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Allen Smuckler Apr 2011
Born and reared in the city of Bridgeport,
where the trash arose from Long Island Sound.
The seagulls appeared, then vanished from sight,
wafting and diving through radiant sky.
Some inlets and harbours, lapping the shore,
while sounds of young voices screamed with delight.

Marvelous moments to form our delight.
Skipping through the busy streets of Bridgeport.
Heading south down Park, to visit the shore.
Where all you could hear was the visual sound,
of airplanes and balloons, gracing the sky,
alive in my mind but quite out of sight.

The crystalline sparkle came into sight,
to everyone’s pure and simple delight.
We watched as the clouds emerged from blue sky,
over the stunted skyline of Bridgeport.
Suddenly the clamour, the noise, the sound
came crashingly close to the rocky shore.

With silence removed from that muffled sound,
bemoaning the graphite and speckled sky.
Searching and groping for inner delight.
pasteurized thoughts over the sandy shore.
Memorized pictures brought into our sight,
a lost time; in the bowels of Bridgeport.

Sail boats and tankers came upon the shore,
out of the distance, and into my sight.
All I could hear was breath of the sound,
with glee, laughter, and a certain delight.
The slums became the city of Bridgeport,
reaching endlessly toward the dancing sky.

Adrift; at peace, and awashed by the sound,
flippantly airy as ground touched the sky.
I strolled and smiled with love lost delight,
scampered along on our copious shore.
Aware that my flight was love at first sight,
on the coast, in the city of  Bridgeport.

Amped delight amid the light of our sound
misconstrued Bridgeport scraped close to the sky,
up to the shore and again out of sight.
copyright, April 10, 2011
    A sestina consists of 6 sestets and 1 triplet (envoi)...usually unrhymed and repeat the end words of each line using these patterns:  a) 123456 b) 615243 c) 364125 d) 532614 e) 451362 f) 246531 triplet) (6 2) (1 4) (5 3)...middle and end words of lines in tercet...
As always.....I'm looking for feedback and critique
Martin Narrod Apr 2014
I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”
There's A Wocket In My Pocket by Dr. Seuss
Ciel Noir Jul 2018
The Peacock and the Necromancer
Dance upon the sky
Their light lives on beyond the stars
The thousand staring eyes

We show them where to find us
From Bridgeport to Camelot
We tell them our dark secrets
And we send them our bright thoughts

We flash our golden feathers
And we sing our pretty words
So they will see us, notice us
So that we can be heard

When every other edifice
And evidence is gone
They walk the dark ahead of us
Where our song shall play on
Martin Narrod Mar 2014
I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”
*There's A Wocket In My Pocket by Dr. Seuss
dear lord i
want to do
things i will

not regret eternally
i sleep in
your hammock love

i am no

longer in

hiding

but rather waking
to the silence
of my hut

to the how-are-you-this-mornings
of the secret friend
and friends

singing
songs
to

each other as
the semis roar
by on the

highway headed for
nyc or maybe
bridgeport

dear lord thank
you for life
for this hut

for this blanket
please wrap your
grace around those

who are doing
without wrap it
around me that

i may wrap
it around others
heal us and

we'll be healed
save us and
we'll be saved
mapinduzi
Stephen Longcoy May 2016
It's spring in Bridgeport. This doesn't really much because there is too much concrete for flowers to grow
and the abandoned, decaying buildings
block out the sun.
But every once in awhile
a flower slips through the concrete
That one flower stands out more than it ever could
in a pretty,little garden behind the white picket fences
of the suburbs
Against all odds it fought it's way
through the cracks
In it's desolate environment
and bloomed
Roots grow when seeds crack
Flowers ( at least in this city ) bloom
when the concrete cracks
Beauty
in spite of
or perhaps
because of
the death and decay around it
Daniel Magner Sep 2014
I have to fit Eddie into sixteen pages
twelve point font, double spaced
enough room for critiques and mistakes
How do I pack his spirit
inside black inked words,
inch and half borders?
How can I convey his essence
and what his departure from earth
left behind?
I'd have a better chance of
describing the ocean
to the blind
or the sound of bird's song
to the deaf
No words said could give him justice
and bring him back
take his lifeless ash
resurrect him
but I have to
I must spill him out from this pen
make him whole
dismiss the cold of death
so I can tell the world
"Even when their gone
you can still feel them
in your...your...
breath..."
Daniel Magner 2014

When I read this aloud
I take a deep breath and let it out
as I say the last word
Daniel Magner Nov 2013
As the windows
glide down
the scent that is
this town
pours into my nose
making me remember every
second on its streets
every pain but also
every joyous
memory
Oh I missed you
little Martinez
oh I missed you
Bridgeport Way
oh I missed you
old friend
and I'm glad to be back
for Thanks Giving Day
Daniel Magner 2013
Hannah Wilkins Feb 2014
Those words pierced
Me
My soul
My heart
How could he?
And yet I knew that’s what he thought
He reaffirmed my fears
My fears that because I lived where I did I was not
Good enough
That somehow if he had gotten shot at it would have been
My
Fault
Not his
Not the person with the gun, who pulled the trigger
Mine and mine alone

My fears that where I lived made me different
Made me dangerous
Made me lesser

Those lips
Those lips that meant so much to me
That had kissed me and told me I was beautiful
Reaffirmed my fears that I was not good enough
That he did not see me as equal
He saw me as different
In that moment I was not a girl he was driving home from a date
I was someone he was driving to Bridgeport
To the unknown
To “danger”

And he thought it was funny
He laughed as I wanted to cry
And I laughed to
I joked
I agreed.
I believed that I was lesser

He had everything that I wanted
A perfect house
A perfect car
A perfect life
He was not satisfied with it and yet
I thought that if I was in his shoes I would be perfect
I would be happy
He had everything I wanted and he reaffirmed that I did not have it
I will never have it
I will never have grown up in a perfect house in a perfect neighborhood in a perfect little town
And in that moment it hurt
but I know that I would never in a million years give up the last 17 years
to live some other life that my parents cannot give me
I love who I am because of where I have been

I hate him
For ever making me feel less
For ever making me feel different
He knew how I felt about him
And I thought he felt that way about me
We had joked but this
This was not joking
This was real
This was personal
This hurt
This still hurts
Stu Harley Mar 2020
oh
what
humble
puritan blue sky
on
our
way to
Bridgeport Maine
and
straight into the pines

— The End —