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zebra Aug 2016
on the first date
she confided in me
i have a chromosomal disorder, disorder, disorder
i need love and pain strangely mixed together
my elixirs
i suffer reality distoooorrtions
a ghastly Vatican of ****** compulsions
my soul is black matter
my **** a seething cauldron of despicable desire
my *** cries for homicidal cruelty

mold me into a *******
fold me like a two dollar beach chair
the wrong way
tear me to bits
unwind my intestine
eat me like a blood ******* ghoul
make me squirm like an anime victim

i thought oh finally a soul mate
with soul

strange as a Dionysian mad hatter on hallucinogenics
hot girl creeping
grimacing at me
meandering conjurations by ****** contortions
stunning impersonations of a Fellini impaling
shes a famous artist
keeps broodish bowels and blood tampons in stainless vitrines
spot lighted
ready for her debut at the
Museum of Modern Art

she blows torrents of snot like ****
her beautiful desperate tongue searching the upper lip
a salty runny viscoses snack
oozy
finding it finally with her frenetic tongue
feeding her gooey ****
with wet fingers
oh yummy yum goo
up her *** too

first smiling then hideous scowls
exposed teeth
posing with a knife
wana see me cut my self bad boy, she taunts
wana see my impersonation of pizza with extra tomato sauce

blood blood *** in the be in the bed
wipe it up with ginger bread

some how she miraculously bulges her eyes out
then performs, ******* lips as if a minnow in a fish jar

pointing to her ***
giving me that **** hurt me twisted look
how about a peanut butter jelly ******* sandwich
with a side of ****** feet
**** and **** on toes
its especially prized this day of the month
as her **** tears like a vampires mouth, a torrent of blood
pouting **** with white red stained thighs that break a mans heart
*** nothing at all she quips
just a little accident
do you like it?
as she glares like an invitation
to play slip and slide bare foot in her puddle of blood

oh she made me *****
my cherry red **** having a nervous breakdown
from apoplectic horror gasms
a dose of heavens hell

i want her
she is voluptuous like a dozen venomous snakes
copulating in warm soup dark water everglades
she is slither theater

curdling screams
then muggling *******
brought on by the first belly stab
falling to her knees
looking up shocked
mouth gaping
eyes wide
grinning
glance steady
holding holding holding
the belly cut
a cacophonous modern dance of agony
followed by rapturous convulsing *******
that went on and on and on

get a bat she implored

she is a real ******* movie star
the Greta Garbo of *****
a dark jewel
a must have
a hell wife
goddess of dread
a ******* *** genius
my best girl ever

fused by desire
we kissed like **** loving catholic priests
in adoration of their savior
young boy *** castrato hitting the high notes


she looked up with desperation
eyes with glittering tears
and said
are you my black knight?
do you know how to hurt a girl
are you my
Vex Mallus
Dr Satan
Marquis De Sick
Nick Nick
Dark Officer
Remus the Werewolf
Dom Sugar Daddy
Pit Bull
Tommy the Tummy Gutter
5 o'clock Shadow
London Cabby
Amputee ******
Uncle Surgery Gone Wrong
King of the Carpathian Vampires
my sweet kissy Kitten

ooohh yes i said
i am all that for loves sake
albeit twisted
i am what you crave.. your no taboo lover boy
your ******* licking foot slave with a razor in hand
a bubble of poison between my legs
your homicidal suicidal cockealiciousness

she said good,
now that we have that settled
can we go out for dinner
ill be dressed in a jiffy
if i can find my dead skirt
of soft white gauze
with that lovely motif of dread red
and my precious toe tag jewelery
My poems remain explorations of the subconscious ******
If i where a film maker or a novelist  you  would see me telling a story, not judge me, although i admit to my paraphilias  
These poems  are lunar anamorphic streams of consciousness from the deep chaotic subterranean glitz of transgressive  impulses we all share
Read them if you dare...You might find that part of yourself that you don't want you to know about and then again  you may feel more complete some how if you do....I always loved that dark thing that sleeps with in me
Sid Lollan Apr 2018
Gentlemen of Courage and Ladies of Excellence,
Toast to stolen prayers with rarer player’s hands;
Soft in defiant laughter,
when drinking their wine from the bowels of brines

Sing along the Ballads of Heritage with Melodies of Exception;
Boast, not a breathe,
though sullen heirs ghost to fairer wearer’s air(s) of land—
A settlement of Rapture and Resurrection, arid, amid dirt and sand

and King and thy Kingdom sprout flowering tomb, and rosebud temple reach to the sky during the showers of spring
Devours the crescent Moon

in big pink petals of bloom;

A garden so fertile
it could look pretty in wartime—
with Gardeners of Courage and Laborers of Excellence;
(Lapse, not into digressions of Being and Essence
but hands in the soil and planting the actions of kingdom come,
       patient building of Spring Reign sure
as the flame, the architect of rising Sun is
(Daughters and Sons of kingdom came,
      the soldier in a land been conquered and named; abandoned
for the greenness of hope.
)May it never come, Be All The Same; (


be gentle, though whispering wind)

Seeds of Nextyear and the spores of Awhile,
carried by the Wasps and the Clouds
To the Gentlemen of Excellence and Ladies of Courage,
illuminated, eyes from the flora of stars faraway forest floor of foreign

      fears,
      as the hungry Owls of Time prepare a final feast—
      Consume the years between Here and Now;
      Watching from blank perch, among
      the Trees of Afterall; a place beyond expectance.
      Sing the branches of experience, to wake
      in Siren’s cipher; inelegant forms
      of waking,

ugly sleep on rocks of seabed; once was aboard a marooned skyline—

Those Who Are Will Be
again, again a serf in a wave of Time’s refraction. Neverending neverbeginning;

                          Those Gentlemen of Courage and Ladies of Excellence,
on the Day That Is, arrays of seers sayers doers displayers
optimists and pessimists, toast to them
        and their rarer player’s hands,
Boast they, not a breathe, though sullen heirs ghost
to fairer wearer’s air and land;
Laugh and howl and dine, they drink their wine
from disemboweled gourds
        of their own divine—
Warped, in jowls of hungry fix,
no feast they fear, for they prey to the Owls of Time.
Edna Sweetlove Mar 2015
To **** or not to ****, that’s the ******* question:
Whether 'tis nobler in the bowels to suffer
The twists and turns of outrageous rumblings
Or to take action against a bellyful of gas,
And by farting pump one out? To strain, to bloat
No more; and by a mighty outburst we’ll end
The gut’s ache, and the thousand natural stenches
That the **** is heir to, 'tis a resolution
Right devoutly to be wish'd. To ****, to ****!
But perchance to ****, there's the ******* problem;
For in that mighty **** of doom what turds may come,
When we have let the little beauty out from mortal tail,
Must give us pause; there's the danger
That makes calamity of the farter’s life;
For who would bear the sneers and mocks of men,
The neighbour’s shock, the lover’s curling lip,
The pangs of horrid stench, the *******’ o’erflowing,
The leaking **** orifice, and the drips,
Impatient strainings that the tragic farter makes,
When he himself might sweet easance make
With a careful prodding finger? Who would a ****-plug wear,
Grunting and sweating with noisome convulsions,
But that the dread of solids after air-release,
The undiscover'd oozings, from whose delivery
No toilet visitor recovers, puzzles the will,
And makes us bear the bellyache we have
Than fly to others we know not of?
Thus indigestion does make cowards of us all;
And then the native heave of constipation
Is sicklied o'er with the pale fear of defecation;
And enterprises of both ******* and crapping
With this regard, their currents turn awry,
And lose the name of exciting toilet action.
Harriet Cleve Jan 2019

A Skeleton gunslinger, takes on the Unholy of Hell and wages war against his nemesis Hatchet, as a portal to Hell threatens to unleash the putrid, rancid, Unholy hordes onto a desolate planet. "


The bringer of Death arrived in Dakota. Custer's Seventh lay dying on the Powder river. The Ancients had sent him to walk the Earth and help the Ghost-walkers to hold their land. In his mortal days, he carried a torch for Serela, an outcast from the Mind seekers.That's what got him killed in the first place. The saloon was full that night, and he was called out.
He pulled his gun first and knew he would die. His death was foretold in the ancient scriptures of truth. 'The bone that liveth shall slay the flesh and the flesh will become liveth bone'.
Justice will walk the plains and avenge the truth'.
Serela had looked on as a bullet pierced the gunslinger's skull.The spirit of the ancients swept through her soul then, as she watch his head explode, filtering its entrance into the new receptacle of justice.

No one saw the killer shadow draw or witnessed it's departure but John Bitumen's body lay dead, the blood flowing from a hole in his forehead. Even as he died, he was reborn.
The Skull of Death in search of a gunfight, Deathbringer, Cleanser of Evil.


Hatchet looked at his mangy horse, a wasted beast worn out and at the end of it's road.Two years it carried his weight and the saddle dug deep.Whippings were constant and the calloused cruel fists of Hatchet rained down on it's neck if it slowed any.The nearest town was a mile down the road and it was late in the day.
That was all it took to set the anger in motion.Hatchet took five paces away from his horse and hurled his razor sharp hatchet with violence. The horse's head was split in two.
He hauled his saddle, and wrestled his ****** weapon from the dead horse, then walked into the dusk. All the time, Serela had observed from the Spirit's eye, an artefact of the Ancients, entrusted to the Mind Seekers. Hatchet would pay for his offence against Nature's pure beast, for it was written' All Creatures will walk the Earth and all will be held Holy.Swift will be Divine retribution against those who slay the pure beast'.
Hatchet wasn't one to read the ancient scriptures and could not know that the Skull of Death would search him out in the next town.The Ancients had called forth their Gunslinger and a skeletal hand rested on the sacred Gun of Abe. Hatchet would be called out and a Gunfight would settle scores. A chill in the air unnerved him and he took comfort in carresing his ivory handled pistols.


Darkness fell on the land and the half moon shone on the dead horse.The night crawlers made to cut it's remains and scavenge it's carcass. Two hands were raised to the sky, pleading for forgiveness. Horsemeat was forbidden and a desecration of sacred laws.
A knife was produced and held to the beast's throat. In that moment, all became aware of the onlooker.A tall figure in a drab grey longcoat, black spurred boots, an old black stetson. The Sacred Gun of Abe was in his hands. The Skull of Death, the Ancients Gunslinger, walked the Plains once more.
All seven night crawlers stared in disbelief. Their last minutes of life ebbing from them as the eyes of the Ancients warrior scanned their souls and cremated their bodies.Seven figures suddenly engulfed in flames under the incessant stare of the Skull's empty sockets. Amongst the embers, the Gunslinger knelt beside the horse. In his mortal days, this beast was his closest companion.Hatchet had stolen his possession and the sight of it's remains stirred an anguished scream for the horrific end which befell his steed.

Gently the Gun of Abe was placed on the horse's neck. A small bottle of holy oil was rubbed in it's wounds.' Though death may stalk the pure, truly I say to you that righteousness will prevail and the dead will rise'. Even as the words were uttered, a ball of blue flame enveloped the horse. The light illuminated the darkness and from the light the skeleton of a horse emerged, raising itself up on its hind legs, in defiance of death. Approaching the Gunslinger, it nuzzled it's head to his skull, the brilliance of it's chalk white bones radiating a supernatural hue. Mounting his steed, he galloped into the night.Vengeance was coming.Death on a horse was looking for Hatchet!


Raihna woke suddenly and locked eyes withHatchet. She had been ordered to sleep with him, against her wishes. 'Something wrong with me, *****? Hatchet snarled when he'd paid his ten dollars to the House Madam.
'You better be worth it *****! He had roughed her up before falling into a drunken slumber. Now he was standing in his ragged long johns, at the end of the four poster bed.
A manic look was in his beady eyes, as he swigged his liquor jar. Unkempt rank hair covered his weasel like features. Reeking of horse and trail sweat, an ugly belly adorning his uglier frame, he leered for the longest time.Raihna took it all in, especially the hatchet in his right hand. 'Think you're mighty purdy, don't ya! he sneered. ' Let's see what you look like with a hair cut'!
Raihna noticed then that he had pinned her pigtails to the wooden headboard. Realising a scream would be the end of her, she stared back and waited. Hatchet hurled his weapon and it sliced into the headboard, shorning her hair.From the table, he grabbed his bowie knife and aimed for the other pigtail, slicing it off and nicking her neck. 'Well lookee now' he laughed as a trace of blood ran down her neck. 'Ain't you gonna scream, *****?


An eerie blue glow filtered into the room just then and the whinny and snortin' of a horse filled the air. 'What in Hell's name? muttered Hatchet. Looking out of the curtains, he saw the chalk white Skeleton of a horse and a skeleton rider brandishing a pistol. A fiery blue-red low glow radiated from their eyes and it seemed both rider and steed were on fire. Hatchet shouted out ' You one of them Resurrectionists?!' suddenly remembering the old shaman he had killed back in Piebald.
Hatchet had stolen his runes and kept them for trading with the Mindseekers. He thought now that maybe this was him come looking for him from the afterworld. Hot ***** trickled down his leg and he felt scared and sick to his stomach.

The gallows await !' It was almost a whisper as the ancients gunslinger raised his head towards the window. Hatchet grabbed Raihna and tried to shield himself from the spectre below. His mind raced as he hesitated, panic flooding his brain. 'Take them! We be even! he gambled as he threw the runes at the gunslinger. Even as he did so, they were grabbed instantaneously by a skeletal hand and placed around the gunslinger's neck. For these were the runes of time and in the coming trials would decide the balance of power between the Unholy and the Just.


Hatchet had thrown away his trump card and even as he loaded his gun, he was destined to die. 'Pearls before swine' whispered into the room and Hatchet descended the stairs, with Raihna in front. His pistol was cocked and he would shoot it out. If Hell was waiting, he wasn't going on his own. His hatchet lay in his side belt and he made his way onto the street.
The hallway was pitch black and Hatchet cautiously approached the parlour door hoping to get out the back street. He held a vice-like grip on Raihna's arm as he pushed her along. 'You keep your mouth shut ***** and open that door easy' he whispered, his voice betraying his inner terror. Suddenly and unexpectedly, he felt the cold muzzle of a revolver pressed hard to the back of his head. 'You take your claws offa my girl, Hatchet 'less you wants your **** brains spilled where you stand!
Hatchet knew Charlotte, the House madam, wasn't bluffing. He'd seen her do it too, back in Abilene, when China Jack beat up one of her girls. She'd shot him straight through his throat and followed up with a clean shot to his manhood. It hurt Hatchet even now just thinking about it'. Jesus! he thought as he cursed his situation. Things were moving too fast and nothing was going his way.
Hatchet loosened his grip, carefully holstering his gun.As she moved away, Raihna spat on his face and kneed him in the groin. ****! he bellowed and went to strike Raihna. His hearing saved her, as Charlotte cocked the gun and stopped him where he stood. 'Think I'd sleep easy with you on the premises, Hatchet? Take me for a fool? I don't know what the Hell is out on that street but it wants you!' By Christ, you're going out the front door to face it too!. 'Always were a cowardly *******, now move you lousy **** head!
Raihna had gotten hold of a shotgun and had it trained on Hatchet. 'Drop that hatchet right now, she said. ' You're facing that creature with your gun and nothing else! God knows you don't deserve even that much. Hatchet dropped his hatchet. 'Now kick it over here!' He did so and as Raihna picked it up, she hurled it back immediately into his right thigh, gashing him like a pig for the slaughter. Hatchet screamed in agony and Charlotte pulled it out of his thigh as the room sprayed with the red bloom of imminent death. Now move you *******!


Charlotte and Raihna ushered him towards the front door and kicked him into the dark dusty side street. 'You got it coming, Hatchet!, they shouted and there waiting for him was the Ancients Gunslinger. He had dismounted from his steed and now faced Hatchet.The look of death was in the Skull's eerie sockets and it was all Hatchet could do to stop his hands shaking. He threw up and finally faced the spectre before him.

'For those who have suffered, shall be avenged. The Righteous Light will shine on the Unholy and all dark souls shall be driven from the Plains. Fear will walk amongst them and even the shadows shall despise their ways.'
Thus it had been written and now was coming to pass.


Hatchet went for his gun, and time slowed down as his eyes scanned the scene. A chalk, pure white, skeletal hand reached for a gun and the fluid movement captured his attention. Hatchet knew he had been outdrawn and could see the gunslinger's bullet leave the smoking barrell, pristine, crafted by a master gunsmith. He noticed the leather holster, worn and faded, almost an antiquity, strapped to a dark trousered leg.
The long coat, ghastly grey, adorning the bones of the undead. Empty eyes stared him down, as he heard his own gun's sharp report and watched his bullet sail towards the spectre. Just before the gunslingers bullet blew his brains out, he finally noticed the spectre of the horse and instinctively knew this was the brutalised beast he had so callously slain. Blood and bone exploded violently and the mortal remains of Hatchet dropped to the ground.
Hatchet didn't know it then but he too was about to be reborn; for the Unholy were about to unleash the Scourge of Hossana and the Ancients Gunslinger stood in their way. Hatchet would be forged in the cauldron of Hell and in the coming trials would once again face the Sacred Gun of Abe.


Hatchet became conscious, and felt as ill as a cow in a slaughter house. The smell of death was rancid and his vision seemed out of focus. A nauseating, sickly stench permeated his nostrils and he winced as the pungent odour inflated his lungs. He was aware his whole body was bitter cold and he shivered uncontrollably. If this was a hangover, then it was the worst he'd ever been. Terrifyingly, he noticed that he was manacled, face down, to a massive ice block.
Encased within the block was a dead horse, it's head split in two, exposing brain matter, decayed pulped flesh, and grizzled bone. It's mouth was fixed in a ghastly grimace with it's eyes looking back into Hatchet's, it's gory mane matted in dirt.
His screams were hideous to hear and were lost in the din of the thousands of screams echoing within the air.The sound was deafening and burst his ears as the terror built up within him. Hatchet knew then he was in Hell, amongst the thousands of fallen souls now in the possesion of the Unholy.
His whole being was perished with unbearable, intense cold yet he could see flames, blazing blue and orange, feet away from him taunting him with intense glow.
Still the shrieks and squeals of thousands around him assailed his ears! The amplified volume resonated in his brain as his own screams built to a crescendo!
Yet, no light radiated from the flames and the pitch black illuminated only the horse within the ice block and the grimace which would be eternal. Still Hatchet screamed till he felt his throat would explode and his mind begged for deliverance! It was then that his shoulders and back ignited with agonising pain as he felt the sting of a whip.
Again and again the whip found it's mark and his flesh was pulverised. He cried out for forgiveness and begged to be spared and still he was lashed.He prayed to pass out and knew he never would ! For he was in Hell and the blackest deeds were now held to account.
A voice bellowed at him'Welcome Brother Hatchet! We will have a purpose for you soon! Enjoy the interim! Many more punishments await you yet until you are ready'. The eerie voice trailed off as Hatchet continued to be whipped. His agonising screams drowned the air and was unheard amongst the thousand others. Still the horse fixed it's empty eyes and stared at Hatchet and its grimace took pleasure in his suffering.

