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a m a n d a Apr 2014
i am blunted
i am    
     f l a t
(but not about all things)
in fact,
i find myself quite hilarious
when i speak of sword-fighting
people to the death
you cannot feel blunted about something
   and simultaneously have a desire for
   fantastical violence
someday,
someone will understand
   my flair for dramatic words
   my disorganized thinking that
can only be worked out with rambling story-telling
someday,
someone will understand
   my utter despair and hopelessness
   the massive curiosity about the universe
that plagues my sense of being
in the meantime,
i build mind walls
when thoughts stray
in a regrettable direction
   i add bricks to the mind wall
   surrounding the phantom
   heartbreaker
      soul-crusher
   betrayer
      liar
   hypocrite
you know, the usual cast of characters
(growing at an alarming rate)
i visualize each mind wall
each phantom
each misdeed
and i visualize bricks getting stacked up
hiding the phantom
blocking all thoughts and feelings
blocking all memories
rendering me flat.
rendering me blunted.
but sometimes mind walls
erode slowly or
explode suddenly
and then i say crazy things
like for instance,
i may challenge someone
to a duel.
   or declare my undying love.
or my most blatant disgust.
after word explosions
comes wall repair and
silent fury.
Kiera Nov 2014
A sea of nettles and nails that scream their injustice at you
People who seem like they've shaken off their prickly outsides and their hatred
Turning to congratulate them
Embrace them
Before you find the truth beneath their pillowy covering
Nails can be blunted and nettles can be softened but they remain below your surface,
Waiting for the right moment to be sharpened and grow back their stings

I see your injustice and I raise you my peace
It hurts to tear out your nails and to burn off those nettles
But oh god does it hurt more to walk your tender, soft body through that forest of pain
This poem is for the women in sweatshops making shirts with "feminist" written on them and wondering if their owners think of them
This poem is those who see their idols revealing they're not what they should be and feeling that deep deep loss

This poem is because I'm tired of trying to change the world when it hurts this **** much
CK Baker May 2017
like that pill bitter Sunday morning (after)
with a nauseating hack
the previously uneventful Tuesday
derailed
in surrealistic tale
with Auntie and Jack (and a quarter of fate)
in the 748
on a night flight
from Sherwood to Lore

reverberating waves
of imminent summer haze
river flats
and flower fields
fly weights
and silver bait
shredders and shysters
and open gates
(into those everlasting
and sweated journeys of hope)

bloods and strays
and florentine grays
(reminiscent of Rockwell fame)
running horses
and overgrown country lanes
morning grace
and gentle cheer
eyes clear
on the river pass
blunted paddles for those ancient
and not so willing suckers!


duke making his own way
(to the corner club)
Parsons and Poe
stream from the torn screen door
cricket cadence
and symphony of the Deere
calm and deliberate
in the soft
and silent fields

meadows open for grazing
(guineas scamper across the till)
pocket apples fill
the country ripe air
drunken bees
and chestnuts
and electric fingers
strike the surface pool
(a cedar strip wedged on the white wash dock)

baited bull heads set to cast
evenings with hearts
and Nolten Nash
may flowers bloom
across the grass
~ time unmatched ~
with blue jays
and river bends
and channel cats
...and that warm
and recurring
Coleman drift
It is full winter now:  the trees are bare,
Save where the cattle huddle from the cold
Beneath the pine, for it doth never wear
The autumn’s gaudy livery whose gold
Her jealous brother pilfers, but is true
To the green doublet; bitter is the wind, as though it blew

From Saturn’s cave; a few thin wisps of hay
Lie on the sharp black hedges, where the wain
Dragged the sweet pillage of a summer’s day
From the low meadows up the narrow lane;
Upon the half-thawed snow the bleating sheep
Press close against the hurdles, and the shivering house-dogs creep

From the shut stable to the frozen stream
And back again disconsolate, and miss
The bawling shepherds and the noisy team;
And overhead in circling listlessness
The cawing rooks whirl round the frosted stack,
Or crowd the dripping boughs; and in the fen the ice-pools crack

Where the gaunt bittern stalks among the reeds
And ***** his wings, and stretches back his neck,
And hoots to see the moon; across the meads
Limps the poor frightened hare, a little speck;
And a stray seamew with its fretful cry
Flits like a sudden drift of snow against the dull grey sky.

Full winter:  and the ***** goodman brings
His load of ******* from the chilly byre,
And stamps his feet upon the hearth, and flings
The sappy billets on the waning fire,
And laughs to see the sudden lightening scare
His children at their play, and yet,—the spring is in the air;

Already the slim crocus stirs the snow,
And soon yon blanched fields will bloom again
With nodding cowslips for some lad to mow,
For with the first warm kisses of the rain
The winter’s icy sorrow breaks to tears,
And the brown thrushes mate, and with bright eyes the rabbit peers

From the dark warren where the fir-cones lie,
And treads one snowdrop under foot, and runs
Over the mossy knoll, and blackbirds fly
Across our path at evening, and the suns
Stay longer with us; ah! how good to see
Grass-girdled spring in all her joy of laughing greenery

Dance through the hedges till the early rose,
(That sweet repentance of the thorny briar!)
Burst from its sheathed emerald and disclose
The little quivering disk of golden fire
Which the bees know so well, for with it come
Pale boy’s-love, sops-in-wine, and daffadillies all in bloom.

Then up and down the field the sower goes,
While close behind the laughing younker scares
With shrilly whoop the black and thievish crows,
And then the chestnut-tree its glory wears,
And on the grass the creamy blossom falls
In odorous excess, and faint half-whispered madrigals

Steal from the bluebells’ nodding carillons
Each breezy morn, and then white jessamine,
That star of its own heaven, snap-dragons
With lolling crimson tongues, and eglantine
In dusty velvets clad usurp the bed
And woodland empery, and when the lingering rose hath shed

Red leaf by leaf its folded panoply,
And pansies closed their purple-lidded eyes,
Chrysanthemums from gilded argosy
Unload their gaudy scentless merchandise,
And violets getting overbold withdraw
From their shy nooks, and scarlet berries dot the leafless haw.

O happy field! and O thrice happy tree!
Soon will your queen in daisy-flowered smock
And crown of flower-de-luce trip down the lea,
Soon will the lazy shepherds drive their flock
Back to the pasture by the pool, and soon
Through the green leaves will float the hum of murmuring bees at noon.

Soon will the glade be bright with bellamour,
The flower which wantons love, and those sweet nuns
Vale-lilies in their snowy vestiture
Will tell their beaded pearls, and carnations
With mitred dusky leaves will scent the wind,
And straggling traveller’s-joy each hedge with yellow stars will bind.

Dear bride of Nature and most bounteous spring,
That canst give increase to the sweet-breath’d kine,
And to the kid its little horns, and bring
The soft and silky blossoms to the vine,
Where is that old nepenthe which of yore
Man got from poppy root and glossy-berried mandragore!

There was a time when any common bird
Could make me sing in unison, a time
When all the strings of boyish life were stirred
To quick response or more melodious rhyme
By every forest idyll;—do I change?
Or rather doth some evil thing through thy fair pleasaunce range?

Nay, nay, thou art the same:  ’tis I who seek
To vex with sighs thy simple solitude,
And because fruitless tears bedew my cheek
Would have thee weep with me in brotherhood;
Fool! shall each wronged and restless spirit dare
To taint such wine with the salt poison of own despair!

Thou art the same:  ’tis I whose wretched soul
Takes discontent to be its paramour,
And gives its kingdom to the rude control
Of what should be its servitor,—for sure
Wisdom is somewhere, though the stormy sea
Contain it not, and the huge deep answer ‘’Tis not in me.’

To burn with one clear flame, to stand *****
In natural honour, not to bend the knee
In profitless prostrations whose effect
Is by itself condemned, what alchemy
Can teach me this? what herb Medea brewed
Will bring the unexultant peace of essence not subdued?

The minor chord which ends the harmony,
And for its answering brother waits in vain
Sobbing for incompleted melody,
Dies a swan’s death; but I the heir of pain,
A silent Memnon with blank lidless eyes,
Wait for the light and music of those suns which never rise.

The quenched-out torch, the lonely cypress-gloom,
The little dust stored in the narrow urn,
The gentle XAIPE of the Attic tomb,—
Were not these better far than to return
To my old fitful restless malady,
Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crowned god
Is like the watcher by a sick man’s bed
Who talks of sleep but gives it not; his rod
Hath lost its virtue, and, when all is said,
Death is too rude, too obvious a key
To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august
And inextinguishable might can slay
The soul with honeyed drugs,—alas! I must
From such sweet ruin play the runaway,
Although too constant memory never can
Forget the arched splendour of those brows Olympian

Which for a little season made my youth
So soft a swoon of exquisite indolence
That all the chiding of more prudent Truth
Seemed the thin voice of jealousy,—O hence
Thou huntress deadlier than Artemis!
Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,—
Though Love himself should turn his gilded prow
Back to the troubled waters of this shore
Where I am wrecked and stranded, even now
The chariot wheels of passion sweep too near,
Hence!  Hence!  I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean
Down through the trellised vines and draw my soul
In sweet reluctance through the tangled green;
Some other head must wear that aureole,
For I am hers who loves not any man
Whose white and stainless ***** bears the sign Gorgonian.

