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Tife Ibinaiye May 2014
There are many bonds other than friendship
Bonds we don't understand
Bonds we don't need to understand
Bonds that are nameless

Bonds that are just meant to be experienced
Bonds that don't have boundries or limits
Bonds that bind the heart together

Bonds of passion
Bonds of love
We can't always explain how we feel
Mateuš Conrad May 2016
only today i came across what interested Heidegger
after writing being and time, a selection
of essays, revealing that he came to be interested
in language - not knowing this, by mere study
of the introduction some things became apparent -
being quiet democratic in my reading it's a shame
i don't have the academic leisurely pace of becoming
a Heidegger specialist - it's the almost damnable
pulling-apart having to cite many influences and not
focusing on one, but since i don't have academic
leisure, the summary in the introduction
by jeffrey powell (editor) of the book heidegger
and language
will just have to do: apropos this
being an antidote to those bemoaning that we only
write about reading books, carefully choreographic
our lives for mints and espressos and ammoniac
(inhalants in a boxing ring nearing a knock-out) -
hide pretty bird, hide, hide pretty pretty bird
first your song inside a cage, then the cage inside
the heart, and thus the song with the cage,
silenced inside the cage, raging mad inside the heart.
well, the antidote is that i already have some ideas,
and reading the essays contained in this book would
put me off what i was intending to write about,
so, in summary, read the major work, then read introductions
of critical books from those studying the subject,
invent an original approach from that, and elsewhere.
before i venture into the whole affair of having to
reread certain passages from the introduction as to
guide me in this Bermuda Delta i what to do a little
sidewinder interlude:
in chemistry there are two major bonds (for the purpose
of what i'm intending, let us just assume that
we're only talking about π and σ bonds) -
and while psychology dehumanises man to strict
theories without clear proofs to a universal standard,
i want to do what will come later regarding Heidegger's
take on language, for me there's no clear philosophical
vocabulary to be used - i'm not into orthodoxy and
rigidity which says

                piquant sun strokes against
                the bargains of spring's last
                hope for a kept bazaar
                to bloom to then deflower
                petals from trees fall to earth
                like glasses, the tree stands
                as a reflection of shattered glass
                the petals remain the tree intact
                worn at the Royal Ascot
                or in a woman's hair.

obviously something like this is a poem - what i mean,
however, concerning what's identifiable as philosophy is
to me the following:  
                                        blah = monotone x algebraic
                                                    for­ non-differential
                                                    purposes, just filling up
                                                    the page

            blah blah blah blah blah blah subjectivity blah blah blah blah blah blah essentially blah blah blah blah blah blah in-itself blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah thing-external v. thing-internalised blah blah blah blah blah blah blah blah blah blah blah metaphysics blah etc.
                      
                          and so on and so forth, a fixation on using a certain vocabulary to be equivalent or justification to be "apparently" talking philosophy... yet still no gain from the words of grammatical categorisation... for me? too many propositions, the basis of what the academic environment deems to be "pure" verbiage, or none (akin Wittgenstein) - that famous quote about a lion and having tea on Tuesday... or as Buddha would say: said so to shatter thus the fear of ketamine thoughtlessness;

but that's beside the point, i want to return to
how any chemist might treat psychology as a science,
keep it up to date, given that psychology likes
to shove its nose in everyday activities for a strict
expression of equivalent rubric that mathematics already
possesses and shoves into a child's brain to make
the child become accustomed to symbol encoding;
so π and σ bonds, let's say between two carbons atoms...
but in psychology we don't have the luxury of
many alternative examples...
me and language: to write in terms of optics,
to encode images rather than sounds,
language as optometry rather than a hearing-aid...
so what "elements" do we have in psychology,
essentially what defines consciousness, its sub-plot
and its unfamiliar territory - the using the dusty
Freudian units, we know the concept of the superman
(superman was a bad bad boy) from Nietzsche
evolved into the super mm hmm, and we know
there are two other units, mm hmm and the id /
it or that? it is for me, that is for scalpel for the analyst,
the prober, unlucky for the person who took to
objectifying himself, but better than being objectified -
still, remember i'm working with language in terms
of optics rather than phonetics - enough organic chemistry
diagrams and you will see that the bonding between
mm hmm, the super mm hmm and the gemini id
(one the patient, the second the analyst) trapped inside
an electron cloud of bio-electric processes is rigid and
stable due to the opposite of π and σ,
i chose the optic route using the bonds δ and ψ -
symbolically δ is the mathematical term for sum -
summation, the total of - currently i have no clue about
the significance of ψ just yet, but ψ is a symbol of
psychology like caduceus is the symbol of medicine;
a brief expansion on the natures of the bonds,
quack-science δ bonds being all alike meaning uniform
meaning holding every aspect uniformly, meaning
that a δ bond is of the same nature between mm hmm
and super mm hmm in a petri dish within the
solvent of the conscious sub-plot, likewise other variations
δ bonds are uniform bonds, i.e. ensuring one detail
is related to the other, and so to others.
ψ bonds, not much expansion here as promising detail,
asthma the highest research of breath, and all
major theoretical squeezing through the Suez -
depending on the measure of breaths, we can depend
on the internal things - but never so much Pamplona encierro
cleaning-up to do theorising an affirmative sound
like mm hmm, or other affirmative synonyms -
if it were can *****, it would be mince rather than
a clean dissection - mince meat, should mm hmm be
not an *****, let alone a body. so many attachments
to mm hmm these days, it should be attached to zoological
studies than activities of breathing: theory as a cage,
one after the over, eventually not even cages but
the caged animal turning into matryoshka doll -
Kant doesn't venture into the dynamic of his thing-in-itself
represented by the matryoshka as ad continuum -
maybe he does, but to me here merely pinpoints it,
coins the phrase noumenon and ensures the thing
is opened, god or nothing is put in it, the thing is
closed, locked and the key to unlocking it is thrown
away and never found (i'll mention a short process of
his argument some other time, most notably his
three impossibilities concerning proving the existence
of god: ontological, physico-theological and cosmological).
yes, i know, when reading these ****** books
i have to paint the arguments, i need to simplify
them, a poet reading a philosophy has to paint
the words - the best poetic technique applicable to
understanding philosophical books is imagery,
not as a technique of for the purpose of writing my own,
but as a way to paint what was written by some boffin -
precursor to understanding the three impossibilities
of proof, i find it strange that such proof is necessary,
what would you do with it? prove it once on
paper, or in your head, show it to everyone and then
slowly everyone is able, then the so called "man in
the sky" - it seems strange that scientific positivism
of the Enlightenment supposed such a proof, the proof
is more implausible than the existence - Bertrand...
just smoke your pipe and sit in the easy-chair talking
******* with Wittgenstein... more on that later.
i promised quotes from the above mentioned book
(heidegger and language)...

           das wort kommt zur sprache,
             das seyn bring sich zum wort.


working from phenomenology, to later reject it,
thus precipitating the school of deconstruction-ism,
and with Heidegger we do get to atomic elements
from words, from compounds, thank god there are
no sub-atomic ventures with language, quiet impossible
to de-construct language beyond this point,
let's face it, if you go as far as:
'as preparatory for raising the question of being...
language is one of three constituent moments in
the analysis of the being of the da in dasein (being there)'
furthered by equal atom bombardment replacing
the un-compounded sein (verb, be) with seyn (conjunction /
noun, being) - this is modern physics to my understanding,
i'm not particularly interested what he's saying,
i'm interested in painting what he's saying -
i'll spare you the details of what philosophical systematisation
is actually involved in: restricted vocabulary -
a certain limit is allowed, rigid meanings are involved,
rigidity of drilling in of non-deviation, philosophical
systems are not dishonest in that they are consistent with
a limited vocabulary - i will spare you the torture of
seeing one ball being juggled - the shrapnel of the English
language makes it even more distracting to understand,
as with the above, another e.g.?
'every saying of beyng is held in words and meanings
which are understandable in the view of everyday
references of beings, and are exclusively thought in
that view, but which as expressions of beyng,
are misunderstood...' of course i could be cherry picking
Heidegger like a Jehovah's witness cherry picking
the bible, but i'm not interested in what he's saying,
merely painting you the picture, to scale then:

books                      -              celestial objects
chapters                 -               cycles of celestial objects
paragraphs            -               prime features of
                                                 celestial objects
                                                 (e.g. Jupiter's red eye,
                                                  Saturn's ring,
                                                  Earth's oceans
                                                  and continents)
sentences                 -              
words                       -
syllables                   -
letters                        -             atoms / elements  
                                           ah, it was going oh so well,
i think i started too big, and went into too small,
which made visualising sentences and words and syllables
hard to compare what could fit between
Australia and and atoms of RuXe - by chance ruxe is
an actual word, no as stated ruthenium and xenon,
although that too, ruxir (ruxo, ruxin, ruxido) in Galician
meaning to roar.
FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99
Added today to commemorate the birthday of Carl Sandburg
There is no more painful love
than unrequited love
A heart that is open
pouring out to another
but an empty space
like a vacuum
with nothing in return

Like giving a gift
‘Tis better to give than receive
And the heart offers freely
all of its wonderful presents

Free of expectations
when truly filled with love
It blindly releases itself to another
With a simple creed
‘I am for you’

Like the wall of a dam
suddenly letting go
A deluge of emotions
Thoughtful, interest, caring, warmth, love
A flowing waterfall
of Niagara proportions

However, without intention

which goes without saying
since the truer the love
the blinder it be

The vacated space
creates a sudden vacuum
A sharp, deep pit left
where once all of itself was housed

For a brief time
the heart is unaware
still glowing in the warmth
from the happiness and joy
of the love it gives

But slowly the glow fades
And the presence of the empty space
becomes more obvious
and apparent

A coldness sets in
An addict looking for a fix
The heart desperately seeks
in return what it has given

Never intending to give with strings
but so it finds itself
now tied to another
with the strongest of bonds

The intense fulfilling feeling
once experienced
Replaced with anguish,
longing, loneliness and pain

The mind and heart begin
an epic civil war
Feeling the torment
and seeing the destruction
the mind invokes all its resources
to break the bonds
the heart has created

But with hope that is
almost sad and pitiful
the heart refuses to let go
So sure of the ties it made
And fighting back with all
of its might to defeat
any attempt
the mind has
to remove the bonds of love

A man at war with himself
will find himself at war with others
And so, the inner conflict
resonates outwardly
displayed aptly with defiance
and destruction

Like a pebble in a pond
each action creates ripples
Slowly at first
but then with exponential speed
a life is destroyed
leaving only a broken
and beaten shell

And after all the destruction
and loss
All of the pain and suffering
The tears and sorrow
At this moment
standing on a pile
of nothing but debris
The mind,
with a sense of arrogance
and certainty,
confronts the heart
and pointedly asks,
“Do you see now?!
Do you see the
error of your ways??
Look what it has cost us!
Do you see the
mistake you’ve made?!”

Without hesitation or waiver
the heart responds
with a steady certainty
that is calm and cool in nature,
“No. Love is a risky venture.
One always, ‘takes a chance at love’.
But I will not admit
fault for trying.
When I love
I love freely and openly
I offer all of myself
without expectations
It’s only when you get involved
and create conflict within
that we have problems
To love is to love
It brings joy and happiness within itself
If it is not returned
then it is not returned
but an open and loving heart
can not feel emptiness and pain for it is filled with love
And there is no greater reward
than finding that love in another
and having another
find that love
in you
Written: March 4, 2018

All rights reserved
Mary-Elizabeth Mar 2014
A bond so great it never breaks us,
Sisters united through blood,  
So far apart,
But so close we stand.

My rock, My help,
My everything.
The bridge between me and the real world.
My life's imaginary without yours

The bonds of sisterhood stand tall and strong.
A bond of friendship, love and laughter
Great memories shared through bonds unbreakable
Will stay with us for life,
For death,  
And time immemorial.

