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Kuzhur Wilson Apr 2019
In your place,

I planted a *******.

On the southern border

Of a dilapidated, porous house.

When it rains,

Seeds sprout in the fields.

When the bugle sounds,

The dead come alive.

In your place,

I planted a *******.

I used leaves that have decayed

More than the usual

As manure.

I took handfuls of the sand,

That was measured out

For construction of the house,

And spread over its base,

Without any measure.

I diverted the rain,

That was flowing away lazily,

To its base.

******* trembled

As love swelled up within.

When it rains,

Seeds sprout in the fields.

When the bugle sounds,

The dead come alive.

In your place,

I planted a *******.

I kissed every leaf,

Without anyone seeing it.

Its veins looked like yours,

When I read them gently.

And when the eyes welled up

I made a ridge under them

With my soiled hands.

When it rains,

Seeds sprout in the fields.

When the bugle sounds,

The dead come alive.

In your place,

I planted a *******.

I will nurture it with love.

I will fight with ants and beetles

And even butterflies.

If it ever droops,

I will pamper it with sweet talks

And pet names uttered in its ear.

When it rains,

Seeds sprout in the fields.

When the bugle sounds,

The dead come alive.

In your place,

I planted a *******.

I will stand guard to it

In rain and shine.

I will tattoo on my palm

Its green, branches and leaves.

When it rains,

Seeds sprout in the fields.

When the bugle sounds,

The dead come alive.

In your place,

I planted a *******.

Tears

Spittle

*****

I will pour out the soul of life

Just for it.

When it rains,

Seeds sprout in the fields.

When the bugle sounds,

The dead come alive.

In your place,

I planted a *******.

In nights, when I really lose it,

I will hug it and cry my heart out.

I will shower it with kisses,

Drenched with tears and spittle.

I will lie down on its lap,

When the eleven bells crumble.

And when I feel naughtier

I will close my eyes

Get inside it

And hide in there.

When it rains,

Seeds sprout in the fields.

When the bugle sounds,

The dead come alive.

In your place,

I planted a *******.

One day,

It will flower.

And sing aloud, yellow yellow yellow.

The wind, birds and all creepers around

Will take up that song.

When it rains,

Seeds sprout in the fields.

When the bugle sounds,

The dead come alive.

In your place,

I planted a *******.

One day.



One day

I will open my day

With its sight

And fade away to next life.

It will wait for me

Till the next life.







‘ When it rains,

Seeds sprout in the fields.

When the bugle sounds,

The dead come alive.’

A requiem sung at funeral of Christians.
Kuzhur Wilson

trans. Anand Haridas
RW Dennen Jul 2015
Bugle call in cadence be
spread your deep sincerity

Reverberate its call
within our minds
of good deeds done
for better times

Heroes of every walk of life
remembered by bugle sounds
into vesper night
It's sounding love of mankind
and sacrifice
About everyday people
like you and me
About brass sounds that triumph liberty
It's sounding our land, not laid bare,
by the right to speak
It's sounding about lives laid down
that freedoms seek
And through that bugle call we see
in taps that sound great dignity

We must fight
not to relinquish
our hard earned truth
in bugle calls of our youth

Now i lay my bugle
down to sleep
And still i hear that
sound
that haunting sound
forever be
that ushers forth
our dignity
Hang strong "We the People" have the masses. This poem was meant for
people like Martin Luther King who gave forth positive contributions and died
in helping mostly the middle class and poor; have a good 4th.
Loraine Fromm Aug 2011
THE SILVER BUGLE

HE CAME FROM OUT OF NOWHERE, IN THE DARKNESS OF THE NIGHT
WITH A SILVER BUGLE IN HIS HAND HE STEPPED INTO THE LIGHT
HE STOOD FOR A MOMENT IN SILENCE, THEN IN A VOICE SO DEEP AND CALM
HE SAID "IVE COME TO PLAY FOR MY MATES WHO DIED IN VIETNAM"

SOME HEADS WERE BOWED AND WAITING AS THE BUGLER TOLD HIS TALE
BUT WHAT THEY HEARD WERE THE EERIE STRAINS OF A 'WHITER SHADE OF PALE'
HE PLAYED THE SONGS FROM DAYS GONE BY AND THE BUGLE FOUND ITS HOME
AMONG THE FIELDS OF SORROW WHERE HIS MATES HAD FLOWN

THE SINGLE NOTES UPON THE AIR WERE LIKE AN EPITAPH
AS HE TOOK US ALL THE WAY WITH HIM, BACK INTO THE PAST
HE BLEW THAT BUGLE LIKE A HORN AND THE SOUND WAS PURE AND CLEAN
AS HE PLAYED THE HAUNTING MELODY  'I'LL SEE YOU IN MY DREAMS'

WE COULD HEAR THE GHOSTLY VOICES CALLING IN THE NIGHT
AND SEE THE FLAMES AROUND THEM, IN THE JUNGLE BURNING BRIGHT
BUT MOST OF ALL WE FELT THE PAIN OF THE MAN LEFT TO REMIND
THE WORLD THAT BACK IN VIETNAM HIS MATES WERE LEFT BEHIND

AS THE BUGLER CALLED FOR HIS LAST AND FINAL NOTE
WE COULD HEAR THE ECHO OF A GHOST
AS ANOTHER BUGLE PLAYED 'THE LAST POST'
The splendour falls on castle walls
      And snowy summits old in story:
    The long light shakes across the lakes,
      And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.

    O hark, O hear! how thin and clear,
      And thinner, clearer, farther going!
    O sweet and far from cliff and scar
      The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.

    O love, they die in yon rich sky,
      They faint on hill or field or river:
    Our echoes roll from soul to soul,
      And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.
Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
The splendour falls on castle walls
And snowy summits old in story:
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.

O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.

O love, they die in yon rich sky,
They faint on hill or field or river:
Our echoes roll from soul to soul,
And grow for ever and for ever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.
1593

There came a Wind like a Bugle—
It quivered through the Grass
And a Green Chill upon the Heat
So ominous did pass
We barred the Windows and the Doors
As from an Emerald Ghost—
The Doom’s electric Moccasin
That very instant passed—
On a strange Mob of panting Trees
And Fences fled away
And Rivers where the Houses ran
Those looked that lived—that Day—
The Bell within the steeple wild
The flying tidings told—
How much can come
And much can go,
And yet abide the World!
O Captain! my Captain! our fearful trip is done,
The ship has weathered every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribboned wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchored safe and sound, its voyage closed and done;
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.
ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little
Locksley Hall

by Alfred, Lord Tennyson

Comrades, leave me here a little, while as yet 't is early morn:
Leave me here, and when you want me, sound upon the bugle-horn.

'T is the place, and all around it, as of old, the curlews call,
Dreary gleams about the moorland flying over Locksley Hall;

Locksley Hall, that in the distance overlooks the sandy tracts,
And the hollow ocean-ridges roaring into cataracts.

Many a night from yonder ivied casement, ere I went to rest,
Did I look on great Orion sloping slowly to the West.

Many a night I saw the Pleiads, rising thro' the mellow shade,
Glitter like a swarm of fire-flies tangled in a silver braid.

Here about the beach I wander'd, nourishing a youth sublime
With the fairy tales of science, and the long result of Time;

When the centuries behind me like a fruitful land reposed;
When I clung to all the present for the promise that it closed:

When I dipt into the future far as human eye could see;
Saw the Vision of the world and all the wonder that would be.--

In the Spring a fuller crimson comes upon the robin's breast;
In the Spring the wanton lapwing gets himself another crest;

In the Spring a livelier iris changes on the burnish'd dove;
In the Spring a young man's fancy lightly turns to thoughts of love.

Then her cheek was pale and thinner than should be for one so young,
And her eyes on all my motions with a mute observance hung.

And I said, "My cousin Amy, speak, and speak the truth to me,
Trust me, cousin, all the current of my being sets to thee."

On her pallid cheek and forehead came a colour and a light,
As I have seen the rosy red flushing in the northern night.

And she turn'd--her ***** shaken with a sudden storm of sighs--
All the spirit deeply dawning in the dark of hazel eyes--

Saying, "I have hid my feelings, fearing they should do me wrong";
Saying, "Dost thou love me, cousin?" weeping, "I have loved thee long."

Love took up the glass of Time, and turn'd it in his glowing hands;
Every moment, lightly shaken, ran itself in golden sands.

Love took up the harp of Life, and smote on all the chords with might;
Smote the chord of Self, that, trembling, pass'd in music out of sight.

Many a morning on the moorland did we hear the copses ring,
And her whisper throng'd my pulses with the fulness of the Spring.

Many an evening by the waters did we watch the stately ships,
And our spirits rush'd together at the touching of the lips.

O my cousin, shallow-hearted! O my Amy, mine no more!
O the dreary, dreary moorland! O the barren, barren shore!

Falser than all fancy fathoms, falser than all songs have sung,
Puppet to a father's threat, and servile to a shrewish tongue!

Is it well to wish thee happy?--having known me--to decline
On a range of lower feelings and a narrower heart than mine!

Yet it shall be; thou shalt lower to his level day by day,
What is fine within thee growing coarse to sympathize with clay.

As the husband is, the wife is: thou art mated with a clown,
And the grossness of his nature will have weight to drag thee down.

He will hold thee, when his passion shall have spent its novel force,
Something better than his dog, a little dearer than his horse.

What is this? his eyes are heavy; think not they are glazed with wine.
Go to him, it is thy duty, kiss him, take his hand in thine.

It may be my lord is weary, that his brain is overwrought:
Soothe him with thy finer fancies, touch him with thy lighter thought.

