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English Jam Jun 2018
The air is perfumed with fresh rosemary's
And the wild springs with lush berries
Their presence colours the nursery with a sweet loom
It bleeds into the forecast for tomorrow's gloom
Nostalgia hits hard, heartbreaking and eerie
For a day when I wasn't paranoid and weary
Well, I'll be down by the Brighton pier
Watching birds float past in lonely fear
I'd love to turn away

The pristine sun shines like Hades
The outside scent is yellow, maybe
Little daises laugh in the foreground
Gardens sow a loving sound
Once I could see hope in the trees
And the love that whispered on the breeze
Now the trees foreshadow longing
And the gale howls with wronging
I'd love to turn away

The intimacy in my yellow tinted flowers seems to have faded
And the soft orchards have been invaded
My words burnt in a smouldering pile of dust
And steaming with the heat of my lust
I told a crowd I had something to say
But the people turned away
away
away...
b Feb 2018
i burnt the roast on christmas day.

my loves sat in silent pain
waiting for my neck to crane.
summers night and winters rain
couldn't cook this ******* roast again

i cant believe i burned the ******* roast.

each of them had different reasons
to feel so **** upset this season
it never felt right to believe in
love that can feel so uneven

ive cooked this ******* roast before i dont know how i ****** it up so bad

these seconds will never pass
table breaks the hourglass
my wife she's a lovely lass
why didnt she cook the ******* roast instead

**** **** **** **** **** ****

a look of sadness on my face
anxious forks hit sides of plates
i look to my loves and say
im not sure there'll be roast today

how could you burn the ******* roast on christmas?

the wine was almost nearly empty
most of it from my aunt wendy
whose husband left when she was twenty
but she brought some new man lenny

who also drank most of the wine
and was also upset that i burned the ******* roast

i didnt drive all the way out here
just to drink a couple beer
i know it may not be premiere
but bring that ******* roast out dear

okay mom.

i went back to the kitchen to get the burnt ******* roast

i found my wife her head ashake
frowning down to my dismay
you burnt the roast on christmas day
we'll find the love in your mistake

she kissed me
i tasted the roast and it wasnt that bad

i mean, it was pretty bad
but it was still there.

all those chairs, a different person
neither in their finest version
let my love be a diversion
**** you from your introversion

i burnt the roast on christmas day
lets find the love in our mistakes
i dont know where this came from ive never rhymed before
JWolfeB Jul 2014
Love, well love is like a good cup of coffee

We all want to drink it without getting burnt
Unlucky the hero born
In this province of the stuck record
Where the most watchful cooks go jobless
And the mayor's rôtisserie turns
Round of its own accord.

There's no career in the venture
Of riding against the lizard,
Himself withered these latter-days
To leaf-size from lack of action:
History's beaten the hazard.

The last crone got burnt up
More than eight decades back
With the love-hot herb, the talking cat,
But the children are better for it,
The cow milks cream an inch thick.
Nat Lipstadt Nov 2013
Road Trip: Thinking it's about time (find yourself within II)

This particular poem was born as a one line response to a message.  But in many other forms, half written, it exists still, un, unfinished, waiting for the next burst energy, the next holiday time, to reach a new finish line.

This is a different but similar to a poem posted on June 2nd, "Poetry Round (find your self within)"

Any error of omission is unintentional, but know that this took many hours, until fatigue won. If you never told or revealed to me your location, know that you will be called out, to and unto me, in another poem, called "your banner is my flag."


Fact about me:  You design me.
-------------------------------------------------------

th­inking it's about time for a road trip.

create an excuse
(reasons, I got a plenty)
to stop by,
to show you another side of me,
for a drink, a meal,
and some kind
of exchange, of
form and fluids,
manner to be determined.

to come to Minneapolis,
watch you create a heated sensuality,
verbally, from melted snowdrifts,
a hot time to be had
by all the poets
of the mini-apple,
I want to meet
and celebrate ann victory.

travel to Thiruvananthapuram,
tour the treasures
of gold and diamonds,
from whence come
the bejeweled poems,
that have earned visits from
thousands upon thousands,
pilgrims, devotees, followers,
to partake at that, his,
special temple.

Gomer, Gomer,  & MJJ,
I am in your Florida,
no, sorry, not in Ocala,
near to your homer,
and I feel you springer
ten times in the
November sun rays,
that have me locked
in a full Nelson,
your productivity,
endless,
a sea of orange sunburnt words,

Tennessee,
The Carolinas,
Georgia,
The South,

I rise with it,
now, again,
that I will need a slow
sunny all lazy summer long to
learn y'alls ways,
see the wolves,
in your forests,
helm the riverboats,
navigate the quaint tides
of Charleston,
the special places
where they heal, le ville,
where the ashes of
burnt children,
retuned to be whole.

learn y'alls ways,
walk in your boots,
of seeing poems
using your special
southern saber words.

missed the original
Thrilla-in-Manila,
but rest easy, assured,
that hotbed of creativity,
where I check the
PH of the mc waters
to comprehend its
wisdom and now, it's sadness,
will be an illustrious destination
on my itinerant itinerary,
stopping by Makati City,
after all,
it is writ in the good book,
this island,
the PhilippineS,
is the birthplace
of the letter S,
Samples: samson, sally,
and So many others?

in Nevada City,
which is of course in
krazy California,
wager philosophy, romance,
be available for
succinctly seeing
works in progress,
from which I
will imbibe,
so **** deeply,
may have to
stay awhile for...

while I am there,
will need to do
a search and
Hug Mission,
to find a special man,
his unkempt prose,
his mortal rhymes
disguise not his holy worth,
even to the grassy
cal-stratosphere,
to the mesosphere,
will I high fly,
to find his sweetest spot,
then and thereafter
going looking
further on to
Humboldt County.

in Leeds, in West Yorkshire,
(Hamphshirians, Northamptontonians,
patience please)
built foundries and factories
over the magical forest of Loidis,
near to the river Aire,
yet still hides a
magical sorceress of words,
casting spells over
men and beast.
no one has seen full
her half-turned away face,
but when she summons,
do I have a choix
other than obey?
even if I get lost,
my sorceress,
you know,
I am on way too.

to get there,
will fly I must,
to Heathrow hell,
will do it,
just for you,
faithful friend,
a man da gotta do, what
a man gotta do...for you,
but first a stop off at the
London School of Economics,
Hampstead as well,
for a tutorial about sonnets,
or sams in wells,
even if I come
in my bare feet.

even in New York Upstate,
a man da gotta do,
what he mulls over in his heart,
be not surprised at a knock upon
your door, to make comparative notes,
about each other's tattoos.

in the South African veld,
hid in the highland grasses,
crouches the poetesses and tigresses,
waiting to ambush you
with words that must be seen
to be heard, to be well understood.
perhaps I'll come at ester time,
under blue indigo skies over,
a golden landscape,
seizing all the gems
that can be seen
only at 3:00am

leeward,
north to Canada,
must I, transgress,
country of my momma's birth,
fly from Montreal to Toronto, Calgary
then over to Vancouver.
Canada,
a dangerous place for me,
cause there are beautiful
souls up there,
and maybe even a
warrant to
repossess mine,
they want their
poets back.

double down by ferry,
me to Seattle,
to see a man about river,
in the Pacific Northwest,
where I have happily
drowned so many times,
that The Lord is complaining,
am hogging all the baptismal waters,
but when reminded that
nothing lasts forever,
here tomorrow,
gone today, walk on,
I add my tears
to that river,
before hitting the road.

on that river,
gonna drive me a kayak,
down Daytonway,
on the Yamill River,
see a gyreene marine,
watching me do a beach landing,
in Willamette Wine Park.
he will teach me to salute,
I will teach him how to
shake hands,
and learn from him,
it's ok,
to stand down.

man o' man
there are a lots of poets,
in these here parts,
this grand
Pacific North West,
looking for one in particular,
who will be quite easy to spot,
as he is my very own
soul brother.

will be easy to find,
though we have never met,
he will be on his kayak,
I on mine,
tho when he paddles,
somehow he manages
to hold
never letting go
of, his lovely bride,
his best half's hands.

this will a problem,
for I must teach him how to
shake two handed souls,
while hugging and paddling,
even bailing,
with an old dented pail
simultaneous.
but you can teach old dogs
new tricks, even the ones,
that can't spell
rhymers.

have mercie on me Ohio,
like a mother has to her daughter,
done a three year sentence in Cleveland,
but no jail can hold an NYC boy,
but if requested, yes I will return
to set fire to the *
Cuyahoga,
again! he he he...
but do not s mock me!
(now you know why the FBI loves
my poetry, my biggest institutional fan).

souls in torment,
where you be,
where you hide,
matters not where
you physical reside,
for we have found
each other
in each other words.

You, who live in
your very own
personal hell,
I think we met there,
because
yours was
mine too,
tho not found
on any map.

maybe I will meet the
Empress Josephine Maria,
rowing on the canals of
the Netherlands,
no longer will she be
alone.

but then again, some
very special things,
like
the purest of love
are on no map,
they are everywhere.

while in India,
will seek the many musings of many lips
of aged rhyme men
and complicated charmers
so I may kiss them
with spiced humors
to pour and pour,
more and more,
upon this western soul,
mysteries of the east,
to Kashmir, Bangalore,
wherever I must,
even take a praDip in the Ganges,
I will go, find you,
un-hide you,
among the
teeming millions,
millions of
jokes and rhymes,
that make the
world spin brighter.

in Germany,
all the university students
speak English,
in Wiesbaden, they know
poetic beauty is not in the format,
some in Bamberg,
with a peculiar
Missouri accent,
which is nicht gut Englisch,
so study hard the real way,
speak the language
the new yorka way,
which will require
study abroad,
which is quite funny,
now that I think about it.

but in Mo.,
the native drums roll,
long and slow,
making words
I know
better, different,
in a way never saw before,
leaves me asking for,
mo', mo', please?

to get there, to Allemagne,
land of my forefathers,
a ship I will take,
from Southampton
across the Kiel Canal,
before I depart,
will have my hair cut,
my words reworked,
by her Ladyship,
whose keen eyes and
maternal instincts,
see the joy of life in every
Livvi little thing.