For my greatest friend,
My sister,  
My life!
A note for my greatest friend.... my sister :) thank you **
BeautyinChaos Mar 2018
You held me in place with that commanding look
writhing under your gaze
unable to look away from the piercing sight
and afraid to disobey any order

If it was uttered from your lips
my heart would have soared, stretched, and broken
to be praised by your words
or tenderly touched with your rough hands

I could feel your hand on my neck
squeezing slowly until the blood started pounding
my pain was your pleasure
and your pleasure was my purpose

Little did I know that you would be squeezing too strongly
the ropes were too tight around my waist
the collar choking my neck
no amount of clawing would have made you let go
so I went limp with my love

A submissive gives trust
yields to whoever they believe is worthy
submitting more than their body
but their very essence

A dominant is supposed to wield that trust
to protect and realize the significance of it
not squeeze and suffocate it
pretending that lies warrant trust in return

I could not have been enough for your demands
and you broke the trust I gingerly placed in your hands
Take your bonds and pretend to wrap them around someone else
my being can take no more of your bruising
He tunes the bonds which hang on the mirror of the sea
Revealing deep meanings in the vaguest air
She likes to speak of him to me
When her day catches fire
And loses flair

She tells me of the good things he makes her feel
When he tunes the bonds up and down
Yet she wonders what is real
And if that mirror
Makes her world go round

Perfect joy she says he has shown her now
Seems that her cup runneth over
Yet as serenity takes a bow
Those deep meanings
Fail to hold her

She likes to speak of him to me on her cloudy days
I look through her eyes and see the truth
She tunes the bonds in her own way
And when her day catches fire
He becomes her excuse
Copyright *Neva Flores @2010
www.changefulstormpoetry.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
Journal of Darkness: Assassin and Deceptress


Nov 21, 2011, 8:17:32 PM by ~OmegaWolfOfWinter
Journals / Personal




(description of storyline: all characters in this work are dragons, with the ability to change into a human form. they live in present day society, but have a base in the middle of the desert. there is a library with the history of the world, which is operated by stacra, an organization to preserve the peace in the world. there is a rival organization, the dracra, who wish to take it over. the dracra is led by a dragon named Darkheart, a dragon who has haunted the Scar line for millenia.)
"... sahsa...."
what was that mumbled sasha, a small town girl in modern day USA. she was nearly asleep when the voice called to her.
sasha was usually described as a freak. she was a dragon fanatic, and she carried her favorite books wherever she went, Brink of Insanity: journal of the Wild and the Broken; and its companion, Blood curse:  journal of the Destroyer and the Savage. they told of dragons living in new york who had to bear a family curse and sought a way to release it. the author was only known as "Lucian".
"....sasha...."
i'm sure i heard it that time...
"....come to me sasha...."
she didnt know why but she felt as if she absolutely had to find the source. she was barely clothed but quietly snuck out, leaving small footprints in the snow.
"....sasha!...."
she felt panicked. as the voice grew louder so did her heart, beating quickly in her ears. some sort of animal instinct took over and she somehow Managed to run on all fours. her whole body began tingling, her skin writhing. she looked back and nearly choked: wings and a tail... had grown from her body. her whole body turned white as scales etched their way into life over her skin. her body began elongating and enlarging, becoming streamlined and lizardlike. she was transforming...
"...yes!... just as you said, master...."
"...quiet, kovu..."
sashas vision went dark as she stumbled, barrelling through the snow. when she looked up, she saw an enormous dragon, with scars just like the ones in her book. "she will be a fine student."
sasha was dumbfounded as she saw her parents walk up behind them. "greetings, master Lucian, kovu." said her father.
"and you, rydon."
"y-you...know...?" stammered sasha.
"all will be explained in the morning, sasha," replied her mother.
sasha felt tired and her eyes shut as the ground came up to meet her.
sasha sat alone at the picnic table, surrounded by lucian, her father rydon, her mother sophia, and kovu. "so... you're all.... dragons.... like in my books..." she gestured to the two books.
lucian stepped forward and placed a hand on the books. his hand glowed and the glossy books turned to worn, leather journals. "yes, we are dragons. sasha. and you have done well guarding my journals."
"your... journals? but i thought that these were best-selling novels..."
lucian chuckled, "no no. young one, there are only two other copies of each of these in existence."
"wow..."
her father spoke up now, "so what are you here for, master? is it time for her to leave us?"
"leave?! what do you mean leave?!"
rydon looked worriedly at lucian and then at sasha,"you are dragon, and it is tradition for you to be trained."
"but what if i dont want to leave?!"
her father began to become angry,"its not your choice!"
"then whose-"
lucian's eyes glowed red in anger, "rydon, haven't you taught your daughter respect? surely you would know of my ways by now."
rydon nodded, "i- i'm sorry, master. i don't know whats come over her."
sasha ran, shifting to her new dragon form and flying away. darkheart had warned her of this, that lucian was a dictatoria leader. she asked herself, "why had her father taken his side? why did this have to happen so suddenly? and most of all, what was she going to do next?"
darkheart had given her directions to meet her after lucian made contact. sasha flew, tired as she was not used to the extra limbs.
once she reached the spot that darkheart had told her, she waited and thought things through.
once darkheart arrived, she spoke, "i want to join you. i beleive everything you've said."
darkheart chuckled, "i knew you would dear girl, lucian is the same as his grandfather, they both hounded me and tortured me, for their own twisted ways. i've tried to keep as many as possible from falling into their cluthces. i wasn't able to **** scarheart, as he captured me and forced me into his own body as an energy slave. he tortured me even there, and after he died, lucian, his grandson, got me. he too tortured me."
sasha looked at her in sock, "thats terrible. i didnt know..."
"you couldnt have, darling. those evil dragons keep everything from those who should know."
sasha stood, "i want to be trained. by you."
"really? i warn you, it is quite tough. not all survive. you must be willing to do whatever it takes to stop those vile dragons."
*     *     * 3 years later
sasha was 20 years old, and it was time for her to take on her first big mission: infiltrate lucian's schol and learn everything she could.
sasha had already talked to lucian, apologizing for her behavior so long ago. lucian had seemed hesitant but allowed her in. foolish old bat. she thought. she had been at the compund for a year and a half now and had become familiar with their ways.  sasha would often wonder why she was doing this, and she remembered, darkheart had said that lucian killed sashs's father. she always looked at him with scorn and wished to **** him. but she restrained herself and kept on the facade.
today she felt especially hating towards every master she came in contact with. she passed tsai, lucian's right hand dragon, as he went to talk with the master. she tried to eavesdrop but they were speaking in an ancient, coded language. she growled and her white scales flashed in the sun.


"Lucian, somethings not right about that youngling sasha... she's always watching us, like she's gathering information."
"yes, tsai, i know. i know exactly what she is."
"what?" tsai looked skeptical.
"she's an agent, an informant. for darkheart."
tsai stared, incredulous."wha?! how do you know?!"
"ive been under the influence of darkheart before, as have you. something about sasha is of darkheart's doing."
tsai nodded "even still, is she possessed by her or under orders?"
lucian thought for a moment "i beleive under orders..."
both stared as lucian's son, kovu, walked up to sasha.
*       *        
"sasha! hi!" kovu had taken a liking to sasha since his father took her as an apprentice.
"oh, um. hi. kovu..." *i cant let my emotions get in the way of my mission!
"how have you been?" sasha felt herself blush under the gaze of the drake. he wasnt half-bad to look at, and she often caught herself watching him.
"i'm doing great, training with tsai is always fun. what about you and master lucian?"
her eyes darted to her master, her target, then back at kovu. "you mean you're... dad?"
"yeah... my dad... but we students can only call them by their designation. even master scaleweaver calls some elders master."
sasha's ears pricked up as she heard scaleweaver's name. she was assigned to gather information on all of the masters. i must make madame darkheart proud... i am worthy... she must see that...
"is... something wrong, sasha?"
she caught herself, "n-no i'm just tired is all... just tired..."
her master lucian came toward her what a fool, he doesnt even know about me... "sasha, i need to speak with you.... alone."
kovu difpped his head and backed away respectfully.
"sasha, come."
she swallowed her pride and said, "yes... master..." and followed him.
once they were outside, lucian turned to her and said, "i know, sasha. i know that darkheart sent u here to gather information on us."
sasha's eyes widened and her mouth dropped. she thought hard how?! how does he know?! this cant be possible....
"i-i dont know what youre talking about, master..."
lucian turned on her with a peircing gaze, and made her wince as he studied her. "there are better ways to lie, youngling... but not to me. ive known for quite some time now."
sasha felt her legs give out beneath her. she sat, looking into the dust, listening incredulously at lucian. "how... how do you know?!?!"
sasha ran forward, clawing at lucian's throat. she was instantly frozen in place, an immensely strong spell holding her legs in place.  "let me go, lucian!"
"its master to you, youngling. and why would i let you go? you just tried to **** me." sasha struggled helplessly against her bonds. she saw lucian mutter something and felt her legs grow suddenly cold. she looked and gasped as ice started to creep up her haunches.
"lucia-master, please let me go... i was only under orders."
lucian chuckled, "how did darkheart get to you?"
"i can't tell you..."
"oh? then let me guess; theres another informant, a higher up in stacra, who told darkheart about you and she arrived, possibly a week before us? she fed you a story of stacra destroying the world and trying to take over the one that they created. she told you that she was only trying to help restore order. am i close?"
sasha felt naked under the gaze of the elder, who saw straight through her act and through her commander's plan. it made her heart quicken and her scales writhe. she felt a sharp pain as the ice crept up and chilled her thighs, creeping steadily upwards. "how... how can you know these things?! darkheart said you wouldnt be able to know... she said that you held her prisoner... that you tortured her... she said that you- you killed my father."
lucian shook his head and wiped something from his face, revealing gruesome scars. "she altered her face to look like mine... look, and know the truth." he placed a claw on her forehead and she gasped as a flood of memories flooded her, darkheart inside lucian's mind, taking over him, taunting him, and forcing him to do terrible things. she heard lucian say, "she tortured me, she held me captive. its true that stacra destroyed the world, but look also;" she saw the corrupt government of old, and their wretched attrocities. "they brought about their own destruction. we created the world you know, but dont wish it to be taken over, we merely want peace...We act as peacekeepers. darkheart seeks to enslave all to do her bidding. and your father died at darkheart's talons, not mine." sasha saw a gruesome scene as lucian tried to save her father.
she felt him withdraw, and felt the magic and ice withdraw from her, the ice's touch fading from her ****. she shivered and crouched low, warming her body.
"sasha, darkheart is a liar... she's been at it for thousands of years." he watched her shiver and said. "come, sit around the fire."
sasha noddded and followed close behind lucian, hiding her vulnerable state.
"i'm sorry, master."
"all will be okay, sasha... all will be fine.."
lucian brought sasha into his study under his wing. he had her sit down in front of the fire and draped a blanket over her. he sat down behind her, looking over the latest reports, waiting for her to speak. after a few minutes she sighed and looked back at lucian, tears forming in her eyes. "is everything you said true? Is darkheart nothing but a deceptionist?"
lucian looked up at her and nodded. "all of it was true. I'm sorry, sasha. darkheart is a gifted deceptionist and many of us have fallen for her tricks.  including me."
sasha turned back and looked into the fire with sad eyes, tears rolling down her cheek. she shuddered and took a shaky breath. lucian came up beside her and placed a comforting paw on her shoulder.
"darkheart forced me to **** my best friend... a she-drake named Clia... in front of her other followers to show that we must be able to turn on anyone to fulfill the mission..."
lucian nodded, "so I had heard... darkheart has become more cruel than ever."
"l-lucian, what can i do to make her pay?"
lucian thought for a while and then shook his head. "let me think more on this, sasha. for now, let no one know that you are an affiliate of darkheart, it could have deadly consequence. you may remain in here if you wish, or you may return to your own quarters. i have some things to attend to."
sasha nodded to him and gasped as everything went still and dimmed, even the fire seemed grey and frozen.
"wha-"
"sasha... you must tell me now, will you work with me?"
she was stunned. "where are you? what do you mean?"
"you want to get back at her, i know how to. but you must tell me if you will work with me."
"i-i will, lucian. but whhy ask now, and in this way?"
"because, there is someone here, that is going to try to **** you. he was listening to us and is going to attack you with magic. ive cast a spell that will give an apearance of death. just let the magic do its stuff and u'll do fine">
"but wait!"
"you must trust me, sasha."
all of a sudden, everything went back to normal, and lucian was gone, she could hear his fading footsteps.
what was that abou- wait! the killer... she kept facing the fire and listened as she had been taught to the clawsteps of the incoming dragon.
"is it true? you're one of them?!"
sasha turned and gasped, flashing him a shocked, innocent look over her shoulder. "what are you talking about, kovu?"
he was angry, and she was struck with fear. "i overheard you and lucian talking. i heard everything."
sasha turned to face him."y-you, heard everything..."
"then you are one of them! i cant beleive it... i cant beleive i trusted you."
kovu stepped forward and sasha's eyes shifted, trying to find a way out. "kovu, i- i can explain."
"you're nothing but a trickster, a deceptress! dont try to talk me out of this."
her heartbeat quickened, stricken with dread. "out of... out of what, kovu?"
he said nothing but uttered the death spell.
*      *    
sasha let herself go, remembering lucian's spell. but as she did so, she thought about why she was doing this. *to make darkheart suffer...
she heard lucian in her mind. "you'll be going to death-sleep for a while, a few days to make it beleivable. now sleep, sasha... sleep and i will awaken you soon."
"o-okay, master lucian..."
"there is no need to call me master anymore, sasha. from now on, you no longer exist. which is why darkheart will never see you coming. its time... dont worry."
the death-sleep overcame her and she fell to darkness.
*   * *
lucian ran downstairs and saw kovu standing over sasha's body. he put on a facade of dread and said, "kovu.... what have you done?!"
kovu looked at lucian angrily. "you were going to harbor a killer... i took care of the problem."
lucian became angry now, "no, you made more problems. you didnt think... you didnt listen. she was willing to help."
kovu snarled at lucian, "i did what needed to be done. I killed her for you, father."
lucian responded quietly, "you killed a helpless dragoness in cold blood. i have no choice but to arrest you for ******, my son." he muttered a binding spell and blocked kovu's magic. he watched kovu struggle for a moment then went to pick up sasha's seemingly lifeless body. he contacted her mentally, saying, "i'm taking your body in to the infirmary, i'll oversee your examination. in 2 days, i will wake you, when i do, be very quiet."
"yes, sir."
sasha's new appearance was stunning, quite different from the black color of her original scales, she now looked like each scale was a glittering saphire, and her horns and underside were now a shimmering silver. sasha was astonished by what lucian had done, he had also changed her voice and form, making her more slender and agile, he altered her voice in such a way that it seemed that she could charm the heart out of a rock. even lucian who had a mate of his own had to keep himself composed. but he was undoubtedly pleased that things were turning out well. lucian had to change everything about her, her eyes now a deep green, her draconic fingerprint being her tail-tip and spine, were changed to furry mane and a slender diamond tip.
she looked at herself in amirror and remarked how mature she looked.
"you may have to be put in certain situations which may have you exploit some... erm... feminine charms."
"so i'll have to...."
"only if you let it go that far. it depends on you. you said that you'd  do anything to get back at darkheart. these matters are up to your own discretion."
she thought long about this. "i want to g
this is a book i'm still writing.
Matt Jursin Nov 2010
Science says that there's a mathematical equation that explains everything in life.

