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"bordered" poems
You are the abundance of stars only visible to the dreamer in the wake of night The sun and its companions as they glow to shine a light on the surface of your skin You are the mischief that forms the toothy grin on the face of a child’s curiosity The everlasting glow on their faces as they question the world around them And I am lost in translation, confused, amused and somewhat enchanted To you I am the clouds that hide away your blue skies But to me I am the ones that shield you from the glare of a jealous sun And to each other we are foreign, bordered and misunderstood Lost in translation I’m waiting for you to understand , That to you; you’re nothing, but to me; you’re my dreamland
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Jan 31, 2019
Jan 31, 2019 at 1:36 AM UTC
Lost in Translation
It turned cold quickly Almost skipping Autumn Reluctant to wear a jacket Or a hat, or gloves Too distant for my arms To keep him warm against my chest He said he never wore a scarf But if he did, he would go Dr. Who style I had to laugh as i looked up the reference Fifteen feet of mismatched stripes Maybe not the stripes, he said I happened upon a huge skein of yarn It felt like a warm blanket in the oddest, Most interesting colors Manly, neutral, and perfect for Fall So i crocheted a scarf and pictured him warm The pattern in those colors was a mess I chuckled at why they would make such an ugly pattern I crocheted every stitch with love Through arthritic hands that felt no pain I crocheted a scarf, stopping only when it dragged the floor when i put it on Two feet short, but ridiculously long I bordered it in shades of green to match Not realizing it was variegated into Brown's and maroons along the way But it matched the odd mix of colors And finally made it almost pretty to me I covered myself in perfume And put it around my neck As I turned I caught a glimpse in the mirror It wasn't a horrible amalgamation of hideous colors It was camouflage, with a matching border I laughed so hard, and felt so bad My hillbilly in camouflage Wearing a scarf way too long Maybe he would hate it Maybe he won't wear it I knew better So, I packed up his bag of gifts And sent it to the frozen mountains He never wore a scarf He opened it and put it on It smells like You, he said in blssful remembrances It's definitely camouflage, he laughed It's perfect baby, I'll wear it whenever it's cold And in the picture he sent I saw its beauty It wasn't in the patterns of crisscrossing colors It wasn't in the accidental way The border perfectly complimented the body It wasn't in the fact that he would be able To wrap himself up in me to stay warm It was in that picture It was the joy that filled his smile It was in his eyes that danced in love It was in the fact that he believes Because i made it, it's perfect Yes, i accidentally crocheted a thirteen foot camouflage scarf And he loves that I can keep him warm.
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Nov 4, 2014
Nov 4, 2014 at 4:23 AM UTC
To Keep Him Warm
It turned cold quickly Almost skipping Autumn Reluctant to wear a jacket Or a hat, or gloves Too distant for my arms To keep him warm against my chest He said he never wore a scarf But if he did, he would go Dr. Who style I had to laugh as i looked up the reference Fifteen feet of mismatched stripes Maybe not the stripes, he said I happened upon a huge skein of yarn It felt like a warm blanket in the oddest, Most interesting colors Manly, neutral, and perfect for Fall So i crocheted a scarf and pictured him warm The pattern in those colors was a mess I chuckled at why they would make such an ugly pattern I crocheted every stitch with love Through arthritic hands that felt no pain I crocheted a scarf, stopping only when it dragged the floor when i put it on Two feet short, but ridiculously long I bordered it in shades of green to match Not realizing it was variegated into Brown's and maroons along the way But it matched the odd mix of colors And finally made it almost pretty to me I covered myself in perfume And put it around my neck As I turned I caught a glimpse in the mirror It wasn't a horrible amalgamation of hideous colors It was camouflage, with a matching border I laughed so hard, and felt so bad My hillbilly in camouflage Wearing a scarf way too long Maybe he would hate it Maybe he won't wear it I knew better So, I packed up his bag of gifts And sent it to the frozen mountains He never wore a scarf He opened it and put it on It smells like You, he said in blssful remembrances It's definitely camouflage, he laughed It's perfect baby, I'll wear it whenever it's cold And in the picture he sent I saw its beauty It wasn't in the patterns of crisscrossing colors It wasn't in the accidental way The border perfectly complimented the body It wasn't in the fact that he would be able To wrap himself up in me to stay warm It was in that picture It was the joy that filled his smile It was in his eyes that danced in love It was in the fact that he believes Because i made it, it's perfect Yes, i accidentally crocheted a thirteen foot camouflage scarf And he loves that I can keep him warm.
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58
Bury me with my poppy. My greatest memory; my simple joy. Spring time brings brightness-- colors other than white. A flushed landscape from stamen performing as paint; replicating a sleepy orange yellow, green, red I contemplate picking the poppy to keep for myself. Life feels large like the sparkling lake-- that cold sunny hour when you sat by a fire bordered by icy rocks. The earth sheltered in poppies. We all expect moments without an end. Post-bloom petals fall flat before falling away. Miracles can be a curse or a blessing, brave or cowardly, Swallowing up certainty. Poppy tears slowly release memories-- a crisp deliberate euphoria. I leave behind the orange flower. Appreciation is not lost.
