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Cné Aug 2017
when i fall,
i don't just fall in love.
clumsily, i stumble
down and then i land

awkwardly and graceless,
stuttering utterly at the foot
of a handsome man,

blundering an apology
out of breath, ineptly
embarrassed about
my shaky hands,

clambering
to dust myself off,
all the while, i try,
desperately, to stand

wishing i could disappear,
i rise as quickly as i can
waving off any helping hand

so he doesn't see
how incredibly stupid
i must be
Doh
I have yet to manifest all I am,
Like the prolonged discovery
Of a well known secret.

Here's a free grand tour
Around here special guest,
I would very much like it
If you stuck to my side
Like a sidekick.
I, the heroic tour guide
Of so many surreal wonders,
And darling oh my--

The setting sun sat beside
Two bottomless candles whistling.
Before you knew it,
Their identities were indistinguishable,
In their fervid resplendence.


Frank motives are held back,
Control is so fallibly crass.
What would happen if the
Suppressor were to collapse?

We would expand,
Like we toiled for.

Originally written 2/27/11
Revised 10/19/14

(c) 2014 Brandon Antonio Smith
Mateuš Conrad Feb 2020
why did i ever go out on a friday night?
drinks with "friends" and hitting the essex
club "scene" -
well - no much of a scene -
there was never the music you'd want to listen
to: come friday or saturday -
even mid-week when all the rock kids
were "hanging out" -
what would be chances of being your own d.j. -
catching something really new...
POIZON - church is poizon -
cool mom - something between a crossbreed
of cage the elephants and nirvana on blew -
3rd view - moi -
but i used to: and i remember that gehenna of
a sobering walk - alone after a night out -
like some furious son of sam -
when youth still had the adrenaline with it
and a sense of anger ******* around with
disillusionment -

those were the friday nights: bon jovi highlights
and long hair and milking a somewhat androgynous
look - sometimes the mascara would come out...
those were the days of having milk skin
and a proper shave -
the long hair and the waistcoast and cravat: semi-,

the lonesome story before i met my beard:
fwyday mordaithceirch -
i actually have a name for it...
i forgot what's already the designated
whittle pecker mr. pritchard of the down down:
below...

oh, oh so what...
rough friday nights in my youth -
on the clubbing "scene" -
and always that moral hangover when it came
to drinking with others -
ever since i started drinking by myself:
i forgot the mirror and that bucket
of warm water beside my bed to put my hand
in before going to sleep...
once or twice the company was worth the drink -
but most of the time you only kept
such company: because you were drinking -
drinking was never an afterthought -

now... i like drinking alone -
at least i can keep fact-checking the company
and the odd vocab peacock taking to the catwalk
of a ruminating free-fall tongue waggle
and rummage - the needle in the haystack
adventure - or... the ******* bucket
of deshelled oysters...

there have been some awful friday nights -
but: seeing how i started to give my beard
a welsh name borrowed from a willem dafoe
novel - and how it simply became pointless
to wake the dead with the angry tantrums
of youth: and how i seem to have
forgotten where my 20s "went" -
somehow rooted in: da-sein and how
i "wasted" 2 years on one book by kant -
2 years on one book by heidegger -
and: how i didn't have the time to "catch-up"
on the greek classics -

oh these island dwelling people -
i try to imagine them not being a seafaring:
and their messiah / superiority complex -
with their breakfast that could hardly
be digested come the hour of noon -
or no messiah / superiority complex -
the traffic: indeed - works like clockword...
from left to right...
sidenote: what of fahrenheit and
the feet and inches - stones and pounds?
ounces?
the metric of: baseline 0 here,
baseline 00 over there...

no... Michele Campanella piano solo take
on wagner's das rheingelt: entry of the gods into
valhalla - it's hardly anemic -
it's... the last leaf of autumn falling -
because the crescendo has already happened...
a befitting closure...

the superior island folk and their...
hyphens and germanic loan words -
how almost all names in chemistry are still
in their germanic: intact form of: no hyphen:
broken leg or broken arm...

woodwinds... perhaps... the violins providing
the humming of birds:
chirp chirp: no chirping -
and of course the horn - but the horns never
as prominent as those drank from...

something has happened today -
but i am... left without having any english
sensibility / egalitarianism -
somehow i always equate egalitarianism with
the english - the islanders -
a firework went off in the background -
mr. sloth awoke mrs. slouch after 3 years
for a firecracker celebration...

because who would want to be ruled
over by unelected: chocolatiers...
esp. after their trial run in the Congo -
but i have certainly had worse friday nights...

it can't exactly get much worse than...
say... listening to the siegfried idyll...
multitasking: drinking a cider, smoking a cigarette,
balancing act of folded leg sat on
perched on a windowsill solving a no. 11,289
sudoku from the 27th jan. 2020...
otherwise prior to:
imagine my disbelief at the pleasure -

with numbers to somehow escape thinking in words:
no grand arithmetic linear gymnastics -
of the end result -
certainly no logical statements -
just a whirlwind of numbers complimenting
these few words...
and what a fine friday night it has become:

the pizza was made - god save me from the perfume
of yeast... or checking on the rising dough
from time to time -
the leftover yeast gave me the opportunity
to bake an imitation sourdough crust pretty-as-a-picture
loaf that: would make any mushroom blush
and shy away from unfolding into an umbrella pose...
or a Y... curling outward-inward into an upsilon Υ...

because how could i forget the pleasure of
sifting through numbers?
by the time i attempted puzzle no. 11,290
i had to write a "map"

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
2)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x
3)   x   x   x   x   x   x   x   x   x
      x   x   x   x   x   x   x   x   x

come to think of it... where's a subscript?
if i'm going to use 1, 2, 3...
to tier the allocation of squares...
tennis and sudoku...
tennis: a game of 7 rectangles -
and how many judges and ball boys / girls?
sudoku - a puzzle of 10 squares - perhaps...
if i'll use tiers 1, 2, 3: a1, b2, c3...
what if... sudoku invoked letters rather than
numbers?

much later... oh believe me...
this is the antithesis of knausgård
writing about using googlemaps...
        
           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

it's still a schematic - the narrative is yet
to begin... otherwise...
there's nothing smart about this...
i have tired eyes sometimes:
i succumb and have to allow myself
to no acid-bath these eyes in words...

esp. since i speak so rarely -
imagine... in england and i spear
the bare minimum of english -
i can: i have to: i will - when being prompted -
but i can't remember the last time
i had an honest: informal exchange
of letters... lapped up by the glutton
tongue... i looked and looked
and with my silence i can attest:
there's a speech-impediment -
a stutter that's not born from nervousness...
but... an allusion to a "stoic" through
my lack of conversation...

at least on paper i can exfoliate -
enough cider and enoug whiskey and i'm all
sparrow McDermott!
ugh... the devolved scots and the likewise
welsh... devolved nations...
only this aspect of Brexit is... well...
imagine the "evolved" status of post-Yugoslavia...
Kosovo...
this is the only aspect of an otherwise:
fair enough that's... well...
if you lived for 3 years among the scots...
you'd get to appreciate them...
this is the only aspect of this whole affair
i will ever appreciate...
i would pour blood and **** into
the Welsh continuing their...
preservation of the iaith...
forever and the more - i would love to see
scotland start to dig trenches and
forget trainspotting gaelic -
parading like ponces and humpty dumpteys
with "harkccents"... glasgewian bull-runnings...
cousins aye and wee -

a thing of beauty: a thing of union...
but this... they were bullied in brussels...
they came back and started to bully the scots...
if you have lived -
the betas of cardiff - but they tongue: remains!
look far back and wales would encompass
cornwall -
ignorant i of a 26 year "servitude" on these isles...
quiz me on outside of London:
no point...
perhaps i too would wish for the lost
theta in Dublin - towing: to t'ink...
as any sanskrit H-surd does matter...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

but if i will replace... the side tiers of numbers...
the numbers in the puzzle will have to become
letters - greek... probably iota, epsilon and upper-case
gamma...

the bullied have returned from the palance
of the chocalatiers and: back to their old ways
of bullying the rest of these island folk...
because: it's infantile for me imagine
a resurrection of the crown (poland)
and the grand duchy of lithuania -
the commonwealth -
but somehow the united kingdom is not
fated to become the next yugoslavia -

i can confirm - up in edinburgh i was
confirmed by having the hat of Knox having
scalped me -
never is always metaphor: vaguely -
as in literally - in these quasi-paragraphs...
so it's not... infantile to even "think" that
the british empire can be revived?
zee window-licker spezials of
cross-breed h'americana postcards sent?
i nibble to attempt a joke...

oh i can bulldozer this whole narrative...
turn into a berserker -
i've saved enough money to deal
with the label loser...
all it will take is me having drunk enough -
sightseeing the slums of london's east end
and then hitting the brothel:
like an iron-head... to the pillow
and the ***** of a *******...

because i have had worse friday nights...
terrible company...
if i were not a michel de montaigne or a knausgård:
me me me, me me, me me me me,
write enough of that and:
to meme to grafitti... or to...
why are there no diacritical markers in
the english language worthy of recognition?
why would i...
rhoi fy **** y Cymraeg enw?
give my beard a welsh name?
and why is that not a cedilla C but a ******* K?
why not... Çumraeg?

on foreign shores i have made it adamant that...
this sense of foreigness does not
peppermint my presence with hopes to:
add to - an integration -
just borrow what the local have made: left-overs...
and work with that...

