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"boor" poems
oh yes, I remember when I was just a lad, I was really quite bad. I remember this one fall, I drove my parents up the wall. Up in the air the conversation flew, And to annoy them more I answered with a "mew". As I climbed the stairs and up into my room, I slammed the door with a loud 'boom!'. I stomped so loud on the floor, And thought "oh, what a boor!'. And up the stairs my parents sprung, Their nattering in my ears rung. I kicked and lashed out, not knowing what would happen next, As I looked down, I thought I was hexed! For if you stomp and kick, You will be changed quite a bit... Long grey ears grew high above my head, "Help, help me!" I plead. Hooves grew down to the floor, And I gasped as I saw... The little boy was no more. Frantically I looked to my parents who said, "I thought this would happen, I guess you need a new bed." Now the boy is no more, My parents bought a farm with a large moor. And I help out more now, As my job is pulling a plough!
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Mar 1, 2016
Mar 1, 2016 at 11:14 AM UTC
Don't be naughty children
Oh what is that country And where can it be, Not mine own country, But dearer far to me? Yet mine own country, If I one day may see Its spices and cedars, Its gold and ivory. As I lie dreaming It rises, that land; There rises before me Its green golden strand, With the bowing cedars And the shining sand; It sparkles and flashes Like a shaken brand. Do angels lean nearer While I lie and long? I see their soft plumage And catch their windy song, Like the rise of a high tide Sweeping full and strong; I mark the outskirts Of their reverend throng. Oh what is a king here, Or what is a boor? Here all starve together, All dwarfed and poor; Here Death's hand knocketh At door after door, He thins the dancers From the festal floor. Oh what is a handmaid, Or what is a queen? All must lie down together Where the turf is green, The foulest face hidden, The fairest not seen; Gone as if never They had breathed or been. Gone from sweet sunshine Underneath the sod, Turned from warm flesh and blood To senseless clod; Gone as if never They had toiled or trod, Gone out of sight of all Except our God. Shut into silence From the accustomed song Shut into solitude From all earth's throng, Run down though swift of foot, Thrust down though strong; Life made an end of, Seemed it short or long. Life made an end of, Life but just begun; Life finished yesterday, Its last sand run; Life new-born with the morrow Fresh as the sun: While done is done for ever; Undone, undone. And if that life is life, This is but a breath, The passage of a dream And the shadow of death; But a vain shadow If one considereth; Vanity of vanities, As the Preacher saith.
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3.2k
Mother Country
Oh what is that country And where can it be, Not mine own country, But dearer far to me? Yet mine own country, If I one day may see Its spices and cedars, Its gold and ivory. As I lie dreaming It rises, that land; There rises before me Its green golden strand, With the bowing cedars And the shining sand; It sparkles and flashes Like a shaken brand. Do angels lean nearer While I lie and long? I see their soft plumage And catch their windy song, Like the rise of a high tide Sweeping full and strong; I mark the outskirts Of their reverend throng. Oh what is a king here, Or what is a boor? Here all starve together, All dwarfed and poor; Here Death's hand knocketh At door after door, He thins the dancers From the festal floor. Oh what is a handmaid, Or what is a queen? All must lie down together Where the turf is green, The foulest face hidden, The fairest not seen; Gone as if never They had breathed or been. Gone from sweet sunshine Underneath the sod, Turned from warm flesh and blood To senseless clod; Gone as if never They had toiled or trod, Gone out of sight of all Except our God. Shut into silence From the accustomed song Shut into solitude From all earth's throng, Run down though swift of foot, Thrust down though strong; Life made an end of, Seemed it short or long. Life made an end of, Life but just begun; Life finished yesterday, Its last sand run; Life new-born with the morrow Fresh as the sun: While done is done for ever; Undone, undone. And if that life is life, This is but a breath, The passage of a dream And the shadow of death; But a vain shadow If one considereth; Vanity of vanities, As the Preacher saith.
