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Nat Lipstadt Aug 2017
<•>

blustery company/unexpected costs

rain-all-day, with a heavy creme topping of
blustery wind window rattling, par excellence,
making the houses's insides rumble so much,
the trees fringes bang-pleading to please be allowed in
so loud that you suspect some are already hiding within,
probably, more likely, those leprechaun Elusives,
up to their usual no goofy good

the poet's fellow summer travelers visit, Canadian geese,
clustering by the Adirondacks thrones four,  
who add another weathering to their grayed, somber,
thoughtful demeanor this day,
all in the Poet's Nook, which though forlorn,
surrounded sounded by sixteen! chubby flyers, admirers,
(their ranks expanded from fourteen of yesteryear),
asking where is the poet-boy, and the chairs explain that his
standing in the rain days are now past his prime,
inspiring modalities, so rest easy in the knowing geese lore that,

he,

through those famous civilizing lace curtains,
see-through visors, of  embroidered, embedded flowers,
the poet boy is watching your brood, not being rude,
just dry inside, contemplating their admirable
weather resistance, and writing of them with loyal affection,
his gaggle of friends, **** avians, favorite weekend guests,
not requiring feeding, cleaning up after, or their laundry done

delighted, they edge closer to him, where he, residing/semi-hiding,
in the sunroom where he writes and contemplates the
unexpected costs of human life
that he tries to pays forward so others may never have such a chore

coming ever closer, now nibbling next to the empty
tree swing, used by neighboring kids and in secret,
their parents,
and the wet freshly cut, delivered green grass,
a feast for them, beneath the oak tree

do they have unexpected costs as well, or do they know
all their predators and threats, that may yet diminish the happy sojourning, the tourney of flying south, and its trials/tribulations?


too long, too long I know, the poem,
but to the devil with you
inexperienced, impatient multi-taskers, this, a poem~moment
that would be dishonored by the breech,
needs lengthy fulfillment for the unexpected costs,  
the randomness of events that can't be guarded against,
demand never ending vigilance, and endless imagining

and the geese, saddened by his absence and his travailing
thought patterns, explain, that this is why we geese,
we gaggle travel, why our long necks swoon and swivel,
ever wary of the unexpected surprise dangers,
why we post guards forward and aft,
not to be taken unawares by foxes or men

the human's gaggle is their random, undisciplined,
by their solitary nature,
travailing thoughts
which they they foolish believe they can master,
but cannot, which then, is why, we geese,
we will always annual come to covenant, co-tenant,
visit the poet-boy in his nook, and rest him briefly, from the
terror of unexpected costs, be his inspiration,
for the poets nook, now, by custom,
our refuge, and his, as well, and better together...
Saturday
August 5, 2017
noon

other poems referenced can be found by searching on HP
In the poet's nook, The Elusves, and In the Sunroom
Tammy M Darby Aug 2013
Royalty
She dwells in the sea- green palace of her father
The mermaid swam alone on blustery days
The seed of the water god Neptune and a river nymph
Her beauty blind the sun and his morning rays

On days of boredom
She swam with the white dolphins
Riding high on heaving rolling waves
Other times with Omura's whales dive deep
Or play in a red coral reef bay
Tickling blue ***** that walked on the sandy bottom
Exploring the dark octopus caves

Floating often with the deadly jellyfish
Keeping her scaled tail very still
Or wiggling through the raging currents of the ocean
With the graceful ribbon eels

The day passed passed
She became weary
Came time to rest her head
Returned to the flowing green kelp palace
And did sleep on a starfish bed



All Rights Reserved @Tammy M Darby August 2013.
All Material Stored in Author Base
Came on one day, the darkened clouds,
That hung in sky, a gloomy companion,
With rain, so summer, dropped steadily,
The sun did not come readily out today.

Damp sidewalks, pavements, black as coal,
With whistling wind that danced in trees,
A cool, invigorating massage of  face and skin,
A spiritual rebirth so surely on its wandering way.

Humidifying to our own bodies and souls,
The mugginess comes and moments of listless day,
So counting moments as they flashed before us,
Another, blustery fall day we shared today.