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Oct 8, 2013
Oct 8, 2013 at 9:29 PM UTC
Poppy
Have you heard of the gardens clandestines grow? The neighbors have, although until today the gardens were usual, not a pastime no one would seriously guess. The flowers are conceptual homonyms bordered by Boxwood africans no breadwinning cardinal would bless with its roost.                          Grass beneath a golden ninebark is slightly depressed where some pistol was. For the past few years the neighbors have wondered daily What the hell is it this guy does? What, with him always vaguely mumbling "...lots of business trips." It's dark now, blood spatter coagulates on the picket fence.                                                                                          Four tire streaks on the road, the responding policemen kept it hushed, speaking in code to disembodied voices on a radio. Not much more than a glance and shrug at the neighbors' concerned inquiries. One consensus formed: he was deep in consequences from promises he couldn't keep. This was speculative, of course.                                                          The palm trees rustled above their heads. "Maybe he was a clandestine," one of the neighbors remarked as another dismissively barked, "Ridiculous! He kept a garden!"
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Jul 18, 2013
Jul 18, 2013 at 10:26 PM UTC
A Suburban Shootout
First Kiss (Manchester to Miami) Rachel was a 19 year old student who attended the Royal Northern College of Music, located in Manchester UK. Manchester was considered the arts, media, higher education and commerce mecca of north central England. Bordered by the Cheshire plain to the south, and the Pennines mountain range to the north and east. The famous River Mersey ran along the southern side of Manchester. Rachel was packing for winter holiday with some of her classmates, to the warm beaches of Miami Florida, for a week long stay in the sun, far from the often dreary weather that settled over the UK this time of year. Not only was Rachel looking forward to the warm weather and sunny skies but she was looking forward to meeting up with Daniel. Daniel was a 40 something musician, beach bartender, handyman, who lived just outside of Miami. They had met on a poetry website seven months prior, and had established a warm friendship. They communicated almost daily threw emails, chat sites and through poetry exchanges. Their friendship had become more romantic in the last month or so, talking that silly love talk that new lovers used, and Rachel finished off every meeting with the initials AKTY at the end. AKTY stood for angel kisses to you, as Daniel liked to refer to her as his angel. they both were very excited about the chance to see each other, face to face. Rachel knew that the majority of Daniels poetry was slanted toward the romance side, and she knew from their conversations that he seemed to be educated, gentle and romantic. She was, they were, both looking forward to spending an evening together, holding hands,caressing each other, looking into each others eyes, and..... that first kiss. Kiss kiss kiss kiss hard rock guitars, lights and smoke Kiss, that first kiss, this is what, loves all about kiss, your sweet kiss, makes me go crazy, scream and shout your kiss, that angel kiss, can't live with out it, you drive me mad one kiss, just one kiss, from your sweet lips, blows my mind real bad don't know how I got by before you never want to try it no never again my darlin angel I adore you, since I met you you know i've been crazy, I've gone crazy, just can't get enuff, of you sweet baby dreaming, got me dreaming, every night baby, I don't mean maybe every kiss, like your first kiss, sets me ablaze, you know it takes me higher another kiss, I want another kiss, turn the flames up like a funeral pyre don't wanna try to get along without you never want to try it no never again my darlin angel I adore you, since I met you been waiting for that first kiss Gomer LePoet
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Apr 12, 2010
Apr 12, 2010 at 8:58 PM UTC
First Kiss (Act I -Manchester to Miami) A Rock Opera
First Kiss (Manchester to Miami) Rachel was a 19 year old student who attended the Royal Northern College of Music, located in Manchester UK. Manchester was considered the arts, media, higher education and commerce mecca of north central England. Bordered by the Cheshire plain to the south, and the Pennines mountain range to the north and east. The famous River Mersey ran along the southern side of Manchester. Rachel was packing for winter holiday with some of her classmates, to the warm beaches of Miami Florida, for a week long stay in the sun, far from the often dreary weather that settled over the UK this time of year. Not only was Rachel looking forward to the warm weather and sunny skies but she was looking forward to meeting up with Daniel. Daniel was a 40 something musician, beach bartender, handyman, who lived just outside of Miami. They had met on a poetry website seven months prior, and had established a warm friendship. They communicated almost daily threw emails, chat sites and through poetry exchanges. Their friendship had become more romantic in the last month or so, talking that silly love talk that new lovers used, and Rachel finished off every meeting with the initials AKTY at the end. AKTY stood for angel kisses to you, as Daniel liked to refer to her as his angel. they both were very excited about the chance to see each other, face to face. Rachel knew that the majority of Daniels poetry was slanted toward the romance side, and she knew from their conversations that he seemed to be educated, gentle and romantic. She was, they were, both looking forward to spending an evening together, holding hands,caressing each other, looking into each others eyes, and..... that first kiss. Kiss kiss kiss kiss hard rock guitars, lights and smoke Kiss, that first kiss, this is what, loves all about kiss, your sweet kiss, makes me go crazy, scream and shout your kiss, that angel kiss, can't live with out it, you drive me mad one kiss, just one kiss, from your sweet lips, blows my mind real bad don't know how I got by before you never want to try it no never again my darlin angel I adore you, since I met you you know i've been crazy, I've gone crazy, just can't get enuff, of you sweet baby dreaming, got me dreaming, every night baby, I don't mean maybe every kiss, like your first kiss, sets me ablaze, you know it takes me higher another kiss, I want another kiss, turn the flames up like a funeral pyre don't wanna try to get along without you never want to try it no never again my darlin angel I adore you, since I met you been waiting for that first kiss Gomer LePoet
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47
America, from a grain of maize you grew to crown with spacious lands the ocean foam. A grain of maize was your geography. From the grain a green lance rose, was covered with gold, to grace the heights of Peru with its yellow tassels. But, poet, let history rest in its shroud; praise with your lyre the grain in its granaries: sing to the simple maize in the kitchen. First, a fine beard fluttered in the field above the tender teeth of the young ear. Then the husks parted and fruitfulness burst its veils of pale papyrus that grains of laughter might fall upon the earth. To the stone, in your journey, you returned. Not to the terrible stone, the ****** triangle of Mexican death, but to the grinding stone, sacred stone of your kitchens. There, milk and matter, strength-giving, nutritious cornmeal pulp, you were worked and patted by the wondrous hands of dark-skinned women. Wherever you fall, maize, whether into the splendid *** of partridge, or among country beans, you light up the meal and lend it your virginal flavor. Oh, to bite into the steaming ear beside the sea of distant song and deepest waltz. To boil you as your aroma spreads through blue sierras. But is there no end to your treasure? In chalky, barren lands bordered by the sea, along the rocky Chilean coast, at times only your radiance reaches the empty table of the miner. Your light, your cornmeal, your hope pervades America's solitudes, and to hunger your lances are enemy legions. Within your husks, like gentle kernels, our sober provincial children's hearts were nurtured, until life began to shuck us from the ear.