Seven days passed since Hatchet was despatched to Hell, and darkness fell on the Plains like a widows veil. No light illuminated the Earth and the Lakota knew this was the sign of the coming trials. The Ghost-walkers had appealed to the Great Spirit and no one who witnessed their victory at the Powder River could deny their courage.Truly this was evidence of the Spirit's intervention in their way of life. Reports had come in to Chief Red Cloud of a figure of flame riding amongst the Buffalo. A Skeleton on fire, riding the Skeleton of a horse at full charge. It seemed the very ground they rode upon was a torch of lightning, and the figure was at one with the Buffalo. Red Cloud rode out to witness it himself and noticed the blue-orange glow, like an aura of defiance, surrounding the figure. In it's hand was a gun, and Red Cloud recognised it as the Sacred Gun of Abe.
Many tales had been passed down from his ancestors, and Red Cloud knew this figure was sacred to his tribe.The Ancients Gunslinger would play a role in the destiny of his People.The Whiteman would pay a heavy price for the desecration of the traditions and way of life of those under the protection of the Great Spirit. He knew too that an enemy would arise which would destroy the Whiteman, and all the Earth's inhabitants. Only the Native American would take the battle to the Enemy, aided by the Ancients and the Mind Seekers.
Red Cloud knew his people looked to him for leadership, and he would provide it.They would hear how Red Cloud rode with the Ghost Rider and take pride in his courage. His fate was tied to the Ancients Gunslinger, and this had been preordained in the ancient Scriptures. Red Cloud looked down at the flaming figure and dug his knees into his horse. Charging down the hill, he shouted out a proud battle cry, and rode like the wind to the side of the Ghost Rider.In their trail the Buffalo followed.The trials ahead would be met and the Unholy would do battle with their most dangerous enemy.



**** it Charlotte! 'It don't make sense!
Hatchet weren't killed by no ghost, for Christ sake! Marshall John Lancaster was tired and couldn't believe the events which occurred in his absence. He had just brought in Ned Marlow.Got two of his men killed doing it, and suffered a leg wound himself in the shoot out. Marlow had been holed up in Tinkers Creek and came out unexpectedly with his guns blazing as the posse approached the log cabin. It had suddenly turned pitch dark, and all the horses got spooked, causing confusion amongst the lawman's officers.
Ned Marlow knew Hatchet; had lost an eye in a bar brawl to him once.It was said Hatchet carried the eye around with him ever since.
Ned was closing in on Hatchet, bent on revenge, and swore he'd see him dead. Suddenly a shot rang out, and startled Lancaster.
Ned had headbutted the Marshall's deputy as he was being placed in the holding cell.He had grabbed the deputy's gun then and blown a hole clean through him. Carelessness, or tiredness, maybe both, had cost him his life. Ned didn't give no quarter when his own life was on the line. He weren't going to no hangman's noose neither. He burst into the Marshall's office then and fired off two shots catching Lancaster in the left arm wounding him badly. The Marshall got off one reactive shot catching Ned's left ear.The sound deafened him and he put a slug through the Marshall's head.The fragrance of gunpowder filled the room and Charlotte could only look on.'You're coming with me, Honey!'bellowed Marlow as he grabbed her hair, pulling her close, and made his way onto the streets. A gun was held to Charlotte's head and Ned was figuring his next move.


He was too busy watching the streets but if he'd looked up, he would have seen a hatchet hurtling towards him with violent intent. The hatchet caught his gun hand and severed it clean off his wrist. Ned now had the indignity of losing his right hand.He screamed in agony as blood squirted from his severed wrist, spraying Charlotte in a plume of lifes red wine. Ned looked to the ground and his own hand lay there, holding his pistol, it's finger still on the trigger. Legend would record the severed hand fired off a shot moments after it's horrific amputation. Ned Marlow didn't know it then, but he too would play a role in the coming trials. The Unholy knew it only too well for it had been written 'The Deaf shall hear, the Blind shall see, and the hand of the sinner will turn on the Unholy'.


There the severed hand lay. A ghastly, grotesque, weather worn obscenity.
The gun had been removed from it's grasp since it's horrific amputatation from Ned Marlow. Three days had passed since the incident and no one dared to remove it from the street.cOminously, no decay had festered to spoil that monstrosity;for life still lingered within it's ghoulish flesh. Mangy street dogs looked at it with curiosity, yet kept a tentative distance. The little finger still wore a silver ring, set with a black stone. Once it had belonged to an ancient Pagan High King, who had been slaughtered in battle. An artefact from a distant time, carried across Europe into the America's. Evil had tainted it's properties and the Sons of the Unholy had sought it since. The ring now sought a new owner as the severed hand, an abomination of creation, crawled, like a filthy worm in the dirt. Slowly, laboriously, with uncanny certainty, the wretched hand made it's way towards the room of the one who had hurled the hatchet.


Raihna sat alone in her bedroom.The hatchet lay across her lap and it was emitting a low hum, almost inaudible, but she had heard it. At first she thought madness was setting in, but she realised that the voices communicating with her were real; the Mind Seekers had chosen her.
Her mind and body became a telepathic conduit and she was absorbed in receiving the messages. The Ancients were channelling through her and a deep trance held her almost comatose.
Slowly, sickening slow, the hand crawled it's way towards her., Grubby, thick, fingers inching themselves stealthily, dangerously close, while Raihna was immersed in the communication.
Her eyes were closed in the deep state between the conscious and the unconscious, so she could not witness the fingers wrap themselves around the handle of the Hatchet. Both hand and clasped hatchet lifted silently from her lap. As the hand moved to distance the weapon from her, the ring glowed a greenish hue, emanating the presence of the Unholy. Suddenly the hand lunged at Raihna's throat!
Raihna's life was ebbing into eternity.The possessed, filthy, unholy amputation squeezed her windpipe with the vengence of perpetual hostility. The ring on the severed hand's finger glowed brighter, as her life force lay on the threshold of destruction. It seemed as though the light of a thousand burning suns illuminated that room. A portal to Hell had been created and Raihna was pulled into that abyss. She was neither dead nor alive, for the Unholy had need of a pawn.The hatchet too was ****** into that void as it was destined to be reunited with Hatchet.The light was blinding and it seemed the very Earth could have been swallowed; as though the Gods had abandoned all of Creation!
Yet there he stood! A blazing figure astride a blazing horse.The chalk white bones of a skeleton horse carrying the Ancients Gunslinger towards the entrance to Hell! The ancient scriptures had written ' The Liveth Bone shall ride into Hell, and the Unholy shall cower'.
The Sacred Gun of Abe shall wield the vengeance of the Ages and the Earth and Heavens shall shake'. Thus it had been written and was now coming to pass.
A portal to Hell had opened and the Gunslinger charged into that cesspool of abomination. No Horse ever galloped with such energy and the Unholy prepared for the skirmish.The Gunslinger was possessed with a relentless rage for Justice. Hell quaked as both rider and horse fearlessly charged into the bowels of Evil's pestilent abode.
Furious at this brazen affront, the Unholy now made to close that portal. Even as they did so, Hatchet was resurrected from his tormented existence. His hatchet was reunited with him as he prepared to once again face the Gunslinger.Raihna must be rescued; for her destiny was tied to the Earth's salvation. For now, she lay in a corner of Hell watched over by a severed hand. The screams and anguished cries of all the lost souls in Hell echoed in the stagnant air. Still the Rider charged furiously as he sought to gather Raihna to his arms. A ****** hatchet sailed towards him and Hell looked on.


Hatchet charged from the cage of demons, his face etched with the pain of perpetual torment. His emaciated form like a malignant Phoenix rising from the ashes of Hell. The pitiful creature carrying his burden reared from his weight. A wretched carcass of a decayed horse which had been ressurected for battle. That same horse which had been encased within the ice block;whose ****** head Hatchet had split open when both were mortals on the Earth. Man and beast now tools for the Unholy; possessed by the collective evil of all who now suffered in Hell.cTheir dark energy would now be harnessed for the coming trials. A gruesome grimace was fixed on the horse's face and it's empty eyes stared ahead as Hatchet charged towards the Gunslinger. His violent countenace expressed the deadly intentions which would be borne down upon his enemy.
He had hurled his weapon and watched as it made it's deadly trajectory towards the Gunslinger. As the hatchet spun and revolved through the air, Hatchet emmitted the scream of the demented. The Gunslinger had lowered in his saddle and the hatchet narrowly missed it's target. Continuing on it's course, it landed in the back of one of the screaming forgotten whose souls were doomed to eternal agony.
Both riders now crashed headlong into one another and Hatchet fell from his horse. The Sacred Gun of Abe was now in the Gunslinger's hand and a skeletal finger pulled the trigger.
Once again, Hatchet would witness a bullet discharge from it's revolving chamber. His head exploded as the bullet entered his brain, exiting in one piece and landing in the dank soil of Hell.The blessed relic purified the soil and the Unholy recoiled with revulsion.
The dead cannot die and Hatchet struggled back to his feet. Grabbing the Gunslinger's reins, he attempted to pull him down. It was then that the runes around the Gunslinger's neck pierced the air with a deafening incantation.
The Unholy screamed as the Holy words of the Ancient Scriptures filtered into the bowels of iniquity and shook the foundations of Hell.
Hatchet reeled back and grabbed his hatchet from the spine of the forgotten sinner. He looked up then and witnessed a warrior's lance sail through the air.It violently struck and impaled the severed hand guarding Raihna.
Red Cloud had accompanied the Gunslinger in his charge into Hell!
Mmmm, coffee is so good...
My coffee is black,
Like the color of my soul, or how I dress
Or the color of my grandfather.
*The oils & caffeine coat my tongue
and I am anew
My bowels  *turn

The bile  churns
and in ten minutes, I will have to poo.
Roberta Day Jun 2014
You can’t have your cake and eat it too. Not for long, anyway. Cake doesn’t settle well when it’s all you’ve had to eat. It’ll churn like butter inside you, and creep up your throat to project like a cannon, barreling through a wall. Cake won’t sit right with you anymore. At the mere mention of cake, your insides will crawl with disgust and an association of icing will replace your taste buds with *****. You will never be able to enjoy cake—at parties, as a delicacy, with ice cream—because you got greedy and wanted to eat your cake first rather than save it for such an occasion. Now all the different kinds of cake you fantasized about trying—black velvet, coffee cake, buttercream pound cake—will only be a reminder of your pitfall that led you to make yourself sick with desire, for cake. You can’t get the icing off your tongue, the smell of batter baking has festered in your nostrils wired to the pungent taste of red from between your teeth. But it’s all you can think of when you’ve been wronged by your favorite dessert. What sort of chemical reaction in the bowels of your stomach caused all of this sorrow? What rejected the cake? Your body has a way of telling you things—we should listen more. Cake is not sustenance, it has no value as a nutritious food. It doesn’t help, only hurts.
It hurts deep inside, a hurt you can't describe. You can't place where and you don't why, other than you couldn't bide your time.
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.
In the deep, strange-scented shade of the great dark carob-tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough before
me.

He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over the edge of
the stone trough
And rested his throat upon the stone bottom,
And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.

Someone was before me at my water-trough,
And I, like a second comer, waiting.

He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels of the earth
On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold are venomous.

And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.

But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?

Was it cowardice, that I dared not **** him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honoured?
I felt so honoured.

And yet those voices:
If you were not afraid, you would **** him!

And truly I was afraid, I was most afraid, But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.

He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.

And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders, and entered farther,
A sort of horror, a sort of protest against his withdrawing into that horrid black hole,
Deliberately going into the blackness, and slowly drawing himself after,
Overcame me now his back was turned.

I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.

I think it did not hit him,
But suddenly that part of him that was left behind convulsed in undignified haste.
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.

And immediately I regretted it.
I thought how paltry, how ******, what a mean act!
I despised myself and the voices of my accursed human education.

And I thought of the albatross
And I wished he would come back, my snake.

For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.

And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.

Taormina, 1923
Scott M Reamer Apr 2013
Man life know just set eyes way like young world soul day hunger space mouth earth thoughts ignorance blind things mind knew final moment human creation kind creatures souls high forgotten dream love spoke self existence face holy deep bound think home void say surrender ear forever called held ephemeral red state end shall heed hope edge living waking fall sea wake garden need February thought past wanderer got men page colored tepid terrible **** proudly untitled features point painted faceless box forgot render wild spring splendor  handfuls looking half brain lost torn ancestral  unseen vision inner summer honor mister owned banner save today fear groans wasn't smoke  street fable strange year contrast black years  able pain body spoken word known motion  palpitate reeling nature culture disclaimers  cancer beg attentive frames ****** base profound double remember wholly finger death token  cries continue folk oh fishing form broken true  divides spread ah twas away breathe wait warning hallowed wish closer lens turn eye live  constant current author hung theory dangle  bramble chemical new force changes adderall  anymore giving beneath possess pardon commentaries eternity internal walk reason  long change does idea glimpse consciousness  wandering simply wonder physical dreams war  sleep told rest benign prior begging truth little  2012 born tale crow bowels allegory animal rule  exasperate making horse curse hands ones read  rearrange capture doing command fail awake  aperture seedlings shift steely sir nap spead ****** demons slits clever telling loud spits la-la-di-dah killing slip game reflected nameless ask  lovers rabid bear salivate plunder shameless  famously savior mint rides menthol bully fate traded melodies play misunderstand mammals gentle witless fine utterly savage silt tongue-less  dirt dilutes pure non-sensory taste briefly ravage dismember it''ll shedding ruined curtain  knots offers plot fulfills munificent two-act  relegates boxz bug altruistic wintergreen tossing  callously guise grovels one's singers treachery ashes mid-life mutter fashion parading  ambiguity separatist liars staple steeping neath  guidelines scoffing stitch moans civil wrote  Fictitious undoing fables table effigies serve  sonnets staged remark psalm swoll praise harken  beggar verse bread lines heavily electricity detection snow sack-happy preaching credit  spotted wicked best gravity gun campaign owe  barge choir revelry celebratory satiated sinking  headline pack hound persistently propaganda  gentlemen excluding diminished ******* run idles  occupied levies wolfishly honestly misinformation cuba vehemently dumb grace spectator erasing  toned sage crowded secrets inter-connectivity  loaned prayer hymns grave mistaken magnified  vandals selective jump leak escapes says minister  buckle mass honesty shut tar children's hats  monument doping long-lived electrical ladle  exaggerated cartoons address seconds cool cradle bleak yang's mind-framed hypnotic  walker caps folly treble claim streaks mixtures  swelled interstate elapse teasing spoon mobile  succulent witchcraft borderline fatal 99 temple stacks sups plastics creeps neurotic ills tossed  meek sipping old crack interlock wax alleyway  coughing blown freak clock birthdays societies  slow flashing viscous candy argument toothless  pills cerebral rapt wall bisect lives wheezing  photo kid starter foiled pair saturated self-castrating pre-packed naked uncertainly pill  used came chaos coated reprisal fells wrack  irreverent mirth sickly disinherited proudest  collate wheeze appearance palette disharmony  discontented bastardized emotive bio inhale diction beat spoiled reclamation loudest tempo  totally disembodied matte imperfect shells flat  struck sounding imparts flak origin severance remarked bone walls snared leaflets mocking  hot scripting adjective noun agape seemingly  resistant gawk calamity passage paintings wind  trashcans signings sits cheap makers poetry persist scrap slipping individual talk wonders  leaving questions fold actor fancy parchment  fates engenders flown jaws stripped longer music  sacrifice fakers book boldly frown sigh atop patient hang trade occupation blows spectacular  whispers worthy backward waving certainty danced suppose needn't ‘drawkcab’ second-guessing  boys forget marched motto heads tightly lies two-tone earthbound harp twice turns goodnight  lying ***** internally indiscriminate nickname  drunk convictions myth steep  in-consumption  fitting artist **** universal sick expressions bad  du spell melody big siphon proud learn sprawls song spastic something temperaments utter check  fissures stomp totality blend definitely thrall sing rug voice shade pestilence ties commiserate round devil steady brains emotional certain gate  suckling gates dearth decay weight bounce pound  carrier pangs glass startle contest earthen web  tug pressed air patience flush amassed guest gone apprehension staring empathize captain believe fading in-perceivable deathbed guarder makes surrounds scatter drooling ebb blink cob tome  venom near door lair derision draws host stairs scent parts curiosities spider webbing surprise wares tips stepping ascetics starkness realize picture surroundings dictations grand pillars  deaf limited comparisons greet visual residents  personal settings dismiss alien law stability common earthly shiftless places prelude  understanding mosaic keen trifling embodiments  geared inception whisper visible jowls kiss murky  puddle rank dawn dichotomy single faithful fraying pays tailor veil climb mores pence whim  breath wellspring samara god stony pear  shadows fruiting forebodes moonlit looming  shown passed bog gold wracked faint tongues  noble preachers mirror shifting layered depth  threads jungle narcissus bemused seamstress self-worshiping architect's wore slumber anomalous  opened barren seam lip caustic scene coupled brick gardener's clenches -with forms idle breed  embodied lore starving empathy design illusion  tree coat fabricate lucid mason scatter-all  narrative seeking imbued 16th shivering chemicals 17th 15thrisk improperly dare  deliberate plan purge try brought chapter speed  aide utmost spirit leading intervention felt  recall recent advent sincerity times diary  lackluster piously lasting happy holding hear  stem tasteless whimpers wet spine monstrosity  dripping causes position quite softly claws pallet  answer digging tearing beast satiating circle breaks skips redwoods beckoning rotted hushed  gray lapsing monoliths deities creborus  imbuement hand stroll paradigm rendered chorus shy whispering forest residual tension  surrenders tolerance lull anew sentenced  bearing tide birds dirge divergent rim joined  cogs wood hesitant mist emergent towering offer  awareness confinement inverted faultier stowed  plane sanctified blanketing trusting memory fossil flash twists laden self-indulgent fleeting invitation agony grip shore impetus lingering  crows promise gift union swallowing endless floor supposed ecstasy sensory intent  psychotropic cradling placement interned  jagged connectivity exchange congenial begun  summons singular spiral assumes ambient reciprocates re-entry fruition reached aggregate lifetime limbs birthed instinct  frightening tarry proper entire light  boundaries innocence pursuit ago discover left  youth's unknowing sacred time place meager  simple fact cast ceaseless wide-eyed literal  apparent coincidence create boldness morphed  crooked kempt mere stumble buried shutter fairy  pivotal definitive months worth shear ambition sound required journeyed self-reflections title  facets vague restless intimation gut wanderer's  leap motivate path account boy soon bears faith  question tripped reasons uproot awaited confronted days step heal provocations wisps crushing transcend chronicles instance  directness raw drove occurrence objective-less  real enters slightest confident nondescript  typify  foreshortened interment paradox bitter heart  devoid jeopardy angry sensation confidential guilty arrogance mercy compliance reprieve  vincent deadening factual sign emotion awe  inhibition shackled butterflies absence actual sciences acknowledgement violent stagnant  spiritual American doors roots lack matted fore  gestures society cause streams intensity hair impossible discord lonely hearts resounding  jest  what's flavored pains closed toxic contented  happenstance scientific knowledge yeah  wizardry shaking stifled withdrawn bloom  jitter dreads settle asocial hulton make  predisposed figurative reflections demeanors  wondered affect hulton's projected sense  morning industry arrays ghosts feeling  certainly endomorphic where's partially wrath  passer mornings jovial unease advertized asking  trash onward wished tempers media mentality connect pasts sharp-toothed scramble great colours trial test salvation continually lent  degree secretly subjection social waned  disconnected colors grimly intellectual civilization cash trading baffling particular  digest myths monumental ending seasons winter  repetition introducing agent everlasting  shoulders delivered honestly-- possession funny  continence history unsightly function suffering propulsion profession divulge familiar tugs era  importance capability perpetuation spite inventory words entirety leveling fray insight  date record continues writer getting evermore fellow tongue possessions identical proof accuracy education similar sack admittance  favor unravel conveyance guilt gives beginnings  predicting audacity definition bobby heady eaters frameless learned release stone grandeur sang  speak molds sleeps split built seats people folded  sheer pour evoked playhouse liquid boring  tellers frayed stark walked reality pleas doth  preformed shows beak pride squawks opinions  greatest bold stunning sightings he'd loudly slain  sunk watch legend precipice theater deeper compound commentator civility justly silly sin  reverent seen prophetic moral confounds notion  lacking explain attempt prolific viral estrange proclivity scorn hide blur pious strung eden's  horror cut skin arch cruel twig mother vile  pass lend woods peach shrunken trail man's canopy worn 434 eat warm limb familiar father delete.