Watt am I going to do if
I need to find a Tecumseh,
taker of my naked poems,
and enlarger of them,
so truth by her,
all revealed,
we are all naked
at least,
twice a day?

In Nepal I will purr at the words
gleaned from the markets and
train stations where
voyages from Lalitpur to Katmandu,
start and end,
where there is a miracle almost
sixteen years young,
where they call their schools
future stars and little angels,
so why should poetic miracles not be
as common as its subtropical clime?

though I despise the
Dallas Cowboys,
not my  America's team,
nonetheless there is a young woman,
a true rose of Texas,
who waits and writes
so lovingly of her airman,
in Afghanistan, I have placed
their names first,
in my nighttime prayers,
hoping to be there,
schedule my visit,
to witness his safe return
and their
joyous reunification.

there are no Mayans in Maine,
but poets of similar name,
kould be, mae be,
Julia's in Jersey, new,
in Auckland,
there are poets
who don't know it,
and Down Under, too,
where getting high is easy,
getting high at
and on words
well marshaled ,
but **** sure I will be
peering and prring,
all the way.

Oregon,
don't be gone,
those wide eyes shut,
when I come by,
who knows when I
will pass this way again...
on my way to Phoenix,
where sunrayes bend to the
desires of dessert breezes.

Kentucky to Korea,
one long road to travel,
but middle son,
if you can do it,
so can I, and,
I will follow.

in a beautiful city,
unsurprisingly called
Belleville,
the leader of the band,
still leads us in belle 'noise'
and when he finishes
fall leafing us in song, he still,
rises up in the mid of dark,
prayerful haikus to write.

off to Rogers, Arkansas
to meet an Italian from Mexico
who specializes in skinny poems,
something one day I will be too.

maybe I will go to
places it snows,
there are so many,
but your photo,
and tattoo trail,
clues, will follow,
no matter how hard
you make it a mystery.

you, who live in just
the world,
don't even think,
that crazy dotted lines,
unstraight,
or huge plains,
are sufficient,
to hide your
moody dust trail
from me!

somewhere in the USA,
roses grow in ground
that needs the
watering of tears,
though this place
is hard to find,
ha, turn around,
that is me,
tapping you,
on the shoulder!

will find you,
as I am searching for
a lovely pair
of stockinged ankles,
each with a heart tattoo,
but I sure could use
a clue,
before this hobbit searches
all the shire,
derby hatted,
to find your
heart real, and the real you...

my mode of time travel?
why I am just
a dude on a rocket ship.

Wisconsin,
look for my ruby message
in the snow,
in the dust,
in the sand, the skies, the sea,
but will you answer me?

Pittsburgh,
patient, you've been,
you thought I forgot
all about you,
chimera  at the intersection
of three rivers,
all you need wonder,
upon which one
will my ship arrive
and why you still disbelieve
you are not a poetess!

ME oh my,
you too, a hidey hole got,
but, we are strange, we humans,
we would gladly bleed to please,
If we could but find
a combination of
new words that
would your heart gladden,
your eyes tear,
your lips wear,
a smile of pleasure
at our offerings poetic!
but still I know not,
the where!

Lagos,
where
I shall climb the tallest skyscraper,
calling out in Yoruba,
where is my Temitope?
where is mine,
worthy of thanksgiving
so I may carry my Popoola,
my pole of her of
written wealth?


Mombasa, Singapore,
Maryland, Rhode Island, Kentucky,
Huddersfield, Connecticut Joe, Ireland,
South Dakota,

where the merry elders
well ken somethings
about a moon and tattered clouds,
something about children and dogs,
and something about letting
tomorrow's wait.

Milwaukee, Atlanta,
chuck, in *PA.,
friend to all,
to all those scattered across these
United States of America.

can we dare not mention
"The Shaq" of Malaysia,
South Sudan, Pakistan,

of course not!

Suburbia,
beautiful, black San Diego, Detroit;

The BBB's -

British Columbia, Brazil, Breendonk, and
B'kara!
the goodness of *
Boston,
flipping out in Flipadelphia,

did you think I would forget ya?

those of you hiding among 64 stars,
the groves of L.A',
on the lanes,
the special land of I-sia-Bella,
fellow citizens of Neverland,
those of you 'at home,'
in the land of nightmares,
concrete boxes,
those who post without a doubt,
and in the box,
this who think your birth year
is an identifying mark, not,
you never fooled me,
will visit each and everyone.


even and especially,
the grays of crosstown
NYC,
the red writers of my hood,
the tylers too.

I am exhausted,
forgive me well,
if thy locale,
I did not explicate,
for the hour is very late.

yet thru subtle fissures
in the clouds,
look for a tired old man
on the wings of a
chariot drawn by angels,
bringing you a dictionary
full of new words,
a present for you,
but truly,
a present to himself
for from it,
your future poems
will come.

*but the sun has come up,
so now I sleep.
1.  What makes this poem special, if anything, is the trust and confidences we share with each other, that allowed me to perhaps catch just little bit something special of each of you, where I could.

2. Can anyone explain to me why the site labels this poem explicit?
Amanda Jan 2014
The rueful ache of time
kissing
goodbye
to
our everywhere
is
rather bittersweet.

The kind of burnt-black and acrid taste of burnt toast.
Strange enough,
it is also
the kind of sweet like
honey and brown sugar
dotting
the centre of it.
x
Lawrence Hall May 2017
Liturgy in Time of War

I will go to the altar of God
To God who gives joy to my youth

ENTRANCE ANTIPHON

The dawn (evening) is coming, another hot, filthy, wet dawn (evening).  Let us arise, soaked in sweat, exhausted, to speak with sour, saliva-caked mouths, to meet the deaths of this day (night).

GREETING

In the name of Peace in Our Time,
For the Hearts and Minds of The People,
For the Land of the Big PX
For round eye and white (black) (brown) thigh,
I greet you, brothers.

PENITENTIAL RITE

All:

I confess to almighty God
And to you my brothers
That I have sinned through my fault
In my thoughts and in my words
In what I have done
And in what I have failed to do,
And I ask Blessed Mary…

But how can I ask Her anything now?

My brothers,
Pray for me to…

But how?
Priest: (But there is no priest)

KYRIE

Lord, have mercy
Christ, have mercy
Lord, Lord, have mercy on us now

Have mercy, Lord, on a generation
That sits smugly in college lecture halls
And protests endlessly in coffee shops
The war they hear, see, on T.V., for free
Justice and peace by the semester hour
Like, y’know, peace, love, Amerika sux
Play the guitar, ****, apply to law school

Have mercy on us
Who crouch behind sand bags
And clean our weapons
And protest nothing
And **** in the heat
And die in the hear
And throw ham and lima beans away

GLORIA

Glory to God in the highest
how many bodies yesterday?
And peace to His people on earth
Vietnamese? Or us?
Lord God, heavenly King, almighty God and Father
ham and lima beans?
We worship you, we give you thanks, we praise you for your glory
Doc, I can’t go home to my wife with this clap
Lord Jesus Christ, only Son of the Father
cigarette, canteen cup of instant coffee
Lord God, Lamb of God, you take away the sins of the world
******* magazine
Have mercy on us
relief behind the sand bags
You are seated at the right hand of the Father
i rot
Receive our prayer
i want to be clean and dry
For You alone are the Holy One
clean and dry.  just once.
You alone are the Lord
why do they chew that?
You alone are the most high
you mean the betel nut?
Jesus Christ, with the Holy Spirit, in the glory of God the Father
incoming!
Amen


PRAYER

A

Father, you make this day holy.
Let us be thankful for
The many little joys of
This day, for life, for
The chance to worship
You.  In the end, bring
Us to you, so that we
May be cleansed of mud
And sweat and filth and
Guilt, and live with you
In peace forever.

B

Father, just get me through
Another day of this mess.

LITURGY OF THE WORD –

FIRST READING

From the Intensive Care Unit, NSA DaNang

A twilight world
Of neither peace nor battle
And of both

A man world
Embracing life and the grim death
Both

Peering into infected wounds
Night building shiver
Down from the black sky flares float

Broken bodies from the war somewhere
Eyes of a shattered nineteen-year-old Marine
Staring at the door to Yokosuka

PSALM

A Song of Descents

I cast down my eyes
Into the mud
Into the blood
It seems cleaner than death and drugs and casual ***
Drink Coca-Cola

I turned my eyes away from you, O Lord
And made this
Build this
Came to this
Samantha and Darren on Bewitched

Have mercy on…but how can we ask?  How dare we ask?

SECOND READING

Old Man, Viet Nam

Old man, a dog is barking at your heels
Old man, with the tired, weathered face
Are you afraid to turn around and deal
This dog a kick, to put him in his place?

Or is it, old man, that you’re just too tired?
Just too tired to turn and show anger
Just too tired to have your temper fired
Beaten by years of contempt and danger

Where are you going, trudging so slowly?
What are you thinking, behind those tired eyes?

