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Kewayne Wadley May 2018
I boarded her heart.
Careful to follow the politics of comfort.
Too much weight on either side & We'll surely panic.
Tumbling down.
Spiraling out of control.
I packed light.
Finding everything I need on board.
I enjoyed my window seat.
Being her passenger.
The pleasantries of flying first class.
The view of a different country.
The tedious flutters of anticipation.
Constantly aroused by the exploration of beating hearts.
Continuing to see ourselves in reflection.
Flying destination after destination.
Going here, going there
Non stop.
If ever we should crash.
I'll live knowing this was the best flight I've known.
Light in heart.
Parachute untouched
Lillian Harris Jun 2015
We are just ghosts
Aimlessly passing the time,
Forgotten places
Left behind,
Boarded up doorways
Stained by decay,
Restlessly looming
In the deepening gray,
Disappearing beneath
The undergrowth
preservationman Oct 2016
In the distance, I see a Hound bus cruising down the country road
The stretched out Greyhound dog in front of the bus with look and behold
Now watch as numerous stories unfold
I hear a Greyhound Driver narrating his tail of his stories surrounding the hound bus
I will narrate a couple for you
Our story starts in Topeka, Kansas enroute to Kansas City, Kansas
The bus left on time during its usual run schedule
However, the weather started getting rough
Driving in the wind and rain made it really tough
A Tornado could be seen in the distance destroying everything in its path along the farmlands
Yet that Greyhound bus steadily kept moving
But the fierce violent winds were blowing
Suddenly, the Greyhound bus got a lift
Up in the funnel of the Tornado the Greyhound bus went far from any drift
However, a miracle took place, and the bus was slowly let down gently to the ground
The Greyhound bus remained in tacked and nothing but praises in God’s thanks was the sound
This is my account of another story
I was travelling from New York City to San Francisco, California
It was a vacation being a 4 days journey and New York City back
We had just crossed the Nevada state line being a rest stop
A Young Woman went into labor on the bus
The Driver was counting the contractions, but we all knew what was going to happen
This was supposed too be an 30 minute rest stop, but turned into a 2 hour rest stop
Luckily, the bus was near a major hospital nearby, and an ambulance was summoned
The EMS carried the Pregnant Woman on a stretcher off the bus and her Boyfriend (Husband) followed
Later, the bus pushed on, and I arrived at my final destination ahead of schedule into San Francisco
Another story tail
This time I was travelling to Los Angeles from New York City
We stopped in a Ghost town
There were tumbleweed flying everywhere and shutters were hitting all the houses along with wind blowing
Yet, there were no citizens in the town
Meanwhile, it was 6:00 AM in Arizona
Suddenly, all the passengers wondered who was coming aboard
But everyone was thinking thriller oh my Lord
A Male Passenger boarded, but spoke Spanish
He was drunk and wanted to sit with anyone, but passengers refused
So he had to go to the back of the bus where the restroom was
He talked from the time he boarded until we arrived in Los Angeles
So Greyhound is more than a ride, it became an adventure
Stories upon stories
Go Greyhound with its own storyline
The venture being the bus, but no need to fuss
Greyhound is the American Frontier and that involves us
What is your Greyhound traveling story?
Someone said my monkey's dead,
But confusion hit their head,
Made them think that this is true,
I'm in a funk, what can I do?

Then they soon told my neighbors, yes,
Put my monkey to the test,
Called the papers just long enough to say,
Yes, my monkey ran away.

I searched high, and I searched low,
Dropped a rock upon my toe,
Hit my head on a doorway hard,
Couldn't find my monkey in the yard.

Traveled to the mountains nearby,
Looking for monkey made me cry,
Saw the clouds come floating by,
A speck of dirt flew in my eye.

Checked the traveling circus troup,
For details on missing monkey scoup,
Learned that he had traveled through,
What am I supposed to do?

Boarded a boat set for the Indian Ocean,
Got sea sick from the crazy motion,
Tried to eat, but it all came up,
Couldn't drink the swirl in my cup.

Once in Africa, deep in the jungle,
Searched for monkey and took a tumble,
Found a panther hiding in the bush,
Felt flat hard upon my ****.

So, no monkey, not anywhere,
Does the world so truly care?
Waited patiently in a Star Bucks shop,
In came monkey and my coffee I dropped.

Called him by his first name, Charles,
Saw him stare and then he snarled,
Ran so fast for the door, he did,
What a silly and audacious kid.

Ran pursuit down a cobbled stone road,
Saw my monkey drop his precious load,
Screamed at him to stop and say,
Where he goes on this very day.

When my breath was heavily panting,
Stopped my call and my ranting,
Figured if he so desperately was going,
No more to care and no more knowing.

Monkey, monkey where are you?
Are you hiding in the zoo?
Will you ever be around?
You're a silly, slippery clown.
The footsteps echoed on cobblestones
When a chime rang ten of the clock,
As a sailor making his way back home
Was walking up from the dock,
It was cold and dark for the lights were out
And the street was wet with the rain,
When he came to an old red telephone box
At the side of a narrow lane.

The clouds were black and they opened up
So he stepped in out of the wet,
Dropped his swag as it turned to hail
And lit up a cigarette,
The box was ancient, was George the Fifth
And hadn’t been used for years,
But stood in a lane that time forgot
When the rot set in, and worse.

For most of the houses were boarded up
And the weeds had grown outside,
Some had embarked for a tree-lined park
And some of the others died,
It was lonely there in the dark of night
As the sailor waited, he sang,
But stubbed his cigarette out in fright
When the telephone next to him rang.

He stared at it for a while before
He raised it, stopping the bell,
It had an echoing, ghostly sound
Like you hear in a deep sea shell,
The sound of sobbing came to his ear
And he cried, ‘Who’s there, what’s wrong?’
‘Oh God, I’ve waited forever my dear,
I’m locked in the basement, Tom!’

The sailor said that he wasn’t Tom
But she didn’t appear to hear,
‘He’s got an axe, attacking the door,
Be quick or he’ll **** me, dear!’
The sailor didn’t know what to say
But a chill ran up his spine,
‘Tell me, what’s your address,’ he said
‘Before you run out of time!’

‘I’m straight across from the telephone box,
You usually meet me here,
He’s found us out, and he screams and shouts
That he’ll **** you as well, my dear!
He just came home from a spell at sea
And called me a cheating *****,
If you don’t come over and rescue me
He’ll have smashed his way through the door.’

The sailor wanted to say, ‘Enough!
It’s nothing to do with me,’
But flew on out of the telephone box,
Leapt over a fallen tree,
He raced right in through the open door
And he called, ‘I’m here, just wait!’
Then made his way to the cellar door
But all he could feel was hate.

The door was shattered, he walked right in
It was dark, there wasn’t a light,
He felt around for a candle, lit
And stared at the terrible sight.
A man lay dead on the basement floor
Where an axe had taken his life,
And there with her throat like an open sore
Was the body of his dear wife.

He staggered, stopped, and fell to his knees
And sobbed like a man insane,
‘Oh God, it’s true, I did this to you,
But my mind’s been playing games.
I thought if I went away to sea
I’d return to find they were dreams…’
As he sliced a razor across his throat
He thought, ‘Life’s not what it seems!’

