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"bureau" poems
Lady, your room is lousy with flowers. When you kick me out, that's what I'll remember, Me, sitting here bored as a loepard In your jungle of wine-bottle lamps, Velvet pillows the color of blood pudding And the white china flying fish from Italy. I forget you, hearing the cut flowers Sipping their liquids from assorted pots, Pitchers and Coronation goblets Like Monday drunkards. The milky berries Bow down, a local constellation, Toward their admirers in the tabletop: Mobs of eyeballs looking up. Are those petals of leaves you've paried with them --- Those green-striped ovals of silver tissue? The red geraniums I know. Friends, friends. They stink of armpits And the invovled maladies of autumn, Musky as a lovebed the morning after. My nostrils prickle with nostalgia. Henna hags:cloth of your cloth. They tow old water thick as fog. The roses in the Toby jug Gave up the ghost last night. High time. Their yellow corsets were ready to split. You snored, and I heard the petals unlatch, Tapping and ticking like nervous fingers. You should have junked them before they died. Daybreak discovered the bureau lid Littered with Chinese hands. Now I'm stared at By chrysanthemums the size Of Holofernes' head, dipped in the same Magenta as this fubsy sofa. In the mirror their doubles back them up. Listen: your tenant mice Are rattling the ******* packets. Fine flour Muffles their bird feet: they whistle for joy. And you doze on, nose to the wall. This mizzle fits me like a sad jacket. How did we make it up to your attic? You handed me gin in a glass bud vase. We slept like stones. Lady, what am I doing With a lung full of dust and a tongue of wood, Knee-deep in the cold swamped by flowers?
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Leaving Early
Lady, your room is lousy with flowers. When you kick me out, that's what I'll remember, Me, sitting here bored as a loepard In your jungle of wine-bottle lamps, Velvet pillows the color of blood pudding And the white china flying fish from Italy. I forget you, hearing the cut flowers Sipping their liquids from assorted pots, Pitchers and Coronation goblets Like Monday drunkards. The milky berries Bow down, a local constellation, Toward their admirers in the tabletop: Mobs of eyeballs looking up. Are those petals of leaves you've paried with them --- Those green-striped ovals of silver tissue? The red geraniums I know. Friends, friends. They stink of armpits And the invovled maladies of autumn, Musky as a lovebed the morning after. My nostrils prickle with nostalgia. Henna hags:cloth of your cloth. They tow old water thick as fog. The roses in the Toby jug Gave up the ghost last night. High time. Their yellow corsets were ready to split. You snored, and I heard the petals unlatch, Tapping and ticking like nervous fingers. You should have junked them before they died. Daybreak discovered the bureau lid Littered with Chinese hands. Now I'm stared at By chrysanthemums the size Of Holofernes' head, dipped in the same Magenta as this fubsy sofa. In the mirror their doubles back them up. Listen: your tenant mice Are rattling the ******* packets. Fine flour Muffles their bird feet: they whistle for joy. And you doze on, nose to the wall. This mizzle fits me like a sad jacket. How did we make it up to your attic? You handed me gin in a glass bud vase. We slept like stones. Lady, what am I doing With a lung full of dust and a tongue of wood, Knee-deep in the cold swamped by flowers?
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44
Musings of a Police Reporter in the Identification Bureau You have loved forty women, but you have only one thumb. You have led a hundred secret lives, but you mark only one thumb. You go round the world and fight in a thousand wars and win all the world's honors, but when you come back home the print of the one thumb your mother gave you is the same print of thumb you had in the old home when your mother kissed you and said good-by. Out of the whirling womb of time come millions of men and their feet crowd the earth and they cut one anothers' throats for room to stand and among them all are not two thumbs alike. Somewhere is a Great God of Thumbs who can tell the inside story of this.
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Personality
The *** Tum Tugger is a Curious Cat: If you offer him pheasant he would rather have grouse. If you put him in a house he would much prefer a flat, If you put him in a flat then he’d rather have a house. If you set him on a mouse then he only wants a rat, If you set him on a rat then he’d rather chase a mouse. Yes the *** Tum Tugger is a Curious Cat— And there isn’t any call for me to shout it: For he will do As he do do And there’s no doing anything about it! The *** Tum Tugger is a terrible bore: When you let him in, then he wants to be out; He’s always on the wrong side of every door, And as soon as he’s at home, then he’d like to get about. He likes to lie in the bureau drawer, But he makes such a fuss if he can’t get out. Yes the *** Tum Tugger is a Curious Cat— And there isn’t any use for you to doubt it: For he will do As he do do And there’s no doing anything about it! The *** Tum Tugger is a curious beast: His disobliging ways are a matter of habit. If you offer him fish then he always wants a feast; When there isn’t any fish then he won’t eat rabbit. If you offer him cream then he sniffs and sneers, For he only likes what he finds for himself; So you’ll catch him in it right up to the ears, If you put it away on the larder shelf. The *** Tum Tugger is artful and knowing, The *** Tum Tugger doesn’t care for a cuddle; But he’ll leap on your lap in the middle of your sewing, For there’s nothing he enjoys like a horrible muddle. Yes the *** Tum Tugger is a Curious Cat— And there isn’t any need for me to spout it: For he will do As he do do And theres no doing anything about it!
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The *** Tum Tugger
The *** Tum Tugger is a Curious Cat: If you offer him pheasant he would rather have grouse. If you put him in a house he would much prefer a flat, If you put him in a flat then he’d rather have a house. If you set him on a mouse then he only wants a rat, If you set him on a rat then he’d rather chase a mouse. Yes the *** Tum Tugger is a Curious Cat— And there isn’t any call for me to shout it: For he will do As he do do And there’s no doing anything about it! The *** Tum Tugger is a terrible bore: When you let him in, then he wants to be out; He’s always on the wrong side of every door, And as soon as he’s at home, then he’d like to get about. He likes to lie in the bureau drawer, But he makes such a fuss if he can’t get out. Yes the *** Tum Tugger is a Curious Cat— And there isn’t any use for you to doubt it: For he will do As he do do And there’s no doing anything about it! The *** Tum Tugger is a curious beast: His disobliging ways are a matter of habit. If you offer him fish then he always wants a feast; When there isn’t any fish then he won’t eat rabbit. If you offer him cream then he sniffs and sneers, For he only likes what he finds for himself; So you’ll catch him in it right up to the ears, If you put it away on the larder shelf. The *** Tum Tugger is artful and knowing, The *** Tum Tugger doesn’t care for a cuddle; But he’ll leap on your lap in the middle of your sewing, For there’s nothing he enjoys like a horrible muddle. Yes the *** Tum Tugger is a Curious Cat— And there isn’t any need for me to spout it: For he will do As he do do And theres no doing anything about it!