He will answer to the purpose, easy things to understand--
Better thou wert dead before me, tho' I slew thee with my hand!

Better thou and I were lying, hidden from the heart's disgrace,
Roll'd in one another's arms, and silent in a last embrace.

Cursed be the social wants that sin against the strength of youth!
Cursed be the social lies that warp us from the living truth!

Cursed be the sickly forms that err from honest Nature's rule!
Cursed be the gold that gilds the straiten'd forehead of the fool!

Well--'t is well that I should bluster!--Hadst thou less unworthy proved--
Would to God--for I had loved thee more than ever wife was loved.

Am I mad, that I should cherish that which bears but bitter fruit?
I will pluck it from my *****, tho' my heart be at the root.

Never, tho' my mortal summers to such length of years should come
As the many-winter'd crow that leads the clanging rookery home.

Where is comfort? in division of the records of the mind?
Can I part her from herself, and love her, as I knew her, kind?

I remember one that perish'd; sweetly did she speak and move;
Such a one do I remember, whom to look at was to love.

Can I think of her as dead, and love her for the love she bore?
No--she never loved me truly; love is love for evermore.

Comfort? comfort scorn'd of devils! this is truth the poet sings,
That a sorrow's crown of sorrow is remembering happier things.

Drug thy memories, lest thou learn it, lest thy heart be put to proof,
In the dead unhappy night, and when the rain is on the roof.

Like a dog, he hunts in dreams, and thou art staring at the wall,
Where the dying night-lamp flickers, and the shadows rise and fall.

Then a hand shall pass before thee, pointing to his drunken sleep,
To thy widow'd marriage-pillows, to the tears that thou wilt weep.

Thou shalt hear the "Never, never," whisper'd by the phantom years,
And a song from out the distance in the ringing of thine ears;

And an eye shall vex thee, looking ancient kindness on thy pain.
Turn thee, turn thee on thy pillow; get thee to thy rest again.

Nay, but Nature brings thee solace; for a tender voice will cry.
'T is a purer life than thine, a lip to drain thy trouble dry.

Baby lips will laugh me down; my latest rival brings thee rest.
Baby fingers, waxen touches, press me from the mother's breast.

O, the child too clothes the father with a dearness not his due.
Half is thine and half is his: it will be worthy of the two.

O, I see thee old and formal, fitted to thy petty part,
With a little hoard of maxims preaching down a daughter's heart.

"They were dangerous guides the feelings--she herself was not exempt--
Truly, she herself had suffer'd"--Perish in thy self-contempt!

Overlive it--lower yet--be happy! wherefore should I care?
I myself must mix with action, lest I wither by despair.

What is that which I should turn to, lighting upon days like these?
Every door is barr'd with gold, and opens but to golden keys.

Every gate is throng'd with suitors, all the markets overflow.
I have but an angry fancy; what is that which I should do?

I had been content to perish, falling on the foeman's ground,
When the ranks are roll'd in vapour, and the winds are laid with sound.

But the jingling of the guinea helps the hurt that Honour feels,
And the nations do but murmur, snarling at each other's heels.

Can I but relive in sadness? I will turn that earlier page.
Hide me from my deep emotion, O thou wondrous Mother-Age!

Make me feel the wild pulsation that I felt before the strife,
When I heard my days before me, and the tumult of my life;

Yearning for the large excitement that the coming years would yield,
Eager-hearted as a boy when first he leaves his father's field,

And at night along the dusky highway near and nearer drawn,
Sees in heaven the light of London flaring like a dreary dawn;

And his spirit leaps within him to be gone before him then,
Underneath the light he looks at, in among the throngs of men:

Men, my brothers, men the workers, ever reaping something new:
That which they have done but earnest of the things that they shall do:

For I dipt into the future, far as human eye could see,
Saw the Vision of the world, and all the wonder that would be;

Saw the heavens fill with commerce, argosies of magic sails,
Pilots of the purple twilight dropping down with costly bales;

Heard the heavens fill with shouting, and there rain'd a ghastly dew
From the nations' airy navies grappling in the central blue;

Far along the world-wide whisper of the south-wind rushing warm,
With the standards of the peoples plunging thro' the thunder-storm;

Till the war-drum throbb'd no longer, and the battle-flags were furl'd
In the Parliament of man, the Federation of the world.

There the common sense of most shall hold a fretful realm in awe,
And the kindly earth shall slumber, lapt in universal law.

So I triumph'd ere my passion sweeping thro' me left me dry,
Left me with the palsied heart, and left me with the jaundiced eye;

Eye, to which all order festers, all things here are out of joint:
Science moves, but slowly, slowly, creeping on from point to point:

Slowly comes a hungry people, as a lion, creeping nigher,
Glares at one that nods and winks behind a slowly-dying fire.

Yet I doubt not thro' the ages one increasing purpose runs,
And the thoughts of men are widen'd with the process of the suns.

What is that to him that reaps not harvest of his youthful joys,
Tho' the deep heart of existence beat for ever like a boy's?

Knowledge comes, but wisdom lingers, and I linger on the shore,
And the individual withers, and the world is more and more.

Knowledge comes, but wisdom lingers, and he bears a laden breast,
Full of sad experience, moving toward the stillness of his rest.

Hark, my merry comrades call me, sounding on the bugle-horn,
They to whom my foolish passion were a target for their scorn:

Shall it not be scorn to me to harp on such a moulder'd string?
I am shamed thro' all my nature to have loved so slight a thing.

Weakness to be wroth with weakness! woman's pleasure, woman's pain--
Nature made them blinder motions bounded in a shallower brain:

Woman is the lesser man, and all thy passions, match'd with mine,
Are as moonlight unto sunlight, and as water unto wine--

Here at least, where nature sickens, nothing. Ah, for some retreat
Deep in yonder shining Orient, where my life began to beat;

Where in wild Mahratta-battle fell my father evil-starr'd,--
I was left a trampled orphan, and a selfish uncle's ward.

Or to burst all links of habit--there to wander far away,
On from island unto island at the gateways of the day.

Larger constellations burning, mellow moons and happy skies,
Breadths of tropic shade and palms in cluster, knots of Paradise.

Never comes the trader, never floats an European flag,
Slides the bird o'er lustrous woodland, swings the trailer from the crag;

Droops the heavy-blossom'd bower, hangs the heavy-fruited tree--
Summer isles of Eden lying in dark-purple spheres of sea.

There methinks would be enjoyment more than in this march of mind,
In the steamship, in the railway, in the thoughts that shake mankind.

There the passions cramp'd no longer shall have scope and breathing space;
I will take some savage woman, she shall rear my dusky race.

Iron-jointed, supple-sinew'd, they shall dive, and they shall run,
Catch the wild goat by the hair, and hurl their lances in the sun;

Whistle back the parrot's call, and leap the rainbows of the brooks,
Not with blinded eyesight poring over miserable books--

Fool, again the dream, the fancy! but I know my words are wild,
But I count the gray barbarian lower than the Christian child.

I, to herd with narrow foreheads, vacant of our glorious gains,
Like a beast with lower pleasures, like a beast with lower pains!

Mated with a squalid savage--what to me were sun or clime?
I the heir of all the ages, in the foremost files of time--

I that rather held it better men should perish one by one,
Than that earth should stand at gaze like Joshua's moon in Ajalon!

Not in vain the distance beacons. Forward, forward let us range,
Let the great world spin for ever down the ringing grooves of change.

Thro' the shadow of the globe we sweep into the younger day;
Better fifty years of Europe than a cycle of Cathay.

Mother-Age (for mine I knew not) help me as when life begun:
Rift the hills, and roll the waters, flash the lightnings, weigh the Sun.

O, I see the crescent promise of my spirit hath not set.
Ancient founts of inspiration well thro' all my fancy yet.

Howsoever these things be, a long farewell to Locksley Hall!
Now for me the woods may wither, now for me the roof-tree fall.

Comes a vapour from the margin, blackening over heath and holt,
Cramming all the blast before it, in its breast a thunderbolt.

Let it fall on Locksley Hall, with rain or hail, or fire or snow;
For the mighty wind arises, roaring seaward, and I go.
eleanor prince Apr 2018
what is a poet
but a stymied wind
stamping the same soil
seen through polished lens

firing the bugle sound
to reach across some
distant mountain pass
not echo the same

ignite fire
stand strong
find north
refresh

for old paths yield
grey packages
more stale
subterfuge

but honed
solidity is found
in structures
built sound

a new song of old notes
rearranged to yield
perspective
deep
at times we all need to see what is to be kept and what will be discarded, to reinvent ourselves, our lives, whilst retaining solid ground
Robert C Howard Sep 2018
Prophesies of impending fall
     creep stealthily over the Great Divide.
Gold-green Aspens shiver in the breeze
     like leagues of fibrous wind chimes
serenading the mountain slopes
     with aires of shimmering gold.

A few distant bugle calls echo
     across the Big Thompson valley
as bull elks warm up for the autumn rut.
     Sudden early gusts of frigid wind
bring waves of sleet and snow -
     in tune with the turning polar axis.

The greater chill is soon to come.
     The animals know it as do we.
Bears bulk up on grasses, roots and berries.
     Elk and deer drift down from the heights
To show their young the ways
      of the plains and river valleys.

We pull our sweaters on
     and toss another log on the flames
and greet the harbingers of approaching fall
    creeping stealthily over the Great Divide.