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72
i love the way she shows her cleavage and she really shows a LOT of cleavage i tasted her with my eyes she...the most special girl i'd ever want to know to show.....! so much *** for all to see! what a girl she must be! i know her soul contains GREATNESS her soul contains GREATNESS! GREATNESS!! and then we meet well.... .................undressed and after *** what the hell to care about cleavage? she is quite ordinary a boor....really still , i kinda like her i guess its cause we shared something
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Aug 10, 2010
Aug 10, 2010 at 12:04 PM UTC
cleavage
He travels after a winter sun, Urging the cattle along a cold red road, Calling to them, a voice they know, He drives his beasts above Cabra. The voice tells them home is warm. They moo and make brute music with their hoofs. He drives them with a flowering branch before him, Smoke pluming their foreheads. Boor, bond of the herd, Tonight stretch full by the fire! I bleed by the black stream For my torn bough!
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2.4k
Tilly
Come to think of it, Garrison Keillor reads poetry like he'd feign be Bukowski or something. (sonnets #MMMMMCCCXXXII and MMMMMCCCXXXIII) I Bukowski. If I'd known--and there must trail Off seeking an excuse to bother hence With aught. Nor should I have writ these his sense Of our supposed age could acknowledge bail For, since his voice kills any spirit's frail Hope of existance, while he coughs from thence To fiercely say the madness dictates whence As chopped, clipped phrases whereby he'd prevail. And Shelley, who saw further than now's poor Horizon, said art veils her glass whilst through The centries curs as ole Bukowski tour-- To vanish, sans a note. Yet here all who Aspire think vile is tops, our work as twere In vain and refuse. Cuz such never knew. II Lo, ****** Surrey, Wyatt, and aught hence Who bowed themselves to Petrarch's mincing scale, Yes, "polished our erst homely," ruder tale Of lines and poetry, whose manners thence Became refined thus as we yielded, whence Far more rebelled than dared submit, t'assail What set us 'part from beasts as if in frail Excuse to cavil suited their intents. He said the "mountaintop" was mine as twere T'enjoy, but if I wanted friends maunt do, As they all wallowed in the mud, each boor Disgusted save by filthy scents. Sans clue Of our high calling meant to raise th'obscure Light for our fellow man, ye can't, who knew. 24Dec15c,d
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Aug 17, 2016
Aug 17, 2016 at 9:18 PM UTC
He'd Flip Me the Birdie...Yes, Fallen From Grace
The woods have stored the rain, and slow comes the smoke As rice is cooked on ******* and carried to the fields; Over the quiet marsh-land flies a white egret, And mango-birds are singing in the full summer trees.... I have learned to watch in peace the mountain morningglories, To eat split dewy sunflower-seeds under a bough of pine, To yield the post of honour to any boor at all.... Why should I frighten sea gulls, even with a thought?
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1.6k
In My Lodge at **** Chuan,(After a Long Rain.)
The only difference between me and her She's an angel I'm a boor rustic.....
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Jun 9, 2015
Jun 9, 2015 at 5:27 PM UTC
Angel meeting rustic druid
She is who she is, a classy sassy  woman. She drives a tractor with the best of them. She can use an emasculator, hog tie a calf, castrate a boor, Knock some sense into a 500lb steer, give a rooster the what fore. She is the Queen of her domain. And She wants an extraordinary, mad love, full of passion anything else is a waste of her time. She lives wild and works hard. She doesn’t have time for midcore, life is full of midcore and she’s had enough. She wants a life full of flavor, color, texture, good food, good whiskey, and passion. But Her mouth, woo she has the vocabulary, of a poorly-educated sailor. and She can tell you where to go, then make you look forward to the trip. She’s easy to underestimate, you know that harmless girl next door look, a little nerdy funny is a sarcastic sort of way. She’s been over looked often, and shakes it off, until she walks away never to look back. That’s when you realize what you lost. And what a loss, No one will love you like she did.
