after I’ve been out late whilst He’s sat on my settee and read – in peace at being in my home. I know He feels cast adrift from his family and He can’t be part of mine, yet a while. Perhaps it’s like being in another country. Perhaps He thinks, at least that busker had his child with him, his shining star, his ever-smiley girl.

Yet He is thinking of his smiley girl, smiley still at fifteen, still loving her dad despite what He’s done, despite the fact that she sees him so seldom. Despite the fact that He is only occasionally with her, and she knowing I, his lover, his young woman, his companion and friend, has captured his heart and thoughts.

I think of Katya too. I think of my older girl, so loved and circled about with love and admiration by her respective families and our friends. She is so special and so beautiful, as I was special at eleven, as I think I was beautiful at eleven, just on the brink of that transformation that will take her towards becoming a teenager – and the rest.  

We were lying in bed the Saturday morning before seeing Katya and I was telling him about my childhood. He’d asked me about zebra finches. Walking in his nearby park He had admired their bright red beaks in the park’s newly-restored aviary. I told him about a parrot in a park close to my childhood home, a parrot I passed as I went to school. I described for him my walk to school, meeting up with my friends, passing the parrot. I know how happy it made him to hear me talk about such things. He said so later, embracing me in the kitchen. ’I so love to hear you talk about your childhood.’ I could feel he was moved to say this. It was important. I realised then just how deeply he loved me. That it was important. That he imagined me as a child. That He wanted to know that part of me. He’s rarely asked about the stuff in between. Of my former lovers I’ve said a little. He has said a little about his past liaisons and affaires, but knows I am uncomfortable when he does. So we leave this. But childhood, That’s so different, because it is that precious, precious time of shelter and care: when we begin to discover who we are and who and what we love.

Where is Katya now? In a messy room she shares with her parents in a house shared with economic migrants, where she has a few belongings in three plastic bags. In one, her best clothes she wears to stand on the city street on a Saturday night with her daddy. In another a jumble of not so clean clothes she rotates each day. She has her sleeping bag, her bear, her warm coat and gloves. There’s a few magazines she’s found about the house. English is puzzling. She learnt a little at school back home, and from the TV of course, those American soaps. If she was here in my house I would stand her in the shower, wash her thick hair, put her clothes in the machine, sit her on my bed in my daughter’s clothes with some picture books, introduce her to my cats, we would bake some buns. I would give her a small gift of my love to take away with her and she would look on me with her smiley face, her sparkling eyes and let me hold her bear.

And later when I saw him I would tell him that Katya had been with me for a little, and tears would fall, mine and his, knowing that only in our dreams could we make this so.
Joe Bradley Mar 2015
His voice of crackling static
is known from round the corner.
It's raw from shouting news reports and
the music of an empty pocket
to a world, only half listening.

A toiling madness of chord and thread -
frayed, plucked fabric, strings
hanging from cuffs. This plaid ragdoll and
his bird **** stained guitar case are
collecting change like a magpie

His incompetent lips are their own shower
flecking the pavement. What music gathers
in the whited joins of his mouth is urban  
desperation, but their grubbiness suggests
you could still plant potatoes in his fingernails.

Twitching and lined, his visage isn't as old as his art.
The jarring strum and lacquered voice  
serve to remind us, that the tongue
is the only muscle in the human body
stronger than the heart.
DieingEmbers Dec 2012
Busker singing in the park
living each day from hand to mouth
sleeping rough when it gets dark
dreaming her dreams of heading south
Evelyn Rose Aug 2017
This sound makes my vertebrae vibrate
Every unshaven hair stands to attention  
At her voice
She strums my heartstrings
And her guitar.
And sings again to the void
Of people  
Never truly paying any attention
No more than sufficient
to toss in pennies
Pounds remaining in purses, to pursed lips
Whilst they continue the train station conga to their destination.

I
cannot help but hear.
You resonate like my first radio
The hum of home
That initial taste of music
Potent
Powerful
Like this woman
Brave in her solitude on the platform.

I wish they would listen.
Diesel Feb 2021
A penny for a beauty!
I'll sing it hither thee:

I'll sing alive a beauty
And sing it ever be:

And a penny and this beauty
And my voice in mind them:

Now sing this ready evening
so prithee listen then:

Leave two pennies by the boulder
And a penny you shall earn,

Drop a penny by his shoulder
And a penny he returns.

Give a penny to your pleasure,
Let the pleasure spread like seeds:

But a penny my endeavor,
A penny ask of me!
Edgar MoneyPenny Sep 2014
I look at the man on the street
the bottle has drained his face of color
the cigarette burns a hole through his fingers,
still dimly lit and smoldering
we are different, aren't we?
I'd like to think so.
We are different....
or are we?
Edward Coles Nov 2013
The policeman strides the concrete,
some poisoned daffodil
in his stage boots of tread and leather
and fear of authority.

Troll-like he emerges over the sound
of the head-dressed busker,
her simple song, her trio of chords
singing under the shops,

who despise her art.

And I, against the tide of footfalls
and ‘aww’s’ at the latest range
of lipsticks and daily distractions,
I stop to watch as her will falls limp.

Her squeezebox is strangled of sound,
and the music dies at the order
of an order, the noise pollution
of the High Street’s mating call.

Chair folded, she evacuates through
the traffic fumes, ‘cross the road,
and with hope, with fingers crossed
and eyes wet, I hope this is a retreat

and not a surrender.

Once more he strides the concrete,
his fluorescent jaundice coat
a warning, a reminder, and I see
his eyes mouth the words:

‘Your license please,’ he says to her,
‘your paper proof of your right to play.
What profit plan do you have in place
and who approved your name?’

‘You can’t call yourself a busker’, he says,
‘much less an artist or work of art,
which talent show do you hope to enter,
to validate your part?’

‘Your part in this wholesome land,’ he says,
‘how you do your bit, your profits large,
because our economy is going asunder,
and so we have no time for art.’

‘So it’s with no due regret,’ he says,
‘that I’ll send you on your way.
And if with you goes the death of music,
well that’s just progress made.’

And so I walked away from this scene of
deflowered and purpled hope,
my stomach wrought with injustice
and no nicotine in tow.

And it is to this table I am sat,
with just one vocation upon my mind;
to reclaim her song, now sung in silence,
and steel her memory in time.

And it is to this table I am sat,
with everything on my mind,
to tell of what I’ve seen,
to indulge another rhyme:

Sing to me your sorrow,
sing unto the skies,
play to me your pleasantries
and please purge me of my lies.

