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"boiler" poems
Am I really that uncouth? Have you lot yet worked out the truth. The **** I write, it's so contrite. I know you're dim but I thought you might. I've been feeding bananas to you all. Big bananas, none are small. All are bent, of course they are. Enough's enough, it's gone too far. Dear Voyeurs, to all my fans. Some ride cycles, some drive vans. for M&Y, yeah you're the guy. So I bait my line and continue the lie. But let's have it right, as well I might. You wanted to play, so pretended you're gay. Now most I know aren't, but one or two do. Boiler repair guy with the twinkly eye. Bent over in two, I spank with a shoe. And all that he asks is, I call him Sue. So I have him pegged, for that's what he begged. But now he knocks on my door wanting much more. Fuckin' Big Bent Bananas by Kaydee. (slurp, slurp)
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Jul 25, 2018
Jul 25, 2018 at 2:55 PM UTC
Big Bent Bananas
Wilson and Pilcer and Snack stood before the zoo elephant. Wilson said, "What is its name? Is it from Asia or Africa? Who feeds it? Is it a he or a she? How old is it? Do they have twins? How much does it cost to feed? How much does it weigh? If it dies, how much will another one cost? If it dies, what will they use the bones, the fat, and the hide for? What use is it besides to look at?" Pilcer didn't have any questions; he was murmering to himself, "It's a house by itself, walls and windows, the ears came from tall cornfields, by God; the architect of those legs was a workman, by God; he stands like a bridge out across the deep water; the face is sad and the eyes are kind; I know elephants are good to babies." Snack looked up and down and at last said to himself, "He's a tough son-of-a-gun outside and I'll bet he's got a strong heart, I'll bet he's strong as a copper-riveted boiler inside." They didn't put up any arguments. They didn't throw anything in each other's faces. Three men saw the elephant three ways And let it go at that. They didn't spoil a sunny Sunday afternoon; "Sunday comes only once a week," they told each other.
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15k
Elephants Are Different to Different People
Willets cull the seawall snapper on the grill rock ***** swoon in shallow lagoons long boats pass under quiet palm shade Plovers dance and flutter handrails frayed and torn graffiti spots at lovers rock frigate-birds fall from a high noon sun Thatched roof on a mud wall fish flags settle score anchors arch in front line march pillar cracks form under rust brown scars Elegant tern and grebe watchmen fall in cue children play on crested waves whimbrels and notchers perch above Tentaciones Striped pelícanos the bandits of the sea! merchants grow in steady flow siblings jostle in a tide cooled sand Heerman gull and boobie durango smoke in yurt boiler shrimp and puffer blimp castle buckets and scrapers under a dusk light cheroot Six pulls on a lead line painted toes in sand shearwater run in a rainbow sun the portly mexicano flaunts his tacos and wares Rooster house for swordfish bamboo shoots and sails broken shells and ocean swells rise on the perfect La Ropa bay
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Apr 14, 2017
Apr 14, 2017 at 2:22 PM UTC
Sotavento
I saw Jim at Two Amigos Sitting at the bar, Stick-handling a coaster. He was a hockey star, Showed it when he smiled; His nose a puck. He tells stories Of blood freezing on ice, Jersey pulls and sweat, Body checks and corners. He drives the zamboni, Making the ice sheet a giant mirror. The crowds cheer Jim To get off the ice, Let the game begin. He speeds his machine To the far end doors, Vanishing down the tunnel. He's just ordered a double boiler-maker, Stirs his whiskey with a swizzle-stick, And slaps back another shot.
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Mar 8, 2016
Mar 8, 2016 at 8:40 AM UTC
The Slap Shot
He's coming down the tracks, grinding all the gears The cold steel rails he runs, inflexible, no fears Engine whines and steam combines, so screams, and disappears Down the highway of conviction, the past, now in arrears More coal, more oil, into the furnace, as boiler glows, it seems All of what he has, he is, is poured into his dreams
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Dec 12, 2016
Dec 12, 2016 at 8:32 AM UTC
Poetic Engineer
twinkle birds and tessellates, bends my mind to outer space. lands me in infinity of never ending affinity to the universe. but sweetest ideas were shortly lived at reality slowly sifts away to repeated visions that turn loved faces into panic that glitches me into unbreakable circles of walk away, walk away. no awareness of a before from this feel the abyss of this helplessness **** me into no ending so I seice to begin. but as the panic subsides my mind starts to ride the energy that resides in my being from the kingfisher floor to the fish strewn ceiling. sentient beings **** at the seams, my dream of weightlessness pull the windows to break towards the secrets of simple existence. invisible water sends the strands of fur swelling and glowing into talk of the polar bear whose hair weaves into the atoms that feed my jumbled dreams. hands rip through the plaster as the sounds grow louder and faster, helicopters shake the boiler from the pipes but I still feel great. the tables tremble as I soak up the bass and the treble. sensual overload through my eyes the magic multiplies, angels can hear my sighs as the roof opens to tunnel towards the skies. geometric patterns