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samasati Nov 2012
I believe in smiling at strangers. I believe in saying hello. I believe in shyness. I believe in fear of rejection. I believe in the need of affection. I believe in the need of reminders. I believe in candles, especially those that smell of vanilla or christmas. I believe in wearing small crystals around my neck. I believe in energetic vibrations. I believe in colours - I think each person has their own colour. I believe every feeling is valid. I believe in chapstick and I believe in mascara that doesn’t clump. I believe in nail polish - every colour of nail polish. I believe that the only reason we lie is because we fear something. I believe in poetry. I believe in bluntness. I believe in the intention behind words, but I don’t necessarily believe in words. I believe in travel. I believe in travelling solo. In fact, I believe in travelling so much that it is pretty much all I want to do. I believe in music. Boy, do I believe in music. I believe any kind of musical composition can change a person. I believe music can cure depression. I also believe music can feed depression. I believe a melody can say more than lyrics and I believe that lyrics can be what someone couldn’t put together themselves to explain exactly how they are feeling. I believe anyone can create a song, even though they believe they cannot. I believe a single note can sound like the most beautiful sound in the world. I believe if someone records a song when they’re in an ugly mood, the ugliness emits to its listeners and can drain them. I believe in art. Of course I do. I believe in acrylic paint. I believe in oil paint and watercolours, but not as much as I believe in acrylic. I believe in fingerprinting. I even believe in painting with your toes. And I believe in dancing; even if it looks weird. I believe in flailing your arms even, as long as it feels good and right. I believe in dancing ‘til you sweat, though I don’t like that icky feeling too much. I believe that a babe can be a very ugly person and a physically unattractive person can be a very beautiful person. I believe that people who smile are beautiful. I believe that people who frown are beautiful too, just in a different way. I believe that there are sincere smiles and there are manipulative smiles. I believe that some people just know how to use their eyes well. I believe in eye contact. I believe in engaging. I believe in listening and dropping everything else that is going on in your mind just to listen to what a person is trying to share with you. I believe in sharing - sharing cookies and sharing love. I believe in the frosty cold. I believe that it doesn’t have to feel as cold as it really is. I believe that people complain a lot. I believe that people often have too much pride to be happy. I believe that we should embrace our discomforts and shames, that we should welcome them wholeheartedly so that we can be happy. I believe in honesty. I believe in empathy. I believe in tea. I believe in jelly donuts but only on certain occasions. I believe in quirky bow ties. I believe in knit toques and mittens and scarves. I believe in dresses. I believe in flirting. I believe in coffee in the morning. I believe in big comfy beds. I believe in walking around your empty house in your underwear or birthday suit, singing loudly. I believe in singing in the shower. I believe in singing on the street. I believe in stage fright. I believe in meditation, though I don’t really strictly set times to do it anymore. I believe mundane activities can be done in a meditative state of mind. I believe in clarity. I believe in not judging people because everyone is human. I believe every human has something very interesting about them. I believe in boring people too. I believe in christmas music - not the radio kind, the choral kind. I believe in cheap sweet wine. I believe in Billy Joel and I believe in The Beatles. I believe in Regina and Sufjan too. I believe that the ukulele is a very overrated instrument. I believe in having healthy hair. I believe in moisturizer. I believe in getting to pick a coloured toothbrush at the dentist. I believe in thick wool socks. I believe in baggy sweaters. I believe in yoga gear but I do not believe in sweatpants. I believe that yoga is one of the healthiest things for a person - ever. I believe in buying a friend drinks or dinner once in awhile. I believe in collecting shoes and scarves and rings. I believe in chords but I don’t really believe in jeans. I believe in hot chocolate with whip cream but not with marshmallows. I believe in dorky Christmas sweaters. I believe in baking cookies instead of cake. I believe in eating disorders - I do not support them, but I do believe they are much more severe and various than most people think and I believe there should be better/proper help for those who suffer instead of the usual cruel inpatient/outpatient care. I believe in trichotillomania and I believe in dermatillomania and the severity and impact it can have on its sufferers. I believe in gardens. I believe in every single flower. I believe that everyone is always doing their best. I believe that most people love to struggle. I believe in hope. I believe in having faith in yourself. I believe in iPod playlists. I believe in gym memberships in the winter, not the summer unless it’s to swim. I believe in matching underwear every day. I believe in Value Village. I believe in singing in bus shelters when you’re waiting for the bus. I believe in dressing up according to holidays. I believe in Grey’s Anatomy and I believe in Community. I believe in skirts and dresses that twirl like the ‘ol days. I believe in longboards more than skateboards. I believe in plaid like most young people do. I believe in bows in my hair, but not as much as I used to. I believe in foot massages and hand massages. I believe in reflexology and reiki and essential oils and chakras and crystals and holistic nutrition. I believe in anxiety; even crippling anxiety. I believe in awkward romances. I do not believe in flip flops. I do not believe in Beatles covers unless they are really insanely good; then my mind is blown. I believe in having long enough nails to scratch someone’s back appropriately. I also believe in biting nails. I do not believe in telephone calls unless I am extremely comfortable with the person. I believe in blogs. I believe in journals. I believe in naming special inanimate objects like journals, instruments, technology and furniture. I believe in the idea of cats more than I believe in cats. I believe in sharpies or thin pointed permanent markers. I believe in temporary tattoos. I believe in streaming movies online. I believe in royal gala apples. I believe in avocados. I believe in rice cakes. I believe in popcorn. I believe in airports but I hate the LA airport. I believe in openly talking about *** but I don’t believe in making it seem shameful and gross. I believe there should be no shame regarding sexuality. I believe in reading some great books more than once. I believe in laying on the couch under cozy blankets, watching a great suspenseful tv show or movie. I only believe in having a couple bites of cheesecake. I don’t really believe in lulu lemon. I don’t believe many people can pull off the colour yellow. I believe in buttons over zippers even though zippers are easier, they just look kind of dumb and cheap. I believe in the sun and the moon equally. I believe in closets over dressers. I believe in staring out the window for a good hour or so.
I hateth th' song of th' grass outside;
and t'eir blades t'at swing about my feet
like fire. How unfeeling all of which are-
did t'ey really think I wouldst ever be tantalised
by t'eir sickly magic? Such a gross one-
demanding, rapacious, parasitic!
Even I am fed up with t'eir proposals,
and ideas t'at t'ey fervently throw
in th' hope t'at t'ey canst corrupt my dreams,
my feelings-ah, yes, my sincere feelings,
and secure, t'ough imaginary, dreams.
Oh, and my comfortable desire as well!
My rosy desire-which at times canst tiringly
petrify me-ah, unbelievable, is it not? Th' fact
t'at I am so satiatingly, and daringly, petrified
by my own desire-and reproved by th' one
whom I am astonished at, praise, and admire;
How pitiful I am! How horrific and tragic!
I hath knitted my sorry without caution,
I was too immersed in vivid glances
and disguises and mock admiration.
Perhaps it hath been my mistake!
Eyes t'at blindly saw,
ears t'at wrongly judged!
Lies t'at I forsook,
tensions t'at I undertook!
Oh, how credulous I am-to vice!
Mock me, detest me, strangle me!
Stop my sullen heart from breathing-
as I hath, I hath spurned my darling-
oh, I hath lost my love!
How sorrowful, tearful-and painful!
And how I hath lost my breath; for cannot I stop
my feet from swimming and tapping
in t'is fraudulent air, gothic and transient
With poems t'at no matter how mad,
but nearly as thoughtful and eloquent,
I shalt still remain doleful and sad,
for my love for him is indeedst thorough-
and imminent; No matter how absurd he fancies
I am, and how he looketh at me oftentimes
with twigs of governing dexterity;
but most of all, shame.
I hath no shape now.
I hath lost, and raked away,
my elaborate conscience;
I hath corrupted my conciseness,
I hath wounded my sanguinity,
originality, and thoughts even, of my poetic
soul-of my poetic bluntness and sometimes
rigid, creativity.
I am an utter failure.
I am a mad creature; I am maddened by love,
I am frightened by virtue, I despise and reject
truth. I hath no sibling in t'is world of humanity,
ah-yes, no more sibling, indeedst,
neither any more puzzles of fate
t'at I ought to host, and solve;
I deserve nothing but fading and fading away
and give up my soul, my human soul-
to being a slave to disgrace
and cordial nothingness.
I belongst not, to t'is whole human world;
T'is is not my region, for I canst, here-
smell everything sacrificed for one another
and rings of delightful and blessed laughter
which I loathe, with all th' sonnets and auguries
of my laconic heart. Oh, I am misery!
I am evil, evil misery!
I, myself, equal tragedy; I am a devil,
a feminine and laurel-like devil-
just like how I look,
but tormented I am inside,
as a cursed being by nature and God Almighty
for never I shalt be bound to any love;
and engaged to any hands
in my left years and in th' afterlife outright.
I shalt have never any marriage within me,
any marriage worthy of talks, parties,
neither anything my wan heart desires;
like sweets with no sweetness,
or dances with no music.
No human love should ever
be properly conducted by me,
I am incapable of embodying
a unity, I am destined to be with me.
To be with me only-ah, as sad as it is,
as vague as how it sounds, or it might be.
O, and how I should love, emptiness!
Any loss should thus be romantic to me:
Just how death already is;
my husband is death,
and my chamber is his grave.
I shalt, night and day, sing to th' leaves
on his tomb,
ah-as t'ey are alive to me!
Yes, my darling reader! To me, t'ey are living souls,
t'ey open t'eir mouths and sing to me
Whenever I approach 'em with my red
bucket of flowers; lilies t'ey eat, ah-
how romantic t'ey look, with tongues
slithering joyfully over th' baked loaves I proffer!
T'eir smell of rotting flesh my hug,
meanwhile t'eir deadness my kisses!
T'eir greyness, and paleness-my cherry,
and t'eir red-blood heath my berry!
So glad shalt I becometh, and shimmer shalt my hair-
and be quenched my buoyant hunger-
beneath th' sun, with my hands, t'at hath
been aborted for long, robbed of whose divine functions
Laid in such epic, and abundant rejections
Brought into life again, and its surreal breath
But t'is time realistic, t'ough which happiness
shalt be mortal, as I perfectly, and tidily knoweth
and as I flippeth my head around
And duly openeth my eyes, I shalt again
be sitting in th' same impeccable nowhereness,
nowhere about th' dead lake, with its white-furred
swans, ghost-like at t'is hour of night-
Wherein for th' rest of my years should I dwell,
with no ability and desired tranquility
t'at canst once more guarantee
my security to escape.
T'ere's no door-yes, no door, indeedst,
to flee from th' gruesome trees,
t'eir putrid breath solitary and reeks of tears,
whilst t'eir tangled leaves smell strongly
of vulgarity and hate.
I hate as well-th' foliage amongst 'em,
grotesque and fiendish art whose dreamy visages,
with sticking tails wiping and squeaking
about my eyes, t'ough as I glance through
thy heavens, Lord, gleam like watery roses
before t'eir petals swell, fall, and die.
Oh-so creepy and melancholy t'ese feelings are,
but granted to me I knoweth not how,
as to why allowed not I am,
to becomest a more agreeable mistress
to a human-a human t'at even in solitude
breathes th' same air, and feels all th' same
indolent as me, by th' tedious,
ye' cathartic, morn.
Ah, and shalt I miss my lover once more
And t'is time even more persistently t'an before,
For every single of his breath is my sonnet,
and every word he utters my play.
He is th' salvation, and mere justification
I should not for ever forget,
just like how I should cherish
every sound second; every brand-new day.
My heart is deeply rooted in him;
no matter how defunct-
and defected it may seem,
as well as how futile, as t'is selfish world
hath-with anger and jealousy, deemed.
How I feel envy towards t'ose lucky ones,
with lovers and ringlets about t'eir palms,
so jealous t'at I cringe towards my own fate,
and my inability to escape which.
How unfair t'is world is sometimes-to me!
Ah, but I shalt argue further not;
I shalt make t'is exhaustive story short-
I am like a nasty kid trapped in th' dark,
without knowing in which way I should linger,
'fore making my way out and surpass her.
She is a curse-indeedst, a curse to me,
t'ough at th' moment she is a cure-but to him,
but she is all to forever remain a bad dream,
which he should but better quit,
she shalt subdue my light,
and so cheat him out of his wit.
She is an angel to him at night,
but at noon he sees her not,
she is an elegant, but mischievous auroch
with ineffectual, ye' doll-like and plastic auras
She is deceit, she is litter, she is mockery;
She hath all but an indignant, ****** beauty
She does not even hath a life, nor
a journey of destiny
She hath not any trace of warmth, or grace,
and most of th' time, at night
It is her agelessness t'at plays,
she ages but she falsely tricks him-my love,
into her lusted, exasperating eagerness;
t'ough colourless is her soul, now,
from committing too much of yon sin
She still knoweth not of her unkindness,
and thinks t'at everything canst be bought
by beauty, and t'at neither love nor passion
canst afford her any real happiness.