Pay us with your sorry tune,
pay us with your life,
all your forsaken childhood dreams,
your faded hopes and strife.

And please,

bathe me in this sunlight,
and bathe me in time,
scour me with city streets
and allow me what is mine.
(c) Edward Coles - Jordan 27/11/13
Francie Lynch Aug 2014
Summer's almost over,
It's threadbare
As your towel;
The summer sands
Are shifting,
The beach is headed south.

The initialed picnic tables
Are stored for other outings;
The concession windows
Flapped now,
The busker's shouting quelled.

Sails are dropped
Like maple leafs,
The moon's rising
Too soon;
The night lights blaze
Over pitch and field,
Where sunshine
Shone in June.

Geese are wedging daily
To escape the wintery gloom;
I'll reacquaint
With the hinter sounds
Of lake winds
And banshee loons.
Sixty-three stories above Surfer’s Paradise, AU
my glass is touched by alcohol for the first time
just as the sun smooths away into a hovering night.
At seventeen, my hand is forced up
by a tongue curiouser and curiouser,
and by *****’s Don’t be a *****
from behind the kitchen island.

Not much stays:
the bite of raspberry *****,
chocolate-chip mint ice cream,
a shower turned hot, then cold.

***** wakes me with a kick
Put some pants on
and we walk the boardwalk at dawn
just to feel things, he says.

The city wakes, yawning, stretching
with the tide rolling ever-in
to wash away yesterday’s footprints,
and ahead, a busker opens for the day,
finger pickin as if inviting
my soles to dance
with the ocean, and sink between its hands.
My local songwriter
the blackbird
is up on his pole
again.
Most evenings
when the sun is downing
to the west
he comes and gives us
a concert,
he has no score
just opens his beak
and  trills.
There is repetition
with variance
and pause.
Sometimes he is so eloquent
that people in the street
stop and listen
and smile at each other
content for a moment
to listen to a genius
granting us solace
rebeccalouise Dec 2011
chapped lips
sticky and sweet
the popsicle melts
and stains my crisp white dress
a seagull steals the french fry out of a little boy’s hands,
he begins to cry
the busker’s sing songs
of love and loss,
whiskey and wine
the boardwalk creaks
and i dream
of a cold beer on the beach,
the melody of waves reuniting with sand
like long lost friends
the soothing slap of sandals on pavement
freckles and homemade jam
midnight adventures to the park
skinny-dipping in a strangers pool
hopscotch and chalk
freshly painted toenails
the sun gifting us with golden skin and golden hair
adirondack chairs and campfires
fishing in lady evelyn and portaging in temagami
braving the falls at muskegoe
and counting the stars while lying on the bridge
catching frogs in the pond
while drinking coolers in paddle boats
sweaty palms and first kisses,
nervous anticipation
red skies mark the beginning of endless nights
i dip my toes in the fresh water
and the ripples skew my reflection
the man in the moon is happy
and so am i
Heather Moon Jan 2014
There was a child went forth everyday;
And the first object she look’d upon, that object she became;
And that object became part of her for the day, or a certain part of
The day, or for many stretching cycles of years.

The dew laden grass became part of this child
And the fresh daisies and lightly scented lilacs and
the song of the morning sparrow,
And the crisp air, the mud puddles and the tall, tall tress that rained water droplets, when the wind passed,
And the magic world within the reeds, waiting for a curious someone to discover all the twists and turns and available hiding spaces.
And the yellow skunk cabbage and weeping willows, with their gracious locks—all became part of her

The golden grassy haze became part of her,
And the anthills poking up from the red Earth,
And the shaded creek, loosely singing.
And the freshly picked strawberries, dirtying any white shirt.
And the content busker sharing his music and stuttering his words, in a most peculiar manner,
And the passing grandmother walking hand in hand with her granddaughter
And the Jamaican man kissing his pipe and the funny odor that followed
And the old Italians bantering about soccer outside small cafes and coffee shops, that dotted the street like lanterns on a string
And all the changes of city and country, wherever she went

Her own parents,
He that had father’d her, and she that had conceiv’d her in her womb, and birth’d her,
They gave this child more of themselves than that;
They gave her afterward every day—they became part of her.

Her mother’s care-free ringlets, falling past her breast, her open hands and thin arms hidden behind an over sized shirt, the strength in her voice,
And the youthful, naive nature woven into her giggles.
The father, klutzy and drunk, the sudden change from a hearty laugh to an unsettling yell, the large hands and the lost feeling that showed through the anger. The confusing elixir of love and hate.
The landing in the stairwell, the black dial phone, the old tarnished green oven, the stapled on carpet, the Rug rats pillow cases and the laughter so good it hurt.
Never ending love—the difference in words and the actual inner emotion felt--wondering if dreams are reality--and if perhaps the real world and all its conundrums is a carefully devised skit.  
Who decides a mirage is an illusion, is it the same inhabitants who crowd the streets?
Do the rushing people, passed from one generation to the next, think the same thoughts, do they laugh at themselves or the passed on jokes that follow their age group, and are the sparks of people just mirages themselves?
Men and women crowding fast in the streets—if they are not flashes and specks, what are they?
The bakery windows, row in row, the fake cake in the window, the names of the streets and the differing decals hanging from car's indoor mirrors.
People being within the cars zooming by on the highway, the jingle of the Popsicle truck and the sticky hands following. The feeling of trying to wipe away the stickiness on tall grass, walking across the peeling yellow paint of the highway divider, left to the side of some lonesome road---the wooden train set and the carefully maneuvered tracks,

the orange morning sun, the rising steam from plants and houses, the comforting sleepiness cast over the whole town, settling upon rooftops and curling into closed arms, The mid-day beaming street, seen from the city bus window,
The fresh ocean and the old ferry boat, the smell of oatmeal and scrambled eggs and over buttered white toast. The balance between the clouds and sky, sharing the space, the dry feeling gathering around the eyes, the white waves forming from the ferry boats side, the gentle rocking from side to side,
The cold feeling the window casts as the face, leaning against it, gently surrenders sleep to the lulling gesture—knowing the world is round by glimpsing upon the horizons edge, the thought of explorers who sailed the same sea only years and years ago.
The innocence beaming down from the heavens and leaving speckles of white on the ocean’s surface, the cluster of yellow beaked seagulls greeting the arriving boats, the distinct fragrance of the earth and sea joining together, the salty barnacles and shore mud, the leaning  grass with  crusty sand clinging to its base.
These became part of that child who went forth every day, and who now goes, and will go forth every day.
Maggie Emmett Sep 2014
I catch the rapido train from Milano and edge slowly westward through the stops and starts of frozen points and village stations. The heating fails and an offer of warmer seats in another compartment. I decide to stay here. I put on my coat, scarf, hat and gloves and sit alone. In my grieving time, I feel closer to the cold world outside as it moves past me, intermittently. Falling snow in window-framed landscapes.            