that I could never have imagines circle and sweep, creeping my further from sleep. I have breached something new, an extreme that dares its self to be seen only my the few who ****** it. I grab these new senses and attach it to my masses of emotions, that have been formed my these chemicals. neutrons and protons that explore the breadth oh Pantones schemes, weaving into the atoms that feed my jumbles dreams. release my mind from the confines of rinse and repeat, out of easy street and onto the sunrise that surrounds me. revelations that never siese to confound me. destruction was peace pulling my beliefs, daring the world to touch me as the floor tips the cabinets from the walls. I am small. here in this perfect world. my hands make the plants grow as they show me all it takes to break the confines of the human condition is to expand your mind and reposition your nervous system to reach a different supposition. little lion please read my other work if you like this one! http://trivialitesofabusymind.blogspot.co.uk/
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May 18, 2013
May 18, 2013 at 5:02 PM UTC
left handed polarbear and the celing-fish
twinkle birds and tessellates, bends my mind to outer space. lands me in infinity of never ending affinity to the universe. but sweetest ideas were shortly lived at reality slowly sifts away to repeated visions that turn loved faces into panic that glitches me into unbreakable circles of walk away, walk away. no awareness of a before from this feel the abyss of this helplessness **** me into no ending so I seice to begin. but as the panic subsides my mind starts to ride the energy that resides in my being from the kingfisher floor to the fish strewn ceiling. sentient beings **** at the seams, my dream of weightlessness pull the windows to break towards the secrets of simple existence. invisible water sends the strands of fur swelling and glowing into talk of the polar bear whose hair weaves into the atoms that feed my jumbled dreams. hands rip through the plaster as the sounds grow louder and faster, helicopters shake the boiler from the pipes but I still feel great. the tables tremble as I soak up the bass and the treble. sensual overload through my eyes the magic multiplies, angels can hear my sighs as the roof opens to tunnel towards the skies. geometric patterns that I could never have imagines circle and sweep, creeping my further from sleep. I have breached something new, an extreme that dares its self to be seen only my the few who ****** it. I grab these new senses and attach it to my masses of emotions, that have been formed my these chemicals. neutrons and protons that explore the breadth oh Pantones schemes, weaving into the atoms that feed my jumbles dreams. release my mind from the confines of rinse and repeat, out of easy street and onto the sunrise that surrounds me. revelations that never siese to confound me. destruction was peace pulling my beliefs, daring the world to touch me as the floor tips the cabinets from the walls. I am small. here in this perfect world. my hands make the plants grow as they show me all it takes to break the confines of the human condition is to expand your mind and reposition your nervous system to reach a different supposition. little lion please read my other work if you like this one! http://trivialitesofabusymind.blogspot.co.uk/
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15
She's this insatiable urge gaining on me, like a herd of horses galloping in the treachery of the wild, their muscles brushed to a shine rippling down their calves to embrace the ground beneath their ironed hooves shaking it up, tormenting its calm, whipping up tremors that know no chains and travel far. When she's around dust and sweat break free with muscles aching in symphony the heart is all worked up like a boiler room in heat pummeling all of its adrenaline in one fleeting indulgence which the universe with all its hatcheries is itching to contain before the raging tides in and floods my world. She's the elusive horizon used to passionate chases and the sly azure lunging at it for one sweet glimpse of the cleavage where it conjoins with the earth looking for Elysium that never is. Ah! But that is what it is for the tamed to think of love is an impossibility for it grows in the wild separated by a hundred chasms and a million mazes waiting for a fool to cross over. When she isn't around the rumpled sheets tell our story for it has seen the storms that raged in the cavernous nights and filled up balmy noons with the savagery of love still crackling like embers of fire which have seen better days, and, light up still, with a death wish to tell of our smouldering lives that thrived in spasms of our last breath.
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Sep 9, 2018
Sep 9, 2018 at 11:59 AM UTC
Consumed
It takes forty sap gall0ns to 'still one gallon of maple syrup, boiled down by the sun stored in firewood. I remember well, my aunt Florence feeding the boilers in the hill orchard sugar house, wearing an old going-to-church dress, that had, some years back, been handed down to workday chores and on top covered over by uncle Fred's red and black mackinaw. "Stand back," she said as she opened the boiler door first the roar, then a bank of fire that painted her from kerchief to boots flaming red, her eyeglasses, two pools of glowing magma, and everything above was steam and rising vapors. In my mind's eye then and now when I read Dante I'll think of her, she was and is, the very vision of a devil tender.