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5.1k
Ode To Maize
America, from a grain of maize you grew to crown with spacious lands the ocean foam. A grain of maize was your geography. From the grain a green lance rose, was covered with gold, to grace the heights of Peru with its yellow tassels. But, poet, let history rest in its shroud; praise with your lyre the grain in its granaries: sing to the simple maize in the kitchen. First, a fine beard fluttered in the field above the tender teeth of the young ear. Then the husks parted and fruitfulness burst its veils of pale papyrus that grains of laughter might fall upon the earth. To the stone, in your journey, you returned. Not to the terrible stone, the ****** triangle of Mexican death, but to the grinding stone, sacred stone of your kitchens. There, milk and matter, strength-giving, nutritious cornmeal pulp, you were worked and patted by the wondrous hands of dark-skinned women. Wherever you fall, maize, whether into the splendid *** of partridge, or among country beans, you light up the meal and lend it your virginal flavor. Oh, to bite into the steaming ear beside the sea of distant song and deepest waltz. To boil you as your aroma spreads through blue sierras. But is there no end to your treasure? In chalky, barren lands bordered by the sea, along the rocky Chilean coast, at times only your radiance reaches the empty table of the miner. Your light, your cornmeal, your hope pervades America's solitudes, and to hunger your lances are enemy legions. Within your husks, like gentle kernels, our sober provincial children's hearts were nurtured, until life began to shuck us from the ear.
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75
I had not been born yet. Still, I can see you at your labor - alone, scouring the meadows for the stones - lifting their gray shoulders from the moist earth - pulling them from the green grasp of briars, goldenrod, and Queen Anne’s Lace. The smell of the earth must have filled you with your own childhood memories - of plowing fields and cold mornings trudging across barn yards mud thick on your boots - promising yourself that someday you would leave and never return. I can hear the pick axe - the sharp strikes against the stones, and the dull thud when the earth swallowed the blade - and the deep exhalations when the stones tumbled into the old wheelbarrow – new then - that now leans rusting against my garden shed. Some of the stones were so large - far too large for one man – how did you move them? I look at the old photographs and you seem so young – so much younger than I am today - and so thin – staring off-frame beyond the camera. What were you looking for in those fields? I can see you sorting the stones, stacking them - building and unbuilding and rebuilding the walls and  terraces until the walls were true and the terraces level and planted with dogwood, birches, soft grass for bare feet, and bordered with roses. Did you know that you were building my castle? That the highest terrace would be my tower and keep? I remember calling out to my knights, my legionnaires, and tribesmen – rallying them in defense of the citadel –  ready for the coming siege. I also remember looking out across that verdant kingdom for the last time - no longer a king or a boy – and miles away, across the river to the west, I imagined the new home that awaited us. I couldn’t know how far away it would be or what it meant to leave. This morning, as I looked out across the garden that I have built, I felt the weightlessness of time and its gravity settling me into place. For a brief moment I had the sensation that I was standing on the shoulders of gathered stones. (for my father, Guy Spencer.) Tom Spencer © 2015
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Jul 4, 2015
Jul 4, 2015 at 12:13 PM UTC
Gathered Stones
I had not been born yet. Still, I can see you at your labor - alone, scouring the meadows for the stones - lifting their gray shoulders from the moist earth - pulling them from the green grasp of briars, goldenrod, and Queen Anne’s Lace. The smell of the earth must have filled you with your own childhood memories - of plowing fields and cold mornings trudging across barn yards mud thick on your boots - promising yourself that someday you would leave and never return. I can hear the pick axe - the sharp strikes against the stones, and the dull thud when the earth swallowed the blade - and the deep exhalations when the stones tumbled into the old wheelbarrow – new then - that now leans rusting against my garden shed. Some of the stones were so large - far too large for one man – how did you move them? I look at the old photographs and you seem so young – so much younger than I am today - and so thin – staring off-frame beyond the camera. What were you looking for in those fields? I can see you sorting the stones, stacking them - building and unbuilding and rebuilding the walls and  terraces until the walls were true and the terraces level and planted with dogwood, birches, soft grass for bare feet, and bordered with roses. Did you know that you were building my castle? That the highest terrace would be my tower and keep? I remember calling out to my knights, my legionnaires, and tribesmen – rallying them in defense of the citadel –  ready for the coming siege. I also remember looking out across that verdant kingdom for the last time - no longer a king or a boy – and miles away, across the river to the west, I imagined the new home that awaited us. I couldn’t know how far away it would be or what it meant to leave. This morning, as I looked out across the garden that I have built, I felt the weightlessness of time and its gravity settling me into place. For a brief moment I had the sensation that I was standing on the shoulders of gathered stones. (for my father, Guy Spencer.) Tom Spencer © 2015
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83
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