September, 2018
Rachel Doty Nov 2014
The bugle plays it's song
As it does every day over the PA system
The children rise
And face the flag
Out of respect?
Who could know
When their true thoughts
Are locked away inside?
One little girl
Envisions painting a picture
With the hues of the banner
Near her a small boy
Stares into space,
Dreaming about a shiny new toy
Waiting for him at home
Across the room
Stands the teacher
Behind her desk
Facing the object
It is her obligation to face
She is very deep in thought,
Concerning her dinner that evening
In the back corner of the room
Stands a boy
Straight as an arrow
Saluting Old Glory
A single tear running down his cheek
He, like the others
Focuses on faraway things
Something not within his reach
Not now
Never again
Unlike the others,
He breaks his stare from the flag
Bows his head
And whispers
"Thank you, Daddy"
Thank you to all those who have served. You deserve the upmost respect and you are inspiring to us all.
nivek Jul 2015
here we write our epic
from first post
to last bugle fading
and all your readers
throw in a handful of dirt
the day you stopped singing
and turn away to their bowers
to continue in this stranger than fiction endeavour
writing out their hearts and minds one big poem stitched together
to a friend

No! those days are gone away
And their hours are old and gray,
And their minutes buried all
Under the down-trodden pall
Of the leaves of many years:
Many times have winter's shears,
Frozen North, and chilling East,
Sounded tempests to the feast
Of the forest's whispering fleeces,
Since men knew nor rent nor leases.

    No, the bugle sounds no more,
And the twanging bow no more;
Silent is the ivory shrill
Past the heath and up the hill;
There is no mid-forest laugh,
Where lone Echo gives the half
To some wight, amaz'd to hear
Jesting, deep in forest drear.

    On the fairest time of June
You may go, with sun or moon,
Or the seven stars to light you,
Or the polar ray to right you;
But you never may behold
Little John, or Robin bold;
Never one, of all the clan,
Thrumming on an empty can
Some old hunting ditty, while
He doth his green way beguile
To fair hostess Merriment,
Down beside the pasture Trent;
For he left the merry tale
Messenger for spicy ale.

    Gone, the merry morris din;
Gone, the song of Gamelyn;
Gone, the tough-belted outlaw
Idling in the "grenè shawe";
All are gone away and past!
And if Robin should be cast
Sudden from his turfed grave,
And if Marian should have
Once again her forest days,
She would weep, and he would craze:
He would swear, for all his oaks,
Fall'n beneath the dockyard strokes,
Have rotted on the briny seas;
She would weep that her wild bees
Sang not to her--strange! that honey
Can't be got without hard money!

    So it is: yet let us sing,
Honour to the old bow-string!
Honour to the bugle-horn!
Honour to the woods unshorn!
Honour to the Lincoln green!
Honour to the archer keen!
Honour to tight little John,
And the horse he rode upon!
Honour to bold Robin Hood,
Sleeping in the underwood!
Honour to maid Marian,
  And to all the Sherwood-clan!
Though their days have hurried by
Let us two a burden try.
Often I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I remember the black wharves and the ships,
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I remember the bulwarks by the shore,
And the fort upon the hill;
The sunrise gun, with its hollow roar,
The drum-beat repeated o’er and o’er,
And the bugle wild and shrill.
And the music of that old song
Throbs in my memory still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I remember the sea-fight far away,
How it thundered o’er the tide!
And the dead captains, as they lay
In their graves, o’erlooking the tranquil bay
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I can see the breezy dome of groves,
The shadows of Deering’s Woods;
And the friendships old and the early loves
Come back with a Sabbath sound, as of doves
In quiet neighborhoods.
And the verse of that sweet old song,
It flutters and murmurs still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I remember the gleams and glooms that dart
Across the school-boy’s brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song
Sings on, and is never still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

There are things of which I may not speak;
There are dreams that cannot die;
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

Strange to me now are the forms I meet
When I visit the dear old town;
But the native air is pure and sweet,
And the trees that o’ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

And Deering’s Woods are fresh and fair,
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were,
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”
antony glaser May 2012
Progress is wasted here
the high street draped in uniform glass fronts
why shouldn't we play our bugle
to rebuke this shard ?
yet in a corner there's still a market street
refusing the final nail,
there's a shoe, bakery, cycle and jewellery shop,
in our hearts we will
wear  pride to headline the clarion call
and shed anger at being accused of,
carrying congress with the past
at our coffee stall.
Harkaran May 2014
Over there a young boy falls
And over here a woman weeps
When bugle and clarion call
Not mothers, but army keeps
Children of the country then
In unsullied discipline when
Bugle and clarion cry for war
So father, son and brother fall
The awaiting woman's despair
Smell death and cordite in air
Fall flailing to the sister's woe
Fall weak with strong sorrow
To the old wife's fresh sadness
Fight, hero and fall with madness
zebra Jul 2016
I am Madam *******
ive come to your lair
please come to the table
and pull up a chair

i see you have  guests
theres plenty to eat
look at my ****
start with my feet

collard in silk ,
no ******* i ware
am i not gorgeous
do you like my hair

plump ******* spill out
manicured toes
take a bite
ill hold a pose

demonic friends
need love too
thrilled at there sight
my **** turns to goo

curtsy smiling
manners i have
ive come to be eaten
do you like calve

brain washed im not
death is for me
a nice hot oven
i hope you like ***

to my dinner guests
i bow and i scrape
i like it so much
you cant call it ****

as the guest of honor
soon to be eaten
i receive an ovation
tenderized and beaten

slit her gut open
shes a feast they cry
what a **** ***
shes begging to die

removing my robe
legs spread apart
on the table face down
please tear me apart

hands are clamped
and ankles secured ...
my head lifted
you'd like me cured

head on a block
knees pushed up so
*** is perched
would you like a toe

hands outstretched
i'm pretty when i smile
split me open
excuse my bile

at the dinner party
all howl with delight
as she cries **** me, please
shes so sweet and shes tight

we come from behind
our ***** in her ***
she farts like a bugle
oh wow its mass

hell where demons
with lots of hot ****
poops on the table
let's drink some more ***

come **** me sweet
you're so bad
tear me to pieces
is your name Vlad

**** down my throat
cut my belly to pieces
unwind my intestine
eat my fices

my eyes are candy
pull them out of my head
get out the soy sauce
i love to be dead

stick a spike up my ***
send me to hell
light me on fire
i'm in a spell

two buttery *****
in my mouth at one time
with hot lava devils
******* me blind

two up my *******
long daddy strokes
oh hell yeah
have a couple of cokes

working my ****
licking my ****
slow cook me
i look good on a spit

being ******
and pulled apart
its so much fun
it must be art

it's getting intense
i think i feel sick
my **** run through
please have a lick

it's time for the end
get the big knife
finish me, honey
i'm tired of life

the guest gather round
for the crescendo, the ****
out pours my blood
oh what a thrill

i'm ready for the oven
i go in still alive
turned up to 450
i blister and writhe

I am Madam *******
i've come to your lair
please come to the table
and pull up a chair

dinner is served
As the sun sets
He is laid to rest
The bugle sounds and guns fire
A nation pays tribute to a soldier

He fought with honour and without fear
To protect our country from foes
He stood guarding our borders
As seasons changed around him

Far away from his home
Leaving wife and son alone
A soldier fought a war
So that we are at peace

Braving bullets and bombs
Without food and sleep
He is alert all day
Keeping enemies at bay

The earth upon which we tread
He worshipped till he was dead
Fighting hard for our freedom
What a noble patriot he was

Then one day he fell down fighting
A bullet tore through his chest
With a cry for freedom on his lips
He lay down his life for us

A tearful wife and son
Are joined by a whole nation
We salute the brave soldier
And his noble sacrifice


© copyright skm
(co-written by Sharon Robinson)
Baby, I've been waiting,
I've been waiting night and day.
I didn't see the time,
I waited half my life away.
There were lots of invitations
and I know you sent me some,
but I was waiting
for the miracle, for the miracle to come.
I know you really loved me.
but, you see, my hands were tied.
I know it must have hurt you,
it must have hurt your pride
to have to stand beneath my window
with your bugle and your drum,
and me I'm up there waiting
for the miracle, for the miracle to come.
Ah I don't believe you'd like it,
You wouldn't like it here.
There ain't no entertainment
and the judgements are severe.
The Maestro says it's Mozart
but it sounds like bubble gum
when you're waiting
for the miracle, for the miracle to come.
Waiting for the miracle
There's nothing left to do.
I haven't been this happy
since the end of World War II.
Nothing left to do
when you know that you've been taken.
Nothing left to do
when you're begging for a crumb
Nothing left to do
when you've got to go on waiting
waiting for the miracle to come.
I dreamed about you, baby.
It was just the other night.
Most of you was naked
Ah but some of you was light.
The sands of time were falling
from your fingers and your thumb,
and you were waiting
for the miracle, for the miracle to come
Ah baby, let's get married,
we've been alone too long.
Let's be alone together.
Let's see if we're that strong.
Yeah let's do something crazy,
something absolutely wrong
while we're waiting
for the miracle, for the miracle to come.
Nothing left to do ...
When you've fallen on the highway
and you're lying in the rain,
and they ask you how you're doing
of course you'll say you can't complain --
If you're squeezed for information,
that's when you've got to play it dumb:
You just say you're out there waiting
for the miracle, for the miracle to come.
Jared Eli Dec 2013
There once was a boy who was but a slender
Line in a portrait or a smudge on a fender
Nothing more than would be passed by your eye
Was the boy so young who did nothing but cry

The world was a cruel one, but he wasn't so tainted
His picture more perfect than of David's statue painted
But the world would soon tear this boy apart
It would end in the mind what began in the heart

You see, innocence thrives where ignorance rules
For blissfulness is the kindest of the ignorant's tools
But this boy would be taught to feel and to hurt
His tears turned to ash as they fall from lips to dirt

He was now cold and ****** and swore
His opinions had changed when his brother died in the war
There was no point to heaven and less point to hell
When they called out your name, you either stood up or fell

Chipped bricks covered in posters past
Graffiti from people of phrases that last
Like one-liners, humourless, gaining a laugh
And the three-word with the sketch of a heart cut in half

The best philosophes of this past generation
Write thoughts on the wall from their closed imagination
And the boy with his eyes red grew darker
As he reached in his pocket and pulled out a marker

With a couple quick slashes a ballot was drawn
And he labeled the man in the voting booth "pawn"
Underneath it he wrote what might be a phrase
That just didn't catch on in those olden days:

It said, "A stone cast down as in defeat
Will hit thine foot before the street
For he who gives up his voting right
Will have no say in where we fight."