David Lewis Paget
harry was a hedgehog he loved the rodeo
a visit to america decided he would go
he boarded  on a plane to the U.S.A
way across the ocean so very faraway.

he headed for the venue to see the the rodeo
then he put his name down so he could have ago
harry was excited as happy as can be
now he could ride the rodeo for everyone to see

harrys name was called and mounted on his horse
now his time had come to ride around the course
he new all the tricks and new what to do
chasing after steer with his big lasso

people they all loved him shouted out for more
an hedgehog ride a rodeo they never saw before
hedgehog he was happy his dream it had come true
riding in a rodeo is all he longed to do
I'm a riddle in nine syllables,
An elephant, a ponderous house,
A melon strolling on two tendrils.
O red fruit, ivory, fine timbers!
This loaf's big with its ****** rising.
Money's new-minted in this fat purse.
I'm a means, a stage, a cow in calf.
I've eaten a bag of green apples,
Boarded the train there's no getting off.
there was a little duck a clever duck was he
he just love the snow and he just loved to ski
he took a little trip for a skiing holiday
in the land of austria so very far away
packing up a bag he boarded on plane
sitting by the window to look out of the pane
he was very happy as happy as can be
and all along the mountain tops he could plainly see
he reached his destination and headed for the snow
with his little skis so he could have ago
he climbed up a mountain high up in the sky
then he  could ski down again and watch the world go by
swerving in and out with his speed so fast
racing to the bottom till the finish line was passed
going over bumps flying through the air
jumping over everything  he really didnt care
he got to the bottom is skiing it was done
it gave him such a thrill and he enjoyed the fun
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
there was a little hamster he boarded on a ship
took his little suit case for his little trip
he sailed across the sea on a great big boat
standing on the deck as it began to float
he was heading for america in the usa
to visit san francisco and its great big bay
he landed in america then headed for the shore
sat down by the bay then headed home once more
Jordan Rowan Aug 2015
I fell asleep on a runaway train
Trying not to go insane, oh no
I felt alive but couldn't decide
If I wanted to live or die
Or spend another night / without you

I boarded as the sun went down
And there was no one else around, oh no
I slept against the windowpane
Hearing dreams and the falling rain
As I ride towards nowhere, without you

The endless fields go on and on
Like the pain when you said so long, oh no
I held in my weary hand
The letters of a lost romance
The words all seem empty, without you

As the sun rose in the East
From my dreams I've been released, oh no
The rhythm of the railway car
Makes me wonder where you are
And if I'll be alright, without you
These are lyrics for a song I've written. Heartbreak is good inspiration.
HRTsOnFyR Aug 2015
Here the waves rise high and fall on the icy
seas and white caps chew the driftwood logs of
hemlock and toss them wildly upon sandy beaches.
The steep mountains rise straight from the sea
floor as the December sun shines through the dark
clouds that hang heavy with snow near the top peaks.
Blue icebergs drift slowly down the narrow channel.
This volcanic island is one of many that are scattered
along the coast of Southeastern Alaska.
On the South end of the island is another
tiny island and on it stands an old lighthouse,
a shambles. It has a curving staircase and an
old broken lamp that used to beckon to ships at
sea. Wild grasses and goosetongue cover the ground
and close by Sitka blacktail feed and gray gulls
circle. There is a mountain stream nearby and
in the fall the salmon spawn at its mouth. The
black bear and grizzly scoop them up with great
sweeps of their paws, their sharp claws gaffing
the silver bodies.
Walking North along the deer trail from the
South end of the island are remnants of the Treadwell
Mine. It was the largest gold mine in the world.
In the early 1900's the tunnel they were digging
underneath Gastineau Channel caved in and the sea
claimed her gold. The foundry still stands a rusty
red.
The dining halls are vacant, broken white
dishes are strewn inside. The tennis court that
was built for the employees is overgrown with hops
that have climbed over the high fence and grown
up between cracks in the cement floor. The flume
still carries water rushing in it half-hidden in
the rain-forest which is slowly reclaiming the
land. The beach here by the ocean is fine white
sand, full of mica, gold and pieces of white dishes.
Potsherds for future archeologists, washed clean,
smooth and round by the circular waves of this
deep, dark green water.
Down past the old gold mine is Cahill's house,
yellow and once magnificent. They managed the mine. The long staircase is boarded up and so
are the large windows. The gardens are wild, irises
bud in the spring at the end of the lawn, and in
the summer a huge rose path, full of dark crimson
blooms frames the edge of the sea; strawberries
grow nearby dark pink and succulent. Red raspberries
grow further down the path in a tangle of profusion;
close by is a pale pink rose path, full of those
small wild roses that smell fragrant. An iron-
barred swing stands tall on the edge of the beach.
I swing there and at high tide I can jump in the
ocean from high up in the air. There is an old
tetter-totter too. And, it is like finding the
emperor's palace abandoned.
There is a knoll behind the old house called
Grassy Hill. It is covered with a blanket of hard
crisp snow. In the spring it is covered with sweet
white clover and soft grasses. It is easy to find
four leaf clovers there, walking below the hill
toward the beach is a dell. It is a small clearing
in between the raspberry patch and tall cottonwood
trees. It is a good place for a picnic. It is
a short walk again to the beach and off to the
right is a small pond, Grassy Pond. It is frozen
solid and I skate on it. In the summer I swim
here because it is warmer than the ocean. In the
spring I wade out, stand very still and catch baby
flounders and bullheads with my hands; I am fast
and quick and have good eyes. Flounders are bottom
fish that look like sand.
Walking North again over a rise I come to
a field filled with snow; in the spring it is a
blaze of magenta fireweed. Often I will sit in
it surrounded by bright petals and sketch the mountains
beyond. Nearby are salmonberry bushes which have
cerise blossoms in early spring; by the end of
summer, golden-orange berries hang on their green
branches. The bears love to eat them and so do
I. But the wild strawberries are my first love,
then the tangy raspberries. I don't like the high-
bush cranberries, huckleberries, currants or the
sour gooseberries that grow in my mother's garden
and the blueberries are only good for pies, jams
and jellies. I like the little ligonberries that
grow close to the earth in the meadow, but they
are hard to find.
Looking across this island I see Mt. Jumbo,
the mountain that towers above the thick Tongass forest of pine, hemlock and spruce. It was a volcano
and is rugged and snow-covered. I hike up the
trail leading to the base of the mountain. The
trail starts out behind a patch of blueberry bushes
and winds lazily upwards crossing a stream where
I can stop and fish for trout and eat lunch; on
top is a meadow. Spring is my favorite season
here. The yellow water lilies bud on top of large
muskeg holes. The dark pink blueberry bushes form
a ring around the meadow with their delicate pink
blossoms. The purple and yellow violets are in
bloom and bright yellow skunk cabbage abounds, the
devil's club are turning green again and fields
of beige Alaskan cotton fan the air, slender stalks
that grow in the wet marshy places. Here and there
a wild columbine blooms. It is here in these meadows
that I find the lime-green bull pine, whose limbs
grow up instead of down. Walking along the trail
beside the meadow I soon come to an old wooden
cabin. It is owned by the mine and consists of
two rooms, a medium-sized kitchen with an eating
area and wood table and a large bedroom with four
World War II army cots and a cream colored dresser.
Nobody lives here anymore, but hikers, deer hunters,
and an occasional bear use the place. Next door
to the cabin is the well house which feeds the
flume. The flume flows from here down the mountain
side to the old mine and power plant. An old man
still takes care of the power plant. He lives
in a big dark green house with his family and the
power plant is all blue-gray metal. I can stand
outside and listen to the whirl of the generators.
I like to walk in the forest on top of the old
flume and listen to the sound of the water rushing
past under my bare feet.
In the winter the meadow is different: all
silent, still and snow-covered. The trees are
heavy with weighty branches and icicles dangle
off their limbs, long, elegant, shining. All the
birds are gone but the little brown snowbirds and
the white ptarmigan. The meadow is a field of
white and I can ski softly down towards the sea.
The trout stream is frozen and the waterfall quiet,
an ice palace behind crystal caves. The hard smooth-
ness of the ice feels good to my touch, this frozen
water, this winter.
Down below at the edge of the sea is yet another
type of ice. Salt water is treacherous; it doesn'tfreeze solid, it is unreliable and will break under
my weight. Here are the beached icebergs that
the high tide has left. Blue white treasures,
gigantic crystals tossed adrift by glaciers. Glisten-
ing, wet, gleaming in the winter sun, some still
half-buried in the sea, drifting slowly out again.
And it is noisy here, the gray gulls call to each
other, circling overhead. The ravens and crows
are walking, squawking along the beach. The Taku
wind is blowing down the channel, swirling, chill,
singing in my ear. Far out across the channel
humpback whales slap their tails against the water.
On the beach kelp whips are caught in wet clumps
of seaweed as the winter tide rises higher and
higher. The smell of salty spray permeates everything
and the dark clouds roll in from behind the steep
mountains.
Suddenly it snows. Soft, furry, thick flakes,
in front of me, behind, to the sides, holding me
in a blizzard of whiteness, light: snow.
This is a piece my grandmother had published in the 70's and I was lucky enough to find it. She passed on a few years ago and I miss her with all of my heart. She was my rock and my foundation, my counselor, mentor and best friend. I can still hear the windchimes that gently twinkled on her front porch, and smell the scent of the earth on my hands as I helped her **** the rose garden. I am glad that she is finally free of the pain that entombed her crippled body for nearly half of her life, but I wish I could hear her voice one last time. So thank God she was a writer, because when I read her poems and stories, I can!  She wasn't a perfect woman, but she was the strongest, smartest, most courageous woman I have ever known.
Poeta de Cabra Oct 2014
Catch the bus at quarter to eight
Pack your bags and don't be late
Arrive and your details are wrote
Picture taken, board a speed boat