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Sep 11, 2013
Sep 11, 2013 at 6:36 PM UTC
9/11 Distilled
The poem was inspired by a particular photo of the WT C, and after that by my first visit to the 9/11 Memorial.  On the day of 9/11, I was working about a diagonal mile away, and from our windows, we could see people jumping to their death. Open sky annulled to bordered lines of uptown edges, worldview momentarily forcibly redefined by memories of buildings and sadder days, recollections of pillars of biblical smoke rising A photograph makes me look up, and sit down historically, need to catch a breath, to rest mentally, upon a storied small bridge's steps, that I well recall, a disappeared street stoop. all were rubble then and once upon that day. Wear, tear, and older eyes distill perspective, but the hardy heart is hardly stilled by the recognizable gray upon bon vivant gray reflective surfaces of memories of buildings and sadder days So today, on a reborn street, I rest upon reconstituted speckled curbstone, the city's lowered down ledges, the city's lowered down-town boundaries, constantly redrawn, but nonetheless, always rebuilt from their own regenerated stony compost, and the NY passersby doesn't even notice a man, head in hands, silently weeping, thinking that: We throw away so much we should have kept. We keep so much we should have thrown away. Lose keepsakes, but keep our mysterious sadnesses locked away in compartments that open only to benedictions uttered in ancient tongues. Make your own list, be your own curator, catalogue visions of sophomoric triumphs, museum mile pile those early poetic drafts, be unafraid of memories raw and ungentrified, overlaid, buried underneath postmortem of dust-piles of senior critiques Finally went downtown to see where the blessed water falls into catacomb pits that once were the foundations of buildings that ruled the cityscape, downtown anchors for a modern city that exists only because it was built on million year old granite bedrock Stone monuments are stolid, discrete. Memories are of grayed, frayed edge consistency. Negatives resurrected that survive digitally, all blend synthetically, layer upon layer, essence distilled in a single, black and white photograph that serves to disturb complacency,   awaken stilled pain, reflections suppressed, are restored
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67
Around me architectural mastery: sycamores, embankments, enduring ionic pillars. I round a walkway bordered by trees, enamel thawing, gliding off their low leaves. Beneath the late-May’s pounding sun, through the glittered trees’ reaches, a gazebo crackles into sight. Children in their prime, sunbathers, a wistful portraitist encircle it carelessly: a leisured chimney; the billows of life. The foliage escapes into the river, purplish, palpitating, cyclic creases receive the dewy notes. Kayaks licking acacia-gum-edged ripples sputter and slip through reverberations of leveled white-water terraces. Blackcurrants in clotted cream slide on the plush lips of a young passerby. The 8 above a doorway dances motionless, silent in my periphery; “Nicolas Cage just sold the spot” pops from unknown lungs inside the Circus crowd. Unacknowledged, half-proud hands built the Roman baths alone, closed-in by such grace, forgotten, then as now. I wander these ancestral lanes more or less alone, the same.
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Jul 4, 2012
Jul 4, 2012 at 7:55 AM UTC
Lines Written in Bath, Somerset
《☆ Ode to Miller Spring ☆》 I have traveled this road. I have traveled this road since first I came to be here. This journey was my awakening to the new existence I would step into. Foreign to me the illustrious homes. Dripping willows, old oaks, poplars... Perfectly kept grounds. Checkerboard patterns carved into lush grass. This road is winding. One needs to go slowly. Families, children, animals,  all enjoy this path. The winds blow at this highest point, up above the Glacial Basin that forms the river below. Before farmland, home to Ojibwe, Lakota. The Spring The deep Spring of Healing Ancient, pouring forth from the center of the Earth. This road, brought me to a place of solitude... An open space. Land of possibilities. I have traveled this road.  I have traveled this road since first I came to be here. This road has led me to the new existence I have stepped into. Perfectly kept grounds checkerboard patterns carved in lush grass. The wind blows at this highest point, up above the Glacial Basin, that forms the river below. Before farmland,   home to Ojibwe, Lakota. The Spring The deep Spring of Healing. Ancient, pouring forth from the center of the Earth. This Spring, that quenched my family's thirst. This Spring, that pulled my people here, so many years ago. A road brought me to this place of solitude. An open space. A land of Dreams. I wonder, what Dreams, this land will hold for me? ☆●⊙●☆●⊙●☆●⊙●☆ ~July 2014~May 2015~ 2nd Edition Copyright © 2015 Christi Michaels. All Rights Reserved. "Miller Spring" is a pure crystalline-rock aquifer that has been revered by all peoples blessed to live within it's reach. The tribes of the Ojibwe and Lakota shared the spring. It was called the "Sweet Spring of Healing Waters" This spring was also shared with Settlers as they arrived. When the land was owned, the spring has always been made accessible, to All People. It should be noted that this spring water is exceptionally clear, crisp and has a sweet bright taste It is delicious! To this day Miller Spring is available to all. It's icy cold waters gush forth 24/7~365 days a year out of a well by the side of the road, down about a mile from my home. I actually live in a modest house on two original acres of this beautiful land, which is now bordered by five "illustrious" homes. We moved here from the City in the year 2000 Living in the suburbs was the "New Existence" I had stepped into...
