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Thomas Davies Nov 2015
I'm explaining to the people of the world
What Fate of Ten stands for
And my persistent craving for books
Bur does it look as if they understand?
No
They don't
And that's the problem
Of the dark world I'm finding myself in
And that's the problem
Of a world full of people that doesn't read
Something I thought would've
Changed
When the things named 'e-books' arrived
Because everyone was crazy
That our world turned 'technological advanced'
And everyone turned a blind eye
From the comforts of the past
There was always this people
That said
'Technology will make your life so much better'
But now I've come to believe that
We act as if we're worshiping it
And cherishing the fact that
'Our life's made easier'
But rather
We are blinded
By the
Imminent
Torture
Of the
Future
P.S. I'm not expressing my hate towards technology...I just hate it that so few people read. Don't they understand that books are the best thing that ever happened to us??
i was considering how
within night’s loose
sack a star’s
nibbling in-

fin
-i-
tes-
i
-mal-
ly devours

darkness the
hungry star
which
will e

-ven
tu-
al
-ly jiggle
the bait of
dawn and be ******

into

eternity. when over my head a
shooting
star
Bur      s

              (t
                  into a stale shriek
like an alarm-clock)
Infamous one Feb 2013
We fight and argue
But love one another
Together in that time of need
Talk back and forth
Everything is alright
We might not talk
Nothing bur love
Separate worlds but one family
We may not agree
Family love is deeper that any foolish beef
Good time we laugh
Bad times we fight
Family united everything feels right
Michael R Burch Mar 2020
Heretical Poems by Michael R. Burch

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

NOTE: I came up with this epigram to express my conclusions after reading the Bible from cover to cover, ten chapters per day, at age eleven.



Saving Graces
for the Religious Right
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter
(wisdom, it seems, is for the Hereafter).



Multiplication, Tabled
for the Religious Right
by Michael R. Burch

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



***** Nilly
for the Demiurge, aka Yahweh/Jehovah
by Michael R. Burch

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he’ll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?



A Child’s Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus,
for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please . . .
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEEEEEEEEee . . .
jesus loves and understands
ME!



Red State Religion Rejection Slip
by Michael R. Burch

I’d like to believe in your LORD
but I really can’t risk it
when his world is as badly composed
as a half-baked biscuit.



Evil Cabal
by Michael R. Burch

those who do Evil
do not know why
what they do is wrong
as they spit in ur eye.

nor did Jehovah,
the original Devil,
when he murdered eve,
our lovely rebel.



The Heimlich Limerick
by Michael R. Burch

for T. M.

The sanest of poets once wrote:
"Friend, why be a sheep or a goat?
Why follow the leader
or be a blind *******?"
But almost no one took note.



Be very careful what you pray for!
by Michael R. Burch

Now that his T’s been depleted
the Saint is upset, feeling cheated.
His once-fiery lust?
Just a chemical bust:
no “devil” cast out or defeated.


Practice Makes Perfect
by Michael R. Burch

I have a talent for sleep;
it’s one of my favorite things.
Thus when I sleep, I sleep deep ...
at least till the stupid clock rings.

I frown as I squelch its **** beep,
then fling it aside to resume
my practice for when I’ll sleep deep
in a silent and undisturbed tomb.



Enough!
by Michael R. Burch

It’s not that I don’t want to die;
I shall be glad to go.
Enough of diabetes pie,
and eating sickly crow!
Enough of win and place and show.
Enough of endless woe!

Enough of suffering and vice!
I’ve said it once;
I’ll say it twice:
I shall be glad to go.

But why the hell should I be nice
when no one asked for my advice?
So grumpily I’ll go ...
although
(most probably) below.



Redefinitions
by Michael R. Burch

Faith: falling into the same old claptrap.
Religion: the ties that blind.



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Listen
by Michael R. Burch

Listen to me now and heed my voice;
I am a madman, alone, screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black, and white is white, and in between lies gray,
I have no choice.

Does a madman choose his words? They come to him,
the moon’s illuminations, intimations of the wind,
and he must speak.

But listen to me now, and if you hear
the tolling of the judgment bell, and if its tone is clear,
then do not tarry,

but listen, or cut off your ears, for I Am weary.



fog
by michael r. burch

ur just a bit of fluff
drifting out over the ocean,
unleashing an atom of rain,
causing a minor commotion,
for which u expect awesome GODS
to pay u SUPREME DEVOTION!
... but ur just a smidgen of mist
unlikely to be missed ...
where did u get the notion?



thanksgiving prayer of the parasites
by michael r. burch

GODD is great;
GODD is good;
let us thank HIM
for our food.

by HIS hand
we all are fed;
give us now
our daily dead:

ah-men!

(p.s.,
most gracious
& salacious
HEAVENLY LORD,
we thank YOU in advance for
meals galore
of loverly gore:
of precious
delicious
sumptuous
scrumptious
human flesh!)



no foothold
by michael r. burch

there is no hope;
therefore i became invulnerable to love.
now even god cannot move me:
nothing to push or shove,
no foothold.

so let me live out my remaining days in clarity,
mine being the only nativity,
my death the final crucifixion
and apocalypse,

as far as the i can see ...



u-turn: another way to look at religion
by michael r. burch

... u were borne orphaned from Ecstasy
into this lower realm: just one of the inching worms
dreaming of Beatification;
u'd love to make a u-turn back to Divinity, but
having misplaced ur chrysalis,
can only chant magical phrases,
like Circe luring ulysses back into the pigsty ...



You
by Michael R. Burch

For thirty years You have not spoken to me;
I heard the dull hollow echo of silence
as though a communion between us.

For thirty years You would not open to me;
You remained closed, hard and tense,
like a clenched fist.

For thirty years You have not broken me
with Your alien ways and Your distance.
Like a child dismissed,

I have watched You prey upon the hope in me,
knowing “mercy” is chance
and “heaven”—a list.



I’ve got Jesus’s face on a wallet insert
by Michael R. Burch

for the Religious Right

I’ve got Jesus’s face on a wallet insert
and "Hell is for Queers" on the back of my shirt.
     And I uphold the Law,
     for Grace has a Flaw:
the Church must have someone to drag through the dirt.

I’ve got ten thousand reasons why Hell must exist,
and you’re at the top of my fast-swelling list!
     You’re nothing like me,
     so God must agree
and slam down the Hammer with His Loving Fist!

For what are the chances that God has a plan
to save everyone: even Boy George and Wham!?
     Eternal fell torture
     in Hell’s pressure scorcher
will separate **** from Man.

I’m glad I’m redeemed, ecstatic you’re not.
Did Christ die for sinners? Perish the thought!
     The "good news" is this:
     soon My vengeance is his!,
for you’re not the lost sheep We sought.



Pagans Protest the Intolerance of Christianity
by Michael R. Burch

“We have a common sky.” — Quintus Aurelius Symmachus (c. 345-402)

We had a common sky
before the Christians came.

We thought there might be gods
but did not know their names.

The common stars above us?
They winked, and would not tell.

Yet now our fellow mortals claim
our questions merit hell!

The cause of our damnation?
They claim they’ve seen the LIGHT ...

but still the stars wink down at us,
as wiser beings might.



jesus hates me, this i know
by michael r. burch

jesus hates me, this I know,
for Church libel tells me so:
"little ones to him belong"
but if they use their dongs, so long!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!

jesus fleeces us, i know,
for Religion scams us so:
little ones are brainwashed to
believe god saves the Chosen Few!
    yes, jesus fleeces!
    yes, he deceases
    the bunny and the rhesus
    because he's mad at you!

jesus hates me—christ who died
so i might be crucified:
for if i use my active brain,
that will drive the "lord" insane!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!

jesus hates me, this I know,
for Church libel tells me so:
first priests tell me "look above,"
that christ's the lamb and god's the dove,
but then they sentence me to Hell
for using my big brain too well!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!



and then i was made whole
by michael r. burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.



Beast 666
by Michael R. Burch

“what rough beast...slouches toward Bethlehem to be born?”―W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking―
tiny orifices torn
by cruel adult lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition . . .
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



I AM
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.
I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.
I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please! "
I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.
I am not one of ten billion, I
AM!



Snap Shots
by Michael R. Burch

Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they'll soon conjugate).

We like to hook a little tail.
We hope there's decent ** in jail.
Don't fool with us; our bombs are smart!
(We'll send the plans, ASAP, e-mail.)

The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don't make us laugh!
We have your plan for sainthood. (Die.)



Unwhole
by Michael R. Burch

What is it that we strive to remember, to regain,
as memory deserts us,
leaving us destitute of even ourselves,
of all but pain?

How can something so essential be forgotten,
if we are more than our bodies?
How can a soul
become so unwhole?



Nonbeliever
by Michael R. Burch writing as Kim Cherub

She smiled a thin-lipped smile
(What do men know of love?)
then rolled her eyes toward heaven
(Or that Chauvinist above?).



evol-u-shun
by Michael R. Burch

does GOD love the Tyger
while it's ripping ur lamb apart?

does GOD applaud the Bubonic Plague
while it's eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.
But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche's sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



Alien
by Michael R. Burch

for  a "Christian" poet

On a lonely outpost on Mars
the astronaut practices "speech"
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro―
far colder than Jesus's words
over the "fortunate" sparrow.

And I understand how gentle Emily
felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Crescendo Against Heaven
by Michael R. Burch

As curiously formal as the rose,
the imperious Word grows
until its sheds red-gilded leaves:
then heaven grieves
love's tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.

Together now, rude coffins, crosses,
death-cursed but bright vermilion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem's retrograde star,
we point out now, in resignation:
You asked too much of man's beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good...
just, O greatest of Poets!, misunderstood.



Advice for Evangelicals
by Michael R. Burch

"... so let your light shine before men..."

Consider the example of the woodland anemone:
she preaches no sermons but―immaculate―shines,
and rivals the angels in bright innocence and purity,
the sweetest of divines.

And no one has heard her engage in hypocrisy
since the beginning of time―an oracle so mute,
so profound in her silence and exemplary poise
she makes lessons moot.

So consider the example of the saintly anemone
and if you'd convince us Christ really exists,
then let him be just as sweet, just as guileless
and equally as gracious to bless.



Heaven Bent
by Michael R. Burch

This life is hell; it can get no worse.
Summon the coroner, the casket, the hearse!
I'm upwardly mobile; this one thing I know:
I can only go up; I'm already below!



Shock and Awe
by Michael R. Burch

With megatons of "wonder, "
we make our godhead clear:
Death. Destruction. Fear.

The world's heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!―
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!―
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



Lay Down Your Arms
by Michael R. Burch

Lay down your arms; come, sleep in the sand.
The battle is over and night is at hand.
Our voyage has ended; there's nowhere to go...
the earth is a cinder still faintly aglow.

Lay down your pamphlets; let's bicker no more.
Instead, let us sleep here on this ravaged shore.
The sea is still boiling; the air is wan, thin...
lay down your pamphlets; now no one will "win."

Lay down your hymnals; abandon all song.
If God was to save us, He waited too long.
A new world emerges, but this world is through...
so lay down your hymnals, or write something new.



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast?

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer?

What brings them here―
pale, tearful congregations,
knowing all Hope is past,
faithfully, year upon year?

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen It...
But, if so, still, I must ask:

why is it God that they fear?



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Altared Spots
by Michael R. Burch

The mother leopard buries her cub,
then cries three nights for his bones to rise
clad in new flesh, to celebrate the sunrise.

Good mother leopard, pensive thought
and fiercest love's wild insurrection
yield no certainty of a resurrection.

Man's tried them both, has added tears,
chants, dances, drugs, séances, tombs'
white alabaster prayer-rooms, wombs

where dead men's frozen genes convene...
there is no answer―death is death.
So bury your son, and save your breath.

Or emulate earth's "highest species"―
write a few strange poems and odd treatises.



Flight
by Michael R. Burch

Poetry captures
less than reality
the spirit of things

being the language
not of the lordly falcon
but of the dove with broken wings

whose heavenward flight
though brutally interrupted
is ever towards the light.



Winter Night
by Michael R. Burch

Who will be ******,
who embalmed
for all eternity?