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39
~ ~ (on front of envelope) La lettre que voici, ô bon facteur, Portez-la jusqu'à la ville de NICE, Aux ALPES-MARITIMES (06). Donnez-la, s'il vous plaît, au Receveur Des Postes, au bureau de NOTRE DAME. (Son nom? C'est MONSIEUR LUCIEN COQUELLE. Faut-il vraiment que je vous le rappelle?) Cette lettre est pour lui et pour sa femme. I won't lead English postmen such a dance; Just speed this letter on its way to FRANCE. Sender's address you'll find on the reverse. ~ ~ (and on the back) At Number 7 in St Swithun's Road, Kennington, Oxford, there is the abode Of me, Paul Hansford, writer of this verse. - - - - - - - - - - - - - For non-speakers of French, the first bit goes approximately - "Dear Postman, Please take this letter to the town of Nice, in the département of Alpes-Maritimes, and give it to the postmaster at the Notre-Dame office. (His name? It's Lucien Coquelle. Do I really need to remind you?) This letter is for him and his wife."
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May 20, 2016
May 20, 2016 at 3:23 PM UTC
Sonnet on a letter to France
With a warm load of folded laundry under my chin I head toward Daniel’s sock drawer Pulling on the carefully crafted handle I see My grandfather cutting and planning the cherry tree Dropped by Hurricane Carol in 1954 Wood shavings fall about his work boots as he Shapes each panel, never using a ruler, all by eye Boxing the frame, sizing the drawers, sanding surfaces By hand, hence 60 years of grandkids and great grandkids socks The drawer closes effortlessly with a sound Of living heirlooms and heritage Of legacy and family A sound that everything is safe inside That memorials are made to last
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Apr 22, 2015
Apr 22, 2015 at 8:55 AM UTC
The Bureau
Andi Balise combined a half page of a short story, “Thanks Going Without Saying” by Liz Balise, with half a page of an essay by Klee, “On Modern Art”, from a book called Modern Artists on Art, 10 Unabridged Essays, edited by Robert L. Herbert. With some small edits and line-breaks comes this miracle of a poem: Painting a Function Different I peek out over the railing of reality’s magic Beyond the porch-floor Minerva hangs her wash making the invisible visible Eighty two and three quarters deaf she doesn’t notice   But this is, in fact, reality Has always been this way— Bent and bird-like existence   Balanced on two twigs—always busy— Her task, is the *********** of space   Cutting coupons, crushing aluminum cans, ironing The three phenomena which I must.... Things no one notices— climbing on the abstract surface of a picture Switching the curtains   God! I wish from the infinity of space..she wouldn’t…! It figures that— Rusty, her cat, is weaving in fortune or misfortune   I try to fix them— Her ankles now And she curses at accidental quality from the corner of her mouth which has only one form Clothespin or cigarette?   Long johns and animals and men in heaven and bureau scarf and sheets—all, non-infinite deities surround us translucent, contained    I decide what to get for her birthday— We are good friends through painting a function different For me? Predestined necessity. Minerva? forgets her manners and eats like a survivor— Thanks going without saying.
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Oct 7, 2017
Oct 7, 2017 at 2:12 PM UTC
Painting a Function Different
Andi Balise combined a half page of a short story, “Thanks Going Without Saying” by Liz Balise, with half a page of an essay by Klee, “On Modern Art”, from a book called Modern Artists on Art, 10 Unabridged Essays, edited by Robert L. Herbert. With some small edits and line-breaks comes this miracle of a poem: Painting a Function Different I peek out over the railing of reality’s magic Beyond the porch-floor Minerva hangs her wash making the invisible visible Eighty two and three quarters deaf she doesn’t notice   But this is, in fact, reality Has always been this way— Bent and bird-like existence   Balanced on two twigs—always busy— Her task, is the *********** of space   Cutting coupons, crushing aluminum cans, ironing The three phenomena which I must.... Things no one notices— climbing on the abstract surface of a picture Switching the curtains   God! I wish from the infinity of space..she wouldn’t…! It figures that— Rusty, her cat, is weaving in fortune or misfortune   I try to fix them— Her ankles now And she curses at accidental quality from the corner of her mouth which has only one form Clothespin or cigarette?   Long johns and animals and men in heaven and bureau scarf and sheets—all, non-infinite deities surround us translucent, contained    I decide what to get for her birthday— We are good friends through painting a function different For me? Predestined necessity. Minerva? forgets her manners and eats like a survivor— Thanks going without saying.