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Jan 3, 2011
Jan 3, 2011 at 6:04 AM UTC
Devil tender
The Red Teapot sits lonely atop my stove, Never filled and never heated, A reminder, Hearts apart, we fade with every sunset Drifting memories, lingering thoughts, They always end up at the same place, Stored somewhere between fantasy and reality, Winter cascades, pushing out your summer's touch You were my sunshine, the clouds give me comfort now The cold embraces my heart, the chill reaches deep I miss you, You gave me music, and today it still sings to me Art, Passion, I cherish your gifts to me, Oh how I regret taking so long to attain my darling little boiler, Today, I will fill my beautiful teapot and it will not be alone, I’ll heat it And I will drink, and the soothing warm liquid will unfreeze my soul Firewalker,
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Nov 5, 2014
Nov 5, 2014 at 10:43 AM UTC
The Red Teapot
it was a quarter past 11 when the silhouette of the steam locomotive changed in its inertia, and i was left standing in dense smoke attempting to connect neurons to nerve impulses. my train was leaving and i was not aboard. the sprinting algorithm of my prior steps had come to allude me and I am left pondering as to where these moments had gone. As overextension of one's arm defies the boiler pumping steam, it's thermal radiation forcing me to become The Contortionist. with chills stepping up my spine, taking residue in each vertebra before ascending, crashing and descending, as contact with hand and train is made, and relaxation comes with it. i sense the gentle acceleration, as this safety net of relaxation fades. my weakening muscles struggle to become satanists of physics and momentum gained is lost in equilibrium
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Oct 14, 2012
Oct 14, 2012 at 11:33 PM UTC
The Contortionist
We sat on the grass by Banks House warm sun sound of coal men at the coal wharf just behind shunting of coal trucks up in the shunting yard by the railway bridge I showed Janice my new 6 shooter gun my old man had got me with a plastic holster that was attached to my belt she took the gun in her hands and turned it over what's fascinating about guns? she said one looks pretty much like another she opened up the gun and saw where the caps were fitted does it go bang when you fire caps? sure it does I said and took the gun and pulled the trigger and BANG BANG it went she put her hands over her ears that's loud she said ******** up her eyes I twirled the gun round a finger and put the gun back in the holster Gran said guns are dangerous things Janice said they are but this is only a toy gun I said she took off her red beret and combed her fair hair with a comb from her small handbag did they have girl cowboys? she asked cowgirls they were called I said Anne Oakley was good with a gun   have you got a spare gun and holster I could borrow? and I could be her to your Wyatt Earp she said sure I have I said I got lots of guns and holsters - I had about three sets- let's go get one and we can get you started as a cowgirl I said and I can ride a pretend white horse she said to go with your black one ok I said and we got up and walked back into the Square and we went to the flat where I lived my mother was boiling the wash in the boiler and said you want some lunch yet? I asked Janice and she said that would be nice and so we had some sandwiches and milk and I went and got her a spare gun and holster and an S belt of mine which she fitted around her narrow waist and she had a go at drawing the gun out of the holster as she'd seen me do and she was quite good and after lunch we set off to ride our imaginary horses through the Square and along the open prairie off the Meadow Row bomb site looking out for Injuns or bad cowboys we could fight.
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Jul 11, 2015
Jul 11, 2015 at 3:19 AM UTC
COWGIRL IN 1956.
We sat on the grass by Banks House warm sun sound of coal men at the coal wharf just behind shunting of coal trucks up in the shunting yard by the railway bridge I showed Janice my new 6 shooter gun my old man had got me with a plastic holster that was attached to my belt she took the gun in her hands and turned it over what's fascinating about guns? she said one looks pretty much like another she opened up the gun and saw where the caps were fitted does it go bang when you fire caps? sure it does I said and took the gun and pulled the trigger and BANG BANG it went she put her hands over her ears that's loud she said ******** up her eyes I twirled the gun round a finger and put the gun back in the holster Gran said guns are dangerous things Janice said they are but this is only a toy gun I said she took off her red beret and combed her fair hair with a comb from her small handbag did they have girl cowboys? she asked cowgirls they were called I said Anne Oakley was good with a gun   have you got a spare gun and holster I could borrow? and I could be her to your Wyatt Earp she said sure I have I said I got lots of guns and holsters - I had about three sets- let's go get one and we can get you started as a cowgirl I said and I can ride a pretend white horse she said to go with your black one ok I said and we got up and walked back into the Square and we went to the flat where I lived my mother was boiling the wash in the boiler and said you want some lunch yet? I asked Janice and she said that would be nice and so we had some sandwiches and milk and I went and got her a spare gun and holster and an S belt of mine which she fitted around her narrow waist and she had a go at drawing the gun out of the holster as she'd seen me do and she was quite good and after lunch we set off to ride our imaginary horses through the Square and along the open prairie off the Meadow Row bomb site looking out for Injuns or bad cowboys we could fight.
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114
As I sit here in my kitchen I watch my lover work (Trying to fix the boiler!) It is Possible/Probable That He will very shortly Go Totally Berserk! Hoses Drills   Cables Adorn the kitchen floor But … I have mischief on my mind That will soon Come to the fore I sassy over slowly Ask is he wants some tea? We often play this silly game Pretending … That he has never before met ME! He is just a workman He is purely trade I am just a housewife Desperate to get laid I set his tea beside him Run my fingers through his hair Caress his manly muscles I really do not care! I do not care for etiquette I do not care for rules I only care to **** him Here Amongst his ***** tools I know the game is on When Resolve walk out the door I now possess the power To drink from his liquid store He is but a willing victim So I start to make a show Soon It’s hell for leather My gifts on him I do bestow I love this man with all my heart I loved this man right from the start My love for him is off the chart I love my man **My   Work of Art** When the job is over When the tools are all packed up When the job is over He stops Drinking from the cup That’s the time he invoices A bill needs to be rendered I always pay up willingly For my soul has long surrendered I thank my ***** workman This man That sets my heart ablaze Then My ***** workman thanks me For my wanton ways I escort him of the premises My love for him adorning He smiles at me lovingly **That’s why I’m easy I’m easy like Sunday morning** ... ~ ...