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May 7, 2015
May 7, 2015 at 6:11 PM UTC
Awakening
《☆ Ode to Miller Spring ☆》 I have traveled this road. I have traveled this road since first I came to be here. This journey was my awakening to the new existence I would step into. Foreign to me the illustrious homes. Dripping willows, old oaks, poplars... Perfectly kept grounds. Checkerboard patterns carved into lush grass. This road is winding. One needs to go slowly. Families, children, animals,  all enjoy this path. The winds blow at this highest point, up above the Glacial Basin that forms the river below. Before farmland, home to Ojibwe, Lakota. The Spring The deep Spring of Healing Ancient, pouring forth from the center of the Earth. This road, brought me to a place of solitude... An open space. Land of possibilities. I have traveled this road.  I have traveled this road since first I came to be here. This road has led me to the new existence I have stepped into. Perfectly kept grounds checkerboard patterns carved in lush grass. The wind blows at this highest point, up above the Glacial Basin, that forms the river below. Before farmland,   home to Ojibwe, Lakota. The Spring The deep Spring of Healing. Ancient, pouring forth from the center of the Earth. This Spring, that quenched my family's thirst. This Spring, that pulled my people here, so many years ago. A road brought me to this place of solitude. An open space. A land of Dreams. I wonder, what Dreams, this land will hold for me? ☆●⊙●☆●⊙●☆●⊙●☆ ~July 2014~May 2015~ 2nd Edition Copyright © 2015 Christi Michaels. All Rights Reserved. "Miller Spring" is a pure crystalline-rock aquifer that has been revered by all peoples blessed to live within it's reach. The tribes of the Ojibwe and Lakota shared the spring. It was called the "Sweet Spring of Healing Waters" This spring was also shared with Settlers as they arrived. When the land was owned, the spring has always been made accessible, to All People. It should be noted that this spring water is exceptionally clear, crisp and has a sweet bright taste It is delicious! To this day Miller Spring is available to all. It's icy cold waters gush forth 24/7~365 days a year out of a well by the side of the road, down about a mile from my home. I actually live in a modest house on two original acres of this beautiful land, which is now bordered by five "illustrious" homes. We moved here from the City in the year 2000 Living in the suburbs was the "New Existence" I had stepped into...
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86
Really my Lady, such was not my Intent To be the Bordered Jack who ***** your Consent Your Basket remains yet much Food was Spent And yes - the Reason - it's Bottom was Rent Should we blame the Urchin? That I guess not The Market was charged in Prunes worth to Sell Else I peel each Fruit and leave it to Rot Then shoulder the Rage of not being well There She is: The only Unforeseen Truth Distempered with my Touch of Forks and lies Which I should have learned in her Peeling Youth: That a Prune once tasted tastes better with the Eye. All this I learned in a Lesson so Big That the Grape recovered was born a Fig.
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Mar 12, 2013
Mar 12, 2013 at 2:52 AM UTC
SONNET TRIBUTE SUNDRY: TONIA COUCH
you are right to not believe for you the silent cries that carry into the night do not existence the volume of your tv is adjusted & everything becomes a mute apparition illuminated but not heard. you are right not to believe for you the sounds of gunshots are the popping of fire crackers after holiday barbecues & the screams come from parades of people cajoling down side streets. you are right not to believe for you the only hanging you know exists in laundry whites bleached towels are a must for wiping hands clean & unstained from the bloodied bodies of loved ones. you are right not to believe for you the world doesn't exist beyond these bordered white picket fences & bakes sales until your mexican comes to clean suburbia when will you realize the war to be fought runs beyond 5’o clock rush hour & taking away your son’s ps4?
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Dec 24, 2014
Dec 24, 2014 at 8:17 PM UTC
remote existance
Feel the chains change in me tonight Condense me to evaporate in want The long of a bounce to another world Light the fire to burn deep and fervour A belly roasts in repetitive embers flushes Hearts tied connate as the essence flashes A tangle ribboned to last after the dawn Testify as our sparks infinitely ignite dances Titaniums of our tectonic plates merge motions A convergence entwined in bordered emotions Link me in the convections of transformations Conversations of a lasting warm benevolence Paradisiacal chum of a past in resonance A photographic collection of a lived long life Unwrap the snare, unwind the erased tapes Lay back as we hide away behind the moonlight
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Apr 29, 2016
Apr 29, 2016 at 4:18 PM UTC
Lithosphere- λίθος
Shropshire the outback of hives and mires A birthplace of industrial revolution Built with ***** iron and bricks submerged in the depths of the water beds Shropshire the strength in the metal structure A cast of firm shields and fields The greenery of contrasting yellowy yields A mirage of hills sat on pillar heights The breeze so fresh as sun prints on the canal The warmth so intense as the bird hums in the nests Labour artisans and metalsmith at the heart of coalbrook dale Bricks aisles of pathways along the river Bordered by vintage delicacies of the magnificent nature
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Jun 4, 2016
Jun 4, 2016 at 9:28 AM UTC
Shropshire Iron Bridge
Leaves Murmuring by miriads in the shimmering trees. Lives Wakening with wonder in the Pyrenees. Birds Cheerily chirping in the early day. Bards Singing of summer, scything thro' the hay. Bees Shaking the heavy dews from bloom and frond. Boys Bursting the surface of the ebony pond. Flashes Of swimmers carving thro' the sparkling cold. Fleshes Gleaming with wetness to the morning gold. A mead Bordered about with warbling water brooks. A maid Laughing the love-laugh with me; proud of looks. The heat Throbbing between the upland and the peak. Her heart Quivering with passion to my pressed cheek. Braiding Of floating flames across the mountain brow. Brooding Of stillness; and a sighing of the bough. Stirs Of leaflets in the gloom; soft petal-showers; Stars Expanding with the starr'd nocturnal flowers.