So, endless puddles of deepen water wells,
Splash out before us when we came to play,
But walking faster, the bus that flies by us,
Is lightened as the sun peeks out to shine the way.
i have a break at 12 o'clock
will you please come over
you don’t have to knock
i’ll leave the door open
it will be unlocked
a bouquet of flowers
i’ll have in stock
a vase and a candle
a knife and a blade
a face and a cigarette
its all about the way we explain
i mean rationalize away
do time-lines justify our decline into tyranny
send me back again to sublime infancy
retrofit the celibate instigator
lemniscate the elephant’s fingerprints
impress me with wit and charm
storm troopers unarmed
star-gazers, shadow-haters, sand-blasters, ice-skaters,
morning's lovers, fathers, daughters, shoulders and elbows
rub brows and crease foreheads
wrinkles in your timelines
define lines as destiny unwinds
reminds me of blinding light
the heights of old empires
sire warriors, stories as tall as soldiers
for real, heal the split between mind and body
kindly, lovingly, bump up against me
and kiss me again
i am music fused together with eternity
space and dust and rusted armpits
a hundred diamonds, drops of sweat
skin like leather, weatherproof, foolproof too
determine to use it all
for you are the muse of all
do as you need to
fuse it together lest it come apart again
return to heaven and mend the tear
split the hair or the atom
magic is a language
tragic is the cancerous neglect of syntax
emptiness is manic
gargantuan attacks of presence
defenseless, we are taught worthless ****
neglect it, but remember important words
stories, looms of drawings
forming in my mind’s eye
i cannot be bought or controlled by pirates
the best moments are private
you are not invited
so go home and create your own zone of entertainment
its necessary
your gentle fingers
blessing my soul
courage to roll with life’s blows
no need for stoics
or poets who deny reality’s arguments
slippery slopes
walking tight ropes
can you cope with all this mistletoe
restring your bow
dance in the snow as if everyone knows
you are crazy in love with the whole
motionless vision swift as an arrow
roofless rooms
prom queens flip you off and turn you on
sons and daughters, lions of the prairie
a child portable and small
respects the walls that you’ve made
they are not your cage but your shelter
self culture is affluent and not arrogant
sand mandalas tall as waterfalls
golden rainbows pour from the faucet in the sky
like mighty images
wisdom bridges the gaps in our imagination
i can’t wait to get this on the page
written in stone, reflecting thrones
made from the bones of pharaohs
consciousness narrows as you approach
are you a cockroach, coach or a student
strokes of wonder for different folks
cold call your own homes
do you prioritize lightning over thunder
words over rubber
sandwiches to clutter
are you interested in diamonds or other
precious gemstones
that flutter like butterflies when i utter
emeralds like butter
do you waste time arranging your clutter
stuttering utter nonsense
frequencies wasted, gentleness chased away
fantasies radioactive
magic lacks targets
darkens our fathers
keep chasing actions
satisfaction is attractive
your eyes are like fragments of rubies in the fire
i see beauty in desire, features in the sky
i look skyward and see higher
minds are wired to remain stagnant
stranded in a lack of entertainment
change this and make your own amazement
wonder over thunder, lick me down under
gone asunder like the burning acropolis
topple this bottomlessness
can't stop this, its impossible
i wonder do you make blunders
in underground mountains
we shout words like fountains shoot water
curtains topple over
and form a blanket over our consciousness
after our performances
swarms of crazy people leave the theater
shattered and too stunned to speak
to ****** to leak they keep walking down south
toward Plymouth Rock,
Mammoth Mountian or Rehoboth Beach
take stock of the situation and just move
first one out is rewarded
sordid and sorted like straw from the hay stacks
caskets of black iron casings
tastings of wine whose shelf-life is expired
past due cheese overripe and stinky
like mustard dusted with lightning
striking on time is all that we have
thinking that was a close call
we fall down and get up, remove the uppercuts
and lowercases from our mouths
doubt is a ***** word heard too often,
coughing from a coffin she offers me her hand
cold as ice cream, these nouns are deafening
love is lazy like a muffin
and hot like a dumpling
but a liaison with time cannot be rushed
i have lived long enough to learn this
a privilege to give birth to this moment
again and again vintage feathers
send me your sweaters
detest impostors who give robotic answers
i am in wonder at all this grammar
that i was unaware of
ignorant as mustard
and smooth like custard
in this blustery weather
i am glad i wore a sweater
and have an umbrella
to keep me dry and safe
i am in love walking toward the gate
and boarding that plane
i am your heart served on a plate
with a side of coleslaw, soul food for dinner
you are a winner and i am your hunger
a porcelain gravestone
a copper bathtub with claws
stored in your basement
storerooms cold as a skating rink
please don't think, unless its about me
let sentences drift away
while we chase arguments from yesterday's
armistice

Came on one day, the darkened clouds,
That hung in sky, a gloomy companion,
With rain, so summer, dropped steadily,
The sun did not come readily out today.

Damp sidewalks, pavements, black as coal,
With whistling wind that danced in trees,
A cool, invigorating massage of  face and skin,
A spiritual rebirth so surely on its wandering way.

Humidifying to our own bodies and souls,
The mugginess and moments of listless day,
So counting moments as they flashed before us,
Another, blustery fall day we shared today.

So, endless puddles of deepen water wells,
Splash out before us when we came to play,
But walking faster, the bus that flies by us
Is lightened as the sun peeks out to shine the way.
poetryofdhiman Mar 2017
Blustery wind howling, whimpering
Creating the silence of the arctic
Wintery desolation sounds jingling
Breathing coziness, feeling mystic

Hazy sunlight relentlessly shimmering
Idyllic nature soothes the traveler
Zippy morning tremendously lingering
Rhythmic chillness of winter
Blustery weather is headed our way-
Shutting down highways what can I say-
Shutting down small towns too-
How's the weather affecting you?
I feel old man winter is mean-
Look outdoors at the scene-
All is covered in white-
Not going out tonight-
Cold winds blowing/icecycles forming fast-
I wonder how long this storm will last-
NEW ENGLAND stands proud in white
AS the snow continues tonight-
Spring  should indeed be close by-
For I hate winter I cry-
Well make the best of today-
For theres' more snow on the way-
THE END
O'Reily Sep 2014
How can I forget thee?
How can I write?
Memories written on an iceberg,
Cool drink taken, shaken and not stirred.

How can this moment be here and then let gone why?
How sleep sweet surrender with no other visiting pilgrimage in sight,
How when never at this moment right here with me tonight!

Tear my heart out,
Pull on those strings,
No waving arm when she leaves and it fills,
No sunshine,
No border line that had been straight that ease that be line define difficult,
Mean swabs of a tongue undresses me,
Confessed me of how no more on a blustery old day.

Not to be revered but to be inspired,
Not to live as in bluster not to fly or forget at all,
but to inspire us all,
Earth O'hallows them and me to be or not to be?


O'Reily23092014
Michael R Burch Oct 2020
Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine from cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals as our blood detoxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we'll be in love, and in love there's no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling
Poetic T Nov 2014
And so the green balloons did grow
Inflated, nurtured over time,
This tree of air
Nitrogen,
Oxygen,
Carbon
Dioxide,
Argon,
Traces of other gases too,
Out side was warm
Internal temp minus triple degrees,
What had been barren branches
Now sustained as these
Strings matured forth
Buds of latex and rubber grew,
Liquid air exhaled as the buds nurtured  
Air expanded with warm the green balloons
Grew
&
Grew
Sprung forth in to life what once was
Small, now expanded fuelled by the
Cold fuel of the tree of white,
In the winds they did gesture
As if dancing putting on a show
Tree,
Branch,
String,
Green balloons flourished there veins
Feeding air anew,
Blustery winds picked up
Strings did snap, green balloons did
Float away, drifting upon high
Into a sea of blue,
But as seasons change,
Green balloons became loose
Many floated away to places new
Those that did not,
Deflated,
Depleted,
Exhausted,
Nourishment of air, no longer green ballons
Phenomenon's of gases changed
And green faded now this tree of air
Brought forth new shades of
   Yellows,
Purples,
Black,
Oranges,
So these colours did fall from the tree,
Floating not as before,
They did descend, slowly to the floor,
Biodegradable. they did fade
From view, not what they were before,
The life cycle of these green balloons
The tree of white grows evermore cold,
For seasons change and green balloons will
Grow again next spring  floating in the air once more.
All balloon poems/writes can be found by  balloon-series
Nature science & balloons
Poetic T Feb 2017
All he wanted was a sunny day but those
clouds would just not go away.
He asked them politely;

"Excuse me sirs and madams  please would
you move away just for this one day,


You may ask the difference of clouds?
the madam clouds are purely white they
some times rain a little upon my head.