The boy capped the pen and he walked away
He had written down all that he wanted to say
His hands now were smudged from the marks on the wall
And he thought to himself, "In short time, it'll fall"

Right around the corner he was halted by the law
"You thought no one was watching, but guess what, kid? I saw.
The truth is, you're right, we vote for our wars
But the man up on top of the nation? He's yours."

The boy smiled slightly, for this cop was wrong
And he reached deep past the tears in himself to be strong
"That man isn't mine; he approved of this war
And congress has made my brother break the oath that he swore"

The cop looked at boy and the boy at the cop
They weren't talking graffiti, but the man up on top
Two strangers, two people, agreeing the fact
That the choice on the ballot was a serious act

"Most kids don't realize just what a vote can mean
They don't attribute the choice to the step in between
Old ideas corrupted or improved upon
All they know is their voice can make the other guy gone"

The boy nodded and looked the cop right in the eye
Saying, "This president let my brother ship out to die
If you try to make us think that his empathy wasn't fake
Contradiction in contrite diction will no conviction make

"You can't justify death because the harder you try
The more your arguments fade like the clouds in the sky
But before they dissolve and assimilate with the air
They leave behind pain to show that they were there"

The cop nodded, waved, and went back to the beat
More hoodlums and lost souls to help off the street
He passed a dark alley and his instincts erupted
His mind yelling to him, "Check for something corrupted!"

So he turned down in darkness to check out the spot
It looked like a place where blackmarket is hot
The fungus and mold that once grew peeled off
Leaving yellowish stains and the urge to cough

A voice near the brickwork called out saying, "Hey,"
"If it's not to much trouble, mister, couldja stay?
See honest to goodness, mister, I tried to stay clean
But when you take your own product, separation is mean"

"I don't know exactly who is to blame"
Said cop to the girl he could see but not name
"There's no one to blame," said the girl to the man
"There's things that will happen, and with time they all can

"For a creature that thrives on flesh alone
Will bite through the skin to steal the bone
And he must be careful, lest he find
That he's been feasting upon his own behind"

"Yes, sometimes it's true: Desire drives us too fast
Sometimes to places where sanity's long since passed
But sanity's fleeting and must be sought after
Come; let me find you some lodgings and laughter"

"No, mister! I'm a lost cause, my fate's without hope!
Permit me now to symbolize: I'm at the end of my rope!"
"Now miss don't you think like that, No one's soldered to their fate
Such thinking will confine you like a cage with bitter bait!"

This world's harsh and confusing and you've had the short stick
But don't let hopelessness be the only thing that's gonna make you tick
Like treading water in the ocean, panic makes you die
Find beauty out of terror, spread your arms and fly!"

The girl sat there blinking. She'd never heard such talk
She'd never been another thought on anybody's walk
"Now let me tell you, I'm not short on self doubt
But I've got to say: that's not what it's all about

See I met this boy earlier, who told me his story
About how the status of the world often makes him worry
This boy's actin' out, but he'll turn out just fine
But if you're giving up hope, then you're crossing the line

Because we've never needed Merry Men and Robin Hood
To stand up at bugle-call to turn the world good
We just need to remember: We're in it forever!
Fight the urge to look upward and shout angrily, 'Never!'

The world, good and bad, is mixed unto itself
And you can't take you your recipe book from the shelf
And add pinches of falsehoods like seasonings for a mask
You must fix it internally, for that is your task

See, though you've given up, that's something I just won't allow
You're gonna go out and fix it, let somebody show you how
Because there's more than one way to a proper conclusion
Some ways are hard and still others illusion

But become obsessed with the truth, with doin' things right
Become a shining green beacon to lead others at night
Promise me, here and now, in this alley proclaim!
That you will set forth and make good of your name."

The girl gently nodded and as time's hands were wound
She grew like a flower from that dank piece of ground
It's the tiny conversations that can so alter life
And cut the crust of complication like a peace-bringing knife

The boy with his brother who'd gone up in the fight
Was just like the cop said: he turned out alright
He put his mind to better things, gave up the childish art
And in the realm of history, his bio did its part

Because he realized how tangible the change he wanted was
He set aside resentments as the true reformer does
He spoke of love, acceptance. . . And then switched to compromise
Because when you're just a visionary, the vision always dies

He used the good and bad to weld a better, stronger, net
To catch the lost and lonely, his was the best support to get
He filled the heads of others with the change that he once viewed
And little inch by little inch corruption and violence met with feud

A verbal dispute filled with picketing people
Who shouted, "Change!" from their electronic steeple
And the media members had themselves a field day
As they caught on the camera what the boy had to say:

"Too often we forget, that apathy isn't peace
But we allow ourselves to be served it by the leaders filled with grease
And we skip along, ignoring things that should rightly upset us
Bombs abroad are wholly fine but not the one that's gonna get us

We've got to think of the whole picture, got to figure out the puzzle
Though you think the lion's fierce, it always has time to nuzzle
So let's switch the view and take on that trait
And put aside the thought that nuzzling can wait."

The cop saw the boy who was on T.V.
And said to himself, "that kid talked to me!
He smiled a bit, "his speech is pleasing as a wren
And in the case of my boasting, I'll say I knew him when!"

The girl wasn't taped, but she was out changing lives
By having conversations that we've likened to knives
And so it was when time was up on the impending revolution
Armed with words she voyaged forth to fufill her resolution

The boy and she stood side by side and led the people on
And using power words of choice, the old regime was gone
What started out as compromise, effloresced to peace and love
And the cop the two had talked to nodded at boy and girl above

A change in heart, a change in mind, can spark a worldly change
Though originality is difficult, ideas can rearrange
To fit the modern times, and indeed to mold it best
And the answer's sometimes difficult, but as we all know: life's a test

This boy and girl were lost, then found, and so was their whole world
And their string of conversations were around their finger curled
Reminding them that there was out there a better way to live
And revolution was the message that the cop had had to give
Shoulder to shoulder you bands of brothers landed.
Code name Operation Neptune was underway.
You noble breed, not knowing what lay ahead
Just knowing that your duty was called upon.
The bugle sounded, you all answered the call
nobly you waded those waters for all.
06/06/1944 was the day.
The largest seaborne invasion in history.
Yet, you brothers in arms were not caring of history making
Just making it to the beach, alive.
I can but humbly thank you for what you all did that day,
you that lived and those that died.
What thoughts must have played in your mind.
A lone piper played throughout, what courage you all displayed.
No wonder we that came after you, leave you feeling dismayed.
Many wars have been fought since, their courage is also undenied,
but, you, you thousands on those beaches showed the world the meaning
of pride, respect and warrior.
On the beaches of Utah, Omaha, Gold, Juno and Sword,
you carved a way in. To end the war.
Nobler people I doubt exist, and soon this 70th anniversary
will fade in time, but not that date of June the sixth (1944)
© JLB
06/06/2014
Paul Butters Mar 2022
An app for this
An app for that
An app even,
To feed your cat.

Mesmerised by mobiles
All these zombies shuffle along
Nearly getting run over
So internet throng.

Scanning with their debit cards
No time for cash
But I don’t trust these things
With their laser flash.

All this social media
Where is it going?
So much information
Toing and froing.

Good to keep in touch
And so easy to Google
Want to make a noise?
It’s better than a bugle.

Better check in on Facebook
So you all know where I am
Time to check my emails
To bin the latest scam.

But whatever happened to talking?
It’s now a forgotten art!
The cyber revolution:
This is just the start.

Paul Butters

© PB 19\3\22.
Father, this year's jinx rides us apart
where you followed our mother to her cold slumber;
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne's, an English Ford,
the love and legal verbiage of another will,
boxes of pictures of people I do not know.
I touch their cardboard faces. They must go.

But the eyes, as thick as wood in this album,
hold me. I stop here, where a small boy
waits in a ruffled dress for someone to come ...
for this soldier who holds his bugle like a toy
or for this velvet lady who cannot smile.
Is this your father's father, this commodore
in a mailman suit? My father, time meanwhile
has made it unimportant who you are looking for.
I'll never know what these faces are all about.
I lock them into their book and throw them out.

This is the yellow scrapbook that you began
the year I was born; as crackling now and wrinkly
as tobacco leaves: clippings where Hoover outran
the Democrats, wiggling his dry finger at me
and Prohibition; news where the Hindenburg went
down and recent years where you went flush
on war. This year, solvent but sick, you meant
to marry that pretty widow in a one-month rush.
But before you had that second chance, I cried
on your fat shoulder. Three days later you died.

These are the snapshots of marriage, stopped in places.
Side by side at the rail toward Nassau now;
here, with the winner's cup at the speedboat races,
here, in tails at the Cotillion, you take a bow,
here, by our kennel of dogs with their pink eyes,
running like show-bred pigs in their chain-link pen;
here, at the horseshow where my sister wins a prize;
and here, standing like a duke among groups of men.
Now I fold you down, my drunkard, my navigator,
my first lost keeper, to love or look at later.

