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"brac" poems
i'm sick to death of this stinking routine perpetual day time TV, petty bickering afternoon pub binges hopeless job hunting morons everywhere, i return to my hometown to the place i was made, molded created and it suffocates me like never before i think of the many reasons i left they circle my thoughts for a long while and then i'm left with one one that overrides the lot it takes a while to spit it out because it's corny, it's stupid, it's not how we work but it's love and the lack of it the love here is in the mundane the easy, the norm. it's not in the heart the love around here lies in television sets and pirate DVDs reduced chicken and new coffee machines gambles on abused horses saturday afternoons in the local cheap holidays to Benidorm a day trip to lidl a weekday evening watching the soaps a phonecall to a family member you don't care about hours playing candy crush the love has lost on us humans the love here, it was lost on me too it missed me out they missed me out it has instead transferred in this reality tv, selfie indulgent zeitgeist it has left our silly bodies and i'm still clinging on trying to dissapear from that new century bubble trying to pick up pieces of that porcelain mosaic that old style bric a brac so long ago forgotten pressure is everywhere notifications beep this tiny block of perspex waiting to be touched waiting to be in communication with someone at the other side of the city the other side of the world oh what a sad existence when all we love is through the inanimate and not ourselves but hey thats the way of the world and we have to accept it or hate it because we can't do both we have to accept our fast paced tumultuous society always moving through space and time at times, difficult painful hard sore but consumerism, capitalism and cronyism it all exists in this big society this 'we're all in it together' society and it cant be ignored.
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Apr 5, 2016
Apr 5, 2016 at 5:02 PM UTC
humdrum consumerisUM
i'm sick to death of this stinking routine perpetual day time TV, petty bickering afternoon pub binges hopeless job hunting morons everywhere, i return to my hometown to the place i was made, molded created and it suffocates me like never before i think of the many reasons i left they circle my thoughts for a long while and then i'm left with one one that overrides the lot it takes a while to spit it out because it's corny, it's stupid, it's not how we work but it's love and the lack of it the love here is in the mundane the easy, the norm. it's not in the heart the love around here lies in television sets and pirate DVDs reduced chicken and new coffee machines gambles on abused horses saturday afternoons in the local cheap holidays to Benidorm a day trip to lidl a weekday evening watching the soaps a phonecall to a family member you don't care about hours playing candy crush the love has lost on us humans the love here, it was lost on me too it missed me out they missed me out it has instead transferred in this reality tv, selfie indulgent zeitgeist it has left our silly bodies and i'm still clinging on trying to dissapear from that new century bubble trying to pick up pieces of that porcelain mosaic that old style bric a brac so long ago forgotten pressure is everywhere notifications beep this tiny block of perspex waiting to be touched waiting to be in communication with someone at the other side of the city the other side of the world oh what a sad existence when all we love is through the inanimate and not ourselves but hey thats the way of the world and we have to accept it or hate it because we can't do both we have to accept our fast paced tumultuous society always moving through space and time at times, difficult painful hard sore but consumerism, capitalism and cronyism it all exists in this big society this 'we're all in it together' society and it cant be ignored.
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71
He’d been able, after some gentle persistence, To wheedle his way into the place (He’d been vaguely recognized by the caretaker, A certain affable familiarity his stock in trade, after all) And he had been decidedly deliberate in his search for the shoes, Though he’d been quite certain where he’d left them, Simply hoping to drink this all in just one more time But though the rooms were ostensibly unchanged (He'd noted the odd knick-knack and piece of bric-a-brac Had been secreted out, to be preserved or pawned) They held no fascination for him now, Simply concoctions of hardwood flooring, Decorative wall coverings, staid pieces of furniture (Indeed, the paterfamilias of this whole mélange Increasingly beyond his recall-- he could hearken back To a certain hail-fellow-well-met in his demeanor, And he'd had an affecting smile, But he was unable to conjure any further details From the recesses of his memory) And with nothing else to moor him to these silent rooms, He'd slipped on the ostensible reasons he'd come in the first place (Their uppers maintaining their whiteness Through any number of bleachings, The soles worn to a near smoothness) And, nodding perfunctorily to the mansion's steward, He slipped away, heading to some other party Carrying on in more or less perpetuity, The battered bottoms of his shoes Leaving just the faintest marks as he crossed the dunes, Soon to be buffed away altogether by the breeze.
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Oct 29, 2018
Oct 29, 2018 at 11:29 AM UTC
In Which Klipspringer Retrieves His Tennis Shoes
Little things that no one needs-- Little things to joke about-- Little landscapes, done in beads. Little morals, woven out, Little wreaths of gilded grass, Little brigs of whittled oak Bottled painfully in glass; These are made by lonely folk. Lonely folk have lines of days Long and faltering and thin; Therefore----little wax bouquets, Prayers cut upon a pin, Little maps of pinkish lands, Little charts of curly seas, Little plats of linen strands, Little verses, such as these.