But I say that not even physics bears an explanation for...the guidelines of attraction.
Our primal reactions are multiplied in...the highlights of passion.

These laws of love that linger like a lanterns lost illumination...
Like the campfire light on a clear night, leaves coals of culmination.

Sweat beads lead to bare threads and bare bodies.
And oh my, how bare bodies lead to imaginations running wild.

Cold winds inspire warm kisses and close skin.
Sincere actions aren't sins.

Bodies wound in union, formed by light and tightly bound.
Together, these twisted vines penetrate the hardest ground...
Together, harmonic souls produce passionate sounds.
Yet, still somehow, love gets lost more than love gets found.

This equation is unending...like numbers off lips that kiss the air.
Body language spoken...Our physical bonds parallel eternity and pi squared.
And you know that every moment that we share is nothing short of...molecular love for the masses...
Now held captive by gravity and magnetism...

See, the last full moon marked retrograde...and if the moon affects the tide of the ocean...and our bodies are roughly 75% water...can we assume that this is the only body powerful enough to keep ours apart?

This gravity...
This pull...
It's pulling me apart...so let me pull you closer, stop pushing me away!
Hold on tight, dont let these planets drift away into a dark rift of decay.

Let your love lap upon this solid stone like a river riffles smooth sandbars into hills of higher ground.

Because baby, without your water on my beach...
I'm nothing but a desert, dry and deserted.
Love, the drug.
Dan Filcek Apr 2017
a lasting attraction may result from opposites,
or through sharing
strength varies considerably;
In general, strong bonding is associated with sharing
attraction may be seen as the result of different behaviors
Although these behaviors merge into each other seamlessly
so that there is no clear line to be drawn between them,
the behaviors become different
as the character of the bond changes quantitatively,
In the simplest view
the space between comes not from
the reduction in attraction of the two    
Instead, the reduction and hence instability  arises from the reduction in energy
These bonds exist between two        
and have a direction in space,
allowing them to be shown as connecting lines  
If one or more  are unequally shared  
Bond results are often much weaker
the bonds that hold together must cease
If the structures that result are not both strong and tough,
In a simplified view the bonding is not shared at all,
In this type of bond,
one has a vacancy which allows the addition of more
These newly added potentially occupy a lower state
than they experience in a different  
more tightly bound position
Not being part of any given bonding may be seen as extreme
a large system of bonds is ideal
This type of bonding is often very strong
more collective in nature than other types,
and so they more easily reform,
This results in malleability  
This bonding reaches far,
stressing the character of the combining  power,
and cannot be said to belong to anyone exclusively.
containing more than one    
Sometimes, the possibility
of bond formation is completely neglected.
It is thus no longer possible to associate
This is a situation when the bonds are broken
They continue to be attracted to each other,
with a significant  luster
But are repulsed by each other.
National Poetry Month 2017 - source https://en.wikipedia.org/wiki/Chemical_bond
Amitav Radiance May 2015
Pick up the strands
Unwounded painstakingly
Making the rope weaker
Hands that held on to it
Now cannot rely on its strength
Weakened bonds may give away
Before it’s too late
Pick up the strands
Let the hands work together
Test its strength
United with passion
Now bonds will be stronger
There was a tiny tea light somewhat hid and tucked away
Was lost; To be forgotten in dark corners of my brain
The other day you called me breathing into it new life
A weak and dying flame now once again stood strong and bright

Tried quelling it with reason; Doused with plenty rationale
No matter what I threw at it would not leave or dispel
Use thoughts as tools or weapons; They are thrown out by the mind
Attempting to slice through the bonds to flame the heart did bind

But no where in my cognition is something quite that tough
In any way could **** that flame or from these bonds be cut
This statement even would be true the weakest of its days
But as I'm talking to you with each word you fan the flame

Was living out a lie and yet was unbeknownst to me
I thought my love for you could die if left and just let be
However, now I know too well this lasting present truth
My eyes saw you and ever since, I've been in love with you
Written: October 23, 2018

All rights reserved.
[Iambic Heptameter format]
GyozaNeeko May 2013
The dull public ruckus of the afternoon train filled the gaps between us.
We could have been part of it,
Drowned so deep in a conversation we could gladly call our own.
But our past selves have already taken invisible
B
R
O
K
E
N
Steps away from each other.
And tucked ourselves in the tight pockets of this companionable silence
As dangerous as the trigger handled by my emotions,
A gift for your forehead.
I will shove all my pain into your being
And watch my reflection crumble to her knees with a familiar cry of agony.
Mauled into frayed flesh in a crimson rose bush
That we had woven friendship wraths from.
And yet, my rasp throat still delivered smoothly.
“How are you today?”

Your usually anticipative eyes
Watched the scenery outside,
Disappearing just as fast as it came.
Did you think of the first day of school?
When we first approached with awkward greetings?
And from a wave and a smile
You start to attach them with questions
Questions that you should be asking me now
Things like
“Do you think we will end up in the same sec 3 class?”
“Do you want to go to ORA with me?”
“Can you save your game? We already hardly bond in class.”
“Are you even listening?”
I was.
I answered every last one,
From the beginning when we stepped into homeroom.
Even the ones you’ve never even asked me.
But now that I come running to you with my stained envelope
Are you still there at your seat?
To tell me
“You know what you need? A good cup of frozen yogurt.”


Now every glance that met
Will be snapped apart like a crisp twig.
Every walk down the corridor past each other,
Will be like two freshmen models on their first runway.
Every move, breath, laughter,
I will always be aware.
Perhaps because your voice
Will always make up for your height in the crowd,
Audible from the opposite side of the hall.
And its only until I let the quietness sink in,
When I have decided to treasure listening to the way you delivered my name,
Leaving your loud mouth like some exotic font.
That till today I still cannot decipher.

What was my height in your crowd?
164cm tall with probably less than half an inch, I guess.
You never noticed how my eyes would wander unconsciously.
Just to wonder
If you still remember I existed,
Somewhere in the pages of your scrapbook,
In the crowd,
Still searching, listening attentively.

Do you understand now?
We are standing at the extreme ends of Newton’s pendulum
Spiked from the illness of our broken bonds.
And I would swing an end so hard I would skewer you
And then the pain will come
Flying back
Stabbing me just as gruesomely.
But it’s so much better
Than disobeying the laws of reciprocation.
My friend, its unfair to be the only one.
Why not requite this one heaven of a pain?

People have pet the conflicted pain like dust off me,
And ignore the bruises that I have willingly punched myself upon.
They taught me
That the heart is a 2-room residence.
Happiness
Sadness
And if you are too happy
Don’t celebrate too loudly
Because you’ll wake the neighbor.

But could it really be helped?
This 1-year worth of what you have given me
You have left 2 party animals as clueless tenants.
Did you understand?
The fact that no matter what silly things we’ve done,
You will always be welcomed home.
And we would continue to drink
Till we are tipsy enough
To walk on the edge of the bridge we have built,
And fall into the hungry rivers
Into the places darker than black
Drowning the air out of our lungs.
But what reason should I be scared,
When you have always been the best swimmer I’ve ever known?
Forever a winner to me,
No matter how many competitions you have paddled out of the pool in disappointment.
It has always been you,
Who would slip over a note to my table,
My hair spilling over its surface in defeat.
Telling me that everything’s ok.
It’s you
Who understood that I was more of a listening person.
Your missing piece to fit your outspoken personality.
You,
The one who could even challenge me to a dance-off just to have the loser ask for the ketchup.
You,
Who could go on forever about a guy you obviously like,
But only say you ‘don’t stand a chance’.
I
The diplomatic one who would arrange you,
Like files in an office drawer.
You
The one who tried to hold us together till the end.
I,
Who failed to treasure your efforts, and share this burden.

And now that you’ve turned down the volume,
And walked out of the door without a goodbye
How am I supposed to handle the next morning, when being sober is an absolute nightmare?
Left alone to wonder what I have done
While we’re drunk, carefree and
Crumbling at the seams.

My dearest friend,
Have I ever told you,
How the number 1
Has always been our own funny little number?
Now if you just take ONE step closer…
Yes, I promise this time I’ll keep my earphones away.
I would point at the signboard above the door
And muse over how your stop,
Is ONE stop before mine.
How your birthday,
ONE day after mine.
Yeah… just like how we are ONE world apart in personality.
Isn’t that why we became like this?
SHUT UP I KNOW I’M A TERRIBLE CONVERSATION HOLDER.
I CAN NEVER PUT MY WORDS INTO THE APPROPRIATE CONTEXT.
BUT YOU KNEW THAT.
You knew.
Now go ahead.
Laugh.
Like how you always do, with that wide grin that reflected nothing but forgiveness,
Stripped down to reveal absolutely no grudges.
Because I deserve it, don’t I?
Because it was my fault,
I was the one, who willingly caused this silent war,
Fraying this thread that I mistook for a hiker’s rope.
There can only be ONE survivor in this meaningless game.
Scold me,
Because there was never such a rule.
I have decided who would be standing alone,
Long ago.
The loser,
The flower that will never find its way back from its ashes.
A.
B
R
O
K
E
N.

M
E.