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39
the preacher never wrote a poem about dahmer's baptism: 1. he leaned across the jail cell table and his eyes were honest when he said he believed in god deeply his eyes were honest when he said goodnight honey and gently draped his body in a tub of sulfuric acid his open jaw glistening in the moon dissolving in the dusty noontime soliloquy of crickets outside his apartment window 2. can an honest man bathe in those kind of wounds and be allowed to ask for a penance? 3. for two weeks they left his baptismal robes in storage they asked if he really believed it if he could believe in all this 4. “when i was a kid i was just like anybody else” he had said he seemed to think being like anybody else could dull the bloodstains reduce the skeletons still tucked into his closet to powder make his wishes into holy water 5. yes jeffrey, anyone can drink it but getting drunk on holiness isn’t enough to repent all of their fingers are wrapped around your heart doesn’t forgetting seem foolish to the brains in your refrigerator isn’t it just useless to the spare ribs, in your bureau drink all the holy water you want you will always carry their bodies on your chest have you ever had a heart other than the ones you collected and did you ever know what a soul feels like? 6. and that day they took him to a prison tub and his body glistened under the water like a drowning animal or a martyr jeffrey doesn’t float 7. as he opens his eyes his mouth wide he looks just like him suspended in white ripples curdling in currents across his pale skin a solar eclipse covers the sun as he comes up for air
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Sep 4, 2012
Sep 4, 2012 at 9:44 PM UTC
the preacher never wrote a poem about jeffrey dahmer's baptism
the preacher never wrote a poem about dahmer's baptism: 1. he leaned across the jail cell table and his eyes were honest when he said he believed in god deeply his eyes were honest when he said goodnight honey and gently draped his body in a tub of sulfuric acid his open jaw glistening in the moon dissolving in the dusty noontime soliloquy of crickets outside his apartment window 2. can an honest man bathe in those kind of wounds and be allowed to ask for a penance? 3. for two weeks they left his baptismal robes in storage they asked if he really believed it if he could believe in all this 4. “when i was a kid i was just like anybody else” he had said he seemed to think being like anybody else could dull the bloodstains reduce the skeletons still tucked into his closet to powder make his wishes into holy water 5. yes jeffrey, anyone can drink it but getting drunk on holiness isn’t enough to repent all of their fingers are wrapped around your heart doesn’t forgetting seem foolish to the brains in your refrigerator isn’t it just useless to the spare ribs, in your bureau drink all the holy water you want you will always carry their bodies on your chest have you ever had a heart other than the ones you collected and did you ever know what a soul feels like? 6. and that day they took him to a prison tub and his body glistened under the water like a drowning animal or a martyr jeffrey doesn’t float 7. as he opens his eyes his mouth wide he looks just like him suspended in white ripples curdling in currents across his pale skin a solar eclipse covers the sun as he comes up for air
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70
He worked at the War Department, in the Munitions Ministry, for the Bureau of Cannon Fodder on the Condolence Committee. “On behalf of George, our king, and the grieving British nation We regret to have to share with you the following information….” Passchendaele was at its height, he’d written letters by the score. On the Altars of Incompetence, what’s a hundred thousand more? It was the sort of sinecure in which he took a certain pride: Informing British parents that their darling boys had died. His department heads approved of his selfless dedication, recording for posterity each man’s final destination. Thus it was they failed to notice when he received a telegram. That day he went back to his flat a changed and broken man.. When next day, his chair was empty, and they received a telegram, they were grieved to be informed: He’d died by his own hand. “On behalf of George, our king, and the grieving British nation I regret to have to share with you the following information….”
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Jan 24, 2012
Jan 24, 2012 at 1:24 AM UTC
The Committee of Condolence (1917)
from a point of ignorance, or perhaps from a point of common sense...   listening to                   jan lamprecht talking about apartheid in south africa, and how, apparently, the idea was to create       a poly-state solution, or what would have been a federation, akin to u.s.a.,    now, i already said, from the point of ignorance, or perhaps from a common sense... let's not read too much at this point for the sake of argument...            if that was really going to happen? that there were white states, and there were black states,        but somehow, they managed to work together...          i'm looking at the map of south africa right now...           now...             in europe, you have countries that are land-locked, and we just call them that... but i'm looking at the map...     and the apartheid beginnings, which would rather seem obvious to the eye...     wouldn't apartheid have been stalled              once lesotho & suazi emerged? surely these areas weren't the spartan 300 akin and never being colonised...      it's a "poem", it's not a history book,                    i don't feel like i need to be right or wrong, or need to constantly rely on precision of facts to write, constantly making references...             i'm working from: word of mouth, from someone who was there...      but i can't really imagine either lesotho or suazi being so ****** resistent to british rule...            to me, they were the beginning results of the apartheid project to create       the s.a.f.      the south african federation, federation meaning: there's already a whole, now we need to cut it up, but retain the original whole...          united states?                                  how would you establish that, if not through a civil war?                      it's still a federation, the f.s.a.         ha ha, imagine the chants...     f.s.a.!                f.s.a.!      no ring to it without    there's a federal bank, right?                     federal this that and, of course, x-files & federal bureau of investivgation.             like i already said, i'm not going to look into the origins of lesotho & suazi,        as other than from the project apartheid... and i'll only cite one realiable source:   jan lamprecht...           it's the tongue on the ground (boots too),          and if he doesn't know what he's talking, how can some historian, in a stuffy library in england tell me what is and what isn't true?
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Jun 19, 2017
Jun 19, 2017 at 6:33 PM UTC
baptised in the u.s.a. / confirmed in the f.s.a.
from a point of ignorance, or perhaps from a point of common sense...   listening to                   jan lamprecht talking about apartheid in south africa, and how, apparently, the idea was to create       a poly-state solution, or what would have been a federation, akin to u.s.a.,    now, i already said, from the point of ignorance, or perhaps from a common sense... let's not read too much at this point for the sake of argument...            if that was really going to happen? that there were white states, and there were black states,        but somehow, they managed to work together...          i'm looking at the map of south africa right now...           now...             in europe, you have countries that are land-locked, and we just call them that... but i'm looking at the map...     and the apartheid beginnings, which would rather seem obvious to the eye...     wouldn't apartheid have been stalled              once lesotho & suazi emerged? surely these areas weren't the spartan 300 akin and never being colonised...      it's a "poem", it's not a history book,                    i don't feel like i need to be right or wrong, or need to constantly rely on precision of facts to write, constantly making references...             i'm working from: word of mouth, from someone who was there...      but i can't really imagine either lesotho or suazi being so ****** resistent to british rule...            to me, they were the beginning results of the apartheid project to create       the s.a.f.      the south african federation, federation meaning: there's already a whole, now we need to cut it up, but retain the original whole...          united states?                                  how would you establish that, if not through a civil war?                      it's still a federation, the f.s.a.         ha ha, imagine the chants...     f.s.a.!                f.s.a.!      no ring to it without    there's a federal bank, right?                     federal this that and, of course, x-files & federal bureau of investivgation.             like i already said, i'm not going to look into the origins of lesotho & suazi,        as other than from the project apartheid... and i'll only cite one realiable source:   jan lamprecht...           it's the tongue on the ground (boots too),          and if he doesn't know what he's talking, how can some historian, in a stuffy library in england tell me what is and what isn't true?