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Apr 24, 2020
Apr 24, 2020 at 9:58 PM UTC
She
Do you know people That hate people For what they are? Don’t invite those people Into your car. Do you know people That hang with people That steal from the poor? Do not vote for such a boor. Do you know people That insist other people Have to worship like them. Their minds are dim. Do you have friends That like to steal? Show them all The back of your heels. Because one thing Will prove to be true; They will steal from you. Do you know folks Who gossip madly? Ignore them or Treat them badly. Then maybe some day They will just go away. Do you know some Who ignore their kids; Neglect them every day? Tell those people off Somehow, some way. And if that doesn’t work, Call the cops on the **** Do you know some politicians Behave like snobby patricians? Don’t suffer and protect them. Don’t elect them. Ostracize them as rotten louts Then, quickly vote them out! Do you think you can’t Make a change that counts? Find these fools and pounce. Let them know your mind. Don’t just sit there blind. Get mad as hell. Then rebel!
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Jun 13, 2015
Jun 13, 2015 at 4:57 PM UTC
CRIME RHYME
Title-out of place- by meself. A boor I am to peasantry's sultry disgrace, cargo to be tended, I subsist unamended, how childish I play these games. Liquer buds, saltine love crumbles beneathe day room lock-outs! Eyes stare ablazed, the hued sunset repeadily turns masterpiece of horrid honeymoons idealistic and realistic to discussions seeming strange. Partial bodies secrete the grassed out hills, morning calling awaits.,,,,,
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May 9, 2015
May 9, 2015 at 11:03 AM UTC
out of place
i never understood why people decided to couple such symbols into images esp. in fictional narratives rather than see the sound in lipstick smooched for symphony; how hard you try, the a to z will not provide you with a mental cinema image of a giraffe; more like a gaff, and what's a gaff in photo? leopard on giraffe or a giraffe on a leopard, because it's all very fine telling the narrative of traffic coordination evolution coming back from africa with the zebra to suit pitchfork stoppages in hay on the redneck lazed walk. the sole reason why it's understood: fiction is the use of lettering for the creation of images, poetry is the use of lettering a bit like a waterfall for a bored emperor apprehensive of the sound of thinking; and philosophy is the reverse of all that, strike two flints together, and enter the realm of ideas with the onomatopoeia of the image - given that onomatopoeias act like surgical scalpels, or a miscarriage of ideas bundled up for something else by kandinsky; actually, saying that, onomatopoeias are images in motion, prior to the movies, when all you had was a painting embraced by a fancy rim - still life of decay of the royal flotilla on the thames with a mouth moving: chatty chatty boor of a bloke who talked. i see the dead sea when i cry, and i wager a salmon with other sea fish cropping up flying into a butterfly net: before the assemblage of bacon into the mouth watering eye. i see the dead sea when i cry, and i wager to have seen a thousand flamingos strut invoking tide - on a boneless march into marsh of a bubbled gill of fish popped for whatever name alive, or dead in the disco crescendo for a nixon: tears of a robot had always the glory of man laughing akin; since annexed was the dualistic ambiguity of the theatrically mistaken two masked.