(insert snigger) - the neu-vikings of
northumberland...

           a             b             c
      x   x   x   x   x   x   x   x   x  
1)   x   x   x   3   x   x   6   x   4
      x   x   x   2   x   4   x   8   9
      x   1   9   x   4   x   x   6   2
2)   x   x   x   7   x   x   x   5   x
      x   x   2   x   x   8   x   4   x
      x   2   x   x   x   x   x   x   x
3)   x   x   6   1   9   5   x   x   3
      x   3   8   4   x   x   x   7   x

this really does have a linear narrative...
here goes...
3(c1), 9(c3), 1(c1), 2(c3), 2(c1), 2(a1), 9(a3), 8(c3),
4(c3), 8(c2), 8(a2), 5(b2), 7(c2), 3(b2), 3(b3), 8(b3),
7(c1), 5(c1), 7(b3), 5(c3), 1(c3), 6(c3), 1(c2), 3(c2),
9(c2), 9(b2), 6(b1), 6(b2), 6(b3), 2(b3), 2(b2), 1(b2),
1(b1), 9(b1), 9(a1), 8(b1), 8(a1), 5(b1), 7(b1), 7(a1)...

and then a "gamble" in the narrative...
the (7a2 and the 5a2 - interchange)....
it's a pleasure - not a chore -
5  9  4
2  8  7
3  6  1
8  1  9
6  4  3
7  5  2 - this line... what if it was 5  7  2?
1  2  5
4  7  6
9  3  8
if i want to solve this puzzle - i will solve it
and not read a tabloid article /
whatever the hell has become of youtube...
my diamond jukebox...

otherwise the "narrative" continued from
7a2 and the 5a2 interchange:
7(3a), 4(a3), 4(a2), 6(a1), 4(a1), 5(a1), 5(a3),
1(a3), 1(a1), 3(a1), 3(a2), 6(a2)... end result?

           a             b             c
      5   9   4   6   8   1   2   3   7  
1)   2   8   7   3   5   9   6   1   4
      3   6   1   2   7   4   5   8   9
      8   1   9   5   4   3   7   6   2
2)   6   4   3   7   1   2   9   5   8
      7   5   2   9   6   8   3   4   1
      1   2   5   8   3   7   4   9   6
3)   4   7   6   1   9   5   8   2   3
      9   3   8   4   2   6   1   7   5

because i can imagine this not being:
the most difficult Finnish sudoku...
i can almost imagine this puzzle
to be in greek...
where: 1ι, 2ζ, 3ε, 4χ, 5Σ, 6δ, 7Γ, 8β, 9ρ...

in the background all i hear is:
corvus corax' la i mbealtaine...
the greek version of the japanese puzzle...

           a             b             c
      Σ   9   χ   6   8   ι   ζ   ε   7  
1)   ζ   8   7   ε   Σ   9   6   ι   χ
      ε   6   ι   ζ   7   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   7   6   ζ
2)   6   χ   ε   7   ι   ζ   9   Σ   8
      7   Σ   ζ   9   6   8   ε   χ   ι
      ι   ζ   Σ   8   ε   7   χ   9   6
3)   χ   7   6   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   6   ι   7   Σ

half-way... i just wanted to "selfie" what
will become of this... i no longer write: i paint...

            a             b             c
      Σ   9   χ   δ   8   ι   ζ   ε   Γ  
1)   ζ   8   Γ   ε   Σ   9   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   8   9
      8   ι   9   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   9   Σ   8
      Γ   Σ   ζ   9   δ   8   ε   χ   ι
      ι   ζ   Σ   8   ε   Γ   χ   9   δ
3)   χ   Γ   δ   ι   9   Σ   8   ζ   ε
      9   ε   8   χ   ζ   δ   ι   Γ   Σ

going... going... gone...

            a             b             c
      Σ   ρ   χ   δ   β   ι   ζ   ε   Γ  
1)   ζ   β   Γ   ε   Σ   ρ   δ   ι   χ
      ε   δ   ι   ζ   Γ   χ   Σ   β   ρ
      β   ι   ρ   Σ   χ   ε   Γ   δ   ζ
2)   δ   χ   ε   Γ   ι   ζ   ρ   Σ   β
      Γ   Σ   ζ   ρ   δ   β   ε   χ   ι
      ι   ζ   Σ   β   ε   Γ   χ   ρ   δ
3)   χ   Γ   δ   ι   ρ   Σ   β   ζ   ε
      ρ   ε   β   χ   ζ   δ   ι   Γ   Σ

i don't mind a people being right...
but the overt-gloating...
without having to work around the sort
of paranoia associated with:
how the russians are not allowed to glutton
themselves on gloating -
because they are always made
to feel suspcious - the russians can't gloat
like most of the anglo- speaking world...
always suspect: russophobia evil genuises...
tip-toeing goliaths - less the blundering
fudge-packers of "global ****"...
and i kissed a boy and i liked it...
my genitals started shrinking
and my *** started to exfoliate with:
welcome all! welcome all hard and on!
and that tongue in my mouth always helps...
but imagine my surprise when
i started to navigate my hands
but the reply came:
timbuktu and mt. kilimanjaro will not be found
attached to this sort of torso...
wrong dog, wrong tree...

some things really do require numbers...
i once had a mathematics teacher in high school
bemoan the origin of modern numbers
and how we once: upon a time used these letters...
but did our arithmetic with visual aids
akin to the abacus... because...
you'd have to "read braille" when counting...
to differentiate the already: lettered numbers
and the letters being letters -
and all arithmetic functions
were "spoken of" but never depicted...
i.e. there was no VII + III = X...
there was no XV - XI = IV...
eh?! arithmetic was cat-intuitive...
not spoken of - done by either the visual
aid of fingers when haggling
in a market place -
or by the abacus aid in a bureucratic office!

i said this was the most perfect friday night...
what did i have to offer?
no clickbait title - some gems of wording
in between?
the patient reader - as ever - most rewarded -

but... oh my god... the sensation of
changing the bed sheets...
it's friday night and you're... changing your bed sheets...
and they are more crisp and clean
than any political event that the journalist leeches
are milking -
and you do it with a saving private ryan precision -
you will sleep in this bed: well into
11am of a today to come...
believe me: that you will...