Probably not about ham and lima beans

GOSPEL

In the Cold White Mist

After an all-night run on the river
Our boats arrive in the village at dawn
Dawn is never cold along that rive
Along that steaming, green, hell-hot river
But the mist is cold, the grey-green dawn mist
And after the engines are cut – stillness
Foul brown water laps at the mudding bank
Sloshing softly with fertile, smelly death

In the cold white mist

The boats are secured, and watches posted
We step off the boats and onto wet land
And follow the track into the deep mist
It becomes the street of a little town
A dairy lane along which cows slopped home
And where dogs and chickens and children
      played
Bounded by carefully swept little yards
And little wooden houses with tin roofs

In the cold white mist

But some of the houses are burnt.  The smoke
Still hangs heavily in the whitening mist
The lane is littered with debris.  A lump
Resolves itself into a torn, dead child
Across a smaller lump, a smaller child
Their pup has been flung against the fence, its
Guts early morning breakfast for the morning
      flies
We smoke cigarettes against the death-smells

In the cold white mist

Beneath a farm tractor rots a dead man.
When they – they – had come at sunset
He had hidden there.  And they shot him there
A man with bare feet and work-calloused
      hands
His hair is black; his teeth need cleaning
They shot him beneath the village tractor
His blackening blood clots into the mud
And our lungs choke in the white mist of death

In the cold white mist

White mist.  The path disappears into it
Smoky skeletons of little houses
In which there will be no tea this morning
No breakfasts of hot tea and steaming rice
No old widows to smile in betel-nut
No children to mock-march alongside us
Pointing at our ******* boots, and laughing
At us, for wearing shoes in the summer

In the cold white mist

They are dead and rotting in the white mist
On the edge of the jungle on the edge
Of the world, here along the Vam Co Tay
And the people pour out of their houses
To greet us on the fine summer morning
A corpse across a doorway, another
******-doubled across a window sill
Still another strewn down the garden path

In the cold white mist

The other patrol doubles back to us
And they tell us that the Ruff-Puff outpost
Must have been overrun the night before
He had heard their radioed pleas, and had
Run the river at night to get to them
And the ARVNs had fled through the village
And the VC had stormed in behind them
And it was knife-and-gun-club night in town

In the cold white mist

A little girl is the lone survivor
She looks may six.  Cute, except for the
Bubbling, *******, bayoneted chest wound
We patch her, and tube her, and use suction
Sort of like fixing a bicycle tire
And in the wet, gasping heat take her back
With us downriver, where a charity
Hospital leaves her on the steps to die

In the cold white mist

It will be our turn again tomorrow
Not a one of us died today.  Today.
But a village is gone, burnt and rotting,
Soon to disappear into the jungle
Along the green Cambodian border
Up some obscure river.  Up there.  Somewhere.
A few hundred people.  Their ancestors’ graves
Will fade with them untended, forgotten

In the cold white mist

Radio Hanoi might blame it on us.
But maybe not.  We made our report and
Nobody really noticed; no one cared
The talk is of the VC battalion
And where it has gone, and where it might go –
Maybe into death under an air strike
“And you guys better get in some sack time,”
Says the C.O. as he turns to his maps.

In the cold white mist

HOMILY

I’m scared, and I want to go home.  I don’t care any more about justice or fighting Communism or winning the hearts and minds of the people.  I can’t think about all that right now, because I’m scared, and I want to go home.
I don’t care about truth or loyalty or bravery or honor.  If Miss March were here she wouldn’t get cold, but she sure would get sunburnt.  And in a few days her skin would start rotting.  Then nobody would want to see her in the **** anymore.  
I’m scared, and I want to go home.
Up the Vam Co Tay, everyone is scared, everyone is tired, everyone is sick, everyone could die: sailor, soldier, officer, priest, farmer, fisherman.  Everyone rots in the wet heat.  The skin bubbles and flakes and peels, and is pink again, to bubble and flake and peel again.  
I’m scared, and I want to go home.
I’m Doc.  I’m a scared, stupid kid with an aid bag and a few months’ training.  But I’m Doc.  I’ve got to fake it.  I’ve got to be cool and calm because this other kid with his guts hanging out will probably make it if I don’t ***** up and if the dust-off from Saigon can get out here now.
I have an old dog at home, and my folks write and tell me she sleeps outside my window at night, waiting for me to come home.  Someday we’re going to run and play in the woods and fields again.  She’ll bark and run wide circles, and dare me to catch her.  I will laugh under the autumn leaves.  But now my nights are glaring darkness, fits of sweat-soaked half-sleep, then sirens and falling glares and falling mortars, and then the Godawful racket of all our engines of destruction.  There isn’t any use in all this.
I’m scared, and I want to go home.

And I don’t want any ham and lima beans.

CREED

We believe in the Land of the Big PX
In presidents in suits, and generals,
In makers of economic strategies
We believe in flak jackets and .45s and peace

We believe in swing ships and dust-offs, yes
In the dark, green omnipresent Huey
Eternally begotten of technology
Blades to rotor, windscreen to machine guns
Made, not begotten, one in being with us
Through it all things are transported to us
For us men and our hunger and our hope
It comes down from the skies
By the high power of technology
It was born of the long assembly line

For whose sake are we crucified today?
Who suffers, and who dies and is baggied?
And on the third will arrive back home
To be neatly packaged in stainless steel

But not in ham and lima beans

LITURGY OF THE EUCHARIST

Preparation of the Gifts

Celebrant:

Blessed are you, Lord, God of all creation.
Through your goodness we have this cheap Algerian wine to offer,
Fruit of the vine and work of human hands.
It will become anaesthesia for our souls.

People:

Blessed be…we just don’t know

Celebrant:

Pray, brothers, that our sacrifice may be acceptable to God, the almighty Father, to somebody.  Maybe.

People:

May the Lord, or the baggies, accept the sacrifice we offer with
our own burnt hands
For the praise and glory of…of what?
For our good, and the good of all His Church.

PRAYER OVER THE GITS

Little green cans, and I don’t care
Little green cans, and I don’t care
Little green cans, and I don’t care
Air cover’s gone away.

EUCHARISTIC PRAYER

Preface for the Monsoon Season:

Father, all-powerful
And ever-living God,
We do well always and everywhere
To give You thanks
Through Jesus God our Lord
Even with diarrhea
thanks
When the mail doesn’t come
thanks
When we rot
thanks
When the heat ***** at our brains
thanks
When the mud ***** at our boots
thanks
When the horror ***** at our souls
thanks
We’re alive
thanks

SANCTUS

Holy, holy, holy, Lord, God of power and might
The bunkers are full of blood and death.
Hosanna in the mud.  Blessed is he who comes with the mail.  Hosanna in the mud.

EUCHARISTIC PRAYER

The Kien Tuong Province Canon:

A sailor is silhouetted against the dawn
Along a steamy river
Mostly helmet and flak jacket
Above dark plastic gunwales

The sailor has lost his New Testament
But there’s a ******* around somewhere
Naked, willing women –
Miss March wants to be an actress

He also carries an old plastic Rosary
To touch occasionally
While whispering a hurried Hail Mary
He hopes She understands

Those who in bell-bottoms and head-bands
Fight Fascism
In Sociology 201
Will never forgive him

A sailor is silhouetted against the dawn
This day he is to be elevated
His body broken and his blood shed
For you and for all men

OUR FATHER

Our Father, who art in Heaven
this ain’t it
Hallowed be thy name
Thy kingdom come
this ain’t it
On earth as it is in Heaven.
Give us this day…
not ham and lima beans
And forgive us our trespasses
as we shoot them that trespass against us
And lead us not into ambush
But deliver us from evil

SIGN OF PEACE

Peace on you.

AGNUS DEI

Lamb of God, you take away the sins of the world: have mercy on us.

Lamb of God, you take away the sins of the world: have mercy….

Lamb of God, you take away the sins of the world: grant us peace.

Priest:

(But there is no priest)

People:  

Lord, I am not worthy to receive you,
But only say the word and I shall be killed.

COMMUNION ANTIPHON

They ate, and were not satisfied
They killed, and were not without fear.

PRAYER AFTER COMMUNION

Lord,
If we do not get out of this
Make some sense of it to those who remain
May we go home.  Home.  Or if not,
Take us unto you, in mercy.
Home.  Where you reign, for you are Lord
Forever and ever.  Amen

BLESSING

May you walk on grass that does not explode
May you sleep without rot
Without fear
May you never see or smell ham and lima beans again.
May you live
May you play with puppies
May you find forgetfulness
May you find peace
In the Name of Him who took your death for you

DISMISSAL

This is to certify that____is Honorably Discharged from the____on theday of____.  This certificate is awarded as a testimonial of Honest and Faithful Service.

CLOSING HYMN

Old men, smoking in the sunshine
Exiled outside the doors of life
Old uniforms, old pajamas
The chrome of wheelchairs, shiny, bright

Inside, polished wooden handrails
Line the hot, polished passages
Something to cling to on the way
To the lab, to x-ray, to death

And more old men, shuffling along
In a querulous route-step march
From Normandy, from The Cho-sen,
From the Vam Co Tay, from the deserts,
Past the A.I.D.S. ward and the union signs
On waxed floors to eternity

Portions previous published:

“Closing Hymn” is from “Outpatient Surgery – Veterans’ Hospital,” Juried Award, Houston Poetry Fest 1993

“In the Cold White Mist” is a Juried Award, Houston Poetry Fest 1991

“Old Man, Viet-Nam,” was published in Pulse, Lamar University, 1982
Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
Nat Lipstadt Mar 2018
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Dear New Poet:

Then I'm your man,
your very own
Northern star
one of a
3 legged stool,
upon which all,
we enthroned poets,
the world-over,
do rule

the honor you
bequeath me  
to be,
a first follower,
your very own
first responder,
cannot be
disdained
nor
diminished

this case,
this birth,
novice revival,
heart transplant,
makes it
the greatest
to be the first,
the quencher
of your thirst
so long in the parching,
the throat burnt by a
desert sojourn
of a now ended,
forty years

so come to me!

message me
a message,
find me a find,
your poem so fine,
I here now vow,
our embrace will
ne’er be broken

give me this
honorific,
let us together
be terrific,
raise our glasses,
arms entwined
toasting you  
all that mind and 
breast of yours,
bursting full of 
future~contains,
the full release of, 
bringing longer life
to us both

I am a father.
I am a grandfather.
I am a First Follower.
I am a First Responder,
for all who need a leg up,
so step upon my heart,
the first step upon a ladder
with no top, no end ensighted

my legs are as old as time, but,
measure me not by the rings and 
the metered scales of gray hair aging,
shock of white, a cain mark, wizard-wizened

but by the muscles
of my deep affection,
the solemnity of this,
my irrevocable promise

this,
the blessing
we both earn and make
when you write,
while we wait
in quiet attendance -
for all your good works,
your kept promises