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1.9k
Bric-A-Brac
And I solemnly swear on the chill of secrecy that I know you not, this room never, the swollen dress I wear, nor the anonymous spoons that free me, nor this calendar nor the pulse we pare and cover. For all these present, before that wandering ghost, that yellow moth of my summer bed, I say: this small event is not. So I prepare, am dosed in ether and will not cry what stays unsaid. I was brown with August, the clapping waves at my thighs and a storm riding into the cove. We swam while the others beached and burst for their boarded huts, their hale cries shouting back to us and the hollow slam of the dory against the float. Black arms of thunder strapped upon us, squalled out, we breathed in rain and stroked past the boat. We thrashed for shore as if we were trapped in green and that suddenly inadequate stain of lightning belling around our skin. Bodies in air we raced for the empty lobsterman-shack. It was yellow inside, the sound of the underwing of the sun. I swear, I most solemnly swear, on all the bric-a-brac of summer loves, I know you not.
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1.9k
The Exorcists
Not sure why yard sales didn’t make the Stress Scale ‘cause the uptick in adrenaline, the ramped-up apprehension of letting stuff go, especially stuff that's been around for a while, the feeling of loss, picturing someone with your old stuffed pony, it’s painful. This saying goodbye to things brings an emotional dilemma, a mixed-up sense of knowing it's high time for the thing-a-ma-bob with no actual relevance, to be dumped while some queasy feeling of unexpected meaning to the thing erupts.   And an inner kid sputters, "No, please not my wacha-ma-call-it, no, I’m not ready yet.” or your favorite uncle's favorite chipped ashtray along with the obnoxious bric-a-brac, knick-knack, from; who was it again, suddenly becomes the Hope Diamond. Yep, yard sales are tough, your private junk out for all the world, to ****** to turn upside down and sour-faced putting it down, as you breathe a sigh of relief the bozo didn’t take home your treasured, dusty paper weight with the faded shamrock inside. Seriously, yard sales are like putting your whole life on the front page, exposed to strangers, because friends with your best interest in mind, tell you to simplify, clean out, move on, start anew after they’ve witnessed your life fly apart… Like a paper napkin flies up into a gust of wind, swirls upwards catches forever on a branch and these self-same, well-meaning pals are incapable of your need to keep the rusty tea kettle, the one you boiled water in to make tea for your sweetheart every day. Then, when finally you’ve sorted through it all and it’s laid out defenseless in the grass, beside the “House for Sale” sign, you spot some **** fool, your dead mother's "Old Faithful" trivet held high, the one she got on the only vacation she ever had, yelling,  "Hey sis, will ya take a dime for this?" And the raindrops begin to fall.
0
Sep 5, 2011
Sep 5, 2011 at 10:26 AM UTC
One Woman's Treasure
Not sure why yard sales didn’t make the Stress Scale ‘cause the uptick in adrenaline, the ramped-up apprehension of letting stuff go, especially stuff that's been around for a while, the feeling of loss, picturing someone with your old stuffed pony, it’s painful. This saying goodbye to things brings an emotional dilemma, a mixed-up sense of knowing it's high time for the thing-a-ma-bob with no actual relevance, to be dumped while some queasy feeling of unexpected meaning to the thing erupts.   And an inner kid sputters, "No, please not my wacha-ma-call-it, no, I’m not ready yet.” or your favorite uncle's favorite chipped ashtray along with the obnoxious bric-a-brac, knick-knack, from; who was it again, suddenly becomes the Hope Diamond. Yep, yard sales are tough, your private junk out for all the world, to ****** to turn upside down and sour-faced putting it down, as you breathe a sigh of relief the bozo didn’t take home your treasured, dusty paper weight with the faded shamrock inside. Seriously, yard sales are like putting your whole life on the front page, exposed to strangers, because friends with your best interest in mind, tell you to simplify, clean out, move on, start anew after they’ve witnessed your life fly apart… Like a paper napkin flies up into a gust of wind, swirls upwards catches forever on a branch and these self-same, well-meaning pals are incapable of your need to keep the rusty tea kettle, the one you boiled water in to make tea for your sweetheart every day. Then, when finally you’ve sorted through it all and it’s laid out defenseless in the grass, beside the “House for Sale” sign, you spot some **** fool, your dead mother's "Old Faithful" trivet held high, the one she got on the only vacation she ever had, yelling,  "Hey sis, will ya take a dime for this?" And the raindrops begin to fall.