The night weighs heavy on me―
leaden, sullen, cold.
O, but my thoughts are light,

like the weightless windblown snow.



Tonight, Let's Remember
by Michael R. Burch

July 7,2007 (7-7-7)

Tonight, let's remember the fond ways
our fingers engendered new methods to praise
the gray at my temples, your thinning hair.
Tonight, let's remember, and let us draw near...

Tonight, let's remember, as mortals do,
how cutely we chortled when work was through,
society sated, all gods put to rest,
and you in my arms, and I at your breast...

Tonight, let's remember how daring, how free
the Madeira made us, recumbently.
Our inhibitions?―we laid them to rest.
Earth, heaven or hell―we knew we were blessed.

Tonight, let's remember the dwindling days
we've spent here together―the sun's rays
spending their power beyond somber hills.
Soon we'll rest together; there'll be no more bills.

Tonight, let's remember: we've paid all our dues,
we've suffered our sorrows, we've learned how to lose.
What's left now to take, only God can tell.
Be with me in heaven, or "bliss" will be hell!

I do not want God; I want to see you
free from all sorrow, your labor through,
a song on your tongue, a smile on your lips,
sweet, sultry and vagrant, a child at your hips,

laughing and beaming and ready to frolic
in a world free from cancer and gout and colic.
For you were courageous, and kind, and true.
There must be a heaven for someone like you.



I, Lazarus
by Michael R. Burch

I, Lazarus, without a heart,
devoid of blood and spiritless,
lay in the darkness, meritless:
my corpse―a thing cold, dead, apart.

But then I thought I heard―a Voice,
a Voice that called me from afar.
And so I stood and laughed, bizarre:
a thing embalmed, made to rejoice!

I ran ungainly-legged to see
who spoke my name, and then I knew
him by the light. His name is True,
and now he is the life in me!

I never died again! Believe!
(Oops! Seems it was a brief reprieve.)



To Know You as Mary
by Michael R. Burch

To know You as Mary,
when You spoke her name
and her world was never the same...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard You exclaim―
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech's brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear―
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don't quite understand) ,
exposing me, perhaps, to too much Light?
Or do I escape your notice, quick and bright?

Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).



Gethsemane in Every Breath
by Michael R. Burch

LORD, we have lost our way, and now
we have mislaid love―earth's fairest rose.
We forgot hope's song―the way it goes.
Help us reclaim their gifts, somehow.

LORD, we have wondered long and far
in search of Bethlehem's retrograde star.
Now in night's dead cold grasp, we gasp:
our lives one long-drawn rattling rasp

of misspent breath... before we drown.
LORD, help us through this spiral down
because we faint, and do not see
above or beyond despair's trajectory.

Remember that You, too, once held
imperiled life within your hands
as hope withdrew... that where You knelt
―a stranger in a stranger land―

the chalice glinted cold afar
and red with blood as hellfire.
Did heaven ever seem so far?
Remember―we are as You were,

but all our lives, from birth to death―
Gethsemane in every breath.



A Possible Argument for Mercy
by Michael R. Burch

Did heaven ever seem so far?
Remember-we are as You were,
but all our lives, from birth to death―
Gethsemane in every breath.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men―
men rejoicing to have known you
in the familiar manger's cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright―
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope's long-departed star!



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



The Gardener's Roses
by Michael R. Burch

Mary Magdalene, supposing him to be the gardener, saith unto him, "Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away."

I too have come to the cave;
within: strange, half-glimpsed forms
and ghostly paradigms of things.
Here, nothing warms

this lightening moment of the dawn,
pale tendrils spreading east.
And I, of all who followed Him,
by far the least...

The women take no note of me;
I do not recognize
the men in white, the gardener,
these unfamiliar skies...

Faint scent of roses, then―a touch!
I turn, and I see: You.
"My Lord, why do You tarry here:
Another waits, Whose love is true? "

"Although My Father waits, and bliss;
though angels call―ecstatic crew!―
I gathered roses for a Friend.
I waited here, for You."



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of "morality" around me.
Surround me,

not with law's restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,

and not to fly to You, my only sin.



Cædmon's Face
by Michael R. Burch

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and Time blew all around,
I paced that dusk-enamored ground
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked here too, their spirits freed
―perhaps by God, perhaps by need―

to write, and with each line, remember
the glorious light of Cædmon's ember:
scorched tongues of flame words still engender.



He wrote here in an English tongue,
a language so unlike our own,
unlike―as father unto son.

But when at last a child is grown.
his heritage is made well-known:
his father's face becomes his own.



He wrote here of the Middle-Earth,
the Maker's might, man's lowly birth,
of every thing that God gave worth

suspended under heaven's roof.
He forged with simple words His truth
and nine lines left remain the proof:

his face was Poetry's, from youth.



Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram—the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?



Is there any Light left?
by Michael R. Burch

Is there any light left?
Must we die bereft
of love and a reason for being?
Blind and unseeing,
rejecting and fleeing
our humanity, goat-hooved and cleft?

Is there any light left?
Must we die bereft
of love and a reason for living?
Blind, unforgiving,
unworthy of heaven
or this planet red, reeking and reft?

NOTE: While “hoofed” is the more common spelling, I preferred “hooved” for this poem. Perhaps because of the contrast created by “love” and “hooved.”



Modern Dreams
by Michael R. Burch

after David B. Gosselin

I dreamed that God was good, but then I woke
and all his goodness vanished—****!—
like smoke.

I dreamed his Word was good, but then I heard
commandments evil, awful, weird,
absurd.

I dreamed of Heaven where cruel Angels flew
above my head and screamed, the Chosen Few,
“We’re not like you!”

I dreamed of Hell below, where prostitutes
adored by Jesus, played on lovely lutes
“True Love Commutes.”

I dreamed of Earth then woke to hear a Gong’s
repellent echoes in Religion’s song
of right gone wrong.



Star Crossed
by Michael R. Burch

Remember—
night is not like day;
the stars are closer than they seem ...
now, bending near, they seem to say
the morning sun was merely a dream
ember.




Well, Almost
by Michael R. Burch

All Christians say “Never again!”
to the inhumanity of men
(except when the object of phlegm
is a Palestinian).



O, My Redeeming Angel
by Michael R. Burch

O my Redeeming Angel, after we
have fought till death (and soon the night is done) ...
then let us rest awhile, await the sun,
and let us put aside all enmity.

I might have been the “victor”—who can tell?—
so many wounds abound. All out of joint,
my groin, my thigh ... and nothing to anoint
but sunsplit, shattered stone, as pillars hell.

Light, easy flight to heaven, Your return!
How hard, how dark, this path I, limping, walk.
I only ask Your blessing; no more talk!

Withhold Your name, and yet my ears still burn
and so my heart. You asked me, to my shame:
for Jacob—trickster, shyster, sham—’s my name.



To Know You as Mary
by Michael R. Burch

To know you as Mary,
when you spoke her name
and her world was never the same ...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain ...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard you exclaim—
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



ur-gent
by Michael R. Burch

if u would be a good father to us all,
revoke the Curse,
extract the Gall;

but if the abuse continues,
look within
into ur Mindless Soulless Emptiness Grim,

& admit ur sin,
heartless jehovah,
slayer of widows and orphans ...

quick, begin!



Bible libel (ii)
by Michael R. Burch

ur savior’s a cad
—he’s as bad as his dad—
according to your strange Bible.

demanding belief
or he’ll bring u to grief?
he’s worse than his horn-sprouting rival!

was the man ever good
before made a “god”?
if so, half your Bible is libel!



stock-home sin-drone
by Michael R. Burch

ur GAUD created this hellish earth;
thus u FANTAsize heaven
(an escape from rebirth).

ur GUAD is a monster,
**** ur RELIGION lied
and called u his frankensteinian bride!

now, like so many others cruelly abused,
u look for salve-a-shun
to the AUTHOR of ur pain’s selfish creation.

cons preach the “TRUE GOSPEL”
and proudly shout it,
but if ur GAUD were good
he would have to doubt it.



un-i-verse-all love
by Michael R. Burch

there is a Gaud, it’s true!
and furthermore, tHeSh(e)It loves u!
unfortunately
the
He
Sh(e)
It
,even more adorably,
loves cancer, aids and leprosy.



yet another post-partum christmas blues poem
by michael r. burch

ur GAUD created hell; it’s called the earth;
HE mused u briefly, clods of little worth:
let’s conjure some little monkeys
to be BIG RELIGION’s flunkeys!
GAUD belched, went back to sleep, such was ur birth.



wee the many
by michael r. burch

wee never really lived: was that our fault?
now thanks to ur GAUD wee lie in an underground vault.
wee lie here, the little ones ur GAUD despised!
HE condemned us to death before wee opened our eyes!
as it was in the days of noah, it still remains:
GAUD kills us with floods he conjures from murderous rains.



Untitled ur poems

since GOD created u so gullible
how did u conclude HE’s so lovable?
—Michael R. Burch

limping to the grave under the sentence of death,
should i praise ur LORD? think i’ll save my breath!
—Michael R. Burch



One of the Flown
by Michael R. Burch

Forgive me for not having known
you were one of the flown—
flown from the distant haunts
of someone else’s enlightenment,
alighting here to a darkness all your own . . .

I imagine you perched,
pretty warbler, in your starched
dress, before you grew bellicose . . .
singing quaint love’s highest falsetto notes,
brightening the pew of some dilapidated church . . .

But that was before autumn’s
messianic dark hymns . . .
Deepening on the landscape—winter’s inevitable shadows.
Love came too late; hope flocked to bare meadows,
preparing to leave. Then even the thought of life became grim,

thinking of Him . . .
To flee, finally,—that was no whim,
no adventure, but purpose.
I see you now a-wing: pale-eyed, intent, serious:
always, always at the horizon’s broadening rim . . .

How long have you flown now, pretty voyager?
I keep watch from afar: pale lover and ******.



what the “Chosen Few” really pray for
by Michael R. Burch

We are ready to be robed in light,
angel-bright

despite
Our intolerance;

ready to enter Heaven and never return
(dark, this sojourn);

ready to worse-ship any gaud
able to deliver Us from this flawed

existence;
We pray with the persistence

of actual saints
to be delivered from all earthly constraints:

just kiss each uplifted Face
with lips of gentlest grace,

cooing the sweetest harmonies
while brutally crushing Our enemies!

ah-Men!



wild wild west-east-north-south-up-down
by Michael R. Burch

each day it resumes—the great struggle for survival.

the fiercer and more perilous the wrath,
the wilder and wickeder the weaponry,
the better the daily odds
(just don’t bet on the long term, or revival).

so ur luvable Gaud decreed, Theo-retically,
if indeed He exists
as ur Bible insists—
the Wildest and the Wickedest of all
with the brightest of creatures in thrall
(unless u
somehow got that bleary
Theo-ry
wrong too).



The Strangest Rain
by Michael R. Burch

"I ... am small, like the Wren, and my Hair is bold, like the Chestnut Bur?and my eyes, like the Sherry in the Glass, that the Guest leaves ..."?Emily Dickinson

"If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry."--Emily Dickinson

The strangest rain, a few bright sluggish drops,
unsure if they should fall, run through with sun,
came tumbling down and touched me, one by one,
too few to animate the shriveled crops
of nearby farmers (though their daughters might
feel each cool splash, a-shiver with delight).

I thought again of Emily Dickinson,
who felt the tingle down her spine, inspired
to lifting hairs, to nerves’ electric song
of passion for a thing so deep-desired
the heart and gut agree, and so must tremble
as all the neurons of the brain assemble
to whisper: This is love, but what is love?
Wrens darting rainbows, laughter high above.



Note to a Chick on a Religious Kick
by Michael R. Burch

Daisy,
when you smile, my life gets sunny;
you make me want to spend all my ****** money;
but honey,
you can be a bit ... um ... hazy,
perhaps mentally lazy?,
okay, downright crazy,
praying to the Easter Bunny!



lust!
by michael r. burch

i was only a child
in a world dark and wild
seeking affection
in eyes mild

and in all my bright dreams
sweet love shimmered, beguiled ...

but the black-robed Priest
who called me the least
of all god’s creation
then spoke for the Beast:

He called my great passion a thing base, defiled!