Sky gun metal grey
shot through
with sunset ribbons.
                                                                                                          
Dusk eases into black-cornered night. After Maghera, the train seems to race to the sea. It rumbles onto the Ponte della Ferrovia, stretching out across the Laguna Veneta. Suddenly, a jonquil circle moon pulls the winter clouds back and shines a lemony silver torch across the inky waters. Crazed and cracked sheets of ice lie across the depthless lagoon. The train slows again and slides into Santa Lucia. I walk into the night.                                                                                               
Bleak midwinter      
sea-iced night wind
bites bitter.
                                                                                                      
No. 2 Diretto winding down the Canal Grande.  The foggy night muffles the guttural throb of the engine and turns mundane sounds into mysteries. Through the window of the vaporetto stop, the lights of Piazza San Marco are an empty auditorium of an opera house. Walking to Corte Barozzi, I hear the doleful tolling of midnight bells; the slapping of water and the *****-***** of the gondolas’ mooring chains. Faraway a busker sings Orfeo lamenting his lost Eurydice, left in Hades.
I wake to La Serenissima, bejewelled.                                                                                                                           
Weak winter sunshine
Istrian stone walls
flushed rosy.
                                                                                                          
Rooftops glowing. Sun streaming golden between the neck and wings of the masted Lion. Mist has lifted, the sky cloudless; I look across the sparkling Guidecca canal and beyond to the shimmering horizon.          
Molten mud
bittersweetness demi-tasse
Florian’s hot chocolate                    

I walk the maze of streets, squares and bridges; passing marble well-heads and fountains, places of assignation. I walk on stones sculpted by hands, feet and the breath of the sea. Secrets and melancholy are cast in these stones.                                                                  

At Fondamente Nuove, I take Vaporetto no.41 to Cimitero. We chug across the laguna, arriving at  the western wall of San Michele.  I thread through the dead, along pathways and between gravestones. At the furthest end of the Cemetery island, Vera and Igor Stravinsky lie in parallel graves like two single beds in an hotel room. Names at the head, a simple cross at the foot of the white stone slab. Nearby, his flamboyant mentor Serge Diaghalev. His grave, a gothic birdbath for ravens, has a Russian inscription; straggly pink carnations, a red votive candle and a pair of ragged ballet shoes with flounces of black and aquamarine tulle tied to their the ribbons. So many dead in mausoleums; demure plots; curious walled filing cabinets, marble drawer ossuaries.
                                                                                                      
Bare, whispering Poplars
swaying swirling shadows
graves rest beneath          

I walk to the other end of the island and frame Venezia in the central arch of the Byzantine gateway.  I see that sketchy horizontal strip of rusty brick, with strong verticals of campaniles and domes. It is here, before 4 o’clock closing time, I throw your ashes to the sea and run to catch the last boat.                                                                                          

Beacon light orange
glittering ripples
on the dove grey lagoon.

© M.L.Emmett
First published in New Poets 14: Snatching Time, 2007, Wakefield Press, Kent Town SA.
To view with Images: Poems for Poodles https://magicpoet01.wordpress.com
I wanted to write a Haibun (seasonal journey poem interspersed with haiku). I love Venezia but only in Winter.
Edward Coles Feb 2014
Closed eyes
to the fountain of youth,
to higher hopes
and new reality.
I claim spirit,
but give mind,
in fact give all
my scattered self,
in the hope some poor *******
sorts through.

Winter's guise,
I flicker off-white images
of galaxy and twine,
of breath mints and wine,
of sorry dancers
with broken heels,
reinvented wheels,
and augmented rhyme.

Light comes
and I storm it with cold,
I storm it with pens
and whiskey lies.
I storm it with science,
and I storm it with God,
I storm it with the golfers
and playboys,
about to tee-off.
I storm it with hate,
with the promise of pay,
my unrequited love
of Saturday.

And with wind came age,
came the steady hand
and furrowed brow
of sleet-strewn rain
and growing pain.
Of doubt. A bout
of flu,
a touch of death
and funds withdrew.
No more the kiddie
in the window,
aww-ing at sound,
the colour of air,
the steam of kettle,
forgiving snare,
life's poison-treats
and poison-poisons.
Un poisson hors de l'eau,
still - I'll thank you
for your time
and bad French,
old guru.

Still to shift in
this physical prison.
A prism of light,
of partial solidity,
of unending uncertainty;
a multitude misunderstanding itself.
It claims to the borders
and it clings to the bed,
it holds true to thought,
and all the worries
in my troubled head.
They descend,
never end,
in a crescendo,
a caterwaul
of mistreated sound,
dog in the pound,
and waistlines round.

Thigh gaps
and mind-the-gaps,
signposts and brochures
for the short-lived living.
They pester my mind,
interference, crackle,
prattle and rattle
of mediocre wisdoms,
of borrowed idioms
for bulimic bones
and broken homes.
They tailor my mind,
cuts and seams
of needless pleas,
for order in chaos
and blueprints
for blind entries.
All to settle the stomach,
to settle the plot
to settle this fever
that burns so hot.

Old-film stills
to the fountain of youth,
belligerent fist of tears,
for forgotten woes,
for sweaty prose
and swollen leaves.
Yellow birds and
old lime trees,
dear Suzanne
and her poetry,
about thorns in the side
and turning tides
of tambourine men,
and helter-skelter girls
turning empires
of simple love
and worthy sin,
to English tea
and to profit again.

She turns the tide
in a lover's brawl,
in winter's shawl
and Hollywood ball.
Sings Hallelujah
to the wonderful world,
to the shot girl's tips
and crazy catcalls.
To the Pink Moons
and old jazz tunes,
to the orange peel
and plastic sand dunes.
To Parisian men
and Las Vegas girls,
to twirls of meat,
and ballet shoes,
to the smoking student
and his heavy blues,
to the loss of art
in the modern street,
to busker beats
and sausage meats,
of coffee fumes
and white man dreams.

And we're entertained.
Oh boy, we're entertained!
Entertained at a rate of knots,
tangled headphones,
tangled minds,
tangled tales
of truth confined.
Television makes everything real,
it flavours life,
spices the story,
feel, kneel, heal the plight
of the Navy Seal,
invading land,
invading minds,
invading dreams
of love unconfined.
We're entertained
at the point of feeling sick,
of parrot-joy
and marketing intent.