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8
TELL TALE TALK Shark's tooth draws blood ( even though long dead ) a startled red against the sharp whiteness lost in a bric-a-brac box of shells & things. "Gotcha!" grins the dead shark's set of choppers. Baby shark but a shark nonetheless. I drip a trail of red across the Charity shop snap up a tattered HUNTING OF THE SNARK a battered AT SWIM TWO BIRDS. Here a broken ballerina on a jewellery box ( minus her music ) there ( I stop dead ) a used soul bruised badly used Godless without guile my fingertip traces my initials on its dust tarnished without hope immortal and unnoticed amongst shark's teeth & shells. I get a SNARK & TWO BIRDS for a pound a piece. The shark's grin for a pound again. "What do you want for this old thing?" I nonchalantly ask setting the soul with great care within the cage of teeth perched atop the books. "Being dying to get rid of that for ages." "It just sits there staring at me!" "Scares the life outta me to tell you the truth even though I don't know what the hell it is!" "Give us 42p for it & we'll call it quits!" I buy back the soul ( my soul ) I had given away with some old shirts and shoes things I thought I wouldn't ever be needing . . .again. But seeing it discarded amongst shark's teeth & shells I thought twice about it. Maybe ( perhaps ) I can use it for a paperweight. Or a doorstop. Sedulous PRONUNCIATION: (SEJ-uh-luhs) MEANING: adjective: Involving great care, effort, and persistence. ETYMOLOGY: From Latin se (without) + dolus (trickery, guile). Ultimately from the Indo-European root del- (to count or recount) that is also the source of tell, tale, talk, Aug 9, 2010 A THOUGHT FOR TODAY: Poetry is the art of saying what you mean but disguising it. -Diane Wakoski, poet (b. 1937) and Dutch taal (speech, language). USAGE: "Elizabeth Bishop was sedulous, pernickety, quietly determined; she would work on poems for years."Elizabeth Bishop and Robert Lowell; The Economist (London, UK); Nov 20, 2008. A THOUGHT FOR TODAY: <strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><p>A beautiful thing is never perfect. -Egyptian proverb</p></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong>
0
Aug 12, 2017
Aug 12, 2017 at 4:25 PM UTC
TELL TALE TALK
TELL TALE TALK Shark's tooth draws blood ( even though long dead ) a startled red against the sharp whiteness lost in a bric-a-brac box of shells & things. "Gotcha!" grins the dead shark's set of choppers. Baby shark but a shark nonetheless. I drip a trail of red across the Charity shop snap up a tattered HUNTING OF THE SNARK a battered AT SWIM TWO BIRDS. Here a broken ballerina on a jewellery box ( minus her music ) there ( I stop dead ) a used soul bruised badly used Godless without guile my fingertip traces my initials on its dust tarnished without hope immortal and unnoticed amongst shark's teeth & shells. I get a SNARK & TWO BIRDS for a pound a piece. The shark's grin for a pound again. "What do you want for this old thing?" I nonchalantly ask setting the soul with great care within the cage of teeth perched atop the books. "Being dying to get rid of that for ages." "It just sits there staring at me!" "Scares the life outta me to tell you the truth even though I don't know what the hell it is!" "Give us 42p for it & we'll call it quits!" I buy back the soul ( my soul ) I had given away with some old shirts and shoes things I thought I wouldn't ever be needing . . .again. But seeing it discarded amongst shark's teeth & shells I thought twice about it. Maybe ( perhaps ) I can use it for a paperweight. Or a doorstop. Sedulous PRONUNCIATION: (SEJ-uh-luhs) MEANING: adjective: Involving great care, effort, and persistence. ETYMOLOGY: From Latin se (without) + dolus (trickery, guile). Ultimately from the Indo-European root del- (to count or recount) that is also the source of tell, tale, talk, Aug 9, 2010 A THOUGHT FOR TODAY: Poetry is the art of saying what you mean but disguising it. -Diane Wakoski, poet (b. 1937) and Dutch taal (speech, language). USAGE: "Elizabeth Bishop was sedulous, pernickety, quietly determined; she would work on poems for years."Elizabeth Bishop and Robert Lowell; The Economist (London, UK); Nov 20, 2008. A THOUGHT FOR TODAY: <strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><p>A beautiful thing is never perfect. -Egyptian proverb</p></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong>
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101
Sweet New England; its where my heart is, and where I belong. I know, the day I left I buried it deep on the western prom of Portland Maine to call me back someday though I may be old and frail when that times comes. And though I am southern born it’s scents, moods, colors and cold have etched themselves like scrimshaw onto my soul. I now want my bones shattered by frost, not left to mildew in the humid southern heat. For me New England’s like warm light shining through frost covered windows, or a cozy, cluttered old room filled with the bric brac of a life long well lived, an attic garret maybe, confined yet comfortable. The rest of the country’s expansive and open except parts of the south where the heat & humidity will smother you in your sleep; then hide the evidence in swamps of ancient illusion like southern hospitality, smiling to your face while sharpening the knife. Offering another helping while grandpa finishes the grave. Ya’ll come back now ya hear. Give me the hidden heart of New England any day; chilly and cool outside but warm as a glowing wood stove. While memory tends to shade everything in afternoon’s golden light or midnight blue and gray, I’d rather hard scrabble times up north than easy living in a place that says nothing to me even if this place is home. I miss Maine so very much, I taste her like a lover in October air rich with the season’s smells of apples, leaves, sea, smoke and pine. Sweet New England; where I belong is where my heart is. And though I wasn’t born there I’ve walked that land as a pilgrim singing its songs as my song until they became my own. My heart reaches out now longing to return, to the place I called home, until the end of days. And my bones not left to mildew in the humid southern heat, shatter with the frost.