- in that i am still walking among the germanic people -
if the germans will sing a: bretonisher marsch...
then the two peoples are alligned by
their sentiment for the crow as their godhead:
alles menschen totem...
what could possibly make me feel welcome?
french grammar is polish grammar...
matin de printemps - poranek wiosny -
spring morning in reverse in germanic...
how many more examples would i ever wish
to give?

there was a moment in my life where...
i realised my faults... i should have read
the Pickwick Papers... anything by C. Dickens to be sure...
instead came Stendhal, Voltaire, Balzac...
because if you said to me...
BBC radio 4... the archers...
and... thomas hardy: madding crowd?
you'd accuse me of being ignorant of:
London is a bustling cosmopolitan in-waiting
from the busy-body industrial proto-Beijing
it was of 100 years ago?    
the French had cosmopolitan intellectualism
100 years prior to the english...
100 years later and it's still not much...
is anyone about to cite me william hazlitt?!

the trouble with the english is that they hold dear
to that one old 19th century idea -
this waiting for: awaiting a revival of darwinism...
the "blatantly" obvious needs a resurgence!
because a michael faraday must most surely
be forgotten!
how many times will this already painful reality
need to be emphasised once more:
intellectually - via a darwinism?
no one stresses the copernican "upside-down"...
or what is copernican "west" up in space?
how does acknowledging the sphere
of the earth - ease you reading a flat map -
moving from point A to point B?

earlier this week - for once in my life i was
ashamed of what i wrote -
so i wrote for scribli per se: scribbles for
scribbles themselves -
the darwinian germanic folk who say:
alles von afrika...
how the hebrews debased themselves
in both aushwitz and breaking their bones
on the emoji hieroglyphs -
alles von afrika: ja... so sicher... so wahr!

ask any slavic person among the germanic
peoples...
where from? wir (ar) sind lesen und schreiben
"afrika": i.e. Indu...
if the african challenged the hebrews
with... "the best they had": egyptian emojis...
why would i not stress my birth
with pseudo cedilla Ş / इ... ☦ -
this indo-european is not... at home with
these african-germanoids...
pseudos and quasi -
these chocolate frenzied busy-buddies!

from the caucasian and further still from
that whittle sub-corinthian quote: continent...
somehow, "somehow" this part of this story
is read: south to north... always a grand
marker missing when the people went
east, squinted... learned skeleton existence,
atoms... and the frenzy of letters:
owls and ******* **** flinging beetles
back in the north eastern tip of
africa: in that egyptian haemorrhage of "idea"...

i assure myself... perhaps the form came from
africa... but sure as **** the tongue only arrived
in the lap of the Dalai Lama...
as did the "thinking" and the music
across prior to the Mongol's curiosity
over the tundra of Siberia...
something had to be placed on a loan...
and coming back to the cradle and the crux
had to happen like so...
not this current: ergo: so...
quickened and: what news from Damascus?!

first impressions count...
i made my bed... it's newly washed...
as crisp as falling onto a bed a prawn crackers...
without the crumbs' itch...
like listening to some german:
juggernaut... this will do... i can fall asleep
with this: grab hören zu der winderhall...
mehr flöte - weniger violinekratzen!
schlechtdeutsche? alle deutsche ist gut deutsche...
erwarten etwas isländisch zu sein
gesprochen insel von insel: auf diese inseln?!

to make a crisp bed of freshly washed sheets...
to sleep in them alone...
given the grammar is not that far removed...
are the french even remotely translated
as a germanic "sort of" people?
"they" or "we" share the same grammar...
and there are celtic freedoms that would
never be allowed to exfoliate under
strict anglo-ßaß obligations...

oh sure! great people! steam engine: choo-choo!
newton et al...
shakespeare: when they taught us shakespeare
they should have taught us bernard shaw...
when they forced jane eyre down our throats
we should have been reading
the pickwick papers...
the music will remain german -
because as much as vaughan williams...
holst and händel were "were" english...
esp. latter with his umlaut that spread over
toward i-and-j...

why wouldn't you **** at the pillar of the empire:
a past most assured - dust, books and moths...
like hell will i come to correct my ways
to state the: pish-poor Elgar... this poo'em too...
himmel... sky...
leerenhimmel - empty sky -
nein sonne während der tag:
das englischnebel: bedeckthimmel...
nein mond während der nacht...
nur so...

i of the lesser men of this world duly bow
my presence before the altar of the higher men
of these isles...
and hope and pray that their wisdom
will not bestow upon them any major calamity...
with not irony or ridicule i wish upon
these peoples... the right sort of oars
to turn this rooted island
into the people's imagined langboot...

there are only one british people a people
who will pursue to gloat having been
conquered by the romans...
being raided by the vikings...
integrating the anglo-ßaß...
a second viking coming via the Normans...
the push-over remains of the celts...
that somehow translated itself into
the: empire...
ideal: to compensate...
the islamic fervor for the... resurrected
caliphate...
jokes about the dritte ***** and the vierte *****...
that's pretty much the precursor jokes
surrounding: ein zweite ***** -
auf welche die sonne nimmer setzt -
ever wonder how that translates with the increased
cases of insomnia?!

again: bad german is better than
no german.
Ashwin Kumar Aug 2018
I don't know who you are
I don't know what you do
I don't know where you are
But I know that
You have wrecked me
Mentally, psychologically and socially
Rendering me incoherent in speech
And incapable of action
Reduced to a blundering mass
Of bloated bones and sinew
Ready to collapse like a pack of cards
At the slightest hint of a crisis

I don't know who you are
I don't know what you do
I don't know where you are
But I know that
You have wrecked me
And you shall pay dearly for it
Whether it be death by a thousand cuts
Or a pill of cyanide in your cup of tea
Or a bullet right in your temple
Or a mighty fall from the tallest tower
Or a bite from a venomous serpent
Or a decapitation by the mighty guillotine
Or even, having your soul ****** out
From your filthy mouth

I don't know who you are
I don't know what you do
I don't know where you are
But I know that
You have wrecked me
And I shall not rest
Until I finish you, once and for all
And the world is rid, of your menace
A poem which is meant as a message to a troll on Facebook with a fake account

Statutory Warning: contains references to violence, death and ******. Not recommended for children, senior citizens, women in advanced stages of pregnancy; and cancer and heart patients.
It's a still morning, quiet and cloudy
the kind of grey day I like best;
they'll be here soon, the little kids first,
creeping up to try and frighten me,
then the tall young men, the slim boy
with the marvellous smile, the dark girl
subtle and secret; and the others,
the parents, my children, my friends —
and I think: these truly are my weather
my grey mornings and my rain at night,
my sparkling afternoons and my birdcall at daylight;
they are my game of hide and seek, my song
that flies from a high window. They are
my dragonflies dancing on silver water.
Without them I cannot move forward, I am
a broken signpost, a train fetched up on
a small siding, a dry voice buzzing in the ears;
for they are also my blunders
and my forgiveness for blundering,
my road to the stars and my seagrass chair
in the sun. They fly where I cannot follow
and I — I am their branch, their tree.
My song is of the generations, it echoes
the old dialogue of the years; it is the tribal
chorus that no one may sing alone.
Moonlight Jan 2015
The thoughts in my head uncertain
My heart hides behind a curtain
And to those of you who know
I can think of no greater foe
For when my head is filled with grief
I can not think to start a beef
I only wish I could know all
And not make such a blundering fall
For my words left unspoken
I only ask for one simple token
Of love
Understanding
Compassion
Loyalty
And most of all...
A friend like **you
Here is one for you L. I`m sorry about today and that things came up. :(
Mateuš Conrad Dec 2016
you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay

is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.
Ah, Coventry, thou art but dead now-to me;
Thy life is not alive, and thy winds are too cold
Thou art as filthy as dust can be, and eyes might see;
Thy hearts are too bold, and to greed-your soul hath been sold.
And I want not, to be pictured by thy odd art;
For than oddness itself, 'tis even paler, and more odd;
And 'tis not honest, and full of disputing fragments;
Gratuitous in its earnest, talkative in each of its sort.
Ah, Coventry, I shall go, and catch up-with the strings of my story,
Which thou hath destroyed for the sake of thy fake harmony;
And in my tears lie thy most fragrant joys, and delightful sleep,
Which thou findeth tantalising, but idyllic-and satisfactory.
Ah, Coventry, go away-from my sight, as I solve my misery;
T'is misery thou hath assigned to, and dissolved over me,
I bid thee now fluently blow away from my face;
With a spitefulness so rare, and not to anyone's care nor taste;
And doth not thou question me, no more, about my tasks-or simply, my serenity;
For thou hath fooled me, and testified not-to my littlest serendipity,
You who claimed then, to be one of my dearest friends;
And now whom I detest-cannot believe I trusted thee back then.
And my soul! My soul-hath been a tangled ball-in thy feeble hands;
Colourless like a stultified falsehood, blundering like a normal fiend.