(hi there. Look I tried ;w;)
Peter J Jul 2018
On flat bank’s where
grass runt reeds grow
waiting for rising tide,
A lone Heron stealths silently
while Gulls cry warning, and dive effortlessly in to a cold sea air.
Pheonix  Peanut and Pandora
stranded on wet mud bank,
wait for their chance to escape
but it’s bonds that need to be severed in their quest for freedom.
Estuary lights dim and flicker in the distance while closer to shore Mermaids sing on the breath of a storm.
Beckoning sailors "come ride the waves"
Siren songs of lost souls and shadows
“Come with us” on this bursting sea.
And they sing with a drowning charm
as fishermen launch vessels under a shawl covered wife's watchful eye.
And yesterdays widows weep, face rained bright from navigational lights.
Ships bell ring in time with a rollicking sea,
Pheonix  Peanut and Pandora
still await their escape but not this night.
While the Heron has long fled this great swell.
No cries now from gulls nor mothers hurrying their little ones to the safety of their coal fired warm homes.
Just the rage of wave riding mermaids that will have their bounty
the heart and souls from a fisherman life.
#Something I dotted down while sat under the brown Laugharne castle gazing  out to sea.
zackery jennings Feb 2016
Bonds formed bring about a great happiness never known and always unique then strife battles hard fought anger grow bond restricting cracking breaking held together by only the most fragile strand... Then like the art of kintsugi we fill the cracks with golden memories growing through the brutality of battle we learn about one another and ourselves filled to the brim with regret for our foolishness we last down the Axe working together to fix this fragile crack filling it ever so carefully with more and more golden memories stronger memories bond renewed stronger  and with a devastating beauty  unbeknownst to us the uniques that made it beautiful made it stronger than we thought possible forever we will remember our beautiful scar
I didn't get the girl but I didn't loose a valued and amazing friend
Farrah Eve Nov 2015
An Envious Soul
For I lack a better namesake is
When a smile is gone because of past vexes
Darkened tunnel
Vision
Don't even pretend that its not there

Love bonds pull tight
Love bonds strangle the light
Love bonds cloud common sense
Love bonds

Let the stars commence

No matter what, my way is lit
If You Looked   for a way to see what I want
It's there plainly

But Windy Days sees nothing
And Envious Soul pulls back curtains to see it all
See. It. All.

Windy Days waste away
Pounding at a bleak future landscape
Windy days sees nothing
It cannot comprehend

Bonds tighten then fray
               Be frightened away
It has become clear, since the Great Recession began, that the American banking and the political, "systems," are 'one-and-the-same' entity. Neither works for the majority of Americans but both appear to be working quite well, historically-compared, in fact, for the richest or most advantaged people.

Life should model to become a, "heaven," on earth for all people not just those at the foremost of political benefit, wealth or talent. This current state of affair is not what Plato envisioned. It is not what the Founding Fathers intended. America should not be about exclusion and private benefit but the public as a whole and the individual inclusion; Every Man a King.

Not Kings among the men who serve them...even Jesus would be appalled.

No one wants to think they are taking something they do not deserve or someone is being forced to accept something they do not want yet it is clear by the recent election that the American people are fed-up and ready to start taking things away. Naturally since they own this nation not the Fortune 500.

At a point greed undoes itself.

Rather than reach that point, the ultimate point of violence, we should endeavor our creative consciousness to alleviate the concerns of the excluded masses as Congress has proven that government can fix major world-altering problems such as the worst financial crisis in modern history. They cannot agree on health care, minority rights or ****** behavior but when Wall Street came begging they had no issues in agreement.

So here we are with a solution for the smallest percentage of Americans that fixed part of the economy leaving the multitude behind with nothing. Sorry, they got something; half of all familial wealth created since the Federal Reserve Act has been wiped out for the bottom half of society.  

Half...

Our economy is a dud. Ironically our central bank along with England's now admit they failed Main Street and furthermore say they should no longer be involved in these kinds of decisions! Yes, Americans should eliminate all of their authority over the finance industry, central banking and monetary policy leaving it the hands of those beggars who ruined it for everyone but themselves and admitted they failed us all?

How about a simple act of Congress to amend the matter?

Declare that all publicly-traded corporations can no longer issue corporate bonds or stock for revenue if they do not offer consumers a prepayment option to their accounts with an interest bearing incentive. From now on all corporations with publicly-issued stock must accept any prepayment towards future consumer services liabilities and pay an annualized interest rate identical to the Fed prime rate.

What corporation would not want to borrow at the Fed prime rate?

When any company needs money for expansion they should have the option to pool money directly from the account holder's prepayment revenue as long as they credit those accounts on all prepayments regardless of usage at the Fed rate. If they do not pay interest they should not be allowed to access the funds until a current invoice for service is generated and due from the consumer. Consumers should be able to earn money by being good stewards and paying off future liabilities early, or if requested, the consumer should receive a check for all of their annualized interest at the end of each fiscal year.

Corporations now need you to finance their dreams and you can finance your own with real interest paid to you since most of these multinational corporations would be bankrupt and gone today had not your bank, The Federal Reserve, issued credit and capital to save them as they whined about the unfairness in the economy.

"Unfair?"

For whom?
Keith Collard Jun 2013
Centipede Valley (A tale of infantrymen in Hawaiian--Twain Style)


'Welcome to the 25th Infantry Schofield Barracks Hawaii' the sign read as the taxi van rode past. The only thing in the boy's mind was of guns, tanks, soldiers, and grenades. He accompanied his father who had used his veteran credentials with the Coastguard to gain admittance to the base; and thus able to reserve a round on the famous 'Schofield golf course." They were on vacation, and left the women at home.

    The boy, expecting to see an army division rappelling down the buildings that the van was streaming past, was scrutinizing every person, vehicle and store. He thought he saw a humphvee, but it was just a hillbilly driving his spray painted doorless Ford Bronco with his flip flop clad foot hangin over the side. The boy spied a soldier in camoflage uniform with what looked like a rifle,"wooweee ,a rifle." But as the van closed on the pedestrian soldier,it was revealed that he was carrying only a loaf of french bread. Then another soldier,"wowee,a bazooka," but only a folded up beach chair.
Then a helicopter screamed overhead, the boy scrambling to position his head to see the still-hidden helicopter was ready to tear the roof panel off, "Hey easy Ben," said his father at the other window. The helicopter came into view,"must be an Apachee," he thought as his eyes came to discern a sign trailing from the helicopter ..."60% off flip flops at Kemoho's market."  The boy sank down in disapointment.

           He begged his father in order to come with him. The father agreed but with the surrender conditions being "Im playing golf, your going to watch me and be a good boy then we are leaving."

              They were on a tough schedule and had engagements with the rest of the family.The father promised him that they would visit Pearl Harbor and the Coast Guard base.  Ben would enjoy the battleships at Pearl Harbor, but he had heard from his friends that the rockstars were the "infantry." They were the 'Billy the Kids' of the miliitary; guns and mischief, and most of all....glory. But he would only see them and their toys from a van--and then a golf course.  That was straight 'malarkey'to him, and that was what his mind kept repeating.

           The van pulled up parallel with the side walk that was lined with a chain link fence. Palm trees rowed the inside of the fence, and the boy could see the lime green grass of fairways-he sighed. His father tipped the taxi driver, and grabbed out his club bag; they procceded down the sidewalk in direction of a shadow, which was the 'Scholfield Golf' club buiilding. The boy looked across the streeet at a  barracks, tiered with balconies, he could see men in fatigues moving about on them,"wowweee,grunts." But they were only brandishing mops and brooms. "Malarkey."

              They entered the air conditioned building, the boy became sleepy as he waited by his father's side who was checking his reservation in the golf store. "Alright sir, if you want you can sit out there on the verandah with complimentary drinks untill we bring your cart up to you."

         Re-entering the stone paved fenceless verandah, they took a seat at a round table with an umbrella. The humid heat woke the boy back up. A vantage of bright green grass, palm trees,and men hustling back in forth in white docker pants opened up before them.

     There was a grey haired man sweeping up the tile of the verandah within earshot of the father and son. The boy watched the old man sweep up something in his dustpan, then bend down and put it in a zip lock bag that he produced from his pocket.  The boy's curiosity was ignited, he had to know what it was, maybe a spent shell casing, or a tripwire; he jumped down from his stool and approached the old man.

          "Excuse me sir," what was it you picked up, a shell casing?"..... the old man just looked at the boy and smiled, and continued sweeping. "Ben, don't bother that man please," admonished his father.
               Ben walked back to his chair,and picked up his coca-cola,and pretended as if his curiosity was quenched. He watched the old man, sweeping and sweeping, untill he bent down to pick another object up. The boy flew from his seat and closed on the old man.
"Ohhh man mister, what is that thing , a dragon?" At the old man's feet was a coil of something, corrugated, black with a red neon tinge, incisers and mandibles the size of paper cutters. It was dead whatever it was, but its shell was still intact; and so was everyone of it's hundred legs, its fearsome face was preserved amid a deathly stare with blackened eyes.

"Don't worry, it's nothing, just a bug sonny," said the old man who packed it away in a zip lock bag.
"Then why are you collecting them in ziplock bags?"
The old man hesitated, then he sighed knowing it was futile.
"If I tell you, you cannot freak out.  Im supposed to rid these creatures from the guests sight."
" I won't freak out--that thing looks like one of those chinese new year dragons they parade in the streets."
"It ain't no dragon son--it is a Centipede."  But to the boy, it reminded him of those Chinese dragon parades.  It was massive.
The boy was hailed back to where his father was sitting. " Ben leave that man alone, he has a job to do."
The boy thought the old man and his centipede to be a riddle of the highest importance. He sensed a story, before he knew what a story was. He looked at this man inquisitively; he looked to be Hawaiin ,maybe South American, but he also had a martial stare.

       The old man looked at his watch and sat down at table at the corner of the stone paved verandah, bordered by bright green grass.  Ben saw centipedes now in the design of the old man's hawaiin shirt.
          Producing a mango from his pocket, the old man proceded to strip the tough skin and spit out the peelings onto the grass as Ben's attention was broken by an employee. "Excuse me sir, there seem's to be a slight problem ya, there's only one golf cart available, and we have to fit you and someone else on there, but there is your son?"

The father's face froze.  "oh, my son, oh yeah" he mumbled as he watched the beautiful tropical neon course ahead of him."  The groundsworker who was finishing his mango was paying attention to the whole interaction.  He watched the boy scanning the greens, it made the old man smile.

" Excuse me sir, I think I can help out, I can babysit the lad right here, and tour the golf grounds with him, I finished my duties....."

The father looked at the old harmless man.  The hawaiin accent on him, and hawaiin shirt on him, rendered him as harmless as puff the dragon.  No one has ever commited a misdeed in a hawaiin shirt, and that resonates in the subconscience of visitors to the Hawaiin chains.  For Captain Cooke(the first anglo visitor to Hawaii) was boiled in a *** by shirtless Hawaiins.

" Sir, I can vouche for my employee....."  It was in agreement, the father sped off.
They had two hours to ****.  Just enough time for a story.
" So Ben, Im Edison, would you like to hear a story--" the boy interrupted him, " About the infantry?"

    " Yes, the infantry, Hawaii, and dragons."  The scene was too unreal.  The tropical tableau panorama behind the old man--that made the old man's hawaiin shirt seem to disappear and make his head float--was pastel portraiture with palm outlines bursting with their leaves amid a light blue sky.  The old man mumbled his lips every other second, possibly from denchers.  The boy watched the floating head mumble, mumbling faster and faster readying for a story, captivating the boy.  He came to see the infantry, and he would see them in words.  No illusion this time.

                                                         Centipede Valley


" The story of Hawaii, is a story of short dynasties.  The first known dynasty was the Rat dynasties.  Like Attilla The ***'s followers, the rat's followed their king; down the ropes and piers from the ships and overwhelmed the populace.  The set up Rat colonies, fishing centers, and cheese vendors."  The boy interupted the old man, " How can rat's set up cheese vendors?"

        " They just did, ' Cheese for Sale' was screeched on every block, now if I can continue my story lad." The boy nodded, sorry for slowing down the story.