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Sep 18, 2011
Sep 18, 2011 at 1:16 PM UTC
New England Love Song
Sweet New England; its where my heart is, and where I belong. I know, the day I left I buried it deep on the western prom of Portland Maine to call me back someday though I may be old and frail when that times comes. And though I am southern born it’s scents, moods, colors and cold have etched themselves like scrimshaw onto my soul. I now want my bones shattered by frost, not left to mildew in the humid southern heat. For me New England’s like warm light shining through frost covered windows, or a cozy, cluttered old room filled with the bric brac of a life long well lived, an attic garret maybe, confined yet comfortable. The rest of the country’s expansive and open except parts of the south where the heat & humidity will smother you in your sleep; then hide the evidence in swamps of ancient illusion like southern hospitality, smiling to your face while sharpening the knife. Offering another helping while grandpa finishes the grave. Ya’ll come back now ya hear. Give me the hidden heart of New England any day; chilly and cool outside but warm as a glowing wood stove. While memory tends to shade everything in afternoon’s golden light or midnight blue and gray, I’d rather hard scrabble times up north than easy living in a place that says nothing to me even if this place is home. I miss Maine so very much, I taste her like a lover in October air rich with the season’s smells of apples, leaves, sea, smoke and pine. Sweet New England; where I belong is where my heart is. And though I wasn’t born there I’ve walked that land as a pilgrim singing its songs as my song until they became my own. My heart reaches out now longing to return, to the place I called home, until the end of days. And my bones not left to mildew in the humid southern heat, shatter with the frost.
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53
One day Frick when to the place to buy some stuff While Frack stayed in the area to do some things Frack tossed out some junk He used the the whatchamacallit to clean the thingamajig Pick up the odds and ends And he scrubbed a doodad with the thingamabob Frick purchesed some knickknacks and bric-a-brac A few sundries A couple of tchotkes and trinkets Some whatnot A gizmo A gadget And more miscellaneous paraphernalia When Frick got home Frack asked "What'd you buy?" Frick said " Oh, this and that" "What'd you do all day?" Frack said "Just a hodgepodge of etcetera, etcetera" -Tommy Johnson
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Jul 2, 2014
Jul 2, 2014 at 7:46 PM UTC
Bunk
No matter the decoration, they remain bleak as Antarctica, empty as the Sahara. Stuff will not suffice; bric-a-brac remains invisible. Even the best music merely echoes: Mozart, Vivaldi, even Beethoven cannot fill the emptiness. Clocks clang like church bells and every muted footfall screams out loneliness. They are places to pass through where you reside but do not live. Even the most asinine Realtor couldn't call them home with a straight face. They are the shelter for those who have not quite descended to the bridge abutment. They are where you wake up alone into loneliness and pretend each morning you are still alive. They are the difference between survival and life, breath and inspiration. They are the preordained end of the game you were forced to play and doomed to lose. We each get but one home and if by folly or disaster we destroy it, wherever we go we remain homeless in the wilderness of rented rooms. - mce
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Apr 11, 2015
Apr 11, 2015 at 9:38 PM UTC
Rented Rooms
dont get weirded out this is safe for work you see im entertaining tomorrow a thorough cleaning is in order through and through first things first a proper dusting right after the coveted sharpie box shelf comes "first" books records bric-a-brac and all **** ive been meaning to listen to this album signed and everything lets put that on for some dusting music table turns check the needles effective i can hear the shallow resonance hmm no audio lets unplug all the cables check the power supply and the pre-amp turn it all off then on again **** let me take this apart real quick **** i need some parts i need to call stanton OPERATOR! OPERATOR! 30 minutes later im told they dont have it WHELP back to dusting stepping over stanton parts I THOUGHT I LOST THIS MOVIE i can play it in the background whilst im cleaning THE PROJECTORS BROKEN let me take that apart real quick hope i dont get the parts of the two aberrations crossed that mustnt happen wink and then the re-framing project and then organizing my music collection and then just one poem color code my closet rewrite my resume clip my toenails and my nose hair four more poems annnnnnnnnnd mess "oh hey welcome, drinks are over there just dont step on my record player" and heres where it gets crazy smart i tear EVERYTHING off the walls draw all over all the stuffs with those ****** sharpies that started it all turn the whole ******* place into a performance art piece i call it "fix it: I DARE YOU!"