He condemned me to hell,
the foul Ne’er-Do-Well,
for the sake of the copper
His Pig-Snout could smell
in the purse of my mother,
“the ***** jezebel.”

my sweet passions condemned
by degenerate men?
and she so devout
she exclaimed, “yay, aye-men!” ...

together we learned why Religion is hell.

Published by Lucid Rhythms, The HyperTexts and Black Waters of Melancholy


A coming day
by Michael R. Burch

for my mother, due to her hellish religion

There will be a day,
a day when the lightning strikes from a rainbowed mist
when it will be too late, too late for me to say
that I found your faith unblessed.

There will be a day,
a day when the storm clouds gather, ominous,
when it will be too late, too late to put away
this darkness that came between us.



Hellbound
by Michael R. Burch

Mother, it’s dark
and you never did love me
because you put Yahweh and Yeshu
above me.

Did they ever love you
or cling to you? No.
Now Mother, it’s cold
and I fear for my soul.

Mother, they say
you will leave me and go
to some distant “heaven”
I never shall know.

If that’s your choice,
you made it. Not me.
You brought me to life;
will you nail me to the tree?

Christ! Mother, they say
God condemned me to hell.
If the Devil’s your God
then farewell, farewell!

Or if there is Love
in some other dimension,
let’s reconcile there
and forget such cruel detention.

Keywords/Tags: god, Jesus, Christ, Christian, prayer, Bible, angel, atheist, faith, blasphemy, heresy, heresies, heretic, heretic, heretical, pagan, pagans, god, gods, mrbhere



He Lived: Excerpts from “Gilgamesh”
loose translation/interpretation by Michael R. Burch

I.
He who visited hell, his country’s foundation,
Was well-versed in mysteries’ unseemly dark places.
He deeply explored many underworld realms
Where he learned of the Deluge and why Death erases.

II.
He built the great ramparts of Uruk-the-Sheepfold
And of holy Eanna. Then weary, alone,
He recorded his thoughts in frail scratchings called “words”:
But words made immortal, once chiseled in stone.

III.
These walls he erected are ever-enduring:
Vast walls where the widows of dead warriors weep.
Stand by them. O, feel their immovable presence!
For no other walls are as strong as this keep’s.

IV.
Come, climb Uruk’s tower on a starless night—
Ascend its steep stairway to escape modern error.
Cross its ancient threshold. You are close to Ishtar,
The Goddess of Ecstasy and of Terror!

V.
Find the cedar box with its hinges of bronze;
Lift the lid of its secrets; remove its dark slate;
Read of the travails of our friend Gilgamesh—
Of his descent into hell and man’s terrible fate!

VI.
Surpassing all kings, heroic in stature,
Wild bull of the mountains, the Goddess his dam
—Bedding no other man; he was her sole rapture—
Who else can claim fame, as he thundered, “I am!”



Enkidu Enters the House of Dust
an original poem by Michael R. Burch

I entered the house of dust and grief.
Where the pale dead weep there is no relief,
for there night descends like a final leaf
to shiver forever, unstirred.

There is no hope left when the tree’s stripped bare,
for the leaf lies forever dormant there
and each man cloaks himself in strange darkness, where
all company’s unheard.

No light’s ever pierced that oppressive night
so men close their eyes on their neighbors’ plight
or stare into darkness, lacking sight ...
each a crippled, blind bat-bird.

Were these not once eagles, gallant men?
Who sits here—pale, wretched and cowering—then?
O, surely they shall, they must rise again,
gaining new wings? “Absurd!

For this is the House of Dust and Grief
where men made of clay, eat clay. Relief
to them’s to become a mere windless leaf,
lying forever unstirred.”

“Anu and Enlil, hear my plea!
Ereshkigal, they all must go free!
Beletseri, dread scribe of this Hell, hear me!”
But all my shrill cries, obscured

by vast eons of dust, at last fell mute
as I took my place in the ash and soot.



Reclamation
an original poem by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me—progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically—her dowager figure,
and there is something about her that my words transfigure

to a consuming emptiness.
We are at peace
with each other; this is our venture—
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts

to the first note.
Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.

Keywords/Tags: Epic of Gilgamesh, epic, epical, orient occident, oriental, ancient, ancestors, ancestry, primal



Double Dactyls

Sniggledy-Wriggledy
Jesus Christ’s enterprise
leaves me in awe of
the rich men he loathed!

But should a Sadducee
settle for trifles?
His disciples now rip off
the Lord they betrothed.
―Michael R. Burch

Donald Double Dactyl

Higgledy Piggledy
Ronald McDonald
cursed Donald Trump,
his least favorite clown:

"Why should I try to be
funny as Donald? He
gets all the laughs
saying upside is down!"
―Michael R. Burch



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.


II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and scoffs at quaint churchyards
littered with roods.

And if my body
should not be found,
never think of me
in the cold ground.


III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Yahweh, or Thor.

Think of Me as the One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.


IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.




Listen
by Immanuel A. Michael (an alias of Michael R. Burch)

1.
Listen to me now
and heed my voice;
I am a madman, alone,
screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black
and white is white
and in between lies gray,
I have no choice.

Does a madman choose his words?
They come to him:
the moon's illuminations,
intimations of the wind,
and he must speak.

But listen to me now,
and if you hear
the tolling of the judgment bell,
and if its tone is clear,
then do not tarry,
but listen,
or cut off your ears,
for I Am weary.

I desire mercy, not sacrifice.

2.
Listen to me now: I had a Vision.
An elevated train derailed, and Fell.
It was the Church brought low, almost to Hell.
And I alone survived, who dream of Mercy:
the Heretic, who speaks behind the Veil.

3.
Listen to me now: I saw an airplane
fall from the sky. And why should I explain?
The Visions are the same. It is my Heresy
that I survive, because I sing of Mercy,
while elevated "saints" go down in flames.

4.
Listen to me now: I saw in Nashville
how those who "soar" will plummet―Fame in flames!―
and fall on those below, as if to **** them.
The lowly, saved, will understand their names.

5.
Listen to me now: I heard another
say, "That which died shall Resurrect and Live."
An angel with a Rose bestowing Mercy!
What can it mean, but that my Visions give
fair warning to the world that God wants Mercy.
My Heresy is that we must forgive!

6.
Listen to me now: she heard god calling―
O, who will love me, who will be my friend?
Does he want Perfect Saints, the whitewashed Purists,
who frown down on their "brothers," without end?

7.
Listen to me now: you are not perfect,
and your "wise counsel" helps no one at all:
unless it's sweetened with the sweetest Mercy,
it's pure astringent antiseptic gall.

8.
Listen to me now, and learn this lesson:
If God wants mercy, why dig at the speck
in your brother's eye, when even now the Beam,
your lack of mercy, spares, no, neither neck,
becomes the Hangman's Millstone. We're all children,
all little ones! Be patient with the fleck!

9.
Listen to me now: for the Announcer
explained that wars have given Presidents
the precedents to soon assume all Power.
Vote, citizens, or be mere residents!

10.
O, listen to me now: I saw the Warheads
stored safely underground, except for One.
A red-haired woman with a bright complexion
seduced the guard. Translucent blouse, red thong,
white bra―these were her fearsome antique weapons.

I saw the Skull and Crossbones! Heed my Song!

11.
O, listen to me now, and hear my Gospel:
three verses of such sweet simplicity!
God is Light: in Him there is no darkness.
In Christ, no condemnation: Liberty!
God want no Sacrifice, but only Mercy.
O, who could ask for sweeter Heresy?

12.
Theology? I swear that I disdain it!
If Love can be explained, why then explain it!
If Love can't be explained why, then, should God,
if God is Love? Nor hell nor cattle ****
is needed, if God's good, and God's supreme.
Ask, children, what "re-ligion" truly means:
"return to *******! " Heed the bondsman's screams!

13.
Heed, children, which Theologies you dream
when Hellish Nightmares wake you, when you Scream
for comfort, but no comforter is there.
Which Voices do you heed, which Crosses bear?
If god is light, whence do Dark Visions come
which leave the Taste of Venom on your Tongue,
with which you **** your brother for one Sin
you do not share, ten thousand underskin
like Itching Worms that Squirm and Vilely Hiss:
"Your brother's sin will keep him from god's bliss,
but You are safe because god favors You! "
If God is Love, how can this voice be true?

14.
For God is not a favorer of men.
Amen. Amen. Amen. Amen. Amen.
316

The Wind didn’t come from the Orchard—today—
Further than that—
Nor stop to play with the Hay—
Nor joggle a Hat—
He’s a transitive fellow—very—
Rely on that—

If He leave a Bur at the door
We know He has climbed a Fir—
But the Fir is Where—Declare—
Were you ever there?

If He brings Odors of Clovers—
And that is His business—not Ours—
Then He has been with the Mowers—
Whetting away the Hours
To sweet pauses of Hay—
His Way—of a June Day—

If He fling Sand, and Pebble—
Little Boys Hats—and Stubble—
With an occasional Steeple—
And a hoarse “Get out of the way, I say,”
Who’d be the fool to stay?
Would you—Say—
Would you be the fool to stay?
Gina Old Oct 2015
The sky was starry, but the stars didn't glow
She was dressed in white, I couldn't see her in the snow
I could smell the flowers, though they couldn't grow
So i knew that she would show
Up

Sooner or later, on my left or my right
I couldn't wait to see her, I would wait the whole night
I started to freeze, but I put up the fight
I had to see that woman, that woman in white

If she was dragging me away, using her coat
I wouldn't care, I'd close my eyes and float
Till I'd see the dark lake and the big old boat
Then we'd sail all the lakes, young and old

Bur there I was, waiting, wasting my time,
I tried singing songs for her, but they wouldn't rhyme
No sounds, no footsteps, no other sign,
Only me, loosing the hope of her becoming mine

The wind remained quiet, it wouldn't blow
The sun started rising, illuminated the snow
The morning had arrived, my head hurt, so
I opened my eyes and I had to go
Home
A cloudless night like this
Can set the spirit soaring:
After a tiring day
The clockwork spectacle is
Impressive in a slightly boring
Eighteenth-century way.

It soothed adolescence a lot
To meet so shameless a stare;
The things I did could not
Be so shocking as they said
If that would still be there
After the shocked were dead

Now, unready to die
Bur already at the stage
When one starts to resent the young,
I am glad those points in the sky
May also be counted among
The creatures of middle-age.

It's cosier thinking of night
As more an Old People's Home
Than a shed for a faultless machine,
That the red pre-Cambrian light
Is gone like Imperial Rome
Or myself at seventeen.

Yet however much we may like
The stoic manner in which
The classical authors wrote,
Only the young and rich
Have the nerve or the figure to strike
The lacrimae rerum note.

For the present stalks abroad
Like the past and its wronged again
Whimper and are ignored,
And the truth cannot be hid;
Somebody chose their pain,
What needn't have happened did.

Occurring this very night
By no established rule,
Some event may already have hurled
Its first little No at the right
Of the laws we accept to school
Our post-diluvian world:

But the stars burn on overhead,
Unconscious of final ends,
As I walk home to bed,
Asking what judgment waits
My person, all my friends,
And these United States.
Mateuš Conrad Oct 2018
.that's what the term: Slavic, implies... slave?! what?! not in my language, etymologically speaking... słowo, słowianin, word, Slav, respectively... i don't know where these quasi-Germanic peoples of the anglophone world get their ideas from, esp. from a, "missing" epsilon. wankers.