You are what your reading lady. Now would you hold this gun?
Sean Hunt Jan 2016
In the bowels
Of my being
The things I've seen!
From last night's dream.   I used to be a psychotherapist and I worked a lot with dreams.  I am still uncovering layers of new aspects of my conventional gross mind, and this is good.  Like going to the dentist it can be a little uncomfortable at times :)  
I absolutely love '10 word poems'!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
Rory Hatchel Nov 2011
Toilet paper,
                You are the only one who
                Puts up with all my crap.
                You listen when no one else will
                To all my groaning and moaning.
                You share all my private moments
                And follow me from the bowels of hell
                Into the plumbing of despair.

Toilet paper,
                You have seen my most private parts,
                The dark crevices of my flesh,
                Where no one will go.
                And should I sneeze
                You will wipe my nose.
                You will take away my filth,
                And your softness can embrace
                The sewage of my soul
                And the flakes of flesh
                That my heart has discarded.

Toilet paper,
                You are the only one I know
                Who kisses my ***.
CK Baker Aug 2017
the banners are blowing steady
(fully extended in the hot august wind)
contemporary in style
tightly trimmed
and all gloriously dressed
in the latest colors and hues
it’s a fleeting distraction though
as the caskets
and children
and grieving widows
are rolled steadily across
the burning tarmac

it’s the beginning
of that inevitable
two part proceeding
a skotoma for the ages
delusionary in nature
rich in grays
and eerily reminiscent
of that foreign reign
clipped in silence
with dark roots of fear
set deep in the bowels
of a chapter
of unimaginable sin

indifference as pronounced
as the accompanying salutes
haphazard sentiments that are
cloaked in the horror
of endless
aborted days
forgotten buggies
and bunkers
and rat packs
how could the switch
be set so wrong?


it’s truly an illusion
(this way of the world)
simple indulgence can grow
so beastly and consuming
try telling the tale to the
tibetan monks
or broad peak sherpas
(those boys know how to get it done!)
how to bask in
the ice cold waters
how to savor
the lava hot falls
couldn’t the others
have figured this one out?


the flags have settled
at half mass
and are tinted
in a charred yellow brown
the lifeless dreams
and inspirations now
in the rear view
leif running solo
(exempt of his trusted gunners)
ready for the numbered lines
his eyes open
to the ever changing
enemy at hand
THE RAT AND THE PREGNANT WOMAN


A story poem

BY

Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)



Dedicated to;
My mother Neddy Nabisino Mayende Kuloba Makhakara
And her mother Maritini Nabengele Nasenya Mulemia Namugugu Ilungu wa Wenwa.
The story telling power of these two ladies is the primary source of my passion and love for humorous and peace bettling stories. I owe them all the recognitions.







OPENING SONG
How do I start telling this story that I got from my
Grandmothers when sited around the fire yard in the evening?
I don’t know how to start surely,
For to day I am very shy; all of your eyes
Are on me, looking at me like ocean of looking organs
But let me embolden my self with the belt
Of a story teller that my grand father gave me
And commanded me to preach peace
Through story telling in every place I go
So my spiritual service to humanity is telling stories
Is to soothe and heal wounds of humanity
By softly telling peaceful stories
Let me then cough to clear my voice and start;

Long time ago, but not very long time
Some where between the centuries of twelve hundred
And seventeen hundred after the death of the other Jewish
Story teller who died without a wife, who died on the cross
But others say he died on the stake, his name was Jesus,
There existed only two kingdoms in land which is known today
As Bukusu land found in the present east Africa or Indian Ocean coastal Africa,
The first occupants of this vast land is the sons and daughters of Babukusu
Or the ones who like selling ironsmith products
And hence the name the people of Bukusu; the people who sell,
The two kingdoms were the Kingdom of muntu and the kingdom of manani
The citizens in the kingdom of muntu were short men and short women
Handsome and beautiful, slender and not assertive in their physical disposition
But the citizens of the kingdom of manani were all cyclopic,
In their everything; the manner of walking, talking farting, micturating
Farming, breathing, snoring, smiling, singing, whispering
Their whisper was a noisy as the tropical thunderclap
They were tall men and tall women, very tall
Their young person was as short as the tallest
Person in the kingdom of muntu,
When one of the citizen of manani snores
All the citizens of Muntu along together with,
Their king Walumoli wa Muntu had no option
But remain awake throughout the night,
Because the cacophony of a snore from
The sleeping courts of Manani was not bearable,

On many occasions Walumoli wa Muntu
The conscientious king of the muntu kingdom
Had arranged to talk to Silinki wa Namunguba
The ostensible king of the Manani Kingdom
About the cacophonous sleep robbing
Snores of daughters and sons in neighbour kingdom of Manani
Only to cow and chicken away in a feat of prudence
Lest Silinki wa Namunguba will suspect him for being
A night runner or a thief of *** perhaps
Who roams his compound during the wee of the night
In hunt of any of Namunguba’s wife maybe
Perchance having gone out for a mid-night *******,
This is how legendary snores of the sons and daughters
Of Silinki wa Namunguba the king of Manani
Has remained unchecked for ever till today,

One time an ugly passer by happened to be seen
Traversing the kingdom of muntu
In the early afternoon some two
Hours after Walumoli the king
Had just cleared the last plate
Of the mid day meal from
His last wife Khatembete Kho Bwibo Khakhalikaha Nobwoya
He always eats her food last in the afternoon
Because it comes on the table steaming youthfulness
He loves his Khatembete wife, the wife of his old age
The wife he married by use and show of the royal regalia
The powers and dignity of the king of muntu
He married her when he his a king, the scepter in his hand,

Going back to the ugly passer by
It was never known where he came from
Not from the east where the Indian Ocean is
Not from the west where the vastness of the land
Of black people of Baganda and Bacongo
Baigbo and Bayoruba or Bafulana of Nigeria
Or the sons of Madiokor Ngoni Diop in the Senegal,
Not from the south from shaka the Zulu and Mandella the wise one
Not from north in the land of Dinka and Nuer, Ethiopian Jewish and the Egyptians,
The passerby was ugly and from no where, in a dress and
A very ***** dress that fumed out a malodorously stenching reek
He was a man in attires of a woman; this was a taboo in the land of muntu
He was left handed and a heavy weight stammerer, with an appalling
Protuberation of   a hunched back, an enormous hunchback
Enmassing entired of his masculine shoulders,
When the wind blew his loose dress followed it
Leaving the man’s thighs and then bossom naked,
Leading bystanders to a strange discovery; he was not circumcised
He was old like any other father, he had beards
But not yet circumcised, his ***** ends in corkscrew of a sheath,
This was a taboo in the land of muntu, in the kingdom of muntu
Which Walumoli wa Muntu the son of Mukitang’a Mutukuika ruled
For the spirits, gods and ancestors as well as foremen of the kingdom
Behooved that all male offsprings of the kingdom of muntu
Whether born in marriage or out of the wedlock
Born the blood or born as a ******* must and must be
Circumcised in the early teen hood
They must be circumcised before they grow the hairs
On the face, on the chest, in the scapula and on the areas
Surrounding the testicles, the **** and the endings of the backbone,
The man again had six fingers on the legs and on the hands
He walks slowly like a porcupine, his dress was in tartars
He was violent to every one he met
Insulting old people and old women with words
Of bad manners not used in the kingdom of muntu,
He terrified and beat young children, including the royal children
And grand children of Walumoli the king of muntu
He again had to beat and chase nine young virgins
Who had come from the palace of Walumoli the king of Muntu
Away from the forest when they picking fire wood
As well as playing a game of hide and seek with other palace lads,
The ugly passer by then chased to get hold of the
Nalukosi the first born daughter of
Khatembete Kho Bwibo Khakhalikaha Nobwoya
The beloved last wife of the king of Muntu
All other virgins ran home, but Nalukosi remained behind
In the inextricable grip of the ugly passer by
She screamed with hysteria of a hypochondriac
She screamed and kicked with her wholesome mighty
The stubborn passer by never left her alone
She gnawed the ugly passer by with
Her girlish claws of her fingernails
But is like the passer by was mentally disordered
He was a ******* of some time
He derived some pleasure and instead
Enjoyed the girlish scratches of his captive,
Before the eight running virgins reached the palace
Together with their companions, the playmate lads
The shrilling scream of the captive Nalukosi
Was sharply heard at the palace, first by King Walumoli
Who called his wife Khatembete Kho Bwibo Khakhalikha Nobwoya
To come out of the hut, the kitchen and help to listen,
Immediately Mukisu wa Mujonji the palace keeper surfaced
His face displayed genuine askance of an adept military man
Whose martial arts have rusted for a week without usage
He confirmed to the king that the cry from the forest
Is of the one from this royal home of your majesty the king
And none other than the ****** princes Nalukosi Mukoyonjo
The pride of her father, the eye of the palace,
Without hesitation the king permitted the wallabying Mukisu ,
Permission to run in a military dint and find out whatever that
Was eating Nalukosi Mukoyonjo the familial heart of the king,
Mukisu wa Mujonji who was clearly known in the kingdom of muntu,
For his swift running like a desert kite, he already twice chased
And gotten single handedly two male gazelles,
Without aid of a dog nor aid of fellow hunters
And delivered them to the king as a present to the palace
Which he achieved because of the speed of his legs,
On this royal permission he unsheathed his matchette
And went away like any arrow from the bow
His shirt trailing behind him like mare’s tail
Or like the flag on the post on a windy day,
Not a lot of time passed.
Mukisu wa Mujonji is at the spot of struggle,
Between Nalukosi and the Ugly passerby
There was no question or talking,
The first thing was Mukisu to sink the Matchette
With all of his mighty into the tummy of the ugly stranger
The bowels of the ugly stranger opened puffwiiii!
He breathed and gasped twice then succumbed to death.
His grip still strong on the leg of Nalukosi Mukoyonjo
The ugly passer by reached the rigor Mortis
When Nalukosi was still strongly gripped in his
Beastly hand, Mukisu wa Mujonji with all the skills
Used a Sharp matchette again; chopped of the hand
Of the ugly dead passer by off, from its torso
At the point of the muscular elbow,
Now Nalukosi was extricated, but not fully
From the grip of the dead ugly stranger,
The chopped off hand is still knotted at her leg
Around her leg, the dead hand also grips.
Nalukosi jumped here and there to throw away
The leg and the dead hand, but it was not easy to throw
The hand still stubbornly gripped around her angle,
*** time passed, each and every one of the kingdom came
Including the king Walumoli wa Muntu himself
And his nine wives, Khatembete Khobwibo Khakhalikha Nobwoya
Came last, as she was energyless due to rudely shocking tidings
Which the escaping virgins and lads had given her
That the ugly passer by had turned into the ogre
And had swallowed her daughter Nalukosi
That he had swallowed her piecemeal without chewing,
People of muntu came and found the ugly passerby dead
The left had chopped off its torso
But still hanging loosely on the leg of Nalukosi
Nalukosi jumping, kicking, screaming
Screaming away the dead hand from the grip of leg
But nothing had forthcame her way,
Walumoli wa Muntu could not afford to see
The hand on the leg of her beloved daughter
What could he tell his wife, is your all know
Dear reader and audience to this song;
Even the mighty and the wise ones
Generously bend when under the pressure of love,
Out of this dint, even before Mukisu wa Mujonji
Could display his next military card
Walumoli wa Muntu grapped the dead hand
That stuck of the leg of her daughter
And pulled it with another force that
No man born of woman has
Never used since the creation of the earth
By the gods and spirits of Muntu,
The hand come off, he throw it
On the cadaver of the ugly stranger,
He clicked and clicked and hissed
With anger like a wild turkey
In the African thorny forest,
He ordered the dead one to be buried
Their without haste, nor ceremony
Mukisu wa Mujonji buried the body
Quickly in a brief moment with precision
As if he was taking notes
From the lines of the poem
OF Pablo Neruda on how
To bury a dog behind the house
This time burying an ugly stranger
Behind the forts of the kingdom,
After all these women, children and men
Of muntu plus their king Walumoli
Went back to their houses hilariously
Broken into a song and a wild *** dance;
Makoe eehe! Makoe !
Nifwe Talangi Makoe !
Talangi!
Khwaula embogo sitella
Nifwe Talangi!
They sang up to midnight before
They all retired to their beds
Respective beds with panting thoraces
From heavy singing and dancing.

There is connection and disconexion between
The living and the dead, the living fear the dead
And dead loves the living,
The dead want the company of the living
For the living to accompany in the land of the dead,
When the ugly stranger was killed
And buried uncircumcised with the hunch
Not plucked out of his back
The gods and the livings dead
In the realm of the ancestors
Of the kingdom of Muntu were not happy,
They never wanted uncircumcised old man
With a hunch back to join them
And worse enough with the six fingers,
The gods and ancestors really god annoyed
That Walumoli wa Muntu has done them bad
He is only caring for the living, the pre-mortals
Especially his last wife and the daughter
But he has neglected the ancestors,
Why trash to ancestors a stark humanity,
They communed among themselves
And resolved to sent Namaroro
The god of dreams, dreams as messages
From the ancestors and dreams from the gods
Namaroro visited Namunyu Lubunda the palace
Prophet in the Kingdom of Muntu to pass
The message vesseling unhappiness of the ancestors
And gods in a blend of gloomy read to execute
A vendetta;
This is when in the wee of the night that Namunyu Lubunda
Dreamed and had a vision of a old man from
The east is warning of the coming long spell of starvation
That will befall the kingdom of Muntu for ten years
                                      That Namaroro told Namunyu Lubunda
As for ten seasons of foodlessness
Behold a begging kingdom
Behold a starving throne,
The scepter of Muntu is a disgrace
To the holder
Then Namunyu Lubunda set forth by dawn
To the Palace to meet Walumoli wa Muntu
In his, palace before any other royal chores come up,
Both good and bad luck combined
Only to have Namunyu Lubunda to get the king at the palace
He got him fresh and relaxed chewing the cup of fortune
In his full ego, all his wives had submitted to the morning dishes
To his dining hall in the palace, he moved his hands from
One plate of food to the other.
Namunyu Lubunda entered with a submissive salutation
To the royal, He bowed and declared the glory of the king
In typical standards of the ethnic composition of the house of Muntu
Walumoli wa Muntu Mukitang’a Mutukuika
Majave Kutusi Mbirira Omwene esimbo ya
Kumukasa,
Walumoli responded with a feat of dignity to Namunyu Lubunda
The palace prophet, as he roared to him; come in
Come in son of Lubunda son of our people,
He did mention the name of Namunyu Lubunda father
As he fears his words may escape with the power
Of his kingdom the scepter of Muntu
To other insignificant families in the kingdom,
Let me announce what brings me here; intoned Namunyu
Go ahead and announce my holiness
s the prophet of this kingdom; responded Walumoli,
Misfortune is awaiting the kingdom
It will eat this kingdom away
Like a ravenous hyena on the ewe’s tail
The ancestors and the spirits of this land
This kingdom of yours the son of Muntu
Are immensely offended with your recent behaviour
In which you commandeered all villages
In your kingdom; from east and west
The **** the innocent passer by
With your owner hands that handle the scepter
You killed and lay to rest the foreigner
A pure omurende to the kingdom of muntu
You buried him uncircumcised without contrite
In the cemeteries of our foremen who asleep and circumcised
Why did you lower the dignity of our forefathers
Who never share a roof with uncircumcised person
To share the ancestral realm; our emagombe
With hunchback foreigner not circumcised?
This kingdom is condemned to all spell of curse of death
Ceaseless hunger famines and starvation
Women dwindle in their reproductive capacity
Rarely will you come across a pregnant woman
Food will be difficulty to put on the table
Even the sweat of your brow will go to naught,
You will not be buried with insignia
Like a pauper you killed will you be buried
The house of your wife Khatembete Kho Bwibo
Khakhalikha no bwoya is a house of no consequences
For even your daughter Nalukosi stands cursed
She will not mature to be wedded into a marriage
She will hover the earth under heavy agonies of hunger,
My assignment is done and over
With or without your permission let me go.









THE FIRST SONG
Our song continues dear brethren
Come join me in arms we sing
Joyous singing of these songs of peace
Telling the world peaceful stories
As we enjoy sitting together around my grandmothers fire yard
Warming our selves to her lovely fire inherent in her good stories,
These songs will sing the glory and success of the king of Manani
It is an irregular Ode to Silinki wa Namunguba the son of Mwangani,
The son of Tunduli, the son of Wajala Njovu, the son of Welikhe, the son
Of manyorori, the son of Chumbe, the son of Kajo, the Son of Mabati, the son of welotia,
The son of sikele sia mulia, the son of Toywa,the son of siruju, the son of Mango, the son of Mulwoni sinyanya Bakhasi, the son of Mbakara , the son of Makhakara wa Nambuya, the son of Mukoye mulala kukhalikha w0nga, the son of Zumba the son of God.
Silinki
Searle May 2014
Terrorism, ****,
Car bomb, *******...
She feels vulnerable,
No love to keep her warm

9/11, kidnap,
Human trafficking...
She’s been forgotten,
Left alone in the dark

Serial killers, H1N1,
Child molesters, ***...
She shudders with the cold,
And Port Au Prince is flattened

Hijack, ******,
Drive-by shootings...
She feels groggy,
Influenza sets in

Weapons of mass destruction,
Cuban nuclear tests...
There starts a tingle in her nose,
Her eyes pinch shut

Genocide, organs on the black market,
Xenophobia, suicide bombers...
With a bellow from her bowels,
From flaming ice the cumulus anvil that infects the world
In memory of the Iceland volcano
zebra Mar 2018
I'm a black dog
with a torn heart

you
are carved out of light
heavier then rocks

my bowels
a crumbling fortress
dire

in my emptiness
you
make my blood run down dark gutters
to the city of your legs
pooling at your soft pink feet

i strain in prayer
for your love
a black dog in panic

i run seven miles a day
to **** you
my body lean and wire muscle wet
women look on dreaming
as i search for you in their faces

i run killing myself
till your dead
all curving sadness
and broken creel

a hallowed
crypt of desolation

you
a sword through me

farewell
Bryce Jun 2018
Hello Chicago
Flat carpet-town of corn meal
steel spears at the northern junction
of Cahokia and some unknown dream

No lillies grow here sir,
no tulip fields
though there are many Dutch
a little up north
Wisconsin, dontcha' know?

Family blood rains through the Chicago river
named of the blood of a slain tribal wonder
wanders
with the roaming buffalo

I sat at the top of Sears
(Willis)
Tower and peered into the foggy distance
and made out the shores of Michigan
through Indiana
the leftover rains of a continental freeze
churned the earth to butter and carved the arteries
and bowels
of today's earthly body

And when we drove in from O'Hare
in the late hours on incessant stoplight highways
counting down the streets
thinking maybe they'll go all the way to
Mississippi
just a long row of
Concrete

I saw the brick tower
of a decrepit Frito-lay plant
where they cooked their corn and potato
into succulent
can't eat just one
little snacks

for the whole of america
to enjoy in backyard barbecues
and convenience stores
and grocery outlets
All across the planet

Now with the trucks they come and go
up to and whizzing past Chicago
on to greener states with greater relief
with hills and lakes and winding streams

Different sections of the sculpture
Cities eroding into the pleasant coasts
quaking and breaking into tiny stones
a monumental David
cracked in the gallery
bird **** corroding the silicates
unpolished and immortal
words

Chicago!
oh you mighty city you
built from sod and sweat and dew
of new morning
I see your towers
you dreamer, you
But your towers are in Dubai,
and Shanghai
now

The world moved on
and forgot everything about
that magnificent mile
burned to make you earn
new toys and fancy things
from far beyond your winding river streams

But you didn't die
amazing, how much they tried
to rust you out
to bleed you dry

no,
Chicago,
you keep your ***** rivers flowing
all the way to the Mississippi
flanked by modern Roman concrete
all the way to the great green sea
out into the puddle that surronds
the Amerigo

Chicago
don't you give up that river dream
Dad
I picked my emotions
out of the night sky,
and dredged up my guilt
from the wine dark sea:
packed them into a suitcase
with socks,
and that old wool sweater.