We speak in circles
and we speak in phrase,
we speak in unending drivel,
of quote, motto and haze.
Haze of meaning,
and haze of depth,
of fortressed country
and insoluble debt.
We speak in telephones,
they speak on the bus,
they speak in the ghettos,
the nightclubs,
the churches,
the underpass
and they spill from the gut.
Whilst we torture ourselves
in the new-found freedom,
of living within
and not to the kingdom.

The kingdom of choice,
of self-salvation,
of astral self,
and meditation.
Of origin's tale,
of Earth-life passed,
of intelligence squared,
and foolishness fable.
Of infinity realised,
of time altogether,
of solidity-illusion
and falseness of summer.
Of warmth in the winter,
of red in the sky,
of collective catharsis,
a universal sigh.
A sigh for relief,
and a sign of mercy,
a plea for conception,
a gift for the future,
and humanity's redemption.
st64 Oct 2013
gently fall now
go to sleep . . . go to sleep
it's what you want, anyway
too witless
to see what tumbles into your mind
when your psyche decides to take that funnel-trip
into the curlicue-recesses you hate to find


there, on the edge of your ear sits a world
some troglodytes wait to inhabit

two inches deep into the toe of a steep-mountain
waits a hirsute creature to unlock your marsh-dreams

outside the bulge-belly of your *sick-and-*******-fat
judgment
stands an accosting evangelist to sort out your lovely-list of sin

a reticent boy reaches out to catch the flying-thing
between his fingers, he can feel the pulse of fright.. and he lets go

beyond the bland-sidelines of a mall's congested parking-lot
cries a pimply-teen, snotty-tears: get the hell out my head!

adolescent-parents make latent-choices born of lack
baby gets a cig-burn and unexplained accidental head-fall

a sufferer battles to survive the output of night-riding fiends
yet scoffs heartily at their existence in broad day-stacks

brother gabs to brothers, finds poor-sobriety in parochial world-eye
och, no matter - let little sister (s)weep succint-harmony

an unsettled-recoverer spits feverish some colourful flasher lingo-gobs
as nobody knows what threat he carries in his hacking-chest

busker-dreamer-***-star plays and plays to no-pay café-audience
it's called street-corner blues for those in the know

an ageing-dame tarries departure, yet smiles genially at all her guests
****, but are these flippin' noisy folk really related to me?

uninvited chap with wily-scythe comes by to help out some
only the sick can smell the rotting-book of his gaunt-art

there awaits a pestilence within dark-cartwheels you can't see
well, all because you're too blasted-blind to lick that-a crap-wax out!




(mind so asleep)

wake . . . UP...!


guess not, huh?
wait then.. until that moonlight slants your way again
and then, guess whose mind will be sweet-milked
and your fine-assurance be stunning-hostage
as you shut-down wide-open thoughts
the things you close debate on
in the dayyyyyyy-time..
better be ready
to daydream
into your
self




how elegiac a tribute then
to
the unwoken..


tất cả chúng ta ngủ..




S T - 25 ox-axe
axe ****** judgment of others..!

yeah, I think.. tonight - I'm a-gonna HOWL at that silent, mocking moon.. wake up all them sad and lonely-monsters inside.. I mean, who do they have to talk to.. ??
ok, relax.. joke!
                          ha ha, said the brown-cow.. mooooooh..
or.. I'll just smile politely.. again.. and wink at the night-sky :)






sub-entry: when

when will we wake up
to see
that the world is NOT
what we think it is
or what we see

when will we
wake UP..
and see that
the cloak is
so
heavvvvvvvvvvy.....


(nice self-imposed penalty.. just nice)
g Aug 2013
When I get here, don't ever ask me to leave.
I'm not saying I won't ever leave just that I can make up my own mind
and I've been a long time coming
and you can pack my bags for me if that's what you want,
I was never one for folding,
for folding,
for folding creases,
for creasing folds down the middle like I was waiting to be split in two,
I am waiting for you to split me in two,
split me in two,
split me in two,
cut me in half and all you will find are mirrors.
Your face staring back at you. Jagged edges so I could feel you from the inside out,
feel you,
feel you,
finally feel you.
I've been knocking at your door,
staring through your windows every time I had your door shut in my face,
knocking on your walls,
knocking,
knocking down your walls,
cracking your safe so that you know
when the sky seems like the most solid thing around you,
that you are always a porch light.
You are a struck match, a roaring flame and I am orange, fully open,
I can always be your accident.
You are the oldest thing in the universe made new for me,
a lens,
my left hand,
my right hand,
my arms, clutching hold of my wrists
so I can feel your heartbeat in my fingers,
your pulse a busker, singing only for me when the clocks have stopped and the lights turned out
and we've been waiting at this door for too long.
And I'm just stuck at my boarding gate,
halfway across the world and you're still dragging behind
like it's all too fast
and all I can tell myself is that I would always drown in you.
I will always choke on your words so I can taste them in my mouth,
taste you in my mouth, like a warzone,
taste everything you've ever said, ever been.
I will make up my own mind. I will keep you in mind.
Keep me in your mind like a cemetery.
I'm a long time coming.
grace beadle 2013
girl diffused Oct 2021
Hello old friend,
With your tall sweeping evergreens
Towering almost endlessly
Into a blue clear sky
The endless swell of traffic
Cars peeling down the street
The smell of roasted coffee beans
From some hole-in-the-wall cafe
The obvious transplant donning an umbrella in the Autumnal warm rain
The light sprinkling of water enough
To nurture the verdant green

Hello old friend,
Mt. Rainier, she greets me,
Looming ever majestically
Over expanses of tree and road
Her white peaks cresting over
Fields of blossoming flowers
The tulip fields scattered across the sloping
Skagit Valley, her vineyards spanning for miles and miles

Hello old friend,
Seattle's grungy nature
Masked by her streets of trendy
Cafes and farm-to-table restaurants
Her mom and pop cafes
Her canvas gray dress marred by graffiti
And street tags
The busker on the street corner panhandling for change
The homeless sheltering under a cardboard blanket outside of a Starbuck's
The transplant with the umbrella stopping down to drop change in their jar
The crumpled dollar
The locals who pointedly ignore him on their way to work, to school, back home, to somewhere...anywhere...
The constant dazed bustle
The stench and pungent odor of ****
Curling around every seedy corner and
Affluent street crossing

Hello old friend,
It's been a while
Let me nestle into your newness
A new coast greets me across the horizon
Replaced by homespun everything
Pastoral fields where the bovine and equine reside

Hello old friend,
I suppose you're home now
I suppose you're home...
A/N: I moved to Washington State. I secured an apartment and new employment is in the hangar. A lot of...new everything. I shoddily put this together and I feel as if it regrettably shows.