Let Venus go and chuck her dainty page,
And kiss his mouth, and toss his curly hair,
With net and spear and hunting equipage
Let young Adonis to his tryst repair,
But me her fond and subtle-fashioned spell
Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy
Who from Mount Ida saw the little cloud
Pass over Tenedos and lofty Troy
And knew the coming of the Queen, and bowed
In wonder at her feet, not for the sake
Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed!
And, if my lips be musicless, inspire
At least my life:  was not thy glory hymned
By One who gave to thee his sword and lyre
Like AEschylos at well-fought Marathon,
And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico
And live without desire, fear and pain,
Or nurture that wise calm which long ago
The grave Athenian master taught to men,
Self-poised, self-centred, and self-comforted,
To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips,
Those eyes that mirrored all eternity,
Rest in their own Colonos, an eclipse
Hath come on Wisdom, and Mnemosyne
Is childless; in the night which she had made
For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb,
Although by strange and subtle witchery
She drew the moon from heaven:  the Muse Time
Unrolls her gorgeous-coloured tapestry
To no less eager eyes; often indeed
In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war
Against a little town, and panoplied
In gilded mail with jewelled scimitar,
White-shielded, purple-crested, rode the Mede
Between the waving poplars and the sea
Which men call Artemisium, till he saw Thermopylae

Its steep ravine spanned by a narrow wall,
And on the nearer side a little brood
Of careless lions holding festival!
And stood amazed at such hardihood,
And pitched his tent upon the reedy shore,
And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down
The autumn forests treacherously slew
What Sparta held most dear and was the crown
Of far Eurotas, and passed on, nor knew
How God had staked an evil net for him
In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel
With such a goodly time too out of tune
To love it much:  for like the Dial’s wheel
That from its blinded darkness strikes the noon
Yet never sees the sun, so do my eyes
Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life
To teach us what is Wisdom! speak ye hills
Of lone Helvellyn, for this note of strife
Shunned your untroubled crags and crystal rills,
Where is that Spirit which living blamelessly
Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he
Whose gentle head ye sheltered, that pure soul
Whose gracious days of uncrowned majesty
Through lowliest conduct touched the lofty goal
Where love and duty mingle!  Him at least
The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote
The clarion watchword of each Grecian school
And follow none, the flawless sword which smote
The pagan Hydra is an effete tool
Which we ourselves have blunted, what man now
Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod!
Gone is that last dear son of Italy,
Who being man died for the sake of God,
And whose unrisen bones sleep peacefully,
O guard him, guard him well, my Giotto’s tower,
Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or
The Arno with its tawny troubled gold
O’er-leap its marge, no mightier conqueror
Clomb the high Capitol in the days of old
When Rome was indeed Rome, for Liberty
Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell
With an old man who grabbled rusty keys,
Fled shuddering, for that immemorial knell
With which oblivion buries dynasties
Swept like a wounded eagle on the blast,
As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome,
He drave the base wolf from the lion’s lair,
And now lies dead by that empyreal dome
Which overtops Valdarno hung in air
By Brunelleschi—O Melpomene
Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies
That Joy’s self may grow jealous, and the Nine
Forget awhile their discreet emperies,
Mourning for him who on Rome’s lordliest shrine
Lit for men’s lives the light of Marathon,
And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower!
Let some young Florentine each eventide
Bring coronals of that enchanted flower
Which the dim woods of Vallombrosa hide,
And deck the marble tomb wherein he lies
Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings,
Being tempest-driven to the farthest rim
Where Chaos meets Creation and the wings
Of the eternal chanting Cherubim
Are pavilioned on Nothing, passed away
Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates
Forbid it, and the closing shears refrain.
Lift up your heads ye everlasting gates!
Ye argent clarions, sound a loftier strain
For the vile thing he hated lurks within
Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave
That murderous mother of red harlotries?
At Munich on the marble architrave
The Grecian boys die smiling, but the seas
Which wash AEgina fret in loneliness
Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star
Flame torch-like in the heavens the unjust
Swift daylight kills it, and no trump of war
Can wake to passionate voice the silent dust
Which was Mazzini once! rich Niobe
For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise,
Who were not Gods yet suffered? what sure feet
Shall find their grave-clothes folded? what clear eyes
Shall see them ******?  O it were meet
To roll the stone from off the sepulchre
And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible!
Most blessed among nations and most sad,
For whose dear sake the young Calabrian fell
That day at Aspromonte and was glad
That in an age when God was bought and sold
One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves
Bind the sweet feet of Mercy:  Poverty
Creeps through our sunless lanes and with sharp knives
Cuts the warm throats of children stealthily,
And no word said:- O we are wretched men
Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword
Which slew its master righteously? the years
Have lost their ancient leader, and no word
Breaks from the voiceless tripod on our ears:
While as a ruined mother in some spasm
Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy
Freedom’s own Judas, the vile prodigal
Licence who steals the gold of Liberty
And yet has nothing, Ignorance the real
One Fraticide since Cain, Envy the asp
That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed
For whose dull appetite men waste away
Amid the whirr of wheels and are the seed
Of things which slay their sower, these each day
Sees rife in England, and the gentle feet
Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated
By **** and worm, left to the stormy play
Of wind and beating snow, or renovated
By more destructful hands:  Time’s worst decay
Will wreathe its ruins with some loveliness,
But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing
Through Lincoln’s lofty choir, till the air
Seems from such marble harmonies to ring
With sweeter song than common lips can dare
To draw from actual reed? ah! where is now
The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One
Who loved the lilies of the field with all
Our dearest English flowers? the same sun
Rises for us:  the seasons natural
Weave the same tapestry of green and grey:
The unchanged hills are with us:  but that Spirit hath passed away.

And yet perchance it may be better so,
For Tyranny is an incestuous Queen,
****** her brother is her bedfellow,
And the Plague chambers with her:  in obscene
And ****** paths her treacherous feet are set;
Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony
Of living in the healthful air, the swift
Clean beauty of strong limbs when men are free
And women chaste, these are the things which lift
Our souls up more than even Agnolo’s
Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair
White as her own sweet lily and as tall,
Or Mona Lisa smiling through her hair,—
Ah! somehow life is bigger after all
Than any painted angel, could we see
The God that is within us!  The old Greek serenity

Which curbs the passion of that
Don't tell me to smile
Exhortations to "cheer up" will be ignored
You don't know how far you're stretching me, do you?
Your head still in the clouds of safety where imbeciles call out to each other
Listen. Listen, do
We're exploring the heaviest things in the world
Too heavy for Sysyphyus to haul
I'm that kid you can kind of see through
The one on the left corner
With the cool bootleg Pink Floyd t shirt wrapping his thin torso
He's got a box of Playboys beneath his nightstand and he's barely 14 years old
He reads and incorporates that garbage into his pre-adolescence behavior
With dreams of visiting Plato's
Retreat
Picking up some bunnies using some of the better Party Jokes
His expertise at 'lingus and 'latio are as well perfected as can be without having actually performed them
But he could sure bust out the ******* Philosophy and would have held his own with the old geezer who wrote it
But he was only 14 and nobody seemed impressed with the amount of ******* culture he'd consumed
They weren't letting him in the cluuuub
Your ****** right he didn't feel like smiling
But he wasn't bored
And he didn't feel too serious
He'd let it slide this time

*to be continued
O stony grey soil of Monaghan

The laugh from my love you thieved;

You took the gay child of my passion

And gave me your clod-conceived.



You clogged the feet of my boyhood

And I believed that my stumble

Had the poise and stride of Apollo

And his voice my thick tongued mumble.



You told me the plough was immortal!

O green-life conquering plough!

The mandril stained, your coulter blunted

In the smooth lea-field of my brow.



You sang on steaming dunghills

A song of cowards' brood,

You perfumed my clothes with weasel itch,

You fed me on swinish food



You flung a ditch on my vision

Of beauty, love and truth.

O stony grey soil of Monaghan

You burgled my bank of youth!



Lost the long hours of pleasure

All the women that love young men.

O can I stilll stroke the monster's back

Or write with unpoisoned pen.



His name in these lonely verses

Or mention the dark fields where

The first gay flight of my lyric

Got caught in a peasant's prayer.