I stepped off the plane
into the Miami swelter,
but for the first time
in to
a Miami
without you.

I watched the life fade out of you
like a tide slowly receding -
- inexorable, cold, without mercy.
I could sense you from afar
as your body fought a civil war
down in the depths
where it was too dark
too dark to see.
I am not sure if I want to say the bowels of hell
or just...
your bowels -
- I am not sure if there's a difference.

You waited there.
In a room filled with neon lighting
charts, beeping lights, and cords:
with nurses and strangers passing by
until life stole even you
from yourself.
Harriet Cleve Jun 2019
'Where is he now?'

'Room 35'

'His age?'

'Twenty 29'

'Has he spilled any brain fluid from the eye sockets?"

'He has not yet been placed on the neural cell divider'

'We were instructed to wait upon your arrival'

The two men faced one another. Equal in stature and authority.
Both were ghastly in their features. Sunken eyes that contained the
weary load of a harrowing existence. Intelligent though ravaged eyes that penetrated into the deepest recesses of the psyches of those quarantined in room 35.

Berdensharder walked past Halden.

Will you induce the full cerebral breakdown? said Halden

'I have not yet decided'

'Let me see him first.

Room 35 was secured and access permitted to Berdensharder.

He walked in and breathed the formaldehyde humidity.
His nasal passages recoiled in revulsion at the pungent sting of miserable brain fluid filters in suspension.

Facing him was the sample. A young man with a look of terror in his eyes.

He had been placed in a cranial clamp and was rigid in an upright steel frame. Electrodes hung like tentacles from a deformed squid.
Clouds of medicated bacteria floated in a transparent tube connected to the frame. The tubes had not yet been put in place.

'Your name?' said Berdensharder

'The young man was clamped by the wrists and ankles; naked and ashamed of his fear. His forehead was scarred and an incision led into his prefrontal cortex.

'Radsler Duriyima' came the reply

The voice was broken and clung to a false hope of salvation.
He had awoken in room 35 and had no knowledge of his previous weeks or months. His brain struggled to function.

'Your name! Berdensharder screamed is Gunther Strausse!

Tears flowed freely down Duriyima's face.

'No. My name is Radsler Duriyima'

This was the only lucid thought in his mind. He was sure of it. His life depended on this name.
Instinct was heightened as he said it again.

'Radsler Duriyima!'


Berdensharder switched on the cranium synaptic fluid uptake. He set it for distillation level four. This was normal and a precautionary first step in the cerebral breakdown initiation.

Duriyima's body convulsed and a screen in the room displayed his thought process and an image appeared on a screen.

The synaptic  responder projected the dulled translucent pictures of a face in a mirror. It was Duriyima's and he was shaving in an apartment. A grainy distorted vision interspersed with the sounds of a woman screaming. A gun blasted and then grey dull plastered walls rushing by. More screams. More walls. Blood splashed. Then black.

Suddenly Duriyima's eyes opened and Berdensharder sprayed a saline solution on the eyeballs which kept the eyelids from closing.
He took a surgical precision scalpel handed to him by Halden.
Slowly he slit the eyeball and removed a trace of fluid. Inserting a tube into the eye, his hand was a precision instrument and he gently placed it deeper into the back passage of Duriyima's eye.


Duriyima wanted to scream but was prohibited by a mouth gag soaked in a medicated solution.

His body shook the entire time in rapid convulsions. Only his head remained unmoved.

Tears flowed freely the entire time and the tear duct of the severed eye was gradually made redundant by Berdensharder.

Stepping back from his helpless sample Berdensharder looked upon the apparatus. He removed the gag.

'Now Mr Gunther Strausse!
'Your name!'

'Duriyima wanted to respond but only an animal like sound emitted from his throat.

A scream so horrific it would unnerve the servants of Satan

Halden looked at Berdensharder.

'Well, are you going to induce the full cerebral breakdown?'

'No. We will first get this sample to state his name.
'When Gunther  Strausse is ready to state his name then I shall do so'



Duriyima looked at the pair of them. What was going on?
Where was he? What did they want? His mind couldn't function.

The door of room 35 was closed and he was alone

One thought began to emerge. His name he now felt was Gunther Strausse.


He could not be sure. His thoughts ebbed into insanity.

Berdensharder would induce the full cerebral overload the following day.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Duriyima succumbed to massive shock, severe trauma, and paranoia.

He remained plugged into the filtration system for two hours in a semi conscious state. His brain ebbed with seismic brain wave cycles that sheared the integral subconscious of his existence.

One name repeatedly came to his mind, 'Gunther Strausse'
He tried to make sense of all that had happened as the fragility of his sanity took its toll. The face of Berdensharder took on a form in his thoughts. He felt nauseous and violently ill. His eye ached with an unbearable pain; his vision horribly strained and blurred.
The sound of a gunshot deafened his ears. His forehead was an explosion of activity and excruciating pain. Tears flowed from one of his eyes and this confused him. He sobbed and in a gibberish howl begged for deliverance.

He had this stomach churning sense he was in Hell and the torments he had endured were God's retribution.

He found his voice then.

'Sweet Jesus!' he screamed

'Not this! Not this!

'Son of God! Forgive! Forgive!

He begged till his bowels emptied and the stench of anonymity
reeked from his flesh.

Duriyima was very much still a part of the living; in a ghoulish grotesque quarter of a savage place reserved for aggressive science.

His screams and outbursts of terror had triggered an audio camera.

Berdensharder looked at the desperate features of Duriyima.

'No! Gunther Strausse' he said to himself.

'There is no God here'. 'Not for you nor any of us'

'God, Gunther Strausse, you will find has never heard of you'
'Not here'

'For you, only I control your emotions'
'I determine your quality of life'

'Yes! You will find out that betrayal is rewarded with surrealism!'

'I am your God!, Gunther Strausse'

Reaching his hand to a calibrated dial he adjusted the volume of the sound chamber to it's maximum decibel rating.

Duriyima's screams were relayed back to him and his ears bled with the intensity of the sound.

His mind collapsed in the wall of sound as his heart pulsed in rapid sickening beat patterns and it overtook the sound of his own screams.

'Yes!', Gunther Strausse, scream!  It will help you to realise it is all you have left.

Duriyima's body convulsed like a lightning rod for terror.
His brain burst with demented anguish and he collapsed into a nauseating nightmare.

Even in this state, Berdensharder followed him and the labyrinth
of Duriyima's mind became a battle ground for sanity.

Berdensharder's hand reached for the distillation filter system.
He employed the backwash switch and watched as the fluid of Duriyima's brain was circulated into the three micron carbon elements.

Halden looked on and met Berdensharder's eyes.

'It will be of no use' he said

'His mind can not cope with insurgent cells'

'He will never state he is Gunther Strausse'

A third figure looked on as Duriyima's face erupted in an explosion of hideous expressions.

'We shall see' said Gunther Strausse
'We shall see'

Room 35 crashed into an uncanny silence for three minutes'

Then a cacophany of sound hit Duriyims's ears

'Gunther Strausse' it wailed

'You are Gunther Strausse'

The cells in Duriyima's brain formed new synaptic networks forging in clusters around his prefrontal cortex.

Brain fluid started weeping from his sockets.

It was beginning to happen. His memories were being replaced.
His mind reborn. It was excruciating and still the wall of sound echoed and resounded in room 35

Gunther Strausse


Gunther Strausse

Gunther Strausse

Duriyima's eyes stared into an abyss of madness.

His tethered hands could not reach out to touch the face of sanity.
Deep inside his pysche he knew his ordeal was just beginning.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
You took note of the cry for salvation?' Halden said to Berdensharder


'Of course, it is natural in the sample. The Amygdala reflex'

'He still retains a sense of deliverance. His amygdala is primitive and
primed for a search; a Saviour who will redeem him'

'There is no scapegoat here he will find. No burning bush.
No Good News from Christ'

'Still it is a sign of deep resistance' replied Halden

'It is a trivial issue and will be resolved'

'We will remove this superstition and replace it.

'He will question his sense of identity'

'He will becomre as Gunther Strausse and he will witness his own transformation.'

'Has the synopial fluid vat been prepared?

'Yes'

'I will inject his neo-cortex with an anti-aneurism sedation'

'He will beg for death soon but it will be denied'

'Nor shall he fully recover from the full cerebral breakdown'

'We are taking it to level six distillation tonight'

'Has the cryogenic vat been prepared for the body'

'Yes'

Duriyima will soon pray to be Gunther Strausse but prayer will abandon his faculties'

'He will endure and witness the five hour transcendence of terror'

Halden and Berdenschrader looked at one another knowingly.

'Has there been any further visuals  from the synaptic cells of Duriyima'

'Yes, a woman's face made a lucid and highly resonated image on the cerebral scanner last night'

'Only high resolution visuals are deemed important due to the high emotional energy associated with them'


' She has been identified?

'Even now she is being prepared for Room 35'

'Good, good. This will please Gunther Strausse'

'Now, let us immerse Duriyima into his new reality'

Halden and Berdensharder dressed into the rubber robes and secured the brain aprons in place.

Entering Room 35 they looked at the sample. He was under a deep induced coma. Berdensharder took a scalpel to his forehead.
A vacuum switch was enabled and a surgical cutting tool prepared to remove Duriyima's brain for temporary relocation.

Halden and Berdensharder looked at the clock on the clean-room walls. They had a five hour window to take Duriyima into a purged state of cerebral surveillance.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hald­un rolled his sleeve up as Berdensharder prepared injection 19 and prepared to administer the dose.

'You have no need to worry Halden'

'It is routine now at this stage especially for you'

'This will be your seventh full cerebral surveillance of a sample'

'I have brought you back every time'

'You are safe with me. Your brain, your body will be unscathed'

'I hear a citation of merit will soon be yours'

'Gunther Strausse will award it to you personally'

'You are a loyal servant Halden, I will see you in five hours'

Halden looked at Berdensharder. Each man had suffered in their own way since 'the shutdown' took place.
Only their intelligence and guile had ensured their survival.

'Yes, Berdensharder, I know it. You will bring me back.

Then Halden passed into an induced coma.

The rig was in place and Berdensharder lifted Haldens skull like a door on a hinge. The titantium bolts were embedded deep into his skull. Delicately and with great precision twenty five electrodes were inserted into Haldens brain.

Berdensharder switched the spinal column reverse chamber.
A two way valve tripped the automatic pulmonary Gemini blood cell network. Haldens body remained in live peaceful repose.

The clock ticked in time with his heart and his brain was placed into the electrolytic vat.

In the same way and with the same urgency and diligence the brain of Radsler Duriyima was placed along side Haldens.

Level six distillation was in progress. Berdensharder now set about
the procedure which would take Duriyima to the verge of a mental breakdown.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
In room 35 a young woman aged twenty four stared back at her tormentor.

Her hands and feet were restrained in an upright frame.

A cranial brace secured and held her head rigid.

On the screen facing her was an image of Berdensharder

'Your name?'

Hannah Prestovsky's mind was confused. She had no recollection of the last hours or days. Her mind struggled to function.

Only her name surfaced to her mind. The only lucid thought she had. Her name was Hannah Prestovsky. She knew her life depended on this name.

'My name', she stuttered, 'is Hannah Prestovsky'

'No! Your name is Gunther Strausse!

Tears flowed down her face. She was naked and ashamed of her fear.

'No, she said. My name is Hannah Prestovsky!"

She sobbed and emptied her bowls as the stench of terror rose from her body.

'I am a diplomat!' she cried

'I demand immunity! In the name of God who are you?'

'Silence settled broken finally by the image on the screen.
The voice of Berdensharder boomed from the speaker.

' No, you are no longer represented by any government authority'

'God is no longer here to deliver you into his protection'

' Now, your name?'

Hannah Prestovsky screamed till her lungs exploded with exhaustion.
In an area of this room sealed from her screams, the brain of Radsler Duriyima was about to undergo full cerebral surveillance.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
­Duriyima's brain lay pulsating in the neural vat. The electrodes in his brain were connected to those in the brain of Halden.
Berdensharder was engaged in the system flowpath direction.
When he tripped the one -way valves it was essential Halden's brain fluid flowed into Duriyima's.

In this 'full wash surveillance' Halden's consciousness would merge with Duriyima's. If the process was successful then those thoughts held in the synaptic network of Duriyima's would be an open book to Halden. His brain would retain all that was contained within Duriyima's. It was unprecedented technology and had not yet failed.
Each time on relocation of Halden's brain, he was able to give a full account of the life of the sample. It was as if he was the sample.

Every fear, every concern or hope was disclosed to Halden.
No one else in the facility was capable of undergoing a surveillance of this nature. Others had tried it but in all cases both the sample and the invasive consciousness died within minutes.

Halden and Berdensharder were the only team to ever secure consistent trials to unheard of 'five hour' deep cerebral surveillance
and succeed in securing the neural data of the sample. Their method became known as the 'five hour transcendence of terror'.

Berdensharder looked at Halden. His admiration for his associate was deep and he envied him his courage. He was ruthless of course but he had an air of dignity about him. Berdensharder thought too that Halden would escape one day. If that ever happened he shuddered to think of the repercussions.

All these thoughts were fleeting and the flashing instruments alerted him to his first function. He would light up the prefrontal cortex of Duriyima first.

He looked at the calibration settings on the visual imaging screen.
Then  he stared at the live body of Duriyima. The body was an empty vessel although every spinal output was connected to the remote brain of Duriyima. Audio and visual scanners would enable Duriyima to witness his own detachment.

This was the reason for anti-aneurysm injections into the new-cortex of the sample. It always freaked them out.

The worst was the brains response to it's isolation from the body.
The 'language to vocal' response was recorded and displayed to a digital readout. The voice was an algorithm. The screams became white noise.

When the sample recovered from the shock it was then the voice became an artificial sound emanating from the instrumentation panel.

Before Halden could immerse into Duriyima an interrogation was initiated.

Berdensharder turned on the system to awaken Duriyima.
Slowly Duriyima responded. His body responded in simultaneous response to his brain.

He could see the set up on the screen. It dawned on him that he had become an abomination.

Then he went into a full mental breakdown that created a white noise explosion that lasted for ten hideous minute.

'Yes! Scream. It is all you have left. Shortly your mind will open its gates to Halden'.

'Gunther Strausse will be planted in your brain'

'You will soon need your Saviour'

Duriyima knew it then. He must be in Hell. It could not be real.

None of this could be happening.

He didn't know what to do so he screamed.

The scream of the demented.

A smile traced the face of Berdensharder.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Berdensharder waited till the white noise finally stabilised.
He knew the sample was in deep pyschological  trauma.
This was a natural part of the procedure.
Duriyima's brain waves alternated between gamma and alpha rhythms.

A voice suddenly emanated from the speaker. It was monotone and the pitch was low. The sample was ready to communicate.

'Am I in purgatory?'

Berdensharder did not respond. He reached forward and opened an anthrax aerosol.

Reaching into the vat he opened a microscopic funnel into Duriyima's occipital lobe. He squeezed the aerosol which contained enough anthrax to poison a minuscule area of the brain. It went black immediately and the whole brain seemed to shrink in a futile sense of survival.

The white noise monitor went into a frenzy of sound.
It lasted for fifteen minutes. Duriyima was in agony.

When the noise subsided the brain was lifted from the vat.
Berdensharder removed the black tissue for sample analysis.

He watched the screen as he cauterised the area.
Duriyima's body was writhing in intensified terror.
He knew the whole procedure was witnessed by Duriyima as though he were a third party.

The body was in convulsions; at times seemed as though it might break free of it's restraints.

'No, Gunther Strausse, you are going nowhere'
'Now let us listen to some classical music shall we?'

A beautiful piano concerto filled  the air and the vibrations settled into the brain vat. Berdensharder looked at Halden's face as a smile broke out on his features.

This pleased him to see his associate receive some pleasure.
The music always worked. The brain always responded.
He looked then to Duriyima's face. It was contorted in a ghoulish grimace. Even so, the brain wave activity settled to level fifteen.

The body slumped now and the eyes were catatonic.
Berdensharder needed to leave the sample undisturbed for fifteen minutes. If it went into cerbral flatline then he would administer sedative eighty four. This always brought the sample back from the corridors of death.

From experience he expected the sample's next words would be 'my name is Gunther Strausse'

This had to be the way. The brain needed to survive. This was the name it must give. It must give it in no uncertain terms.

It feared the anthrax. The unknown. It feared the interference of nature. It must be placed back in its body. It must co-operate.
It must state 'my name is Gunther Strausse'

Berdensharder was patient. Thirty minutes passed and once again the white noise subsided.

The brain was in active mode once again. The samples vital statistics were stable.

The music was discontinued.

'Now, Gunther Strausse, what is your name?'

The sound monitor responded in a hesitant slow manner.

'My name is Gunther Strausse'

'Did you not tell me your name was Radsler Duriyima?' Berdensharder replied

'My name is Gunther Strausse'

Berdensharder was in full control and raised the terror level.

'No! Your name is Radsler Duriyima!'

'You have never heard of Gunther Strausse'

The White noise from the sound monitor went catastrophic.
Duriyima's brain screamed in agony. Had it not been for the anti-aneurysm injected previously it would have phyically exploded.
The body went into convulsions.

'Who are you?' screamed Duriyima

'Who are you?!'

Berdensharder smiled and replied 'It is who you will be that is the question'

'It is who you shall be!'

It was time now to open the non-return valve and allow Halden to enter the consciousness of Duriyima.

The White noise on the screen indicated that Duriyima was on the verge of the full cerebral breakdown'

'Soon it will be over' said Berdersharder and reached to turn on the valve. Halden would now perform the full wash surveillance.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­

It was always a beautiful experience. Halden felt as if he were reborn and the world was an unexplored discovery. Here in the neural ocean of Duriyima's synaptic network of young cells he immersed himself deep in the private psyche of another human.
He searched the entire brain map of Duriyima and came to know that neural landscape as though it were his own.

Duriyima resisted of course and became aware of the invasion.
His screams were a peak of White noise on the visual audio scanner.

Berdensharder watched carefully. Halden would soon know every thought and experience that Duriyima ever possessed.
He cared not for the fate of Duriyima once they were finished with the sample. All that mattered was the complete subjugation of a private mind. The private would become public. This forced confession would become the norm. It was exhilarating to be a part of the destruction of the individual. Halden had shown remarkable courage and took great personal risk to achieve this break through in mind control. He had shown it was possible to inhabit another's brain. Once this was done it was a step away from world *******.
Those who control the mind control the future. The secrets of enemy States would be unlocked. One had only to capture the intelligentsia and key figures in an administration. Their minds would be ransacked. Berdensharder turned suddenly as footsteps unexpectedly approached.

It was Dr. Xuaguang Lee from sector 84.
Behind him was a young woman holding a syringe to his throat.

'What the hell is going on!' screamed Berdensharder

'Hannah Prestovsky was sick to the pit of her stomach at the sight she beheld.

'You are going to release Radsler Duriyima' she said venomously

Dr. Lee looked on with rising terror in his eyes.