I hold a five-year diary that my mother kept
for three years, telling all she does not say
of your alcoholic tendency. You overslept,
she writes. My God, father, each Christmas Day
with your blood, will I drink down your glass
of wine? The diary of your hurly-burly years
goes to my shelf to wait for my age to pass.
Only in this hoarded span will love persevere.
Whether you are pretty or not, I outlive you,
bend down my strange face to yours and forgive you.
bones Feb 2016
Blowing silence
like a bugle
to announce his dismay

he got set
to make a statement
without speaking for a day

but his mother
just assuming
he had nothing much to say

sent her silent
revolutionary
son outside to play;

outmaneuvered
in the kitchen
by his mother's disregard

for campaigns
of wild muteness,
the rebellion fell apart

to the sound
of scuffing shoes
and the grumble in his heart

'cause silent protest
tends to lose
when no-one's listening very hard..
No one calls me by name anymore
I'm the Poppy Man to most
At least that's how most folks know me

I've been selling poppies for the legion
Since 1946
Let's see...yep...it was 46
Went over in 43 at 17 years of age
Home in 45, and yep...46
Same spot too.
There's been two owners here at Danny's. Funny thing though....
neither was called Danny. Turns out Danny was the brother of the original owner, got shot down over Germany, so they named the place after him.
I guess that's why they let me come here and sell poppies every year.

Good thing.
Now, I'm getting up there, they let me sit inside the door. Have a nice little table for myself, and they keep my cup full.
I start selling November 1st, at precisely 11 o'clock. That's just the way it should be....11 o'clock.

Over the years, I've put up with wind, rain, snow and I've always held my post. Lost a few poppies in the wind one time, and the funny thing was...people came and paid me for them afterwards. Told me they found them blowing up the street, figured they were mine. Funny things that people do.

I'll tell you 'bout the name The Poppy Man. It started in 1952. A young mother and her daughter were inside having lunch, and I heard the daughter going on about saving change for the Poppy Man. I guess, I was the Poppy Man.
One of the waitresses put a sign up by the register saying "don't forget to save your change for The Poppy Man"....and it's kinda stuck.
That little girl came back every day with her mother, dropped her pennies in and saluted. You know the way kids do...hand open and all. I guess I owe the name to her.
I've collected lots of memories over the years, most of which I can only smile about now. If I start talking about them, I'd just tear up and you wouldn't get the whole story...so, I'll keep them to myself.
I'm a bit of a celebrity in these parts I guess.
Teachers bring their classes to me, every year to get their poppies. They always send me nice letters too, saying thanks Poppy Man. Cute little drawings, and big printing. Nowadays, I appreciate the big printing more and more.
Over the years, I've collected pennies, dimes, nickels, the usual suspects, bus tickets, candy wrappers, subway tokens, whatever someone had in their pocket at the time. I've seen it all in my tin.
The last few years, I guess since about 1997 or so, the cadets send someone down to stand with me for a while during my stint here.
Good kids mostly, dedicated, and with the same determined look I think we all had back in 43 when I went over.
Most of us didn't make it back, I'm one of the lucky ones. Some who did, never came back right if you know what I mean. But, that's all I'm gonna say about that.
There's only 5 of us left now from the old regiment. I can still see their faces when I shut my eyes....young, virile, strong. I miss them all.
I guess that's why I do it. Sell the poppies every year. It's for them. And for the new kids. New soldiers, new wars, it never changes in that way...just a different style of fighting.
Every now and then though, you know I hear that old bugler tuning up his bugle, and I think "not yet...I'm not ready to have The Last Post played for me"...."not yet".
So, that's about it for me, The Poppy Man....everyone knows me, and I'm easy to find ....just head to Danny's, I'll be at the table at the front.
Don't forget now....save your change for the poppy man.
Steven Fortune Apr 2014
I tried to be cordial with inactivity
washing it with weeping juice like a pardoned effigy
but the diamonds of determination were so wrapped in mind debris
that I threw away a fortune in potential

The smiles of the platitudes are louder than their laughs
An appeasing of their attitudes I warrant with the gaffes
of an undertaker's underling bestowing upon epitaphs
another deadened and deprived credential

Seeing days in ways that never did occur to me
Every end a mending by default, a sour recipe
for compromise eroding in a rusty *** of empathy


The dentist rubbed his fingers when he saw my gritted teeth
No sermon on the mount from me, more a mumble on the heath
My incisor is a tack that would support a giant's wreath
Thorns of novocaine will numb my Christmas wish

For the sake of universal order I will freeze a yawn
Mostly harmless said a hitchhiker of Earth so I can spawn
a batch of clones to live on hold where all the battle lines are drawn
I'll zip up and in the universal order I'll languish

Seeing nights in ways that never did occur to me
Every satellite a telecast of fault, a sour recipe
for sleeping juice to boil over in Big Dipper's empathy


Where's a pound of flesh when needed? I've grown tired of these ribs
On the grill of soggy marrow, hungry haunts will have first dibs
Call on William Blake to send the weepers to their cribs
Wishful thinking I'll preserve beneath the floorboards

With a hand in nothing new and an incisor in the usual
intestine chains surround my motivation's hot pursual
Don't read too much into my implied acceptance of a dual
with a messenger of fact's implicit hoards

Seeing days in ways that never did occur to me
Every end a mending by default, a sour recipe
for compromise eroding in an empty *** of sympathy


Sound the bugle for my bed is made, I'm rested for detention
Solitaire I'll play in my confinement for the crime of sought attention
I revolted the philosophers in plugging my intention
I would not concede that lab rats had it worse

The satellites are full and bright, the shadows walk on lakes tonight
I'll dream of sleep but eyes will play me in my bedroom's voided sight
Lay with me and sigh and the elastic laws of nature might
halt the quivering continuum of fate's forsaken course

Seeing nights in ways that never did occur to me
Every channel plays the same old cooking show's ensoured recipe
Compromise a minor seasoning in liver-flavoured empathy


04 15 14
There may be a couple of spelling errors...the rhyme scheme was inspired by Dylan's Tombstone Blues, and the title was inspired by another Dylan song, Just Like Tom Thumb's Blues.  I tried to capture a bit of his rambly style as well.
Canto 1

My childhood’s home I see again,
    And sadden with the view;
And still, as memory crowds my brain,
    There’s pleasure in it too.

O Memory! thou midway world
    ‘Twixt earth and paradise,
Where things decayed and loved ones lost
    In dreamy shadows rise,

And, freed from all that’s earthly vile,
    Seem hallowed, pure, and bright,
Like scenes in some enchanted isle,
    All bathed in liquid light.

As dusky mountains please the eye,
    When twilight chases day;
As bugle-notes that, passing by,
    In distance die away;

As leaving some grand waterfall,
    We, lingering, list its roar—
So memory will hallow all
    We’ve known, but know no more.

Near twenty years have passed away
    Since here I bid farewell
To woods and fields, and scenes of play,
    And playmates loved so well.

Where many were, how few remain
    Of old familiar things;
But seeing them, to mind again
    The lost and absent brings.

The friends I left that parting day,
    How changed, as time has sped!
Young childhood grown, strong manhood gray,
    And half of all are dead.

I hear the loved survivors tell
    How nought from death could save,
Till every sound appears a knell,
    And every spot a grave.

I range the fields with pensive tread,
    And pace the hollow rooms;
And feel (companion of the dead)
    I’m living in the tombs.

        Canto 2

But here’s an object more of dread
    Than ought the grave contains—
A human form with reason fled,
    While wretched life remains.

Poor Matthew! Once of genius bright,
    A fortune-favored child—
Now locked for aye, in mental night,
    A haggard mad-man wild.

Poor Matthew! I have ne’er forgot
    When first, with maddened will,
Yourself you maimed, your father fought,
    And mother strove to ****;

When terror spread, and neighbours ran,
    Your dang’rous strength to bind;
And soon, a howling crazy man
    Your limbs were fast confined.

How then you strove and shrieked aloud,
    Your bones and sinnews bared;
And fiendish on the gazing crowd,
    With burning eye-***** glared—

And begged, and swore, and wept and prayed
    With maniac laughter joined—
How fearful were those signs displayed
    By pangs that killed thy mind!

And when at length, tho’ drear and long,
    Time soothed thy fiercer woes,
How plaintively thy mournful song,
    Upon the still night rose.

I’ve heard it oft, as if I dreamed,
    Far-distant, sweet, and lone—
The funeral dirge, it ever seemed
    Of reason dead and gone.

To drink its strains, I’ve stole away,
    All stealthily and still,
Ere yet the rising God of day
    Had streaked the Eastern hill.

Air held his breath; trees, with the spell,
    Seemed sorrowing angels round,
Whose swelling tears in dew-drops fell
    Upon the listening ground.

But this is past; and nought remains,
    That raised thee o’er the brute.
Thy piercing shrieks, and soothing strains,
    Are like, forever mute.

Now fare thee well—more thou the cause,
    Than subject now of woe.
All mental pangs, by time’s kind laws,
    Hast lost the power to know.

O death! Thou awe-inspiring prince,
    That keepst the world in fear;
Why dost thou tear more blest ones hence,
    And leave him ling’ring here?
William Marr Feb 2019
Holding its breath
a bugle stands in the shadow
of history
patiently waits
for the approach
of a pair of fiery lips

Triumphantly it will rise
to call up
the hunters and hounds
who will set out before dawn
shouting and barking
for a game
of rabbits
or
humans
Part I

On either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
     To many-tower'd Camelot;
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.