Blessed are You Lord our God,  Ruler of the Universe
who has given us life, sustained us until now, allowing
the reader and the writer, to reach, meet, embrace and
greet this day, this new born poem, with hallelujahs,
                                         together!
love to chat & encourage new poets
Ivie Jul 2013
I burnt my tongue a week ago--
Too much of scalding coffee and lies [on your part],
But I swallowed it with a couple of anti-depressants
I have forgotten how creamy, toffee powdered mocha tastes like and your lips,
They used to taste like macchiato, as time passed by,
                                                                ­         Maple leaves drizzled autumn, burst into slashing icy winter,
Your lips started tasting like black coffee, like tar, most of the days it’s only a figure of speech,
Warning sign blinking all day long in my head, when I can’t hold it in my fingers,
When it’s escaping out of my grasp, ready to run, making space for the sugary vanilla layer
But then there are days, when you find your way back underneath my sheets,
My duvet, the only witness, sadly silent all too similar to my will power screaming inside my head,
And here are you fictious sentences, framed with such precise,
Knocking down all the walls I tried to built, leading to defeat,
                                                                ­                     Holding me chained like a slave.
All my fury fueled sentences burn like fire, vengeful riff of an electric guitar within my mind,
When your fingers encircle me, rough nibs of your lips on the nape of neck, palm tracing lies on my tailbone
All the fire drowns in crafted lies, ashes of my dignity scattered, a bleak watered down-
                                                           ­                    Note of a single string as the soundtrack of my misery.
I burnt my tongue last night--
Too much of your blazing skin and lies but I spitted it all out,
This brittle heart not so brittle anymore heated at 1,300*c, on the kiln again and again-
                                                          ­                                                   To form an everlasting nature.
Arteries have clotted, hatred burning bright within, lungs suffocating starving for oxygen and blood,
Like the dragon breathes fire, I’ll breathe out the scathing curses; and leave with my dignity intact
Barely responding to all your shameless deeds.
this is a bit different,tell me what you think about this.
Poetic T Jun 2014
You are like a moth, always
flying closer to love, but you
seem to always get burnt.

Your heart hurt so many times,
Don't fly so close, to that love
That only burns.

Look for the love that doesn't
burn bright, look for the one that is only
so bright, And let it get brighter.

Not hotter as the loves that burnt you
Before, A heart can only get burnt
So many times.
Abigail Madsen May 2013
It’s amazing how one hospital trip can change the rest of your life. Or even lack of one even. He was four. I, three.  It was late, I had no idea why I was going to Bridget and John’s house. More importantly, I didn’t know why Zack wasn’t coming with me. 11 pm, I guess that’s pretty late for a three year old. I don’t think at that point I really had any grasp on what was actually happening. That nothing would ever be the same again. Half asleep, trudging to that sliding glass door I’d seen hundreds of times. I went into the house, the aroma of sweet cinnamon and love hung in the air.
      Burnt toast and peanut butter. That pretty much sums up an entire year of my life. Three years old, and for almost every weekend, which was too many, spent with Bridget and John, sleepless nights and peanut butter toast. There was: late night toast, midnight toast, way too early morning toast, morning toast, breakfast toast, too much toast. I think I was a picky three year old, then again, that isn’t exactly unheard of. I wasn’t very fond of peanut butter or toast, but I still ate it. I yearned for a sweet taste of normality. I craved something routine. Funny, because my life was everything but normal during that year. Funny, because I will never eat peanut butter toast ever, again.
     Many nights spent waiting for an answer. Wishing to go back, and hoping for everything to be okay. But as the car rolled out of the gravel driveway on that first night, so did an unmedicated future for my brother.
I've been writing vignettes recently
Part I

It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.’

He holds him with his skinny hand,
“There was a ship,” quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropped he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—”
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine.”

‘God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look’st thou so?’—”With my crossbow
I shot the Albatross.”

Part II

“The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God’s own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The ****** sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.”

Part III

“There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I ****** the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven’s Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

The sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o’er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!”

Part IV

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
“Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the ***** like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April ****-frost spread;
But where the ship’s huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.”

Part V

“Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.”

‘I fear thee, ancient Mariner!’
“Be calm, thou Wedding-Guest!
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

‘Is it he?’ quoth one, ‘Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.’

The other was a softer voice,
As soft as honey-dew:
Quoth he, ‘The man hath penance done,
And penance more will do.’

Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.

“I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord i
I

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
                              But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
                        Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.

II

Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
                                          Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.

III

Here is a place of disaffection
Time before and time after
In a dim light: neither daylight
Investing form with lucid stillness
Turning shadow into transient beauty
With slow rotation suggesting permanence
Nor darkness to purify the soul
Emptying the sensual with deprivation
Cleansing affection from the temporal.
Neither plenitude nor vacancy. Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning
Tumid apathy with no concentration
Men and bits of paper, whirled by the cold wind
That blows before and after time,
Wind in and out of unwholesome lungs
Time before and time after.
Eructation of unhealthy souls
Into the faded air, the torpid
Driven on the wind that sweeps the gloomy hills of London,
Hampstead and Clerkenwell, Campden and Putney,
Highgate, Primrose and Ludgate. Not here
Not here the darkness, in this twittering world.

Descend lower, descend only
Into the world of perpetual solitude,
World not world, but that which is not world,
Internal darkness, deprivation
And destitution of all property,
Desiccation of the world of sense,
Evacuation of the world of fancy,
Inoperancy of the world of spirit;
This is the one way, and the other
Is the same, not in movement
But abstention from movement; while the world moves
In appetency, on its metalled ways
Of time past and time future.

IV

Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?
Chill
Fingers of yew be curled
Down on us? After the kingfisher’s wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.

V

Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
Not the stillness of the violin, while the note lasts,
Not that only, but the co-existence,
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still. Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them. The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.

    The detail of the pattern is movement,
As in the figure of the ten stairs.
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being.
Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always—
Ridiculous the waste sad time
Stretching before and after.
Ashley Rodden Jul 2014
Colors won't ever change
But you changed the way I seen them
Words will fade once you explain
But I'll remember them the same
Lets make this count
In these last few hours
Start counting backwards
Falling in reverse
Saying goodbye is always the hardest

You don't have to ask for anything
Because you are my everything
I never felt complete without you
I'll never heal, I'll never forget
Want to leave my hate and surrender what's left but,
I'm all burnt out on words from a liars mouth
If you want more than just know that there's none left to give
Must I die for you to live?

I'm asking for the right
To drain you dry tonight
Save yourself before you forget
Let's meet somewhere in between the sheets
Heaven, hell or the bed I don't care it will end in regret
I'll take you away from everything
You're a dream and I a nightmare
Watch as I pick myself up off the ground
Listen as I scream
I fell in love in the dark somehow

As I turn my back and walk away
From all the pain
I'm tired of waiting
I need you now more than ever
You're the minutes and I'm the hours
Meet me somewhere in the middle
You still have me because I'm still breathing
Exchanging the sunlight
For brown eyes and dark skies
Replace this dull life
Just waiting to feel alive

You know me too well
I'm sorry can't you tell?
Just wake me when it's over
When the credits start rolling
I'll be the girl who got away and
Who never let you down
Never held you back or made a sound
So what scares me the most....
Being alone or being alive while feeling dead?
Can you sleep tonight if someone else holds you instead?
Please don't leave you have half of my heart
And I can't live if you take the best part.
Tim Eichhorn Jun 2016
The rusted belt is tight
in our hometown city.
Black smoke masks the lights
In one gaseous setting;
the permenant fitting
Of our hometown city

Trees exchange steel
In our hometown city.
You’ve never seen the wheels
churn and the deals burnt
In the factories that take pity
On the nitty-gritty of our
Own hometown city.

The last laughs with us
In our hometown city
We don’t’ ride the Cali bus,
But yea, I'd say we are witty,
cause al'the prettiest girls
Live in our hometown city.

The river’s been burnt
In our hometown city.
Yea we’ve learned a lot
From our own ad(e)missions;
And now, clinics fill prescriptions
in ourown hometown city

In my own hometown city
We’re slicker than you,
Even though our York’s isn’t new…
Why? Watch my city revive in
Front of your eyes- then ask me;
Why is this your hometown city?
CLEVELAND
At length their long kiss severed, with sweet smart:
And as the last slow sudden drops are shed
From sparkling eaves when all the storm has fled,
So singly flagged the pulses of each heart.
Their bosoms sundered, with the opening start
Of married flowers to either side outspread
From the knit stem; yet still their mouths, burnt red,
Fawned on each other where they lay apart.