Where the sirs are the moody grey clouds,
I asked them to leave and now I'm soaked from
my tiny toes below to every part of my head.

"I beg your pardon, why did you only rain on
this one spot, only soaking me and no one else?


So I thought of a plan and got my mummy's
fan pointing it towards the sky, I turned it on
I thought it would take a while.
                                                      
   ­                                                     "A while later,

I looked up to find more clouds then there was
before? was it because I only used Number one?
so I turned up to the highest Number 3.
                                                        
     ­                                                        "A while later,

A look of confusion! as there seemed to be no
movement, but again more than before.
"Mummy I think your fan works in reverse,

So a little man thought, to his toy box he went.
Mummy I'll just be in the back garden, the wind
was blowing blustery, he smiled, its was just right.

Pointing his trusty bow upwards, thinking that
if he could pop one after another, they would
whoosh away and he would get his sunny day.

Away it flew, upward and onwards, so high
like a little bird flying then it fell faster than a
leaky balloon "Bonk, it went as it hit the floor.

This little man with frustration on his face,
thinking thoughts of what went wrong?
"I know I need to get higher up, clouds are high you know,

How many arrows would I need for a sunny day,
he looked in his arrow pack.
"One,
           "Two,
                    "Three..

That was enough he thought, they were quite heavy
to take up that rather big hill. Off he went, bow and
arrows and his idea of a sunny day not far away.

Out of breath but at the top of the world or so
it felt. "I wonder if I can touch the clouds?
His hand reaching up standing on his tip toes.

"I could pull them away, or put them in my bag for another day,
But alas he was just out of reach, his fingers couldn't
stretch that far, even on his little tippy toes.

So his arrows in hand, there little suction cups pointing
towards the sky. The first arrow off it flew quite far but landed
so way down the hill. "Not high enough, a tear in his eye.

Then Number two, Number Three shot off higher than
the ones he let go of before. But none could reach those
clouds up high, and he cradled his hand and began to cry.

Now the wind hears everything, voices carry on the wind
you know. It heard this little boys tears and couldn't let
them fall like the clouds anymore.

So it whispered to each one a favour it asked,

"Clouds of white, clouds of grey, could you please
wonder to another place for an hour or day?


"Just let this little child have his sunny day, no tears
should fall like the clouds hanging up today,


With that a gentle breeze picked up, and one by one the
clouds did wander off. One was stubborn grey, but with
a gentle nudge he did move slowly off and away.

A gust of wind kissed the boys face. Eyes wiped he looked up,
not a cloud in the sky, nope not one.Smiling he ran collecting
his bow & arrows as he ran down.

"Mummy, Mummy, the clouds have wondered off
the fan didn't work? my arrows couldn't go high enough.
But the breeze kissed them all away.


And so a little boy and his mummy went outside,
playing games in the sun, till the sun began to yawn  
on the horizon telling mummy it was time nearly for bed.

So a little man was tucked up in bed, he thanked the
wind, "Thank you, and thanked the clouds "Thank you,
For he got to play with his mummy outside on a sunny day.
Julia Nov 2014
A pleasantly bubbling creak murmurs softly, complacently flowing as a creak does, day in and day out
By the crumbling bank stands a strong willow tree, rooted by the prolfic stream
Thoughtlessly taking the water of which it needs, a simple commodity to a tree of such stature and poise
And gracefully, beautifully shivering at the base of his trunk, there lives a daisy, white and pure
The willows roots indulge themselves, thirsting, thirsting for more
Negligent to the flower below who makes its view that much more lovely
Than just a simple stream, and who provides to the animals and children a blustery smile
Beckoning them to the shade where they might play and the daisy might watch over them
And as the roots take and take they choke the misguided flower, leave her to wither
One soft petal falls to the grass rendering her no more than a tainted ****
No child will ever present her to his good mother now
Not now that she is no longer the pure beauty she once was, not with such an imperfection
And though she may beg for mercy, she must weaken and give herself to the strong roots of the willow
Until she is but a dying cause with browned stale edges and though she lay so close to life, stable life
She does not possess the power to take rein so she the sage awaits the logger in silent knowingness
ab Mar 2017
i threw them away
even though they
were supposed
to help
because i wanted to be
lovely
and they were stopping
me
from
aching
and they made me sick
and
yes
i act like a child
but children
see more than you
think
and
i started
far too late
and
i fell
into the
stormclouds
and
i haven't slept
and
i got myself
a gym
membership
and
i am a
sick
fat
liar
except that
i really am not
unless i have
to be
and
it's raining
and the sky
is getting darker
and darker
but it's almost
10 am
and
i
am
so
alone
~sweet and blustery cold alone in wooden chamber with coffee stained teeth
abcdefg Jan 2012
Wind curves,
finds a place in my abdomen
and stays for winter.
Beware of my haiku.
Grace Spalding Jun 2013
The wistful wind tugs at me,
Willing me to come out and play.
I can see it tickling the barren November branches,
See its aftermath in the chaos of crunchy leaves.
Cotton-tail clouds yield before it,
And it wriggles into the core of flustered students,
Who flee from it and clasp their jackets more tightly about them.
I embrace the breeze, its chill enveloping and ensnaring me.
It brings moisture to my eyes and chafes my chapping lips,
Yet it is within this maelstrom that I am reminded of my own vitality.
I am hyper-aware of my own temperature,
98.6 in stark contrast to its harsh ice.
I can feel my blood pumping sluggishly,
Steadily, beneath my fragile skin.
I am reminded of my own mortality.
The pulse could cease,
And the universe would not stop its song.
The fish would stay in rhythm and harmony,
And there would still be new life and beauty.

A sobering thought, but freeing as well.