- and the main difference between a Slavic
language and a quasi-Germanic language
akin to English or French?
                   clarity of syllables,
   and a pivot on pseudo-Roman graphemes,
albeit not concentrated (for aesthetic
purposes) on crafting graphemes out
of vowels... more or less consonants...
English has this concept already...
   cheap as chips...
             prime **** of the shire
    (CH                                SH)
but the main difference is...
                            we don't use the surd
conundrum...
                e.g.?
                         ­        g'bur
                   syllable count: 2
                                  you say the first letter,
have a nanosecond pause and the second
syllable enters:  g'boor...
                   which is a word, roughly defined
as: someone who's boorish,
               a noun, not an adjective...
but in english?
                                   (g)nostic....
    wait...     diagnosis...
                            so like an electron clouds
surrounding a nucleus...
   (electrons do not exist in orbits,
clouds, quantum clouds to be precise,
they enter the antimatter dimension,
pop up and disappear in randomized
places, within a definite spatial complex
that constitutes what is known as
an atom)...
              too many ******* particulars
in the anglophone language...
         which is probably why i love it so
much...
        and because the englischzunge
has so many particular instances of
"correct" speech... and no diacritical
methodology... well...
                     hmm... a ******* rainbow of accents!
i love the Indian: bud bud... bud bud...
hearing it feels like riding a *******
camel over uneven ground... bud bud...
note - budwasserscheisse -
who, in their right state of mind -
ferments rice, and adds it to the fermentation
of barley?!
   o.k., the alternative... budscheissewasser...
take your pick...
    it appears that my original ambition
was to speak the native language better
than the natives...
   have i succeeded?
                  perhaps...
               god almighty and all that is
glorious about hell's pandemonium...
   i miss the trill of the R...
      either tongue numbing in English...
or a ******* hark in French...
but as i was sometime ago informed...
the French used to trill the R...
  they: rrrrrrroled the rattle and found
a snake...
                      trill? when you pass a breath
that slaps the tongue against your
hard palate...
                     like a rattlesnake...
   i'm so happy that it still exists in certain
languages...
        it's a hark in French,
             and a tongue numbing heimlich
maneuver
in English...
like the tongue was injected with an
anesthetic borrowed from dentistry,
                or some other random *******.
- and yes, i couldn't learn French,
because i was already investing my efforts
and observational tactics in spotting
the oddities in English...
            surd-letters, a slack in syllable distinction...
you name it...
                            g'boor contra
                  (g)nostic....
                          ­    invited to a session
of psychiatric diagnostics...
             oh i speak the orthodox better than
the natives...
  the natives have to resort to slang...
or as i like to call their version "of events":
the **** of shlang.

p.s. but this is going to be an example
of where English, and French meat...
****, sorry... meet...

   a surname to exemplify:
   Trudeau...
           i'm not going to call the French
żabie udki (frog-thigh eaters),
i just call them the suffix eaters...
point blank... watch how this GH
   grapheme pops up, but is "invisible"
in the said, French surname...
   although...
                           see it?
   Trudeau...             now you don't!
******* that i am surrounding
spewing linguistic *******...
   even i'm starting to think:
                    neat observation,
well tailored for the given times of...
how do you censor an investigation
into grammar and phonetics?

p.p.s.
    and well know where the English
borrowed their notion of H as a surd...
bindi-Hindi...
                          'indi...
     '   (this denotes a surd,
**** it, leave the letter out) -
esp. in names, like Khahn -
                        some variation of Ghengis,
Khan...    i suspect...
      oh yeah... the macron above the vowel
looks plain ugly: Kān...
   the literate can't reconfigure that word...
they need two languages of the same
tongue... the optical (Khan)...
             and the phonetic (Kān)...
look at you pretty people...
           you're bilingual already!
Mateuš Conrad Nov 2018
.here's a schematic representation of the changes to the youtube algorithm... the changes look as follows A(c) B(b) C(a)... or perhaps even Ab Bc Ca... or even A(b) B(a) C(c)... there are variants, all in the same vein of argument... the dictionary / thesaurus standard of the algorithmic categorical impetus... which "miraculously" disappeared... sure... the alphabetic order is somehow intact... but the synonym aspect of expansion is lost... i have lost access to, say A... and subsequent (a), synonyms... and instead "gained" access to the antonyms (b / c)... there's literally a linguistic explanation to the conundrum of the current algorithm... A doesn't follow with (a), but rather (b / c)... B doesn't follow with (b), but rather (a / c); and C doesn't follow with (c), bur rather (a / b)... if this new youtube algorithm were akin to a dictionary.... i'd be looking up a word like aardvark, and subsequently finding an word like chipmunk next to it... (a) contradicts (c)... although both are synonyms in the category B, i.e. burrowing (mammals)... but an *aardvark is not a chipmunk... this new youtube algorithm is *******... never try to fix something that's not broken... but given how this current guise of the algorithm, will not be fixed... the fun of the internet died this year... and it's not like the high street has music shops... how many ******* shoes, clothes and mobile phones do i actually need?!

why would i put myself through all this...
listening to online political
commentary response videos?
now i can't find *rob zombie
's song
michael on the jukebox...
         first they took the music shops.
and then they went after
the internet jukebox...
        i have to lament these changes...
"improvements"...
   spending a night engrossed in
brick walls while drinking
has become the most exciting
"revision" of: things to do when drinking...
2 hours of cramming
undisturbed rhetoric,
  and no dialectics in sight...
           a ******* brain-drain...
custard / fudge for thought...
          two seagulls regurgitating
food from the stomachs to feed their chicks...
i couldn't care about
these youtube political commentators...
i'm sorry...
    i can't give a ****...
     whoever is to blame,
i blame both sides...
                  "my" jukebox is ****** up!
the only recommendations
are what i've already seen!
   once it looked like:
           the thesaurus project...
in terms of the ontology of algorithms...
something synonymous was
always suggest...
  e.g.?
             the song helvegen
by the Nordic band wardruna
would be associated with
   the song federkleid
by a band faun...
               or the song lifa
by the band heilung...
             the ruck has only girl (in the world)
by rihanna have to do with
project thesaurus?!
or ke$ha's song die young?!
the internet media commentators
have...
   i've spent the past two hours...
equally zombie-prone like i might
watch the mainstream...
  the jukebox's ******!
          i can peruse the music scene like
i used to...
  clearly, in a classical music shop...
you wouldn't have a Britney Spears
record lodged in the punk category...
whatever they did...
  the current algorithm has
not categorical imperative...
              it's all jumbled up...
   pop sits alongside black metal...
jazz sits alongside classical music...
  rock is mingling with rap...
how did these people **** up
a formerly pristine algorithm?!
  that had the knowledge of a categorical
imperative...
   a hyena was a mammal,
a whale was an aquatic mammal...
a pig was a mammal...
              a spider was an insect,
    and a cod was a ******* fish...
the end...
      i've reached the critical sentiment
of, either a nihilist or a cynic that...
who gives a **** if you can speak
freely..
        hell... it's not even revelatory or
simply plain obvious what you're saying...
the ******* jukebox is down,
and you're partially to blame!
             what?! no cause: no effect?
   the algorithm has lost its knowledge of
proper coordination of categories...
these days...
    red is no longer a noun...
it's... a verb...
                     the current algorithm
is transgender...
you made a ******* transgender algorithm...
well done!
i need music to think,
    the current tirades of youtube commentary
make my brain turn into
fudge for about two hours...
after i snap out from the mantra...
free speech this... hate speech that...
what was once the only site to explore...
and subsequently buy the music...
this is the only reason i've succumbed
to the statement: the internet is dead...
well... because internet banking,
nor internet retail will not be affected...
working pristine...
             but the experience of finding
new music?
                that's affected...
and it's affected by youtube commentaries
antagonizing mainstream media...
sure, great...
    but the jukebox is ******...
      and because of that?
        i'll care, sure i'll care...
                  when a get to play
the xylophone on my rib-cage
with the embodiment of a ghost form...
on my post-decomposing skeleton!
having gained so little,
we've lost so much...
      what, a comment section on one of
these videos will, "somehow"
compete with my enjoying some decent
music?
         FAT CHANCE.
I wanted to give my mom a home, one befitting of her love and kindness, one that would resonate her love and generosity one not made of cheap bricks of clay
A home where no rent is paid cause she is the landlady, one that exude class and comfort at any given time of the day
A home whose roof isn't made with thatch and bamboo that is soon to be ready to tinder or poorly baked bricks whose cracks offer shelter to lizards and rodents as they grow older
I wanted to give my dad a house made only of the finest stones and building materials
One whose landscape when you see will take your breath away and with it's exquisite recreational area

I worked hard to make and save money. I toiled and toiled oblivious to when the nights turned to day
So the best architects for the plan and sketches upfront I'd pay, survey and purchase a piece of land without delay

The foundation was laid, the harder I worked the faster I watched as the builders beautifully the edifice raised
And when I took my mom one day so see the level of progress we had made, she wouldn't stop showering me with thanks and praise
For the hard work and struggled I had put in to see
A house so beautiful a home to them was soon to be

I smiled as I inspected the furnished house as I proudly said to myself surely "This would make the best home yet for mom and dad"

Sweetly I slept until a loud noise startled me as I was awakened to the sound of sophisticated guns and bombs
I feared for my life as I clutched my knees with my arms trembling, my eyes closed, too scared to pray
The uproar was replaced with a disturbing silence as morning came and still petrified by fear I knew I had to go check the place where the house I built for my parents stood even though my life I knew I would be risking. Well, if I didn't I'm certain curiosity would have killed me either way.
So I ran out and called out to an "Okada"
He asked where I was heading to and I said Farin Gada
"Farin Gada, yarinya? Ba ki jin tsoron rain ki?" He queried in Hausa
So I explained to him that indeed I feared for my life but just needed to check the new high rising estate around that area if it was lucky enough to go unscathed.
He stared at me with worry in his eyes and motioned that I hop on his bike.
It was still very early when I got there and I jumped off his bike before he even stopped it's engine and ran to the place where the newly built house once stood like a maniac looking around, wondering if maybe I had forgotten the address to the place I had visited regularly in the last two years or if someone had moved it to a more secure location for me. I broke down. My eyes rained as my voice thundered through the rubble.
"Tashi in Kai ki gida" I heard the Okada man call out in Hausa. "Is no sape por this flace yi hakuri"
Reluctantly I got up moving slowly through the remains of my parents newly demolished home staring back at the place even as we rode away. The place I invested years of hardwork in order to see my loved ones lay in comfort as they stay "secured".
I broke down again when I tried to tell mom and dad the news and all my dad said as he tapped my back softly was, "hmmm... Mu Seyil Nen Rit, for it could have been worse but for God"
I had a lot to say but I was tongue tied. Our rent was due the next month with no certainty of a means to raise the money to pay up cause we had finished "our own house" and I had resigned from my place of work to run the supermarket I had opened beside the new edifice.
We had stocked the house with provisions and resources that won't run dry for months to come, everything was smooth and perfect until the terrorists attacked..
We were back at zero with no deed or title to our family name.
I was back to sharing the toilet with the other room and our guests and had to share the compound with our lousy neighbor who claims to be a "Pastor"
Mom's warm and gentle arms jolted me back to reality as she held me and said " we appreciate the time, resources, love and effort you put into this project" I cried out and said " it wasn't just a mere project mama, it was your home! A token of my gratitude for your love and selflessness and all the sacrifices you and dad made to make me what I have become"
I heard her sigh as she lifted up my face so I'd look into her eyes as she gently whispered to me"home isn't where bur who" a home isn't broken by plenty or lack, rumors or wars...
So baby do you know who my home is?"
I shook my head side to side as she continued, "it is you, your dad, your siblings, my grandchildren and all whom I have come to love.
I frowned, a little confused with some many questions running through my mind then she kissed my forehead and said "Ritjimwa, Home isn't a place where your heart leaves even when your feet does; Home is where the heart is and my home, is right here in your heart...
26022014
17:45
r3d
Some words in this piece are written in a local  dialect common to the northern regions of Nigeria called "Hausa" and "#MuseyilNen" in a dialect called Ngas from  the central part of Plateau state in Nigeria and it simply means "We thank God"
Michael R Burch Feb 2020
How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast—
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong,
now grieve, mourn and fast.

Originally published by Measure

Keywords/Tags: Old English, Middle English, Medieval English, long night, lament, complaint, alas, summer, pleasant, winter, north wind, northern wind, severe weather, storm, bird, birds, birdsong, sin, crime, fast, fasting, repentance, dark night of the soul, sackcloth and ashes, regret, repentance, remonstrance



Three Roundels by Geoffrey Chaucer

I. Merciles Beaute ("Merciless Beauty")
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.

Unless your words heal me hastily,
my heart's wound will remain green;
for your eyes slay me suddenly;
their beauty I cannot sustain.

By all truth, I tell you faithfully
that you are of life and death my queen;
for at my death this truth shall be seen:
your eyes slay me suddenly;
their beauty I cannot sustain,
they wound me so, through my heart keen.