Willows whiten, aspens quiver,
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
     Flowing down to Camelot.
Four gray walls, and four gray towers,
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.

By the margin, willow veil'd,
Slide the heavy barges trail'd
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
     Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand?
Or is she known in all the land,
The Lady of Shalott?

Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly
From the river winding clearly,
     Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers " 'Tis the fairy
Lady of Shalott."

Part II

There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay
     To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott.

And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
     Winding down to Camelot:
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.

Sometimes a troop of damsels glad,
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
     Goes by to tower'd Camelot;
And sometimes thro' the mirror blue
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.

But in her web she still delights
To weave the mirror's magic sights,
For often thro' the silent nights
A funeral, with plumes and lights
     And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed:
"I am half sick of shadows," said
The Lady of Shalott.

Part III

A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves,
And flamed upon the brazen greaves
     Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field,
Beside remote Shalott.

The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily
     As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott.

All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
     As he rode down to Camelot.
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.

His broad clear brow in sunlight glow'd;
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
     As he rode down to Camelot.
From the bank and from the river
He flash'd into the crystal mirror,
"Tirra lirra," by the river
Sang Sir Lancelot.

She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
     She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott.

Part IV

In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining,
Heavily the low sky raining
     Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote
The Lady of Shalott.

And down the river's dim expanse
Like some bold seer in a trance,
Seeing all his own mischance--
With a glassy countenance
     Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott.

Lying, robed in snowy white
That loosely flew to left and right--
The leaves upon her falling light--
Thro' the noises of the night
     She floated down to Camelot:
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.

Heard a carol, mournful, holy,
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
     Turn'd to tower'd Camelot.
For ere she reach'd upon the tide
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.

Under tower and balcony,
By garden-wall and gallery,
A gleaming shape she floated by,
Dead-pale between the houses high,
     Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame,
And round the prow they read her name,
The Lady of Shalott.

Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer;
And they cross'd themselves for fear,
     All the knights at Camelot:
But Lancelot mused a little space;
He said, "She has a lovely face;
God in his mercy lend her grace,
The Lady of Shalott."
Sujan Aug 2020
The son of heaven,  erupts with rage,
The south, dare profane my land,
The court tries to appease,
But to no avail.

The emperor's decree,
Bugle the horn and prepare for war!
The granaries full, the armoury filled,
The journey is long.

The soldier,
Kneel, to their parents,
Pray to their gods,
And fly kisses to their love,
Then they march.

Treacherous road, even more the goal,
The entourage proceeds,
Joins the youth, with sickle and hoes,
To their end,
For the love of their land.

South is in sight,
This green plain, todays battleground,
The sun dazzles the land,
As it awaits without care.

The enemy a swarm of yellow,
And ours the mighty black,
The dawn is long,

Close they eyes,
Reminiscence if it's their last,
The tears of mother,
The stern look on my father,
The embrace of love,
And the playful children.

Bugle,
And they march,
The horse gallops,
And within heart blazes a fire,
Of anger and wrath,
For their country.

Clang, the shields raised high,
Roar, the spears pierce deep,
And shine the metallic armour,
And dye the green with red.

The wind bellows,
And With it carries the smell of blood,
The land a shade of green and dark red,
A beautiful red poppy.

The light of day dares not intrude the flower,
Herein lies the true hell, feast upon it,
And see what you create,
The bugle calls the end of war,
But none a soul shouts a victory call

In a serene morning,
A widow, dares interrupt my court,
Within a web of spears,
The widow with eyes of fire,
Shouts,

"His Majesty, Your imperial highness, I hear
Your country won, What about the people?"

THE WAR
'The storm is in the air,' she said, and held
Her soft palm to the breeze; and looking up,
Swift sunbeams brush'd the crystal of her eyes,
As swallows leave the skies to skim the brown,
Bright woodland lakes. 'The rain is in the air.
'O Prophet Wind, what hast thou told the rose,
'That suddenly she loosens her red heart,
'And sends long, perfum'd sighs about the place?
'O Prophet Wind, what hast thou told the Swift,
'That from the airy eave, she, shadow-grey,
'Smites the blue pond, and speeds her glancing wing
'Close to the daffodils? What hast thou told small bells,
'And tender buds, that--all unlike the rose--
'They draw green leaves close, close about their *******
'And shrink to sudden slumber? The sycamores
'In ev'ry leaf are eloquent with thee;
'The poplars busy all their silver tongues
'With answ'ring thee, and the round chestnut stirs
'Vastly but softly, at thy prophecies.
'The vines grow dusky with a deeper green--
'And with their tendrils ****** thy passing harp,
'And keep it by brief seconds in their leaves.
'O Prophet Wind, thou tellest of the rain,
'While, jacinth blue, the broad sky folds calm palms,
'Unwitting of all storm, high o'er the land!
'The little grasses and the ruddy heath
'Know of the coming rain; but towards the sun
'The eagle lifts his eyes, and with his wings
'Beats on a sunlight that is never marr'd
'By cloud or mist, shrieks his fierce joy to air
'Ne'er stir'd by stormy pulse.'
'The eagle mine,' I said: 'O I would ride
'His wings like Ganymede, nor ever care
'To drop upon the stormy earth again,--
'But circle star-ward, narrowing my gyres,
'To some great planet of eternal peace.'.
'Nay,' said my wise, young love, 'the eagle falls
'Back to his cliff, swift as a thunder-bolt;
'For there his mate and naked eaglets dwell,
'And there he rends the dove, and joys in all
'The fierce delights of his tempestuous home.
'And tho' the stormy Earth throbs thro' her poles--
'With tempests rocks upon her circling path--
'And bleak, black clouds ****** at her purple hills--
'While mate and eaglets shriek upon the rock--
'The eagle leaves the hylas to its calm,
'Beats the wild storm apart that rings the earth,
'And seeks his eyrie on the wind-dash'd cliff.
'O Prophet Wind! close, close the storm and rain!'

Long sway'd the grasses like a rolling wave
Above an undertow--the mastiff cried;
Low swept the poplars, groaning in their hearts;
And iron-footed stood the gnarl'd oaks,
And brac'd their woody thews against the storm.
Lash'd from the pond, the iv'ry cygnets sought
The carven steps that plung'd into the pool;
The peacocks scream'd and dragg'd forgotten plumes.
On the sheer turf--all shadows subtly died,
In one large shadow sweeping o'er the land;
Bright windows in the ivy blush'd no more;
The ripe, red walls grew pale--the tall vane dim;
Like a swift off'ring to an angry God,
O'erweighted vines shook plum and apricot,
From trembling trellis, and the rose trees pour'd
A red libation of sweet, ripen'd leaves,
On the trim walks. To the high dove-cote set
A stream of silver wings and violet *******,
The hawk-like storm swooping on their track.
'Go,' said my love, 'the storm would whirl me off
'As thistle-down. I'll shelter here--but you--
'You love no storms!' 'Where thou art,' I said,
'Is all the calm I know--wert thou enthron'd
'On the pivot of the winds--or in the maelstrom,
'Thou holdest in thy hand my palm of peace;
'And, like the eagle, I would break the belts
'Of shouting tempests to return to thee,
'Were I above the storm on broad wings.
'Yet no she-eagle thou! a small, white, lily girl
'I clasp and lift and carry from the rain,
'Across the windy lawn.'
With this I wove
Her floating lace about her floating hair,
And crush'd her snowy raiment to my breast,
And while she thought of frowns, but smil'd instead,
And wrote her heart in crimson on her cheeks,
I bounded with her up the breezy slopes,
The storm about us with such airy din,
As of a thousand bugles, that my heart
Took courage in the clamor, and I laid
My lips upon the flow'r of her pink ear,
And said: 'I love thee; give me love again!'
And here she pal'd, love has its dread, and then
She clasp'd its joy and redden'd in its light,
Till all the daffodils I trod were pale
Beside the small flow'r red upon my breast.
And ere the dial on the ***** was pass'd,
Between the last loud bugle of the Wind
And the first silver coinage of the Rain,
Upon my flying hair, there came her kiss,
Gentle and pure upon my face--and thus
Were we betroth'd between the Wind and Rain.
murari sinha Sep 2010

observing the ardent eagerness of the wind
it is clearly understood
that nascent pollens are overflowing
the niche of her heart  

in response to the signals of the river
she keeps on ringing
all long the month of earth-quakes

the bench of the rail-station
wants to hug her

the medicine-counter of the ***-end of the day
beckons her with the hand to come nearer

in the assembly-hall for musical demonstration
adorned with ash-trays
going on the rehearsal of her dancing and singing

she also distributes some life
to the meticulous dressing
of the magnolia

2.
let the swimming pool be fully absorbed  
with its dark-room

when the feather of your fore-finger
becomes green

the merchant of venice
will leave his business of photo-coping machine
to start walking directly
in search of new earnings

evening sets in
on the boiler of the delta

putting on yellow-dress comes
the water-vessel of the paper-balloon

there is no singing bird
shivering with cold
in the fold of the dear bed-sheet  

it is possible that the boldness of the metro-railway
may give some wood of tamarisk
on the expanded palms  

yet oh the western page of night
do tell today
why so much tamed polythene
are here in our cohabitation

3.
after so many days
published in the wind
painted in wings
the recent heart’s desire
of the doors and windows

they have rolled up their fairy-tales
from the ignorant drawing-room that wanted
to set her mind to the hill slanting downward

they did not want to know
how much rheumatism is there
in the hands and legs of the bark
to whom is delegated
the control of the mason-made bus-journey

sleep hugs the eye-lids of the rivers

though there is no postage-stamp
within the reaching-point

then what magic is there
in the hill slanting downward

why the wall does not learn
how to swim like a fish

truly it is he from whom
those negligible moments of man-ism
itch for blue candle-stand