'She is holding a lethal dose of injection 19!'  he screamed

'Do you think I give a **** about him?!' said Berdersharder

Shoving Dr. Lee away from her she ran to the neural vat.

Holding the syringe above the brain of Halden she lunged it into his brain stem.

'You fool!' Berdensharder screamed

'The body of  Halden went into cardiac arrest.

Halden was now locked into the consciousness of Duriyima.

There was no way back for him. He could now only survive if Duriyima survived.

Seeing her chance at the shock she had given to Berdensharder she siezed the anthrax spray and a chemical solution from the neural vat.

'I swear to God if you don't bring Duriyima back then he will die my way!'

Berdensharder's mind raced. He had to save Duriyima if he was to save Halden. He knew Duriyima and Halden were one now.
Could he do it? What would the result be? Gunther Strausse would ****** him if he did not bring them back.



'Step away from from the neural vat! he shouted

'If you have any thought for Radsler Duriyima then let me work!'

Dr. XuGuang made to run for the door and was shot instantly by Berdensharder.

Hannah screamed as the blood sprayed her face.

'No ! Berdensharder' she screamed

'You will give me that gun or it all ends here!
'She gestured to the neural vat and prepared to dose it with a chemical mix.

Berdensharder looked at her and knew she would do it.
He passed her the gun.
'Now! Let me work!' 'Every minute is vital!'

Hannah Prestovsky was sickened by this filthy abbatoir.
'Where the hell are we ? She thought

Berdensharder turned the one way valve and shut down the pulmonary system for Halden. He needed to work fast and get Duriyima's brain back into its body.

A surge of excitement ran through his veins.
Would Halden be able to communicate from his new mind.
Could Halden dominate Duriyima's brain.
'Step back from the neural vat! Please!

Hannah held the gun and watched the horrible spectacle before her.
There, in God’s country, the benign ruler
Had promptly burst out of the earth’s bowels.
A sea of coconuts smothered, sultrily,
The most unwilling moss-painted houses
The banyan raised its feet high enough
For hundreds of creepy monsoon-creatures.
The journey  began in silver slanting rain
Waiting for streaks of pure white sunshine
To crawl through upright areca nut barks.
As the telephone wires went up and down
A floating bird quickly froze in the sky.
First the coconut fronds ran to the hills
Then the chilly plants , go red in the face
Inside, they of the uncertain *** beat the wind
Out of their joined palms in forced cadence.
The floor-mopping boy under our large feet
Looked with money-wetness in his brown eyes.
The train went spluttering for lack of puff
While gravel stones hit its forbidden parts.
Elinor Jul 2018
To the two boys who think I owe them something.
My heart doesn't belong to either of you,
and your spindly fingers clenching it
don't look enough like ribbon
to fool me into thinking that
my love is a gift to you.
To the two of you,
so willing to give me
your monthly allowances of text messages
yet not your loyalty.
For thinking that an "honest" apology
fixes me having to question why
just me was never good enough
for either of you.
You were both greedy,
you always wanted more.
Now run free and fill your stomach with all the flavours that will burn your taste buds and scorch your tongue.
To both of you for being willing enough to open my box with a key that I never gave you,
rifle through my thoughts and feelings,
and not even open your ears to them,
leaving the lid off
and the contents strewn across your floor.
For offering to help me pick them back up again,
but only because my "small, little arms" are not strong enough to carry my own weight that I've carried for
fifteen years on my own.
Here's to both of you for putting me down about being small.
That is NOT my fault.
I have a mighty big cathedral for a heart and a generous brain
and that's all within 5"2.
It doesn't make you any bigger than me
(metaphorically).
Your few feet advantage doesn't give you
the power above me,
even if you can see the roots of my hair in more detail
than you would ever care to observe
the fault lines of my cracked smile.
Boys are being taught that
to love me
is to fix me,
that I am some kind of messy enigma,
a project, a goal.
I'm just a girl with a family, a girl with a head, with a spiders web of veins and a lifetime of lessons that I'm opening my arms and my heart to.
You mistake yourself for a lesson,
when I'm fully qualified to teach myself.

You diagnose yourselves
as "depressed".
Mental illness is not an accessory,
nor a quirk to make you seem more vulnerable to me.
Don't brandish it in the air,
it is not a weapon against me.
It doesn't make you adorable,
or some kind of cuddly bear boy.
Everything that's
"killing you"
is just as toxic to me.
You set my skin into blue flames
because I won't give myself to you.
No,
no,
no.
I'm tangled in my rejection,
and it thickens.
I can't be with you out of pity.
My guilt, raging deep within my bowels,
marching violently through my organs,
exploding into a supernova of
thinking that love and guilt are almost the same thing.
"I'll do anything",
I don't want anything from you.
"I'll write you a poem because I know how much you love that."
I also love being respected but neither of you ever gave me that.
My craft is not a tool of trickery,
and your words not a trance.
"I'm not like him".
But you still act like my skin is a carpet to your home,
and you walk across it with muddy boots.

You think you're a blanket to keep me warm,
but you ended up suffocating me.
To the boys who think I owe you them something,
go home.
all my poems have been long lately,
but I have a lot to say,
so I'm not sorry.
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)

It is not a half a yellow sun
Nor a full purple hibiscus
Neither a question of Americana
But the political tidbits of Africana
They are indeed a half a government
Neither a coalition nor coalescence
But a journey which starts with one
Very African mile in the sunny city of Nairobi
In the country Kenya where there is hakuna matata
Where gorgeous skyscrapers hang loosely
Like Towers of Singapore in a babellian ego
Swam of humanity in full pomp and glory
Money, property and cityish aura
Moving up and down in bluish collar task
Flock and throng like the north bound mating fish
In the waters of river Nile; O Nile!........,

Moving you down then the countries
Passing the geographical enigma
Of the Great Rift Valley view point
Putting a wonder working escapement before
Your eyes in which once the daughter of primitive
Political bourgeoisie rolled in a Germany Volkswagen
And gasped the last ****** breath
A beautiful Maasai breathe echoing
In the ***** of masculine bowels
The waves of erotically charged ions,

You then passing down to Nakuru minus
Your meat eating halt at carnivorous kikobey
Strait to Kiamba  area where you easily
Meet the Kalenjin militia in a tribal cleansement
Ruthlessly roasting the human steak of kikuyu merchants
In the church but not a mosque due to scarcity
Both young and old kikuyus being roasted
As they forlorn groan and wail;
Atherere ! atherere ! atherere ! niki kioru muntu wa lumbwa !,

Down you go again to a chilly town of  Eldoret
Where you get a ****** *******
Pursuing a bachelors course at the dumb
Moi university where low temperatures
Curtail lively learning in the pedagogy
Or pedagogy of the kipsigis ******,

Down you go a fresh to the town of Kitale
You meet with  maize and corn in the
Full regalia of colonial economy
In its ostensible memento  
Of the palimpsestish British Empire
In the brutish colonial history
Of man eat man civilization,

Then up you go, you beautiful nincompoop
To the slopes of pokotish kapenguria and
Again down slopes to Ortum valleys then whoopsy!
A half a government starts in full swing
The bush pokot youths utterly naked
Like the chimpanzees in Kakamega forest
Shoals of them and throngs of them
Each having a modern gun,a short gun
A Sten gun,a  machine gun,a slave raiding long gun,
Revolvers, the lethal AK 47,
Them pokot youths; extremely illiterate
Put extremely armed with extremely
Modern weapons like the last wonder of the world,

Up you go into the desert of Dr. Richard Leakey’s first home of man
In the land of the Turkana, to a toast of human misery
Where people are sick, people are naked
People are hungry, people die of starvations
After thorough hunger based emaciation
Redolent of purely   a half a government.
Francie Lynch Jul 2018
The hair is almost normalized,
The hands we hardly notice,
Real news is, with my ensemble,
A red tie splashes well.
I bear your false witness,
The hookers and the lies,
I'd get the heebie-jeebies,
If I ****** with the FBI.

But the skin, the skin,
What color's that,
That hides the blackness found within.
That wraps a frame that wracks the sane,
And covers a skull with dubious brains.
It conceals the bloated air,
From lungs to lips,
From bowels to his finger tips.
It doesn't matter how his fits,
It can't conceal he's full of ****.
I. The Door

Out of it steps our future, through this door
Enigmas, executioners and rules,
Her Majesty in a bad temper or
A red-nosed Fool who makes a fool of fools.

Great persons eye it in the twilight for
A past it might so carelessly let in,
A widow with a missionary grin,
The foaming inundation at a roar.

We pile our all against it when afraid,
And beat upon its panels when we die:
By happening to be open once, it made

Enormous Alice see a wonderland
That waited for her in the sunshine and,
Simply by being tiny, made her cry.

II. The Preparations

All had been ordered weeks before the start
From the best firms at such work: instruments
To take the measure of all queer events,
And drugs to move the bowels or the heart.

A watch, of course, to watch impatience fly,
Lamps for the dark and shades against the sun;
Foreboding, too, insisted on a gun,
And coloured beads to soothe a savage eye.

In theory they were sound on Expectation,
Had there been situations to be in;
Unluckily they were their situation:

One should not give a poisoner medicine,
A conjurer fine apparatus, nor
A rifle to a melancholic bore.

III. The Crossroads

Two friends who met here and embraced are gone,
Each to his own mistake; one flashes on
To fame and ruin in a rowdy lie,
A village torpor holds the other one,
Some local wrong where it takes time to die:
This empty junction glitters in the sun.

So at all quays and crossroads: who can tell
These places of decision and farewell
To what dishonour all adventure leads,
What parting gift could give that friend protection,
So orientated his vocation needs
The Bad Lands and the sinister direction?

All landscapes and all weathers freeze with fear,
But none have ever thought, the legends say,
The time allowed made it impossible;
For even the most pessimistic set
The limit of their errors at a year.
What friends could there be left then to betray,
What joy take longer to atone for; yet
Who could complete without the extra day
The journey that should take no time at all?

IV. The Traveler

No window in his suburb lights that bedroom where
A little fever heard large afternoons at play:
His meadows multiply; that mill, though, is not there
Which went on grinding at the back of love all day.

Nor all his weeping ways through weary wastes have found
The castle where his Greater Hallows are interned;
For broken bridges halt him, and dark thickets round
Some ruin where an evil heritage was burned.

Could he forget a child's ambition to be old
And institutions where it learned to wash and lie,
He'd tell the truth for which he thinks himself too young,

That everywhere on his horizon, all the sky,
Is now, as always, only waiting to be told
To be his father's house and speak his mother tongue.

V. The City

In villages from which their childhoods came
Seeking Necessity, they had been taught
Necessity by nature is the same
No matter how or by whom it be sought.

The city, though, assumed no such belief,
But welcomed each as if he came alone,
The nature of Necessity like grief
Exactly corresponding to his own.

And offered them so many, every one
Found some temptation fit to govern him,
And settled down to master the whole craft

Of being nobody; sat in the sun
During the lunch-hour round the fountain rim,
And watched the country kids arrive, and laughed.

VI. The First Temptation

Ashamed to be the darling of his grief,
He joined a gang of rowdy stories where
His gift for magic quickly made him chief
Of all these boyish powers of the air;

Who turned his hungers into Roman food,
The town's asymmetry into a park;
All hours took taxis; any solitude
Became his flattered duchess in the dark.

But, if he wished for anything less grand,
The nights came padding after him like wild
Beasts that meant harm, and all the doors cried Thief;

And when Truth had met him and put out her hand,
He clung in panic to his tall belief
And shrank away like an ill-treated child.

VII. The Second Temptation

His library annoyed him with its look
Of calm belief in being really there;
He threw away a rival's boring book,
And clattered panting up the spiral stair.

Swaying upon the parapet he cried:
"O Uncreated Nothing, set me free,
Now let Thy perfect be identified,
Unending passion of the Night, with Thee."

And his long-suffering flesh, that all the time
Had felt the simple cravings of the stone
And hoped to be rewarded for her climb,

Took it to be a promise when he spoke
That now at last she would be left alone,
And plunged into the college quad, and broke.

VIII. The Third Temptation

He watched with all his organs of concern
How princes walk, what wives and children say,
Re-opened old graves in his heart to learn
What laws the dead had died to disobey,

And came reluctantly to his conclusion:
"All the arm-chair philosophies are false;
To love another adds to the confusion;
The song of mercy is the Devil's Waltz."

All that he put his hand to prospered so
That soon he was the very King of creatures,
Yet, in an autumn nightmare trembled, for,

Approaching down a ruined corridor,
Strode someone with his own distorted features
Who wept, and grew enormous, and cried Woe.

IX. The Tower

This is an architecture for the old;
Thus heaven was attacked by the afraid,
So once, unconsciously, a ****** made
Her maidenhead conspicuous to a god.

Here on dark nights while worlds of triumph sleep
Lost Love in abstract speculation burns,
And exiled Will to politics returns
In epic verse that makes its traitors weep.

Yet many come to wish their tower a well;
For those who dread to drown, of thirst may die,
Those who see all become invisible:

Here great magicians, caught in their own spell,
Long for a natural climate as they sigh
"Beware of Magic" to the passer-by.

X. The Presumptuous

They noticed that virginity was needed
To trap the unicorn in every case,
But not that, of those virgins who succeeded,
A high percentage had an ugly face.

The hero was as daring as they thought him,
But his peculiar boyhood missed them all;
The angel of a broken leg had taught him
The right precautions to avoid a fall.

So in presumption they set forth alone
On what, for them, was not compulsory,
And stuck half-way to settle in some cave
With desert lions to domesticity,

Or turned aside to be absurdly brave,
And met the ogre and were turned to stone.

XI. The Average

His peasant parents killed themselves with toil
To let their darling leave a stingy soil
For any of those fine professions which
Encourage shallow breathing, and grow rich.

The pressure of their fond ambition made
Their shy and country-loving child afraid
No sensible career was good enough,
Only a hero could deserve such love.

So here he was without maps or supplies,
A hundred miles from any decent town;
The desert glared into his blood-shot eyes,
The silence roared displeasure:
looking down,
He saw the shadow of an Average Man
Attempting the exceptional, and ran.

XII. Vocation

Incredulous, he stared at the amused
Official writing down his name among
Those whose request to suffer was refused.

The pen ceased scratching: though he came too late
To join the martyrs, there was still a place
Among the tempters for a caustic tongue

To test the resolution of the young
With tales of the small failings of the great,
And shame the eager with ironic praise.

Though mirrors might be hateful for a while,
Women and books would teach his middle age
The fencing wit of an informal style,
To keep the silences at bay and cage
His pacing manias in a worldly smile.

XIII. The Useful

The over-logical fell for the witch
Whose argument converted him to stone,
Thieves rapidly absorbed the over-rich,
The over-popular went mad alone,
And kisses brutalised the over-male.

As agents their importance quickly ceased;
Yet, in proportion as they seemed to fail,
Their instrumental value was increased
For one predestined to attain their wish.

By standing stones the blind can feel their way,
Wild dogs compel the cowardly to fight,
Beggars assist the slow to travel light,
And even madmen manage to convey
Unwelcome truths in lonely gibberish.

XIV. The Way

Fresh addenda are published every day
To the encyclopedia of the Way,

Linguistic notes and scientific explanations,
And texts for schools with modernised spelling and illustrations.

Now everyone knows the hero must choose the old horse,
Abstain from liquor and ****** *******,

And look out for a stranded fish to be kind to:
Now everyone thinks he could find, had he a mind to,

The way through the waste to the chapel in the rock
For a vision of the Triple Rainbow or the Astral Clock,

Forgetting his information comes mostly from married men
Who liked fishing and a flutter on the horses now and then.

And how reliable can any truth be that is got
By observing oneself and then just inserting a Not?

XV. The Lucky

Suppose he'd listened to the erudite committee,
He would have only found where not to look;
Suppose his terrier when he whistled had obeyed,
It would not have unearthed the buried city;
Suppose he had dismissed the careless maid,
The cryptogram would not have fluttered from the book.

"It was not I," he cried as, healthy and astounded,
He stepped across a predecessor's skull;
"A nonsense jingle simply came into my head
And left the intellectual Sphinx dumbfounded;
I won the Queen because my hair was red;
The terrible adventure is a little dull."

Hence Failure's torment: "Was I doomed in any case,
Or would I not have failed had I believed in Grace?"

XVI. The Hero

He parried every question that they hurled:
"What did the Emperor tell you?" "Not to push."
"What is the greatest wonder of the world?"
"The bare man Nothing in the Beggar's Bush."

Some muttered: "He is cagey for effect.
A hero owes a duty to his fame.
He looks too like a grocer for respect."
Soon they slipped back into his Christian name.

The only difference that could be seen
From those who'd never risked their lives at all
Was his delight in details and routine:

For he was always glad to mow the grass,
Pour liquids from large bottles into small,
Or look at clouds through bits of coloured glass.

XVII. Adventure

Others had found it prudent to withdraw
Before official pressure was applied,
Embittered robbers outlawed by the Law,
Lepers in terror of the terrified.

But no one else accused these of a crime;
They did not look ill: old friends, overcome,
Stared as they rolled away from talk and time
Like marbles out into the blank and dumb.

The crowd clung all the closer to convention,
Sunshine and horses, for the sane know why
The even numbers should ignore the odd:

The Nameless is what no free people mention;
Successful men know better than to try
To see the face of their Absconded God.

XVIII. The Adventurers

Spinning upon their central thirst like tops,
They went the Negative Way towards the Dry;
By empty caves beneath an empty sky
They emptied out their memories like slops,

Which made a foul marsh as they dried to death,
Where monsters bred who forced them to forget
The lovelies their consent avoided; yet,
Still praising the Absurd with their last breath,

They seeded out into their miracles:
The images of each grotesque temptation
Became some painter's happiest inspiration,

And barren wives and burning virgins came
To drink the pure cold water of their wells,
And wish for beaux and children in their name.

XIX. The Waters

Poet, oracle, and wit
Like unsuccessful anglers by
The ponds of apperception sit,
Baiting with the wrong request
The vectors of their interest,
At nightfall tell the angler's lie.

With time in tempest everywhere,
To rafts of frail assumption cling
The saintly and the insincere;
Enraged phenomena bear down
In overwhelming waves to drown
Both sufferer and suffering.

The waters long to hear our question put
Which would release their longed-for answer, but.

**. The Garden

Within these gates all opening begins:
White shouts and flickers through its green and red,
Where children play at seven earnest sins
And dogs believe their tall conditions dead.

Here adolescence into number breaks
The perfect circle time can draw on stone,
And flesh forgives division as it makes
Another's moment of consent its own.