For on thy stilted dreadfulness at night, I hath stepped;
For in front of thy heterogeneous eves, I hath bluntly slept.
I had tasted thy water, and still my tongue is not satisfied;
I had swum in thy pages, but still my blood is not glorified.
Among thy boughs-then I dared, to solidify my fingers;
But still I couldst not bring thee alive, nor comprehend thy winters.
Instead I was left teased, and as confused as I had used to be;
I couldst find not peace, nor any saluted vehemence, in thee.
Ah, I am exhausted; I am brilliantly, and sufficiently, exhausted!
I am like torture itself-and if I was a plant, I wouldst have no bough,
For my branches wouldst be sore and demented,
For my foliage wouldst be tentative and rough.
I hath been ratified only by thy rage and dishonour;
I hath been flirted only, with thy rude hours.
And my poems thou hath insolently rejected,
And my honest lies thou hath instantaneously abused.
Thou consoled me not, and instead went furtive by my wishes;
Thou returned not my casual affection, and crushed my hope for sincere kisses.
I hath solemnly ratified thee, and praised thy music by my ears,
Yet still I twitch-as my sober heart then grows filled with tears.
Ah, thou hath betrayed, betrayed me!
Thy grief is even enhanced now-look at the way thou glareth by my knee!
O, Coventry, how couldst thou betray me-just whenst my time shivered and stopped in thine,
Thou defiled me so firmly; and disgraced the ****** poetry bitterly in thy mind,
As though it wouldst be the sole nightmare thou couldst 'ver find!
Ah, Coventry! Thou art cruel, cruel, and forever cruel!
Thou hath disliked me-like I am a whole scoundrel;
Whenst I but wanted to show thee t'at my poetry was safe, and kept no fever at all;
But no other than an endorsement of thy merriment, and funny disguises for thy reposes.
Ah, how couldst be thou be so remorseful-how couldst thou cheat me, and pray fervently-for my fall!
And to thee, only greed is true-and its satisfaction is thy due virtue,
For in my subsequent poetry, still thou shalt turn away-and scorn me once more;
With menace and retorts simply too immune, and perhaps irksome loath-like never before.

Ah, but how far shall thy distaste for me ever go?
Thou who hath blurred me-'fore even seeing my dawn,
'Fore even lurching forward, to merely glance at my town.
Thou art but afar, and now shall never enter my heaven,
For victory is no longer my shadow, 'tis to which I shall return.
I am like a shame behind thy glossy red curtain,
I am a pit whom thou couldst only befall, and joylessly spurn.
But ah! Still I am blessed, within my imperfection-thou knoweth it not?
I am blessed by the airs-and wealthy Edens of the Almighty, thou seeth t'is not?
He who hath the care, and pride anew-to cut thy story short,
He who hath listened to my cores, and shall deliver me from thy resort.
T'us I shall be afraid not, of thy wobbly tunes-and thy greedy notes!
For humility is in my heart, though probably thou hath cursed me;
And bidden me to let my soul detach, and run astray,
Still I shall find my fertile love, and go away;
I shall bring him away-away from thy abrupt coldness-and headless dismay;
I shall nurse and love him again-like I hath done yesterday, and even today;
And in t'is, I shall carest not for what thou might say to me later-day after day.
For as far as I shall go, my poetry t'an shall entail me;
And thus follow the liveliness, and scrutiny-of my merritorious paths only,
And in the name of Him, shall love thee and rejoice in thee not;
But within my soul, it shall recklessly, but patiently-do them both;
'Tis my very goal it shall accomplish,
And for my very romance, shall it sketch up altogether-such a mature bliss.
I should dance, thereof-just like a reborn female swan;
And forget everything life might contain-including my birth, as though life wouldst just be a lot of fun.

But I shall be alive like my tenderness,
So is my love-he t'at hath brought forth my happiness,
I shall be dressed only in the finest clothes-and he my prince,
As the gem of my soul hath desired our holiness to be, ever since.
Yet still I hope thou wouldst be freed, and granted my virtue,
Though still I doubt about which-for thy fruits are weightless, and to forever remain untrue.
Such be the case, art thou entitled to my current screams,
And blanketed only by my most fearful dreams.
T'is is my curse-in which thou shalt be in danger, but must be obedient,
For curses canst be real-and mine considers thee not, as a faithful friend.
And obedience be not in thee-then thou shalt all be death,
Just like thou hath imprisoned my love, and deceived my breath!
Still-my honesty leads me away, and shall let me receive my triumph;
As so cravingly I hath endured-and tried to reach, in my poems!
Ah, Coventry, unlike the stars-indulged in their tasteful domes,
Even when I am free, in thee I shall never be as joyful-and thus thou, shalt never be my home.
Mymai Yuan Sep 2010
I swirled my fingertips on the surface of the water and sent a message across with shiny, glossy ripples that grew slowly, and gracefully. He kneeled on the other side of the moonlit pond and watched as the ripples from my fingertips reached him. He cupped the ripples of the water into his palm and drank the cold water, sighing happily.
“What does it taste like?” I whispered hoarsely, as loud as I dared to be while knowing we would be reprimanded fiercely for sneaking out of the huts at this time of night.
“Love” he called back.
I burst out laughing in panting breaths and tried to stifle the noise with my fists. I heard him bellow out, and the echoes rang freely through the woods before he quickly shoved his face into the water and laughed in there, the bubbles of his laughter surfacing violently.
“You idiot” I whispered joyfully when he brought his head up from the water, his dark hair curled against his forehead, “I didn’t even write anything to do with love. I wrote how foolish of a boy you are.”
“And you still stick with me so that’s love isn’t it?” he teased me. His finger tips swirled in the water for a minute. “Your turn to taste, Masra”
I waited till the ripples hit the side of the pond and quickly dipped my tongue in and lapped the water. I pursed my lips, pretending to debate what his message was. The surface of the black water was littered with reflection of the stars. It was so beautiful that I momentarily forgot the little game we were playing and gasped, “Oh stars!”
He took a quick intake of breath and stared up at me with wide eyes. “Really?” he asked in an unbelieving tone.
“What do you mean?”
“Stars?” he asked again, sounding like a sweet little confused child.
“Yes!” I laughed. “Stars!” and I splashed the surface of the water to show him.
He shook his head. “I can’t believe you could read, I mean, taste that... That’s incredible…”
It took me a second to realize what he was talking about. I decided to play along anyways and whispered dramatically, “Yeah, but I didn’t know what you were trying to say”
“A million stones on fire with wishes
Yet the brightest star is not up there” he recited his favorite lines from an old love poem.
“You are disgustingly soppy” I got up from kneeling by the pond and treaded softly on the dry leaves so that they wouldn’t crackle so loud. Reaching him, I kneeled down beside him and ran my fingers through his curly wet locks. His dark eyelashes were still wet with water and the chestnut eyes gleamed brightly.
I curled into his lap comfortably like a cat and he rolled over with me lying on top, while his strong arms held me. I buried my face into the skin of his beautiful brown neck and inhaled the sweet, musky smell. Reab smoothed my hair before murmuring huskily, “Why do you always do that?”
“It smells like you, the old Reab smell. It makes me feel safe and warm and happy.”
“I love you.”
“Do you think we’ll always be happy like this?” I asked, speaking of my deepest fear.
“I will never stop loving you, if that’s what you mean. And if we are caught sneaking out, I’m pretty sure no one would be too surprised. They all know from the way I look at you I intend to marry you when Chief thinks you’re old enough and finally say okay.”
I laughed at the thought of Chief being able to give me away.
With my parents both gone since I was a baby, Chief had adopted me as his daughter and he loved me tremendously for all his lecturing ways. Reab laughed a little too but without any fear of Chief rejecting him. Chief loved Reab too and approved of us most of the time.
“Do you remember when he caught us making ‘sheep-eyes’ at each other as he put it and he was furious?” We chuckled at the memory of Chief turning storm on us, declaring we were too young.
“What would he say now?” he turned my face to face his and kissed me for a while, with the wind blowing the tendrils of my hair on his face. He smiled mid-way through our kiss, for the soft strands of my hair on his face always tickled him.
I didn’t want to continue with my question after that happy moment. But I had to; he was the only man who would tell me the truth. “Our tribe has enemies. We have many men, many strong men… but I know we are in a constant threat. I have seen the midnight meetings you men hold when you think we are asleep and more weapons that normal are being made nowadays.”
He looked at me with sad eyes; with so much love and desire burning in them that my own eyes began to swell up with tears. I fluttered my lids to get rid of the wetness but he reached over and caught a tear on his pinky and licked it. Then he licked all the tears off my face and I giggled as his tongue flicked over the tearstains on my cheeks.
“The tribe is in some danger. You and I are not. I will love you forever.” I shook my head and was about to interrupt with another fearful question when he continued, “You know what Chief always says. We don’t live just one life. I loved you since we were babies. You know what I think?”
“What?” I asked, his voice slightly soothing my fears.
“I think I’ve known you before. There’s no way you can know someone the way I know you in the short life time we’ve lived. This is not the first time we’ve met.”
“You’re not worried if a battle comes we won’t be together?”
“No.” he answered and kissed my forehead.
“Why?” I couldn’t get rid off the idea of such a terrible fate.
“I think…” he struggled to get the words out, “I think we’ll always be together somehow. Masra, I’m… I’m just not afraid”
We lay there for a while until I fell asleep in his arms. I was awoken a little later with him shaking me softly for us to sneak back into our own huts.
There was a little advantage in having both my parents gone. Lela, my cousin who shared the hut with me, stirred only a little as I crept back in.