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63
Deathbed Confession “In 1971 a man calling himself Dan Cooper hijacked a plane from Portland to Seattle, demanded parachutes and $200,000 in cash, then jumped into the night with the money, never to be seen again.” — fbi.gov So little seemed to be at stake. The bomb was real; the threat was fake. Neither was difficult to make. And I was in my element, or almost there. Yes, the descent was cold, but warmer as I went, and yes it was coal black and raining, but I had uppers and my training. I’ve spent my whole life not complaining. When I could see the woods I wandered out with the twenties, which I laundered, safety-deposited, and squandered, and with the oddest thing — a name I’d paid for but could never claim, a private riddle, private fame. That’s been the hardest part: denial — remaining of no interest while the Bureau opened up a file on every former paratrooper who in his final morphine stupor discovered he was D.B. Cooper. I’m D.B. Cooper. There, I said it. It’s decent work if you can get it, but it pays cash. There is no credit, or blame, or pity in thin air, and I’ve spent forty winters there. I’ll take whatever you can spare, although I don’t suppose the guy whose last confession is a lie deserves it any less than I. This piece is written by Kansas Poet Laureate Henry McHenry. The rights to the poem are completely his.
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Oct 23, 2015
Oct 23, 2015 at 10:44 PM UTC
Deathbed Confession - Eric McHenry
The moon in the bureau mirror looks out a million miles (and perhaps with pride, at herself, but she never, never smiles) far and away beyond sleep, or perhaps she's a daytime sleeper. By the Universe deserted, she'd tell it to go to hell, and she'd find a body of water, or a mirror, on which to dwell. So wrap up care in a cobweb and drop it down the well into that world inverted where left is always right, where the shadows are really the body, where we stay awake all night, where the heavens are shallow as the sea is now deep, and you love me.
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Insomnia
Midnight on I 80 passing by Truckee heading East towards the lights of old Reno. The snow starts blowing around Floristan, Sierra Nevada winter following me all the way down. I'm looking for a big truck to get behind. Riding on the crying road every Sunday night. Wondering if I am creating gratitude or regrets for my future self's past. What am I doing? I left you on a January night chasing love in a blue moon light. Stuck between desire and staying home. I don't know what's true what's true with me what's true with you. I'm stuck behind this wheel snowy anxiety ringing on through, what am I doing? what are you doing? Creating gratitude or regrets for your future self. Will the adjustment bureau come on through? Or will I like you make it all up as I go along with the window steaming up, Art Bell on the radio Coast to Coast the sounds of ghosts. Will I hate myself for being my self or look back with eyes sparkling with gratitude and the wonder of who I was I doubt it, don't you? Now as I write this poem with my life together and asunder will I look back with gratitude or regret? As I hit Fourth Street the clouds have parted stars are shining through, I'm no longer crying the crying road is done. I still do not know what I have begun.
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Oct 12, 2014
Oct 12, 2014 at 3:03 PM UTC
Gratitude or Regrets
(To JS/07/M/378/ This Marble Monument Is Erected by the State) He was found by the Bureau of Statistics to be One against whom there was no official complaint, And all the reports on his conduct agree That, in the modern sense of an old-fashioned word, he was a saint, For in everything he did he served the Greater Community. Except for the War till the day he retired He worked in a factory and never got fired But satisfied his employers, Fudge Motors Inc. Yet he wasn't a scab or odd in his views, For his Union reports that he paid his dues, (Our report on his Union shows it was sound) And our Social Psychology workers found That he was popular with his mates and liked a drink. The Press are convinced that he bought a paper every day And that his reactions to advertisements were normal in every way. Policies taken out in his name prove that he was fully insured, And his Health-card shows he was once in hospital but left it cured. Both Producers Research and High-Grade Living declare He was fully sensible to the advantages of the Installment Plan And had everything necessary to the Modern Man, A phonograph, a radio, a car and a frigidaire. Our researchers into Public Opinion are content That he held the proper opinions for the time of year; When there was peace, he was for peace: when there was war, he went. He was married and added five children to the population, Which our Eugenist says was the right number for a parent of his generation. And our teachers report that he never interfered with their education. Was he free? Was he happy? The question is absurd: Had anything been wrong, we should certainly have heard.
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The Unknown Citizen
(To JS/07/M/378/ This Marble Monument Is Erected by the State) He was found by the Bureau of Statistics to be One against whom there was no official complaint, And all the reports on his conduct agree That, in the modern sense of an old-fashioned word, he was a saint, For in everything he did he served the Greater Community. Except for the War till the day he retired He worked in a factory and never got fired But satisfied his employers, Fudge Motors Inc. Yet he wasn't a scab or odd in his views, For his Union reports that he paid his dues, (Our report on his Union shows it was sound) And our Social Psychology workers found That he was popular with his mates and liked a drink. The Press are convinced that he bought a paper every day And that his reactions to advertisements were normal in every way. Policies taken out in his name prove that he was fully insured, And his Health-card shows he was once in hospital but left it cured. Both Producers Research and High-Grade Living declare He was fully sensible to the advantages of the Installment Plan And had everything necessary to the Modern Man, A phonograph, a radio, a car and a frigidaire. Our researchers into Public Opinion are content That he held the proper opinions for the time of year; When there was peace, he was for peace: when there was war, he went. He was married and added five children to the population, Which our Eugenist says was the right number for a parent of his generation. And our teachers report that he never interfered with their education. Was he free? Was he happy? The question is absurd: Had anything been wrong, we should certainly have heard.