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May 11, 2013
May 11, 2013 at 12:46 AM UTC
bedroom! party of one
Sugared smile sitting alone in your small house packed with bric a brac. Your perch so educated and your silhouette so experienced. You’ve seen the world through the eyes of the astute, the eyes of the knowing and the eyes of your mind. You are still sitting alone in the house which you shared but now you're companionless. It saddens me, this saddens me. You are so lost to this world yet so admired. I know we're not be related but boy i wish we were. You are an integral part of me and I think about you everyday. You are a star in my constellation and there you will remain. whatever the future brings, you belong.
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May 5, 2012
May 5, 2012 at 6:49 AM UTC
For Charlotte
down the stairs, where the creak-feet of descent will silence a cricket in the room; there with couch and the bookstand, oak and glass.... sedate features; the odd bust of an Inuit matriarch- staring at your blouse like it were forged in blasphemies and trade winds. down there, where we keep the cat riveted to the headlights of our armored car. in the seam the coffee table is strewn, right down the middle with old magazines and straw placemats. a stain that never fades, stands in the garden of cigarette butts and dog-eared - post-it notes to a glass scarecrow. a mound of bric-a-brac and fingerprints. it's sticky where two people made the love that made the mess... but it's hollow where they never met. and you can see the carpet through the permafrost. our lens immune to domain. free to see the whimsy in a spot of bother about a broken heart. down where the television skin is the thickest. our ironic muse. just a spritz of cultured sabotage, and the good sense to go mad without disturbing the peace.... the same peace that almost - cost us the war. at the very least.
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Jan 16, 2017
Jan 16, 2017 at 11:08 PM UTC
Peace Almost Cost Us The War
Cyrious. My own Spelling. Polly Wogs and Knick Knacks. Goldfish and Brac-A-Brac I remember you. I’d love for you. If it makes any sense My Thoughts Where Have They Gone? Tell you know I’D. It’s just a bridge, there is nothing here. The perfect is the biggest imperfection. I MISS THE OLD DAYS, Times of pure nostalgia It was Laughing and play all day Till we left and went our own ways. You remember it I tell you, I miss it too The fun times, When everything seemed okay everything was right. Always tell, we put each other up in a fight. I can remember when there were many AND. We had our loved ones close by. Carpool and late night swims Neighbors knocking at our door Making too much noise stomping on the floor But now, It’s gone, It’s all too quiet. Neighbors, they wonder, if I’m even here. I question, what ever happened. Life. No matter. If we’re standing still. It will go on, Without us here Little impact makes it clear. If there’s a point Please take me to it. I disappear as the last match is lit. . Silver Bands on your finger Are we the same in one? Perhaps it is no one à perhaps everything is undone. The thoughts the Thoughts. They swarm in our minds. Are they confusing? Listen to them all at once. They say Practice Makes perfect, But no one is perfect, so there is no need to Practice. Pretty Girls and Silent Boys, they all cry. The good, the bad, the inanimate, they all die. We like to think we all have our part. That when we die there is a torn up heart. But that’s not true. There is nothing to lose. For no matter how hard we try. Un-Important and Fleeting is our story, And there is nothing we can do.