Ah, my love, I am hung about
by t'is prolific suspense;
My heart feels repugnant in its wait;
uncertain about everything thou hath said
As thou wert gentle but mean to me;
despite my kindness, ye' mistaken shortcomings
as I stood by th' railings th' other day, next to thee.
Ah, thee, please hear my apologies!
Oh, thee, my life and my midday sun,
a song t'at I sing-in my bed and on my pillow,
last week, yesterday, today, and tomorrow.
I am, however, to him forever a childlike prodigy-
shalt never he believeth in my tales,
ah, his faith is not in me,
but I in him.
How despicable!
But foolishly I still love him,
even over t'is overly weighing injustice
on my heart-
ah, still I love him, I love him!
I love him too badly and madly,
I love him too keenly, but wholly passionately.
I love him with all my heart and body!
Oh, Kozarev, I love thee!
I love thee only!
For love hath no more weight, neither justice
within it, if it is given not by thee;
I was born and raised to be thine,
as how thou wert created
and painted and crafted-by God Almighty,
to be mine. As I sit here I canst savagely feel, oh,
how painfully I feel-yon emptiness,
t'is insoluble, inseparable solitude
filled not with thy air, glancing at
th' deafening thunder, rusty rainbows
With thee not by my side.
I fallest asleep, as dusk preaches
and announces its arrival,
But asleep into a burdened nightmare,
too many fears and screams heightened in it,
ah, I am about to fallest from smart rocks
into th' boiling tides of fire beneath my feet.
I wake into th' imprudent smile of th' moon,
and her coquettish hands and feet
t'at conquer th' night so cold.
She is about to scold me away again,
'fore I slap her cheeks and send her back
to sleep, weeping.
I return to my wooden bench, and weep
all over again, as without thee still I am,
barefooted and thinly clothed amongst
th' dull stars at a killing cold night.
Th' rainbow is still th' rainbow,
but it is now filled with horror,
for I am not with thee, Kozarev!
Oh, Kozarev, th' darling of my heart,
th' mere, mere darling of my silent heart,
even th' heavens art still less handsome
t'an thy images-growing and fading
and growing and fading about me
Like a defiant chain, thou art my naughty prince,
but th' most decorous one, indeed;
thou art th' gift t'at I'th so heartily prayed for
and supplicated for-over what I should regard
as th' longest months of my life.
O, Kozarev, thou art my boy,
and which boy in th' world
who does not want to
play hide-and-seek in th' garden-
like we didst, last Monday?
Thou art my poem,
and thus worth all th' stories
within which. Thou art genial,
cautious, and beneficent. Thou art
vital-o, vital to me, my love!
I still blush with madness at th' remembrance
of thy voice, and giggle with joy and tears
over yon picture of thee; I canst ever forget thee
not, and sure as I am, t'at never in my life
I shalt be able to love, nor care for another;
thou art mine, Kozarev, thou art mine!
Thou art mine only, my sweet!
And ah, Kozarev, thou knoweth, my darling,
t'at the rainbow is longer beautiful
tonight; and as haughtiness surfaces again
from th' cynical undergrowth beneath,
I am afraid t'at t'eir fairness and brightness
shalt fade-just like thy love, which was back then
so glad and tender, but gets warmer not;
as we greet every inevitable day
and tend to t'eir needs,
like those obedient clouds
to th' appalling rain, in th' sky.

Ah, but nowest look-look at thee! Thy innocence,
t'at was but so delicate and sweet-
like t'ose bare, ye' green-clustered bushes yonder,
is now in exile, yes, deep exile, my love!
I congratulate thee on which, yes, I do!
I honestly do! For thy joy and gladness
doth mean everything to me,
'ven t'ough it means th' rudest,
th' eeriest of life; t'at I shalt'th ever seen!
But should I do so? T'at is a question
I canst stop questioning myself not.
Should I? Should I let thee go
and t'us myself suffer here
from th' absence
of my own true love-
and any ot'er future miracles
in my life?
I think not!
Ah, and not t'at there'd be
any ot'er mirages in my love,
for all hath been, and shalt always be-
united in thee! O, in thee, only, Kozarev!
For I am certain I love thee,
and so hysterically love thee only,
even amongst th' floods-ah, yes,
t'ese ambiguous piles of flooding pains,
disgusting as blood, but demure,
and clear as my own heartbeat;
I love and want thee only,
as how I dreameth of,
and careth for thee every night,
t'ough just in my dream,
and in life yet not!
Ah, Kozarev, I am thy star,
just like thou art mine-already,
I am fated and bound to thee,
and thou to me.
Thou art not an illusion,
neither a picture of my imagination.
Thou art real, Kozarev,
thou art real-and forever
shalt be real to me;
thou art th' blood,
t'at floweth through my veins,
thou art th' man,
t'at conquereth my heart-and hands,
thou art everything,
thou art more t'an my poem
and my delicate sonnet,
thou art more t'an my life
or my ever dearest friend.

Probably 'tis all neither a poem,
nor a matter of daydreams;
perhaps still I needst to find him,
t'ough it may bringst me anot'er curse,
and throwest me away
and into anot'er gloom.
Ah, Kozarev, thou-who shalt never
be reading t'is poem, much less write one
Unlike thou wert to me back t'en;
Thou art still as comely as th' sun;
Thou art still th' man t'at I want.
Even whenst all my age is done;
and my future days shalt be gone.
Nat Lipstadt Oct 2017
once upon a wrote


here and there, in fables and tales,
some in no guile and others
in chancier disguises,
some sine-known and some sign-unknown,
some dead in stillbirth,
some penned these words,
some a few decades old,
some of but a moment ago eyelash distant,
making me think that
someday I will scribe,
cobble some truths and
some falsehoods into one
leaping heaping melting scoop,
letting you decide,
which for better,
which for worse...


<•>

"No matter that plain words
are my ordinary tools,
With them I shall scribe the small,
Cherish the little, grab the middle,
Simplicity my golden rule,
Write they say,
about what you know best,
Surely in the diurnal motions,
The arc of daily commotion,
Do we not all excel?"

<•>

the reason we say so oft,
in whispers emboldened,

I love you

to our children
is not the utility of
its summarizing brevity

no, no.
it is because
the eloquence of simplicity
supersedes any other poem
any of us could ever write...

<•>

is this craft that chose you,
not defined by machine millimeters,
precision absolute,
curvatures, so eye-pleasing,
they demonstrate no tolerance
for tolerance of the ordinary?

the skill of words, too, cut so fine,
find the  extraordinary within,
refine, refine, refine,
shave away the trite,
the reused,
discard the instant recognition,
unusable

<•>

There are natural toxins in us all,
if you wish to understand the
whys, the reasons,
of the nearness of taking/giving away
what soully belongs to you,
do your own sums,
admit your own truths,
query not the lives of others,
approach the mirror...

<•>

The Truth Burden
is the accursed need obligatory,
the sacred sanctity requisitioned,
when the whenever,
chooses to drop in and upflag the mailbox,
an uninvited invitation,
announcing with precise bluntness,
that precisely now,
is the tool crafted moment
and you fool,
the selected tool

you must render unto Ceaser,
by your own hand,
render your own rendering,
do your own undoing,
go forth and in haste,
will thyself into the cauldron of the
Great Mystery of Creation

you cannot lie in poetry

<•>

come, sit for awhile, in poet's nook,
soft pillows for our hard Adirondack chairs,
situe hard by the bay, if too hot, we'll slow
drift to the sun room of
lace curtains and suicide poems,
still we'll observe the water, the rabbits, the cacophony low,
listening to all the noisier, nosier
creatures asking themselves,
and the trees and leaves,
where did all those poets come from?

<•>

to the interior delve,
via brush or limb,
pen or music,
the exposition, the exploration,
the reconstruction of composing
one's self, creation and destruction
of your own myths

movement of arms and legs,
sparseness of simplicity,
subsidiaries of centricity,
tributaries of complexity

<•>

how cold are the carpenter's hands,
the weather, but an added obstacle,
this heat, makes dying different difficult,
the wood bearing cross requires additional nails
and flesh, for the extra load he's bearing,
when it snows blood in Jerusalem

the whole world can transition
when one man dies and another is risen,
where oh where lies then, the juxtaposition?

there is none, for man is man,
his divine spark, embedded,
to his maker's mark, welded and wedded,
neither snow or sun,
can ever extinguish


<•>

now I ken better distance 'tween
artist and art,
I, a workingman's
daily dallying in simplistic machine craft,
my works deservedly lost in
the water-falling
of the endless also rans

non-nebulous distances.between skies of
Oregon country blue and
the worldy worn asphalt grayed words of
a graying man aging,
then let clarity speak, in plainest harmony,
know my deference’s soars to the high above,
one of us at birth, god gifted,
was not I,
it ain't me babe, but
one of us, his tongue,
like Moses-stung
with a hot coal
of language's divinity


<•>
Long night drives with a can of golden liquid bitter bluntness are two ultimates that ease the shaky hands and ghosted thoughts

You left me heaving through punctured lungs and broke every rib along the way and I picked up my scattered bones and apologized for the mess

How many more cups of tea until I become harbour?
Natalie R Jun 2014
You lack honestly
The mere bluntness I seek
Your shadowed emotions
Hidden, masked
Behind blurred,
Mixed signals

Submerged in frustration
Confusion
Trying to decode
Your thoughts
Your actions
Your words
Do they mean nothing?
Or is there something here?
A small spark to a flame
Growing at a brisk pace
Or perhaps its the end
The end of hope
My hope

You call me
Text me
Hug me
Even kiss me
You tell me how much I mean to you
How much you trust me
Then you stop

Not only do you lack honesty
But you are indecisive
Your emotions shadowed
Trapped, confined
Behind blurred,
Mixed Signals
weaver Nov 2013
Today is Tuesday, November 19th, 2013. And I want to talk about you. I want to talk about the clenching and fizzing in my stomach right now as I imagine wrapping you up in my arms and having you close again. I want to talk about the ache in my chest when I think about how it's been ninety days since I last kissed you, since the day I saw you cry as I let you slowly drop from my arms, then hands, then fingertips, and drove away, looking out the window to see you let your head fall into your hands. It's been ninety days since I sat on the floor of the airport and felt my entire being rebelling against getting on that plane and recrossing the thousands of miles that separate us. I want to talk about how I tuck those thoughts away and instead smile as I think of giving you piggyback rides through the park, and kissing in front of churches, and diving into cold pools, and touching you softly as we lay unclothed in your bed, and laughing so hard at your jokes that I'm sure I'm making a fool of myself.

I want to talk about you. I want to talk about you and me. I want to talk about you with me. I want to talk about how you say things that stop me in my tracks and make me reevaluate the truth. I know you, but I can never quite predict your opinions or reactions. You surprise me in this really heart stopping, sometimes refreshing, sometimes eerie way.

I want to talk about how beautiful you are, god, let me please talk about this. Your mind is an intricate, thrumming place that I love to get inside and peek in its dusty corners. I'll try not to leave fingerprints, but I hope you'll forgive me if I do. I think I'm the first person to see some of these places, and I respect them with a reverence. And your heart, your heart... it's an open space that fluctuates and adjusts around me. I know it's learning how to make me fit, but considering that, I'm very comfortable here. It's not a maze, not a grand palace, but not run down either. It's warm in here, slightly musty in the back rooms but in a nice way, while the front is breezy. It's cryptic at first, it's easy to question where one is when first entering. But it has an essence so very you that it's impossible to lose your way completely. I've wandered enough to memorize some of the walls and walk around with a timid freedom. I don't think I would ever dare stride through with arrogance, but I hope to gain confidence the more I explore. Your outside is just as breathtaking. Sometimes I look at the pictures of us together and I stare at your face like it's a puzzle I can solve, because you are indeed the prettiest girl I have ever seen and it astonishes me that yes - you are real. You have this smile that I try to coax out as much as possible, and eyes that are pleasant and warm. Have I told you how much I've always loved brown eyes? It's a colour that suits your irises, that suits you. The image I get when I imagine looking into your eyes is that of wrapped up in soft blankets in a field at dusk. You have beautiful hair that you love to complain about, but I am forever adoring of how it sticks every which way and makes you look - yeah, I'm going to say it - pretty **** cool. Your body is fit and perfect and I'll tell you again, I am so, so jealous. Shadows reach around you to try and feel your shape, rain trickles across your smooth skin to try and kiss as much as it can reach. And when your body tangles with mine, it's magic. You are warm and soft and my fingertips can't help but want to trace a map over you, pressing into their favorite places and trailing across your frame as lightly as a sigh. Your voice, if I had to pick, is the thing that best represents you. Its most frequent setting is this strong, hardy tone that gets your point across with as much bluntness as the words you choose. When you're sleepy it becomes soft and drawling and muffled. When you have to act professional, it heightens and becomes cheery and sweet. When you're touched, it turns lovely and breathy and exquisitely feminine. You are embodied by these sides of you, and there's more I'm yet to hear and learn from it. All of it is beautiful in a way so uniquely you that I smile just in Knowing.

I want to talk about knowing you. I've always wanted just to know you, from the day we met. That was the prevailing thought: How to Know You. Now every day I am given glimpses into you, and every day I'll know a little more, and I couldn't be happier.