Meet the tour guide, name is Ung
Four other crew are mostly young
Out with the camera take some shots
Boat is travelling, around forty knots

Bamboo Island is the very first stop
The boat pulls up and off we hop
Beautiful beach it is, nice and white
Crew help the women, extremely polite

Give you a snorkel if you so desire
Swim, paddle or just the view admire
Island is beautiful and the water nice
Close as you could b,e to real Paradise

Next pass by the Viking Cave in the rocks
When told Vikings were there I got a shock
On the walls they painted pictures of their ships
Amazing where they sailed, on their many trips

Bats, not famous in these caves but swallow nests
People protecting them, who would have guessed
Six thousand dollars a kilogram for the nest itself
An aphrodisiac in China for those with much wealth

From there we venture to the sweet Monkey Beach
Monkeys hang from the trees with a long reach
Throw them food and they catch it without fail
Hanging on to the trees with extremely long tails

Some monkeys on the beach, seem to be so polite
But you must be  careful because they often bite
Lots of photos again, information from the staff
Kids are enjoying themselves and having a laugh

Phi Phi Island next for a very delightful lunch
The staff on the island such a helpful bunch
Thai food, rice, seafood, curries hard to beat
Don't go hungry, more food  than you can eat

After lunch walk the beach and along the shore
Talk to Ung the guide, hoping to learn a bit more
A photographic memory Ung had, we did note
Remembered every persons name, on that boat

Soon we boarded once agaiin, trip a bit shorter
Other side of island was beautiful shallow water
People once again go swimming or snorkelling
Creatures on the bottom, some amazing things

Water is so still and it is such a glorious day
I think this place was called Loh Samah Bay
People boarded the boat, they were out of breath
"Save some energy" Ung said "for what's next"

A few minutes later we were all over the moon
Boat put down anchor in a magnificent lagoon
Maya Bay it was called, water warm and crystal clear
Many Hollywood producers had got inspiration here

Hard to say really, what are views like this actually worth?
Probably as close as possible to having a Heaven on Earth
Never before had I seen such a picturesque  sight
Could have stayed there all day and all of the night  

Soon up comes the anchor and the driver drove
The speed boat to the most beautiful Pilch Cove
Could go for a walk, lay on the beach and sleep
Kids could wade in, water warm but not very deep

Venture over the other side, see a magnificent lagoon
Then enjoy the beach once more, we are leaving soon
Soon back on the boat a few drinks, tales we're tellin'
Eat cool fresh fruit, pineapple and juicy watermelon

Everyone seems tired now, especially girls and boys
Speed boat flat out  as captain shouts "Ships ahoy"
Opens up the throttle, boat has extraordinary power
Be back where we started in approximately one hour

Bid the crew  goodbye and  tell Ung he is totally swell
Shake  his hand and take a taxi back to our comfy hotel
Tired and worn out, need a shower, good meal and a rest
Recommend  trip to anybody though, its simply the best

So if you are looking for something to do In Phuket
Take trip to Phi Phi Island, tis one you'll never forget
When on the boat back, I was so glad that I went
One of the best days I reckon that I've ever spent
A day out on my latest vacation
Caroline Aug 2012
people drank and swayed as you stood up there

and oscillated your hands over the surface of the synthesizer

Ambience

all I heard was the thereminEEEEEEEEEEEEEEEEEEEEEEE

I heard that as I boarded the subwayEEEEEEEEEEEEEEEEEEEEEEE

and I thought about an orchidEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE

You resembled an orchid.

An orchid, save my soul.

And so was I.

I went and saw you again playing the back alley

and you did it a cappella while people shrieked from their acid trips

Sad

and all I heard was your voiceEEEEEEEEEEEEEEEEEEEEE

and I heard them as I fell onto the pavementAAAAAAAAAAAAAAA

and I thought I saw an orchidEEEEEEEEEEEEEEEEEEEEEEEEEEAAAAAA

You still resembled an orchid.

An orchid, save my soul.

And so was I.

I bought the paper because it was routine

I read you had vanished, but your face was on the page

Smile

and all I heard was my voiceAAAAAAAAAAAAAAAAAAAA

and then I pictured the fireworksOOOOOOOOOOOAAAAAAOOOO

they looked like orchidsAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

You didn't resemble an orchid.

An orchid, save my soul.

And so was I.

I pulled over on the highway, I saw a ghost

He got in the car and it was so cold, I thought about my disbelief

Disappointment.

I looked in the rearview mirror, I saw a ghost

Its hand were big and nimble, its head a large inflorescence

Pretty

and I heard the thereminEEEEEEEEEEEEEEEEEEEEEEEEEEEE

the fireworks in my headOOOOOOOOAAAAAAAAAAAAAAOOOO

and our voices.

You resembled an orchid.

An orchid, save my soul.

An orchid, save my soul.

An orchid, save my soul.

And so was I.
Bottom feeders flourish

When the economy's a bust

When bad times are the norm

And good times turn to dust

When neighborhoods go south it's sad

But a sign of their demise

Is when a bunch of pawn shops open up

Before your very eyes

When stores close down or move on out

After years in the same place

Their memory is a radar blip

They leave without a trace

But as fast as they lock up their doors

Another shop moves in

It's the local pawn shop dealer

He's a shark without a fin

Like dollar stores and boarded doors

The pawn shop shows the way

That business has moved on out

Or closed or moved away

They prey on peoples hardship

They broker deals without a care

They don't need to know your history

They just know that you're there

The street has three new pawn shops

Palaces of buy back stuff

It's bad when there is one around

But, three...well that's enough

One opened by the Jeweller

Two doors down across the street

Now he's buying up possessions

Of everyone he meets

Folks who purchased jewellery

From Old Cy at his old store

For each twenty of it's value

The pawn shop gives you four

Cy can't afford to buy back

He doesn't have much money left

And besides his store insurance

Doesn't cover much for theft

The people at the Pawn shops

Took jobs and live in town

They trained two counties over

They succeed when times are down

It's a sign of the recession

Downtown dies and fades away

And then the bottom feeders surface

Their the ones who're gonna stay

You can look in the shop windows

Know who bought what and from where

You know the candlesticks were bought at Cy's

And you know who bought them there

The guitar that hangs beside them

That was pawned by Emma Rose

She needed money for the bills

When the fresh fish plant had closed

There's a snapshot of the township

Sitting inside on their walls

They pawn shop is successful

While the economy still falls

You can see a piece and start to cry

For you know just why it's there

There's no one here to help them

There's no jobs and it's not fair

They open up each morning

While the nights dregs still sleep outside

They have done two hours business

Before lights on at Cy's

It's a sad and constant story

Of just what a town's become

But when asked if they've been in there

The inhabitants go "mumb"