II. Rejection
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.

I'm guiltless, yet my sentence has been cast.
I tell you truly, needless now to feign,—
Your beauty from your heart has so erased
Pity, that it’s useless to complain.

Alas, that Nature in your face compassed
Such beauty, that no man may hope attain
To mercy, though he perish from the pain;
Your beauty from your heart has so erased
Pity, that it’s useless to complain;
For Pride now holds your mercy by a chain.



III. Escape
by Geoffrey Chaucer
loose translation/interpretation by Michael R. Burch

Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.

He may question me and counter this and that;
I care not: I will answer just as I mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean.

Love strikes me from his roster, short and flat,
And he is struck from my books, just as clean,
Forevermore; there is no other mean.
Since I’m escaped from Love and yet still fat,
I never plan to be in his prison lean;
Since I am free, I count it not a bean.



Rondel: Your Smiling Mouth
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains,
Your hands so smooth, each finger straight and plain,
Your little feet—please, what more can I say?

It is my fetish when you’re far away
To muse on these and thus to soothe my pain—
Your smiling mouth and laughing eyes, bright gray,
Your ample ******* and slender arms’ twin chains.

So would I beg you, if I only may,
To see such sights as I before have seen,
Because my fetish pleases me. Obscene?
I’ll be obsessed until my dying day
By your sweet smiling mouth and eyes, bright gray,
Your ample ******* and slender arms’ twin chains!



Spring
by Charles d’Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Young lovers,
greeting the spring
fling themselves downhill,
making cobblestones ring
with their wild leaps and arcs,
like ecstatic sparks
struck from coal.

What is their brazen goal?

They grab at whatever passes,
so we can only hazard guesses.
But they rear like prancing steeds
raked by brilliant spurs of need,
Young lovers.



Oft in My Thought
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

So often in my busy mind I sought,
    Around the advent of the fledgling year,
For something pretty that I really ought
    To give my lady dear;
    But that sweet thought's been wrested from me, clear,
        Since death, alas, has sealed her under clay
    And robbed the world of all that's precious here―
         God keep her soul, I can no better say.

For me to keep my manner and my thought
    Acceptable, as suits my age's hour?
While proving that I never once forgot
    Her worth? It tests my power!
    I serve her now with masses and with prayer;
        For it would be a shame for me to stray
    Far from my faith, when my time's drawing near—
         God keep her soul, I can no better say.

Now earthly profits fail, since all is lost
    And the cost of everything became so dear;
Therefore, O Lord, who rules the higher host,
    Take my good deeds, as many as there are,
    And crown her, Lord, above in your bright sphere,
        As heaven's truest maid! And may I say:
    Most good, most fair, most likely to bring cheer—
         God keep her soul, I can no better say.

When I praise her, or hear her praises raised,
I recall how recently she brought me pleasure;
    Then my heart floods like an overflowing bay
And makes me wish to dress for my own bier—
    God keep her soul, I can no better say.



Winter has cast his cloak away
by Charles d'Orleans (c. 1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

Winter has cast his cloak away
of wind and cold and chilling rain
to dress in embroidered light again:
the light of day—bright, festive, gay!
Each bird and beast, without delay,
in its own tongue, sings this refrain:
"Winter has cast his cloak away!"
Brooks, fountains, rivers, streams at play,
wear, with their summer livery,
bright beads of silver jewelry.
All the Earth has a new and fresh display:
Winter has cast his cloak away!

Note: This rondeau was set to music by Debussy in his Trois chansons de France.



The year lays down his mantle cold
by Charles d’Orleans (1394-1465)
loose translation/interpretation/modernization by Michael R. Burch

The year lays down his mantle cold
of wind, chill rain and bitter air,
and now goes clad in clothes of gold
of smiling suns and seasons fair,
while birds and beasts of wood and fold
now with each cry and song declare:
"The year lays down his mantle cold!"
All brooks, springs, rivers, seaward rolled,
now pleasant summer livery wear
with silver beads embroidered where
the world puts off its raiment old.
The year lays down his mantle cold.



Wulf and Eadwacer (Old English circa 960-990 AD)
loose translation/interpretation by Michael R. Burch

My people pursue him like crippled prey.
They'll rip him apart if he approaches their pack.
We are so different!

Wulf's on one island; I'm on another.
His island's a fortress, fastened by fens.
Here, bloodthirsty curs roam this island.
They'll rip him apart if he approaches their pack.
We are so different!

My thoughts pursued Wulf like panting hounds.
Whenever it rained, as I wept,
the bold warrior came; he took me in his arms:
good feelings for him, but their end loathsome!
Wulf, O, my Wulf, my ache for you
has made me sick; your infrequent visits
have left me famished, deprived of real meat!
Do you hear, Eadwacer? Watchdog!
A wolf has borne our wretched whelp to the woods.
One can easily sever what never was one:
our song together.



Cædmon's Hymn (Old English circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Come, let us honour      heaven-kingdom's Guardian,
the might of the Architect      and his mind-plans,
the work of the Glory-Father.      First he, the Everlasting Lord,
established      the foundation of wonders.
Then he, the Primeval Poet,      created heaven as a roof
for the sons of men,      Holy Creator,
Maker of mankind.      Then he, the Eternal Entity,
afterwards made men middle-earth:      Master Almighty!



Westron Wynde
(anonymous Middle English lyric, circa 1530 AD)
loose translation/interpretation by Michael R. Burch

Western wind, when will you blow,
bringing the drizzling rain?
Christ, that my love were in my arms,
and I in my bed again!



This World's Joy
(anonymous Middle English lyric, circa 14th century AD)
loose translation/interpretation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
whenever it enters my thought:
regarding this world's joy,
how everything comes to naught.



Pity Mary
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

Now the sun passes under the wood:
I rue, Mary, thy face—fair, good.
Now the sun passes under the tree:
I rue, Mary, thy son and thee.



Fowles in the Frith
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!



I am of Ireland
(anonymous Medieval Irish lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Sumer is icumen in
anonymous Middle English poem, circa 1260 AD
loose translation/interpretation by Michael R. Burch

Summer is a-comin’!
Sing loud, cuckoo!
The seed grows,
The meadow blows,
The woods spring up anew.
Sing, cuckoo!

The ewe bleats for her lamb;
The cows contentedly moo;
The bullock roots,
The billy-goat poots ...
Sing merrily, cuckoo!

Cuckoo, cuckoo,
You sing so well, cuckoo!
Never stop, until you're through!

Sing now cuckoo! Sing, cuckoo!
Sing, cuckoo! Sing now cuckoo!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within ...
what hope of my help then?



Ech day me comëth tydinges thre
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
(anonymous Middle English lyric, circa 13th century AD)
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously ...
And oh what grief it has brought me!



Are these the oldest rhyming poems in the English language? Reginald of Durham recorded four verses of Saint Godric's: they are the oldest songs in English for which the original musical settings survive.

The first song is said in the Life of Saint Godric to have come to Godric when he had a vision of his sister Burhcwen, like him a solitary at Finchale, being received into heaven.  She was singing a song of thanksgiving, in Latin, and Godric renders her song in English bracketed by a Kyrie eleison:

Led By Christ and Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

By Christ and Saint Mary I was so graciously led
that the earth never felt my bare foot’s tread!

Crist and sainte marie swa on scamel me iledde
þat ic on þis erðe ne silde wid mine bare fote itredie

In the second poem, Godric puns on his name: godes riche means “God’s kingdom” and sounds like “God is rich” ...

A Cry to Mary
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

I.
Saintë Marië Virginë,
Mother of Jesus Christ the Nazarenë,
Welcome, shield and help thin Godric,
Fly him off to God’s kingdom rich!

II.
Saintë Marië, Christ’s bower,
****** among Maidens, Motherhood’s flower,
Blot out my sin, fix where I’m flawed,
Elevate me to Bliss with God!

Original

Saintë Marië Virginë,
Moder Iesu Cristes Nazarenë,
Onfo, schild, help thin Godric,
Onfong bring hegilich
With the in Godës riche.

Saintë Marië Cristes bur,
Maidenës clenhad, moderës flur;
Dilie min sinnë, rix in min mod,
Bring me to winnë with the selfd God.

Godric also wrote a prayer to St. Nicholas:

Prayer to St. Nicholas
by Saint Godric of Finchale (1065-1170)
loose translation/interpretation by Michael R. Burch

Saint Nicholas, beloved of God,
Build us a house that’s bright and fair;
Watch over us from birth to bier,
Then, Saint Nicholas, bring us safely there!

Sainte Nicholaes godes druð
tymbre us faire scone hus
At þi burth at þi bare
Sainte nicholaes bring vs wel þare



The Rhymed Poem aka The Rhyming Poem aka The Riming Poem
anonymous Old English poem from the Exeter Book, circa 990 AD
loose translation/interpretation by Michael R. Burch

He who granted me life created this sun
and graciously provided its radiant engine.
I was gladdened with glees, bathed in bright hues,
deluged with joy’s blossoms, sunshine-infused.

Men admired me, feted me with banquet-courses;
we rejoiced in the good life. Gaily bedecked horses
carried me swiftly across plains on joyful rides,
delighting me with their long limbs' thunderous strides.
That world was quickened by earth’s fruits and their flavors!
I cantered under pleasant skies, attended by troops of advisers.
Guests came and went, amusing me with their chatter
as I listened with delight to their witty palaver.

Well-appointed ships glided by in the distance;
when I sailed myself, I was never without guidance.
I was of the highest rank; I lacked for nothing in the hall;
nor did I lack for brave companions; warriors, all,
we strode through castle halls weighed down with gold
won from our service to thanes. We were proud men, and bold.
Wise men praised me; I was omnipotent in battle;
Fate smiled on and protected me; foes fled before me like cattle.
Thus I lived with joy indwelling; faithful retainers surrounded me;
I possessed vast estates; I commanded all my eyes could see;
the earth lay subdued before me; I sat on a princely throne;
the words I sang were charmed; old friendships did not wane ...

Those were years rich in gifts and the sounds of happy harp-strings,
when a lasting peace dammed shut the rivers’ sorrowings.
My servants were keen, their harps resonant;
their songs pealed, the sound loud but pleasant;
the music they made melodious, a continual delight;
the castle hall trembled and towered bright.
Courage increased, wealth waxed with my talent;
I gave wise counsel to great lords and enriched the valiant.

My spirit enlarged; my heart rejoiced;
good faith flourished; glory abounded; abundance increased.
I was lavishly supplied with gold; bright gems were circulated ...
Till treasure led to treachery and the bonds of friendship constricted.

I was bold in my bright array, noble in my equipage,
my joy princely, my home a happy hermitage.
I protected and led my people;
for many years my life among them was regal;
I was devoted to them and they to me.

But now my heart is troubled, fearful of the fates I see;
disaster seems unavoidable. Someone dear departs in flight by night
who once before was bold. His soul has lost its light.
A secret disease in full growth blooms within his breast,
spreads in different directions. Hostility blossoms in his chest,
in his mind. Bottomless grief assaults the mind's nature
and when penned in, erupts in rupture,
burns eagerly for calamity, runs bitterly about.  

The weary man suffers, begins a journey into doubt;
his pain is ceaseless; pain increases his sorrows, destroys his bliss;
his glory ceases; he loses his happiness;
he loses his craft; he no longer burns with desires.
Thus joys here perish, lordships expire;
men lose faith and descend into vice;
infirm faith degenerates into evil’s curse;
faith feebly abandons its high seat and every hour grows worse.

So now the world changes; Fate leaves men lame;
Death pursues hatred and brings men to shame.
The happy clan perishes; the spear rends the marrow;
the evildoer brawls and poisons the arrow;
sorrow devours the city; old age castrates courage;
misery flourishes; wrath desecrates the peerage;
the abyss of sin widens; the treacherous path snakes;
resentment burrows, digs in, wrinkles, engraves;
artificial beauty grows foul;
                                             the summer heat cools;
earthly wealth fails;
                                enmity rages, cruel, bold;
the might of the world ages, courage grows cold.
Fate wove itself for me and my sentence was given:
that I should dig a grave and seek that grim cavern
men cannot avoid when death comes, arrow-swift,
to seize their lives in his inevitable grasp.
Now night comes at last,
and the way stand clear
for Death to dispossesses me of my my abode here.