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Sep 14, 2015
Sep 14, 2015 at 8:27 PM UTC
a revisionist's dialectics on salvaging
i never understood why people decided to couple such symbols into images esp. in fictional narratives rather than see the sound in lipstick smooched for symphony; how hard you try, the a to z will not provide you with a mental cinema image of a giraffe; more like a gaff, and what's a gaff in photo? leopard on giraffe or a giraffe on a leopard, because it's all very fine telling the narrative of traffic coordination evolution coming back from africa with the zebra to suit pitchfork stoppages in hay on the redneck lazed walk. the sole reason why it's understood: fiction is the use of lettering for the creation of images, poetry is the use of lettering a bit like a waterfall for a bored emperor apprehensive of the sound of thinking; and philosophy is the reverse of all that, strike two flints together, and enter the realm of ideas with the onomatopoeia of the image - given that onomatopoeias act like surgical scalpels, or a miscarriage of ideas bundled up for something else by kandinsky; actually, saying that, onomatopoeias are images in motion, prior to the movies, when all you had was a painting embraced by a fancy rim - still life of decay of the royal flotilla on the thames with a mouth moving: chatty chatty boor of a bloke who talked. i see the dead sea when i cry, and i wager a salmon with other sea fish cropping up flying into a butterfly net: before the assemblage of bacon into the mouth watering eye. i see the dead sea when i cry, and i wager to have seen a thousand flamingos strut invoking tide - on a boneless march into marsh of a bubbled gill of fish popped for whatever name alive, or dead in the disco crescendo for a nixon: tears of a robot had always the glory of man laughing akin; since annexed was the dualistic ambiguity of the theatrically mistaken two masked.
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17
On the surface of the moon, high in the sky and far out of sight. Lives a creature, in a crater, half in shade, half in light. The creature has a snarky grin. And that is where this story begins. People find it hard to describe the creature they see. “he’s tall” some say, others “he only comes up to my knee”. Some say he has two legs; some say he has four. Some say he has six legs; some say he has more. Some say he has two eyes, a nose, two ears and a mouth. Some say he is charming; others say his charms are leaving him, heading south. But one thing that is known for sure. Is the creature that lives on the moon is a frightful old boor. He has no words, no small talk, chitter chatter. He doesn’t pass the time with a friendly natter. He slinks and slithers. He glides and shivers. A snake, I hear you cry but “no!” This creature is not a snake, he's neither fast nor slow. He lives on his own and seeks no crowds. He shouts at you “turn the music down”, if it gets too loud. Some say he's a dinosaur, one hundred years old. Some say he's a young un with a heart of gold. The creature that lives on the moon, is happy being one of a kind. He's happy being himself and has no desire to be refined. The creature that lives on the moon, is happy in his own skin. Makes no difference to the creature, if he has no known kith or kin. The creature that lives on the moon, makes no judgement of what you wear. Makes no judgement of how you choose to style your hair. That is why the creature that lives on the moon is welcome to attend his neighbour’s parties. That is why they welcome him with arms open wide, wholeheartedly. The creature that lives on the moon is pleasant to them all, but he has no desire to be the star of the ball. By preference, the creature sits alone in his chair, he does not speak, he does not stare. He just enjoys the moment, living without a care. He has no shackles; he is not bound. The creature is content living life in his crater, he has no wish to be found. The view he has before him of the planet below is a glorious sight. A sight that waxes and wanes with the season, sometimes he is in the shade, sometimes eclipsed by the light. A sight he adores and is grateful for. A sight he is happy to be considered a “frightful old boor”. When you see the moon in the sky at night. Look for the creature, who lives in a crater, sometimes in shade and sometimes in light. Give him a wave and say a prayer thankful he continues watching over the planet below from sunset to sunrise; from the time your head hits the pillow until the time you open your eyes. Sweet dreams. ©Jacqueline Mead 2020
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May 30, 2020
May 30, 2020 at 11:28 AM UTC
The creature that lives on the moon