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Oct 19, 2013
Oct 19, 2013 at 2:51 AM UTC
Cyrious
Cyrious. My own Spelling. Polly Wogs and Knick Knacks. Goldfish and Brac-A-Brac I remember you. I’d love for you. If it makes any sense My Thoughts Where Have They Gone? Tell you know I’D. It’s just a bridge, there is nothing here. The perfect is the biggest imperfection. I MISS THE OLD DAYS, Times of pure nostalgia It was Laughing and play all day Till we left and went our own ways. You remember it I tell you, I miss it too The fun times, When everything seemed okay everything was right. Always tell, we put each other up in a fight. I can remember when there were many AND. We had our loved ones close by. Carpool and late night swims Neighbors knocking at our door Making too much noise stomping on the floor But now, It’s gone, It’s all too quiet. Neighbors, they wonder, if I’m even here. I question, what ever happened. Life. No matter. If we’re standing still. It will go on, Without us here Little impact makes it clear. If there’s a point Please take me to it. I disappear as the last match is lit. . Silver Bands on your finger Are we the same in one? Perhaps it is no one à perhaps everything is undone. The thoughts the Thoughts. They swarm in our minds. Are they confusing? Listen to them all at once. They say Practice Makes perfect, But no one is perfect, so there is no need to Practice. Pretty Girls and Silent Boys, they all cry. The good, the bad, the inanimate, they all die. We like to think we all have our part. That when we die there is a torn up heart. But that’s not true. There is nothing to lose. For no matter how hard we try. Un-Important and Fleeting is our story, And there is nothing we can do.
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55
I've tucked my dreams away in a time capsule. For certain, they will be better use to someone in the future. Though in all likelihood, they may never be found, for I have told no one where they have been buried and shan't offer a clue. In the capsule, far under the darkness of dirt, should one happen upon it, they will find obscure memories along with those dreams. Just tokens they are, recapturing happy times, made of clay and paint, spell ridden for a future discoverer.  These knick-knacks are sure to have power, as no intention I have ever had has been greater than what was formed in those whatnots. You've seen bric-a-brac shelved, gather dust, and finally find themselves wrapped in tissue paper, inside a shoebox stowed in an attic and forgotten. Then one day they are rediscovered by another generation, who is charmed by their quaintness. They are dusted off and put on a shelf again, until sadness bearing that memory requires them to be sold at some yard sale or donated to a thrift store. I can not see this for my whatnots. To me they are too precious to leave in the hands of those close to me now. I won't have them sobbed over. That is the reason they have been buried. And should a certain someone find them in the course of time, may they only know their dreams fulfilled, by a time capsule that stewed long enough to design newer wonder of whatnot.
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Jan 25, 2016
Jan 25, 2016 at 9:41 AM UTC
Whatnot
Digeridoos are back in stock Said the notice in the bric-a-brac shop Are the West of Scotland Numpties On their own Dreamtime quest? Are they contemplating their navels Through the holes in their stringvest? Could they realize their chip-papers Hold the answer to their havers And the Buckfast in the Hand gripped Tight is causing calluses in the brain. Corks dangling from their hats Swinging like disorientated bats In ryhthm to the dance of delirious tremor The adrenaline is pumping. Mossies no, but midgies, aye, A stark contrast to the Kappa motifs; Are the natives going walkabout, In the local run-down mall? Calling everyone mate, In an accent you love to hate Walkabout, lost in the wilderness Wandering through the bush. Outback here there ain’t no Crocodiles, only quilted, padded cells. Hand to wall a red imprint, Not paint, my boy, but blood. This lot would embarrass any Aborigine Because they havnae got An original thought.
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Jun 14, 2016
Jun 14, 2016 at 5:56 AM UTC
Digeridoos or Digiridaze?
it is the days we do not speak of that turn our lives. it is the cold which makes us yearn for houses made of woolen. we are caught in the endless bric-a-brac, the absurdity of it all. we are the children of men-in-winter, mad sailors and silent snow.
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Dec 3, 2010
Dec 3, 2010 at 8:47 AM UTC
We Are The Children
Four years and his room is untouched. I would love it that way For years! Stays ***** and span The memory of my old man. The southern window side of the bed Where he laid his head The eastern window that broke his sleep With the sun’s first peep His snapped photos on the wall of west That ache my chest On the northern wall the clock That still of his time talks His divan forlorn Resting cold from his last morn In each bric-a-brac His touch his track In ticks and creaks His memory speaks.
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Mar 13, 2014
Mar 13, 2014 at 7:30 AM UTC
A Room of Memory
It is the days we do not spek of that turn our lives. It is the cold which makes us yearn for houses made of woolen. We are caught... In the endless Bric-a-Brac. The absurdity of it all. We are the children of men in winter, mad sailors, and silent snow.
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Jul 1, 2010
Jul 1, 2010 at 3:42 PM UTC
WE ARE THE CHILDREN
towers of clutter block the halls make a maze of an old abode and an old soul lurks somewhere within it was never any good at letting go.