I want to talk about you. I want to talk about how much I love you. I love you the way lights love to pool on the sidewalk. I love you the way ink loves the abstract. I love you the way sand loves seashells. I love you the way trees love sunlight. I love you the way airplanes love the sky. I love you with a ferocity and a tenderness and an affection it halts the motion of the world for moments at a time. You bring words and metaphors to mind in a way no inspiration could, and the next second you stop all thought dead and leave my head buzzing pleasantly empty. I used to refuse to write of love; now my hands know of little else. You've changed me, profoundly, intensely. What did I spend my thoughts on before? Now, I just want to talk about you.
i know this is prose, not a poem, but i wanted to share it here anyway. it's freshly written and minimally edited, and i was so happy writing it i could melt. hope some of you like it enough to get through all of it.

twitter.com/cunningweaver
Mateuš Conrad Sep 2016
a few songs can capture the modern sense of urbanity, and the
apocalyptic 5 a.m. of London - but i've become estranged from
that sort of neon addiction - there's no syringe involved,
no amateur photographers on the ready, either -
yes, a man of great love, but also of great contempt:
and that goes hand in hand.
the favourite memory of my first year at Edinburgh?
eating haggis neeps and tatties at the ***** ****'s
pub on the royal mile - followed by shots of whiskey -
in my student accommodation,
placing the amp on the windowsill, the window open,
and just jamming out far removed Nirvana solos
with a few spectators: modern day equivalent:
of mad max flamethrower guitar freak -
losing my virginity to Isabella: psychology 3rd year
exchange student - from Grenoble - France,
yep, not the ******* Himalayas - the Alps...
the lacrosse initiation ceremony in lycra shorts:
back then i'd be a stumbling buffoon after a bottle
of whiskey... these days? well, usually a closing
poem at 5 a.m. - minding the cats to come home
after spending it out in the cool on a sultry night -
i wasn't serious about the lacrosse -
jeez: the meat in this place is stuffing me -
get out before they tell you to buy your own gear:
team or group mentality? never got it -
soloist pronto - pronto andante - chirpier that way,
getting the whiff of the bubbly without stand-up:
imagine a sit-down comedian... hard to imagine.
the gym... oh **** me the gym...
you know, i knew a guy in first year that only managed
to cook up plain pasta, with salt... plain pasta
with salt... another guy ate spaghetti with
tomato sauce all year round... in the last week he
added meat to the mix... not trying to brag:
i'm even going to mention what i cooked -
                    i was living with horror seeing these
boys adapt to: mommy not here, mommy out to lunch...
daddy not here, daddy out to crunch out the income...
well... apart from the rich puppies who chose
catering accommodation, turning university
into a school with a pristine canteen - canned teens -
just as much - so if i wrote cantine you'd say:
canned thyme? how the hell does that work:
i abuse language, language doesn't abuse me -
i don't need cushions surround words like
()()()()()****()()()()() - better? much better -
hush the angry words out! use the sterilisers -
maybe that's why i never experienced anything bad
using the internet - honesty and bluntness -
maybe i shouldn't have said that. or that's just lucky.
princess and the pea and the 100 mattresses
and a fickle *** - ah itchy! it's pinching! it's pinching!
100 mattresses and still the ****** pea.
then again, staying up all night, then deciding to
climb Arthur's Seat at dawn, getting there, then
climbing down and going to Tesco at 7 a.m. to buy
cornflakes and full fat milk... that was something;
but you know what i'm really thinking about?
it's no longer a maxim, it's a cliche -
               but i'm thinking about it in mathematical
terms -                                from the verb
                           on one side, to the posit or inertia
on the other - there's no grammatical version of what
really becomes a pentagon with five attachment points
primarily - a cul de sac of facts -
                                                            but­ mingling with
grammatical categorisation nonetheless -
          but what i'm thinking about it how to make it
simpler, to use mathematical notation:
i.e.
               i think is an expression
                                       worthy of about 1 centimetre,
  given that thought is a marathon -
                   but i'll just say: could it be anything but
  so differentiated increment divisibility to
              thus provide a sigma? although the expression
is hardly an ad continuum - at some point you
stop thinking, hence to differentiate i think is assuredly
a way to say: well, not constantly - meaning thought
   is not a continuum - and can be talked about in the
same was as talk of god: that's where i place the prime
of ethical action - it's not god... i don't ascribe ethical
action in that direction: just too easy, whatnot with hell
and heaven and goody two shoes waiting for the
big spark of magic or applause and the heckler: well done!
god, dry humour is the best - sarcasm is dry humour -
satire is wet humour... and other than that?
               slapstick, nothing too witty, i hate witty comedy,
they always need canned laughter:
at least slapstick humour makes the effort for you too
make an effort... and it sometimes hurts, so it's real,
when you start flexing that abdomen and get a six smiley
faces on the torso.                anyway,
              looking at my **** it really dawned on me:
  (by the way, Descartes wasn't really out to prove he existed,
   someone thought he did, he was trying to work out a
proof for something that someone else would pick up
   and elaborate)             i think is but a centimetre
                              compared to the marathon of thought -
(sizes in this scenario is perfectly compatible) -
          meaning that               i am          (italics?
emphasis on these to expressions being unitary) is but
                 another centimetre compared to the marathon
   of being                                    or the Antarctic expedition
                      of non-being: i.e. not necessarily
   assembling: what if i wasn't here... but more like:
              what if i did something differently -
again, flea market questions -                        why bother?
    come to think of it: the former unit is more simpler
to encompass - although i agree that the former translates
into the latter: thinking proves i exist,
                            because ex omni instances
         (out of all), there's an equal compatible expression
of mutual exclusiveness: thinking - the two together are
juxtaposed to be allowed a kind relativism -
      but whereas the latter (i am) unit is not only plagued
by the nearest pentagonal absorption via the senses,
but also a definite article / articulation of so many posits
of expression: multiplex verb -
                  the former (i think) unit isn't:
a. plagued by the pentagonal... blah blah blah...
             but rather by a mandala of faculties:
   imagining things, remembering things, dreaming things,
               maybe i shouldn't have said that?
   who knows -
                             the basic thought was
about:           i think is but a centimetre compared
                               to a marathon of thought - a minor fact -
   i am is but a centimetre compared to a marathon of being -
     and to be honest: very few people would take
courage in understanding this glib in the sigma of all things -
imagine football hooligans equipped with this potential...
i can't: i was watching the Everton v. Sunderland today,
and all i could hear was the chant: YANNICK BOLAISE!
            YANNICK BOLAISE! YANNICK BOLAISE!
yes, this kind of writing is a paper mâché -
or a vegetarian starter - but, you know, if you don't
try something new, you'll definitely win a Pulitzer Prize...
  if you don't like it? chop chop, on you go.
i know Descartes wasn't wrong, and i know that
cogito ergo sum wasn't intended to prove anything -
but it did prove a founding block for existentialism,
that's where all existentialists take a **** - Descartes
is the dump where Sartre wrote his being & nothingness,
and Heidegger his being & time...
                        well, key ingredient in someone writing
a sophisticated aversion to time: space, would probably
write something about sitting next to someone on a tube
and writing about sardines and livestock -
                           humanity as a virus, etc. etc.,
   compared with someone writing and thinking out
a statement of: well, isn't this marvellous - so far apart
and clean, and solitary and chuckles.
    i just wanted to use the mathematical comparison,
deviating from the pivot                   therefore     -
   away from each of the unit's verbs and adjective attachments -
  i just wanted to stress that each respective facts,
  are but a centimetre of expression,
   compared with what each evolves into - a marathon
on either side - perhaps it's because that's a necessary building
block to something greater: i can't complain that being
aware of this fact is a hindering beginning -
       i'm not saying that being aware of this maxim is
somehow going to improve your contentment with life -
    geometrically it's not like
                                                      horizo­ntal left to right -
more like vertical left to left-up and right to right-up
             and never therefore - for a reason,
consequently... but rather in parallelism -
                   for no reason whatsoever -
                                              contra-sequential­ly;
unless you know a Queen of Sweden, i don't see how
thinking precipitates into being that might you
leave you satisfied - and let's not a put a ****** on it
either: how many thoughts about killing someone
end up being jokes with a friend late at night?
Madison Elaina Mar 2015
If I wrote you a love poem
would you clam up in choking modesty,
embarrassed by the still raw love that's been cooking but is yet to be served.

If I wrote you a poem of friendship,
would you retreat back into solidarity,
annoyed at the bluntness of my open soul.

If I wrote you a poem of mourning,
would you fill with resentment
at my supposed plea for pity

If I wrote you a poem of joy
would you counteract the skip in my step with a lag in yours
because enthusiasm is corny in large amounts

And if I wrote you a poem of desire
Would you avert all eyes back to the screen
because Romeo and Juliet is a bit outdated
and imagination has fled from the heart and away from its sensory outlets

Or…

If I wrote you a love poem
Would you beam with a smile that radiates from your eyes and cheeks and shoulders and knees
Because you need all the passerby to know of our love, wordlessly..shamelessly..

If I wrote you a poem of friendship
would you deliver me my favorite coffee,
pick me up to go on a road trip to anywhere

If I wrote you a poem of mourning,
would you hold me and give me the smiles and hugs
that I am temporarily and humanly void of..

If I wrote you a poem of joy,
Would you let my spirit set fire to yours
So we can dance around like idiots aimlessly

And if I wrote you a poem of desire,
would your body tingle and feel like its never felt before,
unsatisfied until our legs and tongues and hearts are entwined

Or am I too Disney?
Lora Lee Aug 2016
Only one little
               silly tiny
                       movement
can create ripples
of effects
and tonight
as I reached for the
garlic or salt
or whatever
the hell it was---
something harsh was set
I brushed your shoulder
or was too much in your space
somehow jolting your ego
from its permanent, fragile place
            You chose to take that
and make a fight
from dust
and this in turn led
to splitting hearts
              spitting corrupted trust
passive aggressive silt
swept out
from under rugs
emotional bluntness of punches
instead of the realness of hugs
Where have we reached
what have we done
All I know
is my heart's on
        the run
These little ***** triggers
       can open
Pandora's sick, dark box
unlocking old resentments
from behind rusty locks
"You will never be forgiven"
are words
that destroy
they suffocate and choke
turn real gold to alloy
and Man, this gold is melting down
running in streams
painting false this town
in shades of hurt
in shades of pain
just lay me down
in this thick desert sun
to bear this unbearable
                   splintered strain
Let me pour this liquid burden
into the salt of the cracks
of the earth
Let me be replenished
with crystal water coolness
as I, head held up in tears,
                           remember
                                    my golden worth
https://www.youtube.com/watch?v=RB-RcX5DS5A&list;=PLzyYbaYKbahnEmFJFyxlURFHhSc74l5C7&index;=4
"Nobody said it was easy/ Nobody said it would be this hard/ I'm goin' back to the start"
L Dec 2016
"Darling Guillaume, grace me with your presence for a quick moment?"

The man beckons, inviting warmly with a graceful tone you've come to recognize as a safe place. "Yes?" you speak before reaching him, the sound of your voice somewhat faint to him as you turn to enter the kitchen, your response lingering in the hallway.
The windows are open. The air is fresh, clean and cool. The breeze is swimming in, tugging ever so gently at a lock of the man's hair, golden strands hovering for a moment before falling back into place.

You are seventeen years young, your skin is tight around your neck and your wrists feel no pain. This is your apartment. There are fruits on the counter, some of them you don't remember buying. That's because you didn't.
The red grapes- next to your preferred white grapes- are his. There are also slices of watermelon in the fridge, along with some strawberries and a small jar of cherries that seems to never empty.
He hardly ever bakes anything and when he does, it's always something that can be eaten cool. Nothing too warm for him, though you've seen that hot chocolate is an exception to that rule. He loves fruit and cold drinks, has a terrible sweet tooth and is absolutely shameless about it. He smiles often and when he laughs, you feel he is the very embodiment of joy.

You brush a lock behind your ear before he turns from the counter quickly to face you. You both have similar hair; his is a few inches longer, curls less than yours, and is a visibly lighter shade than your dark mane. Yours is shorter, curling inwards as it rests on your shoulders.
The man gazes into you; he is never afraid of eye contact. You aren't either, but given that you consider him in many ways a stranger still, it's slightly unnerving, and gives you the impression that he has a certain power that he well knows cannot be subdued. Confidence some would call it.
As for ****** similarities, there are some, not that they're very pronounced. You both have light eyes, but yours are a deep blue with chestnut and chocolate overtones, often appearing emerald green under certain lighting; much more earthly than his- an almost unnatural, true green that shines harlequin under dim lighting, like a cat's eyes glowing under the moonlight.
He seems particularly happy right now, and you can't tell if his cheerful demeanor (though not unusual) is him being in an especially playful mood today or a hint of what's to come. That is to say, another lesson.

"Hold this egg for me, will you?"

You do as you're told, looking around in an attempt to distract yourself while you wait. You don't know what you're waiting for exactly, but you assume it will only take a minute. The kitchen is illuminated completely, very bright. It's a lovely day, sunny and perfect for a walk, you think. Maybe you'll go out later.
You hold the egg for exactly five seconds before realizing the man is staring at you- smiling beautifully with what some might mistake as bedroom eyes; but you know better.

"...What?" you ask, your voice small suddenly. A smile slowly tugs the corners of your lips and you resist, both out of embarrassment and stubbornness; you don't want to submit so easily. It's quite noticeable- you couldn't hide it well, but he isn't offended in the slightest. You are, after all, so very young. He expects you to have this kind of- rather charming- behavior, and accepts it fully.

"Feel it."

He speaks quietly but with sparkling, eager eyes, like he's about to let you in on some grand, fascinating secret, and you are reminded of a dear friend.
Being a memory you visit often, it takes half a second to remember it clearly- your best friend- running towards you, tie bouncing on his chest. He wears his school uniform, it's lunchtime, and he is eager to tell you how he's found the perfect spot to relax (or study, if needed) during this hour. "You both make for a funny sight, you know!" you'd have friends tell you often. You weren't very eager to admit it then, but it's true. You can picture it now- tall, lanky, grinning class president next to short, grumpy, quiet you. Ah, the memories.
You've both been busy, settling into lives completely independent from the help of your parents. You make a mental note to call him when you have the time.

You stroke the egg with your thumb, gazing at it intently. There's something the man wants you to know and he's not going to give you the answer on a silver platter- it's not that easy, you've learned that by now. He's played games like this before where he begins a conversation suddenly- often starting with an odd, seemingly-out-of-place question- with the intention of teaching you something.
He is strict in his belief that answers should not be given but found, and if one wishes to teach something, one should guide the other to help them understand, but never lead the way. Leading would result in the thought that lessons are a destination- and that isn't the case at all. To simply give you an answer is a sin to this man, and maybe this is why you've learned so much with him.
You want your answer to please him. Yes, and that may be difficult- because at this point, there is simply no way for you to know what the correct answer could possibly be.
No matter. You'll have to work with what you have at the moment. That being, not much.

"It's... smooth."