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37
I ASKED the Mayor of Gary about the 12-hour day and the 7-day week. And the Mayor of Gary answered more workmen steal time on the job in Gary than any other place in the United States. "Go into the plants and you will see men sitting around doing nothing-machinery does everything," said the Mayor of Gary when I asked him about the 12-hour day and the 7-day week. And he wore cool cream pants, the Mayor of Gary, and white shoes, and a barber had fixed him up with a shampoo and a shave and he was easy and imperturbable though the government weather bureau thermometer said 96 and children were soaking their heads at bubbling fountains on the street corners. And I said good-by to the Mayor of Gary and I went out from the city hall and turned the corner into Broadway. And I saw workmen wearing leather shoes scruffed with fire and cinders, and pitted with little holes from running molten steel, And some had bunches of specialized muscles around their shoulder blades hard as pig iron, muscles of their fore-arms were sheet steel and they looked to me like men who had been somewhere.Gary, Indiana, 1915.
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The Mayor of Gary
Melimeliye; This page is hurt. Women. More (5), dry, dry. In 2016 and 15 years as a physician, the ********** and the physician. "In the Philippines." However, there is life? "This is the best way to the car." For example, between January 1 and January 1: 100: 100 in January and 100: in January to within 60 days after the changes were made in Saudi Arabia. In 2016, Azerbaijan, Algeria, Libya, Lebanon, Mexico, Syria and Palestine. For example, Fiji, South America and North America, Perth, California, United States. Yasmin - 6: 7 201 new *** / AIDS / Glory 25: US and UK are in the chart. The Greeks. We are very happy to be able to fix the problem. Although it is very cold in the United States is good. Not at all. But fears. 1, bright light. 16: 60 60 16 16 16 16 16 year to 60-year-old tešet'ehānyi. Father wise, intelligent and wise one. For example, the dead man. Some judges. Another California, California, Saudi Arabia, South Africa, July 2016, 100 7 7 7 77 years old and doctors. There are many benefits. This means that 2016, 2016, 2017; This is the world. Syria, Palestine, the United States, Britain, Sierra Leone. Muhammad and Yasmin še.ā. 7, 2016; New *** / Infection 1000/1000/ out of 1000 / Peter's deyidi diet / of bowling. Talk to encourage language. 1 victory in Northern Mali. The first sale. The punch than the women of the world. (5) In the - to the - your hair. In 2016, 15 years ago, and the doctor, the ********** and the physician. "Philippines, Judith." This should not be the matter? "This is the best way to the car." And the Moon. For example, on July 1, the German words. Saudi Arabia, Saudi Arabia, Saudi Arabia, Saudi Arabia, Mexico, Palestine, Saudi Arabia, Saudi Arabia, Mexico, Palestine, Saudi Arabia and Syria in 2016 and in Rwanda, Fiji North America and South America, United States of America, Hannah, 6.7 201 HIV/AIDS ... 25: in the United States, the UK, the Bureau - was involved and working in the pumpkin bebirich'ilewi. 1. Reducing crime rivers and streams Switch permanently weak ... ... friends in the world is very cold and ice for the first time in the world Note 16 16 60 60 16 16 16 60: one hundred years and more than a hundred years is too complex, for example grace and the grace of God, which is in fact nothing else in the inner court of the lakes. The State of California is under attack. Germany, indeed. Saudi Arabia, South Africa 7 7 77 100 2016 and leader. Important. For example, in 2017, Syria, UK, USA, in Sierra Leone, 2016, 2017, 2017, 2017 7 Yasmin Annan for *** / 1000/1000 / S / pitch / air. The message said in Baghdad
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Nov 28, 2018
Nov 28, 2018 at 9:09 PM UTC
the ********** and the physician [Yasmin *** / AIDS]
Melimeliye; This page is hurt. Women. More (5), dry, dry. In 2016 and 15 years as a physician, the ********** and the physician. "In the Philippines." However, there is life? "This is the best way to the car." For example, between January 1 and January 1: 100: 100 in January and 100: in January to within 60 days after the changes were made in Saudi Arabia. In 2016, Azerbaijan, Algeria, Libya, Lebanon, Mexico, Syria and Palestine. For example, Fiji, South America and North America, Perth, California, United States. Yasmin - 6: 7 201 new *** / AIDS / Glory 25: US and UK are in the chart. The Greeks. We are very happy to be able to fix the problem. Although it is very cold in the United States is good. Not at all. But fears. 1, bright light. 16: 60 60 16 16 16 16 16 year to 60-year-old tešet'ehānyi. Father wise, intelligent and wise one. For example, the dead man. Some judges. Another California, California, Saudi Arabia, South Africa, July 2016, 100 7 7 7 77 years old and doctors. There are many benefits. This means that 2016, 2016, 2017; This is the world. Syria, Palestine, the United States, Britain, Sierra Leone. Muhammad and Yasmin še.ā. 7, 2016; New *** / Infection 1000/1000/ out of 1000 / Peter's deyidi diet / of bowling. Talk to encourage language. 1 victory in Northern Mali. The first sale. The punch than the women of the world. (5) In the - to the - your hair. In 2016, 15 years ago, and the doctor, the ********** and the physician. "Philippines, Judith." This should not be the matter? "This is the best way to the car." And the Moon. For example, on July 1, the German words. Saudi Arabia, Saudi Arabia, Saudi Arabia, Saudi Arabia, Mexico, Palestine, Saudi Arabia, Saudi Arabia, Mexico, Palestine, Saudi Arabia and Syria in 2016 and in Rwanda, Fiji North America and South America, United States of America, Hannah, 6.7 201 HIV/AIDS ... 25: in the United States, the UK, the Bureau - was involved and working in the pumpkin bebirich'ilewi. 1. Reducing crime rivers and streams Switch permanently weak ... ... friends in the world is very cold and ice for the first time in the world Note 16 16 60 60 16 16 16 60: one hundred years and more than a hundred years is too complex, for example grace and the grace of God, which is in fact nothing else in the inner court of the lakes. The State of California is under attack. Germany, indeed. Saudi Arabia, South Africa 7 7 77 100 2016 and leader. Important. For example, in 2017, Syria, UK, USA, in Sierra Leone, 2016, 2017, 2017, 2017 7 Yasmin Annan for *** / 1000/1000 / S / pitch / air. The message said in Baghdad
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1