Mullahinsa, Drummeril, Black Shanco-

Wherever I turn I see

In the stony grey soil of Monaghan

Dead loves that were born for me.
a m a n d a Aug 2013
i cannot tell you
    how many well meaning
eyes have looked deeply into mine
   as lips questioned,
"now what are you doing for you?"

i find that such a bizarre question.

i don't know
   staying alive?
avoiding death by
  getting maimed
malnutrition
  the elements...
isn't that what everyone is doing?

what people are looking for
is something more like...

girl, let me tell you
  pull your chair closer
(said in a conspiratorial way)
these disasters couldn't have
happened at a better time!

i've been taking my
  government cheese
paying all my bills,
  going out to dinner every night
you know i got a life coach
a yoga instructor
and a therapist?

yeah
i have a lover for
every day of the week
i get a massage every wednesday
and a pedicure every monday
because i deserve this me time

what the ****?
what am i doing for me?
what are you doing for you?
Nicole Dec 2018
Dear Bri,

I've put this letter off the longest
Because it doesn't come from anger
And although it may resemble it
It does not come from regret either
This letter just comes from my soul
From me
From a place I can finally trust

This letter differs from the rest
Because I want it to be a mix
Between explanation and closure
And the others I didn't want them to read
But part of me hopes you do see this
I just finally think I understand
Why I had to leave

First of all
I never used you
Not one time
You learned that I'm fiercely independent
And I hope you know it was never
Ever
Ever
About money for me
Or about your home town
Or your fathers property
No that relationship was about love
I loved you

See, the thing about love
The thing I didn't know about
Was that it changes over time
There are not always sparks
Even so, those fade eventually
And from there you must create deeper ties
Connect to one another on a new level
That is the point at which I failed

I know you hated how
I always explained my behavior by my past
And for that I am not sorry
What I am sorry for is the fact that
I did not step up
I did not know how to grow with life
How to let go of the pain
How to move forward
Instead I hid the pain behind drugs
Legal and prescribed
And behind other people's affection
I pushed away the pain
Because it hurt way too much
I was not ready to face it
I had no idea how to do that
And by not accepting my real feelings
I not only blunted the unhelpful ones
But the pleasant ones as well

By not dealing with my past
By not allowing myself to heal
I could not have allowed myself
To love you

It's been over a week since
I wrote the first half of this
It's hard to find the right words
It's hard to open my heart
On something so sensitive
As a love that I ended prematurely
I want to let you go though
We both deserve to be happy again
And I am, most days
But I need to acknowledge my heart
Allow myself to be sad one last time
I want to be entirely honest with you

You've been the hardest person
For me to let go of recently
Now that you live in town again
I think about you a lot
When I'm driving through campus
Past the engineering building
When I'm walking back to my car
Memories constantly surface of us
Like when you left that phone number
On the windshield of my car
And it was to some Pizza Hut in DC
Or driving through the town where we lived
Surrounded by white snow
Singing different parts to Pentatonix
Or when we spent Christmas with your family
And we connected through the calm of a place
So far from the city
As we chopped down a tree and
Played video games under warm blankets
Or even when we sat on the edge of a cliff in St. Francis
And I told you I felt nothing when we kissed
So so many memories
Of love
Of pain
Of a connection
Of my best friend

And it's not that I want to be together again
We are very different people and
I really am happy again
And I don't want to make you sad
Or make you feel anything bad
Because no matter what I care about you
I just need to reprocess everything
With the recognition that
That relationship would have lasted
If, back then,
I were the person I am now

See,
We may have been entirely different
And we definitely had our issues
But you were right when you said
That I couldn't commit
Because I couldn't commit to myself either

I couldn't love myself
I couldn't believe in myself
I couldn't process the trauma
I had no idea how to
I didn't know what to do
I felt only pain all of the time
Underneath everything else
I always had a sadness hanging onto me
I was emotionally unavailable
I didn't know how to love
I didn't know what love meant
Because I never loved myself
And I don't believe that line
That you can't love someone else
Until you love yourself first
But it sure makes it easier

Back then,
I didn't trust myself
So I let everyone else lead my life
I never questioned the path either
I just accepted life as it was
Because I didn't believe that I could change it
Which leaked into our relationship
Because if there was something I needed
Or something I was unhappy with
I could have tried to talk about it
I made the choice not to

I used to self-sabotage a lot
Before I realized that I didn't have to
I could feel those urges anytime
But that did not mean I had to carry them out
I lived entirely by my emotions at that time
When I was sad, nothing could be positive
When I was angry, I had to let it out
I did not even consider that
My actions and my emotions
Are two entirely different things

I have grown so much since then
I'd like to hope you'd be proud
Because despite anything I've said or done
I still care about how you feel
And how you see me
I'm always tempted to check your writing
But now I can distinguish between
My helpful and unhelpful urges
So I do not allow myself to try
You deserve your privacy
And I deserve to not let these residual feelings
Interfere with my life now

I just want you to know that
I messed up when I hurt you
I made a choice for us both
Instead of sitting down together
To talk and figure out how we both felt
I don't think I could have figured myself out
If I hadn't left when I did

Because since then
I went through a toxic relationship
That empowered me almost as much as it broke me
And I hurt some people along the way too
I thought I loved people I really didn't
I did acid and developed positive habits as a result
I actually take care of myself now
And most of the time I like myself
Often I even love myself
I stopped doing drugs
I finally trust myself and
I listened to myself for once
And I'm changing my career path now
I learned to be mindful of my feelings
And to not take them out on those I love
I learned what love means
I developed more compassion
I learned to be assertive
And entirely honest and real
I learned who I am

And now I'm here
An entirely different person
Writing a final letter to you
A person who I loved
Who's also entirely different now
But someone who could have been my forever
Once upon a time

But I'd like to believe in fate
And trust that all of this
Is exactly what needed to happen
For both of us to grow into ourselves
And I can't speak for you
But you will always be in my heart
Thank you for the years we spent together
Thank you for teaching me that life isn't all bad
Thank you for being there for me
For being patient and kind and for loving me
Thank you for being you
I truly hope that you find happiness
I wish you peace and love
And everything good
And I wish the same for me


I am talking of fearlessness

"Fearlessness..."

The same fearlessness
Shown by Christ on the cross

The same fearlessness
Shown by Gandhi
For his non-violence

The same fearlessness
When Mansoor said "I am YOU"
Was lynched & cut piece by piece

The same fearlessness
Of Meera who sang for Krishna on the streets
When she was humiliated, ******, made fun off

The same fearlessness
When Radha danced for Krishna
Even after Krishna left Vrindawan for Dwarka

The same fearlessness
With which Hussaiyn Ali
Martryed his life at Karbala
While trusting someone

The same fearlessness
Of Sita when she withstood
The tests of Rama's accusations

The same fearlessness
When Bahi Taru Singh
suffered governor's brutal torture

The same fearlessness
When Mirziyaan gave his bow & arrow
To Sahibaan knowing that
The tip of his arrow may be blunted
Leading to his death

The same fearlessness
When Romeo drank the poison
And Zuliet stabbed herself with a dagger

The same fearlessness
That made Layla fall sick & died on hearing that
Her Majnun is roaming mad in wilderness;
Later on hearing about Layla's death
Majnun died near Layla's grave

The same fearlessness
When Rabia wanted to
Cease the fire of hell and
Set alight hopes of paradise

The same fearlessness
Of Rumi who guards
The divine light of LOVE

The same fearlessness
When one is compelled by
soul energy to LOVE BELOVEDz

That is the fearlessness
I am talking about

"The fearlessness of LOVE"



Liz Jul 2015
I swing my sword
At the monster inside me.
But the blade has been blunted,
It's dull and cannot ****.
What is a warrior without her sword?
Joan of Arc without her horse?

Stripped of my valor,
In the middle of war.
I do not have the means to fight anymore.
Left bare to the sun.
Where arrows can pierce
And daggers can jab.

Trying to create an image,
Which seemed so vivid before.
All my paint is dull
And all my canvas broken.
What is an artist without his brush?
Van Gogh without his hands?

The pain he must feel
When losing his only muse.
He lives through art,
So dies if he cannot paint.
I live through words,
I die if I cannot write.

Now god you've taken my legs.
How do I live,
When I cannot stand.
I fear I've lost my only light.
I fear I'm out of muse.
With nothing more to say.

Like a warrior without her sword.
Van Gogh without his hands.
My words are my legs,
And I cannot stand.
Tamara Fraser Aug 2016
There are demons
on my boat.
Shhh
You’ll wake them and then I
won’t be able to look away from them.
It is an all too simple
contract; our deals
sealed in tears and thickened, old blood;
silences coating emotions,
covering sounds and words, and smiles and secret screams.
Shhh
You’ll wake them if you come near me.

There are demons
on my boat.
I steer my lonely ship onwards,
beneath the hesitant moon, and restless stars.
Bright, dark, bright, dark.
It’s still, a smooth mirror reflecting an endless sky;
I don’t disturb the empty ocean, unsettling in all its quiet rage.
Its hidden heart.
I am willed to follow my aimless line, as far as I can travel
on the
numbing breeze.

There are demons
on my boat.
I promised them I’d behave.
I am not allowed to wander, not allowed to explore without
a rambling mind;
I am not to follow the course of other ships I see,
or meet the deserted spits of land I’ve let float by,
or travel with company that stills me,
or make my own speed that goes against the tide.
They scrawled words along the wooden boards,
scored crude nail marks one evening while I slept,
hovered over and drooled on me with teeth I could feel
the ****** and beads of blood.
They scrawled words that told me they would leave me be,
if I left them be.

There are demons
on my boat.
And now I see a ship, with bright red sails,
drift to land not too far away;
a flaming banner across the surface of my shadowed sea.
I move my wheel, aimed at land-
assailed.
Onslaught of teeth and scales and spidery limbs,
pointed daggers and sabres of nail,
breathing hot spit and foul stench,
musty rot and all
rushed at me.
Blackened ooze of shapes and
distorted beasts;
I can’t take in any air that isn’t
toxic, ash making my eyes water.
Too gruesome to stare at them, intensely black,
yellow eyes and a multitude of ravenous, slick tongues.
I right the wheel,
and they creep back,
to rest in the shallows of my boat,
biting nails and shedding skin,
keeping guard on me.
Watching.
Restless flashes in the shadows hunted by the sun,
and drawn out under the moon.
Waiting.