On the surface of the moon, high in the sky and far out of sight. Lives a creature, in a crater, half in shade, half in light. The creature has a snarky grin. And that is where this story begins. People find it hard to describe the creature they see. “he’s tall” some say, others “he only comes up to my knee”. Some say he has two legs; some say he has four. Some say he has six legs; some say he has more. Some say he has two eyes, a nose, two ears and a mouth. Some say he is charming; others say his charms are leaving him, heading south. But one thing that is known for sure. Is the creature that lives on the moon is a frightful old boor. He has no words, no small talk, chitter chatter. He doesn’t pass the time with a friendly natter. He slinks and slithers. He glides and shivers. A snake, I hear you cry but “no!” This creature is not a snake, he's neither fast nor slow. He lives on his own and seeks no crowds. He shouts at you “turn the music down”, if it gets too loud. Some say he's a dinosaur, one hundred years old. Some say he's a young un with a heart of gold. The creature that lives on the moon, is happy being one of a kind. He's happy being himself and has no desire to be refined. The creature that lives on the moon, is happy in his own skin. Makes no difference to the creature, if he has no known kith or kin. The creature that lives on the moon, makes no judgement of what you wear. Makes no judgement of how you choose to style your hair. That is why the creature that lives on the moon is welcome to attend his neighbour’s parties. That is why they welcome him with arms open wide, wholeheartedly. The creature that lives on the moon is pleasant to them all, but he has no desire to be the star of the ball. By preference, the creature sits alone in his chair, he does not speak, he does not stare. He just enjoys the moment, living without a care. He has no shackles; he is not bound. The creature is content living life in his crater, he has no wish to be found. The view he has before him of the planet below is a glorious sight. A sight that waxes and wanes with the season, sometimes he is in the shade, sometimes eclipsed by the light. A sight he adores and is grateful for. A sight he is happy to be considered a “frightful old boor”. When you see the moon in the sky at night. Look for the creature, who lives in a crater, sometimes in shade and sometimes in light. Give him a wave and say a prayer thankful he continues watching over the planet below from sunset to sunrise; from the time your head hits the pillow until the time you open your eyes. Sweet dreams. ©Jacqueline Mead 2020
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44
Where do society's extremists abide? Rallies and Racists go side by side. BBQs offer up well-done bigots; On Jordan's lap dance the zealots. Dogmatists rant in wild front rows, True believers don't put on such shows? Sexists cower in coastal Compounds, Sects marry often in Salt Lake towns. Troglodytes tan beneath southern suns. Sepratists hold their final stand On this side of The Rio Grande; Fanatics occupy far Left and Right, Partisans Op Eds are meant to enlight. Mysoginists grab till they have blisters, Huns and louts date brothers and sisters. Philistines take our private spaces, And whistle-blowers can't show their faces. Of all the ists I know and abhor, The musicist is a bigoted boor; A connoisseur I abjure, Who chooses tunes he insists Are superior than my interests, And disses tunes I like best. So now I'll lay my needle down, I've turned the table that goes round, And plead musicists won't hesitate To enjoy the tunes... don't discriminate.
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May 19, 2023
May 19, 2023 at 9:41 AM UTC
The Musicist
My bar is unique A bar-less bar Whoever joins it Becomes a star The rich or the poor The Civilized or boor Feelings don't injure Equal treat assure Color or the creed Country or breed Such ideas don't feed Serves without greed Bathed in divine light Its visitors don't fight In their drinks delight Here Santa's gifts blithe Bar girl in divinity shines Serves the 'Soma'* divine Come here, dance and dine Ill wills to Krishana** consigne
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Jan 17, 2012
Jan 17, 2012 at 10:07 AM UTC
My Bar
It is the era of aerosol and quick drying paints. Nocturnal beings of angst and rage, tags with demons mocking saints. Turn on the news, what do you see? Testament to the world's misery. Cheap lit tunnels of black and beige, for the righteous 'tis the perfect stage. From boor to bold, in quick fashion, magnificent walls of exploding passion. Social themes? Put a dash in. Something about food stamps or field rations. The can is violent, the man is not. Only the walls it fought. Bombing the streets while promoting world peace. Feel the wrath of mighty pen, I dare you- paint me white again.