“I’ve been hearing from your sister that lately you have been waking very late. I don’t approve of this laziness.” Chief said to me as I sat on the floor of his hut, admiring the new spear he had just made. I sharpened the stone a little for him and smiled up brightly. His face softened. Chief was not usually an easy person to get around, but he always said he loved me more than was good for me. “I saw Reab today. He didn’t look so alert and awake.”
My mind clicked into place as I realized Chief had his suspicions. “Reab?” I inquired with an innocent expression. “Is he ill?”
“He just looked tired.” Chief replied with raised eyebrows, his eyes were a little puzzled. I had fooled him for now.
I balanced the spear in my hand. “You hold a spear too well for a woman” he grunted. “Spending too much time with me, I suppose. You should spend more time with your sister Lela. It would have been different if your mother was still alive. She would’ve taught you some womanly manners.”
“I think I’m feminine enough.”
“Look at you, blundering around after the men of the village, killing creatures and planning your attack even better than my men.”
“I don’t plan Chief; it just comes to me”
“Making it even worst!” he cried with a hidden pride.
I burst out laughing and bade him good night. He ruffled my hair fondly. “You go to sleep now Masra. Get some good sleep. Tell Reab that too” his eyes sparkled wickedly. Perhaps I hadn’t fooled him after all.
“You tell Reab, won’t you? I won’t see him till tomorrow morning.” I replied demurely.



And here passed, long uneventful days with the occasional nights that Reab and I would sneak out of the huts to spend the cool nights together and forcing ourselves out of bed at the crack of dawn along with the villagers, exhausted but happy. I suspected Chief still had his own wary thoughts, but with a denial somewhere in his mind, he did not seek to expose the truth or confine stricter rules on me through Lela. The few months that went by, I watched as Reab grew from a boy to a man.
A man I loved more than life itself.
One night, as I was lying in his arms I poked a thumb against his forehead and breathed out happily before nestling into his chest.
“What?” he asked me, amused at my random, loving behavior.
“I like to check that you’re real.”
He had no words in reply to that but tightened his hold on me, and swiftly kissed my dark hair with a sudden passion. His fingers caressed my head, and he inhaled the flowery perfume from the brown strands clutched in his hand.
“I wish you a long and happy life.” I whispered softly, afraid of the feelings that were surging through me.
“With you.” he replied back.
“No. Not just with me… anywhere… as long as you’re happy.”
“So with you then…”
Some days after that night, when it was pouring so furiously everyone had retreated back into their huts to cozy up, gossip, and flirt while warming their hands on hot wooden mugs we snuck off and climbed a special tree.
It was special because it was a giant, and very old with gnarled branches and knobs that made it easy to grip on with our toes, but the trunk itself was as smooth as a baby’s skin. It overlooked most of the village and the canopy was so thick it protected us from the rain except for the small wet drops that would escape through.
The tree stood apart from the woods and was very difficult to get to. One had to climb several other trees to reach it, ducking in and out of the tangle of branches up in the canopy like a maze. Only Reab and I had spent enough time up there to discover the path in reaching it. We were yet to discover how to reach it without getting scratches and bleeding scabs all over our skin.
Every time the thunder roared deafeningly Reab would yell, “I love you!” and no one could hear but Reab, the heavens, our special little tree and I.
He was so beautiful; like a lithe dangerous animal and his muscles were graceful and strong as he climbed around on the branches. I wished for the rest of our days to be like this and I remembered the lines he had recited to me only a little while ago,
““A million stones on fire with wishes
Yet the brightest star is not up there”

*

A distant roar erupted. The stars had not granted my wish, they had granted my deepest fear. The sound of drums rumbled steadily over the noise of screaming villagers, over the noise of animal fear in those I loved and lived with.
It was the sign that our enemies were finally in sight. We had been waiting for there attack all year long.
Lela grabbed me by the arm. “The chief says all women must flee!” she gasped and choked. Her eyes were leaking with tears. I stubbornly shook away her hand and I could see the desperateness growing in her eyes.
“There is no time to cry Lela”, I tried saying confidently but my voice shook. “Where is Reab?”
Even in her hysterical state she did not want to answer the question I already knew the answer to. “Where is Reab?” I repeated. When she did not reply I narrowed my eyes.
In the face of danger I had never been woman-like and cowered.
Chief had raised me stare any wild beast straight into its cold, predatory eyes before slaying it. I was not unfamiliar to thrusting a jagged dagger into the heart of danger.
I would not leave a man I loved behind like the running footsteps of women carrying their babies, pushing old people along, and dragging wailing children were doing.
I would not leave and I would fight when I could.
Lela stared at me as if she’d just read my mind.  “You may not fight Masra!” she cried. I pushed her aside.
“Help the women evacuate! Grab a baby, help a village elderly; just do it Lela!” I yelled violently and ran through the women who were running towards the woods.
I shoved women aside to get to the battle. My long legs tangled with the other woman, and I fell on my knees. They were both bleeding badly when I got up. Running with my knees stinging, a huge man suddenly grabbed me and swung me to face him. For one moment, I thought he was Reab and I clutched onto him; then I saw it was Chief, and I clutched to him even tighter.
“Chief, please don’t make me go away! Please let me fight with you!” I was screeching and begging with no sanity left in me.
He smiled weakly, “I wanted you to come without little Lela, I knew you would be headed this way. I have not much time Masra, my men need me. I have something I want to give you to make sure you will be safe enough to last through this war if I die,” he spoke softly.
I shook my head and hugged him. “But- but you- you wont!”
Chief gave me a sad smile. “I don’t know that.”
His brown hands reached to his neck and tugged a simple black leather string free. He shoved it into my hands. “Remember this, Masra. Just say to it, ‘Jack, Jack, shine the light’ when you feel there is nobody left in the world for you. Be ready for what happens. Goodbye Masra…”
He touched my cheek and warmth spread though me, momentarily making me feel safe.
“Why Jack?” I asked wretchedly, in a detached curiosity and trying to prolong the moment that Chief would be safe.
Jack was a commoner’s name; no one in our tribe was called Jack. We all had strong, powerful names that spoke of destiny, truth and purity.
“Chief Traben!” a man cried from the noises of surging mob of warriors.
“Go, Masra, go!” Chief said hurriedly, and pushed me away before whipping out of sight.
Chief had been like my best friend, my big brother and … my father. I wanted to fight with him, for him. But I knew in doing that, I would go against his wishes, and that was the last thing I would ever want to do.
A sudden thought made me realize I did not have to fight. I just had to be there or I would **** somebody in my own village for leaving behind loved ones. I knotted the black leather string determinedly on my neck.
I ran to the bottom of a slippery tree and climbed up to the canopy and began to duck in and out, swinging between and onto branches in the maze-like chaos of sticks and concentrated leaves to get to the special tree Reab and I shared.
I hid among the thick tangle; so thick no arrows would be able to pierce me and no enemy would see me. Growling and cursing myself, I remembered I carried no weapons with me and hastily patted my clothing to check again.
Then I remembered it would be useless to have any weapons unless I intended to go down there, for the abundant tangle worked both ways. A spear thrown from where I was would only get stuck in the dense branches below.
I could see the battle though, and that was enough: for now. I searched vainly for Reab, scampering along the top, trying to find where Reab was. I was wild with fury for him for coming.
He was just a boy, newly turned a man. He could still run and hide without shame. When I had him back in my arms again, I was sure to hit him and berate him for choosing to fight for me instead of being safe for me.
It never occurred to me once that Reab might be dead.
It still didn’t occur to me when I saw his body lying on the dirt below, with a man from a village - someone I couldn’t recognize from this height- dragging him. I shouted out, careless of the arrows of enemies.
For the first time in my life, I was terrified of blood: the blood that was seeping out of the wound on his stomach. I didn’t think he was dead; I believed he was injured and I thought of all the herbal concoctions I knew that I could paste over the wound to clean and heal it.
It still didn’t occur to me Reab was dead when the man left him by the bottom of a tree to return and fight. The men in our village did not leave those who could be healed. They stayed and helped them heal to the best of their ability before hiding their healing bodies’ safe in a bush. They only left behind those they could do no more for.
I trembled at anger in the neglect one of our men villagers had shown Reab; the disrespect in it. I would **** him if he were not killing our enemy. Somehow, in the wild pulsing of my body, I found myself climbing down and creeping stealthily to where Reab was and pulling him to safety in a bush.
When he was safe in the bushes, I held him and whispered to him that I was here. I said hold on Reab and I would go and make sure he was safe. I was sobbing. I could not comprehend what was happening for my mind had gone numb and blank.
How could a man who I loved so much bleed so much? All I knew was Reab was not moving in my arms and he must be terribly hurt.
I pressed my fingers to the blood on his stomach. I knew no man could have survived such a wound and so much lo
Colton McKay Oct 2011
the air is clammy, and my hair is on end.
the shades have drawn but my curtains are open.