        " The Hawaiians tried to battle back, arming themselves with brass knuckles of sea conches, and throwing jellyfish at them, but it was of no use—there  were to many.  Then the other dynasty came, the Python Dynasty.  Instead of scurrying down the ropes, they spiraled down at night.  They were a clever bunch.  They would play dead, and wait for birds who were hungry for a meal, then  ' crunch'  and the bird would be a knot in the snake's ropey body.  The pythons also ate all the Hawaiians roosters.  At the height of the island’s empire, every Hawaiian had a at least five roosters per household.  Every sac and backpack was alive and moving as the roosters were carried about on the street. But the Python's ate them making only one rooster per household.  The next dynasty was even more clever than the Python--the Mongoose Dynasty.  They ate all pythons with lightning speed.  They didn't scurry nor spiral down the ropes--they lolly gagged down them.  Stopping to stare in the water, for a clam or fish they could eat, they were cocky sons of....
"By the time the Hawaiins raised their jelly fish at them sitting on the ropes, they already ate the belly button lint out of your belly button.  They were crafty.  But their downfall was that they were not unified.  Their kingdom fractured, but they remained on the island.

"The last known dynasty, did not take the rope, but the plank.  Drooling, huffing, and snorkeling--snorting up every barnacle on the pier in the two minutes they arrived on the island--the pig.  They quickly broke their bonds and took to the mountains and jungles.  But something came during the pig dynasty, that was the real scourge of the isles.  And it is this dynasty, that my story starts, with two infantry members, from opposite ends of the empire--Seattle and Boston, who arrived to the island not knowing their position on the Hawaiian food chain.

" When Boston first walked into his barracks latrine(bathroom) he was overwhelmed with how humid it was, like he just entered an iguana tank.  The ceilings were painted green with mold, the floor kept a semblance to checkered tile due to the heavy mopping of soldiers armed with ammonia. He noticed he was not alone.  There were geckos on the ceiling, running around eating giant flying things.  The geckos did not bother him, he has seen them in Florida, and perhaps that was there these fellas had come from.  He walked over to the sink, for he needed a shave for the first formation.  The barracks was old, and used as an overflow for departing service members, or newly arriving ones.  It is rumored to still have 50 caliber holes in its foundation from Japanese Zero's.  

"He looked down into the sink, there was a Gecko's tail, writhing in the sink--not attached t anything.  The drain was open, it looked like the cave to a malevolent beast.  And it was, a black tendril, or serpent, quickly emitted from the dark drain and grasped the writhing Gecko tail in its mandibles and retreated back into the drain.  ' What in holy .......' Boston whispered as he stepped away from the sink.

"Meanwhile, Seattle walked up to his new room, and used his card key to open his barracks room.  The door swung open, and on the floor in front of him, was a large cockroache on its back, apparently dying of over-eating.  It bicycle kicked the air, and doggy paddled.  It's belly was huge, and it's face said ' I lived a good life.'  Seattle could only muster the words, ' well that ain't a good sign.'

"Seattle and Boston were roomates for only a month before they became bickering enemies, likened to England and France--coming only together under rules and regulations and enforced peace treaty.  It started with a bag of potatoe chips.  'Seattle, you can't come home drunk and leave potatoe chips all over the room.  This ain't the mainland, we are gunna get eaten in our sleep by cockroaches.  Every night you explode a bag of potatoe chips all over the couch.'  It was true, they had a black pleather couch given to them be an eager barracks member, and if you sat down on it, you would always hear a crunch.

" ' Whatever Boston, you keep leaving your cherry dip around attracting ants.  You fell asleep with a dip in your mouth and you woke up with goat-tee of ants. ' And so it went, it was two male humans in a barracks cage.  One, a North Eastern Humano, the other a North Western Humano, both ill-disposed to each other.  One more afraid of ants, the other cockroaches.  

" But then in a sign of peace offering, Boston introduced Seattle to his Fillipino girlfriend's sister.  They went on a double date, and then Seattle went on two other dates after, with just him and her.  But then Boston was getting pestered by his girlfriend to 'have Seattle call her sister," or he was getting pestered by " What , Seattle don't like my sister no more ya?"   Boston always dodged the question, knowing the rules.  Then one day, Boston had to go up to his room with the two sisters in his car.  But they followed him up at the last second, and ambushed Seattle, who was really upset by this and left the room and barracks.  That incident could have been water under the bridge, except for what happened.

"When Seattle returned to his now empty room, he opened a draw and removed his sneakers from them, for he still had on his flip flops.  He put on his sneakers without socks and was walking down the barracks stairs when he felt it.  It was like a nail just went through his foot.  A medic in civy's (civilian clothes) was behind him watching him.  " You alright buddy," he said.

" I just stepped on a nail or sumthin," said Seattle.

He shook his sneaker, nothing.  Looking at his foot, he saw two fang  puncture marks in between his big toes.  His vein near the bite was surfacing like a snake all the way up his leg even up to his forehead, he felt dizzy.  He shook the sneaker one more time, harder.  Inside, now, was a coil, or a nest of black cobras, but it was not many cobras, but one centipede.  " what the f...."

The medic looked in, " That’s a centipede, highly toxic, if you get really ill come to the Aid Station," he said then left.

"Seattle burned in a fever that night, having dreams of the scorned Fillipino girl haunting him, holding centipedes over him, doing a witch-like curse on him.  Seattle was lucky, most react alot worse from the bites.  He blamed the scorned girl for putting it there, and most of all--he blamed Boston.

"And that is only one side of the story, for soon after, it was Boston who would become livid with Seattle.  One night, Boston was sitting on the pleather couch, with his girlfriend, when they fell asleep on it watching TV--they had the room to themselves.  When they awoke they were covered in cockroaches.  The girl ran out of the room and Boston's life forever.  Upon lifting up the couch cushions, there spied, was a massive moving cockroach galaxy.  " Seattle," Boston gritted through his teeth.
" Mister when are we going to get to infantry stuff--" whined the boy.
" Very shortly my lad," said the old man, producing another mango from his pocket and resuming his story.

" Seattle and Boston quickly rose through the ranks, and commanded  teams in the same squad.  At that time, they got their own rooms, and one would think that would make them get along better, but that was not so.  The only thing that assuaged the wise remarks of Boston, and Seattle's feverish temper, was that they had to get along if they lived together, and now they don't.  And now they both have a four man team competing against each other, when they are in the same squad.

" Boston's number one on the team was a kid named Mango.  He was the go-to guy for Boston, and made his team look good.  Seattle's number one guy was a soldier named Biggin who made Seattle's team look good.  
" Well, one night, their whole platoon were siting under double canopy in the complete dark.  They were in full battle rattle( ammo and body armour) readying their equipment and eating some rations in anti
R May 2013
i noticed that
i'm nothing like a
covalent bond.
they share;
i can't seem to do that
with anything.
i'm more of an
ionic bond.
they gain and lose electrons...
just like me.
except,
i don't gain and lose electrons.
i gain and (mostly) lose friends and
other relationships and
i know the reason why:
because i'm nothing
like a covalent bond.
i can't share my friends
and it's becoming a problem
for not just them
but for myself too.
i become selfish and
possessive and
i always wondered why
people would leave me and
yet i'm the one who
pushed them out of
my electron cloud.
Robin Carretti Aug 2018
Our salvation taking
another high-life (Lip)
The middle-income lip
Our lips leaked
Being possessed the kiss
on empty

Humpty Dumpty sat
on her Lego lips
Singers the Talking Heads
Where are the feds to late
Those stolen lips
State of a wedding trips
Rainbow chalk the state was
on lip nightmare call
Being stalked (Lumber Jack)

The devil filler up poverty
The world being pulled
Push her lip up
                    > >

Arrowsmith bow and arrow
                    >>
  Losing elasticity lips go
UPSTATE gravity

"What an under(state)meant"
"The press (God Bless)
    the golden child
     lips filling in
       the gaps
What!! no comment"

 So sad we need the happy
Irish lad too many
    Sugar Dads
lip recession deadlines to meet
The curveball
Another sip we joined the
Navy but eyeshadow deep-over
the edge gray
The Seal had an unusual tail
Her lips fast food drive smashed
Her Meal

The peace lips blew far away
"Medieval Swords heart lips
            will pay"
Times come and go its excruciating
Lips went too far always mating
Imitating people takes a whole village
Of pain

But the spiritual blessing rain
In Woodstock concerts
What perks to gain
The acid trip music we can
sip each other's lips

    Now if this wasn't passion
What a state got smeared
Like a crime scene
of fashion
Her lips could rise
Like the Millenium

         Max
Playing the jazz sax
Still the income tax

But the state in a crisis
of sales tax
Star a stage minimum wage
All the states we travel her lips
The water stays refreshing where
On her body, he really sees it on
her lips nowhere else

How many states can you
count on your finger
Long lip Ranger

The Victoria Secrets
The Tra la the bra's on the
Five-star Hilton Hotel
hanger

Holding onto her guns
Going right or to the left
Powerful lips he went
off the cliff

Getting Burned and
the State tax
You earned
The Swearing
Her lip talk so caringly
Can we move her lips to
another state more cautiously
How her hips look like
they will inflate

I am not a painting by
your candlelight fate
I felt like a tax right off
Taxi yellow race her lips
on the meter money bluff
I ended up in the state of
*
Michigan
Tricks are ****
Like a lip magician

Kentucky home was barrels
of Bourbon
I never said I wanted a drink
my name is Robin

Going to Deleware
what hardware did anyone care
So humble like the bumblebee
She was way too soft as her software

Have gun we travel but have lips we rumble

We need courage this world of states
can be savage
Gold bonds of "Dynasty European"
top dollar vultures mean
funds that's a grand entrance

Now I see how these states
start to unravel
California here I come right
back where
my lips started from

Her upper society lip could use
Champagne and caviar
The star was getting fat a nice trim
Grumpy beard make it a
short tax cut with him
Text and tweets no lip sweets
Rocky Colorado mountain men

French lips played art
Like Van Gogh perfect 10
Scenic route crazed
So many states should
be sued overly sexed suites

In Alaska, she was on a freeze

All the money in the world she got New York Token

All I asked the waitress
for State fair pie
My lips could have
used *Sweet Peach * so
pucker up
Don't be a sucker
Alabama state trooper
in Kansas City

What a spell click of heels

Georgia is always on my mind
Is New York only a state of
Frank Sinatra singing mind
What a big foot in her mouth
Nancy Sinatra dark lips Goth
State boots softly made
for loving that's just
what lips do one of these
Days my lips are going to
gloss all over you
Who's the Boss
So fasten your lip belts
The spiritual state always does the cross

Bumpy ride (Bette Davis) Eyes
Taking a trip to the end of the
boot of Sicily vineyards
Whats mine Jailbirds
She cut her lip when she was
in (Connecticut Movie cut)
On the Mystic Seaport lips were
getting hot ****** fit

Like a state disease fire pit
State of a lip disaster
But the state couldn't
resist her
Ending up in Arizona
Something is swizzling
it's not Kevin Bacon

Make no mistake when you plan
a state trip you better have your
weapon ready
Mafia bullets Bonnie and Clyde
they rob *Banks money Lips
Stae of mind we are traveling again but our lips will be the walking the yellow pages old news Staes can rock up she has the Wizardly Oz shoes
jack of spades Nov 2015
over two thousand people have jumped off the Golden Gate bridge
and I don’t think a single one of them thought about how weak
hydrogen bonds are.
I don’t think a single one of those two thousand plus people
thought about the fact that it was water at the bottom of their drop.
to me, it seems common knowledge
that hydrogen bonds are the weakest link that elements can make.
people overestimate the strength of surface tension,
even from such a high place.
hydrogen bonds will always break,
just like me and you.
just like mentality
just like sentimentality
just like reality
just like knowing that i’ve only got a year left with you,
cause god knows we aren’t gonna stick it out after high school.
we’re a hydrogen bond in which
i am the hydrogen
because in every situation i find myself to be the weak link,
like everyone else is better off without me.
the problem is, i don’t know what other people are thinking
when they think of me,
because i’m no mind-reader and i’ve never been a good guesser,
so maybe some of those two thousand plus people who
jumped off the Golden Gate bridge actually did think about the weak link,
the lack of strength in hydrogen bonds, the possibility of water
giving out under their weight and their survival rate.
i read somewhere that no matter how you try, your body will do everything
it can to keep you alive. maybe it’s not just your body,
but also your mind manipulating situations to best advance your
survival probability.
because maybe, just maybe, no one really wants to die.
maybe, but it’s a big maybe, because i can’t read minds.
Terry O'Leary Sep 2015
1
Though still within our infancy,
we strive to thrive, but woefully
we flash and flaunt our 'primacy',
display our trophies pridefully.