They never seem to close up

The town's never make it back

While most places lose money

Pawn shops make it by the sack

The bluesman has some stuff there

The bartender has some too

Even though her bar's still going

She did what she had to do

The street, it is it's own world

Jewelly shops, banks and bars

But inside the local pawn shops

Are hidden all the scars.
what lies in the vast frontiers of space
scientists have pondered on this very thing
they've boarded rockets to check out the place

is there only little green men a gleaming
at the far reaches of the celestial plain
scientists have pondered this very thing

inquiring earth minds taking the interplanetary train
so many worlds yet to be well investigated
at the far reaches of the celestial plain

can this orb support life and can it be populated
a glimpse of what is out there seen on Mars
so many worlds yet to be investigated

they reckon man might dwell upon a galaxy of stars
an upbeat community of scientists filled with joy
a glimpse of what is out there seen on Mars

Earthlings with state of the art technology to employ
an upbeat community of scientists filled with joy
what lies in the vast frontiers of space
they've boarded rockets to check out the place
Brett Jones Jan 2013
The moth with newspaper wings sat under the arrow lungs of the eyeless
blood dripped falcon, more whole than the super-glued roman sculpture.

Next door a 50’s con held up church with a roulette table in the kitchen,
and boarded up the massage parlor
downstairs.

The eye of the man was a centrifuge of ducks, mallard and hen, spiraling
outward into evaporated roach-ground
asphalt.

Next door, slits in the picket fence displayed perfectly formed **** & broach,
empty shoes made of feet below, blending
fields.

The marble foundation formed from twine lollipops and fuzzy candy tabs,
ice-etched to the frequency of splintered seashell
angels.

Next door through the forest of knives a spaceship bearing gargoyles peaked
bodies through collages of faces in technicolor sepia
mitosis.

The heiress molted into tiled pieces, her own dog and sunhat caught in blizzard
cuneiform, kaliedescoping again to fractalled inchworms cemented in motion.
Kate Morgan Jun 2013
I lost cuntrol when I was nine years old.
Mother took my hand off my crotch yet left my brother to the confinement of his ****;
Girls good, boys bad, and oh no sweetheart your beauty is your only power.
And I’d blush; not in the way she’d hoped through the sweep of a brush but rather when my teacher left her hand lingering on my back as she bent over to tick the formula of the female form and cross out what the chimes of the church commanded.
I looked at the curve of the x she used to mark the spot and sighed.

Teach me. Teach me your ways so I can breathe in the sweet blossom of your hair as I rest in the bossom of your heart, its smells like lavender. Lavender.
Lavender sweet dreams honey and I will see you there tonight.

It was then I began my perpetual low earth orbit from dream to dream and departed from what mother said that day when I asked the question that makes mothers quake as they smooth out the creases in their dresses and tuck their unravelled hair behind bitten ears.
Making love. We made love only to make you, darling.
Mother smiled sweetly and turned her back on me as her mind traced back to that morning when she made mad passionate love with the milkman when daddy wasn’t looking. I am still waiting for my little sister.

If practice makes me perfect then meet man, mother.
I used his rocket to launch myself into space where I spelt her name out in the stars and jumped over the moon to Venus. I felt the warmth from her skin like the sun that keeps me alive. Alive. Alive.
Warm me, darling, just with the nestle in my vessel in my veins in my sugar coated spaceship.
We found sticks and made smores and we floated together, with my hand tracing your V in that three-dimensional galaxy between your legs we fell in love. No void existed between our celestial bodies as gravity pulled me into your arms.

He came as I came back from space thinking of nothing but the soft shape of her hips and the trail of her spine that led me back to earth.
There’s man with his grey socks still on his feet, dark matter on the sheets and a wrapper on the floor.
******* I thought, but in the sky…
That night my mother asked me why I am smiling.
I said I have become an astronaut in orbit with a woman who I love in space.
She cried shes lost it.
I smiled, nodded yes, I've lost it to her.

I lost cuntrol when the earth, heavens and waters fell in love and sailed and soured as we danced on the tree tops of your garden, with waves crashing beneath us leaving salt shimmering particles like diamonds on your feet.
You were my alphabet soup that filled me with too many words, the thrill of the prize at the bottom of the cereal packet and the noble intentions of stopping the Titanic from sinking with the touch of button.
We had love at first sight like David and Jonathen, Ruth and Naomi who boarded the ark as my back arched in passionate throws below deck, as Noa held Emzaras hand smiling.
Adding a letter to her name on Transgender Tuesdays was just an afterthought.
Opening her drawers to pack up her boxers and bind her ******* Noa smiled as the clock cocked Tuesday.
She entered her escapism; what the Bible calls a natural disaster, I just call natural.

I lost cuntrol when I re-arranged the stars like pick and mix, so I could always find my way back to you. When you said I love you I wondered whether I’d had too many dolly mixtures and where jelly babies came from.
Sugar rimmed your lips like salt on a martini and left me drunk with desire as I licked around your edges. You slipped a haribo ring on my finger and I gave you my loveheart.

I lost cuntrol one day when my lover Alice said eat me. She showed me Dinah who hide beneath her skirt and I followed curiously.
I didn’t ask her to say please but that’s another story.

After her lesson I was told the Sputnik satellite was man-made and I laughed.
Oh no, women have been launching rockets with complete cuntrol between their legs for years, leaving the earths atmosphere and dreaming of everything else but ***** ****’s ****.
During countdown they think of shopping lists, whether they’ve burnt off enough calories for wine with their girlfriends, and sometimes, sometimes, of her.
Do good girls go gay?
In space, my mother said, in space.
*I am a spoken poet*
Charles Barnett Mar 2014
There's an airport in my heart
Where I stand in the terminal
waiting on your flight to come in
so I can kiss you just the way I did
when you boarded.
Tom Gunn Jun 2012
You'll find yourself here,
not sure how you arrived.
But you won't question it.

The mayor is home: his apartment in the fire house.
His lamp is lit, and he is here to welcome you
Though you cannot see him
But you do not question it.

And you'll hear bells and the clopping of hooves ahead
of an old-style streetcar in the age
of the internal combustion engine,
infernal, before the world could burn.

But you won't question it,
No, it's all perfectly natural
As though you grew up here

And here you do grow up as you walk the street,
The buildings pressing ever closer together, merging
And you somehow grow taller.

As a fairytale castle looms ahead of you
As though it were in the sky.
It's color is a pink that
smells of cotton candy
and popcorn
and perhaps, a hotdog

It passes out of your view
Like a mirage or a whiff of cloud
As you smell the food
The advertising of smells
Seducing you away

You stop, and you look
And you don't see the tourists in shorts
And tennis-shoes, dressed ******-chic for an expensive vacation
Or smell their sunscreen or see any sign
Any sign of change since that time, no
No, you don't see anything
Which you don't wish to see

You don't see a police station
Or cigarette butts on the pavement
Or a war memorial
Or a boarded-up building, closed.
All have been scooped up
Swept up, kept up by
white-uniformed sanitation officers
with little bow ties, discretely
cleaning up the world

But you will scarcely miss these things, nor
notice their absence and
You will not question it.

For this street is a wish,
A longing,
A child's prayers
Answered

For this is a place where no person,
No thing is old, but all is new
and useful and present:
As immediate as the trail of ice cream
making its osmotic way along
the edge of your sugar cone in the sun
And down to your sticky fingers.