Well, I hope you find some solace in the awkward virginal writing. Moving strips away everything that's routine and gives you a blank slab of concrete with which to make your mark. I suppose then...the writing was unintentionally intentional in its awkwardness.
A boy came by today
His eyes never left the ground
His coat looked new and too big for him
He carried a satchel, a cheap one
One of his fingers was shaking.

The boy came past today
He glanced at me once
His eyes were empty, hollow
His fist was clenched, tight
His jaw was shaking

The boy came back again
He locked his eyes on mine
He was pleading with me
His shoulders were wider than before
His arm was shaking

The boy ran past today
He turned his gaze away
He was crying, I could hear
His coat fit him now, with all its marks
His hands were shaking

The boy strode by today
His head was held high
His hair was longer than before
He wore a backpack, a new one
Still he was shaking

The boy came by today
His friends by his side
They were all wearing makeup
He wore the same old coat
His finger shaking

The boy stopped to listen today
His eyes bright and lips smiling
He had a new coat to go with his skirt
He gave me a coin, his hand shaking
I said "Thank you, Miss"

The girl strut past today
Her steps confident in those boots
She carried a small bag on her shoulder
Her hair pinned up, it matched her dress
She wasn't shaking
Edward Coles Jun 2013
The world is fast and reckless
Like a stampede of beasts and
Teenage ***.

We traded smog
For the roar of the city and
I am then reminded of my mobile life
Before atrophy set like plaster
In my bones.

Similarly, I lived above a bar,
And the roar of the crowds
Was compensated for
By the free drinks I would receive
To placate me,
To deafen me.

I remember heading out to the office
Already half-cut
Even before the banks had opened.

I remember everybody walking,
Not because the roads were too crammed,
But because it was so.

It was so, it was so,
And now that excuse is just not good enough
Anymore.

Neither am I.

I still walk the streets
And stop by outside windows.
It takes me a little longer these days
To read the signs and labels,
The mating rituals of the merchants;
Buy me, buy me, buy me!

They remind me of the girls I see these days,
The ones who live in semi-agony,
Lactic acid in their muscles and
A lack of sugar in their blood.

The way they walk so consciously nonchalant,
Impostered hair dragging in the wind,
Just living for the double takes
As they pass the men in the streets.

Nobody courts anymore.
Hands are held far too easily
And intimacy seems to me to have become
Just another commodity.

I remember my sweetheart.
The years we lived in absences,
Sleeping between lies and compromises
And lying awake at night,
Our bodies spent as our cheeks sunk into our pillows.
Our eyes staring past the darkness of the room
And beyond to something, somewhere,
Far from where we found our lives had laid.

I remember her so well, my dear coffee bean.
How desperate the years were
When we were apart,
Living out our lives and
Exchanging platitudes for company
In our loveless marriages.

I remember how bitterly disappointed I was,
To be bounded to the forever decreasing circles
I had to move within each day.
And I remember, so exquisitely remember,
The day I broke from them.

And we met.
We met over letters,
Recited by our eyes and written by the hands
Of our desires. Oh, the saliva of the stamp
Bringing us to a closeness
That was unbounded by geography.

These days,
Nobody understands the thrill of the postbox
And the dependent trust
You had to invest into the postman.

Nobody.

The welcome mat is now nothing
But a place to wipe the **** from your shoes
And to kick the bills away
From your footfalls.

It was once a pigeon hole,
An inbox and a faceless meeting point
For all of your dearest allies.

How I recall the excitement of the morning,
My sleep thinned to prepare for the slap of papers
And the return of my silent darling’s words.

Yes, today that has all gone
And so has she.

How I miss you, my dear
And the snort of your laughter.
How I miss counting out your imperfections;
Each another reason to love you
And to love you more.

Now that you are gone my darling,
My life is little more than an emptied school
In the endless weeks of summer.

I lie in wait, coffee bean,
For each time you appear, a phantasm
In my day. I wait for those special moments
Where I assume you will be sitting there,
Ageing with irrefutable brilliance
In the chair you so stubbornly frequented
Every day of our retirement.

I’ll take the hit that comes with it.
I’ll accept the come-down
When I enter the room
And realise
That you are even less than a ghost,

A passing thought
That decays instantly in the air.

And the air darling,
The air is filled with noise in these streets.
Do you remember when you and I would stop
And listen to the busker by the bridge?

I do.

I think he is gone too now,
Though sometimes I still hear his music
As I pass above the river.

Now, I live on in near-silence.
It has been weeks since I last spoke to somebody
Who did not rush me through my sentences.
And so I’m learning the patterns of today
And instead bow my sad head
And just pay up for my goods.

I avoid home mostly.
It is okay once I am inside it,
But it is the returning that I am afraid of.

So I mostly walk the streets,
The same route each day,
Until darkness or hunger delivers me,
Confused at my door.

I stumble lethargically to the television set,
The one we bought together for our first apartment,
Do you remember?

I turn it on quickly to **** the breathless silence.

Now, whenever I do get to talk to somebody,
I feel my eyes blur to tears
For some inexplicable reason.
Oh! The ache in my guts

How often I must swallow panic
And all of those pills that do not work.
Instead they just fog my mind
And distort all of the anchors
And features in my life.

Even the television will shout at me.
Everything I watch is an advert,
And the news is getting uglier with each day.
Sometimes I will turn on the radio,
But music isn’t music anymore.

And so I’ve learnt to read above
The din of gameshows and the gunshots
From dramas full of anger and devoid
Of love.

I’ve learnt to read again,
As we did together in the warmth
Of the crackles that interceded
The crooners that used to play through the grooves
That my life is once again set between.

At times I feel I am the only reader left in the world.
That all authors write for myself,
Vying for my attentions.

Nobody reads anymore.

Though the depravity between us
Made our love all the more sublime,
I must admit I regret those absent, wasted years.

How wonderful it would be now,
To see your features mixed with mine
And hidden behind the faces of our children.

I would give all that I am,
Which admittedly is not much anymore,
To be able to see the pigments in your eyes
Again, in whichever form they took.

How I would kiss our daughter’s hands
If they resembled your’s.

How I would weep into the shoulders of our son,
If he resembled your heart.