the looming creature crawls across the sky, lurking nearer.

such swift summer heat disappearing instantly.

the leaves crunch, crawl, and scrape.

out there, i would fear the booms and grumbles.
out there, the blundering weather has bounded into the yard.


the gloomy, depressing clouds are larger than ever and weigh down the air.

however.

i’m at peace.


a new discussion arises between myself and a friend, or maybe no friend at all, but a discussion all the same.

i find comfort here.

i seek refuge when otherwise not needed.

But the boisterous bazaar begins to recede, barely able to hear, the crowd keeps crawling across the sky.


as quickly as it started, i find myself longing for another reason to feel comfort-another reason to seek refuge…

For here, i feel comfort.
Christine Jun 2010
b's
Betrayed
Belittled
Baking, burning between battles.
Blundering, blustering
Begging by bribing.
Bribing by begging.
Best?
Bottom.
Boastful, bragging baboon.

Bye.
Far spread the moorey ground a level scene
Bespread with rush and one eternal green
That never felt the rage of blundering plough
Though centurys wreathed spring’s blossoms on its brow
Still meeting plains that stretched them far away
In uncheckt shadows of green brown, and grey
Unbounded freedom ruled the wandering scene
Nor fence of ownership crept in between
To hide the prospect of the following eye
Its only ******* was the circling sky
One mighty flat undwarfed by bush and tree
Spread its faint shadow of immensity
And lost itself, which seemed to eke its bounds
In the blue mist the horizon’s edge surrounds
Now this sweet vision of my boyish hours
Free as spring clouds and wild as summer flowers
Is faded all—a hope that blossomed free,
And hath been once, no more shall ever be
Inclosure came and trampled on the grave
Of labour’s rights and left the poor a slave
And memory’s pride ere want to wealth did bow
Is both the shadow and the substance now
The sheep and cows were free to range as then
Where change might prompt nor felt the bonds of men
Cows went and came, with evening morn and night,
To the wild pasture as their common right
And sheep, unfolded with the rising sun
Heard the swains shout and felt their freedom won
Tracked the red fallow field and heath and plain
Then met the brook and drank and roamed again
The brook that dribbled on as clear as glass
Beneath the roots they hid among the grass
While the glad shepherd traced their tracks along
Free as the lark and happy as her song
But now all’s fled and flats of many a dye
That seemed to lengthen with the following eye
Moors, loosing from the sight, far, smooth, and blea
Where swopt the plover in its pleasure free
Are vanished now with commons wild and gay
As poet’s visions of life’s early day
Mulberry-bushes where the boy would run
To fill his hands with fruit are grubbed and done
And hedgrow-briars—flower-lovers overjoyed
Came and got flower-pots—these are all destroyed
And sky-bound mores in mangled garbs are left
Like mighty giants of their limbs bereft
Fence now meets fence in owners’ little bounds
Of field and meadow large as garden grounds
In little parcels little minds to please
With men and flocks imprisoned ill at ease
Each little path that led its pleasant way
As sweet as morning leading night astray
Where little flowers bloomed round a varied host
That travel felt delighted to be lost
Nor grudged the steps that he had ta-en as vain
When right roads traced his journeys and again—
Nay, on a broken tree he’d sit awhile
To see the mores and fields and meadows smile
Sometimes with cowslaps smothered—then all white
With daiseys—then the summer’s splendid sight
Of cornfields crimson o’er the headache bloomd
Like splendid armys for the battle plumed
He gazed upon them with wild fancy’s eye
As fallen landscapes from an evening sky
These paths are stopt—the rude philistine’s thrall
Is laid upon them and destroyed them all
Each little tyrant with his little sign
Shows where man claims earth glows no more divine
But paths to freedom and to childhood dear
A board sticks up to notice ‘no road here’
And on the tree with ivy overhung
The hated sign by ****** taste is hung
As tho’ the very birds should learn to know
When they go there they must no further go
Thus, with the poor, scared freedom bade goodbye
And much they feel it in the smothered sigh
And birds and trees and flowers without a name
All sighed when lawless law’s enclosure came
And dreams of plunder in such rebel schemes
Have found too truly that they were but dreams.
JESUS emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob.

The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all.

Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob.

Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob.

The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan.

Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now.

Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pigiron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow.

The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples. Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons.

The mob? A jag of lightning, a geyser, a gravel mass loosening...

The mob ... kills or builds ... the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln.

I am born in the mob-I die in the mob-the same goes for you-I don't care who you are.

I cross the sheets of fire in No Man's land for you, my brother-I slip a steel tooth into your throat, you my brother-I die for you and I **** you-It is a twisted and gnarled thing, a crimson wool:
                One more arch of stars,
                In the night of our mist,
                In the night of our tears.
CC Capie Dec 2015
a pounding howl on the bedspread
hell is sober but i am the opposite
facebook.com/this-what-i-want-people-to-think-of-me

my heart is red writhing pink slime
sun mother trust
black god figure head pulsing
for many years sinking into pink slime blood flood writhing
look today my eyes look livid lucid green
three headed dragon of envy beckons

i live in a guilt home built by my grandfather 457 years ago
37 years ago
born deaf and dumb writhing
old children howling at the sun mother trusting

takes too long to say goodbye
my pink soul pining
feeling for a door ****
listening for the turn of a door ****
i love you forever i think
look at my words gloat
listen to my words gloat

float to the sky past the trusting
sun mother gods head gushing
pink slime lusting
red leaves rustling
serpent tongue spitting
me eyes
my ears
and my arms

a ways to go right?
the dead light from a million dead stars?
feels that way at least
feel like i am icarus
feels like i want red white and black
heart pink
soul gone
things long
say sleep
please say sleep

place the sky in a box and hope for an easy end
sun mother truth trust lost
sun mother trust truth lost

because you snooped around my drawers
ive snooped in yours
im not color blind but ive never seen blue
i saw red once didnt care for it
remember the time you said you though you saw a ghost
a great pull
you wanted to die

burning boys who lived in water
wind and heat licked me raw
we sit big beneath little hands with loose skin
you lose people when you cant lie good
can you hear my thoughts?
No that's alright i believe you

pink slime river rising
when i die smoke my bones
color me the color of silence and smoke my dry bones
metal face does not rust

one is used to dance
one is used to run
to push very very far away
2 whole years pining
pushing people very very far away

leave hair in my sink please
surrounded by tall walls
chrismas is purple
so im told
i wouldnt know

color blind pink slime writhing
she's there
shes there right now
a ghost isn't a window
a ghost is a door
dust in my eye
my ears
my arms
bring me some fast feet

how many times did you open that door?
how many times did you leave it open?
open stars
brain hard
a boy wonders
peace died

you didnt expect men to give you respect so you stole it
throw yourself at them
i wish we could escape
inside voices ladies and gentleman
inside thoughts

tonight is really hot
better off hiding forever
learn to hide better
slowly past the hand of a broken clock
wait for it
wait for it

voice can you just try to speak?
the weight finally burned a hole in my head
rain tree look tired
big man looks afraid
pink slime shines
shines like a diamond in the fog
a fog of beer

shadows of the subway cars
while you were out two hours came by and sat in that very chair you are sitting in now
they tried to wait for you
but the room started turning into a dream of pink slime

stand back i got a question to ask
it needs to be answered
how heavy was that weight?
the one that put the hole in your head
the light from a million burned out stars
how bright?