4.
the ***-appeal of the telephone
and the bugle of the carnies-breaking ****-crows
are all harmonised seamlessly

the noon in the blood
is flowing along the river

all the dialogues are covered
with misspelling of men and women

the tailors want to increase life
cutting rightly the walking of clothes

after the vanishing of collyrium
from the eyes
there is not a single being
in the relief-camps

as far as the eyes can travel
i can notice in the ear-lob of the village-boats
the water-colour of fire-flies
twinkles

then let an agreement be signed
with the defence ministry
on the right
to enter into private bathroom

5.
in the air
on which flowers are engraved
the union of the betel leaves are making their outposts
anew

before the calling of the next pine-woods
you all the butterflies do take on board the tram
to go to the south-pole

is it well to incline so much
towards the tv-screen

who can say
the waves of the terracotta
would never make revolution

i’ve sent some full-moons of winter
and some water-bodies
into the holes of the handkerchief

the lacking of the colours
may kindly be excused

the birds that are blind from their birth
has been singing till now
the songs of the cave-civilisation

there is no question any where
this eclipsed-valley is adorned
with the answers only

6.
i am to be blown off on the first bombardment
then it is to be flown
in the crowd of  fire-flies
on the bushes of the scented-lemons

and it is to see the memory race of the grown-up girls

it is to see more
that after the opening of the sluice gates
one by one  
how the gathering in the hindu hotels
increases
by leaps and bounds

the pores of the skin of the body
whose hoods are open
and who are running up
along the spiral route
that leads to the top of the mountain

their child
due to late-marriage
now only knows
how to move on all fours

7.
under the table-glass
i  unfold the life-chronicle of one lakh year

and in the olive-cabinet
all the applications for living

from the monsoon-noon to the winter-afternoon
the lines you draw on the parchment

none of them is so condensed
as to touch the palms of a sailor  

from the numerable timber-joists
come down the swarms of personal white ants

no spring seems to become corporeal
without the spell of misunderstandings  

so of late
besides the dry statistics
with the cough
comes out grey thermometer

prickly-heats spread over the whole body  

the sticks of young antenna
shake off their wings

behind the bath-scene
lies the succulent hailstorm

8.
there is no lovely add
yet the market-value of your headache
is going up day by day

all the noon send her mad
the intellectual kisses
the coos

or is it the running about of the tennis-ball

so much pop-corns are flying out
from the draw-well

or that sound of foot-steps
in the north-east

may be
that is of some brown horses
or some horse-drawn perambulators

when the moon spreads out the platinum
does it judge the recipients

thus the bin-leaves can ring
from head to foot

it unfurls an incorrigible right-angle
in the early-evening

the troop with armours
open a shop of ******
beside the vainglory of the lake
Kurt Philip Behm Nov 2018
After Midnight
The narcissists fall
After Midnight
A new lyric calls

After Midnight
Last bugle to blow
After Midnight
There’s more left to know

After Midnight
The lizards collect
After Midnight
Old tales to reflect

After Midnight
The ticking will stop
After Midnight
The bottom will top

After Midnight
A cancerous tome
After Midnight
Malignancy known

After Midnight
Betray and deceive
After Midnight
Alone in the siege

After Midnight
All footsteps fall deaf
After Midnight
Lost palates are cleft

After Midnight
New story to front
After Midnight
Two stars for the dunce

After Midnight
The comets rebel
After Midnight
The coroners yell

After Midnight
A suit made of steel
After Midnight
Its melting reveals

After Midnight
That voice in the back
After Midnight
There’s no turning back

After Midnight
A sacred oath sworn
After Midnight
All memory forlorn

After Midnight
The wheels bend and churn
After Midnight
Lost vision returns

After Midnight
False birth is stillborn
After Midnight
Old vestments are torn

After Midnight
The here and the now
After Midnight
That one sacred cow

After Midnight
Past-Future unseen
After Midnight
  —creation redeemed

(Villanova Pennsylvania: March, 2015)
I built my soul a lordly pleasure-house,
    Wherein at ease for aye to dwell.
I said, "O Soul, make merry and carouse,
      Dear soul, for all is well."

  A huge crag-platform, smooth as burnish'd brass
    I chose. The ranged ramparts bright
From level meadow-bases of deep grass
      Suddenly scaled the light.

  Thereon I built it firm. Of ledge or shelf
    The rock rose clear, or winding stair.
My soul would live alone unto herself
      In her high palace there.

  And "while the world runs round and round," I said,
    "Reign thou apart, a quiet king,
Still as, while Saturn whirls, his steadfast shade
      Sleeps on his luminous ring."

  To which my soul made answer readily:
    "Trust me, in bliss I shall abide
In this great mansion, that is built for me,
      So royal-rich and wide."

* * * *

  Four courts I made, East, West and South and North,
    In each a squared lawn, wherefrom
The golden gorge of dragons spouted forth
      A flood of fountain-foam.

  And round the cool green courts there ran a row
    Of cloisters, branch'd like mighty woods,
Echoing all night to that sonorous flow
      Of spouted fountain-floods.

  And round the roofs a gilded gallery
    That lent broad verge to distant lands,
Far as the wild swan wings, to where the sky
      Dipt down to sea and sands.

  From those four jets four currents in one swell
    Across the mountain stream'd below
In misty folds, that floating as they fell
      Lit up a torrent-bow.

  And high on every peak a statue seem'd
    To hang on tiptoe, tossing up
A cloud of incense of all odour steam'd
      From out a golden cup.

  So that she thought, "And who shall gaze upon
    My palace with unblinded eyes,
While this great bow will waver in the sun,
      And that sweet incense rise?"

  For that sweet incense rose and never fail'd,
    And, while day sank or mounted higher,
The light aerial gallery, golden-rail'd,
      Burnt like a fringe of fire.

  Likewise the deep-set windows, stain'd and traced,
    Would seem slow-flaming crimson fires
From shadow'd grots of arches interlaced,
      And tipt with frost-like spires.

* * *

  Full of long-sounding corridors it was,
    That over-vaulted grateful gloom,
Thro' which the livelong day my soul did pass,
      Well-pleased, from room to room.

  Full of great rooms and small the palace stood,
    All various, each a perfect whole
From living Nature, fit for every mood
      And change of my still soul.

  For some were hung with arras green and blue,
    Showing a gaudy summer-morn,
Where with puff'd cheek the belted hunter blew
      His wreathed bugle-horn.

  One seem'd all dark and red--a tract of sand,
    And some one pacing there alone,
Who paced for ever in a glimmering land,
      Lit with a low large moon.

  One show'd an iron coast and angry waves.
    You seem'd to hear them climb and fall
And roar rock-thwarted under bellowing caves,
      Beneath the windy wall.

  And one, a full-fed river winding slow
    By herds upon an endless plain,
The ragged rims of thunder brooding low,
      With shadow-streaks of rain.

  And one, the reapers at their sultry toil.
    In front they bound the sheaves. Behind
Were realms of upland, prodigal in oil,
      And hoary to the wind.

  And one a foreground black with stones and slags,
    Beyond, a line of heights, and higher
All barr'd with long white cloud the scornful crags,
      And highest, snow and fire.

  And one, an English home--gray twilight pour'd
    On dewy pastures, dewy trees,
Softer than sleep--all things in order stored,
      A haunt of ancient Peace.

  Nor these alone, but every landscape fair,
    As fit for every mood of mind,
Or gay, or grave, or sweet, or stern, was there,
      Not less than truth design'd.

* * *

  Or the maid-mother by a crucifix,
    In tracts of pasture sunny-warm,
Beneath branch-work of costly sardonyx
      Sat smiling, babe in arm.

  Or in a clear-wall'd city on the sea,
    Near gilded *****-pipes, her hair
Wound with white roses, slept St. Cecily;
      An angel look'd at her.

  Or thronging all one porch of Paradise
    A group of Houris bow'd to see
The dying Islamite, with hands and eyes
      That said, We wait for thee.

  Or mythic Uther's deeply-wounded son
    In some fair space of sloping greens
Lay, dozing in the vale of Avalon,
      And watch'd by weeping queens.

  Or hollowing one hand against his ear,
    To list a foot-fall, ere he saw
The wood-nymph, stay'd the Ausonian king to hear
      Of wisdom and of law.

  Or over hills with peaky tops engrail'd,
    And many a tract of palm and rice,
The throne of Indian Cama slowly sail'd
      A summer fann'd with spice.

  Or sweet Europa's mantle blew unclasp'd,
    From off her shoulder backward borne:
From one hand droop'd a crocus: one hand grasp'd
      The mild bull's golden horn.

  Or else flush'd Ganymede, his rosy thigh
    Half-buried in the Eagle's down,
Sole as a flying star shot thro' the sky
      Above the pillar'd town.

  Nor these alone; but every legend fair
    Which the supreme Caucasian mind
Carved out of Nature for itself, was there,
      Not less than life, design'd.

* * *

  Then in the towers I placed great bells that swung,
    Moved of themselves, with silver sound;
And with choice paintings of wise men I hung
      The royal dais round.

  For there was Milton like a seraph strong,
    Beside him Shakespeare bland and mild;
And there the world-worn Dante grasp'd his song,
      And somewhat grimly smiled.

  And there the Ionian father of the rest;
    A million wrinkles carved his skin;
A hundred winters snow'd upon his breast,
      From cheek and throat and chin.

  Above, the fair hall-ceiling stately-set
    Many an arch high up did lift,
And angels rising and descending met
      With interchange of gift.