Sleep sank them lower than the tide of dreams,
And their dreams watched them sink, and slid away.
Slowly their souls swam up again, through gleams
Of watered light and dull drowned waifs of day;
Till from some wonder of new woods and streams
He woke, and wondered more: for there she lay.
Styles Aug 2019
The heat of our moment
lite a flame
that can never be distinguished
chylee plunkett Nov 2012
This is a poem of a girl. A girl who is so cliché, that she needs to write angst-filled poetry to keep herself conscious and her thoughts free, but is too hipster to believe it. A girl who is too freckled to be fair, too fleshy to be flirty, too conspicuous to be classy, too prominent to be petite, but too small to be seen. A girl who’s piercing blue eyes absorbs everything and regurgitates emotions like a tampered slots machine—excessi vely and noisily. This is a poem of a girl who is so over-stimulated with color, texture, love, and life that the numbness in her head is a pink eraser. A girl who was brought up to have opinions and dreams as long as they kept her on the path to perfection, poise, and parenting. A girl who is experienced enough to know the difference between sorrow and guilt, manipulation and cowardice, hysteria and hyperventilation but is too naïve to know why certain boys are a bluish green, why math is a bafflement, and why ground up chili peppers in dark chocolate ice cream isn’t everyone’s favorite food. This is a poem of a girl who salivates at the mere thought of classical music, couture fashion, and feminine heels. A girl who breathes in culture like a caterpillar inhales hookah smoke. A girl who Alis volat propriis (flies with her own wings) but ultimately plummets to nosus decipio (Let’s just cheat) because her humanity held down her Heredity. A girl who thrives on music of every variety: as long as it can paint out her emotions in front of her. This is a poem of a girl who is so acerbically witty and harsh that she could unarm Napoleon but is so vehemently protecting that Mother Theresa herself would be awed. A girl with an attention span of a fish, short-term memory like sea foam, thoughts that outnumber armadas, and a bad habit of dehydration. This is a poem of a girl who talks but shouldn’t, speaks but doesn’t, and who is so badly burnt by the enticement of affection that her wallflower camouflage is now charred ashes around her stubby toes. A girl who has such infatuation that she could pin Lust against the wall and make Passion jealous. A girl who wears red lipstick because she knows it will keep a man’s gaze for 8.2 more seconds than with chapstick and the 50’s will never grow old. A girl too nervous and traditional to make the first move, but too strategic and over-analytical to lie back and forget. A girl who loathes the word mamihlapinatapai because it describes her every circumstance since the day she befriended the purple-brown boy who thought her personality tasted of Raspberry ice cream and to this day she still can’t pronounce it. This is a poem of a girl who needs a bed so crowded and protected with blankets and pillows that her monsters can’t penetrate her mazed-up mind. A girl who drinks tea with her lips, and philosophy with her soul. A girl who can’t spell the alphabet backwards but can make great mnemonic devices. A girl who can’t tie ends together because she doesn’t want to leave anything unsaid but whose tangents are kite-strings. A girl whose sentences are distracting fences in front of her literal eyes but doors for her mind’s eyes. A girl who has Synesthesia but keeps it quiet because of the condescending kids in kindergarten who called her a freak, and a liar. This is a poem of a girl who thinks about Death and whether he is a snatching thief or just the ferryman. A girl who dances with her eyes shut, her heart open and her toe-socks on. A girl who will clean her room at 2 am because she can’t handle the sight and the night is too lively for sleeping anyways. A girl who wears her heart not only on her sleeve, but on her chest, open as a blushing book playing poker with hockey players and still winning a game. A girl who’s emotions are kept in a Tupperware box and left in the refrigerator but if you shake it hard enough the lid just might pop open
Considering the tomatoes
Sunshine turns the grapes to wine
We have 27 tomatoes standing in a line
Waiting to be burnt and blushing to the sun

But too much sunshine makes me taste too sweet
But if I jump now I will lose my green feet
You have got to be mature enough to be squeezed
To juicy sour and loosely sweet

For I am a tomato,
*A tomato thinking about life
Poetoftheway May 2019
she smells (nameless and shameless)


a concoction of mixed aromas,
a once in a lifetime scent,
impossible to bottle,
impossible to name,
nameless and shameless

morning coffee, last nights vin rosé,
a come-a-little-closer-tasting for the summer solstice,
the stale of the evening meals of grains and kale,
the sour remains of bedroom sweat,
the displeasing scented sight of
sweat soiled clothes carelessly discarded

the first of the season red spot-stained white peonies
fail to mask the bodies aromatic musks,
which are mostly gender identifiable

my sneakers hail mary, her stockings odorize the atmosphere
most unusually, nylon and lycra are strangely familiar,
prior memorized perhaps, from deep within, a ****** hallelujah,
deep amidst where, the ***** linens are shelved and binned,
before they journey to the Egypt Nile of the basement waters

the burnt crumbs of illegal in-bed brioche toast
amazingly invisible on unclean sheets,
state “breakfast in bed, was yummy in the tummy,
but next time use a big dinner plate,
down here, the burnt of the bread and the burnt
of other things (popcorn pieces)
is just a scratchiest fragrance too far,
needing a sheet wiped clean slate

even the colorless and tasteless water
absorb the ionosphere of smells,
because one does usually speak poetically,
one of us makes a (vice) presidential declaration:

she smells, I man-ually stink, each,
each glower shower nower,
open the window to the spring wet grass aroma fresh cut,
to exhume and then send away
this odor now christened,


nameless and shameless


11:47 28/4/19
deep pink creature of sense, tingling
craterous chasms vibrant in themselves
keep them cool, soft heat may be applied
mistaken for volcanoes rupturing
birthed yummy, tasteful goodness
what happens when you give fire away
your candy shop mouth breathed fire
I only knew of the sweet it contained
new sides of you surfaced every day
make me play hide and seek with your smile
but we never played in the dark,
where it's easy to see
finding it, only to receive a burnt tongue
filled mouth of forest fire
flame throwing lips, teeth of everlasting coal
my tongue caught fire, burned away taste
now I speak, to burn holes in your chest
words that warrant ice packs when thrown your way
don't get to close to this burnt tongue
for it lost it's beauty,
when it became a volcano of rupturing words
The barn is burning
The race-track is over
Farmers run out w/
buckets of water
The horse flesh is burning
They’re kicking the stalls
(panic in a horse’s eye
That can spread & fill
an entire sky.)

The clouds flow by
& tell a story

about the lightning bolt & the mast
on the steeple

Some people have a hard time
describing sailors to the
undernourished.

The decks are starving
Time to throw the cargo over

Now down & the high-sailing
fluttering of smiles on the air
w/its cool night time disturbance

Tropic corridor
Tropic Treasure

What got us this far to this
mild equator

Now we need something
& someone new
when all else fails
we can whip the horse’s eyes
& make them cry
& sleep
~~~

France is 1st, Nogales round-up
Cross over the border-
land of eternal adolescence
quality of despair unmatched
anywhere on the perimeter
Message from the outskirts
calling us home
This is the private space of a
new order. We need saviors
To help us survive the journey.
Now who will come
Now hear this
We have started the crossing
Who knows? it may end badly

The actors are assembled;
immediately they become
enchanted
I, for one, am in ecstasy
enthralled.
Can I convince you to smile?

No wise men now.
Each on his own
grab your daughter & run
~~~

“Oh God, she cried
I never knew what
it meant to be real
I thought all this was a joke,
I never let the horror, or
the sweetness & the dignity
penetrate my brain”

“Let me up to see
the window. Dark Riders
pass in the sunset
coming home from
raiding parties.
The taverns will be
full of laughter, wine,
& later dancing, later
dangerous knife throws.

Antonio will be there
& that *****, Blue Lady
playing cards w/silver
decks & smiling at the night,
& full glasses held aloft
& spilled to the moon.
I’m sad, so full of sadness”
~~~

She’s selling news in the market
Time in the hall
The girls of the factory
Rolling cigars
They haven’t invented musak yet
So I read to them
From The BOOK OF DAYS
a horror story from the Gothic age
a gruesome romance
From the LA
Plague.

I have a vision of America
Seen from the air
28,000 ft. & going fast

A one-armed man in a Texas
parking labyrinth
A burnt tree like a giant primeval bird
in an empty lot in Fresno
Miles & miles of hotel corridors
& elevators, filled w/ citizens

Motel Money ****** Madness
Change the mood from glad to sadness

play the ghost song baby
~~~

a young woman, bound silently, on
a hostpital table, obviously pregnant,
is gutted & rifled of her empire

objects of oblivion
~~~

Drugs *** drunkenness battle
return to the water-world
Sea-belly
Mother of man
Monstrous sleep-waking gentle swarming
atomic world
Anomic in social life

how can we hate or love or judge
in the sea-swarm world of atoms
All one, one All
How can we play or not play
How can we put one foot before us
or revolutionize or write
~~~