All journeys die here: wish and weight are lifted:
Where often round some old maid's desolation
Roses have flung their glory like a cloak,

The gaunt and great, the famed for conversation
Blushed in the stare of evening as they spoke
And felt their centre of volition shifted.
Sherry Asbury Jun 2015
Slowly around me senses slip away.
One by one they succumb to the fates.
Self-hatred has engulfed me at last,
beyond my capability to care.
I loose my bowels into the nothingness
that soon will become the kingdom
where my feces-encrusted corpse
will slowly rot - releasing my responsibility.
Mateuš Conrad Jul 2018
/              sitting on your leg
almost ingesting a tongue-like
presence into your ****
on a window-sill?
miracle, when it comes
to bowel movement;
and what a pristine piece
of **** that was...
     i hope homosexual ***
feels... just as good.

    p.s. esp. while listening
to brooke c's drum covers...
and to think...
some people read books
on the throne of thrones...

on the odd occassion a game,
but sometimes:
watching videos,
thinking to myself:
this takes the bollocking -
it's d'ah "****"!

i guess that's what you might
call cognitive massage parlour
additive to compensate
for...

       the deconstructive
post-modernist, derrida spreschen
of modern lawyers...
   brick is a brick isn't a brick
type of scenarios...
i thought they stopped
as a thesaurus sensibility?
guess i was wrong, all along.
Sherry Asbury Jun 2015
Slowly around me senses slip away.
One by one they succumb to the fates.
Self-hatred has engulfed me at last,
beyond my capability to care.
I loose my bowels into the nothingness
that soon will become the kingdom
where my feces-encrusted corpse
will slowly rot - releasing my responsibility.
Now when they came to the ford of the full-flowing river Xanthus,
begotten of immortal Jove, Achilles cut their forces in two: one
half he chased over the plain towards the city by the same way that
the Achaeans had taken when flying panic-stricken on the preceding day
with Hector in full triumph; this way did they fly pell-mell, and Juno
sent down a thick mist in front of them to stay them. The other half
were hemmed in by the deep silver-eddying stream, and fell into it
with a great uproar. The waters resounded, and the banks rang again,
as they swam hither and thither with loud cries amid the whirling
eddies. As locusts flying to a river before the blast of a grass fire-
the flame comes on and on till at last it overtakes them and they
huddle into the water—even so was the eddying stream of Xanthus
filled with the uproar of men and horses, all struggling in
confusion before Achilles.
  Forthwith the hero left his spear upon the bank, leaning it
against a tamarisk bush, and plunged into the river like a god,
armed with his sword only. Fell was his purpose as he hewed the
Trojans down on every side. Their dying groans rose hideous as the
sword smote them, and the river ran red with blood. As when fish fly
scared before a huge dolphin, and fill every nook and corner of some
fair haven—for he is sure to eat all he can catch—even so did the
Trojans cower under the banks of the mighty river, and when
Achilles’ arms grew weary with killing them, he drew twelve youths
alive out of the water, to sacrifice in revenge for Patroclus son of
Menoetius. He drew them out like dazed fawns, bound their hands behind
them with the girdles of their own shirts, and gave them over to his
men to take back to the ships. Then he sprang into the river,
thirsting for still further blood.
  There he found Lycaon, son of Priam seed of Dardanus, as he was
escaping out of the water; he it was whom he had once taken prisoner
when he was in his father’s vineyard, having set upon him by night, as
he was cutting young shoots from a wild fig-tree to make the wicker
sides of a chariot. Achilles then caught him to his sorrow unawares,
and sent him by sea to Lemnos, where the son of Jason bought him.
But a guest-friend, Eetion of Imbros, freed him with a great sum,
and sent him to Arisbe, whence he had escaped and returned to his
father’s house. He had spent eleven days happily with his friends
after he had come from Lemnos, but on the twelfth heaven again
delivered him into the hands of Achilles, who was to send him to the
house of Hades sorely against his will. He was unarmed when Achilles
caught sight of him, and had neither helmet nor shield; nor yet had he
any spear, for he had thrown all his armour from him on to the bank,
and was sweating with his struggles to get out of the river, so that
his strength was now failing him.
  Then Achilles said to himself in his surprise, “What marvel do I see
here? If this man can come back alive after having been sold over into
Lemnos, I shall have the Trojans also whom I have slain rising from
the world below. Could not even the waters of the grey sea imprison
him, as they do many another whether he will or no? This time let
him ******* spear, that I may know for certain whether mother earth
who can keep even a strong man down, will be able to hold him, or
whether thence too he will return.”
  Thus did he pause and ponder. But Lycaon came up to him dazed and
trying hard to embrace his knees, for he would fain live, not die.
Achilles ****** at him with his spear, meaning to **** him, but Lycaon
ran crouching up to him and caught his knees, whereby the spear passed
over his back, and stuck in the ground, hungering though it was for
blood. With one hand he caught Achilles’ knees as he besought him, and
with the other he clutched the spear and would not let it go. Then
he said, “Achilles, have mercy upon me and spare me, for I am your
suppliant. It was in your tents that I first broke bread on the day
when you took me prisoner in the vineyard; after which you sold away
to Lemnos far from my father and my friends, and I brought you the
price of a hundred oxen. I have paid three times as much to gain my
freedom; it is but twelve days that I have come to Ilius after much
suffering, and now cruel fate has again thrown me into your hands.
Surely father Jove must hate me, that he has given me over to you a
second time. Short of life indeed did my mother Laothoe bear me,
daughter of aged Altes—of Altes who reigns over the warlike Lelegae
and holds steep Pedasus on the river Satnioeis. Priam married his
daughter along with many other women and two sons were born of her,
both of whom you will have slain. Your spear slew noble Polydorus as
he was fighting in the front ranks, and now evil will here befall
me, for I fear that I shall not escape you since heaven has delivered
me over to you. Furthermore I say, and lay my saying to your heart,
spare me, for I am not of the same womb as Hector who slew your
brave and noble comrade.”
  With such words did the princely son of Priam beseech Achilles;
but Achilles answered him sternly. “Idiot,” said he, “talk not to me
of ransom. Until Patroclus fell I preferred to give the Trojans
quarter, and sold beyond the sea many of those whom I had taken alive;
but now not a man shall live of those whom heaven delivers into my
hands before the city of Ilius—and of all Trojans it shall fare
hardest with the sons of Priam. Therefore, my friend, you too shall
die. Why should you whine in this way? Patroclus fell, and he was a
better man than you are. I too—see you not how I am great and goodly?
I am son to a noble father, and have a goddess for my mother, but
the hands of doom and death overshadow me all as surely. The day
will come, either at dawn or dark, or at the noontide, when one
shall take my life also in battle, either with his spear, or with an
arrow sped from his bow.”
  Thus did he speak, and Lycaon’s heart sank within him. He loosed his
hold of the spear, and held out both hands before him; but Achilles
drew his keen blade, and struck him by the collar-bone on his neck; he
plunged his two-edged sword into him to the very hilt, whereon he
lay at full length on the ground, with the dark blood welling from him
till the earth was soaked. Then Achilles caught him by the foot and
flung him into the river to go down stream, vaunting over him the
while, and saying, “Lie there among the fishes, who will lick the
blood from your wound and gloat over it; your mother shall not lay you
on any bier to mourn you, but the eddies of Scamander shall bear you
into the broad ***** of the sea. There shall the fishes feed on the
fat of Lycaon as they dart under the dark ripple of the waters—so
perish all of you till we reach the citadel of strong Ilius—you in
flight, and I following after to destroy you. The river with its broad
silver stream shall serve you in no stead, for all the bulls you
offered him and all the horses that you flung living into his
waters. None the less miserably shall you perish till there is not a
man of you but has paid in full for the death of Patroclus and the
havoc you wrought among the Achaeans whom you have slain while I
held aloof from battle.”
  So spoke Achilles, but the river grew more and more angry, and
pondered within himself how he should stay the hand of Achilles and
save the Trojans from disaster. Meanwhile the son of Peleus, spear
in hand, sprang upon Asteropaeus son of Pelegon to **** him. He was
son to the broad river Axius and Periboea eldest daughter of
Acessamenus; for the river had lain with her. Asteropaeus stood up out
of the water to face him with a spear in either hand, and Xanthus
filled him with courage, being angry for the death of the youths
whom Achilles was slaying ruthlessly within his waters. When they were
close up with one another Achilles was first to speak. “Who and whence
are you,” said he, “who dare to face me? Woe to the parents whose
son stands up against me.” And the son of Pelegon answered, “Great son
of Peleus, why should you ask my lineage. I am from the fertile land
of far Paeonia, captain of the Paeonians, and it is now eleven days
that I am at Ilius. I am of the blood of the river Axius—of Axius
that is the fairest of all rivers that run. He begot the famed warrior
Pelegon, whose son men call me. Let us now fight, Achilles.”
  Thus did he defy him, and Achilles raised his spear of Pelian ash.
Asteropaeus failed with both his spears, for he could use both hands
alike; with the one spear he struck Achilles’ shield, but did not
pierce it, for the layer of gold, gift of the god, stayed the point;
with the other spear he grazed the elbow of Achilles! right arm
drawing dark blood, but the spear itself went by him and fixed
itself in the ground, foiled of its ****** banquet. Then Achilles,
fain to **** him, hurled his spear at Asteropaeus, but failed to hit
him and struck the steep bank of the river, driving the spear half its
length into the earth. The son of Peleus then drew his sword and
sprang furiously upon him. Asteropaeus vainly tried to draw
Achilles’ spear out of the bank by main force; thrice did he tug at
it, trying with all his might to draw it out, and thrice he had to
leave off trying; the fourth time he tried to bend and break it, but
ere he could do so Achilles smote him with his sword and killed him.
He struck him in the belly near the navel, so that all his bowels came
gushing out on to the ground, and the darkness of death came over
him as he lay gasping. Then Achilles set his foot on his chest and
spoiled him of his armour, vaunting over him and saying, “Lie there-
begotten of a river though you be, it is hard for you to strive with
the offspring of Saturn’s son. You declare yourself sprung from the
blood of a broad river, but I am of the seed of mighty Jove. My father
is Peleus, son of Aeacus ruler over the many Myrmidons, and Aeacus was
the son of Jove. Therefore as Jove is mightier than any river that
flows into the sea, so are his children stronger than those of any
river whatsoever. Moreover you have a great river hard by if he can be
of any use to you, but there is no fighting against Jove the son of
Saturn, with whom not even King Achelous can compare, nor the mighty
stream of deep-flowing Oceanus, from whom all rivers and seas with all
springs and deep wells proceed; even Oceanus fears the lightnings of
great Jove, and his thunder that comes crashing out of heaven.”
  With this he drew his bronze spear out of the bank, and now that
he had killed Asteropaeus, he let him lie where he was on the sand,
with the dark water flowing over him and the eels and fishes busy
nibbling and gnawing the fat that was about his kidneys. Then he
went in chase of the Paeonians, who were flying along the bank of
the river in panic when they saw their leader slain by the hands of
the son of Peleus. Therein he slew Thersilochus, Mydon, Astypylus,
Mnesus, Thrasius, Oeneus, and Ophelestes, and he would have slain
yet others, had not the river in anger taken human form, and spoken to
him from out the deep waters saying, “Achilles, if you excel all in
strength, so do you also in wickedness, for the gods are ever with you
to protect you: if, then, the son of Saturn has vouchsafed it to you
to destroy all the Trojans, at any rate drive them out of my stream,
and do your grim work on land. My fair waters are now filled with
corpses, nor can I find any channel by which I may pour myself into
the sea for I am choked with dead, and yet you go on mercilessly
slaying. I am in despair, therefore, O captain of your host, trouble
me no further.”
  Achilles answered, “So be it, Scamander, Jove-descended; but I
will never cease dealing out death among the Trojans, till I have pent
them up in their city, and made trial of Hector face to face, that I
may learn whether he is to vanquish me, or I him.”
  As he spoke he set upon the Trojans with a fury like that of the
gods. But the river said to Apollo, “Surely, son of Jove, lord of
the silver bow, you are not obeying the commands of Jove who charged
you straitly that you should stand by the Trojans and defend them,
till twilight fades, and darkness is over an the earth.”
  Meanwhile Achilles sprang from the bank into mid-stream, whereon the
river raised a high wave and attacked him. He swelled his stream
into a torrent, and swept away the many dead whom Achilles had slain
and left within his waters. These he cast out on to the land,
bellowing like a bull the while, but the living he saved alive, hiding
them in his mighty eddies. The great and terrible wave gathered
about Achilles, falling upon him and beating on his shield, so that he
could not keep his feet; he caught hold of a great elm-tree, but it
came up by the roots, and tore away the bank, damming the stream
with its thick branches and bridging it all across; whereby Achilles
struggled out of the stream, and fled full speed over the plain, for
he was afraid.
  But the mighty god ceased not in his pursuit, and sprang upon him
with a dark-crested wave, to stay his hands and save the Trojans
from destruction. The son of Peleus darted away a spear’s throw from
him; swift as the swoop of a black hunter-eagle which is the strongest
and fleetest of all birds, even so did he spring forward, and the
armour rang loudly about his breast. He fled on in front, but the
river with a loud roar came tearing after. As one who would water
his garden leads a stream from some fountain over his plants, and
all his ground-***** in hand he clears away the dams to free the
channels, and the little stones run rolling round and round with the
water as it goes merrily down the bank faster than the man can follow-
even so did the river keep catching up with Achilles albeit he was a
fleet runner, for the gods are stronger than men. As often as he would
strive to stand his ground, and see whether or no all the gods in
heaven were in league against him, so often would the mighty wave come
beating down upon his shoulders, and be would have to keep flying on
and on in great dismay; for the angry flood was tiring him out as it
flowed past him and ate the ground from under his feet.
  Then the son of Peleus lifted up his voice to heaven saying, “Father
Jove, is there none of the gods who will take pity upon me, and save
me from the river? I do not care what may happen to me afterwards. I
blame none of the other dwellers on Olympus so severely as I do my
dear mother, who has beguiled and tricked me. She told me I was to
fall under the walls of Troy by the flying arrows of Apollo; would
that Hector, the best man among the Trojans, might there slay me; then
should I fall a hero by the hand of a hero; whereas now it seems
that I shall come to a most pitiable end, trapped in this river as
though I were some swineherd’s boy, who gets carried down a torrent
while trying to cross it during a storm.”
  As soon as he had spoken thus, Neptune and Minerva came up to him in
the likeness of two men, and took him by the hand to reassure him.
Neptune spoke first. “Son of Peleus,” said he, “be not so exceeding
fearful; we are two gods, come with Jove’s sanction to assist you,
I, and Pallas Minerva. It is not your fate to perish in this river; he
will abate presently as you will see; moreover we strongly advise you,
if you will be guided by us, not to stay your hand from fighting
till you have pent the Trojan host within the famed walls of Ilius—as
many of them as may escape. Then **** Hector and go back to the ships,
for we will vouchsafe you a triumph over him.”
  When they had so said they went back to the other immortals, but
Achilles strove onward over the plain, encouraged by the charge the
gods had laid upon him. All was now covered with the flood of
waters, and much goodly armour of the youths that had been slain was
rifting about, as also many corpses, but he forced his way against the
stream, speeding right onwards, nor could the broad waters stay him,
for Minerva had endowed him with great strength. Nevertheless
Scamander did not slacken in his pursuit, but was still more furious
with the son of Peleus. He lifted his waters into a high crest and
cried aloud to Simois saying, “Dear br
we have everything and we have nothing
and some men do it in churches
and some men do it by tearing butterflies
in half
and some men do it in Palm Springs
laying it into butterblondes
with Cadillac souls
Cadillacs and butterflies
nothing and everything,
the face melting down to the last puff
in a cellar in Corpus Christi.
there's something for the touts, the nuns,
the grocery clerks and you . . .
something at 8 a.m., something in the library
something in the river,
everything and nothing.
in the slaughterhouse it comes running along
the ceiling on a hook, and you swing it --
one
two
three
and then you've got it, $200 worth of dead
meat, its bones against your bones
something and nothing.
it's always early enough to die and
it's always too late,
and the drill of blood in the basin white
it tells you nothing at all
and the gravediggers playing poker over
5 a.m. coffee, waiting for the grass
to dismiss the frost . . .
they tell you nothing at all.

we have everything and we have nothing --
days with glass edges and the impossible stink
of river moss -- worse than ****;
checkerboard days of moves and countermoves,
****** interest, with as much sense in defeat as
in victory; slow days like mules
******* it slagged and sullen and sun-glazed
up a road where a madman sits waiting among
bluejays and wrens netted in and ****** a flakey
grey.
good days too of wine and shouting, fights
in alleys, fat legs of women striving around
your bowels buried in moans,
the signs in bullrings like diamonds hollering
Mother Capri, violets coming out of the ground
telling you to forget the dead armies and the loves
that robbed you.
days when children say funny and brilliant things
like savages trying to send you a message through
their bodies while their bodies are still
alive enough to transmit and feel and run up
and down without locks and paychecks and
ideals and possessions and beetle-like
opinions.
days when you can cry all day long in
a green room with the door locked, days
when you can laugh at the breadman
because his legs are too long, days
of looking at hedges . . .

and nothing, and nothing, the days of
the bosses, yellow men
with bad breath and big feet, men
who look like frogs, hyenas, men who walk
as if melody had never been invented, men
who think it is intelligent to hire and fire and
profit, men with expensive wives they possess
like 60 acres of ground to be drilled
or shown-off or to be walled away from
the incompetent, men who'd **** you
because they're crazy and justify it because
it's the law, men who stand in front of
windows 30 feet wide and see nothing,
men with luxury yachts who can sail around
the world and yet never get out of their vest
pockets, men like snails, men like eels, men
like slugs, and not as good . . .
and nothing, getting your last paycheck
at a harbor, at a factory, at a hospital, at an
aircraft plant, at a penny arcade, at a
barbershop, at a job you didn't want
anyway.
income tax, sickness, servility, broken
arms, broken heads -- all the stuffing
come out like an old pillow.

we have everything and we have nothing.
some do it well enough for a while and
then give way. fame gets them or disgust
or age or lack of proper diet or ink
across the eyes or children in college
or new cars or broken backs while skiing
in Switzerland or new politics or new wives
or just natural change and decay --
the man you knew yesterday hooking
for ten rounds or drinking for three days and
three nights by the Sawtooth mountains now
just something under a sheet or a cross
or a stone or under an easy delusion,
or packing a bible or a golf bag or a
briefcase: how they go, how they go! -- all
the ones you thought would never go.

days like this. like your day today.
maybe the rain on the window trying to
get through to you. what do you see today?
what is it? where are you? the best
days are sometimes the first, sometimes
the middle and even sometimes the last.
the vacant lots are not bad, churches in
Europe on postcards are not bad. people in
wax museums frozen into their best sterility
are not bad, horrible but not bad. the
cannon, think of the cannon, and toast for
breakfast the coffee hot enough you
know your tongue is still there, three
geraniums outside a window, trying to be
red and trying to be pink and trying to be
geraniums, no wonder sometimes the women
cry, no wonder the mules don't want
to go up the hill. are you in a hotel room
in Detroit looking for a cigarette? one more
good day. a little bit of it. and as
the nurses come out of the building after
their shift, having had enough, eight nurses
with different names and different places
to go -- walking across the lawn, some of them
want cocoa and a paper, some of them want a
hot bath, some of them want a man, some
of them are hardly thinking at all. enough
and not enough. arcs and pilgrims, oranges
gutters, ferns, antibodies, boxes of
tissue paper.

in the most decent sometimes sun
there is the softsmoke feeling from urns
and the canned sound of old battleplanes
and if you go inside and run your finger
along the window ledge you'll find
dirt, maybe even earth.
and if you look out the window
there will be the day, and as you
get older you'll keep looking
keep looking
******* your ******* little
ah ah   no no   maybe

some do it naturally
some obscenely
everywhere.
zebra Dec 2018
i like it ickity split
mad to exceed the world
in dark dreams ******

to evoke blood wet mouths
insertions paradise of fluorescents
in a dark aperture

her pudenda
a rolling hill
gaudy wound like a smash mouth crying
split torn tearing, pink estuary
for gluttonies' joyride
that can hardly be endured
twisted tongue spice melts and glitters raw

the sheets soaked through
matted hair in saliva
blood and eggs
the screams of monsters rapture

oh feral abandon
every thing else a toil

winged genitals
hell toys for mama
like heaven cant know

his *****
like hanging bats

Nagasaki goes off in her ***
bodies; quake in silence
the bedroom; a chaotic bathroom
tulips shrill flutter
gulp and swallow milks flame
rosy welts laughing
flushing ******'s

shoved urns
all spilled libations
touching and *******
crimson **** runnels
in bathhouse foam
down the drain
to earthen bowels din
where the dead push up daisies

i am the worm in the fruit
The curtain on the
CPAC convocation rolls back,

as the revolution
in Tahrir Square boils.