They said she suffered from visions, so They locked her up in her room, I heard her pacing the floor in there To softly cry in the gloom, Her food they slid in under the door And that’s when I heard her shout: ‘You can’t keep me forever in here, You must let my nightmares out!’ But a doctor listened outside the door And shook his head as he went, A Priest then wafted some incense in And muttered a sacrament, But no-one dared to unlock the door For they’d heard a howl within, ‘She must be conjuring demons there Or some terrible type of sin.’ At night when everyone was asleep I’d put my head to the floor, And whisper low to my sister through The gap, just under the door. ‘Go find the key,’ she would say to me, ‘And unlock the door in the night, We’ll creep on out while the house is still, Take off while the Moon is bright.’ I didn’t know where to find the key, I didn’t know where it was, It wasn’t hung up on the kitchen hook Or the nail in the wooden cross. She begged me, ‘Keep on looking for it, It’s the only chance for me, Then we will be together again At last, and finally free!’ But then her visions returned again And lights shone under the door, While sounds, like animals caught in pain Built up to a sullen roar. I whispered, ‘Sis, can you hear me now, I’m scared,’ and started to bawl, She cried, ‘There’s lights and a million things All creeping out of the wall.’ I went to beat on our parent’s door But I heard my father snore, I ran downstairs and I found the key They’d hid in the bureau drawer. I hesitated before I turned The key in my sister’s lock, The door swung open and lay ajar As I stood, stock-still in shock. For in the room was a wooded glade With creepers clogging the walls, Bats were hung from the old lampshade, The bed was a waterfall, But of my sister, never a sign She must have been lost in the trees, But monsters struggled out of the wall As I fell in dread to my knees. They say I suffer from visions, so They’ve locked me up in my room, I couldn’t cope with my sister’s loss They said, but she’s in a tomb. I know she’s not, for I hear her whisper Under the door at night, ‘We’ll creep on out while the house is still, Take off while the Moon is bright.’ Then sounds, like animals caught in pain Build up to a sullen roar, I call for her, again and again, ‘Just get the key to the door.’ But then she fades, and she slips away, So far that I have to shout: ‘You can’t keep me forever in here, You must let my nightmares out!’ David Lewis Paget
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May 23, 2014
May 23, 2014 at 4:28 AM UTC
Key to the Door
They said she suffered from visions, so They locked her up in her room, I heard her pacing the floor in there To softly cry in the gloom, Her food they slid in under the door And that’s when I heard her shout: ‘You can’t keep me forever in here, You must let my nightmares out!’ But a doctor listened outside the door And shook his head as he went, A Priest then wafted some incense in And muttered a sacrament, But no-one dared to unlock the door For they’d heard a howl within, ‘She must be conjuring demons there Or some terrible type of sin.’ At night when everyone was asleep I’d put my head to the floor, And whisper low to my sister through The gap, just under the door. ‘Go find the key,’ she would say to me, ‘And unlock the door in the night, We’ll creep on out while the house is still, Take off while the Moon is bright.’ I didn’t know where to find the key, I didn’t know where it was, It wasn’t hung up on the kitchen hook Or the nail in the wooden cross. She begged me, ‘Keep on looking for it, It’s the only chance for me, Then we will be together again At last, and finally free!’ But then her visions returned again And lights shone under the door, While sounds, like animals caught in pain Built up to a sullen roar. I whispered, ‘Sis, can you hear me now, I’m scared,’ and started to bawl, She cried, ‘There’s lights and a million things All creeping out of the wall.’ I went to beat on our parent’s door But I heard my father snore, I ran downstairs and I found the key They’d hid in the bureau drawer. I hesitated before I turned The key in my sister’s lock, The door swung open and lay ajar As I stood, stock-still in shock. For in the room was a wooded glade With creepers clogging the walls, Bats were hung from the old lampshade, The bed was a waterfall, But of my sister, never a sign She must have been lost in the trees, But monsters struggled out of the wall As I fell in dread to my knees. They say I suffer from visions, so They’ve locked me up in my room, I couldn’t cope with my sister’s loss They said, but she’s in a tomb. I know she’s not, for I hear her whisper Under the door at night, ‘We’ll creep on out while the house is still, Take off while the Moon is bright.’ Then sounds, like animals caught in pain Build up to a sullen roar, I call for her, again and again, ‘Just get the key to the door.’ But then she fades, and she slips away, So far that I have to shout: ‘You can’t keep me forever in here, You must let my nightmares out!’ David Lewis Paget
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73
Six years I worked in a knitting mill at a machine And then I married Jerry, the iceman, for a change. He weighed 240 pounds, and could hold me, Who weighed 105 pounds, outward easily with one hand. He came home drunk and lay on me with the breath of stale beer Blowing from him and jumbled talk that didn't mean anything. I stood it two years and one hot night when I refused him And he struck his bare fist against my nose so it bled, I waited till he slept, took a revolver from a bureau drawer, Placed the end of it to his head and pulled the trigger. From the stone walls where I am incarcerated for the natural term Of life, I proclaim I would do it again.
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1.7k
Jerry
she came from a broken home where the parents at each other would throw stones. every day they would argue, bicker and fight, all the way till the night. not realizing their Childs plight. the child to them in turn would scream but in the battle she was not seen. from her father she had ****** abuse fighting with him, was of no use. he forced himself upon her at a very young age from there on, her life would never be the same. living in fear of what he would do and who she could turn to. where could she go the judicial system moves very slow. when she had told her mother. her mother said it could never be why would he go with you when he has me? she knew then, that she would have to leave and with her being gone, no one would grieve. she would pack her bags, with everything she owned, and on the road she would go. with tears in her eyes, she walked out the door, to return never more. and as she got to the swinging gate her mother screamed to her but it was too late. on her dresser bureau, her mother found this note. you gave birth to me, and brought me into this world, and you had always said that I was your little girl. but when I told you what had happened to me you laughed and turned your back on me. so now I am leaving, because I can not continue this abuse, don't look for me, it will be of no use. I love you mom, for you are my mother just watch out for my little brother. I am a child from a broken home and I know that I’m not alone.