dank breath after you smoke my bones
high fruit flame and vegan ice cream
near simple
near divine

theyre called reasons and you have none
know chaos
know a tall latte
father save me
in the name of the father i am not worthy
these woods are easy to cross by foot
in the name of the father the son and the holy slime ghost writhing

what is normal?
what is constant?
more answers are needed
thoughts speak up
spring is constant
saints lead away snakes from my path
i took an oath to this forest
an easy path
a velvet nest
a shot of tequila
bring gifts to a suffering woman
i am yellow
i am a lonesome fly stuck
do a bump
i am an animal
i am glowing flowing pink slime rising
arms reaching
do another bump
legs carry me far
eyes please see color
mother in the sky truth wondering
Blundering
Fumbling for something
Black eyes gazing
into the hazing fog
built up by the pink slime rising
amen
Mateuš Conrad Oct 2016
a.

227.9 million years away
                   (mars)                   heliocentric model
i.e. away from coordinates (0,0), i.e. the sun

b.

149.6 million years away
                      (earth)                         "               "
etc.

c.

    standard metric system, alternatively
                        this is the geocentric model emerging
i.e.        one day on earth is equivalent
           of a day and forty minutes on Mars...
  we don't have access
                     to a heliocentric model for this
primarily because of the coordinate of the sun
being (0,0), in Kantian symbolism 0 = denial,
therefore the sun cannot encompass day,
or night, hours or minutes...
                             you cannot apply
the relativity of days comparatively being different
on Mars or on Earth using the heliocentric model...
              
      and to think, all it took was for nautical directions
being blessed by the movement of constellations,
        and that phrase of mine: where's Copernican east?

            we're all shouting at the ****** project,
it's either who write the best concentrated plagiarism
of the masses for the visual effects,
          the glued together parts of iron and oxygen
tanks... or who can write the words behind the images
well enough to capture the imagination
        and shift it elsewhere...
oh believe me, i am living in a 48 hour week,
    i'm not writing science fiction,
                       i'm on earth, but this isn't earth,
it doesn't require a measure of distance,
   but still the figures stand... so i might as well
toy with them and get some bogus answer...

d.

what does life constitute on a "planet" that consists
of 48 hours?
                     today i put on something warm,
the cold finally got to me,
                          i'm the butterfly while a hurricane
rages on elsewhere,
                              quantum humanism some call it,
because the physics never really inclined itself
to treat human emotions well enough -
                    just today,
as i peered into the day's sky -
                     the moon and the sun shared the same
blue horizon -
                           in the summer the moon has the
tides - and keeps them at bay, calm,
         but when autumn and winter come,
and the earth tilts - the moon looses the grip on
the tides in the northern hemisphere -
hurricanes in the west, tsunamis in the east,
              storms at Greenwich meantime -
the time of day? when the moon engages in
profane acts with day, appearing and stunning
insomniacs into coherency, as if asking:
            so if i am being given a very quick
and less romantic sunrise, and esp. a less
romantic sunset, by seeing the moon closely aligned
to the sun during the day:
                 am i seeing the nightly delights of
the southern hemisphere, and if so,
            is that to the east, or is that to the west?
i am guessing it's to the east... for i am seeing
the night in the southern Pacific continent -
              i am seeing their night
                          for the moon has transgressed
its boundaries, and left the northern waters
ready to rebel under the polytheistic guise
complimenting the spacious orbs -
                       when order and monotheism of
the north during spring and summer...
         then Poseidon's upheavals with the watery
rebellious graves during autumn and winter:
or how Hades persuaded his two brothers to
pay due and meet with the Titans in Tartarus:
to thus form a pact against the monotheistic concept:
for the soul of the ancient Greeks said:
                shame be unto you, brats,
for shunning the religion of your forefathers!

e.

indeed the 48 hour day, two days and two nights,
or more precisely: three nights and one day -
sooner or later they'll push the clocks back,
a man will go to sleep in the dark,
   and catch but a glimmer of a day - then too
thrown into the darkness: a 48 hour day on a planet
involves three periods of darkness, and one
period of daylight - and if they said Alaska was
torture... here is a man engulfed alone in it.

f.

strange to think that 78.3 million years between
Mars and Earth only add 40 minutes more to a day...
           as ever, the non-uniform suggestion of gravity,
take but one step on that soil,
                           the curse of the astronauts on the moon:
and then invite the poets of the cult of the moon,
the emblem of the moon that's Islam...
                              an then wait for the consequences
and the ***** dreams of those people and their children...
               even the Atom Bomb seems to have
been forgiven by comparison -
                                but never the moon: or the death
of childhood - lunar crown shattered -
                              death of storytelling for children
some might say: 1001 minutes of advertisement
before Cyrus starts weaving a web of entrenched
consumerism - not even the Belgian fields
and their world war 1 trenches could have provided
such a status quo to continue...
            to continue...

g.

so do i multiply that figure by something?
78.3 million years disparity -
                        times the time difference?
i.e. 78.3 multiplied by 40 and added to
the distance from earth?
            λoγος - no!
                                 what's the distance from
starting coordinate (0,0) to the earth? 149.6 million...
      and mars?
227.9 million...
                                      which means 78.3 multiplied
by taking away the negation symbol due
to the double-negation coordinate that the sun is
(timeless and without space-affirming
                  timing to our necessary comprehension
of the day to day) - meaning the distance
of the planet with 48 hour days (three nights and one
day) is 313.2 million years away from the sun...
               Jupiter stands at being 778.5 million years...
and that's a kept in ****... a gaseous giant...
                 so the distance is plausible...
but like i said before: first comes logic,
which splits into rationality and irrationality -
                      but irrationality still uses logic -
      we all know that irrationality is not reasonable -
          but it is ably-reasoned-with
           or can succumb to some variation
                     of the illogical -
                                              namely illogical rationality:
as in passing Platonic theories down the ages,
or succumbing to the Freudian psychoanalysis -
fashion is simpler, cruder -
                                               it cuts off the missing
points, it desecrates the shrines of famous names
and does the grand thing of keeping everyone
hooked in, rather than out of it nostalgic -
       no one is really winning either side of this point.

h.

and this is really what two beers can do to you
to relax after living on plant H-48 -
                     no yoga teacher can tell you that ***
gets better when you pay alms to this world -
         the yoga fakes are making enough dosh laughing:
*** is good, where there's a billion of them,
not a scattering of what i call the real reason
why we evolved to be so numerous:
     cancerous libidos, or overblown libidos,
   and a knack at ******* each other off - which just
says: keep 'em coming!
                                    and they expect people to really
be awe-stricken when you have such nice names
in biology: chlorophyll and enzyme and hydro and
aqua... and for all life to begin with a big bang?
    i thought you couldn't hear astronauts scream
in space?        or maybe that big bang was just
       a big boo - because aren't we **** scared?

i.