To that, he smiles with his eyes. You don't know it, but he's very happy with your answer. Partly because he never asked a question in the first place, and your attempt to answer something that has yet to be asked is, in his opinion, a sign of a good student- one willing to learn.

"Mm. It is." He takes the egg from your hands, holding it a few inches away from his chin and observing it for the entirety of two seconds before turning his gaze to you.
His face betrays the look of a father determined to put his son on the right path; a look that says "I will not let you go until you have understood".
But he's too gentle for that. You know he'd let you go if you ever spoke of wanting to stop a lesson. Not that that's happened before. He's always so tactful that you never have reason to feel uncomfortable around him. You appreciate it; you're not terribly tolerant of tactless people, even if you do feel quite guilty about it, especially when they do seem to be trying. C'est la vie.

He is silent for a short moment, his voice replaced by the distant laughter of children playing outside. It's then that you notice the cherry.
The single red fruit, small and unassuming, sat just behind him on the counter, closer to the window than him, and you wonder for a moment if he was planning to eat it before calling you to talk. You're vaguely alarmed at the thought, for cherries aren't something he will eat often, and you've noticed that they seem to be reserved for what appear to be private special occasions- he will sometimes eat a single cherry while deep in thought, staring out the window (you've caught him people-watching a few times like this), and you wonder if he was thinking about you this time, and dropped the cherry to have some sort of urgent talk with you.
However, that doesn't seem to be the case, so you push the thought aside, unconsciously replacing it with one of your favorite memories of the man-
"Cherries are dangerous," you recall him explaining one day, "they are toxic in their excessive sweetness. Eat no more than two a week, or you'll be taken by the cherry man!" You never forgot that conversation, although it’s whimsical charm wasn’t the reason why- it drilled itself into your memory the moment you realized two very interesting things.
The first being that by "cherry man", he meant the Devil, and the second being more of a doubt than anything else- cherries are not that sweet. His argument would make more sense if he was talking about cake, for example. Whenever this memory surfaces, there is always a vague sense of confusion and wariness hidden just under the more pleasant feelings you prefer having. Nevertheless, the general sentiment in his words is that excess can be detrimental to the soul. "Greed is a terrible sin, you know." And this is why the cherry jar never empties.

"Hellooo..."
Oh- goodness, he's waving his hand in front of you. You blink a few times, responding with a rather ungraceful 'Huh?', blushing slightly from the embarrassment.

"Where did you go?" He's chuckling as he asks, and you can feel the warmth on your cheeks.

"Ah, nowhere."

He smirks with a small "hmph", before giving you a proper smile, pausing to let you come back to him fully before continuing, egg held up in his hand:

"What is the egg now, Guillaume?"

You look at it, held between his middle, index finger and thumb. What is the egg now. What a strange question. Of course, it isn't as strange coming from him; you don't think you'll ever get used to his odd lessons, but his behavior when teaching you things nobody else would is something you've come to expect by now.
What is the egg? It isn't an elephant, it isn't square. There are many things it isn't, sure. You search in your head for a possible answer, one he'll deem correct, 'till you decide on-

"It's nothing."

-a dishonest one.
For someone who's not very tolerant of tactlessness, that sure was, well, tactless. Why did you say that? Insincere and blurted out without any thought. He takes notice immediately, and you wordlessly apologize profusely, combing your fingers through your hair and avoiding eye contact.

He's much older than you. He's also wise- wiser than most people his age, you think. Whatever the man wants to teach you, it's obviously something he already fully understands. The fact that he knows more than you however, does not mean you are below him; he never wants you to do anything for the sake of pleasing him and what you've done just now is exactly that. He can, however, sympathize- he's a perfectionist himself and understands the desire to do things right. There is a time and place for everything though; an order, and what you've shown now is good intention misplaced, which is a potentially dangerous thing.
He has no concerns regarding the acceptance of chaos when it is necessary,
that isn't the problem. The problem is that your dishonesty is chaos in a situation that warrants order.

"I don't want you to try to please me, Guillaume. I welcome incorrect answers so long as they are entirely honest."

There is a pause, and he sighs before remembering just how young you are. He realizes you might have accepted him as a parental figure or mentor of sorts by now, and it's an honor, really- you're a bright boy and he enjoys your company very much.
Your accepting him as a parental figure however, does not give him the right to scold you; no, that would horrible. If you will learn, it'll only be because you will allow him to teach you. He must never force his way into you.

"Look at me." His voice is firm but gentle.
You hesitate for a second, but whatever you were feeling is gone the moment you notice his expression- warm and inviting; "try again" it says. You are willing to now.

"You can see the egg, can you not? Surely it isn't nothing if it's still a part of your reality. You see an egg, and that still makes it one."
He hides it behind his back, and you are confused at the action but eager to understand. You give him a questioning look and he smiles before giving you an answer.

"What is the egg now?"

With a question, anyway.
You think long and hard, silently focusing all your attention on the creases of his shirt. You stare at the man's chest for a full minute and a half, determined not to make the same mistake again. You will answer honestly, yes; but you will also impress him- and possibly yourself- with a good answer.
The subject isn't exactly new or difficult for him, you're sure. He will sometimes leave the house and not return for a day or two and when questioned, responds with an inconclusive "Mm. Studying." You still aren't sure what that means and you feel it's best not to think too much about it, but surely it has something to do with these lessons of his, no?
He's obviously studied this before, you think; you are operating on a much lower level than him and have a vague awareness of this. It just isn't as pronounced because the man insists on treating you as his equal. As far as he's concerned, you are both students capable of learning from each other every day. You hope to one day teach him something, and not by accident, as it tends to happen. Soon, perhaps. Maybe now.
You look up at him with a determined look on your face, satisfied with your conclusion.

"An idea. The egg is an idea-"

"Why?"

You barely finish saying your answer when he's already questioning your reasoning. You'd be nervous if you didn't already know that his bluntness wasn't the result of annoyance, but of curiosity. He is eager to teach, yes, but he is more eager to learn. After all, a good teacher hasn't accomplished much if they haven't learned anything from their student.
New ideas need to exist. In conversation, one should always aim to walk away with new information, a new perspective. Sometimes this information is given to you, other times you must take it; something he's given you is the ability to think more critically. He's all but trained you to do so. It's much easier now to get into this mindset than it was when you first met the man. You're glad to have had the chance to practice this sort of thing at all; you don't think you could have done it with anyone else.

"Because there is ultimately no way for me to know if the egg still exists."

There really is no way to be sure.
The egg isn't a part of you any longer. You can no longer see it, or touch it. You can't hear it, either. It isn't there anymore and having seen it being hidden, all that there is now is the suggestion of it's existence.
Your answer was truthful and concise and you feel nothing else need be explained. When you search the man's face for any signs of contentment, you find none. No, what you find is something quite different. An absolutely luscious smile, and those bedroom eyes.
His voice turns low and he speaks clearer- a calm tone of voice that would make anyone submit if he asked them to.
He's challenging you. Both begging and demanding you to win.

"But I know the egg exists. I am telling you it does. Am I lying?"

His voice could be very seductive sometimes. Especially at times like this, when daring you to step further into his world.
His world. One that was always bright and pleasant and hid something underneath- a barely audible humming that you've managed to ignore until very recently. If there was such a thing as feeling a lack of light despite there physically being none, you felt it every time the man dared you to chase him into his labyrinth.
There was just something very visceral that would bleed through sometimes; in his eyes, his hand gestures, in his voice.

"It doesn't matter." you tell him, your words quick and blunt.
He is amused. Shocked, even. You push away the rising bravado before it fully shows; don't want to jinx it now.
Eyebrows raised, he gives you an impressed "Oh?" and you continue, clarifying to back up your risky (despite yielding good results) answer.

"Assuming you are holding it in your hand right now, it's still an egg to you. By the mere act of touching it, it becomes a part of your realm of understanding; it exists to you, right now, as what it is- an egg."

You can't see it of course, but he's mindlessly stroking it with his thumb now, much like how you did at the start of this conversation. Both his hands are behind his back, resting on the counter he leans on. He listens intently.

"...You tell me it still exists, but that doesn't change what it's become to me. It stopped being an egg the moment you hid it from me. No matter what you know to be true, that reality isn't always going to be a shared one.
You have an egg, I have an idea."

There can be many correct answers, he thinks. He doesn't believe in there being a single, ultimate truth about anything. If the self is all one can know, why is one's understanding of the universe not considered a reality in itself, one separated from what most consider the only reality? Your explanation follows this concept and he's thrilled tha
This is fanfiction, but you don't need to be in any fandom to understand and enjoy this, I've made it accessible enough for everyone to understand; the fandom bits in this aren't crucial to the story, so everyone can enjoy it (although people in the fandom might enjoy it differently, but that goes without saying I guess).

It's daftpunk/label au for anyone who wants to know.
Guy-manuel and Crydamoure are the characters.

-
Poetic Artiste Jul 2017
Speechless conversations often lead me to mental *******,
But verbal ******* goes deeper than any relation,
Please excuse my bluntness but the thought alone of straddling your mind makes me weak...
Just a section, previously recorded, second half will not be released.
KATIE666 Apr 2013
How do I say
that I am sorry
For the words
that I've said
LJ Jun 2016
You played my heart
When I didn't know
That you were a coward
An award of aloofness
One that you wore along
That robe you hang on to

You played my heart
When I gave my all
My sincerity and core
A naive genuineness
One that I wear on my soul
The one you rolled downhill

You played my heart
When emotions strangled
My struggles to balance
As I closed off from love
The chorus of bluntness
The song you taught me

You played my heart
When you needed a muse
A bold and beautiful image
To ****** your taxed brain
A goal to hear me fall hard
As I lost guard of my life and all

You played my heart
When I felt I was going crazy
Effused with pain and cold
Strained and stressed
Lost in a jungle of the lonely
Gifted with battles and concepts

You played my heart
Then made me learn hard
That I was stronger than I was
That I was unique and visioned
That I was a capable phenomena
Able to pass on the pressed alleyway
Nat Lipstadt Aug 2017
~~~
a poem derived from these words of
Joel M Frye
"Poetry is a self-policing agency, enforcing nothing
~~~

The Truth Burden
is the accursed need obligatory,
the sacred sanctity requisitioned,
when the whenever,
chooses to drops in and
upflag the mailbox,
an uninvited invitation,
announcing with precise bluntness,
that precisely now,
is the tool crafted moment
and you fool,
are the selected tool

you must render unto Ceaser,
by your own hand,
render your own rendering,
do your own undoing,
go forth and in haste,
will thyself into the cauldron of the
Great Mystery of Creation

you cannot lie in poetry

-one can only validate-

you will tell the whole truth,
and nothing but,

all in good order,
to secure me to thee,
to muddle
our molecular cocktail mix,
you must,
must give only
truth in poetry,
or give
nothing

police yourself
in every aleph bet,
don't substance abuse us with deceit,
give only your unburdening,
force us to lip kiss
when
we face each other,
when
pronouncing the blessed script of
ourselves,
that we have been granted by sharing
each other's unvarnished lettres

the burden is
to un burden

cut out what needs
to be bridged from
the secret walled-in safe,
and give form, life and breath,
expose it to the atmosphere,
reform your bleak introspection
and white horseradish bitter realism,
turn blue blood veined internal
into an amberina red,
all by being
unsaved, unsavory, unsafe

you are the enforcer,
you are the police,
you are the validation
and the validator,
enforcing this sole law,
police your self,
give us

with no agent in between,

give us
nothing but,
a voice
one will recognize instantly
as the whole fats milk of
truth

oh, how I will embrace thy
one and only,
when given,
your

one and only

for do we dare disagree that is
each other's truths that
shall set us free?

•••

for we are the inhabitants,
of this wild land of
no inhibitions,
no rule of laws,
except one,

defend the essence,
protect the defenseless integrity,
promote the mystery of the
human poem
2/20/16
Mateuš Conrad Apr 2016
somewhere along the lines, a pre-script revelation by dumb'oh: because painting deals with nudes in all seriousness and soberness, music explains the coupling of violins etc. to an ******... writing, in its depth has to deal with the murk and muck of thoughts and emotions - poetry as such entices an anarchistic spontaneity against any categorisation and systematisation, who's chief proponents are the pillars of reason, psychology and philosophy systematise, tell you the plans of the house, tell you what the limits and excess are... poetry in its anarchism teaches you nothing but experience and how to exploit it - as nietzsche pointed out: a shamelessness towards experience.*