When my corpse lies interred and the worms eat my limbs,
whom will Death delight then, with his dark feast and hymns?
Let men’s bones become one,
and then finally, none,
till there’s nothing left here of the evil ones.
But men of good faith will not be destroyed;
the good man will rise, far beyond the Void,
who chastened himself, more often than not,
to avoid bitter sins and that final black Blot.
The good man has hope of a far better end
and remembers the promise of Heaven,
where he’ll experience the mercies of God for his saints,

freed from all sins, dark and depraved,
defended from vices, gloriously saved,
where, happy at last before their cheerful Lord,
men may rejoice in his love forevermore.



Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Now skruketh rose and lylie flour
(anonymous Middle English lyric, circa 11th century AD)
loose translation/interpretation by Michael R. Burch

Now skruketh rose and lylie flour, // Now the rose and the lily skyward flower,
That whilen ber that suete savour // That will bear for awhile that sweet savor:
In somer, that suete tyde; // In summer, that sweet tide;
Ne is no quene so stark ne stour, // There is no queen so stark in her power
Ne no luedy so bryht in bour // Nor any lady so bright in her bower
That ded ne shal by glyde: // That Death shall not summon and guide;
Whoso wol fleshye lust for-gon and hevene-blisse abyde // But whoever forgoes lust, in heavenly bliss will abide
On Jhesu be is thoht anon, that tharled was ys side. // With his thoughts on Jesus anon, thralled at his side.



Adam Lay Ybounden
(anonymous Medieval English Lyric, circa 15th century AD)
loose translation/interpretation by Michael R. Burch

Adam lay bound, bound in a bond;
Four thousand winters, he thought, were not too long.
And all was for an apple, an apple that he took,
As clerics now find written in their book.
But had the apple not been taken, or had it never been,
We'd never have had our Lady, heaven's queen.
So blesséd be the time the apple was taken thus;
Therefore we sing, "God is gracious!"

The poem has also been rendered as "Adam lay i-bounden" and "Adam lay i-bowndyn."



I Sing of a Maiden
(anonymous Medieval English Lyric, circa 15th century AD)
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.
He came also as still
To his mother's breast
As April dew
Falling on the grass.
He came also as still
To his mother's bower
As April dew
Falling on the flower.
He came also as still
To where his mother lay
As April dew
Falling on the spray.
Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



IN LIBRARIOS
by Thomas Campion
loose translation/interpretation by Michael R. Burch

Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.



Brut (circa 1100 AD, written by Layamon, an excerpt)
loose translation/interpretation by Michael R. Burch

Now he stands on a hill overlooking the Avon,
seeing steel fishes girded with swords in the stream,
their swimming days done,
their scales a-gleam like gold-plated shields,
their fish-spines floating like shattered spears.

Layamon's Brut is a 32,000-line poem composed in Middle English that shows a strong Anglo-Saxon influence and contains the first known reference to King Arthur in English. The passage above is a good example of Layamon's gift for imagery. It's interesting, I think, that a thousand years ago a poet was dabbling in surrealism, with dead warriors being described as if they were both men and fish.



Tegner's Drapa
loose translation/interpretation by Michael R. Burch

I heard a voice, that cried,
“Balder the beautiful lies dead, lies dead . . .”
a voice like the flight of white cranes
intent on a sun sailing high overhead—
but a sun now irretrievably setting.

Then I saw the sun’s corpse
—dead beyond all begetting—
borne through disconsolate skies
as blasts from the Nifel-heim rang out with dread,
“Balder lies dead, our fair Balder lies dead! . . .”

Lost—the sweet runes of his tongue,
so sweet every lark hushed its singing!
Lost, lost forever—his beautiful face,
the grace of his smile, all the girls’ hearts wild-winging!
O, who ever thought such strange words might be said,
as “Balder lies dead, gentle Balder lies dead! . . .”



Deor's Lament (Anglo Saxon poem, circa 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland knew the agony of exile.
That indomitable smith was wracked by grief.
He endured countless troubles:
sorrows were his only companions
in his frozen island dungeon
after Nithad had fettered him,
many strong-but-supple sinew-bonds
binding the better man.
   That passed away; this also may.

Beadohild mourned her brothers' deaths
but even more, her own sad state
once she discovered herself with child.
She predicted nothing good could come of it.
   That passed away; this also may.

We have heard that the Geat's moans for Matilda,
his lady, were limitless,
that his sorrowful love for her
robbed him of regretless sleep.
   That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many knew this and moaned.
   That passed away; this also may.

We have also heard of Ermanaric's wolfish ways,
of how he held wide sway in the realm of the Goths.
He was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his kingdom might be overthrown.
   That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are endless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I will say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just lord. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors gave me.
   That passed away; this also may.



The Wife's Lament
loose translation/interpretation by Michael R. Burch

I draw these words from deep wells of my grief,
care-worn, unutterably sad.
I can recount woes I've borne since birth,
present and past, never more than now.
I have won, from my exile-paths, only pain.

First, my lord forsook his folk, left,
crossed the seas' tumult, far from our people.
Since then, I've known
wrenching dawn-griefs, dark mournings ... oh where,
where can he be?

Then I, too, left—a lonely, lordless refugee,
full of unaccountable desires!
But the man's kinsmen schemed secretly
to estrange us, divide us, keep us apart,
across earth's wide kingdom, and my heart broke.

Then my lord spoke:
"Take up residence here."
I had few friends in this unknown, cheerless
region, none close.
Christ, I felt lost!

Then I thought I had found a well-matched man –
one meant for me,
but unfortunately he
was ill-starred and blind, with a devious mind,
full of murderous intentions, plotting some crime!

Before God we
vowed never to part, not till kingdom come, never!
But now that's all changed, forever –
our friendship done, severed.
I must hear, far and near, contempt for my husband.

So other men bade me, "Go, live in the grove,
beneath the great oaks, in an earth-cave, alone."
In this ancient cave-dwelling I am lost and oppressed –
the valleys are dark, the hills immense,
and this cruel-briared enclosure—an arid abode!

The injustice assails me—my lord's absence!
On earth there are lovers who share the same bed
while I pass through life dead in this dark abscess
where I wilt, summer days unable to rest
or forget the sorrows of my life's hard lot.

A young woman must always be
stern, hard-of-heart, unmoved,
opposing breast-cares and her heartaches' legions.
She must appear cheerful
even in a tumult of grief.

Like a criminal exiled to a far-off land,
moaning beneath insurmountable cliffs,
my weary-minded love, drenched by wild storms
and caught in the clutches of anguish,
is reminded constantly of our former happiness.

Woe be it to them who abide in longing.



"The Husband's Message" is an Old English (Anglo-Saxon) poem from the Exeter Book, the oldest extant English poetry anthology. The poem may or may not be a reply to "The Wife's Lament," another poem in the same collection. The poem is generally considered to be an Anglo-Saxon riddle (I will provide the solution), but its primary focus is persuading a wife or fiancé to join her husband or betrothed and fulfill her promises to him. The Exeter Book has been dated to 960-990 AD, so the poem was written by then or earlier. The version below is my modern English translation of one of the oldest extant English poems.

The Husband's Message
anonymous Old English poem, circa 960-990 AD
loose translation/interpretation by Michael R. Burch

See, I unseal myself for your eyes only!
I sprang from a seed to a sapling,
waxed great in a wood,
                 was given knowledge,
was ordered across saltstreams in ships
where I stiffened my spine, standing tall,
till, entering the halls of heroes,
           I honored my manly Lord.

Now I stand here on this ship’s deck,
an emissary ordered to inform you
of the love my Lord feels for you.
I have no fear forecasting his heart steadfast,
his honor bright, his word true.

He who bade me come carved this letter
and entreats you to recall, clad in your finery,
what you promised each other many years before,
mindful of his treasure-laden promises.

He reminds you how, in those distant days,
witty words were pledged by you both
in the mead-halls and homesteads:
how he would be Lord of the lands
you would inhabit together
while forging a lasting love.

Alas, a vendetta drove him far from his feuding tribe,
but now he instructs me to gladly give you notice
that when you hear the returning cuckoo's cry
cascading down warming coastal cliffs,
come over the sea! Let no man hinder your course.

He earnestly urges you: Out! To sea!
Away to the sea, when the circling gulls
hover over the ship that conveys you to him!

Board the ship that you meet there:
sail away seaward to seek your husband,
over the seagulls' range,
                 over the paths of foam.
For over the water, he awaits you.

He cannot conceive, he told me,
how any keener joy could comfort his heart,
nor any greater happiness gladden his soul,
than that a generous God should grant you both
to exchange rings, then give gifts to trusty liege-men,
golden armbands inlaid with gems to faithful followers.

The lands are his, his estates among strangers,
his new abode fair and his followers true,
all hardy heroes, since hence he was driven,
shoved off in his ship from these shore in distress,
steered straightway over the saltstreams, sped over the ocean,
a wave-tossed wanderer winging away.

But now the man has overcome his woes,
outpitted his perils, lives in plenty, lacks no luxury,
has a hoard and horses and friends in the mead-halls.

All the wealth of the earth's great earls
now belongs to my Lord ...
                                He only lacks you.

He would have everything within an earl's having,
if only my Lady will come home to him now,
if only she will do as she swore and honor her vow.



Lament for the Makaris [Makers, or Poets]
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity ...
how the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free ...
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee ...
how the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind shakes the willow tree,
so wavers this world’s vanity ...
how the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée ...
how the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity ...
how the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in her tower ...
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee ...
how the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
must all conclude, so too, as we:
“how the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee ...
how the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty ...
how the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!) ...
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next prey will be — poor unfortunate me! ...
how the fear of Death dismays me!

there is no remedy for Death;
we all must prepare to relinquish breath
so that after we die, we may be set free
from “the fear of Death dismays me!”




Unholy Trinity
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Man has three enemies:
himself, the world, and the devil.
Of these the first is, by far,
the most irresistible evil.

True Wealth
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

There is more to being rich
than merely having;
the wealthiest man can lose
everything not worth saving.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose merely blossoms
and never asks why:
heedless of her beauty,
careless of every eye.

The Rose
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

The rose lack “reasons”
and merely sways with the seasons;
she has no ego
but whoever put on such a show?

Eternal Time
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Eternity is time,
time eternity,
except when we
are determined to "see."

Visions
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Our souls possess two eyes:
one examines time,
the other visions
eternal and sublime.

Godless
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God is absolute Nothingness
beyond our sense of time and place;
the more we try to grasp Him,
The more He flees from our embrace.

The Source
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Water is pure and clean
when taken at the well-head:
but drink too far from the Source
and you may well end up dead.

Ceaseless Peace
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Unceasingly you seek
life's ceaseless wavelike motion;
I seek perpetual peace, all storms calmed.
Whose is the wiser notion?

Well Written
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

Friend, cease!
Abandon all pretense!
You must yourself become
the Writing and the Sense.

Worm Food
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

No worm is buried
so deep within the soil
that God denies it food
as reward for its toil.

Mature Love
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

New love, like a sparkling wine, soon fizzes.
Mature love, calm and serene, abides.

God's Predicament
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

God cannot condemn those with whom he would dwell,
or He would have to join them in hell!

Clods
by Angelus Silesius
loose translation/interpretation by Michael R. Burch

A ruby
is not lovelier
than a dirt clod,
nor an angel
more glorious
than a frog.



A Proverb from Winfred's Time
anonymous Old English poem, circa 757-786
loose translation/interpretation by Michael R. Burch

1.
The procrastinator puts off purpose,
never initiates anything marvelous,
never succeeds, and dies alone.

2.
The late-deed-doer delays glory-striving,
never indulges daring dreams,
never succeeds, and dies alone.

3.
Often the deed-dodger avoids ventures,
never succeeds, and dies alone.

Winfrid or Wynfrith is better known as Saint Boniface (c. 675–754). This may be the second-oldest English poem, after "Caedmon's Hymn."