Our terra firma ecstasy
destroys survival's harmony,
lays waste to life on land and sea.
Mankind, thy name is vanity!

By doubting Nature's regnancy,
defying laws with levity,
we strain our spheroid's symmetry
(perhaps a fatal fallacy?)

for, swallowed in the 'world of we',
we feed on vain insanity
with thoughts beyond eternity -
so strange when looked at mortally.

No use to seek a remedy
ensconced in ancient prophecy
for if not handled skillfully,
as clay we'll pay the penalty.

                              2
The Moguls rule with cruel decree,
control the crowds like puppetry,
pursuing greed addictively
with no accountability.

The wind, it reeks of Royalty
(awash in waves of perfidy)
while blowing ’cross the peasantry
(eclipsed in clouds of treachery).

The Queen, well steeped in snobbery,
sits, preening proud Her pedigree,
on throne of sculpted ebony
while sipping Sect immodestly;

to sate Her Regal Majesty,
a caviar clad canapé
is served with golden cutlery
by maidens bent submissively.

The King is bailed from bankruptcy
by Knaves who hoodwink artfully
the down-and-outer evictee
who wallows in their lenity.

Forsooth, the Money Monarchy
exalts the dollar dynasty
engaged in highway robbery
by Peacocks plumed in finery.

Yes, Jesters and the Fools agree
to truckle to duplicity
and laugh about it witlessly.
Long live the peon's penury!

                          3
To champion an oddity
(like two times twelve is fifty three)  
one reaches to theology
through paths of circularity.

In bygone trials of travesty
the doubters, draped in blasphemy,
endured the pain and agony
inflicted by the papacy.

Inspired by the Trinity
fanatics bent cosmology
in geocentric fantasy
while Bruno burned for heresy;

and aged women, randomly
accused of wicked witchery
by justice framed in infamy,
were racked and shown no clemency

That epoch of credulity
(when savants fostered sorcery
and practiced ancient alchemy)
arose in dark age quackery

as clerics dripping piety
(while raging, raving rabidly)
pervaded thralled society
with callous inhumanity;

'repent', they bellowed, 'verily,
forsake the world's iniquity,
live lives of want and chastity,
and give your gelt to God through me'.

                    4
The Masters make a mockery
of freedom and democracy
by holding down the uppity,
released from shackled slavery,

now fettered in a factory
else strewn across the Bowery,
still chained in bonds of bigotry,
immersed in seas of poverty.

And colliers, tapping balefully
in sunken-mine solemnity,
yet thrum a mournful monody
some call the digger's elegy.

To children, pale and raggedy
(behind a day of drudgery),
the boss man, oh so gallantly,
bestows a penny, niggardly;

though some are fed (belatedly),
their eyes recede in apathy
while bellies bulge, inflatedly,
with mothers watching, wretchedly.

When met with health adversity
or broken bone infirmity,
the pauper dangles helplessly
with no insurance policy;

and those engulfed in lunacy
are ailing blobs left floating free
in ******-dream obscurity -
a mired madhouse odyssey.

Ignoring mankind's unity,
the rich and poor dichotomy
breeds dismal doomed finality,
eventual nihility.

                        5
Renewing days of chivalry,
wild warriors fighting valiantly
bring freedom neath the gallows tree
while blending blood and burgundy

to toast the slaughtered enemy,
and so convince the colony
to cede with smile on bended knee
and yield her diamonds, silk and tea.

At first they call the cavalry
and then again the infantry,
so proudly primped in panoply,
with arms from finest armory

(embraced in hands so tenderly
bestow benign atrocity) -
and soon atomic weaponry
will extirpate posterity.

                          6
Misusing high technology
(to feed the face of gluttony)
depletes our Rock of energy,
now slowly dying thermally.

Our gadgets breathing CFC
fuel ozone holes' immensity
while cloud bursts, raining acidly,
wilt woods in their entirety,

and rivers, tainted chemically,
polluted biologically,
refill our cups methodically
and drown our souls organically.

Adjusting genes mechanically
may well blot out the bumble bee
annulling fruits' fecundity,
but brings big bucks reliably.

We wager perpetuity
to revel momentarily
in shadow-like obscurity
ignoring the futility,

but if we bet unknowingly
on fickle fate's contingency
and thereby act haphazardly
we're doomed to lose the lottery.

                 7
The modern day bureaucracy
abuses trust egregiously ,
embeds itself in obloquy
and offers no apology.

It paints the past in reverie
to camouflage the tendency
to strip away our privacy
which paves the path to tyranny.

With earlobes lurking furtively
that listen surreptitiously,
and eyeballs peering piercingly
we've lost cerebral sovereignty,

and those who dare to disagree
must hide away in secrecy
else crowd a black facility
(with water board anxiety).

                  8
Yes, sans responsibility,
our marble in this galaxy
will crumble in catastrophe
ere ever reaching puberty…
Andrew T Hannah Jun 2013
A Surreal Epic of Existence

Prelude to the Journey…

I smiled yesterday when I beheld the morning’s brilliant colors,
Etched with gold, across the canvas of the heavens, hanging…
High above all those mountains of the world, gigantic brothers,
A wilderness of clouds, where there can be no human taming.
I did not always smile when I looked up to that noble height…
For I have seen how terrible goodness can be, when untamed.
Once I thought my sojourn in this flesh was from a divine spite,
But now I know it was a gift, and for it I need not be ashamed.
God once walked as I do now, and suffered the same stress…
Betrayal, love, and passions too, though no Church shall admit,
The true nature of divinity, lest all their secret sins they confess!
You are told you are alone in the universe, by leaders so unfit,
That they themselves are fed a diet of lies and stories invented.
But we walked amongst you since the very dawn reincarnated,
Having lost our first flesh in conflicts long past and unlamented.
We guided the steps of ancients, as monuments demonstrated!
And yet we are born as children: your own, and live our span,
The better to remain hid, in plain sight, our faces clever masks.
I am the eldest, and I remember still my kindred’s lofty plan…
And though I wear the human face, I am beset with alien tasks.
Helping they who lack the knowledge to see what lies outside,
You have seen me in the darkness, blazing upon my own pyre.
Where I am waiting to lead the way, where the angels glide…
Anyone can follow, if they are dedicated enough never to tire.
Ironic, since I myself have known helplessness and still oft do,
It is only human after all, and in your form I was so re-forged!
The image of God, whose own blood is in all of us hither unto,
From the first to the last, alpha to omega, like a sharp sword.

Prologue: (My Mask is Slipping)

As a child: I was a servant at the altars of the heart so sacred,
Singing hymns of the immaculate: without seeing the depravity.
It was only when I myself wore the crown of thons, naked…
My spirit exposed through my pain, that I realized the gravity.
What man believes is sacred, is profanity disguised as graces,
And those who lead the sheep to slaughter are mere butchers!
Forcing innocents to wear porcelain masks to hide their faces,
They rob children of their childhood, bound with crude fetters.
As a teenager: I walked in nature, disgusted with all humanity,
My exodus was from those who had defiled all I cared about.
Finding faith in an angel fallen, I discovered my own sanctity,
And in her name I found the means to cleanse my feral doubt.
Then came marriage, and betrayal by a wife I gave up all for,
The dissolution of our union then loneliness without cessation!
A mortal had pierced my flesh, leaving me to bleed on a floor,
My heart was torn from its’ moorings without any elaboration.
But the angel remained to calm my anger and ease my agony,
My only light in the blackness that has overcome my waking!
Reminding me, that I was more than this flesh and mortality…
The angel tries to keep me from harsh trembling and quaking.
And then I see: I am more than my tears and life’s traumas…
I let slip, the mask behind which the scars of my tears etched.
Then I sense the heat of the night more intense than saunas…
As I long to dance with abandon, until time itself is stretched!
Mortals may betray one another with impunity, but never I…
I do not betray; rather I pour my heart and spirit forth whole.
Creating a phylactery, of all I am, and with an innocent eye…
I demand to be loved as I am: pearl white and black as coal!

Canto 1: Sacrifice of the Doll

Part the First: (The Bleeding Shores)

Do not call me, doll, for I have departed your ancient cavern,
You are lifeless, a mere toy, and not a real child in any form!
A boy’s red ruby lips I spy drinking in the dreariest tavern…
Whilst true children singing, frolic in the fields filled with corn.
I am going home, upon the wings of the great silver griffon…
Far from the shores now bleeding red from defiled memories.
There is no return, for me, to the glories of the first ignition…
When the mind eternal, was ignited all with pleasing ecstasies.
In the stars, there are words unheard that I do want to recall,
For I came down so very long ago, among the first to so fall!
Eldritch nightmares born of the stuff of the pure chaos of old,
Are waiting for signs at the threshold to be released by magic.
The forbidden incantations return to my spirit, aflame so bold,
That my spirit nearly forgets: the origins of this time, so tragic.
When children drink, and true children hide themselves apart,
Whilst the waters bleed and the corn withers upon the stalks!
That is a sign that change must come, and so I work my mind.
The face in the moon is a grimace of tormented fear, horror…
Whilst I stand upon the precipice with my hand over my heart,
And amongst the long rows of corn, my black shadow walk!
Watching over the innocents whose souls are of my own kind.
The summer heat turns orange, the moon: in celestial corridors.
My mournful cry can be heard in the sound of the lonely wolf,
And in the wild abandon of the lion when he is on the prowl…
I feel the pain of nature, I long to bring back paradise craved.
I have seen the terror of the land, as the blood ran in the gulf,
Black blood of the earth: which causes living things to howl…
As man has the foolishness, to say what is or is not depraved!

Part the Second: (The Crucified Souls)

The doll is laid lifeless atop the altar, prepared for a sacrifice,
In the cavern where the limestone shapes the wettest arches!
A thing un-living, but with living souls trapped still, as if in ice,
Within the cold porcelain shell that so never with feet marches.
Serpentine blade held high, it drops precise into a doll’s neck,
And it cannot call out, because a doll has not any voice to cry.
A boy walked out of a tavern then, looking like a vile wreck…
Whilst as a man I attend to higher things, my body full purified.
In the voids beneath the spaces, witnessed in the rugged rock,
Voices echo loud in the darkness, calling up names unspoken.
The ferryman brings the souls delivered to him, to a far dock,
Where each must pay the copper coin, the old desired token.
So they come to drink those waters that cure all of life’s ills…
Freed from their porcelain prison to feel death’s darker chills!
Whence came those souls into captivity, no mortal may speak,
But I freed them in an instant, removing the nails that pierce…
Every man is he that was put up on the cross of old Golgotha.
And every woman too, as all were made to feel such torture!
I was there when the primal sacrifice was implanted so weak,
And yet so strong that it endured in the psyche all these years.
That doom was sealed behind a wall of fire long ago in Terra,
So that the stigmata of it might endure, even in the vast future!
Mine was the hand that signaled that doom, mine to release…
Yet, still old illusions persist, and I cannot awaken a multitude.
I, who devised the iron web that enfolds much of what is real,
Cloaking it in unending trickery am, myself, longing for peace.
For I too was entrapped, until my liberation rough and crude!
An angel freed me, and now I strive to break each cruel seal.

Part the Third: (The Return of Light)

Risen from the slumber where colder, electric dreams reside,
The forgotten intelligence is invoked, the arcane spells cast…
The eldritch nightmares return to thence amongst man abide,
Reminding us of the things banished to Hell in some age past.
Mine the hand that raised them up, light in the dagger’s glow,
The stuff of my power left to flow, like blood run swiftly free.
Out of the abyss, rises the girl-child of a lost millennial flame,
She who is the angel reborn lets her illumination clearly show.
And all are blinded who have not the innermost eyes to see!
The unbelievers are, in a single instant put unto lasting shame.
From the star of six points, a goddess works her sacred will,
And as she crosses the scarlet threshold, she brings the light.
For a single instant, all in Heaven and all upon Earth are still,
As the long day ends, bowing before the coming eternal night.
In the darkness, radiance far fairer and so perfect descends,
Whilst those who gather in my name: have lost my true path.
The wrath of angels descend upon their minds, closed shut…
Entrapped in the iron web, they cannot flee of such a prison!
The light blinds them for they never truly saw it, and it rends,
Tearing away the churches built for naught but mortal wrath.
There, the unfaithful ******* themselves: like a wanton ****,
Inventing dogma to pass on, forgetful of logic and of reason!
Faith need not be a fearful thing, yet some have made it thus,
And look for an end to come before they seek their reward.
Whilst they should be creating the paradise they left behind…
But in an image of freedom: rather than of servitude and fuss.
Too much time had been wasted in converting by the sword!
Mankind looks to the light for salvation, their eyes long blind.