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Oct 31, 2010
Oct 31, 2010 at 4:16 AM UTC
I'm easy like Sunday morning
As I sit here in my kitchen I watch my lover work (Trying to fix the boiler!) It is Possible/Probable That He will very shortly Go Totally Berserk! Hoses Drills   Cables Adorn the kitchen floor But … I have mischief on my mind That will soon Come to the fore I sassy over slowly Ask is he wants some tea? We often play this silly game Pretending … That he has never before met ME! He is just a workman He is purely trade I am just a housewife Desperate to get laid I set his tea beside him Run my fingers through his hair Caress his manly muscles I really do not care! I do not care for etiquette I do not care for rules I only care to **** him Here Amongst his ***** tools I know the game is on When Resolve walk out the door I now possess the power To drink from his liquid store He is but a willing victim So I start to make a show Soon It’s hell for leather My gifts on him I do bestow I love this man with all my heart I loved this man right from the start My love for him is off the chart I love my man **My   Work of Art** When the job is over When the tools are all packed up When the job is over He stops Drinking from the cup That’s the time he invoices A bill needs to be rendered I always pay up willingly For my soul has long surrendered I thank my ***** workman This man That sets my heart ablaze Then My ***** workman thanks me For my wanton ways I escort him of the premises My love for him adorning He smiles at me lovingly **That’s why I’m easy I’m easy like Sunday morning** ... ~ ...
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76
I read a line of scribbled spit nickels Down the front of your shirt You pressed a sheet of purple glue Upon your eyelids So when you wake up The sky glows merry And the trees blow cherry blossom Daggers in your mouth The bees **** in your ears The silence swims in centuries Your pores are hidden caves Through which the red sea tide escapes from Down the river It flows like spilling A bucket of butter soaked Fingers frying on telephone cables Let’s be so close that we are hideous I don’t blink enough to miss the way your eyes looked like half squeezed limes blond knuckled teenagers loving their thighs under the rusty playground slides I tripped on broken windowpanes To laugh until my lungs broke through My temple of loose ***** xylophones Crickets co-wrote my backyard requiem My ears were sauce packets Filled with broken glass microphones Fast food pottery Yogurt stains swing dance when I close my eyes The chalk tastes like baby blankets Horseradish carpenters bleed bitter pellet gun lubricants I hung fifteen different shades of mustard yellow So that I couldn’t hear your sandpaper cackle Only your cousin’s frigid toaster Can understand me
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Aug 30, 2010
Aug 30, 2010 at 12:23 PM UTC
Boiler Room Keys
Well we jumped on the wing for a good Irish fling kicked off the week with a boiler The banter was high as we took to the sky nothing in sight was a spoiler And the red eye at night was a captain’s delight we spread on the seat of the liner Arrived just in time for a whale of a time at the Temple Bar and Diner Well the Dublin scene in the Old College Green was wired and alive on the corner Where me and me' mates paired in at the gates there were welcoming arms to us foreigners And we sang through the night and grinned in delight with banjos, pipes and lasses Drinking whiskey and beer in a boatload of cheer the rooster got lost in the masses The **** in the walk was out on the stalk a wee little flute on display His shoulders were pinned with a great big grin they were such peculiar ways! Well we found em next day (in a sauntering way) *got tossed in all the commotion* What happened to you? said he hadn’t a clue or any baldy notion! Hit the road to Howth little east, little south the seaside town was groovin Found the Cobblestone Pub for a jar and a scrub the seabird sounds were soothin Then we jumped a train in the lashing rain the Belfast craic was mighty Hit the Thirsty Goat with a parching throat some Tullamore Dew for a nighty In the Crumlin jail the spirits set sail the IRA was gaffin There was Bobby Sands in celestial lands alive and proud and laughin The Griffin dance was the final chance the evening closed in nigh And we made our way through the Chelsea lanes to say our final good bye ~ ~ ~ ~ Singing Ay, oh…let it all go safe haven in the wasteland! Singing Slainte’…take me away to the old Irish sounds of the band!
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Sep 23, 2021
Sep 23, 2021 at 11:41 AM UTC
Mind the Gap
Well we jumped on the wing for a good Irish fling kicked off the week with a boiler The banter was high as we took to the sky nothing in sight was a spoiler And the red eye at night was a captain’s delight we spread on the seat of the liner Arrived just in time for a whale of a time at the Temple Bar and Diner Well the Dublin scene in the Old College Green was wired and alive on the corner Where me and me' mates paired in at the gates there were welcoming arms to us foreigners And we sang through the night and grinned in delight with banjos, pipes and lasses Drinking whiskey and beer in a boatload of cheer the rooster got lost in the masses The **** in the walk was out on the stalk a wee little flute on display His shoulders were pinned with a great big grin they were such peculiar ways! Well we found em next day (in a sauntering way) *got tossed in all the commotion* What happened to you? said he hadn’t a clue or any baldy notion! Hit the road to Howth little east, little south the seaside town was groovin Found the Cobblestone Pub for a jar and a scrub the seabird sounds were soothin Then we jumped a train in the lashing rain the Belfast craic was mighty Hit the Thirsty Goat with a parching throat some Tullamore Dew for a nighty In the Crumlin jail the spirits set sail the IRA was gaffin There was Bobby Sands in celestial lands alive and proud and laughin The Griffin dance was the final chance the evening closed in nigh And we made our way through the Chelsea lanes to say our final good bye ~ ~ ~ ~ Singing Ay, oh…let it all go safe haven in the wasteland! Singing Slainte’…take me away to the old Irish sounds of the band!