I am not the center, not even close.
Julian Jan 2016
Gruesome blister on a denatured mind
Chimes rumble the anchored soul foggy with Elysian wine
Flippant ruse ignites a battered fuse rusty with malevolent impotence
Blustery portents beyond expired extent throngs the chapels and pickets along the electrified fence
That separates the grave from the gravity of a physics enslaved
A physics where disillusioned mathematics and decay are as sure as taxes and the last earthen day
Nescient of giant leaps our stepwise ascension is helical and cheap
It snails along with unctuous repetition of pendulous rhythm and sails biologically with evolved and animated meat
The advent of acid and bass is a keepsake for the epicurean chase
Of a fulgurant galvanization of phases that remain unfazed
Trends punctuate vain diversions and lionized conversions both raise and raze
The velocity of money ensures a melliferous alchemy of a well-oiled plutocracy buffered by praise and pay
Ivory-tower elegance is immune to demotic ignorance
When the shot-callers devise the rules to the game with impenetrable clandestine eloquence
Hebetude and lassitude sink abundant platitude and offer trite prescriptions for useless attitudes
But the vogue of disembogued vanity entraps individualism and trains martial raillery
Trends tantalized by preening epigamic tens makes the roosters become owls that neglect nest egg hens
Fatuous ambush of the Kardashian putsch is as clockwork as Big Ben
Murky lies appear in flimsy disguise suitable for mice “say cheese” demise
Privacy cries and answers only lurk accessibly when spurred by wise “why’s” never asked when garish time flies
Tweets and beats make us obese with threadbare wheat cultivated by nescient bleats
Beatific ambition obscured by the wail of sheepish sheep
Outnumbered by obtuse angels and a cute horde of meretricious dissolution that ever wrangles
The shelter turns to rubble and the cloister turns to bustle: useful convolution thus entangles
Agorophilia defiles a voiceless lechery on speed dial
Disembodied violence sprints a green mile bankrolled by the peaceful throngs slowed through the paid but dilatory turnstile
Thus we loiter in queue as the slew of vibrant militarized celerity taxes our pews
Pews which enthuse jingoism eager to apportion sentient deaths through religious abuse
We can surf beams of light chasing verisimilitudes of diversion bright
Of unwagered immersion gambling a pittance for vicarious thrills and riskless fright
To discover the vestige of war, a useless artifact of sore egos we now deplore
An enormity of unmoored evil percolating apace of the paradoxical rush hour from shore to shore
But more decisively than an implacable brush fire on pristine ground abetted by sleek star-crossed winds that soar
Irenic ignorance placates, because a vagrant vacant mind is more a felicity than a bellicose grimy crease
Because excess corrodes squinty detests, and partial enslavement is both a rest and arrest to earth’s untenanted lease
Decries the devolution of pop culture that transmogrifies people into sheep and then makes them sheepish over their peccadillos. It also bashes war as a callous mechanism of useless death. It concludes by asserting the paradox that the throngs in real life slow our movement but we can move at light speed through technological implements. It concludes that useful idiots are irenic if also disheartening. In the earlier sections it laments that materialistic monism is taking over because science has made us deterministic and thus blind to the numinous beyond that staggers beyond our comprehension. It addresses how we are silently monopolized by artful esoteric chess masters immune to trifling quibbles, and how distracted society has become with respect to digital plasticity and consumerist disfiguration spurred on by fatuous and meretricious values. It further satirizes the effigy of modern culture deliberately disfigured with grandiloquence to deploy resourceful linguistic invention. I hope you enjoy this piece!

Here is a response I posted on another poetry site with respect to this poem. It explains the emblems, themes, philosophical agenda and metaphors of this poem so that more people can appreciate the level of meticulous care I preen with my craft
“I understand the charge of hyperbole, that was unintentional. It is an epiphenomenon of protean grandiloquence ( multi-pronged connotations suffering entropy through translation) crafted to emblazon lurid imagery and to conceal arcane mystery with an emphasis on cadence. When you use big words it is inevitable that some words chosen connote more strongly than you originally hoped for when writing it initially. Also, it was not designed to be solely a scathing harangue bemoaning the decadence and anomie endemic to this zeitgeist. You should read the final four or five lines (after I lambasted how war makes human life unnecessarily disposable for expedient aims). In those lines I marvel at miracle of technology wizardry and insinuate that in modern times we can wager much less to gain the same thrills we would have risked life and limb for before. Instead of a bottlenecked turnstile of industry that admits one person at a time like when entering an amusement park (the sluggish pace of premodern industry) to fund the clunky and internecine annihilation operated through rapid-fire death ( “Disembodied violence sprinting ‘the green mile’ A.K.A. a prisoner’s last walk before execution). The pace of society is a central theme of the poem throughout. The gravity of a physics enslaved implies the dilatory and dismal apprehension of a universe moving at an infinitesimally slow rate. A helical and cheap evolution mediated by animal meat snails along throughout history only to precipitate the exponential acceleration of human progress witnessed more recently after the advent of language. The rate of speed (the velocity of money line) is the lifeblood of all culture and all entertainment but it has become such a blur that it obscures the inveterate values of a leisurely stroll rather than a hedonistic galloping gallivant. Ironically, the plutocracy depends on gradate—(thus slow enough to lull people into the “say cheese” mousetrap (privacy eradication)—cultural devolution (clockwork like Big Ben to me evokes the imagery of a slowly ticking clock, a fixture and emblem of the proctor of the old world domineering over newfangled world prospects). Pop culture centered in the Anglophonic world depends on a rapid velocity of vagary blustery with money inuring people to fast-paced changes that abide by slow-moving subterfuge( the Kardashian putsch). The word ambush in that sentence implies that the encroachment of hegemons depends on a furtive approach solidified by an alacritous leap at the heartstrings of mankind in a moment of brinkmanship. The mousetrap is the slow roll but steady bet “say cheese demise”. The irony is that the only way this plan could work is because “wise why’s are never asked when garish time flies. This bewilderingly rapid pace is also the mechanism whereby sheltered obtuse angels are desensitized by breakneck cultural celerity that disabuses their naivety thus leading to useful convolution (paradigm shift). But there is also a lament that “meretricious wranglers” could lead to unmoored decadence bewildered by a smug agnostic relativism tethered to nothing more than the culmination of momentary fads reverberating in a plangent delay chamber like a finely crafted sound effect in a musical production program. The poem ends optimistically by concluding war is a vestige and concedes that partial enslavement (PC culture) is irenic precisely because it shepherds pedestrian considerations predictably in order to secure a stalemate. The Earth’s Untenanted Lease is thus arrested by counterbalanced nuclear specters. This leads to a rest and also an arrest of territorial claims. There is so much deliberate and emblematic imagery deployed here, drenched with subconscious enrichment that is unintended. A perfunctory interpretation of this piece misses so many astute cultural commentaries. The poem ends on a relatively positive note. The final several lines announce war as a vestige but concede that peace is built upon a latticework of acquiescent sheep indoctrinated to despise the past rather than learn from it (this goes slightly beyond what is directly stated). This poem in essence is about the ironic dynamics of history at the intersection of our modern cultural identity.
Francie Lynch Aug 2015
Mammy never owned a dryer,
She would always use the fire
To dry clean clothes for her eight kids,
Who played in pants as if on stilts,
Wore Goodwill shirts like cardboard fibre.
We'd no money for laundromats,
Immigrants don't waste like that;
We made the move from Ireland,
Turned our backs, washed our hands;
Chose Sarnia to make our home.