Does the house burn? So be it.
The World, a film which men devise.
Smoke drifts thru these chambers
Murders occur in a bedroom.
Mummers chant, birds hush & coo.
Will this do?
Take Two.
~~~

each day is a drive thru history
Àŧùl Mar 2015
So aged he is, but still so zealous for his job.
It feels like he has only known his rickshaw.
The ancient bard in him tells Punjabi poems.
He belies his wrinkles as he pedals his ride.
Just putting to shame his fellow rickshaw pullers.
None remembers or even cares to know his name.
He just pedals and remembers his deceased wife.

He told me a Punjabi tale of partition...

"We were really happy when it happened,
I was 16 and married to my beautiful wife,
But then he pressed for a separate Pakistan,
Just so much wicked was this demand of his,
Punjab was alight due to some people's doing,
We were to cross river Ravi en route to Amritsar,
In Lahore my childhood home was burnt to ashes,
My beautiful wife was still so young at that time,
She was ***** on the banks of river Ravi & killed,
In no cloth was she draped as they burnt her body,
After pouring whiskey all over her lifeless body."


His voice broke and a stream of tears escaped,
Down his eyes they flowed like the river Ravi,
"In front of my two eyes the men had ***** her,
Her mistake? Looking at them once & smiling,
Sin as great to be punished by such brutal drab?
What God, Ishwar or Allah did they follow?
I have known all & none advocates ****,
To which parents could they born?
Must be the devil & the witch."


By now his nose was red and his sobs audible.
He said, "She was not just *****, she was also killed,"
The ancient rickshaw puller gasped for breath as he said,
"Would the high heavens thank them for killing my wife,
She was a Hindu and an idolater with my mangalsootra,
Why they spared my life I have no idea but just remorse,
Will their Allah or God spare them on Doomsday?"

==============
And Google knows who pressed for a separate Pakistan in the name of communal majority.

My HP Poem #813
©Atul Kaushal
Outside Words Oct 2018
At an unknown time of night at our cottage in northern Michigan…
My younger brother and I heard strange noises coming from the beach again…
We looked up at the ceiling and then the window…
As the voices from outside, in a lively allegro…
Grew softer and louder in repeating crescendos…
We skittered out the door and stared in fascination…
For what we saw must have been our imagination…

The door closed with a creak as our feet hit the grass…
It was at that moment we got a look at the mass…
Of stubby foot, hunchback creatures from which the sounds had amassed…

There was about six of them chanting like a choir…
They danced and paraded around our burnt out fire…
As we looked on, we saw our fire raise…
It got brighter as they lifted their hands in waves…
As light betook the blue beach night…
A crowd of colorfully masked gremlins caught us in their sights!

Their feet slowed to a stop and they quieted down…
They stood still as the fire flickered off their weird wooden frowns…
One reached out his hand in a come-here motion…
They seemed to stand and wait with an encouraging notion…
As the fire crackled and the waves tumbled onto the beach…

All I can remember, is for the rest of that summer…
My younger brother and I served as the drummers…
For that quirky marching band of lake sprites…
With which our burnt out fire we’d reignite…
At an unknown time of night at our cottage in northern Michigan…
© Outside Words
lea Nov 2014
Filter the perfect shade of the forenoon sun,
Not too bright, not too dull.
For with ease and carefree thoughts,
You let the sunbeam-drizzling fairies play
As the beauty reflected in your retinas.

Capture this scenic view:
Where the burnt chestnut colored oaks
And mudstained sweetheart sundress of yours
Dance in three-four beats of waltz.
The Crayola strokes of the skies
And the watercolor streaks of daydreams and nightmares
Paint the canvas of your disquited thoughts.
This is the peripheral view from your suncrashed irises and corners,
This is your world.

Let your knees down to your sore feet
Be engulfed by the chasms of the bewildered grass,
As the smile makes it way to your plump spring lips;
Callused fingers from guitar strings
Twirl and twist the blades,
Cutting through flesh
And green and red and blue and yellow,
All sorts of color came spilling from your playful bruise.

From this panoramic view of yours
Of a wonder wonderland,
Where the ticks of clock
Follow the sunflower throughout time and forever,
This is the beauty of that stem:
A key to escapism
To a well-dreamt lovely world.
Daniel Magner Nov 2012
Two ticks click
through my ears
fuego leapt from
steel grasp to burn
destroying as it
flares across the valley
Smoke billowed into
the clutches of
hard, purple plastic
pressing in from all sides
funneled into sacks
of tendrils. They cringe
grey swirls choking
off pipes and
blood lines
Veins bursting with
new chemicals
Spewed out over
the burnt plains
But the valley
is just a small
groove on a
burnt out, tired
brain
© Daniel Magner 2012
Coop Lee Jun 2014
to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.
The Year Jan 2012
Grown askew
Patched a few
Pricked by thistles
Thick in vine
Crawling out to see the light
Shivers at the break of night
Torn and hassled

Burnt, burnt

Wick is silent,
Witness none.
Crying out,
The deed is done.

Cold and conscious, lying still
Breathe in, breathe in.
Wisps that link the frozen ****
Deep and snowy candid gazes
Bursting flames,
Revealed in traces.
Chilled, chalk cold white touch
Remnants of  the old one's gruff.
Still must I hear?—shall hoarse FITZGERALD bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch Reviews
Should dub me scribbler, and denounce my Muse?
Prepare for rhyme—I’ll publish, right or wrong:
Fools are my theme, let Satire be my song.

  Oh! Nature’s noblest gift—my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoomed to aid the mental throes
Of brains that labour, big with Verse or Prose;
Though Nymphs forsake, and Critics may deride,
The Lover’s solace, and the Author’s pride.
What Wits! what Poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemned at length to be forgotten quite,
With all the pages which ’twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet’s shall be free;
Though spurned by others, yet beloved by me:
Then let us soar to-day; no common theme,
No Eastern vision, no distempered dream
Inspires—our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

  When Vice triumphant holds her sov’reign sway,
Obey’d by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every Clime;
When knaves and fools combined o’er all prevail,
And weigh their Justice in a Golden Scale;
E’en then the boldest start from public sneers,
Afraid of Shame, unknown to other fears,
More darkly sin, by Satire kept in awe,
And shrink from Ridicule, though not from Law.

  Such is the force of Wit! I but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
Still there are follies, e’en for me to chase,
And yield at least amusement in the race:
Laugh when I laugh, I seek no other fame,
The cry is up, and scribblers are my game:
Speed, Pegasus!—ye strains of great and small,
Ode! Epic! Elegy!—have at you all!
I, too, can scrawl, and once upon a time
I poured along the town a flood of rhyme,
A schoolboy freak, unworthy praise or blame;
I printed—older children do the same.
’Tis pleasant, sure, to see one’s name in print;
A Book’s a Book, altho’ there’s nothing in’t.
Not that a Title’s sounding charm can save
Or scrawl or scribbler from an equal grave:
This LAMB must own, since his patrician name
Failed to preserve the spurious Farce from shame.
No matter, GEORGE continues still to write,
Tho’ now the name is veiled from public sight.
Moved by the great example, I pursue
The self-same road, but make my own review:
Not seek great JEFFREY’S, yet like him will be
Self-constituted Judge of Poesy.

  A man must serve his time to every trade
Save Censure—Critics all are ready made.
Take hackneyed jokes from MILLER, got by rote,
With just enough of learning to misquote;
A man well skilled to find, or forge a fault;
A turn for punning—call it Attic salt;
To JEFFREY go, be silent and discreet,
His pay is just ten sterling pounds per sheet:
Fear not to lie,’twill seem a sharper hit;
Shrink not from blasphemy, ’twill pass for wit;
Care not for feeling—pass your proper jest,
And stand a Critic, hated yet caress’d.

And shall we own such judgment? no—as soon
Seek roses in December—ice in June;
Hope constancy in wind, or corn in chaff,
Believe a woman or an epitaph,
Or any other thing that’s false, before
You trust in Critics, who themselves are sore;
Or yield one single thought to be misled
By JEFFREY’S heart, or LAMB’S Boeotian head.
To these young tyrants, by themselves misplaced,
Combined usurpers on the Throne of Taste;
To these, when Authors bend in humble awe,
And hail their voice as Truth, their word as Law;
While these are Censors, ’twould be sin to spare;
While such are Critics, why should I forbear?
But yet, so near all modern worthies run,
’Tis doubtful whom to seek, or whom to shun;
Nor know we when to spare, or where to strike,
Our Bards and Censors are so much alike.
Then should you ask me, why I venture o’er
The path which POPE and GIFFORD trod before;
If not yet sickened, you can still proceed;
Go on; my rhyme will tell you as you read.
“But hold!” exclaims a friend,—”here’s some neglect:
This—that—and t’other line seem incorrect.”
What then? the self-same blunder Pope has got,
And careless Dryden—”Aye, but Pye has not:”—
Indeed!—’tis granted, faith!—but what care I?
Better to err with POPE, than shine with PYE.

  Time was, ere yet in these degenerate days
Ignoble themes obtained mistaken praise,
When Sense and Wit with Poesy allied,
No fabled Graces, flourished side by side,
From the same fount their inspiration drew,
And, reared by Taste, bloomed fairer as they grew.
Then, in this happy Isle, a POPE’S pure strain
Sought the rapt soul to charm, nor sought in vain;
A polished nation’s praise aspired to claim,
And raised the people’s, as the poet’s fame.
Like him great DRYDEN poured the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then CONGREVE’S scenes could cheer, or OTWAY’S melt;
For Nature then an English audience felt—
But why these names, or greater still, retrace,
When all to feebler Bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let Satire’s self allow,
No dearth of Bards can be complained of now.
The loaded Press beneath her labour groans,
And Printers’ devils shake their weary bones;
While SOUTHEY’S Epics cram the creaking shelves,
And LITTLE’S Lyrics shine in hot-pressed twelves.
Thus saith the Preacher: “Nought beneath the sun
Is new,” yet still from change to change we run.
What varied wonders tempt us as they pass!
The Cow-pox, Tractors, Galvanism, and Gas,
In turns appear, to make the ****** stare,
Till the swoln bubble bursts—and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O’er Taste awhile these Pseudo-bards prevail;
Each country Book-club bows the knee to Baal,
And, hurling lawful Genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf—but whom it matters not,
From soaring SOUTHEY, down to groveling STOTT.

  Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And Rhyme and Blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And Tales of Terror jostle on the road;
Immeasurable measures move along;
For simpering Folly loves a varied song,
To strange, mysterious Dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels—may they be the last!—
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner’s brood
Decoy young Border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding Knights to read who cannot spell,
Despatch a courier to a wizard’s grave,
And fight with honest men to shield a knave.

  Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a Felon, yet but half a Knight.
The gibbet or the field prepared to grace;
A mighty mixture of the great and base.
And think’st thou, SCOTT! by vain conceit perchance,
On public taste to foist thy stale romance,
Though MURRAY with his MILLER may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade,