i could, i mean, technically make
poetry cut-clean and smartly dressed,
sigh O sighing and star gazing,
i could masquerade what i'm about
write, but then i sometimes do like
cleaving meat off a bone using a blunt
knife, for that lion's tooth feeling
of having to use the molars (yes,
the canines are all kosher, they stab you
and the lion waits for you to slowly
bleed out - no sadism on his part,
no industrial death syndicate with
iron maidens, racks, a blunt sword
that hacked a few times at ******
mary's head on the scaffold - they executed
the ones they loved with a sharp sword,
mary's head was chopped off using
something as sharp as a toothpick, terrible
scene) - where was i? ah yes, blunt things,
blunt knife cleaving off meat from the bone
(a hellish follow-up if you're dicing the
meat for a curry) -
so this lion is the kosher butcher, he doesn't
do insect digestion, no spider-web cocooning
(is that an anaesthetic aphrodisiac you're
injecting so you eat me while i sleep? grand) -
so he bleed the **** thing out,
he's not some inverse necrophiliac in want
of wanting to see the thing he's about to eat
watching itself get eaten - another time,
another place;
unlike painting and composing music, writing
doesn't really have ****** perks when it
comes to it - oddly enough writing is a
pseudo-celibacy - now this is where the bluntness
comes in - i mean bach ****** and fathered
about a dozen children, mozart too, picasso for sure,
but writing is hardly a form that allows
the healthiest *** lives of what painters enjoy,
there's no aeroplane or lightning-thunder mechanics,
you know when you see a plane and "think"
you see it 20 miles behind, when it fact it's the
gurgling lazy tentacle flapping about from the
engines lagging behind - first lightning, then
the thunder - well, writing is the thunder and
the 20 mile lag of the aeroplane - i don't know
why music fits in with painting in terms of
being classified in the former, but it does,
it's a passive excursion into the art - you don't
need to play an instrument these days,
the ****'s just there for you to be bothered enough
to listen to it - i know, i know, audio-books,
never listened to one - but such passive appreciation
i'd only recommend to the blind, unless proficient
in braille, more than two volumes of the work done...
so bluntness... well writing is comfortable with
that other form of ****** gratification, your own,
like today: i was on Onan's throne (a toilet),
wiped my *** after taking a **** and thought
about not utilising my imagination, rather,
using what i call the perfected debasement of
*******: gifs - i can't glorify *******,
but i need something to act like a plug-hole
for the imagination to be pristine - and .gifs
are the perfect way to use it (after all, it is there
for something): no fetish, no ***** leather,
gimps out the question, ****** mind you too,
no teen, not fatty boom boom, no she-male -
whatever, you know it's out there -
but then my neighbour started singing in the
bath... the walls are thin... yes... thin enough
to hear what's going on next door...
now that put me off altogether... couldn't do it...
not that it annoyed me, not even in the slightest,
i can't do those kind of robotics with my
neighbour's "soprano" washing herself in the bath...
just, couldn't, do, it - sulky mood? not really -
but the moral of the story:
               the debasement of *******
               given that feminism
               proposes that ******* is debasing...
hey, i'm not the rich ******* with a mansion
bored and working out a steady income.
I think about my birth, my gift of life gave you pain,
I think about the people in my life...some leave me but you always remain,
Even when I am your source of grief my joy is at the top of your list.
Even if you are cold to the bone, keeping me warm you can't resist.
You're the epitome of sacrifice, a close definition of love.
When I see you being selfless I see that there really is God above.
I see Him perform His acts through you,
As you care for me and my sister too.

Through being human, through being emotionally blind,
I had failed to see the truth, I had shutters on my mind,
But through some miracle, through some inexplicable event,
I finally see what I was supposed to see-something even my ignorance couldn't prevent.
You are a rare gem, you are a bright beacon in a storm of darkness,
You are my favourite poem-all of you, including your bluntness.
All of my success I owe to you  and your perseverance,
I owe it to your love, your attention and your constant vigilance.
Your prayers were not in vain; I will be worth all that pain,
Through what won't come and what may,
By your side, Mom, I'll forever remain.
Make every day, Mother's Day
Nik Bland Oct 2012
I'm not interested
Is that so hard to say?
I'm not interested in you
Those words come out like butter and yet the thing you try and do

Is hold onto to me for later
Put me to the side
There I sit hoping and praying
I'll be the apple of your eye

But you're not interested in me
You know it
You're not interested in me
Let me go so at least if I cry my eyes will finaly see

Are you so selfish to keep me around?
To trod on me and smile
Each time I am your turning point
When you cry tears of crocodiles

Just let me go!
Please!
Just let me go right now!
Tell me to my face that you dislike me! How?

With sincerity!
With bluntness!
With no sugar-coated words!
You've led me on for far too long to the point where it's absurd

Your killing me
You really are
My hopes and dreams compacted
Into the scene you've set for me and constantly reenacted

**** you!
You vile creature!
You deserve not a tear from my eye!
But here I stand with my heart in your hand and knife you put in my side

Oh dear coward
Just say it
Say you're not interested in me
So at least you and I can walk away with some shred of dignity

But you won't
Will you?
You'll keep me safely in a pocket
Not telling me a single thing, putting me in your secondhand locket

Just say it, please
I beg of you
Just for once say it. Please.
Tell me deep down you've always known you're not interested in me...
Paige Hatcher Jan 2012
Though I wear no crown of decadent jewels pressed down around my brow,
It can be said that I am beautiful.
Needing no assistance from a mask of make-up and every hair doing as it pleases,
I am told that I am beautiful.
Without the burden of corsets, push-ups and garters; no cocktail dress draping my shoulders,
I look in the mirror and am satisfied.
I wear blue jeans, t-shirts and tank tops; tennis shoes, flip-flops and high-tops,
And still my legs are long and lean; my shape curvy and full.
And while I walk by, a southern sway in my step, you know you take more than a cursory glance.
I have attitude, and bluntness inherited from my line of honest folk.
I am country. I am bold. I am ruthless.
I am simple in the way that diamonds are simply compressed carbon.
I am beautiful in the way that only a southern girl can be.
I am a huntress with my 243 across my lap in a camo blind.
I am an actress as I smile and say “Bless your heart.”
I am a lover if there ever was one.
I am a fighter when the chips are down.
I am my father’s nightmare and my mother’s dream.
See me with my mut from the pound that’s better trained than your frou-frou, AKC registered pom-poo.
Join me as I sing the hymns my granny sang with the same tone and inflection.
I am educated with my poor country grammar I use only to spite those who think I’m ignorant.
I know more about tracking a blood trail than I do about propriety,
But I’m studied in the art of being couth.
My southern charm is mixed with brazen straight forwardness.
I am proud. I am American. I am beautiful.
Ann Aug 2015
When I look into the mirror
I see a girl-
A girl who hides behind her skin
I see a girl-
A girl with a look in her eyes
A look of regret
A look of sorrow
A look of a painful experience
I see what you've made me to be
I am a victim of yours
I am the girl they talk about
I am your victim
I am the girl you damaged
I am your victim
You're ******* victim
-
When I look into the mirror
I see nobody
I feel nobody
I hear nobody
When I look into the mirror
I see the fear blazing into my eyes
I feel the masculine of your hands beaming down on me
I hear your muffled groans and audible grunts
I am what you've made me to be
-----
I had a life
I planned a future
I wanted love
I wanted a husband
I wanted children
-
I wanted so **** much but-
I want you,
I want you dead
Buried six feet plus in the **** soiled ground
I want you gone
Banished to hell!
----
When I look into the mirror
I see the outcome of my most horrid nightmare
I feel the bile rising in my throat because you never fail to make me sick-
I fear you
I hate you
I ******* HATE YOU
But you're the only one I can think about.
---
I was raised
I was loved
I loved too
But you took that from me
You took so much from me
Confidence, you took from me
Bluntness, you took from me
Pride, you took from me
I believed in myself
I had faith in myself
But you took that from me
-----
I see you, Often enough
On the streets, selling dope
Riding around, lookin for ******
In my dreams, ****** me again!
You destroyed me, you took my womanhood away
You did this to me!
-
LOOK AT ME!
-
I can't walk outside alone because of you
I avoid alleys because of you
I hide behind tinted sunglasses hoping and praying I don't run into you
--
You changed my life in more ways than you can imagine
I am not the same person I used to be
I am not the same person I was last year
I am not the same person who completed high school
I'm not same person who politely introduced myself to you
I am not the same person my parents knew me as
I- I-... I am nobody
--
All because you took myself from me.
D'Arcy Sahn Jan 2015
Sarcasm is anger in disguise
Cynical wit turned into lies
Cutting and burning bridges and ties
Until I feel too hollow to even rise

Bluntness is a wonderful gift
A symptom of an allergy to *******
Used by people used to grit
But optimistic enough to love it
Apparently sarcasm is anger disguised as humour. I don't want to be angry, I just want to make ****** jokes.
Chris Nov 2010
Tumbleweed
Ted Old
John Merchant,
Joan Harling
Edith Smith
David Wilkinson,
Mike Waldron
Marie Ainsworth
Ruth Bell,
Lucy Ritchie

A list undignified by death
In an instant deflated, unwound
Vibrant yet now not a breath
Missing, lost, not found

I mourn every one of their names
And all that each one implied
Merely a lifetime ago
They came, they lived, they died.

The bluntness has ruined my mood
With the arrogant stealing of life
It demanded all my attention
Then cynically wielded the knife

I'm trying but their voices are fading
As my brain's recordings wear out
And the clarity of all their faces
Is blurred with the pallor of doubt

So all I have now are some photos
Flat caricatures of their lives
Each one replacing my memory
With a past that cannot be revived

Relentless my list will grow longer
Crushing for each name a line
And my heart will grow ever more heavy
Till the last name that's added,
is mine.
ok Jun 2013
as if the bruises of my self conscious's grip weren't enough of a reminder of my
harsh imperfections,
their icy stares and startling bluntness ring a brutality in my eyes that can only be absorbed
by those foolish enough to cross over into the unmapped, untouched.
it is there where I finally feel my lungs expand and my lips moisten from knowing that I am
NOT
defined by a flaw or a handful of them, placed intricately along the paper thin lining that means
nothing in the end.
but in an instant you wrangle me back into a place where the spots matter and I don't.
Makana Queja Nov 2012
Sometimes I dream of suicide.
An elaborate term of my demise.

If I attempt by great height,
My head is then full of fright.
"The height is far too great."
Stepped away from edge of my estate.

If I attempt to take it by knife,
I then begin to think of my wife.
Lying there, like a crazed fellow,
For the Lord knows I am no Othello.

If I try to take it through grief,
That suicide would be none too brief.
The long drawn out hectic space,
Of wading through troubles at a slower pace.

But that is the method that I choose,
For I cannot attempt the cunning noose.
If by noose, I commit the crime,
I would solve my problems fine.

But by then the deed would be done,
I would be departed, the world won.
But I will not back down like that.
I shall go on, with the word, "attack."

My life will not be solved by you,
I'm sorry for bluntness but it's true.
I will forge my own perfect path,
With all of my problems facing my back.

This is how I shall do the deed.
Go down fighting, the rest will be history.
Boy Gaskell Feb 2014
One cold breeze flitters by,
Awake, a shiver rolls down.
Seeping through the ground,
Coated in many aspirers lie.

Abrupt to awaken an eye,
Gazing the half clearer image.
Soon greeted in holy light,
Fixated, gasp a lonelier sigh.

A shadow sweeps by up high,
Quickly to restore the blind.
Bones barely intact inside,
Reaching up seeking a sign.

A shrivelled tongue I do try,
Forcing out the air for words.
Eyes swelled, an anxious look,
Patience left to care the tide.

The blue air reflecting from the water,
Soon I arise to realise where I’d laid.
The minute grains, digging deeper,
Penetrating through my rough skin.

A slight wash for the ends of my toes,
Clearing the dirt further up my feet.
Soon my whole legs were glistening,
Shining like the pearls deep beneath.

With my head levelled I start to recall,
Visions for which I felt most alone.
I search my pocket to reveal a clue,
That night I spent burning in waste.

Shaking in disbelief, falsely accused,
The bluntness of my saviour’s truth.
The sea I think to dispose this guilt,
An addict never deserves his mercy.
Mateuš Conrad Dec 2015
what england needs now is no **** & dump king, it needs a lethal combination of edward the confessor, philip augustus (the 2nd, house of capet), and george iii (house of hanover); the first for the bluntness of truth, blunt knife of honesty is not honesty per se, per se a weakness isn't a weakness at all, esp. if it's colliding in polite society that understands it as rudeness; philip augustus for the genius of plotting: playing off richard i with henry ii, and richard with king john... george the iii? the one that went into the cuckoo's nest? i need him for the halo and the innocence of others, provided the innocence of others is simply a way with lies.*

which had me thinking,
the bit where i mingled linguistics with chemistry,
the asymmetry of c & k,
of s & z... cat, kettle, empiricism,
i don't know know of another s & z example
that does't involve the ß, sure the s is sharpened
into a z... perfect contortion for 90°...
fair enough... acute angles...
but i mean this quasi chiral sentencing...
c is non-super-imposable on k,
s isn't quite a z in alice's adventure
the other side of the mirror...
but in some instances (due to the lack
of diacritical marks in the english language
to bespeak australian and american and south african
and canadian accents as proof of moth / ćma)
it appears as if i mistook my spelling
even though the english language is the easiest dyslexic,
even i make spelling mistakes in the odd bit of phrasing,
but that's natural, there are no clear phonetic quanta
to base my judgement on...
clearly i can mistake on letter for another...
it's the clear over-individuation of worded distinction
that gets me bothered, finding semblance
in current celebrity culture of the:
gone with the wind / farted into the wind /
****** against the wind looking a locomotive
of dry cleaning, as was don quixote at the dry-cleaners
lance and delusions in hand...
i can arithmetic the word onomatopoeia
from the sound: on oh mah toe *** ah...
but where the hell is the vowel i?
can't find it... found a baboon quicker
shoving it's crimson **** cheeks into a birthday cake
quicker - laughing at whatever i.m. weasel said
when cartoon network was fun and intelligent
and had a chessboard logo and m.t.v. was
all about music videos and not about
16 year old teen mums... is that music to my ears?
indeed it is i.r. baboon ****.
a anyway... it's chiral in the mouth that c and k
it's super super impress tactic of two left hands
acting like one right hand...
but on paper even C or K could say that
one stroke-curving was like 3 segments:
down, north-east across to centre co-ordinates (0,0)
and south-east across to the same centre;
it's symmetrical in the mouth, but
asymmetrical in the eyes -
hurts a lot, like watching english (historically
speaking / moving on / a quality lost with time,
non-possessiveness of a quality,
came the pakistani post-colonial migrants
and gave a shoo to shoe-shine as under the carpet
and all was well in multi-culture of a sociological
experiment) governed by so so many
worded accents as to produce one a and not
one moldovan j (ж)... it's almost japanese
given the news!
so if quanta are incremental units of energy
in the french lingo 1cm,
then higgs are incremental units of mass,
in french lingo 1 of something...
it's still coconuts and palm trees with polar bears wandering
free in poland, given the english perspective
of the colonial past, with polish girls migrating to
the islands of discontent by storm eve;
those prone to eloquent scheming are in confession clumsy;
and those mad are capable of the highest intelligence...
but those with strap-on-****** will hardly manage
a zoo, let alone a human decimal of involvement;
fractions sounds better though,
we need surd markings on some of our phonetic symbols,
akin to diacritic marks... but whereas diacritic
marks stress... surd marks make pronunciation dissolve...
hence the need for censorship in theology akin...
we might require a pseudo hebrew take on things...
hiding the vowels will only elevate all other languages
to the extreme of hebrew, but it will not be enough;
we'll need for an ace of spades over a bible passage:
then revelation and poker faced tango.
Georgia Owen Mar 2015
Thanks for listening, though I'm only writing this because I've assumed you're filtering all my e-mails into your trash. Who can blame you?