Yes, Mammy washed our clothes with stones;
She'd string lines from wall to wall,
And draped our patchwork overalls.
In autumn, winter and early spring,
Our house was strung with clothes line string;
Socks dropped on chairs near heating vents,
Every room had ***** like tents.

One  day Daddy stretched a line
From our back porch
To the farthest pine.
Looped the wire on a tubeless rim,
Secured the ends with linchpins.
Mammy was so pleased with him.

We four saw what he'd done,
He'd made a ride for his sons.
We were gliding like clothes drying,
Riding down the yard.
Flapping, laughing, having fun,
Like human clothes under the sun;
We , however, were burdensome,
The line gave up, and we fell hard.

On blustery days when sheets are snapping,
I recall the clothes line cracking,
Our fall from grace had nothing lacking.
Oh, I remember he chastised,
But I also remember
Daddy's eyes,
And how they smiled
When he told his friends
He hung his sons
Out to dry.
True story. As you may know, Lynch means to hang.
Tate Morgan May 2014
There was an old man, I once knew
Peaches was the name he used
He was the drunk, set on our trunk
his body old and abused
Sharing his beer with an old horse
who caroused in the end stall
Each day by three, they'd walk by me
and stumble but never fall

His liver was a lace doily
alcohol pickled him thin
He'd been turned down, all over town
no one ever took him in
He drank his beer with ole Nellie
she could tip a bottle too
Swig and sway,  like Don Quixote
as they staggered, swirling, brew

We were headed for the races
this blustery afternoon
Each planned the trip, we had to ship
I knew we'd be leaving soon
From where we trained at the fairground
we carted them to the track
Where all would race, and take what place
each earned in front or in back

Peaches rode in back of the truck
so he could drink the whole way
My uncle said, he'd soon be dead
drinking had seen his decay
We sat apart from others there
he and I were best of pals
He'd tell me tales, of life’s travails
while I ogled all the gals

That day he shared a sordid tale
of pain he caused his own son
He had shouldered blame, bore the shame
for this thing that he had done
Back when he was just a young man
a pillar of support
He took his boy, his life’s great joy
to play their favorite sport

They went to a picnic that day
he had drank one too many
On the way, to watch his son play
of fears he hadn't any
His boy was riding in the back
not thinking they skipped the seat belt
He'd rolled his car, the door ajar
surprise was all he had felt

His boy was tossed out in a field
sweet clover of timothy
The child's light hair, seen lying there
remembered so vividly
"I was a Veterinarian"
said Peaches to my surprise
"I went insane, called out in vain
but God never heard my cries"

"So now I ride where I belong
In back of my self-made bar
Hoping he, will come to take me
by tossing me from the car"
Just then a tear fell from his cheek
the pain enveloped me too
Here cried a man, much deeper than
any of us ever knew

Tate
Who can truly say that only they know the heart of another soul? The sad truth of this is that it is a true telling of an actual event.The people I met through the years engrained their stories in my mind. Where I wrote them down and stored them. All I met there were at odds with life. So I suppose judge not lest you be judged. With Peaches I realized his fascination with me was partly my youth and part my resemblance to the treasure he had lost. May he find peace in his afterlife so denied him in life.
kara lynn bird Sep 2013
It's hard to believe that forty seven years have passed since we picked our first Macintosh off that tangled orchard tree. Fall was the best time of year. We would hop into the old truck and scoot on down the road to the local farm. Together we'd place everything in order for a perfect picnic; sandwiches here, potato chips there. She'd be certain to leave the pickles in a special container cause that sour taste of dill always made me buckle. Forty seven years since we made our first fall adventure, can you believe it?

The autumn breeze always seemed to soften the light as it glowed upon her curly red hair. So young and full of life she was. It was always a sight to see her when she'd reach for an apple and a good ol' honey bee would come buzzing around. Hell, she'd start flailing her dainty fingertips and scrunch her nose, waving her scarf all around as if the bee would surrender. Those were the moments that I searched for. Those moments (I'd swear) she could stop the universe in a shade of gray. Her ability to get so **** mad made her look as cute as puppy who couldn't run as fast as it wanted. When those moments began to unfold before my eyes it appeared I had been deeply connected to the face of God. My heart would leap, Ah, I knew I'd love her forever.

There was one year which was so special to me, I've held it safe as one of my fondest memories. We had been out all night one fall evening. Our neighbors held a festive barn party complete with a hog roast with all the fixens. We danced until our feet hurt. I remember she wanted to leave early but I wasn't sure why. Being the gentleman that I was, I stayed with the one that brought me.

I popped the clutch and off we went leaving the music behind us. Nothing seemed too out of the ordinary but then she reached over and gave me a little tap on the shoulder. She really had a way of getting my attention. "Pull over up here..." she said "down this gravel road!"

I shoulda known better. Shifting gears I made a careful right turn as the tires met with the thickly settled road. As soon the truck had made it fifty yards she opened that truck door and left me no choice but to stop! "What on earth are you doing?" I cried as she exited the vehicle and made her way past the headlights.

Before I could ask another question the drivers side door swung open. The moon must've been full that night cause I can recall light beams bouncing off her beautiful smile. She grabbed my hand and ran towards the forest. The trees lashed back against me as I chased her through the thick of it. I had no idea that the orchard would be on the other side.

Waiting like a tractor for an overdue oil change was a the most romantic thing I witnessed. My pretty girl sure did surprise me. I could have never guessed. Spread out right before me was a midnight picnic. We sat underneath that tree and laughed till the coyotes chased us home. That was the first night we ever made love. Real love...the lasting kind and Lord have mercy, I'll never forget it!