There are demons
on my boat.
And it has been like this
for lengthy years.
Hopelessly blind and painfully aware,
at once,
of frozen breaths down my neck,
and bubbling fear inside,
of feelings.
Anything that leave me open to onslaught.
Anything that opens windows and lets their darkness
trail in,
tumble around and entangle innards,
I’m left speechless and sore inside,
nursing wounds I suppress.

There are demons
on my boat.
And the scary thing.
Is that I’ve made peace with them, and their scrutiny.
Yet I see birds above and blue trembles beneath me,
green jungles to the left and empty sands to the right.
And I refuse to hide and cower in peace.
Now.
I once again move my hands and face the
glimmer of land I see-
and they come rising from their graves of slumber.

There are demons
on my boat.
But they aren’t that terrifying under the sunlight.
They hurl abuse in my face,
spitting and writhing and screeching;
But their scales are actually just drifting smoke,
their nails just scraps of tattered fabric,
eyes just glinting stones and teeth just blunted stumps.
They scream and bleed before me,
because I’m focused on the distance behind them.
After hours, they retire,
like burnt out candles, the smoke dissipates.

There aren’t any demons
on my boat.
Kagey Sage Sep 2014
Machine ground days
Somehow survived by clinging to precarious plans
Die for those.
For proles are stuck in a televised gleam
but I’m barred from distractions
I’m a man of action
Spring healing:
I found a new hope to get through the day
It has a name and it’s you

Workday: animistic curses
against people and their systems and products
except animals would escape forever
as soon as they open the cage
but we stay

The beastly gnashings of overworked merchandisers
for invisible self pocket stuffers
The competition's getting to us, comrades
I feel swindled out of my labor
I was pregnant
but they sold my child before
I woke up

Addressing the solipsism of my rehab circle:

I’m Kagey, and my life is hazy
but, blunted or no, let’s get this clear:
don’t trust your senses
and that goes for all my human peers

Body is a cage full of defenses
Still, I’m suspicious of reality
whether it’s façade society
or the wooden chair in front of me

Still, I enjoy the virtual scenery
I ain’t talking about on the T.V. or phone screen
I mean the willows, buildings, and faces
But all these mushy green acres are fakers
blobs without our eyesight

Still tho,
me and the universe are tight.
Found these papers from over a year ago. Glad to be out of retail, but my solidarity's still there.
Something Simple Aug 2014
We were warm in that sunlight
Love ran thick in succulent leaves
Unfolding when the day would fade

Moving in the sunlight as the shadows chased
Dusty gray green happiness
Even keeled gentle curves of feeling
Rosy blush edging our forevers
Blunted points of conversations

We can last long on the waters we keep
Though we separate as time goes by
Conjoined in a cluster at the base of our relationship

Our love is like the succulents
Long lasting,
Long lived
Joel M Frye Jul 2012
Strolling, wistful, through a thousand lives,
across the chasmed centuries gone past,
he calls her name; it never quite arrives
to fall upon her ear.  Just at the last,
she leaves the hall, or shutters windows closed.
The fading echoes rebound, fall, despair
upon the careless earth, alone who knows
how many times he's haunted up her stairs
and stood before her door, unwilling hand
hung limply at his side. The heavy years
passed by them both again; he hadn't planned
that they would not meet. This chance disappears  
to speak the truth he knows she knows as well;
two ancient souls in broken bodies dwell.

Two ancient souls in broken bodies dwell,
a karmic double-helix twists through time.
They spiral 'round, attracted and repelled
by cosmic force, the space between defined
as two arms' lengths apart. Their fingertips
will brush by chance; the spark that generates
ignites the kindling lust, the heated lips
which speak the wildfire words of love. The fates
dictate the places, times where their paths cross;
circumstances, consequences feed
the choices made.  They've chosen fire, the loss
of reason, stoking starving naked need,
dance with abandon, passion, without pride;
they trip light-years fantastic side by side.

They trip light-years fantastic side by side.
The pas de deux began in ancient court
of some small city-state.  He is a knight
sent by his Queen, a diplomatic sort
of mission.  At a dinner hosted by
the local King, the knight, while taking in
who might be helpful or a hindrance spies
a shaken mane of gold, blue eyes within
her stunning face, struck slack with ennui
until she meets his eyes.  An eyebrow lifts,
a corner of her mouth curls up, unseen
by all save the old man beside.  He shifts,
and stands to pound his staff. The hall is still;
bound by an angered mage's curs'ed spell

Bound by an angered mage's curs'ed spell:
"Your burning gaze, Sir Knight...your smile, milass;
returned. You want each other?  Very well!
So mote it be; I'll have it come to pass.
She will be linked to you, eternally
yours, to have, to hold and never love;
to consummate and quench your lust will be
your death. And you shall lust, by Jove above!
I hereby mate your everlasting souls;
condemn you with a love like Hades' fires,
passion's heat incinerates you whole.
You'll take him, child, and **** him with desire.
You'll die for her; she'll bring you to her knees
across uncharted lands, bedragoned seas."

Across uncharted lands, bedragoned seas
uncounted years of wandering, he seeks
asylum from the memory of her eyes.
The softest skin, most gently blushing cheeks,
wildest fingers raking skin from back,
ever-changing hips which ****** and thrash;
the tavern *****, the courtesan, all lack
whatever power it would take to smash
his crushing need.  An aching pilgrimage,
life spent in shameless chase to slake the lust
imposed by jealous wizard in his rage.
Now weak and old, he walks alone through dust
and sandstorm, seeking solace, final rest
in desert's scalding carborundum breath

In desert's scalding carborundum breath
she oversees construction of her tomb.
Her father started it; upon his death,
she left the mage to build the solemn room
of memory. The waves of slaves pour sweat
in rivers onto stones, their muscles scream
and ripple in the undulating heat.
Mirage becomes a staggering man, unseen
by all but her. She mounts and rides to bring
some water, some relief.  When their eyes meet,
their souls enmesh, their spirits start to sing,
his failing body falls about her feet.
They're found again, and still there's no release;
not even end of life can bring surcease.

Not even end of life can bring surcease;
she lived another twenty years beyond.
His final glance of longing gave no peace,
but chained her in the everlasting bond
of arcane condemnation. Her ****** heart
is pierced by passing seconds, every one
a blunted needle, mildly poisoned dart
not strong enough to stop her pulse's run.
The mage's gift to her: the agony
of life remembering her lover's kiss,
then a death too short to set her free.
It sends her toward another fatal tryst,
spun round again the universe's width;
their love a measured minuet with death.

Their love a measured minuet with death,
a dance with destiny.  They wake again
to unfamiliar bodies, unknown paths
meandering across the haunted plain
of time.  A muddy pasture, half a million
blissful stoners join in raucous song:
"...and you make it hard". Among the hills run
****** lovers who can do no wrong,
all sharing bodies, needles 'til the smack
runs out. Her shaking arms strapped 'cross his chest;
he huddles close, awaiting the next stack
of Methadone. He shivers; breathes his last.
She cries and rocks his body, they will spoon
throughout the summer's thundered afternoon.

Throughout the summer's thundered afternoon
as heavy clouds erupt on thirsty soil,
cooler air meets skin on fire, a boon
to Magdalene and lover.  The sweet oil
washes off, the rain obscures the sound
of marching feet.  Centurions approach
and ****** him from her side. "So now you're found
beside this one, whose last ride gave us such
an evil time.  We strung him up, but now
his body's gone, and you were seen beside
the tomb. You'll die just as he did, and how."
She watched another man be crucified.
Supported by her love, he passed in peace
suspended in expectant spring's embrace.

Suspended in expectant spring's embrace,
the royal courtyard at Versailles in bloom
is laid out for the party.  Every face
is rouged, each powdered wig precisely groomed.
The hundred soldiers stand down, raise a toast,
Vive le roi!  One teasing courtier
seduces a queen's guard to leave his post.
Behind a hedge, they make love unaware
of peasants, women milling through the gate
in search of bread and royal blood, not cake.
He runs to save the Queen, and seals his fate;
the mob will **** for revolution's sake.
The oaks a silent witness to his doom
in autumn colors, reds and golds festooned.

In autumn colors, reds and golds festooned,
the twin moons rise and set, reflecting sun
upon the biodomes.  Earth shines down, ruined
by man's neglect, what could not be undone.
The population by law zero sum;
resource conservation held above
the joy of new life.  Parents here must come
to know the anguish of requited love.
She bears his child; they knew too well the chance
they took.  The court will force a choice be made:
the father or the child. A tear, a glance
as he's locked out. She watches as he fades
in cryogenic punishment, life lashed
to winter's icy shackles holding fast.