Interlude Alpha:
This age is one of barbarism cloaked as gentility to sell lies…
Did you purchase some today by design or mayhap chance?
You should know this era to be neither intelligent nor wise…
Else you would not march, when you would prefer to dance!
My nights are filled with nightmares; my days are too much…
I used to dance with one I loved, and bask in purple sunsets.
Now I am haunted, by so many memories I can never touch,
That it fills me with ****** anger, and countless cold regrets.
I recall how once in desperation, my wrist rode a razor edge,
If it were not for my family I’d not thence have lived beyond.
A man abused as I was, and used like cutters upon a hedge,
Must rise higher than it all in order to survive it all, my friend!
I survived, I transformed, I ascended and in the end became,
So much more than I was, until no more did my spirit erode.
But still I wait in loneliness for a maid to awaken my flame…
And I burn, oh gods I burn until I think that I might explode!
The skies darken more and more, and bright forks crashing,
I hear the drums of fury in the heavens, giants of old winters.
The gods grow angry and I behold trees uprooted smashing!
Angels are trampling the grapes of man; they, the vintners…
I am reminded of when the battleship that sailed all galaxies,
Descended one day amidst clouds boiling with its’ steam…
To lay waste to *****, and Gomorrah, for their indignities!
I was there, when the wicked did perish with a final scream.
And as people mock me, wishing me ill because I am good,
I ask God how long I must be forced to bear such suffering.
But I am not alone, and to many I am in fact misunderstood,
So God forgives, for now; but I have not, his understanding!

Canto 2: Sacrifice of the Spider

Part the First: (The First Smile)

Black skies boil with rage unrepentant, and in righteous fury!
A being made flesh I am, though not of mortal understanding.
In cavernous places I have walked, where demons oft scurry,
And worse places still: in search of a love not too demanding.
In the stucco halls wherein my unmoving throne was raised…
Upon a hill of sorrows where lost souls labor in mundane toil,
I wait and plan to transcend the bonds the faithful so praised.
To my right hand is the altar where fire and sulfur always boil!
I force a smile upon my face, for one will not come as willing,
As in the hours when I was a golden youth filled with ideals…
Which I have paid for dearly, beyond the price of any shilling!
Now I long to pay back those who know not how this feels…
The madness born of solitude, the anger born out of contempt,
For you who despise me without cause, provoking my wrath.
What impunity has man, to think that he might ever be exempt!
When wiser civilizations than yours did sink: in the fiery bath.
Do I speak of Hell, which the faithless do not realize is come?
Nay, for their eyes have been gouged out by their own nails…
I speak of torments, far beyond that which devils have done.
The first smile shall me mine, when every cruel wish so fails…
To save the flesh of those who spit upon me as I walked on,
Never realizing that my face was just a mask, hiding another.
Only the fool pays no any attention to the piper’s lonely song,
Thinking it only a melody passed from a sister unto a brother.
But in what celestial ****** has been born the thing alchemical?
It dwells within me, the secret sin of a bonding long forgotten.
Would that I could force the world to hear music whimsical…
Like unto that which guides my spirit in all that was begotten.

Part the Second: (Cold Revenge)

The blood roses bloom in gardens where desire plants seeds,
I, the hand that waters those hungry beasts whose thirst rises!
In my search for love, I have fed the beasts of desire’s needs,
And what would cause you to blush has, for me, no surprises.
Oh human, with what impunity did you dare to exclaim aloud,
That you believe love to be beyond my reach; and you smile!
Like a coward, you degrade me and run to hide in the crowd,
In your feigned superiority, you make yourself an animal vile.
Conjoining your words to your tongue, like a web to a ceiling,
You become a spider; then flee on eight legs to a filthy nest…
Having already become unworthy of any warm human feeling,
In thinking yourself better, you sink lower than all of the rest!
That means my life is worth, a thousand times, your very own.
I become a creature of the night, and wait for you, oh spider!
Think not that I cannot hear. the creaking of each leg bone…
Your odiousness goes before you, the horse before its’ rider.
And in your own web I catch you, my sharper claws immune,
To your toxic poisons, as cannot ever save your eight eyes…
Which I dash from their sockets, without a fear, and so soon,
That your own pain consumes you, like fire lighting the skies!
Forcing you to recant all that you say, lest pain overcome all,
The powers you thought did not exist do manifest ever visibly.
And I ascended still higher, all the more to relish of your fall…
You should never have resulted to any such childish mockery.
The clocks of your house all melted, for time is not your ally!
In abandonment of the chaos that is joy, your order is ended.
A new order rises in its’ place born of chaos none may deny,
Whilst you sink lower into perdition, for all that you offended.

Part the Third: (The Last Laugh)

An angel appears before me and so thinks herself a goddess,
But to call her an angel is to imply that she holds any beauties.
Those whose ego is larger than their grasp are oft the oddest,
For they fancy themselves perfect, ignorant of their cruelties!
You think love a prize and I a beggar for mere crusts so stale,
That lesser men than I have eaten heartier meals than yours…
But your kitchen is so bare: as your oven goes cold and pale,
Making you prize yourself beyond the worth of your chores!
Like a harlot who charges a fortune for her meager charms…
If you think love a prize, and I a beggar, you are so mistaken.
What you call love is a disease that shames one and harms…
Both mind and soul alike, making the body at last to weaken.
You saw only my mask, and would not dare look beneath…
Making me a phantom in the darkness, lurking in the shades.
Round your neck, your false esteem hangs as a dead wreath,
As I leave you to your barren world, awaiting my handmaids.
They rise from the ashes you leave in your wake, my kindred,
Their hands take me far from where your feet stumble about!
Lie in the cemetery that awaits those who live as though dead,
I cannot raise you incorruptible; you have far too much doubt.
Carried hither by the silent maidens who weep ****** tears…
To my castle, where I shall brood again upon mankind’s way!
I cannot feel regret for those who give in to their foolish fears,
Any more than I can transform a leaden night into golden day!
Such is the power of the alchemist who knows his true limit…
And in the dark arts I was schooled by beings from the abyss.
Thusly, am I set about to transform my creation as I see fit…
We are the demiurges of our realities wanton for any hot kiss!

Interlude Omega:
T
I found this one in my basement. Seems I wrote it a year or two ago but lost it.
Irony Aug 2015
Yes, sir, I want you to spank me
With that hand I know so well
It is more than just five fingers
It’s the reason I rebel

Yes, sir, I want you to clank me
In bonds of silver and gold
Chained, I’m a precious gift to you
Unwrapping me never gets old

Yes, sir, I want you to yank me
Down on the floor to my knees
My gaze lowers at your command
I’m eager to do as you please

Yes, sir, I want you to flank me
Punish me from every side
I know I’ve been a naughty girl
Needing discipline you’ll provide

Yes, sir, I want you to crank me
Up to writhing ecstasy
Don’t stop ‘til I ******* beg you
Your tough love is what sets me free

Yes, sir, I want you to thank me
For being your precious pet
Even though I disobey you
It’s clear you love to see me sweat

Yes, sir, I want you to spank me
With the implement of your choice
Make it hurt to make me happy
In your dominance I rejoice
RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
Nat Lipstadt Apr 2018
I am not the master of my writing

-
my writing masters me,
seizing me when the seizure is a sure thing,
it dictates to its enslaved scribe
what it desires this utensil to reveal and expel -
the contraries
who having battled to a ****** draw leaves the battlefield trembling with indecent indecision; the optimal conditions for its macrobiotic invasion of my brain stem;

the she-muse offers me two choices:
she wants a poem writ forthwith
on the lyrical expression
of depression and refusal is
non optional

so I fantasize escape and that becomes
her property as well;
evidence against me to be used at my trials,
the one where there is no statue of liberty
from the limitations of prior bad acts;

I offer the she-muse two choices:

give me a cabin with WiFi
and self-enforcement of solitary confinement and
tie me up with the rope remainders of broken bonds,

bonds that tied me up worse
when they were broken
and the peaceful withering
that won’t disrupt disturb nobody
from a distance

my other choice is to bury me
forthwith next to my parents
and shutter my constant tearing eyes which are drop-resistant

muse says that’s no choice
I own your voice stilled or not,
will bill your soul’s account for
denial of poetic services

weep; i don’t want the noises that curse this troubled
bodyship don’t want recollections good or bad

the muse-***** cackles with insanity of delight
for she accepts this writ as partial payment
on her commission, whispers I love your
lyrical expressions of depression
that ****** recognition algorithms
alert me that seizing time is nigh

there is no on/off switch for one like you:
father son and holy ghost
Kanishka Jul 2019
I love you with all my might,
All my heart and all my life.
But if you fail to put up with my battles,
I'll cleave our bonds with a knife.
Em or Finn Jun 2014
Five:
Kindergarten
A time we are asked to draw our future lives
Our future families
But while kids are drawing houses with their future spouses
I draw myself alone in a house
All Alone
And I didn’t know why


Six:
My teacher tells the class to describe their future families
To describe the children, spouse, and/or pets we want to have
But I say I don’t want a husband or children of my own
I just want a pet that understands me
I get stares
But I don’t think I’m different
This is when the bullying got worse
When the mold of my face was plastered into the playground mulch
When I grew distant from others.


Seven:
Second Grade
A time where the wedding bells are ringing
Where kids are getting “married” left and right
But when a boys asks me to marry him
I say no
It’s not that I didn’t like him
I just didn’t know why


Eight:
Third Grade
A time where we make friends
A time to explore who we are
Kids were “asking each other out” and holding hands at recess
But I didn’t want that
When a boy came up to me and tried holding my hand
I let it go
Becoming increasingly uncomfortable
And I just didn’t know why


Nine:
Fourth Grade
One of my worst times
Getting bullied so much that the dial couldn’t be turned up any higher
The frequency already alarmingly loud to me
Yet no one did anything
I stood alone
But I was comfortable and I didn’t know why


Ten:
Fifth Grade
The bullying continued
Small rumors got around that I liked girls
They didn’t go very far
Seeing that I pushed away everyone that ever tried to approach me
I wasn’t lonely
I was content no one wanted to hold my hand
Or ask me out
And I didn’t know why


Eleven:
Sixth Grade
We are given “The Talk” this year
We must watch the movie without laughing or fidgeting
Or we have to watch it again
I watch the movie and become increasingly uncomfortable
Feeling the ***** rise
I no longer feel okay
And I wonder
This is what people do
So why don’t I want to


Twelve:
Seventh Grade
I’m starting to understand
Believe in myself
That I’m different
I realize now that I don’t really like boys
Maybe I’m lesbian?
Does it matter?
Whatever it is,
I keep my mouth shut
Afraid of any torture that may follow
Maybe the rumors in fifth grade were true


Thirteen:
Eighth Grade
Relationships rise in intensity
Boys and girls kissing
I still believe I like girls
But not normally?
I seem to have closer bonds with them
But ****** ideas and thoughts never enter my mind
This broken down *****
Questioning its every move


Fourteen:
Ninth Grade
Freshman Year
Where Hell begins
Where I am finally understanding myself, my preferences
Digging deeper into my heart
Clinging to this broken up, already defeated *****
That just beats in my empty chest to make me go through more pain
I do my research.
Lesbian?
No, I don’t like ****** actions that much
Asexual?
The description seems to fit me well
Finally being the mold I needed
The mold to help put my pieces back together.
But who can I tell?
No one
Because no one will understand.