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3.1k
From My Diary, July 1914
Know, that I would accounted be True brother of a company That sang, to sweeten Ireland's wrong, Ballad and story, rann and song; Nor be I any less of them, Because the red-rose-bordered hem Of her, whose history began Before God made the angelic clan, Trails all about the written page. When Time began to rant and rage The measure of her flying feet Made Ireland's heart hegin to beat; And Time bade all his candles flare To light a measure here and there; And may the thoughts of Ireland brood Upon a measured guietude. Nor may I less be counted one With Davis, Mangan, Ferguson, Because, to him who ponders well, My rhymes more than their rhyming tell Of things discovered in the deep, Where only body's laid asleep. For the elemental creatures go About my table to and fro, That hurry from unmeasured mind To rant and rage in flood and wind, Yet he who treads in measured ways May surely barter gaze for gaze. Man ever journeys on with them After the red-rose-bordered hem. Ah, faerics, dancing under the moon, A Druid land, a Druid tune! While still I may, I write for you The love I lived, the dream I knew. From our birthday, until we die, Is but the winking of an eye; And we, our singing and our love, What measurer Time has lit above, And all benighted things that go About my table to and fro, Are passing on to where may be, In truth's consuming ecstasy, No place for love and dream at all; For God goes by with white footfall. I cast my heart into my rhymes, That you, in the dim coming times, May know how my heart went with them After the red-rose-bordered hem.
0
2.9k
To Ireland In The Coming Times
Know, that I would accounted be True brother of a company That sang, to sweeten Ireland's wrong, Ballad and story, rann and song; Nor be I any less of them, Because the red-rose-bordered hem Of her, whose history began Before God made the angelic clan, Trails all about the written page. When Time began to rant and rage The measure of her flying feet Made Ireland's heart hegin to beat; And Time bade all his candles flare To light a measure here and there; And may the thoughts of Ireland brood Upon a measured guietude. Nor may I less be counted one With Davis, Mangan, Ferguson, Because, to him who ponders well, My rhymes more than their rhyming tell Of things discovered in the deep, Where only body's laid asleep. For the elemental creatures go About my table to and fro, That hurry from unmeasured mind To rant and rage in flood and wind, Yet he who treads in measured ways May surely barter gaze for gaze. Man ever journeys on with them After the red-rose-bordered hem. Ah, faerics, dancing under the moon, A Druid land, a Druid tune! While still I may, I write for you The love I lived, the dream I knew. From our birthday, until we die, Is but the winking of an eye; And we, our singing and our love, What measurer Time has lit above, And all benighted things that go About my table to and fro, Are passing on to where may be, In truth's consuming ecstasy, No place for love and dream at all; For God goes by with white footfall. I cast my heart into my rhymes, That you, in the dim coming times, May know how my heart went with them After the red-rose-bordered hem.
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48
Wind swept Wild places the grass it puts on a veritable orchestra of movement as it undulates to the power of the breeze that passes Mountain meadows splashed with a profusion of flowers they jiggle as if there tickled about something or other The crest of the hill bordered with trees sloping down the hill children are running reminiscent of Jack and Jill This utopia of nature sets aside the hurly burly the curvature of the hills still the wind hold the sun just right you it invites Cross these pasture lands the feeding ground of many cattle and sheep the pride of the farmer who keeps Inexorably bound by breed and creed for centuries this way of life flourishes among these native grasses Tender shoots these roots give of their riches the sun and rain gives them a time to reign with joy all reaps Pleasure in the walk letting fingers glide over the heads of tall grasses the silent telling of harmony filled poise Future generations will be brought to these shadowed grounds they too will by their lives express and know contentment Hourly they hold in sod that has known the breath of time as it has passed time and time again it enlivens breaks fourth Sturdy and resplendent it shows all its dependability the same respect settlers knew is found the builders of this continent Long shadows grow upon earths shoulders she knows the good and the bad but through resilience remains unconquered The distant mountain stands eternal guard, it affects rainfall, mutes the winds force guarantying a peaceful valley Perpetuity is taught in this land tomorrows unfold from days gone by with regularity they build and keep the way open Stewardship the blessed hope working in harmony with all that surrounds at days end this will be the final sum and tally The herdsman knows the time he invests it well always with broad vision does he act in this wisdom all will be victorious
0
Jan 1, 2012
Jan 1, 2012 at 8:45 PM UTC
Wind swept
Wind swept Wild places the grass it puts on a veritable orchestra of movement as it undulates to the power of the breeze that passes Mountain meadows splashed with a profusion of flowers they jiggle as if there tickled about something or other The crest of the hill bordered with trees sloping down the hill children are running reminiscent of Jack and Jill This utopia of nature sets aside the hurly burly the curvature of the hills still the wind hold the sun just right you it invites Cross these pasture lands the feeding ground of many cattle and sheep the pride of the farmer who keeps Inexorably bound by breed and creed for centuries this way of life flourishes among these native grasses Tender shoots these roots give of their riches the sun and rain gives them a time to reign with joy all reaps Pleasure in the walk letting fingers glide over the heads of tall grasses the silent telling of harmony filled poise Future generations will be brought to these shadowed grounds they too will by their lives express and know contentment Hourly they hold in sod that has known the breath of time as it has passed time and time again it enlivens breaks fourth Sturdy and resplendent it shows all its dependability the same respect settlers knew is found the builders of this continent Long shadows grow upon earths shoulders she knows the good and the bad but through resilience remains unconquered The distant mountain stands eternal guard, it affects rainfall, mutes the winds force guarantying a peaceful valley Perpetuity is taught in this land tomorrows unfold from days gone by with regularity they build and keep the way open Stewardship the blessed hope working in harmony with all that surrounds at days end this will be the final sum and tally The herdsman knows the time he invests it well always with broad vision does he act in this wisdom all will be victorious