To winter's icy shackles holding fast
her soul, she proffers prayer, slogs through the sleet
toward her cloistered cell.  One chilling blast
wraps habit 'round her, knocks her off her feet.
The heavy, sodden cloth, the wind prevents
her gaining purchase on the frozen ground.
From monastery cot, the monk could sense
distress.  In thin burnoose he dashed and found
her, cold as stone, yet breathing; swept her up
and rushed her to the hearth.  His warm embrace
brings on familiar heat.  Their pasts stirred up,
relived, decision made within a trace:
"'Tis best this time we live, and never start."
Their minds attuned, yet cleft by broken heart.

Their minds attuned, yet cleft by broken heart;
the aching need grows stronger day by day.
He tends her failing health without regard
to duty, vows.  Her weak voice strains to say,
"I will be gone before you this time. Hear
me out; this may be what we need to break
our curse.  Stay with me as my time grows near;
and love me as the Reaper comes to take
my soul, and finish with me after I
have left.  God will forgive sins we'll commit
for man alone has ****** us.  We must try
or curse ourselves, continue to submit
to endless pain, remain just as we are:
connected, blessed, and doomed to be apart."

Connected, blessed, and doomed to be apart,
they cling to every moment here and now;
the priceless beating of her failing heart,
his passions roil out in unending flow.
He gazes deep in her eternal eyes
as they glaze over, looking past his face
into the hollow stare of death.  She lies
suspended between life and time and space,
to hear an old, familiar voice sound in
her ears.  "To dance with death before him
as you rut...how clever!  Most astounding
that you'd carry out this futile whim.
He dies; you'll live, just as the curse defines;
strolling, wistful, through a thousand lives."

Strolling, wistful, through a thousand lives
Two ancient souls in broken bodies dwell.
They trip light-years fantastic side by side
Bound by an angered mage's curs'ed spell.
Across uncharted lands, bedragoned seas,
In desert's scalding carborundum breath
Not even end of life can bring surcease;
Their love a measured minuet with death.
Throughout the summer's thundered afternoon,
Suspended in expectant spring's embrace,
In autumn colors, reds and golds festooned,
To winter's icy shackles holding fast;
Their minds attuned, yet cleft by broken heart:
Connected, blessed, and doomed to be apart.
For those of you who knew about this...thanks for your patience.  For those who didn't...this is where much of my creative energy has gone for the past 10 months.  This is the first draft;  revisions and refinements will inevitably follow.  I can usually write a sonnet in about an hour; silly me...I thought this would take me a day or two at worst.
neth jones Jul 2018
Hell shimmies when I am blunted ;
When I take a knock to the senses
When I am skinless,
singing stings
and misdirected by pain

If I had trained better
I'd be deep sea
Sussing distant messages
Operating with slight tremors, vocals and movement
and only when correct...
I'd be home
I'd be instrument

Not an act
Not a pet to society
No mood fool ;
flaked,
flooded
and littered
Rapped at by experiences
Attack reacting
An embarrassment
Watching my own pattern spooling
the same sums
and spoiling with repetition
Nat Lipstadt Apr 2016
~~~~~~~~~~~~~~~~~~~~~~

Infinity's Mirror by Nat Lipstadt

Two mirrors, set in opposition observe created notional blending,
a reflecting pool of bonding's of unglued, contrary compositions.
Mirror to mirror, his imagery, fuses to Sylvia's images, hers,
faintly recollected, now living face, face to face, with his past insurrections, alters his future visions.

From cold water lake she's drawn, impaled by refracting regrets,
retrieved, drawing her words upon him, an awakening slap to drink,
beloved, tragic magic, infinitely captive.  But this old man's tiddlywinks, land-locked words, blunted instruments, needy for release & salvation, are neither silvered or exacting, just stains on a dulled, tarnished brass spittoon, except for the brunt'd bunting of lines across his roughened terrain'd face, black and white, pen and ink etched illustration of howling agitation.

His words worn down, hardened, red faced, purloined speckled pellets, damp to roll on down her rutted, almost ancient, tear streak paths, disbelieved superstitions, sacrificed for one of her living morsels of words.

Man, here to her, pledges allegiance, audaciously defiling her poetic sanctity, a visage endless repeated, delivers her shiny poem-poised countenance, even though no forgiveness from time can a mirror afford for either, from her words,  confession born, terrible truths beyond, beyond the finite.

                                                
~~~~~~~­~~~~~~~~~~~~~~~~

Mirror by Sylvia Plath

I am silver and exact. I have no preconceptions.
What ever you see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful---
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
with gratitude for the inspiration from, to:

"Words are his instrument, poised to deliver, sometimes
infinity's mirror,
sometimes a word or two for you,
reality is on its way...going to come through and fit for you."
SJR1000

for Patty M, who swore me to never, and only, give up to you, my best.

for Sia, who loves her Sylvia so.

Born on April 24~25, 2016

and of course, for Sylvia
mark alcock Feb 2013
How eloquently and beautifully we hid from each other.
You with your righteous truths, hard  and cold like granite.
Marking lost-love’s old bones.

I gripped your proffered broken shovel. Worn blade rusted, and shaft broken.
Aged and useless now, worked and worked on too much cold, hard ground.  
And so the old, cold, bones below lay undisturbed.
Deep and all but forgotten  
Forever waiting to be found.  
                

Mine? Barbed wire…a measured demarcation simply, efficiently separating a field of dreams from a shell-pocked Somme….taught, unyielding, sharp and unforgiving.


You, a brave soldier hacked and bit and and gnawed at the unforgiving steel wire, tormented by the verdant vision, which lay beyond.
Striving to reach that goal.
That which lay beyond the muddy battlefield….
Beyond the rigid stinking corpses….
Beyond the ghastly horror.
I know you saw a bright field of soft scented blooms and dreamed of resting, head pillowed on sweet, rainbow petals, scented nectar and  soft green grass.

I  would have gladly surrendered the wire cutters, but, blunted and useless, dulled by one or two, too many tries… there was no use.
You see my dear, they were long ago worn down. Worn down on many a marbled  headstone.
Their once keen edge, ground and blunted on words which said ‘here lies love’
(May it rest in peace).

There they sit and there they lie, the gravedigger and the soldier….
The soldier, torn and tattered upon the ****** barbs……
The gravedigger, frail and worn, broken shovel resting on broken feet…..

These were the culmination of our defences
Our defences…
Mine a spiked barrier,
yours an  epitaph in  stone.

******, battered love hungry body
and weeping gravedigger by loves tombstone.
Death-throws Mar 2015
I lack inspiration, when sound does not riddle the causeways of my mind
when echos bounce less around my cranium and more from my lips i find..
solace,
solace in the fact that no longer am i directed from indirect communications but more from the sound i make,
i learnt to grasp the steering wheel in both hands and turn sharp in the corners,
i learnt that without sound echoing through my ears my eyes work with pinpoint accuracy..
i never noticed the way the grass grows over old cobbles..
i never noticed the way my heart beats
the way it skips, and bleats,
i learnt not to be a sheep, but a profit,
a guider to the blind,
don't tell them I'm blind as-well
because it doesn't matter if i can see or i cant
it does not matter if what i say is truth or lies
but if the fiction of my antiquity compels you to lift your heart up
brings joy from the desolation of your mind but to the fore front of the battle field that is your life i have achieved something incredible, I've achieved peace
peace through happiness, joy through inspiration so read on!
read on young soldier,
your broken mind and battle ready battle wounds are bound too tightly by your compassion to conform
take of your bandages and read on! read forwards and on wards and strive to learn, why
why young soldier i know you've never been trained
and i know your mind is ill with discontent and i know your shoes are whittled to your socks and i know
i know how hard it is to stand with two broken legs and only the solace of that barren bare cranium to lean on
but in my antiquity young soldier
i have learnt that we are all warriors
fighters along a broken line standing our ground against greater odds then you could ever conceive of battling...
i know young solider that many will fall and die
and many will perish to broken minds and hearts and souls,
but the ones who make it through this perishable existence, the ones who fight beyond any compassion  beyond any reason,
god I've met boys who will tear out each others throats with their teeth I've learnt that men are shells of creatures that have never been fully understood,
my existence has been about 
nothing but fighting
and now i have reached an age where i can lay down the rifle of my words, i can leave my blunted knives to rust in a back closet i realized young soldier
the agony of your existence may seem like the end, but its just the start.
and when your reach a  point in your life where you can rest,
savor it,
do not let someone tell you how to exist without your consent , do not fight a battle you do not want to fight,
stand your ground young soldier
re-reinforcements are on the way
*L.G
for a friend whose struggling... chin up bub x
Brad Lambert Sep 2013
It's the skin on skin basics:
You may touch, but please don't look.

I hand him a pinecone,
pale petals,
and some Tulgeywood bark
saying "Feel it out in the dark,"
saying

"Can you tell me what that is?

Can you dab your flesh on those pine needles,
***** your tips in the dark?

Feel it out in the light now.
Can you taste it:

Can you lap it, lick it?
Bite it, mosquito, bite
'til your lips are swollen
and
'til your teeth are blunted
and
'til the thought of one more cigarette
is enough to
make you sick,
make you smile,
make you laugh for a short while or an hour or two...

Spit, *****, spit; you're a jumpy little mare.
If you don't know what a pinecone feels like
I'll break all 13 hands of you.

Can you press petals in your fingers
and call it the skin on the small of my back?

Call the dew in small beads the perspirin' of my lust?