And so now my darling,
I wander these thoughtless paths like a machine.
And though I look out at the opulence
Of the city streets, I am instead
Just walking through a memory,
Or some old doctored flicker show,
Where I cut out all of the ugliness
And leave just us.
Brother Jimmy Oct 2017
It’s just amazing that
    A simple hat
Can transform me so

I put that pork-pie on
    And the spark’s begun
So let’s start the show

-

Looking for subtle phrases
    And all my graces
They seem to shine

Just wearing heart-on-sleeve
    And I still believe
That the words aren’t mine


Oh
          Where’d they
Come from?
                         Not me!
              I’m dumb.

-

I play here every night
    If I’m feeling right
So please come on by

My smooth responsive band
    Makes it all seem planned
When they’re primed and high

           -

But if you listen close
    You can hear the prose
Is a bit too loose

Mark plays his tight guitar
    An unheard-of star
In his wing tipped shoes

-

Oh

          Who needs
   An audience?
                       They’d be
           Applauding us.
                
-

    And I’m just fine to be here in this place
    Where the rain can’t touch our chilly faces

And we can bless or we can sort of derange
We can play Roc-city for pocket change



    It’s just so weird and funny that
    I can be transformed by this magical hat

And I wouldn’t change a single note
As it’s ushered forth from my scratchy throat
Sara L Russell Sep 2011
Dark shadows swirl their way into Cabrini Boulevard,
The pigeons rise to scatter as they slowly pass along,
The pretzel seller finds his eyes are misted, caught off-guard.
A subway busker starts to play a doleful Elvis song.

East-Eighty-Third is humming with a thousand urban dreams,
Cold fantasies unfold within the petals of the night;
September ghosts are set adrift on ectoplasmic streams,
With hosts of angels following, in garlands of white light.

Sleep soundly now, New York, let bitterness be washed away,
let sleep's dark poppies dissipate all agonies of mind.
Sentinel wings will guide your mourning dreams towards the day
when sanity will reign over the ways of humankind.
Edward Coles Oct 2014
The world is fast and reckless
like a stampede of beasts and
teenage ***.

It constantly reminds me
of my once mobile life,
before atrophy set like plaster
in my bones.

Everyone used to walk
to where they needed to be,
not because the roads were congested,
but because it was so.
It seems that excuse is just not good enough
anymore.

At times I think:
neither am I.

I still walk the streets
and browse the shop-fronts.
It takes me a little longer these days
to read the signs and labels,
the easy mating calls of the merchants
standing under bigger names
and brighter lights.

Nobody courts anymore.
Hands are held far too easily
and intimacy seems to have become
yet another commodity.

I remember my sweetheart
and the years we lived in absences,
sleeping with a lie
in a life of compromise.
Our eyes stared past the darkness of the room,
beyond to something, somewhere,
far from where we found our lives to be.

I remember her well
amongst the ruins of my years.
How desperate were the days
before we met,
exchanging platitudes for company
in our first loveless marriages.

How bitter I was,
bound within ever decreasing circles
of routine and passionless chains.
I exquisitely recall the day
I finally broke from them.

You and I
met over letters,
our eyes scanning and reciting
each other's loneliness
and fear of never finding a place.
The saliva of the stamp
brought us to a closeness
unbounded by geography.

These days,
nobody understands the thrill of a postbox
and the welcome mat
has become nothing more
than a place to wipe the **** from your shoes,
as the day nurse comes to visit,
kicking pizza leaflets
to the edges of the hallway.

There was excitement in the morning,
sleep thinned to prepare
for that slap of paper
and rattle of metal.

Presently my life feels little more
than an emptied school
in the endless weeks of summer;
a sugar paper lantern
left to bleach in the sun.

I lie in wait,
for the times you appear - a phantasm
in my day. A moment reserved
with the assumption you will be sitting there,
ageing with irrefutable brilliance,
in the chair you stubbornly frequented
ever since our retirement.

I’ll take the hit that comes with it.
I’ll accept the come-down
when I enter the room
and you are not there,
if it permits me a moment of belonging.

The air is cancerous
with the noises of the streets.
We used to stop and listen
to the busker by the bridge,
always pleading upon bended knee
for someone to validate his melody
and make his callouses worthwhile.

Now, I live on in near-silence.
It has been weeks since I spoke to someone
who did not rush me through my sentences.
I am trying to learn the patterns of today,
a way to bow my sad head
and pay up for my goods
in the blink of an eye,
in a way to defy that I am old and slow.

I avoid home mostly
and instead, I walk through
the same route each day,
hoping for a friend
or else never to be noticed.
Hunger will eventually deliver me,
confused at our door.

I turn the television on quickly
to **** the silence that forms
in the spaces you would have spoken in.

On the rare occasions
that I talk to someone,
my eyes blur with inexplicable tears,
a kind of tension grips me,
as if I have missed the last step on the stairs.

I swallow panic
like all of those pills that never work,
instead fogging my mind,
distorting all anchors
to a meaningful life.

The television shouts at me
across the room, patronising like
the cold-callers and politicians.
Everything seems to be an advert
and the news is getting uglier.
Sometimes I turn on the radio,
to give my eyes a rest,
but music isn’t music anymore.

We  never wasted our moments on kids,
but I have grown soft in old age,
and perhaps I would like
to have the comfort of your features
blurred with mine, bestowed upon
our trial-and-error attempt at a legacy.

The money will dry up.
I have started smoking again.
Though I still smoke on the doorstep,
because I know you never liked the smell.
These are just the thoughts of an old man,
some doctored flicker show
Where I can cut out all of the ugliness,
and leave just us.
This is a revised edition of an earlier piece:
http://hellopoetry.com/poem/402353/the-thoughts-of-an-old-man/

The words are mostly the same, but I cut out some of the waffle and tidied it up a little bit. Or made it worse. I guess you never know!