America’s theater
of deadly political

absurdity commences;
to witness demagogues

recite holy scripture to
evangelize a religion of war.

A heavily invested
audience marvels

at the marionettes
pirouetting on strings

jigged along by hands
of invisible puppet-masters

donning dark masks of
clever 503C llcs

disguised in self serving
hues of red, white and blue.

This grand folly of masquers
conceals a fatal pantomime,

a cast of reactionary characters,
Neo-Conmen auditioning for

the leading role in a lurid play
of a deadly nation projecting
a dying imperial preeminence.

The martinets engage zero
sum games where the victor
belongs to the despoilers,

and the merchants of death
richly confer multimillion dollar
reasons for being, underwriting
the gilded egos of candidates

and their infatuation with the
vanity of feigned power.

These master rhetoricians
skillfully lather up the crowd

by pandering to basest
xenophobic nationalist
instincts and fantasies
of laissez-faire proclivities.  

Slathering on the partisan
pretense in layers so thick

a master chef, armed
with the sharpest Ginsu Knife

couldn't slice a hock tip
of blood red meat

hurled into the crowd of
gobbling Republicons

howling and yodeling
it’s derisive acclaim.

The rankled party line,
gibberish talking points

are hammer blows of
incessant propaganda,

so cocksure that any room for
doubt is crowded out by the

phantasmagorical McMansions
of hyperbole they ***** in

the pliant minds of their
gibbering minions.

The candidates preening for
president show off their

falangist affectations
in eager duels of oratorical

one upmanship; constantly
jockeying to outflank their

other Neo-Conmen opponents,
always concluding their brutish

diatribes with a solemn
denouement of a Republicon

psalm ending with a
Holy Hosanna Hallelujah

to the Ronald Reagan
Heavenly Buddha.

Punchline of the holy Amen
“what would Reagan do?”

to remind the faithful
to remain the faithful

bearers to the fiction
of dead Reaganism.

Evoking anything
Ron and Nancy

induces sanctioned
comportment of a

slow simmering
******* eubellence

providing a welcomed
relief of repressed
libidinal energy.

The mention of Goldwater
sends GOP acolytes to

pause in reverence,
envisioning Barry and

Ronnie looking down
from heaven upon the gathered,

inciting immediate ruminations
of falling dominos and

the viability of a
tactical nuke strike

against Ayatollah’s
underground
uranium factories.

The host of Neo-Conmen,
new age Falangist pitchmen

belch from the dais,
in ever increasing alacrity,

the stirring drum beats
and slick videos,

of glorious warriors
winning the battlefield

with the rippling glory
of the Stars and Stripes

flowing in a continual
loop behind them.

Romney,
Bachmann

Gingrich
take center stage,

goose stepping
to the roll of piercing timpanis.

Words slither
out of their mouths
like poisonous snakes.

Lies, hiss through
their teeth.

Open mouths
expose Black Mamba
fangs, dripping with venom.

Eyes squint
as their reptilian brains

implore the besieged
to flee from the
light of truth.

Seeking refuge in fear;
yet on the ready

to coil and strike;
while trembling

in ignorance,
exalting loathsomeness

worshiping violence;
they remain

poised to unleash
first strike armies;

boastfully evoking moral
platitudes of Bush Doctrine
prerogatives.

Trembling in ignorance
worshiping violence

exalting fear,
these dogs of war bay

to unleash armies
against the

Godless apostates
that threaten

to expose the
stasis of their

Capitalismo-Judeo-Christian
view of the world.

They have hijacked
the great faith traditions

to serve a narrow
political aim

and relish any
opportunity to

demonize Islam
in service to their lies.

Watch as they
they crouch down

on the dais to
open the nest

of vipers welling
deep within the
bowels of their souls.

They find relief
by excreting their

spawn of deadly asps
into the veins of

cable news networks;
scoring political points

with the terrorized
children of Faux News

capturing battalions
of straw men villains

to rise atop meaningless
straw polls.

They agitate for a second
American revolution

by injecting the venom
of fear and lies

into the body
politic.

Ron Paul
stands alone,

perplexed why
American's love

war as much as
they hate civil liberties?

Cheney and
Rumsfeld brood.

The people of
Iraq and Afghanistan

fail to embrace their armies
of liberation that run up

unfortunate collateral damage
body counts required to sustain
the American way of life.

Ever the defender of
democracy and liberty,

Gingrich slams Obama's
condemnation of Suleiman

"hes an able diplomat."
Gingrich  forgot to add

that Suleiman is a
skilled torturer and

an able tyrant any self
serving democracy would
be proud to call ally and friend.

Cheney and Rumsfeld
remain flummoxed.

Their armies of liberation bogged
down in the marshy Blackwaters

of intractability;  trying to solve
the conundrum of the diminished

equity returns of asymmetrical
warfare.  Spinning the math

to justify building aircraft carriers
to **** a gnat.

The families of dead soldiers
surround them and wave dime

store flags hoping the plastic
eagle remains fixed atop the pole.

Perpetually smiling
Michele Bachmann
raises the specter
of Muslim Brotherhoods
taking over Egypt.

The persecution of Christians
and the escalating war on

Christianity have the Crusaders
up on their seats waving Excalibur
once again.

Gingrich pink cheeks
flush with the cash

of a Zionist casino
entrepreneur

doubles down, stacks
his chips high.

“The Israeli Embassy
in Cairo was overrun
by angry mobs.”  

“Is this a precursor of
cancelling the peace treaty
signed with Sadat?”

“The pullout in Iraq hands the country to
radical Shiites effectively handing our
hard won victory to Iran.”

“Israel is threatened and will not
permit Iran to acquire nuclear

weapons. A nuclear empowered Iran
will not stand!”

“We mustn't let do nothing Obama
threaten the safety of our good ally
Israel.”

CPAC willingly holds the deadly asp
to the breast of a proud nation.

Urging, coaxing it to gently sink
its teeth into the sacred heart
of our dear republic...

John Lee ******
Crawlin King Snake

CPAC 2011

Matthew 23
Brood of Vipers


jbm
Oakland
2/10/11
Russell Douglas Feb 2010
A Verse In Time: A Trickster’s Alchemical Approach to Memory in Three Waves

(Warning: The following collection contains depictions of three waves
of the psychedelic experience—particularly with God’s allies, Los Aliados, the mushrooms—and like the psychedelic experience each wave possesses its own waves within itself.  Ride with discretion.)

.

Wave I: The Allies’ Nursery Rhyme

The Allies
came to visit
and take me
on a trip.
No need for boat
or bus
or plane
or even rocket ship.
The galaxy, as they explained
resides inside your mind,
The portals to the universe
are windows you call eyes.
Instead of always looking out
you should try to look within.
The ending you have always feared
is exactly where you begin.

Yes, all the spans of time and space
exist in you behind your face
and yet you cannot understand
that nothing is a race.

Oh wait, please be careful with that mirror
when we are here and you draw nearer.
Don’t let the face of everyone replace your face with fear.
You are Horus, Mary, Jesus Christ, Cervantes, and Shakespeare,
and all the men from beast to mice, from oceans down to tears.

And so they pried behind my face
and pushed me on through outer space
and soon enough I understood
there never was a race.

It all exists right here, right now—
the past, the future, the grass, the cow,
the vast, the nature, the cash, the house,
the king and the savior
the beast and the mouse
are all your creation,
your relation,
your spouse,
your Path,
your Bible,
your ‘Gita,
your Tao.

It is all
of your moment,
It is all
of your now.

For you are the mystery
of that which you seek.
You invented the minutes, the hours, the weeks,
the deserts, the rivers, the valleys, and peaks,
your digits, extremities, elbows, and knees.
You created the cure, you invent the disease.
The labyrinth is you and
You defeat it with ease.
To master the Minotaur just follow the string
Discover the dinosaur, discover the king,
discover this grandiose song that you sing,
and uncover the truth of the message you bring
when you ring bells or

Stroke piano keys
and make the doctor sweat.
The pranksters shifting shapes again,
it’s time to make a bet.
With silly laws of threes and fives, this riddle I repeat, replies
that by the time the rhyme is over, the trickster will arrive.
Gliding up in cycles by, the prankster grins and winks his eye.
He fabricates a fluffy fix with fuzzy snow white lies
to bring the doctor to a six then down to four inside
and bring the tempest to a wave
on which the four can ride.

Do we glide?
Do we slide?
Do we fly really high?
Do we bobble and sink
with the rise of the tide?

I remember the brink
the cellular stride, the following leap,
the primitive mind
I remember the dirt, the water, the fire,
the wind and the ether,
the passion, desire.
I remember that art
can never expire.

Do we depart?
Do we retire?

The answer is yes,
The answer is no,
The answer’s the same wherever you go.
It’s never too fast,
it’s never too slow
and you are never the last to not really know.
For the sun always shines,
the moon always glows,
the old always die,
the young always grow,
The seeds that you plant
are the trees that you sow,
from the bees and the ants
to the bulls and
black holes.

It is all
in your stance.
It is all
in your
soul,

When you follow your dance
the bliss
takes control.
Take your place
in the play
and master
your role.
The Aum
is your home
it’s inside
of your dome,
Whatever
you wonder,
Wherever
you roam.

And so it flows behind my face
the universe of time and space
Now I understand that time
is invented as the race

Yes, you are Borges, and Buddha, and Krishna,
and Lorca, and Vishnu, Dickinson, Lennon,
Eliot, Gandhi, Marley, McKenna,
Campbell, Picasso, Alpha, Omega.
You are your enemy,
your stranger,
your neighbor.
You are the peasant,
the king,
and the savior,
the mandala man,
the cosmic *******.
You are the taste
You are the flavor
and you are
the wave
the unwavering
Creator

Even us
as they explained
merely extend from you
A mirror to the macrocosm
for you to gaze into.




So when you get lost
within your lies
and cannot find
your rhyme,
Gather inside with your
Allies
and master
the maze
of
time.


Wave II: Contemplating The Allies’ Advice

Thunderbolts of cackling giggles
shutter through your vitals, shaking shoulders
and squirting tears from squinting eyes.
Exciting when dimensions hidden creep into your line of vision,
morphing mapping iridescence with a fleeting fuzzy phosphorescent
undulating elfin presence following your every contemplation.

Concentrating on a caterpillar crawling up the wall
how curious, this furry beast has fingers not to fall.
He folds into his fuzzy form, a sleeping bag to keep him warm,
a little home as still as lead.  He hibernates and contemplates,
waits and waits and transmutates into a gilded butterfly
that flutters through my head.

Violet translucent landscapes bleed through grass and trees,
focus on a precise place of time and space and witness the birth of the human race.  Projections made in fuzzy fourth dimensions quickly fade
if your gaze should wander.  Positioned to ponder,
you plunge into prepubescent wonder as a shooting star splits the sky wide open revealing heaven and everything under the sun is tune and the sun is eclipsed by the moon.  And once again, the music comments chronologically on your moments, as if all these notes and lyrics were cataloged to sync with the scenes of your epic voyage.

Destroying contemplation again, the sea ***** the wind through the trees
and blows a blue marine breeze through your hair.
Do you dare take the time to recognize the punctuality of the gale?
Should your frail and fragile mind be dangled from a line
to flap and fluff and figure out the nature of the rhyme of our mother?
You are your brother, your keeper, and your lover.

All the lines align and oscillate in cadenced flow,
the more you see with your mind the more your mind will know.  
A ****** brain may strain and throw a fit
if faced with the tricky truth of the third eye
Surprise! Who knew that Jesus Christ could sprout from cow ****?
Can you believe it?  Wow, Bob, wow.
Where do you think we got: ******* and holy cow?
Heaven is the here and now
and every time you try to leave
you lose what you have found.

(* All words in italics come from    
   various songs, films, works of        
   literature, etc. and are not the words    
  of the author.)


Wave III: Los Aliados Wake

An apple carries a story deeper than the tree,
More nourishing than the luscious skin,
More central than the seed.
for the apple gave original sin
and knowledge from within
and fell upon the head, announcing gravity.
Have you ever heard the tale of Johnny Melon seed?
(The apple is global, so I wonder why,
what could be patriotic of pie?
Is it not just a strudel,
a pastry disguised?)

The colors we create
distort. manipulate.
The fools who follow fear
are doomed to find their fate
between their ears
where the colors seem
to blend and stream
and almost disappear.
To wonder why we’re here
all colors must appear
and merge into the blinding light
that obliterates our fear.

All your dreams, your fantasies, your symbols, and beliefs,
all a compass pointing you to endless mystery.
The treasure that you seek
resides inside the Self,
A jewel within the rock,
A book upon the shelf.


I bought the ticket,
I’m taking the ride.
I’m spiraling miles through the bowels of time.
I’m spinning and laughing
and losing my mind
and finding
it always returns
just in time.
It’s right where it left me,
so I’ll leave it behind
and return when
I’m ready
to relish the ride
with a bite
from the apple
of my
holy
third
eye.
it was warm
for a winters eve
unusually warm
but damp very damp
birthing a persistent
midnight mist that
crawled over everything

avenging
halogen angels
flitted down from
streetlight perches
skidding through
bare limb bars
of broken trees
roped in by sagging
telephone wires

skulking
seraphs
joined
ebullient
neon auroras
laughingly
brake dancing,
jittering away on the
pock marked rims
of hip hop streets

the fine drizzle
descending from the
black urban heavens
splayed holy water
over the bodies
of anything
that moved; and
layered mounds
of transparent beads
on all inert things
chiding those yolked
to weighty burdens
to seek relief of
a much needed
breaking point

our
slouching city
mired in a cycle
of a prolonged
historical rut
beavers away
to lift the lid
on tomorrows
tipping point
in a desperate
labor to stop
tripping over
itself...

a dinged up
Sentra’s
flashing spinners
twisted round
our dark corner
nearly clipping
our troop

inside the
yakking low-riders
scuttled along,
their hidden ***** eyes
cruising the stoops
and cyclone alleys
scoping opportunities
for the next
jolly hustle
to feed
a growing
angry fix

tonight
Mother Nature was
running a *****
to the wall third shift,
manufacturing a
stationary low
of gagging precip
churning volumes
of Vulcan smoke
conjuring
convective spirits
from all the
dim places

emanations lit
the balmy January air
rising from
stubborn gray patches
of despoiled snow
and rancid ponds
organic gutter water
composting
in distilled pools
awaiting leakage
through flotsam
clogged sewage grids

Paterson’s
litter police
could close the
city’s budget deficit
if all infractions
were properly cited
and paid in this
neighborhood

this queer elixir of
rising vapors from
evaporating snow
escaping the cracks
lining the bowels of
mordant streets
joining descending
screens of billowing mists
blurs boundaries of light,
diffusing temporal time

people and things
lose precise definition
reducing sentient beings
to moving silhouettes of gray
photographic negatives
framed in dribbling palettes
of pastel hues

our
5th Ward mission
planted in the
hub of a neighborhood
still holding on...

Old WASP’s
of St. Paul’s
long ago
winged away
from this
princely
Episcopate
principality

the abandoned
conical nest, its
chambers filled with
the mud of 50 dead rectors
precariously clings
to its shivering
boulevard corner

its endowment depleted
its earthly treasure rusting
grandiose Tiffany windows
remain the last legacy of an
opulent faith now
shamefully rattling away
in moth eaten frames

once icons of
adulatory reverence
the final sparkling asset
of a distressed religion
begs to be monetized
by flummoxed vestrymen
yearning to extend
a stewardship
over a dissipating
ESL flock

distress in the hood
parades down Broadway
in all directions

a few blocks east
a shuttered
Barnert Hospital
transfigured into an
urban enterprise zone
for health-care privateers
working overtime to
extract federal
corporate welfare
rent subsidies
dutifully fulfilling
fine print obligations of
Obamacare legislation

Old Mayor Barnert’s
namesake synagogue
once hard by
City Hall
is long gone
its absent footprint
now centered by
a thriving
White Castle

near Broadway’s end
on the outskirts
of Eastside Park
Art Deco Emanuel Temple
the last anchor
for the city’s Judaism
lies vacant
awaiting a renewed
purpose

fraught with irony
a thriving Islamic Center
stands juxtaposed
across the street
from the old
Hebrew Temple

we wonder what
will emerge
from the
hallowed chrysalis
of decommissioned
Emanuel?

rumors of a
Great Falls Art Center
trickle like a leaking faucet
failure to secure a mortgage
in the post credit
bubble pop economy
dams the possibly
of a new centers
coming to fruition

will
the city’s
changing
demography of
reverent Muslim’s
genuflecting
across the street
take time away
from prayer to
patronize a venue
offering decadent
bourgeois jazz and
risqué reviews
of retro Borscht Belt
vaudeville?

when Constantinople
became Istanbul they
converted the Christian
churches into mosques

when the Inquisitioners
drove the Moors from
Granada they converted
the Grand Mosque to
the Cathedral of the
Incarnation

what incarnations
will this city’s
twilight bring?

As Byzantine
begets
Constantinople
begets
Istanbul
the links
in the Silk Road
spanned west
to the new world
of mechanized looms
powered by
Great Falls
raceway water
and a distribution
and procurement
chain anchored
by the Morris Canal

Capitalist
modernity
begets
our Silk City
it also bespeaks
its demise

in the courtyard
of St. Paul’s
a muffled chorus
trawls the thick air

a posse of pimps
done wrangling
their stables
of $5 ******
sing reveries to
the evening haul

midnight lullabies
of corner crooners
lift a Capella hosannas
from the dark armpit
of an alley behind
the Autozone

“i said
you say
what can make
me feel this way
my girl”

juiced pimps
cashin in
livin large on
a skanks
50 cent haul

the trade in flesh
of distressed
human capital
remains a
growth industry

Music Selection:  
Temptations, My Girl

jbm
3/1/13
Oakland
Part 1 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Paterson NJ is nick named The Silk City.
Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls ***** & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions   Families walk
Stunted boys    big heads don't talk
Look bony skulls   & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged    like elderly nuns
small bodied    hands to their mouths in prayer
Five months small food    since they settled there

on one floor mat   with small empty ***
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together    in palmroof shade
Stare at me   no word is said
Rice ration, lentils   one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days    eat while they can
Then children starve    three days in a row
and ***** their next food   unless they eat slow.

On Jessore road    Mother wept at my knees
Bengali tongue    cried mister Please
Identity card    torn up on the floor
Husband still waits    at the camp office door

Baby at play I was washing the flood
Now they won't give us any more food
The pieces are here in my celluloid purse
Innocent baby play    our death curse

Two policemen surrounded     by thousands of boys
Crowded waiting    their daily bread joys
Carry big whistles    & long bamboo sticks
to whack them in line    They play hungry tricks

Breaking the line   and jumping in front
Into the circle    sneaks one skinny runt
Two brothers dance forward    on the mud stage
Teh gaurds blow their whistles    & chase them in rage

Why are these infants    massed in this place
Laughing in play    & pushing for space
Why do they wait here so cheerful   & dread
Why this is the House where they give children bread

The man in the bread door   Cries & comes out
Thousands of boys and girls    Take up his shout
Is it joy? is it prayer?    "No more bread today"
Thousands of Children  at once scream "Hooray!"

Run home to tents    where elders await
Messenger children   with bread from the state
No bread more today! & and no place to squat
Painful baby, sick **** he has got.

Malnutrition skulls thousands for months
Dysentery drains    bowels all at once
Nurse shows disease card    Enterostrep
Suspension is wanting    or else chlorostrep

Refugee camps    in hospital shacks
Newborn lay naked    on mother's thin laps
Monkeysized week old    Rheumatic babe eye
Gastoenteritis Blood Poison    thousands must die

September Jessore    Road rickshaw
50,000 souls   in one camp I saw
Rows of bamboo    huts in the flood
Open drains, & wet families waiting for food

Border trucks flooded, food cant get past,
American Angel machine   please come fast!
Where is Ambassador Bunker today?
Are his Helios machinegunning children at play?