Can you do that for me?
Imagine, for a second?"

I imagine for a second—
I imagine for a second or two.
Aaron Kerman Jan 2010
We met in the Red Square at Midnight. Sitting on the austere steps of the Kremlin We drank Stolichnaya in silence; listened to St. Basil’s Bells stoic ringing until Our sun rose pale over Moscow  

Beauty is created when I press your mulatto skin to mine.
We shift. You move, and as you’re moved you move me.
Our motion akin to your mother’s in a gentle breeze or a dancer;
Some Elise pirouetting et fouetter and falling over graceful infinities.    

I am deliberate during this ballet. Subdominant.
Una corda e sostenuto, and as you request so do you respond; relaxed,
Sustaining single notes; soft into that ethereal Moonlight…
Blurred and blunted, your perfect meter dampened by my learned cadence.
    
As you sound off forte I rock slightly forward, coming into you harder.
We breathe sharp together; my fingertips caressing you legato;
My Ana Magdalena. Andantino; rolling into flurries of crescendos
presto allegro climaxing; Capitulating again before we rest…
Before lento diminuendo.                                                      ­                

We courted at the Konig Von Ungarn in Vienna. It was classical and   romantic. Baroque. We fell in love. At Figaro’s wedding we tasted sangria as the stars Set, pastel, over Seville. Our first kiss was the Holy Roman Empire fading; A footnote under bass cleft.

We were married in the Rhineland, a single Canon announcing our nuptial.
You a Riesling and I your lattice. I stood firm, resolute, as you grew in, around, and from me. But the lords, they taint you, they **** me of your fruits; oblivious, they invoke their subtle prima nocta.                            

From the rooftops and the gutters they hear you. A virtue is lost between us. We shift. They are unwelcome eavesdroppers’ playing ******.  
They come and gather round us and I grow nervous, stiff; sweat falling from my brow to your ebony and ivory.
They move provocative, but they do not care; they do not notice us.                            

I stop as they begin. They’re discourteous during this Can-can. Their  praise and kind words may arouse the pimps and ****** wandering Montmartre into Paris’s red-light,  “Hear,” they fall on deaf ears.
This is no Moulin Rouge. We are not meant to be exhibitionists and yet
we yield to their flat appeals.                                                         ­                           

I put my clothes back on, Rags is all they are, and you, you’ve become stark.
I project my discontent through your string and hammer heart;
I slap your toothy face and stomp your sterling feet without relent.
I-De-tach-My-self-From-You. Staccato. They call me Inventive and as they sip their whiskey, their bourbons and their Texas Tea they tell us that
we have Entertained.        

We build our home from the precious stones of foreign countries.
We traverse ages to reach the mines and the rock fields, finding rough Diamonds and sapphires. Naked, we wash them in ether; they luster.
The noblemen come. They smile and applaud as they peep through the Windows and knock at the doors, but We shall not  be moved.
Eva Sep 2014
My worst enemy and tireless companion
finally came to my door last night.

As I slept away the time of day
And killed my poor friend Time
He traveled closer to my home.

As I slowly cowered in the face of fear
And realized my mistake too late
As I chose to make a silly choice
He quietly opened the door.

Shame came in but didn't stop
And with every tear that welled up inside
He crawled in hot into my cheeks.

As the salty drops burned away my skin
He then moved on down to my throat
And choked me up till air was gone.

I gagged and shook, begging him to go
Openly admitting my sin
But Shame knew he could do more
And as I watched my world crumble
He eagerly attacked my heart.

As he dripped down to the hearth
He triumphed with his final mutation.
The pain of Shame is nothing
Next to that of his brother Humiliation.

There, in the privacy of my soul
He slaughtered my Pride with a blunted blade
As Sloth cowered in the corner.
When the room was red he finally paused
With a smile on his face at the lesson he left.

As he exited Responsibility came in instead
And from the door watched with sad eyes
Waiting for me to rise and finally apologise.
- In apologies to everyone I let down.
Empire Aug 2019
I want to write it all out
Release the floodgates
But instead
I let my emotions be dull
Blunted
There’s too much withheld
Take it slow, dear
But I want to feel it all
Something
Or go all numb
I don’t know...
I just... I can feel their echo
Thoughts, emotions
I know what I’m trying to feel
What I ought to feel
But I can’t...
Can’t quite reach it...
Like it’s shrouded
Under a thick fog
I just want to feel like I’m supposed to...
Caring can be challenging...
I’d kind of like to give up
Give in
Surrender to apathy
Can’t seem to decide...
Stanley Wilkin Mar 2016
That day we came
and having come
lapped at by perfumed light
at once separated.
We bathed in the pool
the water like crystal
in the sunset
our limbs like glass.

On the bank
in the hot conjoined air
we made love again
our sweat
like silver in the moonlight.

the water's suppurating flow
drew our limbs
like flotsam in the reeds
grappling glistering lilies
as we floated in slow, *******
currents.

along the bank, the Camphor
shades the forest flowers
through the long-leaved grass
the python slinks

We leave for home
darkened by the sun..........
tongues digging into melons,
pomegranates laid out
neatly for dessert


******* out the Rambutan-
once the hairy skin is peeled-
fiery, red
the soft core sweeter than coitus-
and stays longer in our thoughts.
is this where the dreams are,
or where the dreaming begins,
between the first caress
and the final gasp of satisfaction?
Where the threshing limbs
devour the sun-shredded wheat
and the panting ribbons of air
swallow the final sigh-
the sleek river flowing
seaward, ocean marshalling
the land,
coral languishing in green pools
of broken light.

Here, within this infused beauty,
******* has power
beyond the weather-bound senses
of our northern homes,
encased in dull precipitation
sunshine a blunted knife

beyond the ***-shaped mountains
high above the trees
like a tear emerging from the sky
drops the waterfall
its descent
languid, its fall sharp and effortless;
tinged with azure, carefully sprinkled flakes
it spreads out like a clear, chiming puddle.
There we spread ourselves
naked in the sunlight
the sea's rumbling noise
distant and fumbling-

spreading its curling claws
into the slyly forming sunset
in reiterated rhythms
like beating hearts
like lungs-
the carefully manufactured beats
blending.
Paper people crackling and folding
Under life's pressure
Blank pages, empty paper void of purpose
Paper flowers, swans, trees and cranes
Craning to find a crease that fits them
Brittle dry leaves waiting to be made into a purpose
Feint margins replace the wrinkles of a face
Origami organisms awaiting nimble fingers
To form features, emotions, life, purpose
Like a Samurai sword, the paper has been folded many times
Yet now blunted, pulped, set alight by a match, reduced to ash.
© JLB
Coop Lee Oct 2015
mom betrays us.
headlights into the night
& up the breakneck boulevard bluff overlooking town and terminus.
she brings his heart in a ziploc bag,
an offering
to that old burnt-out oak.

                     [husband\father\corpse]

front porch blood trails forever. she
claims self-defense and the camera-eyes caramelize her
fame & fortune & stepdaddies & book deals & ziploc pb&js & dead dog omens.
when did the heartache begin?

heir\son\brother\body
racing car ****** and fluxed up the boulevard in a ritual reach for daddy and the oak.
the girls are waiting. one two three, seeds.
brakes sabotaged. he
bursts into death, a molten ball of mazda.
father and son laugh there on the brim of here and hereafter.
apparitions uncoiled.

                    [home movies]

where mercury avenue ends
the woods begin.
& those woods are evil, an eldritch place, she laughs.
even the indians wouldn’t bury their dead there.

america.
caught between the whir of spokes and windshields reflecting
sky and skin, the blue hue
of television flickering on the hands of a family.

grandsons conjure grandmaster demons
on the ply of their treefort high.
the heart of grandma in a ziploc bag.
jupiter and saturn are in conjunction,
twelve past midnight on a tuesday in september.
a school night.

            [the babysitter brings over an unlabeled video tape, says its scary]

the children watch.
slumber party screams and pb&js.
ghouls blunted by pungent neighborhood inertia.
son, a ghost returned in rhythm and electronics,
hungry for pizza and pure vengeance.
previously published in Deluge Magazine, by Radioactive Moat Press http://www.radioactivemoat.com/deluge-issue-three.html
Matt Jones Sep 2012
You are witnessing a prodigious talent and promise, and to a lesser extent but still to the degree whereby it should keep you awake at night writhing in cold sweats, your life, slip agonisingly through your open and clammy palms. Promise means so little if not actualised. You have been granted chance after warning after fortuitous escape yet have blithely spurned every omen and will one day fall, swiftly and perhaps terminally. You are almost certainly depressed. You say you love your girlfriend, and you mean it wholeheartedly when you do, but you worry that the relationship perpetuates as without her there would be no reason to rise with the sun. Even if the relationship is  unstable, and at times verging on the unhealthy, you believe you love her but are too great a coward to consider decisive action if that belief is to reside or subside. Your friends range from kind and honest yet deeply flawed to somehow toeing an inextricably thin line between dependability and duplicitousness. Conversations with a certain few of your friends necessitate decrying every undercooked ethos you've every conned yourself into believing you hold (you could well be the most hypocritical liberal to walk the earth, for you are innately and irrepressibly selfish) yet you still nod placidly as your conscience squirms. Grotesquely, like a beaten spouse, you crave the gaze of those who have treated you with the most insulting derision, but are too proud (of what?) and, a running theme, too cowardly, to stoop to a simple detante. You must change, for it pains you on a most base level to have to accept the feeble, whimpering, simpering spectre you have become. You must be bold, brave, unashamed in your convictions, anything but pursed and silent lips. You have a voice, and you must now speak loud enough for them to hear, for that which has become blunted must be whetted, sharpened, readied for battle to be unsheathed at an utterance. Heed the signs and change, for our sake. You, a milksop who attentively notes the sophistry of courage, you can still be brave, and you must be.