The castle is there, you see now, but it's so
very far away.
There is no rush.

Step inside a shop—take your pick--and you will find
plush carpets, cooled rooms, parkay tile

Above the souvenirs and tchotchkes you will
Notice heart-stopping detail
In a light fixture
In a cherry wood crown molding
In Tiffany glass and marble counter-tops
Exquisite agony of
nostalgia for the half-remembered

And you're puzzled because you can't buy, here,
An old-fashioned ice-cream soda
With which your great-greats wooed each other
And fed each other, never considering, even
conceiving scandalous sensual jokes with whipped cream
And for this, today, you love them.

Your feet will amble you back and back again on themselves,
turned around (in spite of unmistakeable
castle-mountain-rocketship landmarks.)

There, Just behind these buildings, you're certain, there
should be a baseball diamond, alight with the noise
of boys playing with a stick and a ball

There, a neat row of stately, sabbatical victorians

There, a haphazard school yard with a tire swing
and a red schoolhouse, reliable as a sunrise
keeping protective watch behind it.

And you forget
racism
You forget
any war
You forget
your own
many sins
Like
vanished
cigarette
butts

And you smile, giving the uniformed man
peddling mouse-shaped balloons
a little more of your money
than he is asking for
This is part of a cycle of poems inspired by Disneyland.
kenzi joy Apr 2012
You transformed my freckled neck

Into a strawberry field

Last night
Transplanting puckered lips
Into planting pink rosy kisses
Across my skin
And down my chest
Like
Cherry blossom petals that

We picked

Because we  
Just don't believe that they could be
Anything more
That how they feel right now

Its too inconceivable for us
Its too contrived   


I mean
Its like
Trying to grow candy apple love
In greenhouses
Or just houses 

Painted green
With synthetic sunbeams
And pesticide ridden wishing seeds
Planted with high doses of expectations
And fertilized by things like
Movie Scripted
Kissing in the rain

And all the other high fructose corn-syrup cliches
That only let you come down
When your brain washed loving
Is washed from lusting
Trusting only the sunlight
Rising in the morning
On a clear day
Because thats when you can see
Whats real and fake

But it doesn't matter

Because we just don't believe in things like that
Its to synthetic
For starry eyes filled with falling satellites
When its still too cold for sunshine


So we
Just believe in things like
Twisting our tongues 
for the fun
Of seeing
How quickly we come undone
When we touch

And breathing

Out then in and in again
Breathing uneven breathes
Into each others mouths
To feel what its like
To come to life
Then let it go again

And we always
Always
Color outside
The rib cage lines

(and heres why)

Because ribs
Keep people out of our hearts

And cages
Keep us out of their

And lines
*******

Lines are for strictly straight people
Who can only see one side to everything
And everyone
Knows
Rules were meant to be broken
And lines were meant to be crossed

Cross eyed
Crooked teeth

That can never be bent back straight
Or scraped pearly clean of
Imperfection
Because they are already
In perfection
Everyone is just too blinded
From staring into the sun
To see it right now

But tonight
Tonight
We are two crooked lines
In a foreign vineyards of twisted grape vines

Fermenting into a wine sweeter than our lips
And we fit
Together
Like two broken puzzle pieces
That wont ever complete each other
And you know what

That's ok

You are not my missing piece
And I am not yours
Because we are not
Puzzles
We are people
And puzzles are just broken paintings
To be put back together
And we are not broken
There’s no completion left

To who we are
We are infinite
Never ending in our potential
Never lacking in what's essential
All we are doing is adding colors
To each other

And tonight
You color me inside out

Crossing every line on my skin
With you paint brush lips
Like strawberry red rows of
Red wine
Dipped lips
Planting painted
Red lipstick kisses
In each others mouths
The way
Sweet-bay Magnolia petals
Are pictured in puddles
When they look down
Seeing their own refection
And letting themselves fall
Getting bruised by the gravel
We are each both petals and pavement
When we fall into each other
Tonight
And I remember one night
A while ago
We found an old telescope
Made out of plastic
With this incredibly inaccurate scope
That focused in sudden little jults
And it took us forever to find the moon
But when we did
And zoomed in
With one eye squinted
You
Looked up
To the night sky
And I
Have never seen anything like

The way the moon filled your eyes with stars
After you peered into each others faces


All the way across the atmospheric dimension
Sendings whispered apprehensions  

Of a pretentious existences into each others eyes
Every line had a wink at the end
And every wink had
A sly smile in between the chimney and the roof

So heres a little truth

Sometimes I wish that we
Could telescope each others sunsets
And find our own sunrises in each others eyes
Behind every blink
Orbiting

Fixed fastly to this axis
Through outer space time lapsing
Across boarder lines
Even though 
I know
We already beam every time we see each other
Like spring sunshine on icicles dripping drops down to
Oil spilled rainbows

We bowed our selves

From the glowing belly
Of our laughter induced paintings
Coloring waves of light
Overlapping though space

Traveling
Faster than the speed of sound
In our own directions
But our travels are soundly set
To inter-exist in this second
And I dont want to let go yet

But I will
Because we cant believe in things like this
It too much risk  to trust the
Daffodils blooming in the brisk
Frosty March mornings
Between bits of icy earth

So we pick them
And put them in little jars with stones
In our kitchen
And smile every time we walk by
I dont even really know why actually
I guess

They are just so pretty
And they smell nice too

Right next to the stems of
The white cherry blossoms
Which bend across our wooden window sill
Next to our sudsy little sink
And we know
That they wont grow anymore
After this
That this is their only glimmer
Of existence
So we hold them close
But time alway slip through our finger tips
Letting go
Of what we cant hold on to
Pulled farther apart
And I havent seen you 
In a while

The other night

I tried to telescope your eyes
Across boarded boarder lines
But I couldn't find you in the skies
And the moon only winked in my direction
Leaving me

To plant wishing seeds

In the ashes of 

Every wished on fallen satellite
I could find
Grown
In green houses

When its still to cold for sunshine
On a clear day
I still wish
That maybe
After
You’ve cleared away all the dead daffodils
From our dusty windowsill
And planted a orchard of candy apples
In the ribs of your new lover

That it will still make you smile
Every time you see
Sweet-bay magnolia petals bruised by gravel
And it reminds you of me


                                    The End.
there was a little hamster he boarded on a ship
took his little suit case for his little trip
he sailed across the sea on a great big boat
standing on the deck as it began to float
he was heading for america in the usa
to visit san francisco and its great big bay
he landed in america then headed for the shore
sat down by the bay then headed home once more
Joanne Heraghty Nov 2014
This is the last thing I'll let you know,
Before I say goodbye,
Before I let you go..

I forgot the reasons that brought on this end.
Wiped back the tears that I let fall.
Changed your title as my friend.
Unraveled your lies and figured it all.

I found the answers to the questions I had.
Spent all of my time trying to know you true.
It seems I, somehow, banished your bad.
I guess, it was because, I really did love you.

Now all I want, is for you to know,
Why I'm saying goodbye,
And why I'm letting you go..

I see your face through every crowd,
And within the moments you're not even there.
The silence became extremely loud.
It seems, I lost myself somewhere.

The knots in my stomach became undone.
As you continued to walk, in my mind, you grew small.
My journey backwards suddenly begun,
And I swiftly remembered it all.

The moment you had first taken hold of my hand.
Posed for a photograph with that crooked smile.
Times when, together, we would stand.
Or walk, if not even, for a single mile.

So this, my dear, I hope you know
I've said goodbye,
But I can't let you go.

I took back every single word I had ever said.
Tore out the chapters from the story of us.
Broke everything in sight, if only within my head.
Woke up one morning, and boarded that bus.