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Oct 21, 2010
Oct 21, 2010 at 10:54 PM UTC
Bomb-It
“Peace on earth and goodwill toward men, HA! What a lot of spoilt berries that is… They’ll come around in due time, due time, due time… Sure they will, They will come around when they need something, When life’s got them down, Oh yeah, they’ll be calling out to you, you sucker… HA! Their hearts are what? Whatever that means, It’s just useless with you, all trial and error but nothing after endless, endless errors? *Why won’t you just give up and concede that I have won? I have you know…* Who? You know-it-all who knows nothing at all about these animals, Abounding love; a principle of heinous fish guts peppered about in a humid swamp of detritus! You boor me so… Peregrinating pompously and presumptuously until paused as Procrustes pontificates on my behalf! You’re a loser, and I think, I think you know it. Ha! I’ll have them carve you the most magnificent sarcophagus ever seen…oh yes, it will be… All you gotta do is lie in the bed they made for you! Admit that I have won! Mellitz, "Has won…”
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Jun 6, 2016
Jun 6, 2016 at 10:05 PM UTC
A Devil of a Conversation...
Title-out of place- by meself. A boor I am to peasantry's sultry disgrace, cargo to be tended, I subsist unamended, how childish I play these games. Liquer buds, saltine love crumbles beneathe day room lock-outs! Eyes stare ablazed, the hued sunset repeadily turns masterpiece of horrid honeymoons idealistic and realistic to discussions seeming strange. Partial bodies secrete the grassed out hills, morning calling awaits.,,,,,
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May 9, 2015
May 9, 2015 at 10:09 PM UTC
out of place..
Today, I was scolded Was told that I was a boor; That I had, inadvertently Rendered some holy cattle Of theirs a death rattle A battle I won, without knowing I had even fought, thought I was just being amusing, Somehow confusing my path Down through the tulips As a meander down the apse Of some secret church. Unfair! I was unaware. And even now, I fear I care Far less than they do About their holy cows. I didn’t then, I don’t now. But, I have accepted, long ago That, with social networking I simply has to be so That people will be offended; Starting open-ended rancor, Scoring slash after ****** slash Across my Mr. Perfection sash Granted me by nobody but me, And that they will put a smudge By bearing a grudge About what I see As a trifling inconsequentiality. But is their cathedral, Their Mecca to bow to And thus I will be the target Of slings and arrows. Shall I be sure to only speak If I speak plenty of inanities Muttering banalities about love And the weather and books Shall I fear the looks, the scorn Born of misunderstandings Taken as mishandling The hearts of the tender And render myself informationless, Opinion free, without personality Speaking when spoken to eternally So I don’t trip over hidden wires, Don’t **** on burning fires Of pet peeves, rip off the sleeves Of hair shirts, do idols dirt? Is that the way it should go? I don’t think so. But, what do I know? I am the scurrilous, stumbling fool Who ****** in someone’s pool And told them it was raining.
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Jul 8, 2015
Jul 8, 2015 at 1:04 AM UTC
TIMELINE
Today, I was scolded Was told that I was a boor; That I had, inadvertently Rendered some holy cattle Of theirs a death rattle A battle I won, without knowing I had even fought, thought I was just being amusing, Somehow confusing my path Down through the tulips As a meander down the apse Of some secret church. Unfair! I was unaware. And even now, I fear I care Far less than they do About their holy cows. I didn’t then, I don’t now. But, I have accepted, long ago That, with social networking I simply has to be so That people will be offended; Starting open-ended rancor, Scoring slash after ****** slash Across my Mr. Perfection sash Granted me by nobody but me, And that they will put a smudge By bearing a grudge About what I see As a trifling inconsequentiality. But is their cathedral, Their Mecca to bow to And thus I will be the target Of slings and arrows. Shall I be sure to only speak If I speak plenty of inanities Muttering banalities about love And the weather and books Shall I fear the looks, the scorn Born of misunderstandings Taken as mishandling The hearts of the tender And render myself informationless, Opinion free, without personality Speaking when spoken to eternally So I don’t trip over hidden wires, Don’t **** on burning fires Of pet peeves, rip off the sleeves Of hair shirts, do idols dirt? Is that the way it should go? I don’t think so. But, what do I know? I am the scurrilous, stumbling fool Who ****** in someone’s pool And told them it was raining.