I am remembering the time we went to Lost Bar and then walked around my neighborhood for awhile. It was Spring, wasn't it? 2013. It was one of the few times we had fun together after actually going out. I remember that we returned home and as I was walking out onto the patio I said something about how I would probably never get married, because I can't handle the seriousness of forever monogamy and the weight that it carries. The limitations, the non-mystery. Such casual bluntness, unfiltered by my self-proposed life expectations or indirect efforts to keep you around, both of us hoping. Wishing.

I'm slowly realizing that we had a friendship. Somewhere in there, under the jealousy and resentment and the mismatch of our personalities within the confines of cohabitation and romantic expectations. Our breakup was inevitable. But there were parts of us that I'm glad I saw.

My habits are the same.
I hope you are well.
Grace Jordan Sep 2015
Insert possible Trigger Warning for my fuckity bluntness today*

God knows if you've read a lot of my work, you know I am all about the metaphors and symbolism and all of that, right? I twist everything into run on sentences of Wonderland madness and all of that.

Well, today, **** that.

You heard me. **** my words and my poetry, today we are being blunt, as blunt as a person who feels uncomfortable at the mere mention of some words when she's feeling down. But this isn't about me right now. Well it is, but not. Anyway, here we go.

You know what ******* *****?

Suicidal thoughts. And thoughts of cutting. And insane impulses. And moving vehicles and how nice it sounds to jump in front of one sometimes, even if its simply because you want to know what it feels like.

I lie a lot, ok? I am probably able to be diagnosed as a pathological liar at this point, if we want to be ******* honest for once, because I am so scared of terrifying people and hurting them and making them feel bad that I keep the truth inside. I tell snippets or water-downed versions, but I literally want to bash my skull in half the time from unwanted impulses or put myself in a straight-jacket for how nice causing myself pain sounds. Its crazy, I know its crazy, but its my head and its me and that's a hard thing to live with when saying 'I'm not like the other girls' stops being a fashion statement and turns into a curse.

Impulses and impulsiveness in general is not ******* cute, ok? I look at a car and I want to run into it. I see any attractive person and I wonder what it would be like to flirt and kiss and see their body naked. I see a train and wonder what it would be like to run away. I finish a book and I want to publish and quit school and be a full time author with half a writing degree. I see a knife and I wonder what it'd be like to stab someone with it. I am not suicidal or nymphomaniac or a murderer, and I don't truly want to do any of these, but the ******* impulses. In that moment its the only thing that sounds like a good idea, and I feel my body pull towards it. Just one step into the street, just a few hours of running away, just a little cut. I all ******* sick and I know it but its my head and though I control them better now I can't stop them.

I can't change people either. And because of my fuckity condition of moods and impulses if I get sad and get a suicidal impulse, it latches on like a *****. And I want it to stop and I want to feel better and I want help, but how do you tell your friends that the one little sentence they said turned you into a death-seeking mess?

I'm broken, and I'm ******* hella crazy, but I still want to be human. I want to be treated like I'm a person and not a ticking time bomb. I hate telling people anything going on in my head because I don't want to be treated like I'm some invalid. I am valid, I am real, and I don't deserve to be treated like a monster when I never do anything, I just have these ******* impulses.

****, ****, ****, **** impulses.

I hate impulses.

I am fully aware I'd feel empty without my range of emotion, but can the impulses go away, please? I don't want to even contemplate cheating on my boyfriend when its nothing that I want, I don't want to be afraid the impulses might get me to jump off the nearest bridge, and I don't want to cut my wrists.

I am fully aware people can't always get what they want, but why the hell do I have to fight a raging hell-monster that whispers all the things no one should do? Why do I get that special ******* pleasure? If this is some sort of 'gift' to make me stronger, guess what? I. Don't. Want. It.

I just want to be a normal quirky girl who's a little emotional and likes to write stories. Why is that such a hard dream?

And by the way?

I still ******* hate impulses.
What say you on the matter?

For,
To say the Pilgrims were not of the Americas,
Or thereby American,
Is False.

For,
To say the life force is not moving, pulsing,
Or thereby alive,
Is Wrong.

For,
To vocalize a sonnet as written,
And not vary tone or infliction from line to line,
Or to sing the Song of Madness.
But not feel the grimy groove,
Is flat out and most indescribably improper and in dire need of revision.

But to break off from the meter,
In travels that lead on out,
Progressing into a voyage of the vastly uncharted,

Is to paint a magnificent beauty,
Or write a tale with uncanny comparatives to a Huck.

And to forthwith stand from the bow of the vessel, not the stern, to say when they say, “Nay.”

From the start, on the breaking dawn of this episode, a new life seemed only natural to resurrect;
A chapter to rewrite that had too long needed a rewrite.
And so perceived and attempted it was.

Then, from the inner yearnings, came a need to profess what so vividly troubled.
But in unsure footings, the tongue could not confess.
But in undone attire, the feet would not uphold.
Repressed.
Halt!

The body comes to rest.
Lain upon the threshing block, to gather.
And preface a proclamation of the more just cause.
Ideals certain to be less casually fit than their predecessors’.
An ultimate theory of outlook.

Thus, this is my prelude, to the coming of age battle, and my constitution.
With most sincerity, this is what I proclaim.

The Right of Understanding.
—The act that in any case, every account and depiction of any story and thereby situation, should be heard, allotted, marked, and understood in full. It should stand, unbiased, before all, prior to any fore coming or hasty decision: the act of listening without interpretation by a lonely mind; of not intruding upon or giving up immoral ground in adherence to a person; of not spreading hell, nor involving the uninvolved in personal matters; of letting people share both the tangible and intangible, without hesitation, or living in fear being persecuted and/or misrepresented; and the understanding of every individual soul.—
The Right of Understanding.

The Right of Albatross.
—The act of grieving over loses, and accepting that things will not be the same. The act that time is so deathly important in revival that the absence of its constant equilibrium will cause damage; of stability in the face of fear, whatever that may be, or the fear that is eminent and sure to catch us all in its foot snares; of compassion to the suffering and those who have lost it all but continue to rise again and prove the statistics, kept and known only by the creator, wrong; and of being unsettled in the grey areas. For no one soul can truly ever make it alone.—
The Right of Albatross.

The Right of Acerbity.
—The act of saying what’s on your mind, no matter how pugnacious or acrid it may come out to be. The act of bluntness in dealings, without further discretion, but only after retched hate has built and anger tormented past its due date; of civility towards others in the postmortem; of biting your tongue until absolutely necessary, and only through well founded intent, however deluded the intent may be to ascertain such conclusive foundation, and of arrogance in expression and language for the betterment of others. The act of ripping out the orthodox for a radical reckoning of souls.—
The Right of Acerbity.

The Right of Escape.
—The act of fleeing tragic misunderstandings, for the sake of saving face, and to make great hast. The act of thinking contrary to the proof, setting a pricey wage on your personal beliefs, dissolving unknown barriers and outward influence, and claiming your stake; of being alone to the mind in hopes of evaporating the exorbitant data; of basking in the glory that swift feet have brought; of turning the corner, and establishing new peace of mind to comfort the once boxed in soul.—
The Right of Escape.

The Right of Pursuit.
—The act of allowance to a pursuit in anything, with the freedom of beliefs, and articulation. The knowledge and acceptance that not all pursuits end, nor will they ever on the intended terms. End may or may not be reached, but the communion of trial, even if failed, is all that is needed. No hatred should come of a man’s choice in their personal pursuit; merely the acknowledgment and appreciation.—
The Right of Pursuit.

The Right of Assertion.
—The act which is commonly referenced, and includes great similarity to, the speeches given on the basis of freedom, with the truth that prior most follow up to the same base rule. The acts that no tyrant or thereby abusive parent should, or has the right to, downsize or ignore the declared speech of his child. Nor should one be angered by the truth that so passively flows through their ears. The right to free a man’s mind without a show of emotions becoming of us; just the listening of and rock like appearance of the stern look upon agreement.—
The Right of Assertion.

The Right of Compliance.
—The idea that man-kind can fit in with man-kind; the ideal template that brother and sister is known and used universally, not just selectively, as a label of people; that an atheist can walk into a church of any religion and fit in among the plenty to find a new assurance and home; that no restrictions are made to shun or cross out those unwanted in group, club, education system, religious aspect, or government area in question; that all of man-kind fits in anywhere they so choose when they are there under the prefaced agreement of good and strong intent. After all, intent is nine-tenths of the law. Lastly, that people can never feel out of place or lost in life.—
The Right of Compliance.

The Right of Deception.
—The knowing that man-kind can easily be duped by the specious mind; that promises aren't always kept, and that some stories aren't always true. Often times, there even a change in maxim just when we all become accustom to order; the idea of flowing emotion from one betrayal subsequently falling and spilling into right into line: next in life; that man could plainly be trying to be grandiloquent and fascinate rather than honestly working to be even with other men; that imagination can take over, yet leave a trail of crumbs leading toward reality, and remain in such a constant comatose state until life seems to become better; the mere acknowledgment that the mind can fully overpower the body.—
The Right of Deception.

It was that long ago that we were invincible,
Or too long ago to remember the good ol’ days,
Or too long ago to remember how past, present, or future,

We would always be friends.

No rivals could break us,
No terror could render fear,
No mountain was too big to climb,

We would always be untenable.

Every time we thought that,
Every time we felt safe,
Every time we leaned closer,

We grew older,
Time set in,
Tearing us apart.

As we fell apart,
Thoughts got the better,
Days turned as years past,
And our minds now seem to confess,

So here we are,
Once more staggered in unity,
And for the last time linking arms,

To exalt a power high above our reign,
And sign the final treaty,
Forever binding our humble beginnings,
Before the long journey,
That will, in retrospect, be a mistake…

But at least they will know exactly what We have to say.
A Co-Written Piece with a very good friend and poet Adam Gresham on June 24th, 2009
Petal pie May 2014
Cut to the quick
With bluntness

Put down several hundred pegs
Where I languished
Shredded, unravelling

Until the fabric
Of my being
Was reshaped
Resewn
Mateuš Conrad May 2021
at what point wasn't it a way to bypass
the editorial scrutiny...
to directly engage with a reading
public...
why did i think this might be: any good?
i guess i only thought:
i need this out and i can't stash it
like a corpse...
into some damp cellar... like a morally
relativistic monstrosity of a sociopaths'
analogy of: "feels"...
   well, no **** Sherlock!
how i made the following reply...
is beyond me:

- believe me... i had more to write but i felt a sense of restraint... i'd like to see what a terse reply would make you focus on... so i'm scrapping the concept of handicap: heads up... now it all depends what you'll be choosey about... or not... because there's plenty in you reply i could quip about... well... then again: is being witty synonymous with being satirical? i'm not for intelligent / condescending humour on my part... personally i love the dryness of sarcasm... but then again: what's to like about the bluntness of nail-heads? just my take on... what exactly not to like about schadenfreude (what's not to like about schadenfreude)... i'd much prefer a humiliation of a leather gimp suit... so it seems: honesty is the best joke in play... there are too many stereotypes in England too... the best one i heard was by my Glaswegian english teacher in school... ahem... how was copper wire invented? two Scots arguing over a penny... like the stereotypical arsenal of deciphering the Jewry run wild in the realm of the gentiles... with the Scots... being our prized asset of: reverse stereotyping... i guess because knowledge of poor Hebrews is either a mystery or taboo... worse still... a mythology... and here i promised myself restraint... yet i'm experiencing something of a writing block and i... most probably found the most surprising alternative outlet... the eroteme lady - ms. query... so there must be nothing concrete about you... well... i too remember being a teenager prior to 2000 on those hotmail chatrooms where the acronym ASL could get you... all hot & bothered... don't take this the wrong way but i've heard that most writers, poet (i'm a chicken scratching doodler at best) reverted to the medium of correspodence... lucky you, "lucky" that i'm testing the waters on you... but don't worry... i've tested the medium with other people and wondered about their stamina... you are starting to gravitate toward psychiatrist status...  it's so strange though... not writing on abstract... blank... rather: inform sender... it's to them... all that *******, romantic or not... about writing for that one person... sure... **** it... write 'em a letter... don't mind about that trippy-*** poem of yours... you know? apologies if you come across as something of a punching bag for sounds... i hope no typos... well typos can be excused... ah these ****** articles about... wait wait... momentary lucidity... i was going to use some of this in my way of combating my writing block... the troubles in the english language... spelling... "approximation" drop the vowels realise: that's how the Hebrews wrote all along... treating their vowels like diacritical markers... the ****?! i feel like i'm being robbed in plain sight... because Copernicus didn't ******* realise jack-****... they pile it up with their Pope and the execution of ******* Galileo...  ugh... it takes some ******* nerve for these days to allow for this ****-centred kindergarten of events in man's... non-evolving history to continue like some: no ******* dodo exctinction ever took place... (agreed... the following are all faux pas... "invigorations") honey? babe? ms. anonymous gender fluid pronoun neutral... what's the informal, best? ms. avatar ms. harleyquinn the world's stupid? what are american stereotypes of europeans? come to think of it... that cookies is too big to take a bite from... you can't exactly base stereotypes having only seen tourists... since a tourist is a stereotype per se... i'd have to go to california... to get a californian stereotype... to georgia for the georgian stereotype...  wait a minute... Costa Rica... "hint hint"? Latino? that wasn't exactly... it was a fork in the road... the Sephardi... you're working from an avatar canvas... you're making allusions to... what i look like and it's like i'm a mesmerising doppelganger of al pacino... is there a chicago accent? i heard a lot of the ****** diaspora was lodged in that *******... i was terrible at accents... almost always a chamaleon... people still ask me where i'm from... so like this one-stand-up comedian in Edinburgh said... when he was quizzed about the geography of his accent... 'you might recognise my accent... it's... educated'... now that's that... isn't it? i could fake you an indian accent if i wanted to... perhaps a german accent too... but i could fake it... by the way... in these parts... biligualism can be treated as schizophrenia... just saying... somehow integration is not fully deserving the status that: not integrating decides... because... not integrating is... "safety first"... the dodo project alliance...  least of all... i've been dying to by a baseball cap with the Cleveland Indians old logo with chief wahoo... so stereotyping americans... it's beyond hard... it's like stereotyping Russian that are not in the vicinity of Moscow... some are probably Mongol remnants... their own idiosyncratic solipsists to their own... i'll take up my bicycle tomorrow and this drunken tirade will most probably fizzle out... i truly couldn't make up giving a toss about what's internalized americana stereotyping... not that i don't care... i just don't know... the currency of the nation sends me years and years of Ed Gein reinterpretations... what am i supposed to "say"? tomorrow i'll be up early and bothered about my bicycle as if it were a horse... but i'll still want to retain gravity with leaving you with this frankness of a reply... lobster-red probably implies if not simply implores: ginger and freckles... i like to think of suntans as serpents shedding skin... i suntan i'm a copperneck... i like the german sound on this... plus... it's readily available as compounded: kupfernacken... what's better? auburn-tease? kastanienbraunecken? i like the joy you feel with what you already prescribed me with.. that i know so little about you... that while i'm prodding you withhold giving me concreteness.... concreteness would allow me... disadvantage me to focus on "things" that are absolutely not necessary... so: i can focus on whether i'm not being pedantic enough and: misspelling...so... what's the stereotype surrounding Alaskan gurls?!