Let such forego the poet’s sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on Gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted Muse and hireling bard!
For this we spurn Apollo’s venal son,
And bid a long “good night to Marmion.”

  These are the themes that claim our plaudits now;
These are the Bards to whom the Muse must bow;
While MILTON, DRYDEN, POPE, alike forgot,
Resign their hallowed Bays to WALTER SCOTT.

  The time has been, when yet the Muse was young,
When HOMER swept the lyre, and MARO sung,
An Epic scarce ten centuries could claim,
While awe-struck nations hailed the magic name:
The work of each immortal Bard appears
The single wonder of a thousand years.
Empires have mouldered from the face of earth,
Tongues have expired with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor Bards, content,
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the Ballad-monger SOUTHEY rise!
To him let CAMOËNS, MILTON, TASSO yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked BEDFORD for a witch,
Behold her statue placed in Glory’s niche;
Her fetters burst, and just released from prison,
A ****** Phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia’s monstrous, wild, and wond’rous son;
Domdaniel’s dread destroyer, who o’erthrew
More mad magicians than the world e’er knew.
Immortal Hero! all thy foes o’ercome,
For ever reign—the rival of Tom Thumb!
Since startled Metre fled before thy face,
Well wert thou doomed the last of all thy race!
Well might triumphant Genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and Prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville’s, and not so true.
Oh, SOUTHEY! SOUTHEY! cease thy varied song!
A bard may chaunt too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkeley-Ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
“God help thee,” SOUTHEY, and thy readers too.

  Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple WORDSWORTH, framer of a lay
As soft as evening in his favourite May,
Who warns his friend “to shake off toil and trouble,
And quit his books, for fear of growing double;”
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortured into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of “an idiot Boy;”
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the “idiot in his glory”
Conceive the Bard the hero of the story.

  Shall gentle COLERIDGE pass unnoticed here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still Obscurity’s a welcome guest.
If Inspiration should her aid refuse
To him who takes a Pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ***:
So well the subject suits his noble mind,
He brays, the Laureate of the long-eared kind.

Oh! wonder-working LEWIS! Monk, or Bard,
Who fain would make Parnassus a church-yard!
Lo! wreaths of yew, not laurel, bind thy brow,
Thy Muse a Sprite, Apollo’s sexton thou!
Whether on ancient tombs thou tak’st thy stand,
By gibb’ring spectres hailed, thy kindred band;
Or tracest chaste descriptions on thy page,
To please the females of our modest age;
All hail, M.P.! from whose infernal brain
Thin-sheeted phantoms glide, a grisly train;
At whose command “grim women” throng in crowds,
And kings of fire, of water, and of clouds,
With “small grey men,”—”wild yagers,” and what not,
To crown with honour thee and WALTER SCOTT:
Again, all hail! if tales like thine may please,
St. Luke alone can vanquish the disease:
Even Satan’s self with thee might dread to dwell,
And in thy skull discern a deeper Hell.

Who in soft guise, surrounded by a choir
Of virgins melting, not to Vesta’s fire,
With sparkling eyes, and cheek by passion flushed
Strikes his wild lyre, whilst listening dames are hushed?
’Tis LITTLE! young Catullus of his day,
As sweet, but as immoral, in his Lay!
Grieved to condemn, the Muse must still be just,
Nor spare melodious advocates of lust.
Pure is the flame which o’er her altar burns;
From grosser incense with disgust she turns
Yet kind to youth, this expiation o’er,
She bids thee “mend thy line, and sin no more.”

For thee, translator of the tinsel song,
To whom such glittering ornaments belong,
Hibernian STRANGFORD! with thine eyes of blue,
And boasted locks of red or auburn hue,
Whose plaintive strain each love-sick Miss admires,
And o’er harmonious fustian half expires,
Learn, if thou canst, to yield thine author’s sense,
Nor vend thy sonnets on a false pretence.
Think’st thou to gain thy verse a higher place,
By dressing Camoëns in a suit of lace?
Mend, STRANGFORD! mend thy morals and thy taste;
Be warm, but pure; be amorous, but be chaste:
Cease to deceive; thy pilfered harp restore,
Nor teach the Lusian Bard to copy MOORE.

Behold—Ye Tarts!—one moment spare the text!—
HAYLEY’S last work, and worst—until his next;
Whether he spin poor couplets into plays,
Or **** the dead with purgatorial praise,
His style in youth or age is still the same,
For ever feeble and for ever tame.
Triumphant first see “Temper’s Triumphs” shine!
At least I’m sure they triumphed over mine.
Of “Music’s Triumphs,” all who read may swear
That luckless Music never triumph’d there.

Moravians, rise! bestow some meet reward
On dull devotion—Lo! the Sabbath Bard,
Sepulchral GRAHAME, pours his notes sublime
In mangled prose, nor e’en aspires to rhyme;
Breaks into blank the Gospel of St. Luke,
And boldly pilfers from the Pentateuch;
And, undisturbed by conscientious qualms,
Perverts the Prophets, and purloins the Psalms.

  Hail, Sympathy! thy soft idea brings”
A thousand visions of a thousand things,
And shows, still whimpering thro’ threescore of years,
The maudlin prince of mournful sonneteers.
And art thou not their prince, harmonious Bowles!
Thou first, great oracle of tender souls?
Whether them sing’st with equal ease, and grief,
The fall of empires, or a yellow leaf;
Whether thy muse most lamentably tells
What merry sounds proceed from Oxford bells,
Or, still in bells delighting, finds a friend
In every chime that jingled from Ostend;
Ah! how much juster were thy Muse’s hap,
If to thy bells thou would’st but add a cap!
Delightful BOWLES! still blessing and still blest,
All love thy strain, but children like it best.
’Tis thine, with gentle LITTLE’S moral song,
To soothe the mania of the amorous throng!
With thee our nursery damsels shed their tears,
Ere Miss as yet completes her infant years:
But in her teens thy whining powers are vain;
She quits poor BOWLES for LITTLE’S purer strain.
Now to soft themes thou scornest to confine
The lofty numbers of a harp like thine;
“Awake a louder and a loftier strain,”
Such as none heard before, or will again!
Where all discoveries jumbled from the flood,
Since first the leaky ark reposed in mud,
By more or less, are sung in every book,
From Captain Noah down to Captain Cook.
Nor this alone—but, pausing on the road,
The Bard sighs forth a gentle episode,
And gravely tells—attend, each beauteous Miss!—
When first Madeira trembled to a kiss.
Bowles! in thy memory let this precept dwell,
Stick to thy Sonnets, Man!—at least they sell.
But if some new-born whim, or larger bribe,
Prompt thy crude brain, and claim thee for a scribe:
If ‘chance some bard, though once by dunces feared,
Now, prone in dust, can only be revered;
If Pope, whose fame and genius, from the first,
Have foiled the best of critics, needs the worst,
Do thou essay: each fault, each failing scan;
The first of poets
Claire Collins May 2014
you stolen pink, arson rose
you angry yellow
you know you the new black?
you inmate slap
color of construction
oh range
convict cage or bruised sunset
you peel or rind
oh range
oh range
(oh aren't you glad I didn't say orange?)
you uniform agent
you coral fire burnt
aren't you glad i didn't say orange?
rainydaysunday May 2014
I can taste the burned cinnamon that coats the air
with a bitter film,
a coarse tang.

I smell the smoke and believe it or not all smoke smells the same to me
this smoke from cinnamon bread smells like when i burned pineapple and sugar.
this smoke smells like the time I lit too many candles with the window down, door closed, smoke alarm off
Smells like burnt anything
Tastes like natural want.
The children they run, jump through the Sun,
...scream at the Horse for nary the fun.

What have you seen? What do you believe?
Did you get burnt on St. John's Eve?

Which day is it? Oh what the time?
Who be the meaning of old fabled rhyme?

Can you see stars? Oh great the heavens...
...can you see stars, so great the heavens?
Can you see stars? Oh great the heavens...
...can you see stars, so great the heavens?

Shh, here she comes, break black -the night!
...washed away the horse with infernal delight!

One is left ******, burnt, torn, pieces broken,
..and Momma, please Pappa; one's life merely token.

The children they run, jump through the Sun,
...ritual of the fear, for New Age begun.

Can you see stars? Oh great the heavens...
...can you see stars, so great the heavens?
Can you see stars? Oh great the heavens...
...can you see stars, so great the heavens?
The ritual of the May, the Spring, May-Queen, Beltis and Bacchus as Beltane for both are one; two sides. The Catholic Church folded mythology into it's own canon by deifying Celtic, Greek, Norse and Roman gods. St. John's Eve is the ritual of Bacchus. In this ritual a fire pit is made and children jump through the flames; pass through the fire of the Sun. They do this while fleeing the two men dressed up as a white horse; the Pale Rider which is the Moon. Enacting the two sides of Janus; all coins have on their face an image of the sun god or sun king and an image on the obverse of a horse or horse's head. The moon has three faces that can be seen by the naked eye and if you look at it you will see one of them appears to be grey spots that form a horse's head. They are chased by the moon and saved by the sun but one is caught and torn apart the way Bacchus was killed. In the longer form one constellation character is, "caught," each Spring as the Age of Precession and once every 2,160 years a new one is, "saved," by the Sun passing through him.
zebra Jul 2018
i nearly called her last night
to tell her that i found out i was a character in a book
about
a poet who hated poetry
that doesn't spill out over boundaries
into ashes of desire
and obfuscates
that we are weapons
like boiling pots and empty cups
no one can drink from

using each other
against each other
desperate
which is why i am afraid to love
why i don't have smooth charm
why i cant make sense suddenly
while her wit
incises me like grapefruit

i became her pathetic expectation
a self-destructive idiot

useless

fumbling with matches
setting myself on fire
with every word
like a good poet
until i was  
burnt earth
How neatly a cat sleeps,
Sleeps with its paws and its posture,
Sleeps with its wicked claws,
And with its unfeeling blood,
Sleeps with ALL the rings a series
Of burnt circles which have formed
The odd geology of its sand-colored tail.

I should like to sleep like a cat,
With all the fur of time,
With a tongue rough as flint,
With the dry *** of fire and
After speaking to no one,
Stretch myself over the world,
Over roofs and landscapes,
With a passionate desire
To hunt the rats in my dreams.

I have seen how the cat asleep
Would undulate, how the night flowed
Through it like dark water and at times,
It was going to fall or possibly
Plunge into the bare deserted snowdrifts.

Sometimes it grew so much in sleep
Like a tiger's great-grandfather,
And would leap in the darkness over
Rooftops, clouds and volcanoes.

Sleep, sleep cat of the night with
Episcopal ceremony and your stone-carved moustache.
Take care of all our dreams
Control the obscurity
Of our slumbering prowess
With your relentless HEART
And the great ruff of your tail.
Marshal Gebbie Jul 2016
Bridges burnt in Winter rain
Holds a saddened felt refrain,
Holds a touch of muted horn
Blown in passion unadorned.
Blown away in errant winds
Where no truthlessness rescinds,
Where a lie begat the night
Interceding lost love's plight.

Bridges burnt in Winter rain
Sacraments of loss remain,
Sacraments fragmented drift
Redemption clad in bloodied shift,
Redemption worn as wrong slays right
Till wrongfulness blots out the night,
Till no return this path can be