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54
My array once glowed in the sky that this horizon cried for winds that she boor in the afternoon if I absorbingly flew into her midst and like a rabbit in my throat that fed till she ware in that middle this certain bloom that tired at my linchpin she found with much regard that I saw her tomorrow a swirling zest in my caper.
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Sep 21, 2017
Sep 21, 2017 at 2:21 AM UTC
My Array Glowed
I went to the place That looked like Shawshank The old hallways were a boor Yet strangeness still remains Sink's got clogged up The bathrooms Fifty years or so The movie section was odd I felt the distant show's But I had to get back Home Where all is safe and warm I went to the old Shawshank Where society still Mourns
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Aug 10, 2015
Aug 10, 2015 at 5:15 PM UTC
Society still mourns
One may observe one's quite absurd, And question why one's not deterred, When one hears what one's observed. One's world abounds with wondrous places, Peopled with mosaic races. When one blurts out a black man's black, One says one's not a Democrat. If one detects one's hue of skin, One says one's not Republican. But one is blamed for mouthing words Like Indian, Paddy, Jew or Kurd. One's innocuous indiscretions Has one's eyes rolling on occasions. Should one be blind to the homeless, Then one can't see one's not blameless. When one supports a Pride Parade, One proudly says one's not afraid. If one's an anti-abortionist, Then one must help the Innocents. “The sick and dying are a great expense,” One yells demanding the same treatment. One preaches hard-line on foreign shores, Would **** the ******** in one war. One's a diplomatic boor (And one's glad it's there and not here). If one knows one conceals a gun, One's compensating for the wee one. If one encounters a common thief, One should keep one's company brief. Should one hear a politician, One needs to separate fact from fiction. One sees terrorists everywhere From the confines of one's chair. One speak of one's impending doom, Looking out from one's room. There's so much angst one lays on one, Yet we are one, We're not one. Our time here has ebbed, Will flow, One must leave. One must go.
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Jun 3, 2014
Jun 3, 2014 at 11:05 AM UTC
One on One
Sanmati, my source, is not a boor As she never thinks to sore; Nor does she at night snore. Many do many times deplore Against me or her to explore Timeless expedition to score Illicit behavior; proscribe more, Jot down less. But not yore All will succumb to us, I swore, Illegitimacy! Come thou and pour Nectar on those who still soar.
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Aug 13, 2017
Aug 13, 2017 at 10:38 PM UTC
Sanmati Jain – A Source, Part - I
When the recusants stand before the porcine boor in fetters ... As the Fifth Estate is flat lining around us , the Constitution twisted till it finally shatters .. The Military in pursuit of its own , bestowal of civil liberties shot full of machine gun rounds ... Bloodhounds bay with the scent of dissidents , storm sewers turn into raging red rivers ... When martial law pulls the rug from beneath our feet .... When broken glass covers every downtown street .... I will pray for something to take you down ! I will long for someone to take you out !
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Feb 3, 2016
Feb 3, 2016 at 9:19 PM UTC
Monster Lying in Wait .......
Hope Above Dark. Shadows too weak to walk or stand Words too weak to be understood light are nothing but light our world as dark as night even in the light All poor, rich and poor man can sing to butter fly no more lost, maplees and boor celebration of life is all we have they say when there is life there is hope well hope a good thing . The last friend of man sometime, most time where art thou well we salute you, I salute you through world war I, world war II, the civil wars and capitalism you seem to exist. Where are you now? Suru your sister was constant with us like you. For over one hundred years she lives. But not long Biafra is coming once more. Militants in creeks to aid her Bokoharam is here Who are you? Giant of Africa they call you. The air tells me you are the stone of the savannah. Brother and sister, imporvished or bewealthed pray cause that all we can, for a generation with a soul under this diamond sky we live . # peterpraise TN entertainment.
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Sep 6, 2016
Sep 6, 2016 at 6:11 AM UTC
Hope Above Dark.