c
Edward Coles Sep 2014
I heard the choir sing in the cathedral,
I watched the black busker smoke in the rain.
The words she writes are calm and cerebral,
her keyboard maps out our commonplace pain.
You can listen to the flutes in the leaves,
the percussive crack of ice in your drink.
I listen as your heart sounds a mantra,
persisting to live even as it grieves.
We can balance upon the ocean's brink,
a mineral spray, our unspoken Tantra.
c
Mateuš Conrad Sep 2016
in the other Turner prize category... a man wearing all black and a white bow-tie, with yellow braces keeping his trousers up... face painted into a loved-up clown... in one pocket candy... in the other? copper pennies... walks in a tube tunnel, sees a busker, doesn't interrupt the musician asking whether it's the 31st of October... slams a handful of copper into the busker's guitar sheath, walks on; well, as saving grace works: not using enough colour ensures just enough happens on the canvas... some say women imagine in black & white... i say: so much more happens in black & white... if i had the oils, i'd just paint a stasis, a pose... with writing i am able to compose constant animation... ants in my pants scenario... sniffing pepper: achoo! hence escaping painting and entering animation... but still the honest and matrimonial ******* of up-kept poetry akin to gardening, unchanged.*

i love how women always
say: there's that voice inside my head...
              that voice
that said to me...
                                  uncoupled narratives,
so... does that mean i
get to paint a ******* oil painting or something?
we get told pink for girls,
blue for boys,
                 Barbies for girls
trucks for boys,
           poetry for girls
and painting for boys...
                                      oh look,
a transgender statement:
                           i'll leave you to your little
political dynamo to censor other
people's oiling of words: i.e. vocabulary -
so it doesn't huh huh hurt.
Sam May 2016
just a ****** busker wishing he was a **** buster
he swam lack-lustre,
a salmon unable to muster
the will to cut the custard,
and flutter upstream to meet a lover

stuck in the gutter singing covers
a crushed sucker, tasteless kfc crusher
ominous as a dawn-less dusk and
useless as a ham sandwich with no mustard
playin
Cathyy Jun 2015
If it were up to me,
I'd be more than a composer..
I'd be a musical conductor,
The night stars would be an orchestra
To us all.

If it were up to me,
I'd be less of a coward,
I'd be someone you'd be proud of,
I'd write a poem so beautiful that the world might just change...

But it's hard to feel this hope all alone..
It's hard to turn the waves from our home
its hard to turn my thoughts, into poems
And it's hard to be in love, on my own
Would you let me give you all the flowers I have grown?

Could I show you all the magic I've been shown?

If it were up to me,
I'd be on my way now
I'd be a busker by the bay now
I'd be a writer, still falling hard

If it were up to me,
I'd be less of a student, and more a teacher..
I'd be a doer, not a dreamer
I'd be iconic without needing a broken heart...

Oh it's hard to hear stories, from those around
It's hard to hear that everyone's, been knocked down..
It's hard to promise that things, could still look up..

See it's hard to give up,
When all I want is to be a Giver...

A giver of hope, songs and love.
Hopefully you like this guys x
Morgan Paige Feb 2014
Call yourself Morgan.
Do not hesitate.
You were born on summer solstice.
Like the sun, you’re distant from others.

Move to Seattle and leave no forwarding address.
Busker for a break and warm your bones with charity work.
Pretend poetry is the only thing you’re good at,
And be good at it.

You can’t just write ****** words into
An exhausted leather journal, no.
Incorporate stanza into every conversation.
Drip intensity and rapture like morphine
Into the veins of anyone who will actually love you.

Speak as if you were never human and you’re still learning to exist.
Metaphors and run-on’s are your best friends-
Run-on sentences.
Run-on arguments.
Run-on relationships.
Run-on recovery.

Develop a reliance on caffeine so potent that
you've become the 7:30am medium black coffee
at the cafe down the street.
Leave no traces.
This used to be a poem based off of a poet I looked up to; Buddy Wakefield. I was encouraged to rewrite it as if it were for me, so I did. Since then, I had the privilege to meet Buddy Wakefield. At a meet & greet after his show, he was so rude to me that I left crying my eyes out. This was so disappointing. I no longer associate the only poem I've ever been proud of, with his name.
Rolling with my thunderstorms,
violet shifts to black
and you run ashore.

Capsized outside a theatre,
I wrench you out
from the starfish glob of mess
I made, blow the grit
off your forehead,
scrabble for a candle
we can re-light together.

One time, mud snatched
at your ankles.
You screamed but I was seeing
drains and reflections
twisted in puddles
like fuzzy lines on the old TV.
A migraine came;
I threw it up into the sink
and slept.

Lost count of the times
you've tossed me out
in the snow, garbage among
banana skins, frozen earlobes,
but who chucks a duvet
over my frost-flecked skin
but you,
with a clumsy smile
and mascara raining
down cheeks.
Every time.

Tonight I find you
in the evening fog
after searching
every subway station
my legs would allow.
My shins cry for rest.
The busker plays
Bob Dylan out of tune
but can’t blame a guy for trying.

You discover my eyes,
put your face to my coat,
mumble words like you have
a mouthful of ice.

Lookin’ for a friend?
The 11.04 towards
Borough Hall.
We get on, I catch your breath,
count the hundreds
and thousands of steps
to home.
Written: September 2014.
Explanation: A poem written in my own time, and part of my ongoing city series. This piece regards a couple who are struggling to make their relationship work. The guy cannot please the girl, while the girl worries about her behaviour towards him.
Side-note: coincidence there is a subway station in NYC called 'Chambers Street', when my name is Chambers.
'Lookin' for a friend' is from the song 'Subterranean Homesick Blues', by Dylan.
Marcella Barnes Feb 2012
At 10:20pm on a Tuesday night
The number 14 bus is full
Bright, glistening, and fevered
These tired commuters expend vast energies
on wishing they lived here—so they’d be home by now.
Transients—the unhoused—talk in believable lies
About Portland’s oldest bridges
And salmon runs in the Willamette
And every time the bell signals a stop requested
Those of us remaining heave another sigh of delay.

At SE Cesar Chavez, which was 39th when I was growing up,
More people get off than on—
A man in a brutal cavity t-shirt,
A 30-something in a grey hoodie –
Both transferring, probably, to the line 75.
I get off around 47th,
Pass the long-closed and over-priced vintage furniture shop,
Cross the street at the fading crosswalk,
Pass a bar, a home cooking joint with and early bird special of $2.95,
Another bar, and a lonely busker playing guitar and singing Weezer.

In my building, on my floor, the hallway always smells like chicken
I’ve yet to cook, to even finish unpacking
But all of this already feels familiar
My first night’s commute home
And I am as practiced and nonchalant as a New Yorker in the City…
At least as much as a Portlander can be in Portland.
I’ll have wine, or tea,
Put on my lounging clothes
And settle into an evening alone
As if I’ve been doing this forever
As if we never were.
Edward Coles Jul 2016
My country is in chaos.
Seats of power are exchanged,
Unelected come-down
And steep fog of uncertainty.
The poor are painting their signs,
Others lock their doors.
Tear gas spills in streets
Far from suburbia,
On the shoulder of Europe.

I struggle to sleep.
Not for tragedy
But missed calls
And lack of shelter.
For you and your
Darkened corner,
Bleak winters-
The last time
I saw you in the sun.