- thanks for being ascribed in getting my "mojo" back...for now...

- What do you mean? I'm surprised this is the shortest message you've sent. I was getting used to your drunk musings. [I say this with a smile but I know you don't like emojis or silly acronyms, and writing out "laugh out loud" sounds ridiculous... after all, you know how important sounds are to me].

- you just asked one of those questions that... is aligned with asking... 'what are you thinking'? the moral 'ought compass waved me a goodbye and if i haven't broken any laws to pursue the sort of freedom of though i currently enjoy... bypassing the need so stress a "freedom" of speech... writing is an extension of thought: not a prompt / invitation to speak... i'm surprised that you scrutinise the length of my replies... and were we to begin with? in the "easily offended" pile-up? well i'm still getting drunk... you're still an avatar mystery... but at least i'm waging a war on prosaic sobriety to boot... i guess i had to come clean at some point... i never write sober... i don't see the point of being: disengaged from the genuine (a longer version of a one word would have sufficed... but i'm lazy about the spelling... while at the same time... there's this critical theory approach done in some of the newspapers about english spelling... let's see if i get it right... dis-in-genius... for starters... disengenous.. horrid... aaah so terrible... dis-less-advantageous... disadvantageous... oh **** me... i wriggled into that one: all sound and proper...why ask me: what do i "mean"? - it's not that i don't like emojis (well, i don't) but... what the hell... there are better hieroglyphs to focus on than chiseled into pyramid stone: own... happy face... the Chinese were doing ******* x-ray gizmo **** at almost the same time... it's a focus loss... don't even get me started that *** = a Parisian hello with tendering the cheeks with... a labyrinth of smooches... my lips are my pouches blah blah blah... you seem to be enjoying my rants... i gather? i don't even know why to bother with an ask (question doesn't even do justice to how i'm framing this)...  you want to write as little as possible to properly excavate me... well no surprise... if light can't bend around corners... i'll have a look: none-the-less... emphasis on the hyphens... this poor down-trodden word could be helped with some "breathing space"; no? i "mean": 霜... shoo-aang... frost... i have dancing skeletons throwing toothpicks at chopsticks pilled up in an area of pine wood... look at this sort of *******... and here we are... cradling one of the old languages with "holes in letters"... to peer through... O now i see... B: otherwise: ha, ha ha ha... what's **** in Chinese? the Greek prized π... but what P & I look like for a farting, mandarin? hey presto: "@"... not even a western concern for "patriarchy" could have complicated: what's already too complicated... a billion people... a wall... that didn't keep out the Mongols from invading... yet a phonetic encoding system that... would topple each and every pyramid... from Giza to the cleaving of South America from Africa that can be staged at some Aztec "miracle"... i am writing (to) you like a bewildered person... because: why wouldn't i otherwise not be? so what do i mean? hmm... what's that holy trinity of statistical terms... mean... meridian... mode? i think i remember correctly... thank god i'm not going to apologise for being drunk... i've heard the stereotypes of drunkards with no future for thirst... the other thirst... the thirst for something beside their own handicap... i'd also duly convert to Islam too... i was cycling past a mosque and heard the most impossible sound of praise that will never escape me... but by the bottle i did: closer to the Jewry i am... contradictory how that is... don't want to stop drinking... uncircumcised... it's a really magical juggling act that's littered with self-deprecating humour interludes... aligned with norse mythologies... grr... **** me... now i'm attempting to "sell" you a makeshift tinder profile sketch... don't know... never will... never used: don't ask...  but i forgive you... for asking me: what does "it" all mean? it means we're for the thrill of it... it makes sense if we're still gagging for it... and we're not exposed to old-age closure cinematic scripts of solo cinema of memory... i like typing because i have itchy fingers... you'd probably like to hear me speak... no? it's exactly 20 minutes past midnight and i have a date with a bagel at 9am tomorrow morning... i still want another injection of truth in me before i do the  lady nox some justice and sleeping with her fiendish daughters... i mean... who does that... wake you up with a hard-on? never mind... i don't even know how to end this "convo": it can't be with a farewell... or an adieu... or a サヨナラ... oh wait... that's "goodbye, forever"... how does one end a half-way between a musing and a real person on the replying end of "things"... i guess like this: NARA... ナラ... short for narazie...  translated from my mutterzunge as: perhaps loosely... for the time being... for now... how else... to end my tirade?!

- So let me get this a bit straight (as straight as a stray arrow, that is): you only write when you're drunk (I'm the luckiest one to be at the listener - or reader in this case - end of your tirades as you call them... I call them musings); you have a fixation with words, even the ones that you don't know how to spell correctly (except maybe in a language I don't know so I can't really tell), you didn't answer why I'm ascribed to getting your mojo back (where did it go?), and you wake up with a hard-on. Got it!

- i've been lodged into a backlog: ******-town sort of: stalling... give me a few hours... although: ever wonder what: giggles sounds like... in the deafness of the night? i do... i want to reply you like so... like now... like this... maybe i will... maybe i will not... i'm gaging to buy one of those cleveland chiefs baseball caps...the grinning siouxsie chieftan....perhaps i want to relearn "how to": take the GRIN... a little bit more... seriously... no? **** it... i'm drinking as it is... i want to reply you in full throttle... straight arrows... and the welsh V of the longbow-men too to boot... chopsticks straighter... "straighter"... i tend to only write when i'm drunk... i abhor sober prosaic intimidation and... all the lies, subsequently...sober people don't get "drunk" on moral relativism of white lies? and i'm born yesterday, no? you openly venture into... a quest of question within the regards... of being... this only.... i almost wanted you to feel this sort of... an alienating increment... of... how i might pile on more detail... they are musings... i don't take them seriously... about as much relax as is a required: necessary.... i have a fixation with words... jurisprudence to me is merely a game of thesaurus ploy-tow... i spell i don't spell... i'm overtly pedantic... i also felt queasy when testing my eyes at an authentic testimony of the "law"  being "exaggerated"... "tested"... "proved"..i must have: lying eyes... no other eyes do see... no? i have a fixation with "things" beside the usage of ***** and strobe lighting...

you have my attention... don't you? you know... the last time i attempted having a conversation... i was too naive...too young... everything "everything" applied itself to being too predictable... i want to love again: but being in love is almost a weakness... i don't feel like being weak... i guess this is where the rekindling of my "mojo" ends... hello cul de sac...

new paragraph... ever hear(d) of the alpha and the omega "man"? i'm pretty sure you heardf of mr. beta... for all the worth of a totality of... man... i'm last... i'd forever be... last... i don't want to be first... i also don't want to be 2bd sniffing **** and crab-meat-... either...

give me the totality... i'll be satisfied with a "question" of
last... hence the expression: omega man...
didn't hey-zeus say?
i'm the alpha and the omega?

i don't write sober, i'n afraid i might lie...
you're not lucky,..
but you're also not... godzilla....

i "somehow" haven't ascribed you with the sort of details of: explanation that would allow you... to satiate yourself with answers... as to how... why... yllu managed to "mojo" probe me back to life? you.. the Faroe Islands to begin with? you know... they have this gimmick... on the Faroe Isles... it's not a gimmick... it's called// i don't know what's it called... skúvoy? but i'm happy to tease when the whales are slaughtered... the the blood comes a running: the lions also... apparently tease with a yawn... look at this word, though: grindadráp....

ever catch the giggle im der nacht? nein? too italian... no? ******* borrowed pollack: the self-depreciating... loan... not load... of bollocking...

don't believe yourself as being the sole recepient of a reply...

you're not lucky... you're just... available...

terribly botherome... isn't, it?

- i thought i'd make this a two tier reply... it would be a shame to reread what i wrote on one of my "escapades"... perhaps this... hanging-over... ha'h... more like hung, drawn & quartered some time to time... but believably sane, pleasantly morose - at evens with masochism... so reclining into a moral trip-up... i probably mentioned grindadráp - since i still have the window open on the phrase i'm familiar with... Sámal Joensen-Mikines... i most probably ended up giggling in the night... god... i'm just skim reading what i wrote... well good to know that i can only the best thing and sober up: simultaneously returning to a more rigid, conventional... formal use of language: that i might suppose i'm in a confessional booth... a welcome mirage for the time being... while i decide to wither away watching the old firm (a derby soccer match between celtic & rangers)... of note... i had this argument with the natives so time ago... the... Celts... but it's the Boston / Glasgow Çeltics... no? you're a girl that likes sounds... i've been following this current discussion that has reached the heights of printed newspapers... citation, sian griffths (gwif-if-if-ififs) education editor: new spelling ROOLS to make english more predictable for pupils... "we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the feelds..." see... i really admired Charlie Bukowski for a while... until he came out as a lazy slob who would require an editor to correct his spelling... there's dyslexia and there's just plain: hash-browns... for all my worth of idiosyncrasy that i wriggle in as i go along, most of which will not find common ground and a cosmopolitan outlet of users... for me, as someone who acquired this tong'u: i've grown fond of how aesthetically messy this toong can become and how readily available this messiness is... even London can become a ****-joke: Loon'dune... in my mutterzunge sounds are more distinct... apart from the graphemes sz, ch, cz, rz (ż) - i'd have to borrow from a Czech a caron to hide a letter or two: š (sz / the equivalent SHarp in english) and č (cz / CHatter respectively)... all these unique sounds... ą, ę, ć, ń, ó, ś, ź - Wombat ł... anyway... i just thought, sobering up... that you'd like to have a certain bulging volume of fudge to return to... before i take another dive into ms. amber and pass another night as w. h. auden wrote: only the hitlers of this world write at night... sure... herr auden... because the day is for watching football and / or cycling.

- à propos: https://www.youtube.com/watch?v=-L5iefl2QtA

- If you share music can I? I'm sorry that I didn't reply sooner. It's been a **** last week and this week isn't any better yet. I like reading your messages, drunk and sober. When I write in my native language I use the accent over the vowels to emphasize the second-to-last vowel of a word. I love speaking, reading and writing in my native language, though I'm sure that I know much less than you would about languages. Shall we continue talking about sounds? How about sounds in my language? Of course, you have to guess if you haven't already.