Until they torch eternity.*
M.
SE Reimer's words float before me in his impassioned poem "Bridges"
allowing me to wallow in this, my own dark tangential refrain.
M.
Peter Simon Feb 2015
Faded clothes,
Burnt face,
Sticky hair,
Filthy palms,
Bloodshot eyes,
Sweaty arms.

Dried throat,
Painful thighs,
Sore feet,
Divided crowd,
Pitiful players,
Swollen knuckles.

Torn hope,
Crumpled chance,
Sunned court,
Tumbling scores,
Coughing points,
Silver lining.
This is what I felt after a good match under the sun.
Nigel Morgan Oct 2012
Ah the persimmon, a word from an extinct language of the Powatan people of the tidewater Virginia, spoken until the mid 18th C when its Blackfoot Indian speakers switched to English. It was putchamin, pasiminan, or pessamin, then persimmon, a fruit. Like the tomato, it is a ‘true berry’.
 
Here in this postcard we have a painting of four kaki: the Japanese persimmon. Of these four fruit, one is nearly ripe; three are yet to ripen. They have been picked three days and shelter under crinkled leaves, still stalked. Now, the surface on which these astringent, tangy fruit rest, isn’t it wondrous in its blue and mottled green? It is veined, a ceramic surface perhaps? The blue-green mottled, veined surface catches reflected light; the shadows are delicate but intense.
 
You told me that it troubled you to read my stories because so often they stepped between reality and fantasy, truth and playful invention. When you said this I meant to say (but we changed the subject): I write this way to confront what I know to be true but cannot present verbatim. I have to make into a fiction my remembered observations, those intense emotions of the moment. They are too precious not to save, and like the persimmon benefit from laying out in the sun to dry: to be eaten raw; digested to rightly control my ch’i, and perhaps your ch’i too.
 
So today a story about four kaki, heart-shaped hachiya, and hidden therein those most private feelings, messages of love and passion, what can be seen, what is unseen, thoughts and un-thoughts, mysteries and evasions.
 
                                                                            ----
 
 
Professor Minoru retired last year and now visits his university for the occasional show of his former colleagues and their occasionally-talented students. He spends his days in his suburban house with its tiny non-descript garden: a dog run, a yard no less. No precious garden. It is also somewhere (to his neighbours’ disgust) to hang wet clothes. It is just grass surrounded by a high fence. He walks there briefly in the early morning before making tea and climbing the stairs to his studio.
 
The studio runs the whole length of his house. When his wife Kinako left him he obliterated any presence of her, left his downtown studio, and converted three rooms upstairs into one big space. This is where Mosuku, his beautiful Akita, sleeps, coming downstairs only to eat and defecate in the small garden. Minoru and Mosuku go out twice each day: to midday Mass at the university chaplaincy; to the park in the early evening to meet his few friends walking their dogs. Otherwise he is solitary except for three former students who call ‘to keep an eye on the old man’.
 
He works every day. He has always done this, every day. Even in the busiest times of the academic year, he rose at 5.0am to draw, a new sheet of mitsumatagami placed the night before on his worktable ready. Ready for the first mark.
 
Imagine. He has climbed the stairs, tea in his left hand, sits immediately in front of this ivory-coloured paper, places the steaming cup to his far left, takes a charcoal stick, and  . . . the first mark, the mark from the world of dreams, memories, regrets, anxieties, whatever the night has stored in his right hand appears, progresses, forms an image, a sketch, as minutes pass his movement is always persistence, no reflection or studied consideration, his sketch is purposeful and wholly his own. He has long since learnt to empty his hand of artifice, of all memory.
 
When Kinako left he destroyed every trace of her, and of his past too. So powerful was his intent to forget, he found he had to ask the way to Shinjuko station, to his studio in the university. He called in a cleaning company to remove everything not in two boxes in the kitchen (of new clothes, his essential documents, 5 books, a plant, Mosuko’s feeding bowl). They were told (and paid handsomely) to clean with vigour. Then the builders and decorators moved in. He changed his phone number and let it be known (to his dog walker friends) that he had decided from now on to use an old family name, Sawato. He would be Sawato. And he was.
 
His wife, and she was still that legally, had found a lover. Kinako was a student of Professor Minoru, nearly thirty years younger, and a fragile beauty. She adored ‘her professor’, ‘her distinguished husband’, but one day at an opening (at Kinosho Kikaku – Gallery 156) she met an American artist, Fern Sophie Citron, and that, as they say in Japan, was that. She went back to Fern’s studio, where this rather plump middle-aged woman took photographs of Kinako relentlessly in costume after costume, and then without any costume, on the floor, in the bath, against a wall, never her whole body, and always in complete silence. Two days later she sent a friend to collect her belongings and to deliver a postcard to her husband. It was his painting of four persimmon. Persimmon (1985) 54 by 36 cm, mineral pigment on paper.
 
‘Hiroshi’, she wrote in red biro, ‘I am someone else now it is best you do not know. Please forgive’.
 
Sawato’s bedroom is on the ground floor now. There is a mat that is rolled away each morning. On the floor there are five books leaning against each other in a table-top self-standing shelf. The Rule of St Benedict (in Latin), The I-Ching (in Chinese), The Odes of Confucius, The Tale of the Bamboo Cutter (10th C folk tale) and a manual of Go, the Shogi Zushiki. Placed on a low table there is a laptop computer connected to the Internet, and beside the computer his father’s Go board (of dark persimmon wood), its counters pebbles from the beach below his family’s home. Each game played on the Internet he transcribes to his physical board.
 
He ascribes his mental agility, his calm and perseverance in his studio practice, to his nightly games of Go in hyperspace. He is an acknowledged master. His games studied assiduously, worldwide.
 
For 8 months in 1989 he studied the persimmon as still-life. He had colleagues send him examples of the fruit from distant lands. The American Persimmon from Virginia, the Black Persimmon or Black Sapote from Mexico (its fruit has green skin and white flesh, which turns black when ripe), the Mabolo or Velvet-apple native to Philippines - a bright red fruit when ripe, sometimes known as the Korean Mango, and more and more. His studio looked like a vegetable store, persimmons everywhere. He studied the way the colours of their skins changed every day. He experimented with different surfaces on which to place these tannin-rich fruits. He loved to touch their skins, and at night he would touch Kinako, his fingers rich from the embrace of fifty persimmon fruits, and she . . . she had never known such gentleness, such strength, such desire. It was as though he painted her with his body, his long fingers tracing the shape of the fruit, his tongue exploring each crevice of her long, slim, fruit-rich body. She had never been loved so passionately, so completely. At her desk in the University library special collection, where she worked as a researcher for a fine art academic journal, she would dream of the night past and anticipate the night to come, when, always on her pillow a different persimmon, she would fall to ****** and beyond.
 
Minoru drew and painted, printed and photographed more persimmons than he could keep track of. After six months he picked seven paintings, and a collection of 12 drawings. The rest he burnt. When he exhibited these treasures, Persimmon (1989) Mineral pigment on paper 54, by 36 cm was immediately acquired by Tokyo National Museum. It became a favourite reproduction, a national treasure. He kept seeing it on the walls of houses in magazines, cheap reproductions in department stores, even on a TV commercial. Eventually he dismissed it, totally, from his ever-observant, ever-scanning eyes. So when Kinako sent him the postcard he looked at it with wonder and later wrote this poem in his flowing hand using the waka style:
 
 
*Ah, the persimmon
Lotus fruit of the Gods
 
Heartwood of a weaver’s shuttle,
The archer’s bow, the timpanist sticks,
 
I take a knife to your ripe skin.
Reveal or not the severity of my winter years.
Meg Goodfellow Oct 2014
I knew she wanted to cry.

I had know that for a very long time yet she couldn’t or wouldn’t let herself be consumed by what her heart wanted.
She didn’t want to let reality in or allow it to make its home in everything she tried to keep locked away.

The universe once had been hers but the four simple words “I don’t love you” set her on fire and burnt her world apart.
She now laid in the debris of burnt away foundations;
And I didn’t know what to say.

The fire, he had burnt in her, lit candles in my mind that when left unattended burnt holes in my thoughts and set fire to my memories.

I knew what this felt like;
I was on fire too.
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
L B Sep 2016
Route 84 would not lend me
the light of a star last night
Radio blazing at 75 mph
nonsense noise to chew gum by
Crackling political commentary
Static of distance and thick clouds
Invisible mountains blocking
Memories seeping through the cracks
coating the music in a film
I rub my eyes
watch myself punch alert buttons
But it’s the angels’ jukebox tonight

Roll down the window
Watch the heat escape

Summer again

I am building a castle of ancient stones
pulverized by relentless tides
Dragged across maps by mastodons
and mammoth glaciers
The scouring hiss
the ocean sighs
Time has lulled these smoothly
rolling them in the softest hands of sand
and gels of life’s comings and goings
tenderly tumbling
in the millionth moonrise—
Time deposits them here
wet and glistening

For the girl with the plaid two-piece to gather
Shoulders sun-burnt barely say
one week only,
one week of the fifty two
“It’s the time of the season…”
and daddies on the beach are watching….

She has chosen yet another stone
And the castle continues—
in oblivion to all but her legend…

     The queen will be safe here
     from the rabble
     The disgraced Tristan will surely seek her
     Among these lofty cliffs
     Between the raging circuit of the tide
     Here winds forbid the vengeful mob
     Here lovers learn
     the debt of love’s bad timing
     “Drink ye all of it!”
     --the potion that assigns our sorrow….
     She will not sleep—
     while I chew this gum--  GUM?

Roll down the window!

Angels escape with the heat
Waking me with the brush of their wings

As that eighteen-wheeler hugs my flank
And leans on the horn
Lights flashing
Rude rumbling under right tires
Tantrum of snow
In the draft of mass and velocity

…and the angels?
They’ve chosen another good one!
They must’ve liked the 80’s
Their wings slapping the windshield madly  
Their hands steady the wheel
As a fourteen-year old, I picked up a book to read at the beach about the legend of the lovers, Tristan and Iseult.  I was so captivated by their story that it ruled my imagination that summer.  

Anyway, I still think of it when I think of the ocean-- as I did on this cold dark occasion when I should have pulled off somewhere for a coffee, but I was trying to beat the snow storm home.
Route 84, also known as Dead Bambi Highway, has a desolate, treacherous section going over the mountains between NY and Pennsylvania.  Didn't have much option for music at the time, so I leaned heavily on the radio pushing the search button to find anything bearable-- not too much static.
Song reference in this: "Time of the Season" by the Zombies-- all time favorite beach song that happened to be on the radio that night.

https://www.youtube.com/watch?v=RBxK3CcOQD8

— The End —