It's been ten years since she went up with the Angels. Every fall I can't help but reminisce of that night we left the barn dance- it's where it all began, but I have yet to return to our spot.

Every time I think about it I can smell the remnants of her homemade apple pie and it brings tears to my eyes. Today, something told me to muster up the courage and get down to the Orchard, it was as if she had tapped me on the shoulder again.

Different it was making my way down there alone. A lot of the landscape has changed and they've added a few things. I'd have to admit, the smell of the autumn breeze still rings true to my memories of my her as I approached the Apple Orchard.

Heavy hearted I headed out on the farm. It was different to see all the children with their families, that used to be us. But the sound of their laughter quickly replaced my own memories as I made my way down the hill to our very first apple picking tree.

There it stood as pretty as an apple tree could be. Her leaves appeared to blow to the sound of the wind, her branches looked like they were smiling. Glancing up I continued to walk closer and I couldn't believe what I saw. Was it true?

Slowly I made my way around the trunk of that twisted orchard tree just to be sure I wasn't imaging something, but I'll be ******, every apple on that tree was gone.

The moment I realized it was true I knelt down and dug my hands in the dirt. A blustery tear rolled on past my lips. I clenched my fist and lifted it to my heart. The moment was too much, I had taken too long to get there. Just as I turned around and decided that I should go- a busy little honey bee flew right past the tip of my eyelashes. I stumbled back and reluctantly began swatting at an almost invisible contender.

Jumping all around like a **** fool I was shoutin' and cussin' going off like a firecracker. All of a sudden the honey bee flew from sight and when I realized that I was so **** worked up, I began to laugh.

You see, it was that sweet little honey bee that made it all possible. It came buzzin' by like a heated stroke of lightening and changed everythin'! That's the moment I realized, if it weren't for the things that made us upset, the moments that brought on grief and heartbreak, perhaps we wouldn't have any reflection on the things that made us happy.

That apple tree may not have had a single Macintosh left for my pickin' but it taught me that my wife had planted enough seeds of love and hope in my heart that I didn't need no apple- just the memories that went with it.
thinklef Aug 2013
It's 6pm,
anxiously waiting till its 8pm,
For the voice of magic,
that magnifies my heart from so many miles away,
This is my confession your voice is  perfection,

I love the way you alter those words of affection,
Without going down memory lane,
Butterflies in my belly doing the flip floppy thing like a lolly,
As I feel your sweet melodious voice,
Solidify & Stir-up in my heart,

I wanna radically alter my thought,
I'm astonished by your rapid transformation of words

To be sincere,
If the sea where to be a burning fire &
the blustery wind were to blow it  profusely
Like a stormy rain of volcano upon the land,
I will never leave,

I will always be on nigeria info,
Where I get all the info,
the purest of creativity you deliver,
you diva,
When I tune-in  in the evening,
you Ignite my heart
Your eyes are the kaleidoscope,
to my ever moving colorful world of reality,

Let me leave for now,
I will be back soon by night,
I think others are in anxiety,
Trying to drop in,
Their beautiful words of human creativity.
thinklef Jul 2013
My quest began, before Inquisitive questionnaires, questioned my solicitude.

I traveled round the globe, In search of a Gold, to meet my goal.

In frnt of me, stood a beautiful angel, with a beautiful body.
,nothing wil hold me baq,

the way she walked was so dramatic, which made her attractive, by love I became assertive, but her vioce was fantastic, So I grew attentive, In other to be romantic, which made me sarcastic.

her smile waz beautiful, Which made me Boastful, but yet doubtful, I became Playful, I Never knew she was powerful

her luscious gigantic figure, was Perfectly executed to perfection, Suddenly I became frantic, Now I have to be more strategic.

i only grew anxious, which made her precarious. i turned perplexed, while she remained unagitated, her behavior waz sassy. i grew crazy,

the meaning of loneliness, was created frm her lovely eyes, i wish you could see the angel I see when you stand in front of me, i fell in love with someone, Who separated me frm everyone,

i adore how u make me smile, even from so many miles away, you energize me in standing up tall, Love me again like you did the first day You are pretty, you are sweet, but im still a bit naïve with my heart"

If d sea were to be a burning fire under d sun, and the blustery wind were to blow it, profusely like a stormy rain f volcano, upon d land, i will never leave.

i will always be there for you, i am your little friend, i will always be in love with you, all the way till the end, My eyes blinked twice, Fully opened in tears

Tonite my heart seems in pieces, My eyes drop tears that itches, Now I am here making wishes , Trying to picture u near me within inches.

It was only a dream!
At last the sun decided to recede,
and dismal clouds suddenly appeared;
In grey-green puffs of swirling smoke,
while crystal rain fell down in tears.

The night seemed in an endless whirl,
of lightning bolts and blustery winds;
I closed my eyes when thunder raged,
and pulled the covers to my chin.

My room appeared as black as coal,
its shadows foretelling ageless tales;
Of great mysteries from ancient times,
while words dissolved into ghastly wails.

Soon awakened from restless slumber,
with profound relief at what I saw;
The burnished golden bloom of day,
as summer had turned into shining Fall.
drumhound Nov 2013
I spit in the wind
Tasting it a second time
It returns to me
Lily Monroe Dec 2011
Behold a glance at mother earth, you’re a witness to her fall.
A tortuous act of uncertainty a rage against all those who step
Upon her slovenly ground. A lash of ardent air that’s tears
Her golden limbs down.

As soda pop bottles reel through her grass
As a fawn come to inspect its newest injury
The top do the bottle rolls onto the damp ground
For she has been crying, a blustery song.

Her waterfall carries a small tangled duckling
Wrapped in an armor of fisherman’s wire.
She weeps some more wishing to stop the river.
As children stamp on the pedals of her waters reeds.

A cloud of beastly darkness overlooks a city
And her children cough to keep safe
From this monstrous beast.
She tries to cover their ears with a howl cry
To tell them to stop, or else she will die.