- mind you: i had second thoughts about writing this reply... perhaps you can judge for yourself... i'm just not into having double-mystery encounters with an "avatar"... plus i made an emphasis on the point... what music were you not going to share?

sure... but first share your music... i have this thirst for Nick Hornby's high fidelity and being a teenager again... a teenager in love, again...i was probably the most happy-go-anywhere sort of person when i found a vinyl copy of Wardruna's kvitravn in my local HMV... which is: sunrise records and entertainment ltd trading as hmv & fopp.... given i already have the other chapters on cd - copied into mp3... (runaljod - yggdrasil & gap var ginnnunga)...  and given it's so rare to fnd a vinyl of this calibre... that some vinyls comes with an mp3 link... i thought: hell... i'll give this record the proper 3D aura treatment and not listen to it on headphones... or utilise it to "conquer" space... & just walking with it across a market sq. without a plastic bag to stash it in... i might as well have walked with a cat on my shoulder... because... who the hell still buys... well... invests in vinyl? now... coming to the language...second-to-last vowels of  word... you know... you can keep me interested without overplaying this "mystery" game... isn't the use of an avatar enough? i really can't comprehend a language that focuses on second to last vowels... without focusing on vowels: per se... just to reiterate... you didn't share a link to some music... you pitted yourself as American... i can continue being interest without having too many enigmas to sort... i have yet to find a language that only applies accents to, e.g. suppOsE... or maybe i'm just too ignorant to have come across a language that behaves in such a way: unless it's some idiosyncratic variation (of it)... you don't have to remain a complete mystery to me for me to keep engaging... there can be some sort of rooting in reality... otherwise i'll just return to my original purpose of writing: staging myself against a blank canvas and a barrage of sounds that i'll need to "un-spaghetti" into linear streaks.... i'm not going to guess: you'll either tell me or not... i'm currently listening to snake-pit poetry: einar selvik... any one can have a ****** week... for a while i was anticipating you testing whether or not i'd reply not getting a reply from you... and that, somehow, miraculously... i'd continue to creep-up to teasing you again... perhaps that's me dabbling in misnomers... no... you'll need to give me something concrete... i'm already starting to itch with a sensation that i better return to the canvas than keep this conversation... no offence... it's just draining me when something abstract could also be doing: likewise... but it wouldn't end up being a ****-tease... i could possibly create something out of it... not just so more: oh... oh? ** **: what's next?! i know when it becomes a brain-drain... a side project... it has to come with an excuse whereby you'll probably recoil with: but i had a ****** week... granted... but who hasn't...  you could have waited another week until participating in the timeframe of the passing of weeks started to feel good once more... if you only dropped a music suggestion... otherwise... thanks... but... no... this conversation is going nowhere... i think i'm just relocating my writing block elsewhere... all the best: in keeping an aura of mystery... within the realm of avatars and non-accountability... come to think of it... no... this is as fair as i could be.

this supposed "unique" specimen... not really...
i want to focus on what allows me to belong:
beside the unfathomable landmarks
of trees and mountains:
roaming stars that even my demented
grandfather corrected himself on...
satellites... no... roaming stars?!
well... i didn't conjure this **** out of my own
*** for pleasure, either...

back towards... falling asleep while listening
to the Hellraiser soundtrack:
hellbound...
because eerie is how:
i how how: "things"...
i'm so alone at times that it's beyond making
sense: it's about infringing on a god-stature...
status... this omniscient
contradiction that some Elijah bundled up
into... two crows croaked...
the tower of London can entertain 6:
so the king's ******* and the queen's
jewels are left intact...
for the successor to worry about...

we have these conversations but too bad
the girl is playing timid...
and i'm... gargantuan...
the length of a tongue that turns into an eel...
hands like octopus extension...
i could wrap her up in... bubblewrap
and start the puncture pinch-pinch ceremony
of not seeing the bubble float: up-up...

i have a sense of ego like...
a bad l.s.d. trip?!
****-guage-abuse? gauge? sort the ones
for the snoozing zero-toasts
and you have yourself
a new jersey smart: bite-off... not bit... though...

i could never have children:
not because i could never be a good father:
but i'd be a terrible husband...
how do i "know"?
i would never allow myself
to earn the amount:
she'd want to spend...
via solo: i'll spend on ms. cojack amber
and some ******* liquorice vinyl...
and a bicycle...
rubber-teasing: ****-teet-****....
when using the brakes...
when minding my ******* "luck"
on a roundabout with a massive twuck...

plus i'd love to **** more...
i'd love to **** as much more as
the thought-"taboos" discourage me
from doing... so it's a nice adventure: thinking
the next: moral antagonist, antithesis
of "could i"?
central theme? Lo-li-t'ah...
and i'm the second from third removed
uncle of the marquis de sade...
you want... you need... you have to orientate
yourself around the last taboo...
the one that's not associated with...
crispy clean antics of those *******
in their savvy leather gimp suits etc.

"power to the people": *******...
power to who owns what...
i'm starting to conjure up
profanities akin to:
but at least when they owned slaves...
they took care of their slaves...
they wouldn't want a slave to be rotten...
to be despondent...
trouble with freedom is...
my own, self-made... man...
if i were a slave...
i'd learn to bend the rules...
i'd entertain the fantasy of freedom...
while being constrained with...
all the benefactor securities...
i'd be owned but i'd also be:
obligated to a social contract of some sort...

so freely as to nothing be:
so averaging assumptions...
presumptions... so by nothing i unfree myself:
to... sort of quest to: "be"...
while the priestly class held back literacy...
within the timeframe of when
a new literacy emerged... of coding...
so double-up-on-surds... no?

herr gizmo l:)(}{
the realm of the three brackets... )}]...
one literacy replaced the old literacy
but in terms of retaining the old type...
the new type is... not exactly allowing
for movement of... hearts? is, it?
i still have to retain punctuation...
i still need need to perfect it...

but this is not conversational linguinie,
is it?
i stand firm in, stressing:
writing is an extension of thought...
writing is an extension of thought:
it's hardly an invitation to speak...
the past centuries haven't taught us
that literacy is a constraining beast of priests'
fancy?
let me... detail my limbs for you
in stressing this point further:
what good came from the project
of literacy en masse?
graffiti scribbling on brick walls?
out of what beside desperation?

such constraints were employed as
to: the person exercised in completely body:
usage... wouldn't feel like
a ******* hamster of a ******* ferris wheel
when push came to shove...
somehow everything physical became
lesser class: demeaning...
somehow we all turned into *******
fluorescent
      telepathic / telekinetic Chernobyll
monkey sorts...
and the fat "stigmata" is a what?
                  
  this world is gagging for something tragic...
this world is gagging for a world war III...
but... it probably will not...
"advise" itself to experience such a disatrous take
on prospect...
nuance in language can go **** itself...
application of misnomers for added fluidity can:
go **** itself...
you ever come across a choir...
and a great wind...
see a ******* shrink...

don't look at me for inspiration:
perhaps some jokes...
i've been more honest these past two minutes than
i ever was in the passing of a decade...

death the limbo of "sanity"...
esp. when someone memorable has taken off...
who am i left with? "perspectivelly accountable"?
grey-matter fiddle-through middle-man
*******... no?
i'm not sifting through that, murk?
perhaps i'm sieving... sifting... sieving...
sifting... sieving... get a dog! she says, mother, dear...
i tell her: it's legal in Belgium...
her father already cited his complaints...
i'm tired of the ******* optimism...
i'm tired of this "adventure" some cling to when
deciphering "life"...
an overrated statement of too many facts:
that's life...
it's not a ******* frank sinatra:
come as we are... would be: mea culpa...

troublesome sufferings of a tired brain...
too many pop ref. points worth of closure...
i bought a vinyl today...
i walked it down a market place
like it was a puppy...
in a rucksack...

that there's a hope... my mother is crying
this silent agony of truth...
i tell her: it's sensibly legal in the Benelux...
England is ****** by all accounts...
a dog will save me?
i'm becoming rigid... brick-esque...
tide-prone...
moon is the mother of my skies...
i might might what?
fall in love: to fall in love is to allow
oneself to be weak; to be... dependent on
someone: the concept of "other"... no?
recurrrency is pricing on how many times
that's... sensible to try out?
before it fails?

i fall asleep listening to horror movie music...
i'm best coupled to a ******* hyena than
i am to a woman...
to live under a false sense of hope
is a: welcome bypass to otherwisse living
under a truancy of truth...
as the life around me shrinks...
the abounding shadow of me grows...
and not as a patriarch...

oh ****... "i simply, somehow...
just so it happens... fowgot to... encapsulate this
offload whiff a wyme".
Adesumbo Jun 2013
Of what lies the fate of being One? The aspirations of a paradise fast forgone.
Peers that flux to tame tide. Dreams of Heroes they far together glide. Morrows they lived to prosper in love. Affections that glow, no one needs to plough.
Rustic although was dark. ***** although civilisation was lack.

Yet! Still yet!!!
The bluntness of the spear cuts through many hearts.
Her invincible hand drops inventions of it kind to dirts.
A long journey into the wood is what draws nearer.
Moonlight folklores, dominating smell of affection in d air. Hopefulness of hopeless tomorrow’s meal a Dear.
Sounds of the storm, through pavorated doors, roofs left ajar.

The storm of life rages to scatter the sands.
Erosion into throats wanders fleshes into pounds.

Everyone, many one, all one soughts to touch what brains now serve as it grows. Big houses, bigger pockets, a good life as it goes.
Exodus of now, without a Moses of now into a promised land that Joshua never belonged. Pillars of light, Amalekites in all ways with many Yawehs.

Now! All is touched, many is known except a paradise that used to be. Crowds are made, Banks now a pocket, and so are Devils that flux as Bee.

Nostalgia haunts like nightmare. Ways back summons with all lyrics.
All ways looks like that fare. Heart longs, threatens to pieces.

I set back to trace all tunnels.
All tunnels that lead to paradise far forgone.
A Granny that gets all into her without funnel.
An uncle that treats all for one.

Journey that used to b an epic now concave. Rural that reminds paradise now like the hell forgone.
All I long to see now gone with the wave. Things are no more the way it used to be while we were one.
when the politicians open up their traps
we're fed a diet of political crap
they think they are out smarting us
with the unpalatable stuff they feed us

we're wise to the diatribe which is shoved down our necks each day
we wont be fooled by anything they say
our Prime Minister stood up in parliament
to tell the members to be of a kinder bent

but in the next breath
he got out his nasty tasting mace
to give the opposition leader
a bit of its in the face

well that doesn't sit too well with the public at all
as they don't much like seeing an all in brawl
the politicians should be less rough
as their verbal insults can be too tough

they should be practicing what they preach
instead of going well beyond the breach
how can we respect anything they utter
when all they say is best kept in the gutter

our politicians are far from a good crew
all to often their distasteful jibes make us stew
they are losing all respectability
which does little for their publicity

their bluntness in the bear pit
we'll not have a bar of it
William A Poppen Sep 2015
Everything is measured and sized
Necklaces gaudy and gay,
Rings of different carets
mingle near gold and silver bangles
 
No scale or ruler
marks distances between them
Templates screen words
of spontaneous bluntness
 
Turn the apple
toward the worm's
tip peaking through the skin
Cull the fruit  from the basket
 
Between ardent glances
and shallow breaths-
an awareness of nourishment
beneath peeled skin
 
All realize
one seldom cuts
delicious melon
without spilling some juice
untitled Jan 2015
There once was a boy who loved the moon,
He wasn't liked the rest.
For him, the girls would swoon,
Devotion proved a test.

The girls would come and go,
All with broken hearts.
"I hate you, boy" he said, "I know",
Bluntness was his art.

Then she came and made him feel,
He knew it'd be his doom.
But when they kissed, it felt so real..
He considered becoming a groom.

Then one day she decided to leave,
The boy didn't know what to do,
Without the girl he couldn't breathe.
He thought she felt that way too..

Finally one night, he figured it out,
But it wasn't something to boon.
He was sure, without a doubt,
She was the girl who loved the moon.
What goes around, comes around.
Maeve Sep 2013
Chill.
I’m cool.
Supposedly I’m chill.
Why am I chill?
Probably because I don’t care.
I don’t really have any feelings,
Towards what other people say or do.
So I lack the empathy to relate people!
Please I apologize for my angst and hard bluntness.
I apologize for being weird, and hard and cold and uninviting.
It’s just the way I act outside from inside.
It’s my way to never get hurt, ever.
Inside I’m loud and scared to feel.
It’s hard to live like that.
To live in loud fear.
Do you know me?
Anything at all?
Actually shy.
Shy.
Written for English class.
SassyJ Dec 2015
What of secrets?
Secrets are alienated and aligned reclusive disclosures. As such a secret is everything that is solely enclosed and angled in oneself. The unveiling of a secret can be a double edge sword exposure. The sharpness of one edge  can explode to inextinguishable flames. The bluntness of the other can be the very fuel that will help you explore your rooted essence and existence.
The aftermath is dependant on the edge you choose.
What edge do you choose?
Rob Cohen Nov 2022
linguistic ******* as the emergence of furor poeticus
  :: out of phonetic oral *** comes lyrical transcendence


  /
acacia thorns pierce the skin
while shittim pierces the veil of the perceivable
as golden incense weaves across the sky
to a sanctuary where we unwind space & time

prophet's write of the vapor turning on lights
and horns shining in rays of synesthesia

magi mixed herbs under the desert moon
which mapped a path through golden the sand

bundle's of wild harmel wood burns
as sparks flicker & dance with stars
in a moon reaching bonfire

under autumn shadows
in the harmonic hum of the aboriginal didgeridoo
drifting on the streams of wattle-seed smoke
  gazing down as the earth unfolds and refolds
            in a cymatic origami cardtrick

out of the soil grows the ship
which flies above the starry skies
fruit of biblical implications
with seeds of knowledge
& keys to ghostly dimensions

    //
Thomas Aquinas
& Meister Eikhart shared the same eye
as you & I
peel wide the smokescreen
& spy through the looking-glass used by god
  which saw god
which was the eye through which the son of god saw
& wept at the stale state
  of the collective unconscious bots
lost in spirals of consumption & mirror reflection *******

this is not the godless wasteland
advertised by the screaming anchormen
    fear-mongers & alarmists
who sell panic by the gallon

with electrodes probing their temporal lobes
the prophets & shaman's
are in the asylums
labeled as ******'s for their visions of angels
& demons
& messages from the god's

an amnesiac species
chasing the neurochemical highs
shaped by evolutionary design
as a means to survive

barrel of monkey's biologically
swinging about nuclear powered technology
        alienated
that far removed from nature (forest. desert. ocean)
planning to leave the planet entirely


    Om Mani Padme Hung
    OM
    Om Mani Padme Hung
    OM
'Om Mani Padme Hung' is a Sanskrit mantra associated with compassion.
the use of the mantra 'Om Mani Padme Hung' is to express a model of phonology in linguistics (the sound quality) and the importance, to lengths of religious significance.

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