The glimmer in my eyes dimmed down slow.
I recanted the first smile that welcomed you that day.
Collected up the pieces of my heart, and decided to go.
I gave you one more look, and then turned the opposite way.
23rd June 2014

© All Rights Reserved Joanne Heraghty
Roman Aug 2018
The rustic sheet of a door screams as we pull it like a scab
We step inside this warehouse can
Two floors - we're holding hands
His eyes lit like a crescent Moon - excited, he yells "daaad!"

Our head, like swaying swing
We see it all, tongue in cheek
Like controls without the freak
It's so much fun it stings

An asymmetric wasteland
Convenient and distorted
The walls - bleak and boarded
A symbolic sleight of hand

This is where we feel
My father's on the catwalk
Like paranoia paraphernalia
My son's grip tightens, it's the only thing that's real

Absolute felicity
To realize what I have in the confines of my hand
Imperfection in the making - he doesn't understand
Skylarking permissably

A reverie to remember
His smile - sifting through his eyes
Warm, he maneuvers like the flies
He was born in December

Moving closer to my father
He's amidst the in-between
Consistently foreseen
His motion is no bother

He steps along the ply
Somehow keen in his demeanor
Four-years-old, but greener
Tossed and turning - it's the gleaner

The sheet has been disturbed
He's falling to his death
I'm blanketed in sweat
This cannot be deserved

My father's eyes - they match my own
I tear through the distance
Foreseeing and consistent
My father is a witness

The fear - he's fighting falling
We've never known it more
His tiny hands just wishing there were nails
Collective - we're losing all things

I grasp a finger as he falls but not enough to bring him back
My son approaches pavement as it fills my throat the same
I look him in the eyes as they melt away in pain
My body wakes without my mind - hysterically screaming  "DAAAD!"
This happened to me. I awoke, but it didn't make the memory any better. Only the ones to come.
Victoria Kiely Jan 2014
It was midday in London on an afternoon of early spring. The streets were flooded with equal parts rainwater and people as everybody rushed through their busy lives. People easily forgot to look up, and often failed to notice the change in scenery as the bus sped along.
He occupied two seats on a lonely street car travelling down Aberdeen. One seat held him tightly to the window that was to his left, the other was taken by his various possessions. With him, he carried his black, customary briefcase, his dripping umbrella that tied just below the halfway point, and the large tan trunk he had collected from the antique shop. They sat stacked on top of one another with the trunk serving as a base for the structure. Each time the street car emitted the gentle thud that accompanied the many bumps from the *** holes, he felt tense as he readied himself to catch the old umbrella.
His hair hung down to the side, dripping slowly from the rain into his eyes, and progressively further down his face. Hands shaking, lips blue, he looked down at his shoes. The holes were visible but unnoticeable. Slicks of water formed as he pressed his feet further down off of the seat. He had known for months now that these shoes were about finished, but he couldn’t seem to find the money to replace them. He had been late to pay the rent to his small apartment for the past three months.
“I just need another month,” he would begin. “Just another month, I swear. I have interviews with a few guys this week, they seem promising.” But there were truly very few interviews at all; in fact, he had found himself without work or word for months now.  Still he insisted that he would be able to find something, anything, to satisfy the rent for the coming month.
He had been a stock broker all his life. He had worked for companies varying in legality and prestige, all of which he had done well in. Throughout his twenties and thirties, he had maintained these jobs with fewer problems than he had had in any other area of his life. Until the stock market crash, he had been successful in all aspects. After the crash, however, nobody trusted stocks or stock brokers. He had found himself without business within days.
Although he had grown to loath the occupation over time because of all of the lying, the indecency and the equivocation, he loathed his financial state more with each passing day. He was used to fine linen, tall ceilings and silver spoons. None of that had followed him to his new lifestyle. He could hardly afford the food that required the spoon now, anyway.
He looked out the window to the greying day littered with clouds. People milled about, blocking the rain with their arms. The street car came to a halt beside an old cinema.
A woman and her child emerged from the black awning that draped over the entrance of the theater. She held a newspaper over her daughters’ head, taking care to cover her so as not to get her wet. The mother laughed visibly and crossed in front of the street car holding her daughters hand. They boarded.
“How much for one ride each?” She asked the driver with a kind, simple voice that reminded the man of his mother.
“It’s three dollars for your ride, and I’ll let her on for free since it’s raining” The driver replied.
She looked down and smiled. “Thank you very much.”
She trailed her daughter along and sat a few rows ahead of him. She sat her daughter down first next to the window, and then continued to slid in next to her, taking the aisle seat. She pointed out the window and whispered something inaudible to her daughter – she giggled lightly. She continued, her smile growing, her daughters face mirroring her own. Finally, they each erupted in laughter. He had not heard one word they had said.
It was true that they seemed, in every sense, underprivileged, but it was just as clear that they were not poor. Neither felt sorry for themselves, neither seemed to care that they too had holes in their shoes, or that they hadn’t had the money for an umbrella. They laughed and smiled as though they were the ones who had had the fine linen, tall ceilings, or silver spoons.
At first glance, he had felt sorry for them – their ripped and wet clothing, their makeshift umbrella. It seemed now though, that the longer he looked at them, the more he seemed to realize the sad truth. It was he who had been poor his whole life, not the lowly people he once watched walking down the street through his office window, the type who sat in front of him on this very train.
He had never been married, as he was too busy with his work and ambitions. He had never known the joy of a child. He had missed so many opportunities to find the happiness that he saw in the woman before him. He also knew that he had never wondered about any of those people’s stories. He had never cared to.
His stop came and went, and still he watched the woman and her child. The woman sang nursery rhymes to the girl, squealing with joy and amazement, as the street car carried on. Finally, the woman pushed the button to signal the driver to stop. She stood and collected the few things she had brought with her, including a coat and the newspaper she had used previously. She took her daughters hand and exited the doors that hesitated, then shut tightly behind her.
Again the pavement began to pass beside him as he looked out the window. His eyes stirred, then focused on something resembling paper that had fallen to the ground recently; the edges were hardly damp on the soaked floor.
He slid into the seat kin to him, bent over, and picked up the slip of paper. He unfolded it and found it to be a picture of the woman and her child from moments before.
In the picture, the woman is sitting in a field with tall blades of grass that look as though they had not been cut for years. The light is dim, the sun is rising. Her teeth are showing in a brilliant smile, her face young and carefree. Her daughter, who must not have been more than two in this picture, sits in her lap, laughing at something that can’t be seen in the photograph. The mother is pointing to it, and the daughters eyes follow. In many ways, it looked like the scene he had just witnessed.
On the back of the photo in long, curled writing, he read her handwriting: “It is always darkest before dawn”.  With those six words, he knew that he had wasted much of his life in dedication to tangible riches, when the real treasures were those that you could not necessarily count or produce. By way of strangers in a lonely street car, one poor man had discovered value in things that do not hold worth.
P E Kaplan Feb 2014
They meet once again,
One teary, one leery, both weary,
Daughter, mother, cut from the same cloth.

They meet once again,
Sense one another's desire to be,
Forgiven, understood, loved.

They meet once again,
To talk, to listen, to avoid,
Mistaken, misunderstood, miscommunication.

They meet once again,
Shuttered down, boarded up, fear within resides,
Mother, daughter, cut from the same cloth.
John F McCullagh Sep 2017
At birth, we boarded the train of life and met our parents, and we believed that they would always travel by our side. However, at some station, our parents would step down from the train, leaving us on life's journey alone.

As time goes by, some significant people will board the train: siblings, other children, friends, and even the love of our life.

Many will step down and leave a permanent vacuum.  Others will go so unnoticed that we won't realize that they vacated their seats! This train ride has been a mixture of joy, sorrow, fantasy, expectations, hellos, goodbyes, and farewells.