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17
The writer is                                                               bound by the Oedipus                                           cauldron stewing          can't relax                           --all women are mine--                                                                  but this doesn't stop the bloating bubbles.                      But the writer did not invent Wonderlandia                --no double-sided tape or wrong number or sloppy poetics.                               Wonderlandia was born from the ***** of the stars                                                          --our fathers,                               and the void of space,                                                      --our mother's womb. the writer                                              was busy staring at the girls that walked by                                         ditch diggers for renovations on Euphoria.                 The hippies are disappointed in this current Wonderlandia,    or they would be.                                Their dreams had dirt in the mud,                 they walked upon.                Our Woodstock                                                                 is celebrity interviews,                                                                 reservations failing,                                                                 political satires--the last ring of change              sold at five cents a word. Period. the writer                                         says it understands and writes:                       "Sticks shaped from elitism                         rare.                         Usually a vibe too brittle,                         breaking in battle.                         The bass thundered robins.                         The snare's firearm stabled the swift,                         electrifying beat.                         The brass was addiction                         to the crowd's ears.                         All before the elitism was born,                         a symphony was constructed in the drug's head." the writer                                 knows about D. A. Levy and his revolution,                   we all felt that voice, so the writer replies:                                "Did you hear about the John Lennon poser                                  waving his gun on TV?                                  While listening to the Beatles, you                                  sit and watch the vagabond cry.                                  He says, "Counter-culture is dead, entombed                                  in a metal casket.                                  We need a new flame. Those watching TV                                  get your hands out of the basket." the writer walks with grandma Alice by lakes, thrilling dementia "Don't tell me what taurine and caffeine can do to my heart. I can have alligators in my rib meat eating away at bone marrow. High? That's your question? Hi...I am a float in a useless pond bordered by malnourished trees. By the love of hell you better not fertilize those ****** trees because if I die the alligator of my ribs will dine and take your **** girlfriend straight to the vet. I thank you for asking though." the writer misses the syrup in the tree completely I am not your beatnik or future idol--burn your 1970's classrooms away.
0
Mar 6, 2013
Mar 6, 2013 at 6:49 PM UTC
When dreams had dirt
The writer is                                                               bound by the Oedipus                                           cauldron stewing          can't relax                           --all women are mine--                                                                  but this doesn't stop the bloating bubbles.                      But the writer did not invent Wonderlandia                --no double-sided tape or wrong number or sloppy poetics.                               Wonderlandia was born from the ***** of the stars                                                          --our fathers,                               and the void of space,                                                      --our mother's womb. the writer                                              was busy staring at the girls that walked by                                         ditch diggers for renovations on Euphoria.                 The hippies are disappointed in this current Wonderlandia,    or they would be.                                Their dreams had dirt in the mud,                 they walked upon.                Our Woodstock                                                                 is celebrity interviews,                                                                 reservations failing,                                                                 political satires--the last ring of change              sold at five cents a word. Period. the writer                                         says it understands and writes:                       "Sticks shaped from elitism                         rare.                         Usually a vibe too brittle,                         breaking in battle.                         The bass thundered robins.                         The snare's firearm stabled the swift,                         electrifying beat.                         The brass was addiction                         to the crowd's ears.                         All before the elitism was born,                         a symphony was constructed in the drug's head." the writer                                 knows about D. A. Levy and his revolution,                   we all felt that voice, so the writer replies:                                "Did you hear about the John Lennon poser                                  waving his gun on TV?                                  While listening to the Beatles, you                                  sit and watch the vagabond cry.                                  He says, "Counter-culture is dead, entombed                                  in a metal casket.                                  We need a new flame. Those watching TV                                  get your hands out of the basket." the writer walks with grandma Alice by lakes, thrilling dementia "Don't tell me what taurine and caffeine can do to my heart. I can have alligators in my rib meat eating away at bone marrow. High? That's your question? Hi...I am a float in a useless pond bordered by malnourished trees. By the love of hell you better not fertilize those ****** trees because if I die the alligator of my ribs will dine and take your **** girlfriend straight to the vet. I thank you for asking though." the writer misses the syrup in the tree completely I am not your beatnik or future idol--burn your 1970's classrooms away.