Franks Casket Runes
anonymous Old English poems, circa 700
loose translation/interpretation by Michael R. Burch

1.
The fish flooded the shore-cliffs;
the sea-king wept when he swam onto the shingle:
whale's bone.

2.
Romulus and Remus, twin brothers weaned in Rome
by a she-wolf, far from their native land.



"The Leiden Riddle" is an Old English translation of Aldhelm's Latin riddle Lorica ("Corselet").

The Leiden Riddle
anonymous Old English riddle poem, circa 700
loose translation/interpretation by Michael R. Burch

The dank earth birthed me from her icy womb.
I know I was not fashioned from woolen fleeces;
nor was I skillfully spun from skeins;
I have neither warp nor weft;
no thread thrums through me in the thrashing loom;
nor do whirring shuttles rattle me;
nor does the weaver's rod assail me;
nor did silkworms spin me like skillfull fates
into curious golden embroidery.
And yet heroes still call me an excellent coat.
Nor do I fear the dread arrows' flights,
however eagerly they leap from their quivers.

Solution: a coat of mail.



He sits with his harp at his thane's feet,
Earning his hire, his rewards of rings,
Sweeping the strings with his skillful nail;
Hall-thanes smile at the sweet song he sings.
—"Fortunes of Men" loose translation by Michael R. Burch



Fairest Between Lincoln and Lindsey
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

When the nightingale sings, the woods turn green;
Leaf and grass again blossom in April, I know,
Yet love pierces my heart with its spear so keen!
Night and day it drinks my blood. The painful rivulets flow.

I’ve loved all this year. Now I can love no more;
I’ve sighed many a sigh, sweetheart, and yet all seems wrong.
For love is no nearer and that leaves me poor.
Sweet lover, think of me — I’ve loved you so long!



A cleric courts his lady
(anonymous Middle English poem, circa late 13th century)
loose translation/interpretation by Michael R. Burch

My death I love, my life I hate, because of a lovely lady;
She's as bright as the broad daylight, and shines on me so purely.
I fade before her like a leaf in summer when it's green.
If thinking of her does no good, to whom shall I complain?



The original poem below is based on my teenage misinterpretation of a Latin prayer ...

Elegy for a little girl, lost
by Michael R. Burch

for my mother, Christine Ena Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

NOTE: I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).
Sacrelicious Mar 2012
When you're normally
an idiot magnet,
Bur for some
malfunctional blessing
you're attracting something
that is positive
ditch the downers
and go get high.
Turkey tastes
better cold,
I like to quit cold turkey.
I just worked a nine hour shift too.
The human mind
is such a powerful tool.
I don't understand why people are so stupid.
We all have minds, right?
TreadingWater Jul 2016
call it
whatyouwill
there's {no} room for
shame
that-slipped-through
a. long. time. ago.
dear.
she's> taken> up; with
pride.
each/ does/ so/ well/
To
stay _ out _ of _ your
sight
386

Answer July—
Where is the Bee—
Where is the Blush—
Where is the Hay?

Ah, said July—
Where is the Seed—
Where is the Bud—
Where is the May—
Answer Thee—Me—

Nay—said the May—
Show me the Snow—
Show me the Bells—
Show me the Jay!

Quibbled the Jay—
Where be the Maize—
Where be the Haze—
Where be the Bur?
Here—said the Year—
Debra Speed Jun 2018
An official looking notice said he had passed away
A service for his tortured soul was being held today,
I plan to get there early, to get a front row seat
I've always loved to people watch -
Who knows who one may meet
Everybodys' whis-pering, they wonder how he died
Though nothing is official -  they're betting suicide

Courtney stands alone in a two piece textured suit,
MJ leans against the wall in high heeled leather boots
A familiar face is walking in - he must have taken leave
Wraps the mother in a hug, her hand upon his sleeve
I've never seen his brothers' in a jacket or a tie
They look so tall and handsome, as usual side by side
Nick and Faith walk in together, she wears a floppy hat
Stands next to Portland hipsters - all buckles, leather straps
Sean engages Stefan, Lisa holds the arm of Vince
He really hasn't aged a day, I haven't seen him since
we double-dated sisters', we bought a birthday card
Tried to get to second base, they smiled and hit us hard.

All heads turn in unison they see you walking in
Lips stained a dark bur-gun-dy, defiance to your chin,
Lowered eyes survey the crowd resigned to this days fate
You wish it hadn't come to this, the switch from love to hate
Your dress is black, above the knee, the bodice spotted lace
A pillbox hat perched on your head, the veil to hide your face
I knew you'd wear your purple heels, they make your legs look long, but underneath the prim facade,
Pink bra and matching thong
I'm enjoying your discomfort as you pause inside the gate
You'd loathe to be too early, and you wouldn't dare be late
You fumble with the clasp of an expensive looking tote
Pull a lighter from its depths- I've never seen you smoke
That pretty auburn haired girl whose name I can't recall
Tells a story of him to muffled laughter and applause
Is that the music starting? We'd better go inside
Someone holds the door for you, you smile, but not to wide

I'm bounding up the staircase - no one appears to see
The view is priceless- truely - front row of balcony
His mother's gently weeping, his father's looking grim
My eyes are one direction on your pale and perfect skin
Mira dabs at her nose, her handkerchief trimmed with lace
Why my wife do tears not run down your exquisite face
Your hand gently fondles a golden chain with hanging heart
But I am focused on your thighs - the ones I used to part
You steal a glance at your watch, you have to be discreet
Think of your waiting lover, parked in a nearby street

I remember that I couldn't sleep, so put on Leonard Cohen
I don't know how he did it - he just had a way of knowin'
Sheets were turning crimson as the blood began to seep
That's all that I remember - I just drifted off to sleep
I dreamed you'd sent hydrangeas, a bright and brilliant blue
Could you not think of something else than what I'd give to you,
Lilies, peonys, tulips, lilac or a rose
I'd buy you blue hydrangeas when you didn't like your nose
Soaring Hallelujah chorus fills my darkened room
From my bed I see the clock, it's time to get up soon
I pad into the kitchen to get my dog a treat
Make a mental note to apologize to my neighbours when we meet,
In the hallway, or the lobby, or the park across the street
" I'm sorry man, the other night, I guess you couldn't sleep "
Turned off my record player that was programmed to repeat

I'd buy you blue hydrangeas - you didn't like your nose
I noticed that you'd changed your hair and you had on new clothes
The clothing and the names are all of real people. The girl in the pillbox hat is real, was sent blue hydrangeas ( her favourite ) by the male in the poem during their 7 years together. Have written 2 other poems of the same vein, each with blue hydrangeas the in the storyline. Thanks for reading, Deb xox
oni Oct 2014
who are you
but a few molecules
of the universe
stitched together

what is your voice
bur a single vibration
lost within the echoes
of a thousand more

you tell me that i matter,
that i am different,
that i am special,

but what am i
but a single
strand
of endless DNA
that could still function
after the death
of my chromosomes
Hal Loyd Denton Aug 2012
Stitching

From a grand church in France to a rustic barn in Sweden the focal point and fascination is the door that
Has a key protruding in the lock but it has with time lost the screws that held it snug against the door
And the door frame there is no flat lumbered board now it is just a very deep splintered lines the color
Of auburn brown with a low gleaming in the setting sun I put my hands out and touch this rustic place in
Time an explosion of thoughts blast the mind a life lived well with purpose that endures with use the
Seasoned is expressed a stitching that is the fabric of life forms over muscle and sinew this outer
Garment does not belie the inner soul but in experience and in action it promotes and assures value
It passes through the vestiges of time the gray mist speaks with whispered mystery bur anchored at
Your center is the intractable character that sets the tone of your life a solid structure presents a forcible
Argument yes the elements have taken their toll but by doing so they have removed the green untried
Wood now the occasional creaking occurs but not of breaking but the stalwart rises in common skies
Privilege gleams the stranger or intimate friend is in the presence of the assured there is no pretense
This truth as sound as time and wisdom crowns walls and bedrock foundation you have come upon
The investment that God has provided and runs deep without constraints you can stand and muse
Here and as an invisible oracle your questions will be answered they will float on silent wind and mark
You as different you will be refreshed a redeeming will surge through you timeless affirmation will
Speak you will know it is sound it is steps that are sure when so much is cheap and just for show you
Will grow strong and tall your shadow will be the challenge to those who waste themselves on base
And worthless misgivings of life you will possess the power to be a place of refuge a fortress where
The powerless and helpless are provided comfort and instruction no longer will evil and its devices
Enslave the helpless there will be that irrefutable place of giving that will conquer a world bent on
Destruction.
karin naude Oct 2013
everyday i am among people
talking, sharing, helping,laughing, chatting
i wonder how many have ever seen behind my perfect mask
an seen
seen the scared woman
who never looks in a mirror from believe how ugly she is
not wanting a constant reminder of how imperfect god made me
not wanting to relive the disappointment that i don't look like the "beautiful" women
people will often tell me i have a good heart
no one notices the scares on my shoulder from a heavy load
deep lashes on each shoulder running down my back
fresh and old wounds mixed together

i am tired of the same struggle
now i understand why honor for father and mother is obligated
god knew why it should be a commandment
the soul is resilliant bur respect, trust and love is not
takes long to create, easy to brake
We have fallen in the dreams the ever-living
Breathe on the tarnished mirror of the world,
And then smooth out with ivory hands and sigh.
W.B. YEATS  

*     *     *     *     *     *

My soul looked down from a vague height, with Death,
As unremembering how I rose or why,
And saw a sad land, weak with sweats of dearth,
Gray, cratered like the moon with hollow woe,
And pitted with great pocks and scabs of plagues.


Across its beard, that horror of harsh wire,
There moved thin caterpillars, slowly uncoiled.
It seemed they pushed themselves to be as plugs
Of ditches, where they writhed and shrivelled, killed.


By them had slimy paths been trailed and scraped
Round myriad warts that might be little hills.


From gloom's last dregs these long-strung creatures crept,
And vanished out of dawn down hidden holes.


(And smell came up from those foul openings
As out of mouths, or deep wounds deepening.)


On dithering feet upgathered, more and more,
Brown strings, towards strings of gray, with bristling spines,
All migrants from green fields, intent on mire.


Those that were gray, of more abundant spawns,
Ramped on the rest and ate them and were eaten.


I saw their bitten backs curve, loop and straighten.
I watched those agonies curl, lift, and flatten.


Whereat, in terror what that sight might mean,
I reeled and shivered earthward like a feather.


And Death fell with me, like a deepening moan.