A successful journey consists of having a good relationship with all passengers, requiring that we give the best of ourselves. The mystery that prevails is that we do not know at which station we ourselves will step down. Thus, we must try to travel along the track of life in the best possible way -- loving, forgiving, giving, and sharing.

When the time comes for us to step down and leave our seat empty -- we should leave behind beautiful memories for those who continue to travel on the train of life.


Let’s remember to thank our Creator for giving us life to participate in this journey.

I close by thanking you for being one of the passengers on my train!
This poem is the inspirational material behind Strangers on a train. Author is  Jessica Smith of the UK. This is the attribution used by author Peggy Toney Horton on p. 117 of her book, "Somewhere in Heaven, My Mother is Smiling."
Tryst Jun 2015
Abandoning Medusa,
Four hundred boarded boat and raft
As angry storms abused her,
The sandbank held her firm and fast
And each fresh wave might be her last,
So each man went unto his craft
And headed out to sea

I watched her mass still gleaming
In moon's spotlight upon the rocks
And fading as to dreaming,
As oarsmen pulled with cursèd tongues
To take the strain and drag our throngs
That clung to life on floating stocks
Imprisoned by the sea

oh what a sight, to see our raft as laden down as she,
with little boats and fastened ropes to tow her o'er the sea


Men watched for signs of treason,
In fear of those who may decline
To see the light of reason,
And climbing off our haven perch
To strike toward the bobbing lurch
Of boats connected to the line
That towed us o'er the sea

A silver streak went flashing
As blade reflected of the moon
To hew the mooring's lashing;
No longer bound by fetid weight
The oarsmen pulled and with a great
Relief they moved away, and soon
Our raft was lost at sea

with cold dismay, we watched horizon swallow boats with glee,
when all were gone, we stood as one, abandoned to the sea


Clinging to the single mast
And each to each were firmly gripped
As sinking neath the living mass
The makeshift raft that floated free
Was covered by the foaming sea
And each man feared lest if he slipped
He's lost unto the sea

Water covered o'er our waists
And each with barely room to stand,
One hundred fifty doomed to fates
That ne'er a one could yet foresee
As each looked onwards helplessly
To glimpse the hope of promised land
Beyond the raging sea

has any scene more wretchèd been observed I ask of thee?
behold our sight and awful plight, held captive by the sea


For food one barrel only
Of biscuits that was tossed and thrown
Into the frigid roiling sea
And when we pulled it from the waves
Wet biscuits soaked to salted paste
Were swift devoured, and left with none
Our hunger cursed the sea

Our thirst became a torment
With only casks of wine to drink
And all the time to lament
The petty fight that caused the loss
Of all the water sadly tossed
Towards the edge and o'er the brink
Into the vasty sea

our sunburnt skins were blistered, we were hopeless as could be,
we prayed for night until the fright of darkness on the sea


Men turned upon their brothers,
Each fighting for an inch of space
And men screamed for their mothers,
As clubs were swung and axes heaved,
As bones were smashed and heads were cleaved,
And so began our human race
Surviving on the sea

The stench of early morning
Brought retching from the strongest tar
As light from a new dawning
Unveiled the carnage of the scene,
Men dead and dying, limbs hacked clean,
No time would heal the mental scar
Of those still trapped at sea

if you would listen further, I implore your eyes to see
the vision of our hopelessness upon the endless sea


One day passed to another
And every day more men were lost
To hunger or their brother,
And as our numbers swift declined
Starvation ruled most ev'ry mind,
And saw the thing we craved the most
Right there upon the sea

At first it started slowly,
One haggard man with wildling eyes
Took up a blade and boldly,
He carved a piece of rotting flesh
And to a man we held our breath
And watched as he devoured his prize
Upon the ghastly sea

With little hesitation
Some other men took up the lead
And with some trepidation,
I eyed the corpse and followed suit,
Slicing his leg above the boot,
And wolfed it down such was my need
Upon that evil sea

I ask not for forgiveness friend, I offer thee no plea,
You cannot know, you were not there upon that dreadful sea


Yet still my tale has sorrow,
That I have not the heart to tell
So courage I must borrow,
For all should know the tragic deeds
That show the truth, how man succeeds
When placed within the living hell
Of endless days at sea

One quarter turned to madness,
Where midnight waits with bloodied hands
To strike the screaming masses
And feast upon the sick and lame
With flesh prized higher than a name,
We turned with eyes like burning brands
And stared unto the sea

the weak were dead who still drew breath, they knew as well as we,
their lives were owed to pay our debt in homage to the sea


Some thirteen days we lived there
Before we caught the sight of sails
And rescued from our nightmare,
We crept away to wander home
But never can we be alone
Forever watched by wretchèd souls
We left upon the sea

So here my tale is ended,
One hundred fifty went aboard
And fifteen men descended,
Our raft was left to float away
And maybe still it floats today
With hungry souls forever moored
Upon the raging sea
https://en.wikipedia.org/wiki/The_Raft_of_the_Medusa
The Starship Galaxy III came in
To land in a farmer’s field,
There wasn’t much of a barley crop
For the seed had failed to yield,
The city lay just a mile away
In a glow of flashing lights,
‘I wonder how they manage to sleep,’
Said the Captain, Arzen Kytes.

They’d travelled across the universe
In a push through hyper space,
For seven years at the speed of light
In a bid to seek and trace,
They’d followed the trail of radio waves
From near to a distant sun,
And ended up in the Milky Way
Where the sounds were coming from.

‘There has to be life out there,’ they’d said,
‘We’re surely not alone,
We’ll send a mission to check them out,
To see what they’re like at home,
They must have a crude technology
To be able to transmit,’
And now in sight of the city lights
They were on the verge of it.

‘There’s oxygen in the air out there,
It’s much the same as home,
It’s safe to send out a party in
The seven seater drone,
So under the Captain, Arzen Kytes
They flew to a city square,
But the skyscrapers were neglected
And the weeds were thick out there.

They roamed through many department stores
Now empty of displays,
And passed by stores that were boarded up,
‘This town’s seen better days!’
Nobody walked the city streets
And the Captain shook his head,
‘Whatever happened to bring them down,
It looks like they’re all dead!’

But then in an old computer shop
They saw a sign of life,
A dozen or so of bobbing heads,
An old man and his wife,
But nobody said a single word
Or looked when they came in,
But kept on pushing the buttons of
Some tool that glowed within.

The old man opened his mouth and spoke,
‘You’re not from round these parts.
I saw the flivver you just flew in,
We’re back to the horse and cart.
This generation is not so bright,
They don’t know how to speak,
The gift of language has passed them by
Now all that they do is tweet.’

‘When most of the population died
With famine, came disease,
The crops were genetically modified
And killed off all the bees,
So nothing is pollinated now
But the bit we do by hand,
It wasn’t enough to save the world
From the greed that ruined the land.’

‘But what about all the city lights,
They’re flashing still, in truth!’
‘Everything came with flashing lights
To hypnotise our youth.
We may get help from a distant star
If they see them flash in space,
But once the power goes off, we’ll see
The end of the human race.’

The Captain of the Galaxy III
Flew back to board his ship,
When questioned by the rest of the crew
He frowned, and bit his lip,
‘There’s signs of a civilisation here
But they’ve let it go to seed,’
And smiled at the gentle irony,
‘The fools gave in to greed!’

David Lewis Paget
Daria Jun 2017
Do we have an unspoken deal?
One that doesn't allow us to love,
One that magically is going to help us heal?

You're dark souled, but gentle hearted
My vivid spirit, but empty feelings.
Broken, shattered glass since it started.