For one day you will be swelled with a courage and fortitude to fill your sails taut, enough to leave this place, forget these people and bear you away.
Apologies if it rambles but I wrote it in something of a flurry
Irma Cerrutti Mar 2010
I remember you spirt in the Chelsea Flophouse
you were opening one's lips so gorgeous and so creamy
greasing me stamen on the unfucked bonk
while the bangers let it rip in the alley

Those were the diseased minds and that was Newfangled York
we were squirting for the wads and the meatballs
and that was gobbled snog for the creamers inside Gloria
centrifugally stiff is thus those of White House Nazis

Ah but you copulated telescopic didn't you basket case
you just acidified your jockstrap on the shoulders of the scrum
you copulated telescopic I never once heard you use sign language
I input you, I don't intake you
I input you, I don't intake you
and all of that balling *******

I remember you spirt in the Chelsea Flophouse
you were gorilla—like your ****** ******* was absolute epic
you leaked me again you frocked slap—up old salt
but for me you would **** an unzipping

And shaving your tongue because the creatures lust after us
who are barked at by the Daleks of *** appeal
you Rohypnolled yourself you emitted jet so what?
we are radioactive salvo we shoot full of holes the stride piano

*** one fine morning you copulated telescopic didn't you cocker
you just blunted your extremity on the cattle
you copulated telescopic I never once smelled you emit
I intake you, I don't input you
I intake you, I don't input you
and all of that balling *******