  Below was all mosaic choicely plann'd
    With cycles of the human tale
Of this wide world, the times of every land
      So wrought, they will not fail.

  The people here, a beast of burden slow,
    Toil'd onward, *****'d with goads and stings;
Here play'd, a tiger, rolling to and fro
      The heads and crowns of kings;

  Here rose, an athlete, strong to break or bind
    All force in bonds that might endure,
And here once more like some sick man declined,
      And trusted any cure.

  But over these she trod: and those great bells
    Began to chime. She took her throne:
She sat betwixt the shining Oriels,
      To sing her songs alone.

  And thro' the topmost Oriels' coloured flame
    Two godlike faces gazed below;
Plato the wise, and large brow'd Verulam,
      The first of those who know.

  And all those names, that in their motion were
    Full-welling fountain-heads of change,
Betwixt the slender shafts were blazon'd fair
      In diverse raiment strange:

  Thro' which the lights, rose, amber, emerald, blue,
    Flush'd in her temples and her eyes,
And from her lips, as morn from Memnon, drew
      Rivers of melodies.

  No nightingale delighteth to prolong
    Her low preamble all alone,
More than my soul to hear her echo'd song
      Throb thro' the ribbed stone;

  Singing and murmuring in her feastful mirth,
    Joying to feel herself alive,
Lord over Nature, Lord of the visible earth,
      Lord of the senses five;

  Communing with herself: "All these are mine,
    And let the world have peace or wars,
'T is one to me." She--when young night divine
      Crown'd dying day with stars,

  Making sweet close of his delicious toils--
    Lit light in wreaths and anadems,
And pure quintessences of precious oils
      In hollow'd moons of gems,

  To mimic heaven; and clapt her hands and cried,
    "I marvel if my still delight
In this great house so royal-rich, and wide,
      Be flatter'd to the height.

  "O all things fair to sate my various eyes!
    O shapes and hues that please me well!
O silent faces of the Great and Wise,
      My Gods, with whom I dwell!

  "O God-like isolation which art mine,
    I can but count thee perfect gain,
What time I watch the darkening droves of swine
      That range on yonder plain.

  "In filthy sloughs they roll a prurient skin,
    They graze and wallow, breed and sleep;
And oft some brainless devil enters in,
      And drives them to the deep."

  Then of the moral instinct would she prate
    And of the rising from the dead,
As hers by right of full accomplish'd Fate;
      And at the last she said:

  "I take possession of man's mind and deed.
    I care not what the sects may brawl.
I sit as God holding no form of creed,
      But contemplating all."

* * * *

  Full oft the riddle of the painful earth
    Flash'd thro' her as she sat alone,
Yet not the less held she her solemn mirth,
      And intellectual throne.

  And so she throve and prosper'd; so three years
    She prosper'd: on the fourth she fell,
Like Herod, when the shout was in his ears,
      Struck thro' with pangs of hell.

  Lest she should fail and perish utterly,
    God, before whom ever lie bare
The abysmal deeps of Personality,
      Plagued her with sore despair.

  When she would think, where'er she turn'd her sight
    The airy hand confusion wrought,
Wrote, "Mene, mene," and divided quite
      The kingdom of her thought.

  Deep dread and loathing of her solitude
    Fell on her, from which mood was born
Scorn of herself; again, from out that mood
      Laughter at her self-scorn.

  "What! is not this my place of strength," she said,
    "My spacious mansion built for me,
Whereof the strong foundation-stones were laid
      Since my first memory?"

  But in dark corners of her palace stood
    Uncertain shapes; and unawares
On white-eyed phantasms weeping tears of blood,
      And horrible nightmares,

  And hollow shades enclosing hearts of flame,
    And, with dim fretted foreheads all,
On corpses three-months-old at noon she came,
      That stood against the wall.

  A spot of dull stagnation, without light
    Or power of movement, seem'd my soul,
'Mid onward-sloping motions infinite
      Making for one sure goal.

  A still salt pool, lock'd in with bars of sand,
    Left on the shore, that hears all night
The plunging seas draw backward from the land
      Their moon-led waters white.

  A star that with the choral starry dance
    Join'd not, but stood, and standing saw
The hollow orb of moving Circumstance
      Roll'd round by one fix'd law.

  Back on herself her serpent pride had curl'd.
    "No voice," she shriek'd in that lone hall,
"No voice breaks thro' the stillness of this world:
      One deep, deep silence all!"

  She, mouldering with the dull earth's mouldering sod,
    Inwrapt tenfold in slothful shame,
Lay there exiled from eternal God,
      Lost to her place and name;

  And death and life she hated equally,
    And nothing saw, for her despair,
But dreadful time, dreadful eternity,
      No comfort anywhere;

  Remaining utterly confused with fears,
    And ever worse with growing time,
And ever unrelieved by dismal tears,
      And all alone in crime:

  Shut up as in a crumbling tomb, girt round
    With blackness as a solid wall,
Far off she seem'd to hear the dully sound
      Of human footsteps fall.

  As in strange lands a traveller walking slow,
    In doubt and great perplexity,
A little before moon-rise hears the low
      Moan of an unknown sea;

  And knows not if it be thunder, or a sound
    Of rocks thrown down, or one deep cry
Of great wild beasts; then thinketh, "I have found
      A new land, but I die."

  She howl'd aloud, "I am on fire within.
    There comes no murmur of reply.
What is it that will take away my sin,
      And save me lest I die?"

  So when four years were wholly finished,
    She threw her royal robes away.
"Make me a cottage in the vale," she said,
      "Where I may mourn and pray.

  "Yet pull not down my palace towers, that are
    So lightly, beautifully built:
Perchance I may return with othe
j carroll Feb 2013
[Fanfare, obviously]

This poem should begin with the call of a bugle,
as is fitting for an ode of Braveheart Macdougal.
Children of Parklands, take heed and be wary,
as I relate now, in verse, a tale cautionary.

Benigna Murdie was a most virtuous lass,
blesséd with promise and a penchant for sass.
To peer pressure she was admirably immune,
and ne'er did she bow to the temptation of goon.

Nary a drop of ***** has e'er passed her lips,
save for politeness and church-mandated sips.
Yet even the mightiest fall-- what a pity!
(harder than I did that night in the city).

So I hope you all glean a moral from this,
and your interpretation does not go too amiss.
But all is self-evident, to quote Descartes,
so allow me to recount this tale from the start.

She hails from a country renown for their piety,
for their pacifist ways and universal sobriety.
The Scottish are known throughout the land
for their temperance of character and lightness of hand.

And our poor Bennigles was no rule-exception,
she subscribed quite wholly to this perception.
A more reserved and reclusive girl you've not seen,
virtually a saint at only nineteen.

Passed out on the couch, liquor was never the root,
only strain from the studying and academic pursuit.
A paradigm of virtue, a pillar of purity,
no “that's-what-she-said's” to compromise maturity.

But that all changed one day touched by fate,
when Rachel realized that hedonism's great.
She took to the streets to revel in her glee,
and legit nothing bad happened cause this isn't tv.

Alas, now I'm drunk and the screen is a-shaking,
perhaps of wine I should halt my partaking.
I cannot continue with this facetious ode,
as we all well know that this is a total load.

But I'll miss you, my Brit, and our shitshow nights,
our Australian exploits and your culinary delights.
Sorry I couldn't finish to detail your demise,
but perhaps I'll conclude after an Australia-reprise.
The night was passing, and the Grecian host
By no means sought to issue forth unseen.
But when indeed the day with her white steeds
Held all the earth, resplendent to behold,
First from the Greeks the loud-resounding din
Of song triumphant came; and shrill at once
Echo responded from the island rock.
Then upon all barbarians terror fell,
Thus disappointed; for not as for flight
The Hellenes sang the holy pæan then,
But setting forth to battle valiantly.
The bugle with its note inflamed them all;
And straightway with the dip of plashing oars
They smote the deep sea water at command,
And quickly all were plainly to be seen.
Their right wing first in orderly array
Led on, and second all the armament
Followed them forth; and meanwhile there was heard
A mighty shout: "Come, O ye sons of Greeks,
Make free your country, make your children free,
Your wives, and fanes of your ancestral gods,
And your sires' tombs! For all we now contend!"
And from our side the rush of Persian speech
Replied. No longer might the crisis wait.
At once ship smote on ship with brazen beak;
A vessel of the Greeks began the attack,
Crushing the stem of a Phoenician ship.
Each on a different vessel turned its prow.
At first the current of the Persian host
Withstood; but when within the strait the throng
Of ships was gathered, and they could not aid
Each other, but by their own brazen bows
Were struck, they shattered all our naval host.
The Grecian vessels not unskillfully
Were smiting round about; the hulls of ships
Were overset; the sea was hid from sight,
Covered with wreckage and the death of men;
The reefs and headlands were with corpses filled,
And in disordered flight each ship was rowed,
As many as were of the Persian host.
But they, like tunnies or some shoal of fish,
With broken oars and fragments of the wrecks
Struck us and clove us; and at once a cry
Of lamentation filled the briny sea,
Till the black darkness' eye did rescue us.
The number of our griefs, not though ten days
I talked together, could I fully tell;
But this know well, that never in one day
Perished so great a multitude of men.
jo spencer Nov 2013
The saffron days slip beneath the eaves of our garden shed.
A bugle variegates past feelings
but do we necessarily have to linger,
when the forbidden fruit offered
tastes that sweeter,
innocence pauses as an
incongruous sound.
The frosted morning roof shimmers
to no avail,
gilded promises warm
the willingness newly acquired.

— The End —