Fifteen:
Tenth Grade
Sophmore year where bullying is an everyday struggle
I do more research
Demiromanticism calls my name
Where I feel romantic feelings for someone I grow close bonds to
And if I only grow bonds with girls
Then…
How will my parents understand?
My friends?
The beings that I cling onto everyday just to keep breathing.
They’ll never understand what kind of a freak I am


Sixteen:
Eleventh Grade
Junior year
I come out to Callan, one of my best friends
And things didn’t go as expected
They accepted me
With open arms that I thought for sure would be closed
It was the first time I felt free
I came out to more of my friends
And then came my family
I expected them to not understand
But they were willing to listen
Enough to accept me
Well I mean … “accept” me
I could tell they didn’t fully believe me
Both plaguing me as a lesbian.
Someone I’m not
But I dropped it
And let them have their vision of me
This personality whom I’m not and never was.
I now fully understand who I am, but they
They seem to think they know me better than I do
Poem inspired by Patrick Roche’s “21” poem. Basically my story of dealing with my sexuality, but in poem form so yeah! =^_^=
Amelia Crake May 2014
As I looked over my list of so called friends,
I dared to seek a name on my list worthy of the name, “friend.”
I looked it over carefully, each name in kind,
With these few things on my mind

Would this person accept me for whom I am,
Or a change upon me force, that I be a different form of man.
Would he or she be there in my time of need without expectation?
Or a payment of reward be their destination?

As I went through my list of names so many,
Only a select few came through as true as a penny.
There were things that set each name apart,
But only those few would remain in my heart.
Forever to be called, friends to the end

With the few names that now remained on my list,
I started the same process with a little bit of a twist.
Has this one been true?
Or have they done something that made me blue?
The next question asked in my Quest,

Would they be there to stand the test?
Or would their excuses cover the land as they loudly protest.

Over and over these questions I turned
And in the midst of all these questions I learned,
To find a friend that will be there forever,
One must act in kind and judgmental never be,
For what you put forth shall be returned unto you,
A great friendship that is strong and true.

The passage of time has eclipsed many moons,
And your bonds of friendship have since grown,
To a place where you both hold,
One-another’s heart as if it were pure gold
The friendship you search for in your time of need,
Shall be at your door, a true friendship indeed

I followed my own lengthy advice,
And, it was through this vast search,
One name jumped out at me to stay,
It was you dear friend and I must say,
“I love you my friend,” forever as much as I do today.
My dad wrote this and told me to post it if I wanted to... I wanted to. c:
Karen Hamilton Nov 2015
Bonds were formed within each heart
Made silent vows to never part,
Where ever on this earth we go
Within ourselves we'll always know
That friendship is a timeless thing,
It travels far and deep within

When distance grows of course we're sad
We can't reach out and hold your hand,
For what we share is far more deep
We'll meet again within our sleep.
You see, when bonds like ours were formed
The strongest friendship was then born,

The focal point we know we share
That's way up high and always there,
To guide us and to comfort through
The tougher times - our precious moon.
Just look at it and you might see
Your witches flying high and free...

No distance, time or age will stop
Our love for you, not on our watch.



© Karen L Hamilton, 2014
A personal poem for my precious 'witches' - Carrie, Josie and Amy **
BabeRuth Jul 2015
With the passage of time, things change
Nothing remains the same
People change.
We all do. It's a constant process
of evolution, of life

No one person stays
forever in your life
There are billions
of other souls out there
waiting, hoping, desperatedly
searching for a connection

I was lucky enough
to forge one with you
These bonds remain, Even
if those who forged them
move on.

I will never stop caring
or loving
No one person can extinguish
that part of me.

I thank you profusely,
For the stories,
The memories,
The love.

I leave you a better woman
in the making.
A constant work in progress
One filled with love
nonetheless.
Bonds of Love

gleaming  dim light of candle glow
backdrop melody is  soft and low
Dancing shadows  gather  no mass
Forgotten wine warm up  in the glass

The tender, soft  pat  of loving hands
What the other desires each understands
passionate lovers persuade to embrace
deep longing  from inner hearts interlace

exhilaration burns away  to a desire
Lips and  eyes  fuel the blaze of  fire
thoughts  hunts for  wishful  lust
Inhibitions fade replaced by trust

The world close out from this thrilling tryst
This rest and each other are all that exist
An cherished bond that transcend the flesh
Where hearts, minds and bodies intermesh

Williamsji Maveli

Email: williamsji@yahoo.com

www.williamsji.com
www.williamsgeorge.com
w­ww.microthemes.com
www.moonmakers.com
The Kallettumakara Gblobal Association (KGA), UAE Chapter has announced their first poetry award for excellence to Williamsji Maveli's  third  poetry collection   titled as “Arramviralthumbath …”  (On the tip of the 6th finger,  published by H & C Books, Trichur) .The award has been declared  by Mathew David, Chairman of KGA at their Executive Committee meeting held recently in Sharjah Emirate of United Arab Emirates.  The award has  also been considered for his poetic works scattered in his recently published book named  as “Maa Salama."  ( means "With peace"  in Arabic). The poems have been gathered from different desert sketches,  focusing on his real-time life experiences ,while he was working in UAE for more than 30 years.  Williamsji, (Williams George),   former Ras Al Khaimah based Journalist and lyricist of tester-years has been nominated for a literary award for the first time for literature. The Award is being formulated by KGA  (Kallettumkara Global Association, UAE Chapter) for  outstanding contributions to literature  from the native writers  of Kallettumkara,  a village town in Trichur, Kerala in India.  The award will be presented by the KGA’s UAE Chapter on the grand occasion of their 11th anniversary, which is being scheduled to be held during November, this year,
according to Mathew David, Chairman of Kallettumkara Global Association.
www.kallettumkara.net
Robin Carretti Jul 2018
E-Emotion
Angry, E-book hunger
Tear diamond drop

      Join Me
@ The Body-book shop

The Gold bonds his book Hot Rods
She reads about the Angels and Gods

He covers her mind and book
with his lotion

Are we ready for the E-book
In tip-top condition motion
Someone is mysteriously trying to tell me something?

How the moon hangs low
The book made her eyes
Open to really know?

I phone to book she's the grab bag
I'm leaving on a Jetplane
One chosen E-Book
Was Scarlet love flame


How the book needs to grab you
The day you were born or reborn
Never to lose your sight
But why does he split your pages

In a hot rush* money wages

The heart is bleeding out words
Feeling so crushed the bookend
Energetic stare or the blank stare
Your enticing book
What happens underside me
The pages one-sided

You're the sweet of the complicated
getting bittersweet to be love mated


The sundae banana split
*My ring book marker my lovely curls


I couldn't share my book what it said
Do you really love me
The spinning wheel
Feminity of book so girly but
Love so dizzy

To be told overstocked to be sold
But someone loved it
Its been properly viewed
Buying and reselling hearts of
book timeshare

His workout
he loves his curls
Ebook he sees he memorized
all his European beauty
turning do you love her books madly
The beast  is inside Jekyll
Girls needed to hide but got
Hyde
The book seeing our life
From a blinded pageview
What's beside our words
We need to be upfront
Once in a million chances
The whole planet of funny books
beach house turned
Blank page
of a clown funhouse tree stalk

What is the point of view
Like an adult book raided
If you're the unadulterated
The innocents being naive
Wanting him so much
Whats the use it's like a
the blank page
Like your hairstyle
the sixties pageboy
You need book law and order
Like the Feng Shui book surrender
Be focused Graphically cool artist
And paint it colors no
gun it blanks no favors
My book place has the ambiance
Different mysteries
and suspense behaviors

Somehow it thickens
like "French" roue paste

You didn't want one
page to waste
E for the Exodus
A blank page is love minus
You're hitting a plateau
E- love of kiss-book
French Chateau
Ebook has a pattern the same thing
It repeats and devours your thoughts
The ancient Grecian her structural
form of statues
That rip page needed words to capture

The Clean-Slate page to restart
your flight
The prize
Emprise
Empire to the book hire
E-book desire
E-lust
It sets an example
we need to trust
Not to mislead your mind
Whats behind the book
Exhumed or to be doomed
Like Witchcraft magical hands

This wasn't the Godly land
The blank page had a spell
"The Burned Book" no one
will ever know
Can we take it back what was written inside
We need to restore give more (Cat and Mouse) chase

As my equal poison mind of sugar
Equally or naturally book gifted
Wrap silk ribbons or too much
the anxiety of red tape
Explosion of E=books
Elixir eyes to the Ebook doorway
But the blank pages were
still inside

E-book and the text
Whats next *** journalism
The kingdom of Elust
E-book became all excuses
Those blank tweets of
Hummingbirds
Like you got some
earwax all codes and emblems
My blank form income tax problems?

Storming damage to the max of my book

Hitting rock or book bottom
You're still living in a shape
of an eggcup

And reading by your nook
Your Ebook swish wish a nymph
floating mermaid

Things turn (Retro) just go
The book was the turn of events
More pages to heart mend

We are not experts or philosophers
Get inside the greener grass
like a grasshopper

Your lovely book a tranquil place
You were booked into your gown
But your ebooks is being
transported to other towns

Her heart was skipping his pages
She never got the chance to read
His chosen page
Life is so the open book
Eyes wide shut
E-book a cozy nook and where does it begin or end did I see some blank pages in between. I need a new for a taste for something on my speed I love to read it fascinated me every page but something stopped me to continue I wonder how long will this go on being fun and retro just go to the bookstore you may be pleasantly surprised of what you might see
Tommy Randell Nov 2014
The music was spilling out of us
The Guinness was going in
Terry’s octave mandolin
Was riding out in front of him

Like a boat tethered in a tidal surge
Like a young colt backing off the rein
And for each unexamined wreck of a song
He’d let out a little more sail

We were flying

Upstairs in The Taffes Inn
Was an oven of chords
Songs about the famine and
Ireland’s tragedy of wars

And I answered
With an ash-pit tongue of a poem
Showing our Yorkshire wounds
Made by London’s bonds

We were crying

Telling of Fishing, mining and grief
That having no say was having no meat
Coming stumbling and shaking to our common regard
To a Dublin breakfast, a mixed grill of the heart

Where we agreed to our passions
And our histories’ concepts
Where we sat and said nothing when saying nothing was best
That one sausage alone is a very deep subject

We were frying.
One sausage etc is a quote from Ciaran Carson's book on Irish Music and culture 'Last Night's Fun' - A must must read!
I cannot change my loss                                            
                   in the past,
but I can believe for us                                          
                    ­    in my present,
to shape a new bond                                      
                      *in our future.
Dedicated to a young woman which still has to learn a lot about true love, real friendship and the strength of faith.
Logan Robertson May 2017
Lost Love


He remembers that day
many sad years ago
it was sunny out,
but soon a storm raged.

He returned home early
from work,
eager
to rest and nurse a cold.
Eager
to see his gorgeous wife
fix him a delicious soup
and give loving care,
a remedy not.
He caught a surprise.

Was it then a hallucination?
To see her ex's car
in front of their house,
fanning the flames in his heart?
Or to imagine the house shaking,
or to hear love noises howling
from the rafters of contempt,
as her fireplace warmed tempest.
He sure hoped then... it had been a misfire
it wasn't.

He slowly opened the front door,
walking decrepit and sad,
like he was in hospice care.
He could see the final script
playing out,
more so the tragic ending
the trail of clothes,
her ex-boyfriend's scent,
calamity,
and approaching closer
the devil speaking louder.

He opened the bedroom door
to their parts caught in honey jars
and scarlet red on his tainted wife
over bed sheets of shame.
Their eyes catch,
both flush, and tearful,
as breathing stopped,
his melancholy eyes asking why?
Why?
What about the future  lily pods,
our family, house, kids
... and you sell out.
What about being fresh
out of college with our dreams,
passion and honor...us.
What about the bonds,
pinky swears, pricking of blood
marital vows.
Her eyes had no answers.
She cried, loudest
as her ex-boyfriend bolted
not before passing the mill.

He closed her door for good
that mournful day,
dismissing darkness,
opening his wrath for her
in his mind, yet
what words or light can be exchanged?

Uprooted and lost, he walked
scarred over and over
by her promise and lost love.

That was thirty years ago
and he still walks with her
ghosts, and it still pains.

LR-5/4/17
Chris Rodgers Nov 2013
Mishaps and mispronunciation,
messy rooms and messy beards,
crops and crop duster airplanes.
Too many insiders,
too many to count.
We counted on the fresh air
in our bike tires to get us out.
Out in the open world,
the woods, the fields,
the lakes, the ponds,
the Indiana bonds
too tight to ignore.
A prison with open doors
if nothing more.

— The End —