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70
step one: mark out your territory, bordered by sea surf on the one side and beach towels on the other; dig a moat to the left and right so no one can intrude upon your Fortress of Solitude. step two: build a sandcastle. ignore the imminent tides and the omnipresent ravages of gravity; they are irrelevant to your Dream of Isolation. step three: come to realize that you are not happy despite getting exactly what you wanted: welcome to the real world kiddo. I hope you found what you're Looking For.
0
May 15, 2014
May 15, 2014 at 10:37 PM UTC
la plage (shrek)
a white picket fence bordered the backyard of my childhood home, a neatly trimmed hedge my father planted himself framed the front, there used to be a pine tree, it was replaced with an artificial fish pond a decade ago, the house was yellow, not musty or vibrant, but like a sunflower with a dark green door atop seven steps leading to the front porch that used to leak rainwater into our pots and pans whenever a storm came. i used to have a telescope stationed in my bedroom window to observe the bank across the street, there were two lenses, one magnified the zoom while the other inverted the image, i remember watching people work at their desks attached to the ceiling, but it just made my head hurt. when the bank would close at dusk i would tilt the telescope to glance at the night sky. i always searched for Mars, i sometimes claimed to have found it but it was probably just space-junk. that same telescope now rests collecting dust in my basement, searching for stars amidst forgotten treasures.
0
Feb 12, 2013
Feb 12, 2013 at 2:19 PM UTC
telescope
im burning out on our fire sails hard-bordered waves and pencil wasted oceans how funny it would be to be a star millions apart but still in sight ill grow and peak and die caught in your eye shot and seemingly existing forever ill tell you its been 43 minutes and not much has changed keep your boat at bay in the middle of the lake i hoped youd build that literal on-the-water home just to look me in the eyes every night
0
Jul 9, 2014
Jul 9, 2014 at 1:27 PM UTC
electrical circuit
Lady of dusk-wood fastnesses, Thou art my Lady. I have known the crisp, splintering leaf-tread with thee on before, White, slender through green saplings; I have lain by thee on the brown forest floor Beside thee, my Lady. Lady of rivers strewn with stones, Only thou art my Lady. Where thousand the freshets are crowded like peasants to a fair; Clear-skinned, wild from seclusion They jostle white-armed down the tent-bordered thoroughfare Praising my Lady.
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2.4k
First Praise
There was a young lady of Greenwich, Whose garments were bordered with Spinach; But a large spotty Calf, Bit her shawl quite in half, Which alarmed that young lady of Greenwich.
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2.4k
There Was A Young Lady Of Greenwich
Pestered and pursued by unknown foes A topsyturvy land where snakes can have horns and cows can have fangs. Night'mares' where the day's stallions make mountains out of molehills A chance to witness greek mythology-like creatures for real For dreamland tis a place for the unreal and surreal. Those hair-raising scary scary dreams beset with horrified silent screams! We do try to interrupt nightmares, pinching ourselves With relief wake up to see there aren't any horrid elves. We also try to interpret dreams filled with mystery But gifted dream interpreters like prophet Joseph Are now part of biblical human history All in all, dreamland's fascination for extra-ordinary exaggeration and tall-tale imagination Where myth and legend come to life An amalgam of fiction or real strife Where assorted monsters of the mind reign supreme in that REM sleep of our kind. Yet on the other hand the wishful, wistful sweet sweet dreams where fantasies form mirages bordered by fanciful seams. Where castles in the air that humans build, float gently down to earth only to shoot back up unto nowhere from the awakened one's berth. In dreamland a pauper girl can be a princess or fairy fair for daydreams extend into the night and linger on there. A quote I took to heart and it to console all and sundry 'that if your sweet dreams don't come true, don't you fret for atleast your nightmares didn't come true either, so just heave a sigh, by and by. Every night let us all just fly away and escape And lo behold the extraordinary world of Dreamscape
0
Aug 9, 2018
Aug 9, 2018 at 7:02 AM UTC
Mankind in dreamland
Pestered and pursued by unknown foes A topsyturvy land where snakes can have horns and cows can have fangs. Night'mares' where the day's stallions make mountains out of molehills A chance to witness greek mythology-like creatures for real For dreamland tis a place for the unreal and surreal. Those hair-raising scary scary dreams beset with horrified silent screams! We do try to interrupt nightmares, pinching ourselves With relief wake up to see there aren't any horrid elves. We also try to interpret dreams filled with mystery But gifted dream interpreters like prophet Joseph Are now part of biblical human history All in all, dreamland's fascination for extra-ordinary exaggeration and tall-tale imagination Where myth and legend come to life An amalgam of fiction or real strife Where assorted monsters of the mind reign supreme in that REM sleep of our kind. Yet on the other hand the wishful, wistful sweet sweet dreams where fantasies form mirages bordered by fanciful seams. Where castles in the air that humans build, float gently down to earth only to shoot back up unto nowhere from the awakened one's berth. In dreamland a pauper girl can be a princess or fairy fair for daydreams extend into the night and linger on there. A quote I took to heart and it to console all and sundry 'that if your sweet dreams don't come true, don't you fret for atleast your nightmares didn't come true either, so just heave a sigh, by and by. Every night let us all just fly away and escape And lo behold the extraordinary world of Dreamscape
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35
Simple nicotine of the great unwashed dean Simply sitting down on the sandy bordered town The village was so windy you could almost call it Indy Boats were anchored in a different type of inn the wind today is warm the sins are left to warn another day will pass as rain and sand c-clash
0
Jul 22, 2014
Jul 22, 2014 at 5:15 PM UTC
Simple Nicotine