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88
I left Jim at Two Amigos Sitting at the bar, Stick-handling a coaster. He was a hockey star, Showed it when he smiled. He tells stories Of blood freezing on ice, Jersey pulls and sweat, Body checks and corners. He circles the Zamboni, On memory's icy mirror. The crowds cheer Jim To get off the ice, Let the game begin. He speeds his machine To the far end doors, Vanishing down the tunnel. He's just ordered a double boiler-maker, Stirs his whiskey with a swizzle-stick, And slaps back another shot.
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Jan 23, 2018
Jan 23, 2018 at 7:47 PM UTC
The Slap Shot
A good friend with a basset-hound face is on his feet The rest of us are weak as newborn puppies, from the late hour, the numbing glory in our lungs But, mostly from laughter. This young man is a connoisseur of altered states, an apprentice butcher, and one of the chosen few who breath music in and out effortlessly And he's preaching Prosthelytizing Three minutes before, he had been happily day dreaming Three feet from the floor with the boob-tube beaming happy simple moving colors The man on the set shows us how to stir-fry chicken Our mouths water, but we're content to sit. But with the fire coming up that glass pipe and setting his boiler to churn along feverish He caught an insight or it snared him, like a spiderweb across a peaceful hiking path On his feet He was beginning to see connections And had to share them with someone Now I'm a limp doll at this point, fully immersed in the body-high Thoughts are glacial, movement glacial Oh, my friend. You're talking to the wrong audience We can't hope to see it as you do. But he keeps on keeping on. And tells us a thing or two. Cooking He says Is like *** As our laughter dies down to a dull roar, he continues The speeds and heats and intensities can all vary to give you countless subtle differences. But the true constant is care Loving attention to the finest detail. His brows furrow, his toes test the fibers of the rug and he glances back up, and I imagine a podium in front of him. Or maybe it's like Jazz. He says. We learn, or glean out, how things are supposed to happen But in the moment, the twanging instant Beautiful things will themselves to exist and they defy all well-laid plans.
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Nov 13, 2014
Nov 13, 2014 at 8:33 PM UTC
Preach, Brother. Preach.
A good friend with a basset-hound face is on his feet The rest of us are weak as newborn puppies, from the late hour, the numbing glory in our lungs But, mostly from laughter. This young man is a connoisseur of altered states, an apprentice butcher, and one of the chosen few who breath music in and out effortlessly And he's preaching Prosthelytizing Three minutes before, he had been happily day dreaming Three feet from the floor with the boob-tube beaming happy simple moving colors The man on the set shows us how to stir-fry chicken Our mouths water, but we're content to sit. But with the fire coming up that glass pipe and setting his boiler to churn along feverish He caught an insight or it snared him, like a spiderweb across a peaceful hiking path On his feet He was beginning to see connections And had to share them with someone Now I'm a limp doll at this point, fully immersed in the body-high Thoughts are glacial, movement glacial Oh, my friend. You're talking to the wrong audience We can't hope to see it as you do. But he keeps on keeping on. And tells us a thing or two. Cooking He says Is like *** As our laughter dies down to a dull roar, he continues The speeds and heats and intensities can all vary to give you countless subtle differences. But the true constant is care Loving attention to the finest detail. His brows furrow, his toes test the fibers of the rug and he glances back up, and I imagine a podium in front of him. Or maybe it's like Jazz. He says. We learn, or glean out, how things are supposed to happen But in the moment, the twanging instant Beautiful things will themselves to exist and they defy all well-laid plans.
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47
In memory of the seven men killed in the after fire room explosion in USS Basilone (DD-824) on 5 February 1973 We live in holes, Each one named, Bravo One, Bravo Two, Bravo Three, Bravo Four. There are others, But none are MAIN, The rest are AUX. We work at pressure, Six hundred pounds, Eight hundred plus Degrees, That's Fahrenheit, Folks. People like To visit Our world. Makes them, Feel special, They see a world, They don't dare Live in, And they leave, Before they Sweat too much. Come again, But not too often, Have a salt tablet. We're the only sailors, Who must Use our gear, Twenty-four hours A day. Try letting the fires Go out In the Boiler. See what Happens. The girls, Topside, Would miss their Movie. They'd, Be agitated. Did we use that Word? Well, Have a salt tablet. We say that Down here is where The real men live, That all the rest, Are ******* It's a lie, But, It hides how hard Life is, In the Steam world. It's six hours Of watch, Six hours Of sleep, Six hours Of watch, Six hours Of sleep, Unless, Something Needs fixing, Or We're refueling, Or, We're getting ready, To enter port, Or, Something else Is happening, Then there's - No sleep. There's no sun Anyway. You wanna see Sun? Look through The scope, At the Stack gas. It's a world of Valves And, Burners, And, Sight glasses and, Pumps and, Pipes and, Gauges everywhere. A new guy, Wonders, How to learn Them all. It's an, Incomprehensible Forest. And then, You get to Know it. Now some other guy, Is the, New guy. It's often a Rain forest, 120 degrees, That's Fahrenheit, Folks. 95 per cent Humid, Since you're visiting, Come help us, Find Steam leaks. But, Keep your head Down. Steam is clear, You won't See it, Before it Cuts you, In half. We'll use brooms, Instead. Just wave them overhead, Along the pipes. Have a salt tablet. The steam Snakes all about The ship. They need it To live. Not just the Wake, But, Heat, Light, Water. All life, Comes from The boiler. You'd think they'd Appreciate Us. The Navy says, It's worried about, Our heat stress, (It's only 120) And our hearing, They want us, Out of The heat, More often, Nice. Who will keep The lights on? Maybe they'll Start a new, “Program.” Do the paperwork, And just Keep us in The hole. We've been down here, So long, We can't Hear 'em, Anyway. Have another salt tablet, And go back, To your regular job, Topside.