Where are the helicopters of U.S. AID?
Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light?
Bombing North Laos all day and all night?

Where are the President's Armies of Gold?
Billionaire Navies    merciful Bold?
Bringing us medicine    food and relief?
Napalming North Viet Nam    and causing more grief?

Where are our tears?  Who weeps for the pain?
Where can these families go in the rain?
Jessore Road's children close their big eyes
Where will we sleep when Our Father dies?

Whom shall we pray to for rice and for care?
Who can bring bread to this **** flood foul'd lair?
Millions of children alone in the rain!
Millions of children weeping in pain!

Ring O ye tongues of the world for their woe
Ring out ye voices for Love we don't know
Ring out ye bells of electrical pain
Ring in the conscious of America brain

How many children are we who are lost
Whose are these daughters we see turn to ghost?
What are our souls that we have lost care?
Ring out ye musics and weep if you dare--

Cries in the mud by the thatch'd house sand drain
Sleeps in huge pipes in the wet ****-field rain
waits by the pump well, Woe to the world!
whose children still starve    in their mother's arms curled.

Is this what I did to myself in the past?
What shall I do Sunil Poet I asked?
Move on and leave them without any coins?
What should I care for the love of my *****?

What should we care for our cities and cars?
What shall we buy with our Food Stamps on Mars?
How many millions sit down in New York
& sup this night's table on bone & roast pork?

How many millions of beer cans are tossed
in Oceans of Mother? How much does She cost?
Cigar gasolines and   asphalt car dreams
Stinking the world and dimming star beams--

Finish the war in your breast    with a sigh
Come tast the tears    in your own Human eye
Pity us millions of phantoms you see
Starved in Samsara   on planet TV

How many millions of children die more
before our Good Mothers perceive the Great Lord?
How many good fathers pay tax to rebuild
Armed forces that boast    the children they've killed?

How many souls walk through Maya in pain
How many babes    in illusory pain?
How many families   hollow eyed  lost?
How many grandmothers    turning to ghost?

How many loves who never get bread?
How many Aunts with holes in their head?
How many sisters skulls on the ground?
How many grandfathers   make no more sound?

How many fathers in woe
How many sons   nowhere to go?
How many daughters    nothing to eat?
How many uncles   with swollen sick feet?

Millions of babies in pain
Millions of mothers in rain
Millions of brothers in woe
Millions of children    nowhere to go

                                        New York, November 14-16, 1971
I

The cloud my bed is tinged with blood and foam.
The vault yet blazes with the sun
Writhing above the West, brave hippodrome
Whose gladiators shock and shun
As the blue night devours them, crested comb
Of sleep's dead sea
That eats the shores of life, rings round eternity!

II

So, he is gone whose giant sword shed flame
Into my bowels; my blood's bewitched;
My brain's afloat with ecstasy of shame.
That tearing pain is gone, enriched
By his life-spasm; but he being gone, the same
Myself is gone
****** by the dragon down below death's horizon.

III
I woke from this. I lay upon the lawn;
They had thrown roses on the moss
With all their thorns; we came there at the dawn,
My lord and I; God sailed across
The sky in's galleon of amber, drawn
By singing winds
While we wove garlands of the flowers of our minds.

IV

All day my lover deigned to ****** me,
Linking his kisses in a chain
About my neck; demon-embroidery!
Bruises like far-ff mountains stain
The valley of my body of ivory!
Then last came sleep.
I wake, and he is gone; what should I do but weep?

V

Nay, for I wept enough --- more sacred tears! ---
When first he pinned me, gripped
My flesh, and as a stallion that rears,
Sprang, hero-thewed and satyr-lipped;
Crushed, as a grape between his teeth, my fears;
****** out my life
And stamped me with the shame, the monstrous word of
wife.

VI

I will not weep; nay, I will follow him
Perchance he is not far,
Bathing his limbs in some delicious dim
Depth, where the evening star
May kiss his mouth, or by the black sky's rim
He makes his prayer
To the great serpent that is coiled in rapture there.

VII

I rose to seek him. First my footsteps faint
Pressed the starred moss; but soon
I wandered, like some sweet sequestered saint,
Into the wood, my mind. The moon
Was staggered by the trees; with fierce constraint
Hardly one ray
Pierced to the ragged earth about their roots that lay.

VIII

I wandered, crying on my Lord. I wandered
Eagerly seeking everywhere.
The stories of life that on my lips he squandered
Grew into shrill cries of despair,
Until the dryads frightened and dumfoundered
Fled into space ---
Like to a demon-king's was grown my maiden face!

XI

At last I came unto the well, my soul
In that still glass, I saw no sign
Of him, and yet --- what visions there uproll
To cloud that mirror-soul of mine?
Above my head there screams a flying scroll
Whose word burnt through
My being as when stars drop in black disastrous dew.

X

For in that scroll was written how the globe
Of space became; of how the light
Broke in that space and wrapped it in a robe
Of glory; of how One most white
Withdrew that Whole, and hid it in the lobe
Of his right Ear,
So that the Universe one dewdrop did appear.

IX

Yea! and the end revealed a word, a spell,
An incantation, a device
Whereby the Eye of the Most Terrible
Wakes from its wilderness of ice
To flame, whereby the very core of hell
Bursts from its rind,
Sweeping the world away into the blank of mind.

XII

So then I saw my fault; I plunged within
The well, and brake the images
That I had made, as I must make - Men spin
The webs that snare them - while the knee
Bend to the tyrant God - or unto Sin
The lecher sunder!
Ah! came that undulant light from over or from under?

XIII

It matters not. Come, change! come, Woe! Come, mask!
Drive Light, Life, Love into the deep!
In vain we labour at the loathsome task
Not knowing if we wake or sleep;
But in the end we lift the plumed casque
Of the dead warrior;
Find no chaste corpse therein, but a soft-smiling *****.

XIV

Then I returned into myself, and took
All in my arms, God's universe:
Crushed its black juice out, while His anger shook
His dumbness pregnant with a curse.
I made me ink, and in a little book
I wrote one word
That God himself, the adder of Thought, had never heard.

XV

It detonated. Nature, God, mankind
Like sulphur, nitre, charcoal, once
Blended, in one annihilation blind
Were rent into a myriad of suns.
Yea! all the mighty fabric of a Mind
Stood in the abyss,
Belching a Law for "That" more awful than for "This."

XVI

Vain was the toil. So then I left the wood
And came unto the still black sea,
That oily monster of beatitude!
('Hath "Thee" for "Me," and "Me" for "Thee!")
There as I stood, a mask of solitude
Hiding a face
Wried as a satyr's, rolled that ocean into space.

XVII

Then did I build an altar on the shore
Of oyster-shells, and ringed it round
With star-fish. Thither a green flame I bore
Of phosphor foam, and strewed the ground
With dew-drops, children of my wand, whose core
Was trembling steel
Electric that made spin the universal Wheel.

XVIII

With that a goat came running from the cave
That lurked below the tall white cliff.
Thy name! cried I. The answer that gave
Was but one tempest-whisper - "If!"
Ah, then! his tongue to his black palate clave;
For on soul's curtain
Is written this one certainty that naught is certain!

XIX

So then I caught that goat up in a kiss.
And cried Io Pan! Io Pan! Io Pan!
Then all this body's wealth of ambergris,
(Narcissus-scented flesh of man!)
I burnt before him in the sacrifice;
For he was sure -
Being the Doubt of Things, the one thing to endure!

**

Wherefore, when madness took him at the end,
He, doubt-goat, slew the goat of doubt;
And that which inward did for ever tend
Came at the last to have come out;
And I who had the World and God to friend
Found all three foes!
Drowned in that sea of changes, vacancies, and woes!

XXI

Yet all that Sea was swallowed up therein;
So they were not, and it was not.
As who should sweat his soul out through the skin
And find (sad fool!) he had begot
All that without him that he had left in,
And in himself
All he had taken out thereof, a mocking elf!

XXII

But now that all was gone, great Pan appeared.
Him then I strove to woo, to win,
Kissing his curled lips, playing with his beard,
Setting his brain a-shake, a-spin,
By that strong wand, and muttering of the weird
That only I
Knew of all souls alive or dead beneath the sky.

XXIII

So still I conquered, and the vision passed.
Yet still was beaten, for I knew
Myself was He, Himself, the first and last;
And as an unicorn drinks dew
From under oak-leaves, so my strength was cast
Into the mire;
For all I did was dream, and all I dreamt desire.

XXIV

More; in this journey I had clean forgotten
The quest, my lover. But the tomb
Of all these thoughts, the rancid and the rotten,
Proved in the end to be my womb
Wherein my Lord and lover had begotten
A little child
To drive me, laughing lion, into the wanton wild!

XXV

This child hath not one hair upon his head,
But he hath wings instead of ears.
No eyes hath he, but all his light is shed
Within him on the ordered sphere
Of nature that he hideth; and in stead
Of mouth he hath
One minute point of jet; silence, the lightning path!

XXVI

Also his nostrils are shut up; for he
Hath not the need of any breath;
Nor can the curtain of eternity
Cover that head with life or death.
So all his body, a slim almond-tree,
Knoweth no bough
Nor branch nor twig nor bud, from never until now.

XXVII

This thought I bred within my bowels, I am.
I am in him, as he in me;
And like a satyr ravishing a lamb
So either seems, or as the sea
Swallows the whale that swallows it, the ram
Beats its own head
Upon the city walls, that fall as it falls dead.

XXVIII

Come, let me back unto the lilied lawn!
Pile me the roses and the thorns,
Upon this bed from which he hath withdrawn!
He may return. A million morns
May follow that first dire daemonic dawn
When he did split
My spirit with his lightnings and enveloped it!

XXIX

So I am stretched out naked to the knife,
My whole soul twitching with the stress
Of the expected yet surprising strife,
A martyrdom of blessedness.
Though Death came, I could kiss him into life;
Though Life came, I
Could kiss him into death, and yet nor live nor die!

***

Yet I that am the babe, the sire, the dam,
Am also none of these at all;
For now that cosmic chaos of I AM
Bursts like a bubble. Mystical
The night comes down, a soaring wedge of flame
Woven therein
To be a sign to them who yet have never been.

XXXI

The universe I measured with my rod.
The blacks were balanced with the whites;
Satan dropped down even as up soared God;
****** prayed and danced with anchorites.
So in my book the even matched the odd:
No word I wrote
Therein, but sealed it with the signet of the goat.

XXXII

This also I seal up. Read thou herein
Whose eyes are blind! Thou may'st behold
Within the wheel (that always seems to spin
All ways) a point of static gold.
Then may'st thou out therewith, and fit it in
That extreme sphere
Whose boundless farness makes it infinitely near.
Ellen Joyce Jul 2013
Her laugh broke the window pane -
shards of glass pouring like rain,
the sound of shattering safety made her blood run cold
as she clung to disintegrating silence.

Grains of silent-self
pricking the backs of her eyes until tears streamed down her cheeks
wiping fiction from flesh, eyes turned to the floor
so you won't see the sadness where the sparkle should be.
Could be.
Would be.
Maybe.

She feels the barbed wire noose around her tongue loosen,
unfurling its razor sharp grip on her throat
to the melody of the sweet small voice singing soothing songs
seducing her to speak.

Speak.
The words fall clumsily from her lips like ***** clattering plates
splattering waste on wall and doors
leaving a mess that cannot be swept
nor hidden under the carpet or clothes.
"Please. Please.".

She feels eyes burning into naked-self
declaring the truth as if it had the strength to stand,
to bear the weight of shame from times that should remain untold,
but she told.
"Look away. Please. Don’t look at me,
I need you not to look at me, please please please".

She squirms beneath the squirming,
the crawling cascade of bugs under her skin,
in her-self, ***** girl -
ankles twisting, fingers bending, hands trembling,
heart beating, breath quickening, mouth begging
"please please don’t look at me".

The kiss to be seen, breaks like a scream
on the back of a lifetime playing dead,
choking back the words left unsaid,
hiding scars of the wounds that once bled.  

Wounds that call from beneath layers of scar tissue,
a symphony of whispering simpering bacteria
recalling the filthy mire imploding from the pyre;
seal after seal broken leaving her less beauty, more beast.  

In a place where animals do what animals do,
mounted like cattle, like dog catching *****
whose losing the battle to guard her chasm,
to keep the place barred.

Her pleas broke the threshold,
falling forward, hands and knees grinding into twigs and leaves,
his grip so thick on her hair
that he heaves out a scream from the depths of her bowels,
ripping through tension and fear
to gift a ***** with a mark, a shame, a name that won’t disappear –
“Don’t look at me”.  

They call it ******
as if you could name a pain that seared so deep it
drew a blood that would take a week to heal
and a ***** that would never stop rising.  

Her arms buckled under the weight of shame,
of blame, of every screaming name he seethed into her sullied flesh,
with every wavering breath she breathed – “please don’t look at me”.  

His hands grip beneath her hips
nails biting into aching, seeping flesh, filling her pores with
more, more, more.  

Baths - a thing of the past,
water hot, rusted and greying with the rot that lies on her,
with the putrid knot that lies in her.  
“I’m so ashamed.”

Her exhaustion broke her human-ness –
body depleted from repeated invasion that she couldn’t stop,
that he wouldn’t stop -
was sure he had reached a perverse plateau of the boundaries that he breached.  
She underestimated him.  

Label weathered bottle,
nectar alluring drawing inside crawling bugs
as forced kisses stole breath,
focus lost and a nip to his tongue would cost a choke-hold to blur the world,
spit on her face hurled with the venom of an injured python.  

Cold, hard, scraping against skin trying to get in –
“Please.” –
bugs crawling, cascading, invading,
fighting my womb, biting my flesh raw, boring into my blood
turning life force to mud and self separated from beautiful source.  

I felt his thrill at my hip.
“Please don’t ...
Is it masochism to share the most humiliating, hurt or is it healthy?”

Her mouth broke -
alive with sensations and nerves that serve
to taste to feel, to flex a tongue to sing to speak to eat.  
He drew her to her knees,
with greater and greater ease
to penetrate perception with ******* till her jaw ached and strained,
drained, choking back the spoils of man,
feeling panic as her stomach recoils vomiting shame.

Every seal torn open; closed - locking the dirt inside.
This poem was written in the process of therapy to deal with **** and abuse experienced when I was in my early teens.  I share it now as I watch my god daughter turn thirteen and feel a fear for her and a need to protect her.  I share it now because I fought long for a voice and now its audible.
(for Christopher Isherwood)

Seated after breakfast
In this white-tiled cabin
Arabs call the House where
Everybody goes,
Even melancholics
Raise a cheer to Mrs.
Nature for the primal
Pleasure She bestows.

*** is but a dream to
Seventy-and-over,
But a joy proposed un-
-til we start to shave:
Mouth-delight depends on
Virtue in the cook, but
This She guarantees from
Cradle unto grave.

Lifted off the *****,
Infants from their mothers
Hear their first impartial
Words of worldly praise:
Hence, to start the morning
With a satisfactory
Dump is a good omen
All our adult days.

Revelation came to
Luther in a privy
(Crosswords have been solved there)
Rodin was no fool
When he cast his Thinker,
Cogitating deeply,
Crouched in the position
Of a man at stool.

All the arts derive from
This ur-act of making,
Private to the artist:
Makers' lives are spent
Striving in their chosen
Medium to produce a
De-narcissus-ized en-
During excrement.

Freud did not invent the
Constipated miser:
Banks have letter boxes
Built in their façade
Marked For Night Deposits,
Stocks are firm or liquid,
Currencies of nations
Either soft or hard.

Global Mother, keep our
Bowels of compassion
Open through our lifetime,
Purge our minds as well:
Grant us a king ending,
Not a second childhood,
Petulant, weak-sphinctered,
In a cheap hotel.

Keep us in our station:
When we get pound-notish,
When we seem about to
Take up Higher Thought,
Send us some deflating
Image like the pained ex-
-pression on a Major
Prophet taken short.

(Orthodoxy ought to
Bless our modern plumbing:
Swift and St. Augustine
Lived in centuries
When a stench of sewage
Made a strong debating
Point for Manichees.)

Mind and Body run on
Different timetables:
Not until our morning
Visit here can we
Leave the dead concerns of
Yesterday behind us,
Face with all our courage
What is now to be.
Don Bouchard Jan 2012
I remember reading
Martin Luther King, Jr's
Letter from Birmingham Jail
Beecher Stowe's Uncle Tom
Mark Twain's Huck Finn
DuBois' Souls of Black Folk
For the first time

The words of Chief Joseph
Sitting Bull
Tecumseh
James Welch
and Alexie Sherman
And others of indigenous kind
Linger like arrows in my mind.

Of course, there's
Gilgamesh's forlorn quest for Enkidu;
Osiris, Amun, Ra, and Seth,
Homer's Illiad and Odyssey,
And Virgil's Roman treatment -
(For whom the gods destroy
We all must learn bereavement).

I remember reading
Milton's Paradises (lost and found)
And Dante's Infernal quest for Heaven
Through the bowels of Hell with Virgil's spritely guide
And up the Devil's staircase with Beatrice by his side.
John's Revelation of Times' End;
And LaHaye's money-making Left Behind
Apocalypses here to chill my mind.

I have surveyed Dead Presidents
Washington,
Jefferson,
Lincoln
Both Roosevelts, Ted and Frank,
And Reagan
And smatterings of others...
Then hopped the bookish pond to read
Sir Winston and some others,
Not the least of whom is Gandhi G,
Taught by the Queen to free his brothers.

I have studied
Moses
Job
David
Ruth
Esther
Isaiah
Jeremiah
The Disciples
Paul
and James
(Ironically,
Though Jesus is the "Word"
He never penned one).

British poets's thoughts,
Tale tellers long-dead
Have found their way
Into my head:
Beowulf and Chaucer
Old moral plays
Shelley and Keats
Cavalier Poets
Scott and Brownings
Burns and (not) Allen
Spenser and Shakespeare
Dylan and Tolkien
Lewis and Auden
And so many more
That I leave on the floor

Western Americana I have loved
Hemingway and Steinbeck, all worth the time,
Mari Sandoz' Old Jules, and
Rolvaag's Giants in the Earth,
Keroac went on the road, while
Joseph Kinsey Howard showed us the West
Lewis & Clark in journals scribed
Their journey west and back again

I can't forget psychology
And so I will digress
Or Sigmund's accusation stays
That I have but suppressed:
Ellis, Freud, and Eric Berne,
Pavlov, Skinner, Thorndike, Watson,
Wundt, and Wm James, Piaget and Chomsky
Then Vygotsky and Bandura put a social spin
on cognitive psychology, and Everybody's in.
Diverging and Converging, psychic students, all
Could never make transaction
'Til Rogers tried to make some peace
But Ellis wouldn't have 'im.

And then, of course,
The lighter stuff,
The popcorn of the mind:
Clancy, Rankin, Carole Keene
L'Amour and Will James
Stephen King and Poe,
Cruz Smith and Leon Uris,
Grisham, Deaver, Cornwall,
Asimov, Bradbury and Herbert,
Carroll and Baum...
Written Words change us.... I use the term "poem" as Louise Rosenblatt did, namely, a poem is the creation each reader makes to describe the connection between the Text and his or her own life experience, opinion, knowledge, beliefs, feelings, etc. Those "poems" affect and change us in our wanderings on this earth. I am, indeed, changed by the texts I have read and continue to read....
In haphazard fashion, I am starting a collection of writers who give me an understanding of the world's color and shape. This is just the beginning.... If readers have suggestions or reminders, I will add the ones I have read....

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