One petal stands on a daisy’s bud,
Her last child picks it away…let it float
Through the air to mothers hand…a reminder of home
When sons and daughters cared.
harlon rivers Sep 2017
The fleeing clouds have cleansed the tawny earthen meadows
Migrating sun doth steal away waning light of summer’s glee
High atop fir boughs bow in wind whispered homage
To the sapience the coloured leaves hath gleaned

The sweet scent of auburn brindled pinecone clusters
Ooze of  glistening pitchy resinous fruit
Sticky figured squirrels chatter while they gather,
Stashing a survival cache of acorns and spinner seeds,
For another moment in sleepy winter tide dreams

A swirling eddy of spiraling leaves whirl beneath the tall timber
Fluttering gracefully with a gravity only falling leaves embolden
Enchanting like the evanescent timbre poignant piano notes decay
Writhing silent as summer Jasmine’s fragrant final bloom

Dandelion wishes soaring higher to kiss the fleeting winged skies
Lazily adrift up and over Cascade Mountain Crest
Fuzzy treetop flyers ascending far beyond darting dragonflies below

The sliver of golden harvest moon’s blossom aglow ,…
While wishing upon a shooting star's paling gleams
Serendipity sown about whimsically in the blustery wind
For to sow the will of untamed heart’s desires                                    

A festive troop of Chickadees clinging like tiny acrobats
Foraging on ripened ginger hued fir-cone seeds
Wings to the sky wave goodbye to the deciduous cadence
Softly wafting with a pungent Lavender potion scented breeze

There is a secret place where memories go to hide deeply alive
Amongst the wild wood and impending leafless trees,
The only place on earth I've ever understood a sense of belonging

Where Autumn coloured leaves whisper in the gentle breeze ,…
                  “I would do it all over again”

Come September ,..when the leaves come falling down


                      © ... September 15th, 2016
if … we will be remembered by our poetry;
It would be my hope to be recollected
for an intimately personal love and respect of all creation
Although there has not always been an emboldened sense of belonging with others, I have come to understand I've always belonged to the untamed wilderness of myself, still understanding that love is the eternal purpose I'll strive ―

Sometimes we sense that we feel too much
Being highly sensitive is not an imperfection but a gift - -
not a misunderstood, stigmatized, dark &  broken star
befallen a Sky  full of  Stars

always believe a poem can make a difference -- even if it is only a difference within you-- rivers

Come September ,..when the leaves come falling down
Written by:  h.a. rivers
JV Beaupre Apr 2019
In the almost musty basement, with the TV playing,
Sharon and I were on the sofa making out.
Urgent kisses, clothes a-jumble, smooth bare skin.
And Walter Cronkite broke in:
"President Kennedy has been shot….”
Shocked, we turned away and watched the world convulse.

We drifted apart,
each to ourselves, changed.

But in the autumn of my life, sometimes at night,
I still think of  
that blustery autumn day in Ioway.
I'm in violation of the unwritten law: Only native-born Iowans are allowed to say Ioway.
Hour of terse movement and ambiguity
Gales rushing to secure their invisible voids
Anchored Goliaths pressure their manacles in turbulent , leaf -
revealed vortices , white feather cirrus highlight the blue crown of
Mother Earth as Elven cool day chant and witchcraft mock
the dying salvos of Lord Summer* ..
Copyright October 2 , 2016 by Randolph L Wilson * All Rights Reserved
Sami Mar 2015
I thought I heard you say "I love you" but it very well could have been the wind.
I reply, in a mixture of whisper and breeze, "I love you too, please don't go."

This is a timid tragedy.
harlon rivers Oct 2017
The blustery east wind
gathers the fragrant  
Warm Springs
high desert
mountain sage,
cascading
downhill
through
Dry Creek pass
surging downward
from above
the Hood River valley,
with breath of sky's bouquet
of billowing
aromatic avalanche,
gushing
of heaven's zephyr

The poignant
sudden starkness
of fiery autumn leaves
letting go
whirling ― falling
helter skelter,
pushed urgently
flying westbound,
beckoned franticly
by
distant whispered
ocean bellows
blowin' in the winds
    of change ―

Adrift across
Parkdale
mountain meadows,
Coyote  bent,
paw trodden
ripe sweet grasses,
pungent  with
waft of mountain sage
and fermenting apples fallen ―
the waxing silence
of the marvelous moon
echoes  just beyond
the Lost Lake of the Woods,
its golden orange crescent
dances on clear lake ripples,
high perched
sky reflection lapping
the moon kissed shoreline

 ― alone ―  

The Sliver of the Moon,
skinny lithe
unripened youth
arching
as unsated
       summer love  ―  
sage memories
waxing and waning,
whiffs of honeyed Jasmine
writhing witherings,
coalescent

    time drifts onward ―   

unstoppable changes
never turning around
looking back
to see
their fading reflection
    recurring ―

  

august rivers 2017

note to self:
September 15, 16 east wind
Breathing Waft of lingering Mountain Sage
another Autumn soon comes

... and I'm getting older too
When our senses are heightened, do you ever think about the journey of the stimulus(?)!  like the path of scent or even smoke...or a distant sound.
How far is the distant horizon you see...even how far away can we be touched (?)! in its many realms...

Just stuff in drafts...
all these are real places
on the long road home

All habitat at Mt. Hood's fingertip reach
in Oregon, North America
Home of the devastating Eagle Creek wild fire of 2017
In the treasured western scenic Columbia River gorge

Waft of Mountain Sage
Written by:  h.a. rivers
Tom McCubbin Jul 2015
The old man who visits
in December and is loaded
with blustery showers
has forgotten us.

Lady July who enjoys
dancing in creek beds
draped in ferns and flowers
now has eczema instead.

The summer of smile
and flush I know well
has unexpectedly
become a dance with fire.
The theme of this poem has to do with the California drought.
Ralph E Peck Dec 2011
The weather seemed better from the day before
While the sun was backed by low clouds,
And the wind was getting a brisk touch,
The cold on the fringe, the snap of a finger,
The feeling could all be turned round,
The snow, piling the roadways
Feeling it not far from here,
With November upon us (November can you believe?)
And Christmas, that 'time of the year'
Each date, each principal, each feeling of time
Passes quick and full and blows by like the breeze
With a smile for the things you can do,
A happy feeling for the things you will do
A snag, but a feeling of 'I tried' with the things you cannot do,
All this, all these, all of it wells inside you and feels
Like the rush of the wind on a blustery day
With a feeling that somewhere, home, you know it's there
One can feel, your words, your skin, your heart
And can feel it with a smile,
Can feel it with a warmth, and a protective arm
Can wrap around you, and in the silence,
You know, it is there.
Victoria Jean Feb 2013
The scene was casual for its inhabitants but an unholy terror for his eyes
A carnival of violence and debauchery, ages 18 and up if you please!