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Oct 23, 2011
Oct 23, 2011 at 10:48 AM UTC
broken home
The clickety clackety of my mother's bureau always started school mornings. My rumpled clothes lay in a heap by my feet. Sweet lemon-water perfume stings my nostrils, and piercing sunlight winks through the shades. Good morning, morning, sing me a song about dew-kissed lilies, brewing coffee, a jogger's labored breathing, and a sparrow's jittery chirp.
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Jun 9, 2010
Jun 9, 2010 at 12:23 PM UTC
School Mornings
She was an old Mid-western woman. She was a distinct type. A stock-staple character, Sort of half Beverly Hillbillies Granny, Throw in a skosh Betty White, Mixed in with a lot of that old lady In Driving Miss Daisy. Southern Indiana: The Confederacy’s best kept secret. But I digress. She was my neighbor in Buckeye, Arizona, A quaint agrarian township, way out At the west end of Maricopa County, which is An hour from the Phoenix airport, the so-called Sky Harbor International Airport, Which surely must be near the list’s top: All-time most pretentious, Hyperbolic Chamber of Commerce, Municipal Boosterisms. Wikipedia English - The Free Encyclopedia Boosterism: the act of "boosting" (or promoting) a town, city, or organization, with the goal of improving public perception of it. Boosting can be as simple as "talking up" the entity at a party or as elaborate as establishing a visitors' bureau. It has been somewhat associated with American small towns. Boosting is also done in political settings, especially in regard to disputed policies or controversial events. So, without thinking, Walking down the driveway To pick up the morning paper, I let it slip: “How are you?” She’s leaning over the hedge, As I bend down, Picking up the local Pravda. 35 minutes later she sums up: “I had to go to the doctor last night. Gave me some cream for my pud.” A twinkle in her eye— She, my lascivious, Old lady neighbor In Buckeye, Arizona. She had that sweet Mid-western thing Working for her, her regional mojo. And I’m right there on her wavelength: The apple not falling far from my tree, Or something like that . . . I am losing my train of thought, here. Last poem of the day, I guess.
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May 21, 2014
May 21, 2014 at 8:50 PM UTC
“Last Poem of the Day”
She was an old Mid-western woman. She was a distinct type. A stock-staple character, Sort of half Beverly Hillbillies Granny, Throw in a skosh Betty White, Mixed in with a lot of that old lady In Driving Miss Daisy. Southern Indiana: The Confederacy’s best kept secret. But I digress. She was my neighbor in Buckeye, Arizona, A quaint agrarian township, way out At the west end of Maricopa County, which is An hour from the Phoenix airport, the so-called Sky Harbor International Airport, Which surely must be near the list’s top: All-time most pretentious, Hyperbolic Chamber of Commerce, Municipal Boosterisms. Wikipedia English - The Free Encyclopedia Boosterism: the act of "boosting" (or promoting) a town, city, or organization, with the goal of improving public perception of it. Boosting can be as simple as "talking up" the entity at a party or as elaborate as establishing a visitors' bureau. It has been somewhat associated with American small towns. Boosting is also done in political settings, especially in regard to disputed policies or controversial events. So, without thinking, Walking down the driveway To pick up the morning paper, I let it slip: “How are you?” She’s leaning over the hedge, As I bend down, Picking up the local Pravda. 35 minutes later she sums up: “I had to go to the doctor last night. Gave me some cream for my pud.” A twinkle in her eye— She, my lascivious, Old lady neighbor In Buckeye, Arizona. She had that sweet Mid-western thing Working for her, her regional mojo. And I’m right there on her wavelength: The apple not falling far from my tree, Or something like that . . . I am losing my train of thought, here. Last poem of the day, I guess.
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43
1. we all know versions of people we all know blips- flickering tv screens with constantly changing channels on to the next, one after another maybe this show will feel right maybe this genre will fit unsatisfied by the plot in this episode unfamiliar with the characters on the screen the lighting in this room isn't quite right eyes flickering in candlelight skipping over the horror channel very quickly trying to move on to the love scene 2. you talk about my body like it is a puzzle we have to finish i'm waiting for you to realize it is actually a dress that will never fit anyone but being a puzzle gives me some time, so i let you piece together the edges you create a faceless outline and call it a beautiful frame for a piece of art you don't quite understand 3. but i will never be the basillica and i am not an augustine it's impossible to drink the wine from my insides without being poisoned by it's strength we have been fermenting for a long time and the bread does not break because it had already been broken into too many small crumbs i wonder if you're still hungry 4. and i think about our houses both scattered with wooden bits of the eiffel tower and taj mahal big ben in the bureau by the wall the colosseum in the middle of the kitchen table sydney opera house suspended from the ceiling of the bedroom monuments to so many bodies we sure like putting them together but it's hard to find storage space when you're done 5. you take pictures to remember how proud you once were or sometimes just to seal them in a frame frozen in time so that the next time you see them standing in the doorway like a degenerate masterpiece you can touch the photograph in your wallet
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Aug 19, 2013
Aug 19, 2013 at 3:42 PM UTC
when you try to love a thing
1. we all know versions of people we all know blips- flickering tv screens with constantly changing channels on to the next, one after another maybe this show will feel right maybe this genre will fit unsatisfied by the plot in this episode unfamiliar with the characters on the screen the lighting in this room isn't quite right eyes flickering in candlelight skipping over the horror channel very quickly trying to move on to the love scene 2. you talk about my body like it is a puzzle we have to finish i'm waiting for you to realize it is actually a dress that will never fit anyone but being a puzzle gives me some time, so i let you piece together the edges you create a faceless outline and call it a beautiful frame for a piece of art you don't quite understand 3. but i will never be the basillica and i am not an augustine it's impossible to drink the wine from my insides without being poisoned by it's strength we have been fermenting for a long time and the bread does not break because it had already been broken into too many small crumbs i wonder if you're still hungry 4. and i think about our houses both scattered with wooden bits of the eiffel tower and taj mahal big ben in the bureau by the wall the colosseum in the middle of the kitchen table sydney opera house suspended from the ceiling of the bedroom monuments to so many bodies we sure like putting them together but it's hard to find storage space when you're done 5. you take pictures to remember how proud you once were or sometimes just to seal them in a frame frozen in time so that the next time you see them standing in the doorway like a degenerate masterpiece you can touch the photograph in your wallet