Petroleum fills
The lung of the sea.
Swarms gather in luscious greed,
Footfalls over concrete:
The peace sign
White poppies
And paper cranes,
Stubborn **** in the rock,
The busker with fingerless gloves;
The nightclub spilling over
Into violence.

I strain my eyes,
Not in tears
But in chemicals
And lack of vitality.
For you and your
Elusive path through life,
Over-complicated strides.
Simple, temporary medicine

That is the comfort
And not the cure.

The stars blot out,
One by one.
Each neon skylight
Fractures the night
In pink clouds.
Flowers die over the railings
Where they could not
Save his life.

I contain my breath,
Not in calm
But poisoned blood
And lack of air.
I can barely breathe
Without you here.

My country is in chaos.
Earth spins in a slow disease.
Still all I can think of is you-
Whether you are thinking of me.
A poem on how,  no matter the large events going on in the world, you cannot help but worry about the matters closest to home, no matter their insignificance in the scheme of everything.

Or something like that.

C
That suicide sunrise that dies in the minute it takes to wake,
every day it dies a little away and every day I try to save it,
some ******* on Britain's got talent gave it
five out of ten.
no talent there in the judgement chair,
they should make them
electric.

and I notice that kiss that dies as it rips me apart
only to start a healing,
the sweet delicate delightful process of feeling
and I feel it,
that's already electric and sends a shock through my system,
oh those kisses I missed them when she went on holiday.

where's option fifty nine?
on the telephone they don't give you time and won't give you your dime back.

I play the Steinbeck
one key misses and sounds a bit duff
which fits in well with me looking a bit rough
but that's musical stuff and I don't understand
should have got  a baby grand then I could grow
into it.

All done
the suicide sun
dies yet again.
Mark McConville Jun 2014
Let me see you frown
Let me see you smile
A light has drawn across
Beating down on your restless head
There is nothing left
Of that dream we had.

I count how many times
I have nearly died
Keeping you tight to my chest
Fighting with bloodied fists
And drenched in regret
I'm not your saviour
I'm just your clown.

I see a twinkle in your eye
Glistening like frosty stars
That gives me chills
And some will to survive
The onslaught of demons
That cry in my head of lies.

I seek response
From the busker on the street
He sings a sweet sweet song
But doesn't acknowledge me
He's my son.

My heart is a natural disaster
Waiting to explode and to make
The wall blacker
I keep it in just to keep myself alive.

I'm a joker
But tonight I feel afraid
That I might disown her
This poetic verse full of bleakness.

That sweet sweet song!
Donall Dempsey Oct 2016
“I’M THE GUILDFORD GUILDHALL CLOCK I AM!”

Oh I’ve been knocking out time now since…eh….let’s see 1683

Minutes and decades flow through me
The everlasting skies above me.

I’m iconic I am
dressed in my black and gold.
I ( if I may be so bold )
AM GUILDFORD.

The pride of Surrey.

I watch the High Street
as it runs down to that

young whippersnapper statue
THE SCHOLAR or whatever.

People congregate about the chap
eat sandwiches….listen to a busker

busk opera.
Only in Guildford!

But it’s me they look up to!

And is it time for tea?
Why so it is and. . .
citizens clatter over the cobbles.

I’m the Guildford Guildhall clock I am!

Tip! top!

Ticktock!Ticktock! Tiptop!Tip top!

TIP!!!!!!!!!!

TOP!!!!!!!!!


This poem was commissioned by the BBC for National Poetry Day on the 6th of Oct. It will be broadcast tomorrow.

To be said in a pompous good old chap voice….proud of what he is and what he’s done. Rather like a gone to see old fashioned sergeant major. No time for these young statues who have hardly done any time at all. He’s aware of his iconic status and intends to go on doling out time to us humans. But as it always chimes: “Humans come and humans go but I go…on for ever!”

In the late 17th century, a clock maker by the name of  one John Aylward came to Guildford. Aylward intended to set up his business within the centre of Guildford, but was time and time again refused by The Guild Merchants.

But he didn’t give up. Oh no not he.
John set up his shop just outside of Guildford and then set about working on a glorious looking clock now commonly known as “Guildhall clock”

After offering the clock to the merchants, they displayed in over the High Street and made John Ayward a member of The Guild Merchants, allowing him to set up his business in the centre of town. So his ‘gift” to the merchants became the great gift to the future citizens.

For performance on stage there is/can be a little intro….offstage.

‘OK YOUSE SECONDS….FALL IN IN MINUTES AND FORM HOURS. CMON C’MON WE HAVE A POEM TO DO! BY THE RIGHT….QUICK…WAIT FOR IT…WAIT FOR IT….MARCH! LEFTRIGHTLEFTRIGHLEFTTICKTOCKTICKTOCK…TICK….SQUAD HALT!

TICK TOCKITY TOCK TICK!

MY GAWD…ONE AFTER THE OTHER YOUSE ARE WORSE THAN BROWN’S COWS. OK SQUAD…AT EASE!

PRETEND A PERSON IN THE AUDIENCE HAS ASKED THE QUESTION” WHO ARE YOU?”

AND THEN OF COURSE WE ENTER THE POEM PROPER.

Here be a little bio...just to show I'm logical! Dónall Dempsey was born in the Curragh in Ireland and was Ireland’s first Poet in Residence in a secondary school. He has appeared on Irish television and radio and has read and performed all over England, in Scotland, India, Ireland and France. He now lives in Guildford, Surrey where he hosts a regular poetry performance night. Dónall’s poems have been published in numerous journals and anthologies and he has published three collections of poems, “Sifting Sound into Shape”, “The Smell of Purple” and “Being Dragged Across the Carpet By the Cat”.
Angela Moreno Sep 2015
When I picture my own funeral,
I see a young person in a box.
She is never old.
And though I am sure my family is there,
I forget to paint them in.
I see other young people
Sad, but mostly occupied
By whispering of my newly exposed secrets.
And the people I truly care about,
The only ones with nice things to say--
Simeon the ice cream man,
Ronny the busker,
Adam the hobo,
Maria the dream and Maria the ghost,
Hoodie Man the hero,
And Chris the ****** addict,
Are nowhere to be found,
For how could they have heard the news?
And a few years later,
When they realize I have not made an appearance
In quite some time
They will wonder what happened
To that girl they called solitude
And smile because they can only assume
That most likely I finally left the country
To follow my dream
And try to be happy.
And they will live the rest of their lives
Completely unaware
That my grave longs to be pressed on
By their feet
And my flowers watered
By their tears.

— The End —