0
May 23, 2017
May 23, 2017 at 11:01 PM UTC
bric-a-brac
I understand it better now, The fall, how you missed the first step, From there tumbling to the stone floor And lying there till your brother Came to find you when I had not Been able to reach you by phone And you had not shown up to eat Your mother's Thanksgiving day meal. No angel there to break your fall, Past the curved grain scythe you had nailed To the wall among the other Antiques and bric-a-brac found here And there at yard sales and antique Malls.  You were a scavenger, lost Among the women and children Who might have made a family And yet did not connect somehow. I recognized your pain, knowing How you tried the medications, Manic at times, though never quite Level and never good enough To replace the Russian water, Cigarettes and desperation. I carried you out, with our friends, Mummified like a believer. You've come back in dreams and handed Me pieces of your muddy flesh And broken bones and said make words.
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Dec 25, 2018
Dec 25, 2018 at 1:26 PM UTC
Message
Il me dit qu'il était très riche, Mais qu'il craignait le choléra ; - Que de son or il était chiche, Mais qu'il goûtait fort l'Opéra ; - Qu'il raffolait de la nature, Ayant connu monsieur Corot ; - Qu'il n'avait pas encor voiture, Mais que cela viendrait bientôt ; - Qu'il aimait le marbre et la brique, Les bois noirs et les bois dorés ; - Qu'il possédait dans sa fabrique Trois contremaîtres décorés ; - Qu'il avait, sans compter le reste, Vingt mille actions sur le Nord ; Qu'il avait trouvé, pour un zeste, Des encadrements d'Oppenord ; - Qu'il donnerait (fût-ce à Luzarches !) Dans le bric-à-brac jusqu'au cou, Et qu'au Marché des Patriarches Il avait fait plus d'un bon coup ; - Qu'il n'aimait pas beaucoup sa femme, Ni sa mère ; - mais qu'il croyait À l'immortalité de l'âme, Et qu'il avait lu Niboyet ! - Qu'il penchait pour l'amour physique, Et qu'à Rome, séjour d'ennui, Une femme, d'ailleurs phtisique, Etait morte d'amour pour lui. Pendant trois heures et demie, Ce bavard, venu de Tournai, M'a dégoisé toute sa vie ; J'en ai le cerveau consterné. S'il fallait décrire ma peine, Ce serait à n'en plus finir ; Je me disais, domptant ma haine : « Au moins, si je pouvais dormir ! » Comme un qui n'est pas à son aise, Et qui n'ose pas s'en aller, Je frottais de mon cul ma chaise, Rêvant de le faire empaler. Ce monstre se nomme Bastogne ; Il fuyait devant le fléau. Moi, je fuirai jusqu'en Gascogne, Ou j'irai me jeter à l'eau, Si dans ce Paris, qu'il redoute, Quand chacun sera retourné, Je trouve encore sur ma route Ce fléau, natif de Tournai.
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638
À M. Eugène Fromentin
Il me dit qu'il était très riche, Mais qu'il craignait le choléra ; - Que de son or il était chiche, Mais qu'il goûtait fort l'Opéra ; - Qu'il raffolait de la nature, Ayant connu monsieur Corot ; - Qu'il n'avait pas encor voiture, Mais que cela viendrait bientôt ; - Qu'il aimait le marbre et la brique, Les bois noirs et les bois dorés ; - Qu'il possédait dans sa fabrique Trois contremaîtres décorés ; - Qu'il avait, sans compter le reste, Vingt mille actions sur le Nord ; Qu'il avait trouvé, pour un zeste, Des encadrements d'Oppenord ; - Qu'il donnerait (fût-ce à Luzarches !) Dans le bric-à-brac jusqu'au cou, Et qu'au Marché des Patriarches Il avait fait plus d'un bon coup ; - Qu'il n'aimait pas beaucoup sa femme, Ni sa mère ; - mais qu'il croyait À l'immortalité de l'âme, Et qu'il avait lu Niboyet ! - Qu'il penchait pour l'amour physique, Et qu'à Rome, séjour d'ennui, Une femme, d'ailleurs phtisique, Etait morte d'amour pour lui. Pendant trois heures et demie, Ce bavard, venu de Tournai, M'a dégoisé toute sa vie ; J'en ai le cerveau consterné. S'il fallait décrire ma peine, Ce serait à n'en plus finir ; Je me disais, domptant ma haine : « Au moins, si je pouvais dormir ! » Comme un qui n'est pas à son aise, Et qui n'ose pas s'en aller, Je frottais de mon cul ma chaise, Rêvant de le faire empaler. Ce monstre se nomme Bastogne ; Il fuyait devant le fléau. Moi, je fuirai jusqu'en Gascogne, Ou j'irai me jeter à l'eau, Si dans ce Paris, qu'il redoute, Quand chacun sera retourné, Je trouve encore sur ma route Ce fléau, natif de Tournai.