Walk on in ladies and gentleman
You’re just in time to watch the show!
This circus is rated F for *******
And now its time for the new act.
Watch as the young thing we call
Serotonin Sam battles her demons
Armed only with her blustery attitude
And a .44 mm Magnum

Terrified, he stared on as she lifted the gun and pressed it to her temple
Her face was placid, serenely calm through one exhale and an explosion

When the smoke cleared the carnival disappeared
Replacing his fantasy of wild music and colors
With the faded pastel reality shrouded in darkness
She wasn’t gone quickly, she just became less
With each self-destructive move
She lost another piece of herself
And now instead of a vibrant girl
He listened as a ghost began to speak

“Can’t you feel me,” she whispered?
I came here to breathe words of derision in your ear
Take stock of where we are and react
Just like the sweet little boy you are

Give me your innocence, not much but it’ll do
I need it to lighten my heart and empty my brain
I’ve never had the will to do so much penance
I’m doing my best impression of oppression
And fertilizing the weeds that strangle you
I’ll need to drain you dry of wholesomeness
Come on babe, escape with me

“This isn’t you!” He screamed while the carnival colors and sounds return
Everywhere he looked he saw a different fun-house mirror version of himself

He turned and ran as fast as he could
Tripping on bags of peanuts, discarded prizes,
and popping a lost bag containing a lonely goldfish
He keeps running until a curtain smacks him in the face
And the scene is the same.
But he’s the one out there now.
How long can he regale the crowd?
Riley Schatz Nov 2015
i was so worried that i stopped caring about everything
but then i realized i was just so unhappy
i couldn’t care
it’s not that i didn’t, it’s that i couldn’t
i’m pulling happiness from small things like blustery fall breezes
because i don’t have it so i have to grab it
i have to process it and realize that i’m happy
because most of the time, i’m not.
I went through so many years of my life unhappy,
so unhappy, and only so many people really knew.
I tried to hide it and I kept it bottled up but
sometimes it would seep out.
and now that i’m not keeping it in
it’s taking over me and i’ve stopped caring
and stopped thinking and smiling
and I’m tired all the time
but i am one person and i am not important
and there are so many people out there
who are happy and working and thinking and caring
and i’m trying to think and work and think and care
but i can't
so i’ll try and pull myself some happiness from blustery fall breezes
and i’ll just say I’m sleepy
and the world will go on
stream of consciousness, how i've been feeling.
Stephen Parker Jul 2012
Pulsating honor doth corroded hearts impound
A blustery breeze echoes cries from each, preceding battleground
A recurring, eager parade of reporters, gawkers freely roam distant mound
Below, fatigued, tidy mass of steeled infantry; to death's throes bound
Neighing horses conditioned to mayhem the pageantry doth confound
On opposite ridges, mounted turrets prepared hell's fury to expound
On signal, a synchronized, concussive chorus doth its dark melody propound
Scraps of metal shards initiate; commencing another, toilsome round
After lengthy barrage, wits collected a more lethal volley to stound
Familiar, urgent order to charge christens hallowed ground
With youthful ardor a wide-eyed bugler doth the bridled expanse unbound
Shrieking rancor from recoiling rifles; a familiar anthem doth resound
Recurring cacophonous medley, weathered nerves drowned
Once more, a mass of flesh surges into the abyss with mortal hopes crowned
Anon, shattered limbs; gory wounds misery's cache compound
Scott Sinnock Nov 2014
I watched some crows this very eve,
Play upon a blustery, early November breeze.
Wave upon wave of those corvid beasts,
Now going west, now going east.
Now rising up, now darting down,
Now racing east,
Now tacking west.
No sailor on the seven seas
Can tack so well as one of these.

Now up, now down
Now left, then down.
One flies north
Another south, then darts east.
Yet flock drifts by despite these feats.
Another joins in synchronous dance
Then up, then down, then back again
Waving together till parting perchance.
Then each alone, up,
Then down, then back again.

Some stall for several ***** and blows,
Remaining still to trees below,
Then a feather's twitch
Banks into the wind

And soar, ...... soar, ..... soar,
Soar away.

Down a ***** only birds can know
Racing faster than the wind
Above the trees below.

*It seems so wasteful, this fighting of the wind,
Futile and vain as a skein does not.
It's not hunting, I think, nor ***,
Except perhaps for showing off.
But I suspect play at play.
Jonathon Seagull's desire, it seems
Infects these playful playing memes.

Perhaps I see play where there is no play,
Projecting wishes onto senses.
But corvids do play, it seems.
Do you too so seem?
Perhaps they even dream.
I have a special affinity for corvids. I watched a raven preen and strut for 5 minutes in Canyonlands, then looked me right in the eye as if to say, "Aren't I beautiful!". But perhaps he just said, "What? No treats after that great show?" In either case, off he flew without looking back. He was definitely aware, as I suspect these crows out my window are.
Valsa George Nov 2016
The chill of winter bites into the skin
And the valley sleeps in muffled din
In the freezing blustery winter night
The shivering trees stay huddled and tight

Stars have lined up in the sky
With cotton clouds swiftly sailing by
The moon light seeping through the veil
Makes the foliage glisten in the dale

Sharp noises sounding eerie
Leave the valley a place so scary
These sounds parley in a tongue unknown
Of gory tales, to none ever known

Did some cannibal tribe once congregate
In this nether territory to live segregate
What midnight revels had they held
No one knows and history remains cold

Now, here amid thickets and thorny shrubs
Where darkness, like a Fiend proudly struts
And in leaf fringed corners and crevices wide
Serpents coil with poisonous fangs in hide
    
Look, the sly fox walking stealthily away
After feeding greedily on his hapless prey,
Through the ravine and down the furrow
How he sneaks into his covert burrow

The glassy brook that mirrored the skies
Now in dark, under a thick blanket lies
But the water rushing through pebbles and rocks
With sonorous music, the nightly calm breaks

Among the branches of towering trees
Birds have perched and roost in peace
Little birdies with downy feathers
Cuddle under their mothers splayed wings

From far off woods comes a shrieking howl
As frightening as the hoots of a night owl
Wind, rushing through needle pines
Sounds like a child when he, in pain whines

Now the valley sleeps in muffled din
Until the Sun for his daily ritual parades in
In day light this valley would be up and awake
And life for sure will a renewed turn take

— The End —