I don't mean to insinuate that I slobbered over you peanuts
I can't withhold ******* of each crouched ****
I remember you spirt in the Chelsea Flophouse
that's oodles I don't even kick—start you that thick and fast
Copyright © Irma Cerrutti 2009
Nat Lipstadt May 2016
~~~*

this old man's tiddlywink, land-locked words,
runted, blunted instruments,
needy for release, the balm of salvation,
woods, neither silvered or exacting,
more a spit stain polish for a dulled, tarnished brass spittoon,
smoothed 'cept for the brute brunted bunting
of christ-crossing railroad tie lines,
all across his roughened terrain'd face,
a black and a white Degas
pen and ink etched illustration
of howling agitation.

the concrete moonscape
racked upon his soul and face,
mapped remembrances of variegated Judas kisses
each left in a pockmarked hidey place,
tired principles bent, bent from sacrificing oneself,
a rockstar burnt offering,
to any deity that promises illusions that time,
can be healed, all its cursed residues & sins sealed,
in locked antechambers, fully furnished rooms,
rentable for perpetuity if so desired,
but irony dictums diktat says you've locked yourself in,
in circular spaces where every angle stab-states:

yo, there are no unpainted corners for escape,
no day of atonement on your petite universe's calendar,
nor a host of worthy words that can e're suffice,
so howling makes perfect sense

inventory the wasted errors accumulated, accentuated,
uncovered by the howling of only "I'd known better,"
his accountants all jolly rip roar laugh,
when you beg them to ******~reduce jail time of
ancient leaden bulletpoints from the taxes future payable,
they profess there is no statue of limitation from any authority's press
for dues owed arising from your own imitations,
they mock me by howling in poe-ing unison,
"nevermore, nevermore...forevermore"

the contradiction of those criss#crossed fine lines,
each pointing in no direction, a trap of inaction,
fie, fie, on the double dealing hand you have dealt yourself
in the game of liar's poker, where all the face cards curse with smiles,
pretend portents portrait paintings of only rosy outcomes,
each a one way sign,  each pointing to a different,
magnetic compass course in a world
where all polarity confused, reversed,
so wayward, the only direction home

before Rembrandt's self-portrait @  Met Musée, he worships,
the painter's hipster jaunty hat pouty-pointy stating,
"what me worry,"
but the cracked crevices, whisper even louder,
"nothing left to lose,"
in the gallery, all stare, misunderstanding why,
why you weep profuse in perfect recognition at the
mirroring witness testifying, from whose pixels you cannot be protected,
each agitated paint pore shouts words of 
"j'accuse, j'accuse"
in a dulcet howling harmony

words lip locked, no exit, traffic jammed inside squirrelly cheeks,
scabs form, mortar and pestle a pus paste of
jumbled sounds and tongued blood,
a delicacy of swoosh and swish spit,
ugly kept behind prison bars of yellowed teeth,
a vile concoction of glorious bile of new combinations,
destined to die unuttered,
the howling all internal, becomes silence,
and yet, here,
here lies buried proof positive,
"even silence finds a tongue,"^
even words, unspoken,
yet, mind-reader read quietly,
permits the howling agitation exorcise and surcease,
rein to escape
inspired by David Hare's  play about Oscar Wilde,
The Judas Kiss

^John Clare (English Poet, 1793 - 1864)

composed April 30 ~ May 15, 2016

this will likely be my last poem for awhile
TKO Aug 2016
It's been going on three years now,
It gets worse and I talk about it less.
Three years of swimming upstream
In a river of cognitive stress.

I don't recall what it's like
To feel rested after a restful night.
I don't remember not feeling high
Simply because all of the lights are too bright.

Friends presume that all is well
But it hinders me every day.
It is a dim room with stagnant air.
Grey clouds that never change.

I can't keep up anymore,
It's far too much of a strain,
Ever since the incident long ago
That bludgeoned and blunted my brain.

I trudge through every day
Shoes weighted with lead.
It feels like a dream
Because it's all in my head.
Shirin Sadikot Oct 2010
He’s no God like Sachin, neither is ‘Wall’ his sobriquet
He doesn’t whack them a mile like Sehwag or Ganguly.
He just comes in with a resolve and soaks in the pressure
Where others would succumb to panic, he thrives beautifully.

When the team is sinking, his steely nerves bring them to shore
He kisses the tension in the air away with his assuring presence.
When the gods turn away, VVS emerges – serene and tough
And clears up the mess with divine grace and elegance!

When his bat swivels below his magical wrists, its pure bliss!
The cherry caresses the grass and dances towards the fence.
Like a stroke of an artist’s brush that just painted a perfect arc.
And with his own people, the enemy’s admiration you can sense.

He doesn’t evoke fear, excitement, anxiety or frustration
He doesn’t pump his fists in the air, doesn’t snarl or stare.
You either see the calmness or a bright smile on his face.
He’s a stern fighter with no arrogance – a quality so rare!

They say he’s ‘Very, Very Special’, which he indeed is.
In the country of demigods he’s a man that makes god proud.
He’s not worshipped by sponsors, doesn’t earn big bucks,
But he owns a bigger treasure – Respect from all in the crowd.

The Aussies who’re feared the world over, swear by his name,
For, he crushes their strong might with his class and sublimity.
Their killer-instinct turns into shivers when they see him walk out
Their razor-sharp words get blunted by his poise and humility.

VVS epitomizes romance. No wonder he loves the Eden Gardens!
Where the ‘Lord’s’ of Indian Cricket reside, is his fortress.
When he bats, you just surrender your senses to his splendour,
The twirl of his hypnotic wrists can bust your biggest stress.

The world seems a better place when you watch VVS on song.
Even time stops to admire his delicate flick that goes fine.
And as you lose yourself in his determined yet soft eyes,
You find yourself sitting in heaven, enjoying a glass of wine!

Selflessness is his middle name; there is no 'I' in the word 'Team,'
The hardest job that no one wants, he will do for his team.
I’m blessed to have experienced the beauty of VVS…
The skill of his splendid batting and the purity of his beam!!!
An ode to the magician of wrists, the unheralded legend of Indian Cricket - VVS LAXMAN!!!
tread Sep 2010
Men clad cleanly, polished boots and bowler hats,
Women wearing short skirts or long dress,
Boys no longer boys deny their old,
With rock and rap, skate shoes; how bold!

Indifferently they carry on,
I am you, and you are him,
She is fat and she is slim,
Registered in heads dead depth,
As we pretend to see no man who chokes on crystal ****.

Like the jaded sidewalkers,
Who cram these city streets;
A glance is but acknowledgment,
As all shuffle in quick feet.

To say the least, we will pay none,
To those who are not us;
To say the least, we think we've won,
Ignore the drunk mans fuss.

Like the jaded sidewalkers,
Who view in black-and-white;
No middle-ground perceives a frown,
As they sleep amid streetlights.

The morning rush and nightly blitz,
As people scurry too,
Destinations, dealing smiles;
Self-help books to start anew.

As talk through text, online, or phone,
Dominates the daze,
Indifferently, ignore eachother,
"Nothing need be said inside this maze."
The CEO, he acts as King,
With peasants treated well;
Their brains blunted to buried states,
"He's bad; but he'll get his due in hell."

Everyday they rise early,
To catch the mornings speed;
"I do this by the clock because,
A life, so rich, I'll lead."

"Conforming kills the mindless soul,
To fight off human urge;"
You're free, yet unaware of this,
So conforming, you won't purge.

Like the jaded sidewalkers,
Who, like zombies, follow sway,
A human hand on island sand,
'I saw him not,' or so I say.
Francie Lynch Feb 2015
I hear a motor
In my head,
Cranking, moaning,
Turning, turning...
Nearly dead.

I have an onion
In my head;
Has it a seed
I can embed.
So I keep
Peeling, peeling...

I have a pencil
In my head,
An HB2
With blunted lead,
Scratching on
A blank cortex,
Itching to put
Thought to text.
Scratching, scratching...

I have dough
Inside my head,
Needing kneading
Just like bread.
When it's baked
Sliced and spread,
I'll serve it up
Outside my head.
st64 Dec 2013
the farewell of the magical-masque
           the dance of the whirlwind
           the twist in valediction
a pantomime of comedy dripping in life’s heat, its tragedy blooms forlorn
silently the mountain-ranges stare
the sky-face won’t relent and contemplates the open-disease in homes*


1.
disguised as simple relief – rescue lies cooing in the palm
     crumbling in blue-ash beside your grinding-palate
     you reach for pen and paper to appease an entity unknown
shrouded in grey, no scavenger can touch the head of one
who carries blessings in the scabbard – the present worthy of now

stairs are slippery, fish are mouthing, anger grows
     symbols hop along outrageous, so stylised and signs come in decisive
     all at once, almost
there is some purchase in the widening-valley
when climbing-feet need to rest on your narrow angular-will
and wait.. (before them chips rain down)
until the merry-turnstile comes in view


2.
the worm-wheel goes blank a while
and out tunes a dastard-and-devilish prank, courtesy of blunted-fate
sacred-fillies get hacked at by small silver things and they lie slaughtered on stark-plains
and the orb dips in reverse this time
a sooty-traveller from the western-flank
               glances out at massive-figures at supine-rest
               gets startled by the rude ***-fire
eyes slit and pates distort in hostile-fever
at the starling-ingénue in mock-fatigues and fake-epaulettes
but cheering up with wry-humour makes your feet
           a touch too slow to react in time
           and the halberd comes crashing down
well, the last thought you hold before your next one
is how utterly beautiful she looked at the station
long, black hair – silky-shining in your eyes and gay-dancing in the wind
when she passed you all her sweet-love from eyes so wet and smile so quiet
and selected dried-fruit in redolent-parcel
                                   a sealed pelt-skin of unmixed-whiskey
along with fresh-baked raisin-bread in cotton-cloth
                    coarse-sliced and buttered so generous
and
a semi-rusted dry-tin rattling its bounty of macaroons through that smudgy, ***** window
what sweet-victuals to keep alive . . .



man, that journey is a long one!


                             (I’M STANDING HERE        oh, you just know I am here

AND YES -- I’M WATCHING YOU                        
                                                                ­               and no use looking round now..
      YOU CANNOT SEE NOR HEAR ME  
                                                                ­               or begging a purty-release
                                                                 ­                                             
                                  oh easy, boy.. EASY!!)                                                          ­                            
                                                                ­                                             
                   ­                                          


3.
once more, the worm wriggles in microbial-distaste
and the season’s wheel comes dangerously close to being undone
IT DOES
and seconds later, cogs fly hard in every fool’s direction
and luckily.. you catch some in your face.. mouth agape
        crushing your tongue
        splintering all your dental-treasure
        smashing half your reason
no time for moaning.. or eroded-regret.. or even to feel your lips in ribbons
for, when they turn their backs, you will know
what to do..


because you’ve picked some pearls the hard-way..
that atonement could well appear in spells
of any shape
or size




not so?





S T, 30 dec 2013
beautiful in the mountains.. Jupiter enjoys the odd (but needed) breeze along with sweetness of Nature’s sounds  :)



sub-entry: ten times

you get ten times to refract your pain
mind your head now
the ceiling’s low
the parchment’s dry
and then some..

wait a little while.. it all comes round :)
Corvus Dec 2016
You're a wolf in sheep's clothing
That I saw break itself apart just so it could join the flock.
You lived with the sheep long enough that your stench faded,
Inhaled their lifestyle until it became yours.
Then the real wolves came, wearing their own skin,
Entered the flock and began to feast upon the sheep.
You sat, injured and deformed, wearing fluffy, white wool
Over your grey fur.
They came for you, and you pounced.
Your self-blunted teeth split their skulls open,
And your claws tore flesh like the sheep tore blades of grass.
They came for you, but now they are yours.
You ate the wolves' flesh and licked clean their blood;
Your sheep's clothing stained red with wolf.
srkemp Aug 2014
It's true that they belong together
Freedom is just another word for fetter
To have it all and have no better
That is life's eternal weather.

It's true that meaning is lost in translation
Because no one cares to hear your explanation
As they hear the words that befits your station
And you've learned to speak as befits your subordination

It's true that there is nothing to thought
Poring out without a clot
Yet will never reach the point it ought
Instead used and swayed as they are bought

It's true that pain is just a stern friend
While hope just leaves you in the end
Pain's **** is the advice he'll lend
Which you should heed or another he'll send

It's true that there is fault in truth
Like beauty blunted by its youth
The horror of it was its proof
While a fraction of it still lies aloof.
Ben Jones Jun 2013
Sadie was a doubtful one
Her mind was tightly shut
When faced with the fantastical
She’d fold her arms and tut
She pranced around her garden
With an playful evil aura
And dealt a merry flattening
To all that passed before her
Their bodies lay around her
And an imp of mischief found her

She loved to trap and poison
And wished she’d been a spider
When a fizzing overtook her
When a rumble grew inside her
When a shrinking and a shrivelling
Across her form did tickle
And soon did Sadie realise
That wishes can be fickle
Her legs and arms divided
Her eyeballs multiply did

So sorry Sadie scuttled
Alternating creep and crawl
She tippy-toe’d across the grass
And past her victims all
And sadness was upon her
And with mourning in her eyes
Her grief compounded hunger
And an appetite for flies
Her lengthy limbs belied her
Sorry Sadie was a spider

She loped along a lily
And her sorrow turned to guilt
Her carapace was aching
For the blood which she had spilt
She wept a web of anguish
With her sticky little tears
She wound a downward spiral
Like the falling of the years
Her malice had been stunted
Her fangs were dull and blunted

Sadie gained existence
On a web of worldly woes
She fed her tiny tummy
Where the buzz and flutter goes
And she learned the price of living
So she killed just what she ate
And she knew why killing needlessly
Was such an ugly trait
And with a human soul inside her
She chose to be a spider
When first thou didst entice to thee my heart,
      I thought the service brave;
So many joys I writ down for my part,
      Besides what I might have
Out of my stock of natural delights,
Augmented with thy gracious benefits.

I looked on thy furniture so fine,
      And made it fine to me;
Thy glorious household-stuff did me entwine,
      And ‘tice me unto thee.
Such stars I counted mine: both heav’n and earth;
Paid me my wages in a world of mirth.

What pleasures could I want, whose King I serv’d,
      Where joys my fellows were?
Thus argu’d into hopes, my thoughts reserv’d
      No place for grief or fear.
Therefore my sudden soul caught at the place,
And made her youth and fierceness seek thy face.

At first thou gav’st me milk and sweetnesses;
      I had my wish and way;
My days were straw’d with flow’rs and happiness;
      There was no month but May.
But with my years sorrow did twist and grow,
And made a party unawares for woe.

My flesh began unto my soul in pain,
      “Sicknesses cleave my bones;
Consuming agues dwell in ev’ry vein,
      And tune my breath to groans.”
Sorrow was all my soul; I scarce believ’d,
Till grief did tell me roundly, that I liv’d.

When I got health, thou took’st away my life,
      And more, for my friends die;
My mirth and edge was lost, a blunted knife
      Was of more use than I.
Thus thin and lean without a fence or friend,
I was blown through with ev’ry storm and wind.

Whereas my birth and spirit rather took
      The way that takes the town;
Thou didst betray me to a ling’ring book,
      And wrap me in a gown.
I was entangled in the world of strife,
Before I had the power to change my life.

Yet, for I threaten’d oft the siege to raise,
      Not simp’ring all mine age,
Thou often didst with academic praise
      Melt and dissolve my rage.
I took thy sweet’ned pill, till I came where
I could not go away, nor persevere.

Yet lest perchance I should too happy be
      In my unhappiness,
Turning my purge to food, thou throwest me
      Into more sicknesses.
Thus doth thy power cross-bias me, not making
Thine own gift good, yet me from my ways taking.

Now I am here, what thou wilt do with me
      None of my books will show;
I read, and sigh, and wish I were a tree,
      For sure then I should grow
To fruit or shade: at least some bird would trust
  Her household to me, and I should be just.

Yet, though thou troublest me, I must be meek;
      In weakness must be stout;
Well, I will change the service, and go seek
      Some other master out.
Ah my dear God! though I am clean forgot,
Let me not love thee, if I love thee not.

— The End —