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48
i'm the hirsute nectarine man i speak soft streams of exegesis phonemes i've got the mob in my hand, they've got the cops in their pocket hand me the cash! hand me the cash! i'll take over the world! i wanna get high! i want my legs to be hundreds of feet long and my **** to swing around my knees! shove it in your face! shove it! i am the archon! i am the agelessness of ontology! i watched the moutains crumble to dust and i laughed, and i pressed the big red button! my nightmare isn't any dreaming place it's heaven on earth what a wonderful world where the sicknesses can come to play where the tommy's and dandy's can frolic and all the cats can get ****** and the warlords all chortle and the bric-a-brac is never stolen! i live in an amusement park my soapbox is full of holes but they just let the sun shine in on the flowers i've planted at my feet
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Mar 15, 2017
Mar 15, 2017 at 1:07 AM UTC
Slimmy's Lament
They sit in the humblest of frames, Faux wood-grained plastic grotesqueries Purchased long ago from some doomed Grants or Bradlees, Though one or two enjoy something nicer, Left behind by some long-timer taking a buyout Or a sympathetic youngster denied tenure (She has, for the better part of three decades, Cleaned up the detritus of middle-school children, A bit stooped from the work, Not to mention the burden Of any number of she’s just  or she’s only Tossed like so much bric-a-brac in her direction.) The approximations of old masters equally eclectic in origin: One or two gallery-quality reproductions Blithely abandoned by some haughty faculty matron Mentoring children through noblesse oblige, The odd promotional piece from a scholastic publisher, Mostly things she has cut from magazines or discarded texts. She studiously avoids pieces tending to the dark or muted, No Stuart portraiture or pensive Vermeers; She has a strong predilection for bold, boisterous Gaugins, Mad cubist Picassos, lush Cezanne still-lifes, Even the odd blocky ******* If you pressed her to explain her fetish For the brightest of the great masters, She would likely be at a loss to explain, Having no academic bent for such things (Though she has been known to curse the shortcomings Of lithographers and pressmen under her breath) And, as she freely admits, I’m not much good with words. There would be the uncharitable suggestion That their purpose is to mask cracks and pockmarks in her walls (She has, to be sure, lived in a long series of such places) But she has never, consciously or otherwise, Used them for such pedestrian and utilitarian purposes; They are, to her anyway, beautiful, and that is all they need be.
0
Dec 23, 2016
Dec 23, 2016 at 11:17 AM UTC
the woman who scissored masterpieces
They sit in the humblest of frames, Faux wood-grained plastic grotesqueries Purchased long ago from some doomed Grants or Bradlees, Though one or two enjoy something nicer, Left behind by some long-timer taking a buyout Or a sympathetic youngster denied tenure (She has, for the better part of three decades, Cleaned up the detritus of middle-school children, A bit stooped from the work, Not to mention the burden Of any number of she’s just  or she’s only Tossed like so much bric-a-brac in her direction.) The approximations of old masters equally eclectic in origin: One or two gallery-quality reproductions Blithely abandoned by some haughty faculty matron Mentoring children through noblesse oblige, The odd promotional piece from a scholastic publisher, Mostly things she has cut from magazines or discarded texts. She studiously avoids pieces tending to the dark or muted, No Stuart portraiture or pensive Vermeers; She has a strong predilection for bold, boisterous Gaugins, Mad cubist Picassos, lush Cezanne still-lifes, Even the odd blocky ******* If you pressed her to explain her fetish For the brightest of the great masters, She would likely be at a loss to explain, Having no academic bent for such things (Though she has been known to curse the shortcomings Of lithographers and pressmen under her breath) And, as she freely admits, I’m not much good with words. There would be the uncharitable suggestion That their purpose is to mask cracks and pockmarks in her walls (She has, to be sure, lived in a long series of such places) But she has never, consciously or otherwise, Used them for such pedestrian and utilitarian purposes; They are, to her anyway, beautiful, and that is all they need be.
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36
“What we need now,” he said, “Is new ideas.” They started to fall like snowflakes on that late sharp November evening when we first saw the altered light, over the Alpine lake surrounded by cities who’s population, as discerned through quick perusal of the census charts, fluctuated with unprecedented irregularity, reminding you of Andolian snow-capped mountain peaks. You  followed bits of this, like normal, But found a pattern did not emerge. The orange was sharp, **** and beautiful. Thousands were pulling their Geiger counters out of closets filled with unused sports equipment, scarves, cleaning supplies, and brick-a-brac. We pointed to tell-tail streaks left down the hallway, but the planters never bloomed.
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Jan 11, 2016
Jan 11, 2016 at 12:33 PM UTC
Trained Shadows