Our old souls can't feel anymore,
Glimmers of hope shine only occasionally,
Only to be shut out by a boarded up door.
Mary McCray Apr 2013
A prose poem*

It’s all boarded up now, abandoned in the triangle of downtown Roy, New Mexico, but like a lost island named Capronea two-hundred forgotten years ago, I find myself back in the summer of 1977, seven-years old in the balcony of a second-run, small town movie house watching *The Land That Time Forgot
in that small-town, movie-timeline kind of way: two years after everyone else. Popcorn brides, my cousins and I walked the movie processional during opening credits, almost missing the proverbial plummeting message thrown out to sea in a water cask. Candy-bored through all the world-war-submarine scenes, I perked up with innocent horror at the spreading circle of blood in the river, rifles shooting into a gaping dinosaur mouth. And the thunk of its neck hitting the deck. Years later I come back to the epic on classic TV. This time I notice the wobbly love story, German metaphysics arguing with British empiricism that lasts only one flirty scene. Now I’m shocked and a little dismayed over how little screen time the dinosaurs actually get, their three Shakespearean scenes, how I still feel all the same heartache as they enact their long and dramatic death throes. Doug McClure is alright, I guess, except that his hair is always blown out to an impossible feathered confection, just like the German Captain who keeps his hat on way past when this is necessary or useful. We laugh with ironic smugness at the stiff Jurassic puppets and the blood on rubber, the convolution of the island’s evolutionary biology. Those river amoebas are a hoot! Oh, the ironic wink that double-crosses itself in the end, an irony that is really homesickness longing for sincerity, simplicity. My husband says he prefers this movie to those Spielberg ones. I give him hell about this but later come around to see his point. Let’s take the movie’s basic premise: we are at the end of history presumably. So even if we could forget all that history, wipe the slate clean as it were, we still wouldn’t get along with our rivals. At least not enough to fashion an oil refinery from sticks and stones, pack up all that oil in barrels, and roll on outa this nightmare.

None of us will get off this island alive. At the end we’re left crossing a mountain of ice with two people whose only hope is to simplify things down to survival and ***—and *** in those impossible furs no less (in dinosaur leather maybe). We can’t help but trip over the metaphors here. They're everywhere. Only back in 1977, we believed them.
Last night on Turner Classic Movies, we watched *The Land That Time Forgot" from 1975. Although this movie left an indelible mark on my memory, I hadn’t seen it since that first time in 1977 with my Kentucky cousins in our hometown of Roy, New Mexico.
Sitting in my trailer
Sleeveless shirt and cut off jeans
Chasing each tall *****
With some Jack and shots of Beam
Struggling with my issues
In the past and from today
Sitting in my trailer
Drinking my tomorrows all away

Another day of heartbreak
I got dumped, what the hell
There was not even a phone call
It was by electronic mail
Bits and bytes of rejection
flying through electronic space
Just to tell me "I don't love you"
I got emailed in the face

Sitting in my trailer
Sleeveless shirt and cut off jeans
Chasing each tall *****
With some Jack and shots of Beam
Struggling with my issues
In the past and from today
Sitting in my trailer
Drinking my tomorrows all away

A week ago I was fired
Went to work like every day
found the door locked and all boarded
He ******* off with all my pay
No notice, and no phone call
Just a sign upon the door
A cardboard notice of rejection
Saying "you don't work here no more"

Sitting in my trailer
Sleeveless shirt and cut off jeans
Chasing each tall *****
With some Jack and shots of Beam
Struggling with my issues
In the past and from today
Sitting in my trailer
Drinking my tomorrows all away

My dog ran off last weekend
Left the house and ain't come back
He ran off with that pack of dogs
And he ain't coming back
I bought him as a puppy
Now he's left and he's long gone
But he left a pile of rejection
On the corner of my lawn

Sitting in my trailer
Sleeveless shirt and cut off jeans
Chasing each tall *****
With some Jack and shots of Beam
Struggling with my issues
In the past and from today
Sitting in my trailer
Drinking my tomorrows all away

My tomorrow's may be better
But then again, I'm not so sure
I've got the blues from this rejection
And I don't think there's a cure
so I sit here in my trailer
Drinking the same thing every day
Sitting in my ripped t-shirt
Drinking all my tomorrows away
Poetic T Sep 2014
For they are shrouded
All the places a face seen,
Now draped over
To hide that face,
It wants my
Reflection,
Image,
Darkness
Surrounds it, hands held out,
Wanting the light,
To escape the darkness
Refection on a darkened day,
Like a black pool,
Wanting to drown my soul within,
"I cover the mirrors"
Windows boarded
Never to
Reflect
Light
Features
Not wanting to be seen
For in that reflective pool
It wants to drown me
Swallow my soul, suffocate me *within..
Derelict, decrepit,
Just a waste of space
A relic from a different age
One who'd run the race

An eyesore
Gives the place a name
Represents a time long past
It's no longer in the game

A stiff wind would take it down
It's not worth a single dime
Take it down, demolish it
It's enemy is time

A single pane of glass is left
Cracked from side to side
In fact it's cracked the whole way through
As tall as it is wide

The others are all boarded
Keeping out nothing at all
The only thing the wood does
Is act as canvas to them all

Graffiti covers every space
That is left standing here
It used to be a factory once
That made a local well known beer

BUT ON THE OTHER SIDE....

Inside the building squatters sit
Derelicts, wastes of space
The building is their home for now
Away from the rat race

Eyesores, hidden in plain sight
Humanity at it's worst
That is the image given them
Because of addictions thirst

A stiff wind would take them down
So thin and frail are they
Protected by a building that
A storm could blow away

One side thinks it awful
The other, thinks it's good
An eyesore and a fragile shell
Of old bricks and glass and wood

But...for one plain window
Separating worlds apart
A crack runs through the window
It is the buildings heart.
steven Dec 2014
I saw Vietnam

Packing my future into
Impossibly small luggage
Rolling down the streets I knew
In the vicious rain.
We added to the crowds
Of strangers going the same way:
Away—
We boarded the bus
Knowing time, fighting our
Way into the train, watching
Our watches, feeling cheated,
Chained to home.
This is our stop.
One minute left.
We shot off, bags and all,
Down stairs, to the ticket station.
Mine went through; hers didn't.
No time left.
She asked for help from a white man,
But I couldn't wait for risks.
"I'm gonna try to stop them!"
I said, running to our bus
Luggage and life with me
But not her.
The driver waited for stragglers
And there I came.
I showed him my things slowly,
Trying to delay, okay?
Show a smile, own my breath, yes.
Then she came, panting, and the world was okay.

We boarded the bus,
Found two adjacent seats,
Me inside towards the window.
The heavy movement made us all so sleepy.
Looking out, we were over the Oakland Bridge,
Rain pelting all the San Francisco Bay—
But that's not what I saw.
The calm blue green ocean looked
Familiar, like a memory from birth.
I felt older, the world felt younger.
I saw boats, people, my people before me
Floating on the water's ease.
I felt connected to that world I never knew,
But knew

I saw Vietnam.
On my way from Berkeley back to Los Angeles with a friend, somehow I felt the memory of my parents as they left Vietnam and immigrated to Hong Kong and then to America, where they had me. I just felt a little of the experience; they felt the whole.
Jordan Rowan May 2016
I barely know a lie when I say it out loud
Like a simple "I'm feeling fine" as I'm freaking out
Have you seen the faces climbing up the walls?
I'm so tired
I'm ******* wired
Control me a little because I've got none at all

I fell in love but I was too anxious for my own good
Sometimes it's rough always being misunderstood
Like the feeling I get when I look to the west
And all I see
Is them leaving me
But everyone tells me that it's for the best

I boarded up the windows expecting a storm
But I heard the wind blows only when it's warm
I'm feeling a little crazy, maybe a little overreaction
Insecurity
Will be the death of me
Just please don't look at me while laughing

Some say that you're always stronger than you think
But I don't feel too strong as I take another drink
Then it hits me that I'm the only one who knows
Who I am
And that I can,
Create a world with my hands

— The End —