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Dec 28, 2011
Dec 28, 2011 at 10:21 AM UTC
Steam World
In memory of the seven men killed in the after fire room explosion in USS Basilone (DD-824) on 5 February 1973 We live in holes, Each one named, Bravo One, Bravo Two, Bravo Three, Bravo Four. There are others, But none are MAIN, The rest are AUX. We work at pressure, Six hundred pounds, Eight hundred plus Degrees, That's Fahrenheit, Folks. People like To visit Our world. Makes them, Feel special, They see a world, They don't dare Live in, And they leave, Before they Sweat too much. Come again, But not too often, Have a salt tablet. We're the only sailors, Who must Use our gear, Twenty-four hours A day. Try letting the fires Go out In the Boiler. See what Happens. The girls, Topside, Would miss their Movie. They'd, Be agitated. Did we use that Word? Well, Have a salt tablet. We say that Down here is where The real men live, That all the rest, Are ******* It's a lie, But, It hides how hard Life is, In the Steam world. It's six hours Of watch, Six hours Of sleep, Six hours Of watch, Six hours Of sleep, Unless, Something Needs fixing, Or We're refueling, Or, We're getting ready, To enter port, Or, Something else Is happening, Then there's - No sleep. There's no sun Anyway. You wanna see Sun? Look through The scope, At the Stack gas. It's a world of Valves And, Burners, And, Sight glasses and, Pumps and, Pipes and, Gauges everywhere. A new guy, Wonders, How to learn Them all. It's an, Incomprehensible Forest. And then, You get to Know it. Now some other guy, Is the, New guy. It's often a Rain forest, 120 degrees, That's Fahrenheit, Folks. 95 per cent Humid, Since you're visiting, Come help us, Find Steam leaks. But, Keep your head Down. Steam is clear, You won't See it, Before it Cuts you, In half. We'll use brooms, Instead. Just wave them overhead, Along the pipes. Have a salt tablet. The steam Snakes all about The ship. They need it To live. Not just the Wake, But, Heat, Light, Water. All life, Comes from The boiler. You'd think they'd Appreciate Us. The Navy says, It's worried about, Our heat stress, (It's only 120) And our hearing, They want us, Out of The heat, More often, Nice. Who will keep The lights on? Maybe they'll Start a new, “Program.” Do the paperwork, And just Keep us in The hole. We've been down here, So long, We can't Hear 'em, Anyway. Have another salt tablet, And go back, To your regular job, Topside.
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183
MY WIFE SAYS THAT I LOOK LIKE A MEERKAT, LIGHT COLOURED MOUSTACHE, GLASSES AND QUIZZICAL LOOK, TO GET TO THIS STAGE - YOU WOULDN'T KNOW HOW LONG IT TOOK, I'M ALWAYS 'COMPARING THE MARKET.COM', LOOKING FOR DEALS, TO SAVE MONEY, TO SAVE ANYTHING, ALWAYS APPEALS, NOW INSURANCE IS ALWAYS A PAIN BUT EVERYONE IS LOOKING FOR FINANCIAL GAIN, AGAIN AND AGAIN, IF IT'S NOT MY CAR, IT'S THE HOUSE OR SOMETHING ELSE, THE BOILER, HOME CONTENTS, ANYTHING THAT MAKES CENTS, BUT I'VE GIVEN UP - EVEN THO' THESE ANIMALS MAY HAVE GOOD INTENTS, I'VE TAKEN ALL THIS SAVED MONEY, HAVING A BALL, IF SOMETHING BREAKS DOWN - I KNOW WHO TO CALL, I DON'T WANT TO SEE YOUR BOW-TIE, THE IMAGE RANKLES, JUST LEAVE ME ALONE, PLY YOUR TRADE ELSEWHERE - 'SIMPLES!'