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64
In the East, the sun luminously gleamed And bid the nebulous vapors fly Changing the gloom into radiant blaze Cheering the languid drowsy sky Lying in bed, I looked around, Saw my room so cozily set With things just enough to make it fit For a sweet haven for me to rest Each little thing in it began to muse In a language discernible for me to grasp Of the secret of success so elusive to man Which striving to catch, oft slips off his clasp The clock ticking away at the wall Alerted in a tone of rhythmic resonance That ‘each minute is precious and dear’ And not to waste it in trifling appurtenance While the ceiling fan, spiraling above Discreetly hummed, “Be cool and do not fret” The open window, to me did urge To ‘look out far and watch the world in beat’ The mirror neatly fitted on my bureau With a gleaming countenance beckoned me Asking me to ‘reflect’, ere venturing into anything That from fatal fallacies, I shall ever be free The calendar hanging inside the room Reminded me not to lag or put off things But keep my assignments and learning up to date That to great heights, I can soar on wings And the woolly carpet gently mused; “Bend your knees and kneel down to pray With a heart copiously filled in gratitude Before a God who didn’t leave you aimless to stray" With such counsel, silent and salient Got out of my bed with resolutions profound To greet the morning and start the day In greater zest with a mind, saner and sound
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Nov 7, 2016
Nov 7, 2016 at 6:49 AM UTC
Morning Musings
So varied are the hues of poetic pen, With a multitude of exploding coloured ink, In endless shades to choose from now, and then, To set the writing mood, in which we sink. Should I decide upon a nature write, I must select just one of many greens, To paint a woodland oil, in verse tonight, Of lush green branches shading flowered scenes. Humorous poems are best presented yellow, The verses to be sunny, smiling bright, This Irish poet not e'er a dour fellow, To try extract a laugh from you, he might. To pen dark verse, one must use darkest black, Printed on a page of sombre grey, The mood is set, no chance of stepping back, The reader with sad tears, may have to pay. Poems to my Love, are always delicate pink, Verse from the heart, her eye to see words beat, Fond lines penned madly now in perfumed ink, Extracted from rose petals, for a treat. ****** verse scribed in pulsating red, Throbbing, bulging blood to end in balm, My pen grows hot with every word that's said, Eventually burns to flames within my palm. Finally if you poets e'er grace my home, Feel free to take a seat, and ease your pains, Relax at my bureau and pen a poem, For it's ink not blood that flows inside our veins !
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Apr 1, 2016
Apr 1, 2016 at 8:25 PM UTC
Poetic Shades..
It was threatening rain for a week or more It was always threatening rain, The Weather Bureau was always sore When the threatening rain never came. We’d hold an open air barbecue Each time they said it would come, ‘Hey it’s gonna rain,’ said Oliver Payne, ‘What do they think, we’re dumb?’ But the Bureau Chief, one Adrian Reef Said he was sick to the core, Why wouldn’t the weather behave itself Like it had done before, ‘It’s making us look like a laughing stock,’ He bitterly said to Jane, ‘I want you to ring up the airport now And charter a small, light plane,’ He loaded the plane up with dry ice And a generous load of salt, And lugged along an elephant gun, The plane took off with a jolt, He peppered the clouds with ice that day, He put his job on the line, The last thing he wanted to have to say: ‘The weather is going to be fine.’ And down on the ground at the barbecue We were sizzling snags and steak, Having an ice cold beer or two And trying to stay awake. The sultry weather was drowsy then We’d heard the report, in vain, But just when the steaks were nicely done It came down, bucketing rain. We didn’t have time to pack it up, We couldn’t save snags or steak, In only a couple of minutes there We were staggering round in a lake, And Oliver’s esky floated away With the rest of the beer we’d bought, While we took shelter as best we could Under cover of Maggie’s porch. The water rose right up to our knees, Our cars were afloat that day, The chickens drowned and the old hearth hound Was found seven miles away, While on the Teev was the Bureau Chief With a grin that was not quite sane, He knew he’d won with his elephant gun, ‘The sky is threatening rain!’ David Lewis Paget
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Jan 9, 2015
Jan 9, 2015 at 2:04 PM UTC
Threatening Rain
It was threatening rain for a week or more It was always threatening rain, The Weather Bureau was always sore When the threatening rain never came. We’d hold an open air barbecue Each time they said it would come, ‘Hey it’s gonna rain,’ said Oliver Payne, ‘What do they think, we’re dumb?’ But the Bureau Chief, one Adrian Reef Said he was sick to the core, Why wouldn’t the weather behave itself Like it had done before, ‘It’s making us look like a laughing stock,’ He bitterly said to Jane, ‘I want you to ring up the airport now And charter a small, light plane,’ He loaded the plane up with dry ice And a generous load of salt, And lugged along an elephant gun, The plane took off with a jolt, He peppered the clouds with ice that day, He put his job on the line, The last thing he wanted to have to say: ‘The weather is going to be fine.’ And down on the ground at the barbecue We were sizzling snags and steak, Having an ice cold beer or two And trying to stay awake. The sultry weather was drowsy then We’d heard the report, in vain, But just when the steaks were nicely done It came down, bucketing rain. We didn’t have time to pack it up, We couldn’t save snags or steak, In only a couple of minutes there We were staggering round in a lake, And Oliver’s esky floated away With the rest of the beer we’d bought, While we took shelter as best we could Under cover of Maggie’s porch. The water rose right up to our knees, Our cars were afloat that day, The chickens drowned and the old hearth hound Was found seven miles away, While on the Teev was the Bureau Chief With a grin that was not quite sane, He knew he’d won with his elephant gun, ‘The sky is threatening rain!’ David Lewis Paget
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