And He, picking a manner of worm, which half had hid
Its bruises in the earth, bur crawled no further,
Showed me its feet, the feet of many men,
And the fresh-severed head of it, my head
(C) Wilfred Owen
Tia Henricks Jun 2015
It was not a choice, intimacy filled our souls touching every tender bone with the sleekness of silk
From blood to bone
Screeching every bit of emptiness
Swallowing any shallow monster that tended to our loneliness
From tongue to toes
Not a desperation hollows between the beauty of embrace,
A world around slows, all disspearing to his sweet kisses stealing my breath
And addiction sets in, an instant craving when distance is your temporary belonging  
And addiction such as a cigarette
Smoke filling your lungs
Only intimacy filling you heart with bright yellow flowers, desperation fulfils its duty.
Seperation, our anxiety
With howling winds a cooling breaths that is not yours every moon and star looks like you
Intimacy, a passion
A passion in touch for your hand wrapped round mine
  The sound to be dragged so close it fuses as one beat
To be brought to the insides
Craving the sense of settled home in unfamiliar places
A hunger to never leave
Bur to fall to the deepest pockets in our wholesome loving souls
Just to come back again
the life of patrick youngspeer


young patrick youngspeer, is a very nice kid, but in one year he lost his dad

and that made him devastated and patrick was so determined to keep his dads

spirit alive, he went on a trip all over outer space, but the problem was his dad

didn’t want this, and held his mouth saying to patrick, don’t do what you used to do, buddy

because i really hate being known as the old digger of the block, i hated being called the

great big old fogie, just to protect my son patrick, but patrick who was so devious and cunning,

like a little kid at as pre school, and patrick’s dad was really worried, he went down to try and find

where his next life will be, but patrick wesn’t sure he wanted his father to move on, oh well, he wanted him

to reincarnate, bur not move on, oh well, maybe move on, but patrick wants to meet his father’s next life

one of these days, but mr youngspeer hated the idea of meeting his first born son patrick more often than the others

but patrick wasn’t getting what he wants, so on the street, patrick youngspeer, yelled to his schizophrenic paranormal voices

****** oathe i am a cool kid, your a yeah mate yeah kid, cool kids do, what i do, yeah, only yeah mate yeah kids do what you do, yeah

and mr youngster said, nobody’s teasing you patrick, so why are you worried, and patrick said, they are trying to take my beliefs away

when i am powerful enough to reincarnate people from death to new life, but mr youngspeer said, no, i need to reform him, because he is

looking at the meat on the kids legs, on the youtube clips, but patrick said, i am not, i am keeping up to date with dead members of my family

i am not taking this further, i know it sounds weird, but just to christians points of view, and patrick, who is a nasty writer, and over half of his

pieces of writing, were rubbishing christians, one online dude on writers cafe, over the internet said, patrick should stop hassling christians

because it is a lovely religion, but despite patrick apologising to this lady, and the fact that patrick not meaning it,she told patrick that he was a

very nice person, and patrick went on to write songs and stories and after his mother went on a holiday to visit her sister josephine, who was a

healthy person, never smoked, never really did drugs, was diagnosed with lung cancer and patrick felt bad for his aunty josephine,he decided

to write a little poem for her

my aunty jo, my aunty jo

i really feel for you aunty jo

you don’t deserve what god brought to you

i really feel for you aunty jo

i might be a tad naughty and led you astray

i might have never given you a chrissy card today

but i care for you, oh my aunty jo

i care for you a lot, my aunty, yeah

i don’t want to see you die, jo, i thought you were too healthy

i know that you could beat this, so i will pray for you, yeah

i will pray for the powers of athena will come down and whisk and whisk and really

really whisk your lung cancer, away

you see i know yiou have grandchildren, who don’t want to see you go, love

you see, though i don’t want her to suffer but i don’t want us too either

please save my aunty jo, from this awful cancer shock

i want you to cure my aunty jo, miss athena, please save her now

she is too nice to die, the world ain’t ready to lose my aunty jo mate, no, athena please cure her now

please save my dear aunty jo

and as patrick was finishing  his poem, his father brought to planets together to make sure aunty jo will be alright, by releasing athena’s magic

and he did this with patrick youngspeers help, you see what a fabulous team we have trying to keep the family alive, but the only way mr youngspeer

will help his son like this, is to be dead but now his dad is dead, patrick is helping with his spiritual healing, and patrick said, drink plenty of coke, (party juice)

to save the workl, yet again, eventually mr youngspeer said, i don’t care if you don’t work, help people with me, because nobody really cared for you, nobody cares

unless you converted to christinailty, patrick said, don’t **** me into your christian ways, you fucken christians, i am your cosmic friend, but this christian said

i want to go up to outer space to help my father, patrick said, we are not ready to see the back of you yet aunty jo, and mr youngspeer said, no patrick, we ain’t

ready to see you go, no way, you see my pal, patrick youngspeer is based on my life
TOD HOWARD HAWKS Apr 2023
I had a premonition in 1972.
I had this awful feeling
that sometime in the future
there would be only one
national park, instead of the 64
we have now, left in America:
10 square miles in the remote
northwest corner of Montana.
I just finished watching on PBS
a video of John Denver, in 1974,
performing in the Red Rock
Amphitheater located in the
Rocky Mountains. That was 49
years ago, but to me, John Denver
embodied, even if unwittingly, the
emergence of concern of the bur-
geoning existential, catastrophic
threat of climate-change Earth now
faces. Few have taken bold, proactive
measures to save all living creations
on our only home. Al Gore and
Greta Thunberg come to mind readily,
but, in reality, the multinational
corporations that still rule Earth
deem profits over prudence, let alone
curative, worldwide action. John
Denver died in a plane crash in 1997,
49 years ago. Jesus, John! Why did
you have to die so early in your life?
I, and the rest of the world, hope
my premonition is never realized.

TOD HOWARD HAWKS
thea pedersen Jan 2015
Døde blikke,
der vandrer rundt,
som zombier på Dommedag,
eller en tiger i bur.

Ingen kan glemme,
hvorfor vi er her,
endda i det næste årti,
vil mindet sidde fast,
sort på hvidt,
i bogen der.

Og de er her alle sammen,
store som små,
arm i arm,
de gå.

Hovedet holder de højt,
i et forsøg på,
at stoppe det,
de ikke kender,
selvom de godt ved,
at man med terror
sjældent bliver venner.

Paris' gallionsfigur,
er nu ændret,
fra Eiffeltårn til blyant,
"Je suis Charlie"
Vi håber ytringen en dag bliver fri
ET DIGT OM DE MENNESKER DER GIK IGENNEM PARIS I JANUAR 2015. JEG VAR EN AF DEM.
332

There are two Ripenings—one—of sight—
Whose forces Spheric wind
Until the Velvet product
Drop spicy to the ground—
A homelier maturing—
A process in the Bur—
That teeth of Frosts alone disclose
In far October Air.
Wanderer Feb 2013
6 more cigarettes, she counts,
rationing her existence.
Finding something to need other than sleep is refreshing.
She can hear his voice
through the walls
and she inhales deeply.
She needs the smoke to blacken her lungs
as a small pittance of retribution, reflecting the blackness she  holds in her heart.
And, as she exhales,
she lets the smoke burn
her eye
as she watches watches it coil
and curl away.
Someday
she will display her wounds
proudly
as battle scars.
Bur first she must survive, and heal. 
5 more to go.
Nigdaw Jun 2023
a rocky place to call home
metaphorically speaking
by the side of a road
among the detritus of motorists
thrown from car windows
as was he, just a core
from an apple in an unfinished
lunch box eaten on the way home
that somehow germinated
I call him, him because
it makes me comfortable
to give gender and character
build up some sort of empathy
in the winter a sad skeleton
silhouette against a slate sky
bur every spring blossoming
to produce apples for the birds
where no human would dare
wander unless broken down
I admire the consistency
of nature and the hope it brings
typhany Aug 2014
there are no words
for the way my ski
n electrifies when y
our smoke wraps ar
ound our bodies and
sends shivers down m
y spine because you a
re trickling your finge
rs down my ribs and s
ometimes i can not hel
p but think about how
blood felt trickling dow
n my wrists and by the
time you came around
i was so far gone that i
'm more than surprised
about how someone wh
ose smile is always six m
iles wide could love some
one who wants to be bur
ied six feet under and if i
lost the chance to tell you
that i love you, then i don
;t know where i would be
and if i make my bed in a
grave before you do i hop
e you never pick up the bo
ttle again and try to find s
olace because we both kno
w that anesthetics are neve
r any different from poison
s and if your nerve endings
remember my touch and y
our breath gets short but h
eavy when you think you j
ust got a text from me but
you remember that the te
xt will never come; i want y
ou to know that i love yo
u and that you can make it
through anything and if yo
u do just one thing in my r
emembrance then i want y
ou to never ******* drink
my taste away because no
matter how strong you se
em i still think that my p
assing will make you a lit
tle uneasy and a little diff
erent maybe and i wonde
r if you'll cry anywhere c
lose to as much as i used t
o cry on a nightly basis a
nd will you sneak out an
d walk down to the stop
sign where we exhaled a
nd inhaled smoke and we
held each other and ****
man when i laid on the as
phalt i still wished a car w
ould come speeding by e
ven though that's so ****
ed up and this isn't even a
poem it's just a ****** up
story but if you ever love
d me at all, you won't pi
ck up the bottle- you wo
n't take a shot even if it m
eans remembering the tr
igger.
John F McCullagh Dec 2011
The Ides of March had come
but its Sun was not yet cold
when Spurinna reminded me
what his augury  had foretold

Some good men tried to warn me
About the risks I take-
But Caesar has no need of guards
I look Death in the face.

Calpurnia asked me not to go
Based on her silly dream
But the Parthian war won’t be derailed
By some Republican’s scheme

The supplicants surround me with petitions,
Bur I, impatient, moved to turn away.
Casca grabbed the draping of my toga
and bared me,  awkwardly, to start the fray.

The first dagger found my flesh
and left a superficial wound.
I wrested the dagger from his hands
and swept the blade to clear some room.

They are too many that surround me.
Too many of their thrusts strike home
Brutus my son, “Et Tu, Brute”
I cover my face to die alone.

Bleeding, powerless, dying,
No one must see me as I lay.
My dignity must be preserved
for I am uncommon clay.
The Ides of March
Sasha Ranganath Feb 2017
if life is like a box of chocolates
and i will never know what i’ll get,
how long do i have to await
the poisoned one?

or is every piece filled
with a little bit of poison
that takes eighty years to ****
or seventy five
or tomorrow
or today.

you ever wake up at 6 am on a holiday
and try to force yourself back to sleep?
bur your body just refuses and insists
to slouch into the arms of your mind
the arms of your mind that keep you
in shackles of an uncertain next second
what if a bomb goes off
what if an earthquake happens
what if that plane in the sky i hear crashes into my window
what if my neighbours die
what if someone is murdered in front of my eyes
what if what if what if
this uncertain next second is certain
to be the cradle i lay in as i take my last breath
will you say goodbye?
or will you walk by like you’ve always done?

will you fulfill the hunger at the pit of my stomach?
will you play my favourite songs at my funeral?
(will there even be a funeral?
do you know my favourite songs?)

this uncertain next second will sing me to slumber
and shake me awake at 6 am on a holiday
remind me of my 2 am poetry
and put my body in your hands to carry.
RADACACH Sep 2013
Middle school

Everyday I hated life
Just get me through today
Maybe no one will notice me
Maybe no one will notice that before school I cried

I cried because of them
They locked me in closets
Called me gay
Made jokes at my dispense

They say that they were joking
No harm done
But little did they know that I cried myself to sleep every night
Because I was so scared that it could be true

So I showed them I dated every girl I could got to double digits before I knew it but still they called me gay

Soon girls were just a number
Just a object that I could build myself higher on

I tell my parents all of this and there response is that these kids are just jealous of you Kevin

I wish that was true
But what is there to be jealous about

Girls turned to objects in a second
They were there to build me higher right? To somehow give me the respect I wanted
I used them for my own gain
But what did it gain me
Bur more name calling

Manwhore
****
Told I couldn't keep a girlfriend
More jokes at my dispense
And somehow I was still called gay
I still cried those names Hurt too

These girls are getting me no where
But I keep going farther with them
Started bragging about how cool I was

But in a moment I could be brought down by 3 words
You are gay

Those words pump through my heart so fast
My anger rages
Till a kid said it one day and I broke
I punched him in the face
The power I felt
I threw another one

Sitting at my desk feeling that glory but for what?
I get a call to the office
I get blamed for bulling the kid
I try to say no
But the words won't come out

I turn back to girls to hide my pain
To hide my sorrow
Maybe someday girls won't just be a number...
Pauline Morris Feb 2016
She must always be the center of attention
Loud as hell too, if I even need to mention
You know when she's around
She bellows like an old basset hound
When she's here she'll let you know
As picture after picture of herself she'll show
Always bragging on herself and her's
Like under your saddle a well placed bur
The same old stories over and over
She can talk anyone sober
I can only take her in a small dose
Not in walls that are close
In an open field, in case I need to bolt
Because I just can not cope
With the stream of ****
That spews from her lips
I'll run like a wild horse
It would be hard to follow my course
When I can't put up with her any longer
That attention seeking monger
Rachel Robison Oct 2015
Rachel is the name my mom gave me
Rachel is someone sweet
Rachel is a secret keeper
Rachel is a little momma
Bur rachel has her dark secrets
Rachel is sometimes angry
Rachel is sometimes cranky
Rachel is sometimes depressed
Rachel is also sometimes only
But rachel as siblings who care for her
An older brother is happy for her happiness
Sisters who can tell she as been crying
A mother who loves her so
A father who also loves her
Mother giving her confidence
Mother loves her for the littlest things
This girl is me
Rachel is the name i will carry to the grave
I read one of my sister's poems. The poem gave me inspiration for this poem. Thanks

— The End —