0
Feb 15, 2016
Feb 15, 2016 at 12:49 AM UTC
THE MEERKAT
. . . . .s s s s s s s s s s s s s s . . . . Choo . . . s s s s s s s s s s s s . . . . Choo Choo s s s s s s s s s s . . . . Choo s s s Choo s s s Choo s s Choo s Choo Choo Choo Choo Choo Choo My tain is moving . . . My freight train now of love Chu , Chu , Chu , Chu , Chu My momentum is gaining Must make the grade above Chou-a-Chou , a-Chu Keep your eyes looking up ahead On the rail and where's it lead My train has many cars Hauling loads so very far Boxcar loads of lumber sure For building house of love so pure Tank cars full of liquid love Higher and higher I do shove Flatbeds strapped under cover too Leaves you guessing what will I do Load after load of dump cars full All these I bring to you to tool The way is curved and rail runs straight As I pass through your open gate The boiler is hot the fire is stoked There's no way now this motion choke There's miles and miles of shiny rail Laid down by your smiles , can tell Following up here comes the caboose As my train is cut and loose Pressing hard must be on time To here you say it's so fine So there goes my Loco train of love Delivering loads of love I flood Whoo - whoo
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Jan 19, 2015
Jan 19, 2015 at 4:34 AM UTC
Loco Train Of Love
One. When you remember what happened to you as a child, Ignore it. It probably doesn't mean much anyway After all, You're probably just using it as an excuse to get away with ****** You're probably just making it up for attention. Two. When a boy fondles you in your church boiler room, Do not tell anyone. Since you froze up Did not say no The best case scenario Is that they will make you "talk it out" And tell you it is your Christian duty to forgive him The worst case scenario Is that your formerly mutual friends will brand a scarlet letter to your chest And you make it your personal mission to live up to that label. Three. If you have *** before marriage, Do not let anyone find out. If you have *** with multiple people before marriage, Hide it under lock and key. If you have casual *** with multiple people before marriage, You can forget about going to heaven. Four. When you have become the perfect liar and ***** Do not get assaulted. You know what I said about no one believing you? Increase that times one hundred thousand. The only difference is this time Not even the ones you love the most Will take you seriously. You'll get your morning dosage Of slut-shaming And "what were you wearing?" The nightly pill shoved down your throat "He was in a bad place." Five. When he texts you four months later Saying he hasn't tried to **** himself in quite a while When you read the word "sorry" in a public bathroom Say you're okay. Do not say you are bulimic And that where his hands went that night Or the text messages that made you fear for your safety Had anything to do with your own perfectly calculated mental breakdown. Six. When your church talks about purity, Nod like the rest of the robots. Smile, because you are their concrete example Of who not to become. Why do they care more about the *** you have Than the *** that was forced upon you? They say trauma has a stronger link to addiction Than obesity does to diabetes Do they ever stop to wonder If just maybe, I am addicted to everything I hate? They will tell me I have nothing new to add to the discussion So they can silence me But I have my story A story that is mine and I control The ending.
0
Jan 17, 2016
Jan 17, 2016 at 5:26 PM UTC
A Guide to Losing Yourself in Six Easy Steps
One. When you remember what happened to you as a child, Ignore it. It probably doesn't mean much anyway After all, You're probably just using it as an excuse to get away with ****** You're probably just making it up for attention. Two. When a boy fondles you in your church boiler room, Do not tell anyone. Since you froze up Did not say no The best case scenario Is that they will make you "talk it out" And tell you it is your Christian duty to forgive him The worst case scenario Is that your formerly mutual friends will brand a scarlet letter to your chest And you make it your personal mission to live up to that label. Three. If you have *** before marriage, Do not let anyone find out. If you have *** with multiple people before marriage, Hide it under lock and key. If you have casual *** with multiple people before marriage, You can forget about going to heaven. Four. When you have become the perfect liar and ***** Do not get assaulted. You know what I said about no one believing you? Increase that times one hundred thousand. The only difference is this time Not even the ones you love the most Will take you seriously. You'll get your morning dosage Of slut-shaming And "what were you wearing?" The nightly pill shoved down your throat "He was in a bad place." Five. When he texts you four months later Saying he hasn't tried to **** himself in quite a while When you read the word "sorry" in a public bathroom Say you're okay. Do not say you are bulimic And that where his hands went that night Or the text messages that made you fear for your safety Had anything to do with your own perfectly calculated mental breakdown. Six. When your church talks about purity, Nod like the rest of the robots. Smile, because you are their concrete example Of who not to become. Why do they care more about the *** you have Than the *** that was forced upon you? They say trauma has a stronger link to addiction Than obesity does to diabetes Do they ever stop to wonder If just maybe, I am addicted to everything I hate? They will tell me I have nothing new to add to the discussion So they can silence me But I have my story A story that is mine and I control The ending.
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63
A large fearsome oaf walks about swampy body stimulates my **** folds of fat that look like a swamp Its gleaming and severe eyes should have scared me, but I choose to leave it be. Since now, I am in control. Self-aware. Omniscent. There is space for only one monster You are written by the creator, he has died Papercuts, everywhere I’m the Creator now I have all power I make myself queen I write, and it warps your reality So, I command that, you, The monster will die Your eyes yanked from their sockets And chopped and served On a pretty pink plate Your brain will be poached in My Brain Boiler Your fingers will cook in my Finger Fryer Your heart, put on display, Heart Hanger Your blood will be included in my Rémoulade A rather runny Rémoulade So, I guess, I’m the monster
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Sep 21, 2018
Sep 21, 2018 at 4:13 PM UTC
The Monster
The news spread over the countryside As a clatter from iron rails, The ominous sound of clacketty-clack From their intersecting trails, The plodding Goods of the 0-4-0 To the proud Express from Cheam, It muttered as it was going past, ‘They’re going to get rid of Steam!’ The sudden shock brought an answering hoot From the stack of the proud Express, That whispered by on its 4-6-2 But shuddered to draw its breath. ‘And what will they pull their Pullmans with?’ As it passed through an April shower, A 4-6-0 on another track: ‘They’re moving to diesel power!’ The steam from the Earl of Erin laid A trail through the valley floor, Its coals glowed red from the firebox grid As the fireman shovelled more, A Day Excursion that quietly sat To wait for the train to pass, Had whispered, ‘Sorry to see you go, You’re King of the Master Class.’ The smoke that billowed from out the stack Had turned from white to black, The footplate shuddered, the furnace roared As it raced along the track, ‘They say they’re moving to diesel power And they’re getting rid of steam,’ The Earl of Erin had hurtled by As a Tank Engine had screamed! The driver, checking the frantic pace Was trying to slow it down, But nothing worked, not even the brakes, ‘We’re headed for Hampton Town! We shouldn’t be doing sixty-five We’re twenty over the top, He slammed the door of the firebox shut And the fireman’s shovel dropped. The tender’s couplings opened up And the Pullmans fell away, The Earl of Erin had surged ahead With a new found power that day, It passed a struggling 0-4-0 As it headed toward the sea, Gave one long blast on its whistle then To say, ‘I’m finally free!’ The fireman jumped at the water tower, The glass was going down, The driver jumped when it hurtled through The Halt at Hampton Town, The Earl of Erin went racing on When the sea came into view, But locked the brakes at the water’s edge Just as the boiler blew. The Earl of Erin’s a rusted wreck That still sits there on the line, And children crawl on its footplate there And dream of another time, A time of dragons, a time of trains A time they can only dream, The age of romance, gone at last, It died with the age of steam! David Lewis Paget
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Feb 27, 2014
Feb 27, 2014 at 8:10 AM UTC
The Age of Steam
The news spread over the countryside As a clatter from iron rails, The ominous sound of clacketty-clack From their intersecting trails, The plodding Goods of the 0-4-0 To the proud Express from Cheam, It muttered as it was going past, ‘They’re going to get rid of Steam!’ The sudden shock brought an answering hoot From the stack of the proud Express, That whispered by on its 4-6-2 But shuddered to draw its breath. ‘And what will they pull their Pullmans with?’ As it passed through an April shower, A 4-6-0 on another track: ‘They’re moving to diesel power!’ The steam from the Earl of Erin laid A trail through the valley floor, Its coals glowed red from the firebox grid As the fireman shovelled more, A Day Excursion that quietly sat To wait for the train to pass, Had whispered, ‘Sorry to see you go, You’re King of the Master Class.’ The smoke that billowed from out the stack Had turned from white to black, The footplate shuddered, the furnace roared As it raced along the track, ‘They say they’re moving to diesel power And they’re getting rid of steam,’ The Earl of Erin had hurtled by As a Tank Engine had screamed! The driver, checking the frantic pace Was trying to slow it down, But nothing worked, not even the brakes, ‘We’re headed for Hampton Town! We shouldn’t be doing sixty-five We’re twenty over the top, He slammed the door of the firebox shut And the fireman’s shovel dropped. The tender’s couplings opened up And the Pullmans fell away, The Earl of Erin had surged ahead With a new found power that day, It passed a struggling 0-4-0 As it headed toward the sea, Gave one long blast on its whistle then To say, ‘I’m finally free!’ The fireman jumped at the water tower, The glass was going down, The driver jumped when it hurtled through The Halt at Hampton Town, The Earl of Erin went racing on When the sea came into view, But locked the brakes at the water’s edge Just as the boiler blew. The Earl of Erin’s a rusted wreck That still sits there on the line, And children crawl on its footplate there And dream of another time, A time of dragons, a time of trains A time they can only dream, The age of romance, gone at last, It died with the age of steam! David Lewis Paget
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65
The bodies are buried in the dank boiler room of a building scabbed with crimson windows. Trimmed with gargoyles, the superstructure rises on cords of carbon steel. Inside miraculous husks, the elevators lift and fall, lift and fall, without stopping. Antiquated carriages click like scarabs on ropes and pulleys. With interiors lit by faint buttons, the listless coffins circulate our remains behind gypsum walls. When the elevator doors glide open, an emerald chime sings your name.
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Dec 20, 2016
Dec 20, 2016 at 4:12 PM UTC
Modern Necropolis
You wanna talk balance, huh? You got a lecture to give, and I’m not allowed to pour a drink to get me through? Well **** if this ain’t ridiculous, but I’ll listen. Nothing else to do up here in the snow and the solitude and the shining. You say things started alright, and I nod, sip something unreal, and say *yes, my dear, yes, perhaps I broke his arm but I’ve vented the pressure out of the boiler now.* And ain’t it a **** shame that I don’t talk to Al any more? ‘Cept to sneer about the history of a place that’s too far away to push him back to drink. So sure, tell me I’m unravelling, and I’ll call you a ***** and you’ll lock yourself up in the room. Give him the key, I’ll show him that the **** in 217 is far worse than a broken arm and a ruined career, because this will take me away. Who’s the other one inside me, worming into a space that I thought was mine? Two in one body, a ****** perfect discount deal on everything that can destroy a family; check one, a son with a broken arm and a fractured mind, check two, a ***** for a wife, and check three, me the head of it all, proclamation, divination, damnation of the foundation of this stutter looking over, overlooking, a broken record skipping to the part where I **** the pressure, **** the boiler. I’ll see you in the next one. Fin. .
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Apr 15, 2021
Apr 15, 2021 at 7:26 PM UTC
What Makes the Man Jack Torrance
A slab of wood Entwined with copper and nickel. That's all you are. I feel your humanity at times. It could just be the heat from my hands Still fuming off your glossy surface Like boiler room pipes. Pipe down your pipe dreams sonny, You're no Kurt Cobain.
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Jul 23, 2014
Jul 23, 2014 at 4:27 PM UTC
Pipe Dreams