American politics has cracked with this presidential
election, the real dynamic is out...
           it reminds me of
the trinity of ******, the brown-shirts
(Sturmabteilung) thugs leader Ernst Röhm
and the man that replaced him:
               Heinrich Himmler of the
less thuggish and more professional murderers'
brigade the (Reichsführer Schutzstaffel) -
you see, i actually have a better attention span
when i live on H-48... did you notice
that neither of the presidential candidates mentioned
the literature in their debates?
one said: tax evasion, the other said: emails!
but these two sly foxes are toying with the whole
process... they're citing the literature...
   tim kaine and mike pence are the geniuses behind
the scenes... you have to give credit to them...
                it's the ingrained discussion -
the gospels -           it subconsciously will even convince
black voters (of a certain age) to vote for Trump,
regardless of his blunders... which are like ******'s
blunders even though Eva Braun has Jewish heritage
(as seen in one documentary on channel 4) -
                    and you know they're running the show
because they only have one debate...
         that's how important they are...
                       did you ever care to watch a
Ingram Bergman film twice? or three times?
i don't think so. once... and then the butterfly is gone,
gone gone. i'm not here for the entertainment -
American protestant-ism isn't European,
                          it's ultra-Catholic -
                    oddly enough, not in terms of all
the iconic symbolism - that's scaled down -
       but the message is profoundly Catholic -
the two men cited the literature - they're
not thugs, they're not blundering rhetoricians like
the two puppets in their hands...
                        they're the power brokers
or what in England we call the kingmakers -
   i'm not into conspiracies, just the obvious things -
****** had a funny moustache,
          Trump has a funny haircut -
J F K was handsome L B J wasn't and was furious
when Marilyn sang the birthday blues...
                   Gerald Ford is the founder of the Mafia...
Nixon wanted in... oops... didn't happen...
                    ever since Ford it's been playtime after
playtime and no one doing the arithmetic on lives -
               well you know, a washing machine
breaks down, you get a new one...
                  but something came up at the turn
of the 21st century, no one expected it -
this is where i only ascribe one conspiracy:
                                         you can't miss it,
it's blatantly there on the geographical map,
S.A. and that beautiful ornament flag with a pretty
sword and Arabic calligraphy...
                             i'm not wetting my appetite with
these words... it's just common sense -
                money is something that provides the
trans-valuation of all things: it's what the alchemists
were always hoping to find, but it was found
so long ago that it didn't matter how childish they
thought they could be: thanks for paracetamol
though...
                                     what's actually the most
mystifying aspect of this is how there's an ingrained
desirability of a status quo:
      you can have a coin with Rex's head on it,
and no matter what the base metal is,
it will still devalue something more precious
                     and increase value of something more
precious...               it happens in the art world
with the artist being recognised posthumously
                                for the object of his work,
but nothing beyond that...
                                              and since it is painfully
obvious... the question is...
                     do you challenge the status quo
                                          or do you consider yourself
a unit of qua                 -
                                   and that's an open question,
if a question at all...
                                        it's because i have left the
exciting part of this poem,
                                    gravity pulled me down to
planet H-24 (otherwise known as earth), and i see
all this ****** misery...
                                       and i think...
even though my life on planet H-48 can sometimes
feel like torture - i know that i'm in control of
certain perks on it...           and all because i decided
to travel there, with one missing clue as to
why it took me 2 years to escape Heidegger's Alcatraz -
            and why i decided to go back in...
      after reading the previously mentioned book
i realised i was given the key into something else,
           kaleidoscopic even -
worded physics, worded chemistry, worded biology,
  not the physics of equations, or chemistry
of electron-migration diagrams in organic reactions,
or biology and its oops after oops and
a boxing match with theology -
                                           i even considered
buying the Alcatraz in English... but that would
make no sense...
                         given the already bilingual dynamic
being established...
                                     as Dante chose Virgil
to wade through hell... you too must also choose
the one companion, and reject all others...
               and if Heidegger chose Aristotle
i must choose Heidegger - and would i say that
my grandfather was a bad man for being a
communist party member? do you think
a small town boy gets sold the highest form of
Versailles intrigue that culminates in
the Siberian gulag? they got you spinning that old
housewives' tale like a dodo doing dodo
                                           rather than being dodo.
Westley Barnes Jul 2012
Are these tears of blundering laughter
or heckles of contempt
that spirit on these haggard few
to rhapsodise our era’s curtain calls?
They who brought us mounting debt and conscientiousness
which seems only to be healed in the appeasing fluorescence
of 24-hour supermarkets and the purgatory
of weekends spent at home?

Such stifling, nervous coughs
are head as responses of
today’s domestic questionnaires
Gung-** reformative advances
and calls to “pull up our socks”
Mixed with the state-sponsored fortune-telling
Rationed out to boys languishing on the dole.
Which All falsely transpires,
intimidatingly revealed as being
About as appealing as vacuum cleaners for the soul
aimed at the resolutely bored to tears.

Despite our fears
the sun will come streaming again
through fresh fir trees
which decorate contemplative, sheltered lanes.
These last, frostbitten years
seek replacement with halcyon days
in order to suspend dogmatic disbelief.

Let’s not get ahead of ourselves:
Pessimism is ****.
Even in the most roaring of times
we remained despondent and calculated.
st64 Apr 2013
delicate swirls
                              abstract motif
                                                             dainty spirals



I.
I see you as a wide sheet of fabric
Beautiful, paisley pattern
Highlighting your *odd
qualities
That I love, more than you could get.

How you shimmer and shine
So well.



II.
Yet, I knew not that there exists -
Very quietly bold and calmly geometric;
Another sheet beneath this visible one
A layer concealed, that only my oblivion feels.

How you shiver and hide
So well.



III.
So, as I learn and delve and discover
Burrowing passages and intense pathways
A myriad of tunnels within tunnels
Where is the real you?


How alone; thought I knew you
So well.



IV.
Am I thus lost?
Blinded so by the light in your patterns....

[said in one breath:
so, I try to brush ever lightly over artefacts of your stained existence,
ensuring I leave no trace of me...
there I go making a new layer (for me)
only to see...another layer....and yet
another....]

layer upon
         layer upon
                  layer upon
                           layer upon....
layerrrr.



V.
Into the icy face of wind, words are flung
Only, they come back...messier!

Disaster.....blast the blundering heart in dusty chokes
Love thrives not in intemperate climes.


At which point did you let your voice die?
Perhaps you hide in fear, of suffering alone....

So long.



VI.
There stands a figure in the circle of light....lonesome
We hover near the highly-charged cosmos of chance
Daring the winds to take us, off guard
To glide away on impossible parades....




S T, 28 April 2013
How many layers does one need to uncover, before learning *any* truth?

Hm, maybe should-a studied archeology way back...lol


oh, well..
Rob Sandman Mar 2016
Take a step into the Firestorm.
Lyrics/Vocals Skitz AKA Mr.Sandman
Track,recording,production-Jay/Eclectic.Collective.
Lyrics.(Copyright Skitz AKA Mr Sandman)

Spittin' fire-desolation of the Sandman,
blink you'll miss the decimation of your clan man,
musical massacre with an Irish style,
time to stop driveling,your old cold style-

cause I'm riled up,fed up sick of your ****,
sit down or be knocked down,listen to the skitz spit,
flammable fumes,verbs turn to flame,
grammar fallin like a grand piano from a crane,
straight to your brain a flash of white light,
wear a fireproof suit you might catch light,
pay stage crews danger cash cause I'm scorchin',
E.C.-Schizophrenic-Sandman torchin,
a four alarm fire,I cause high premiums,
show respect or you'll be rappin through a medium,
mic's a flamethrower leave you screamin,
think you'll burn the Sandman?,wake up,you're dreamin.

Venue's on my menu,get it insured,
I walk through the flames,immune and immured,
immersed in hip hop, a sun gone nova,
drop the mic kid, just run,it's over.
my tank's full,petrol for adrenaline,
flame and blood like my name's Targaryen
you don't want to see my dragon's fly loose,
spit heat like a turnspit-cook your goose,

Stage is flaming,boy you best ghost,
hit the fire bell,you get burnt to toast,
white phosphorus combined in my mind,
get your goggles if you're goggling,you'll wind up blind,
Armageddon approaches,best make your way,
last stage I blazed you may have heard of-Pompeii,
you're gettin calcinated muy calor!,
a Supervolcano eruptin' on a dancefloor.

(chorus)
Magma,Plasma,they're not even warm,
Air Ripped from Lungs becomes fuel for the Storm,
Melt Icecaps,Globe start to warm,
****** Aircon-I spark a Firestorm.

Time to raise the heat,time to raise the stakes,
you're a lost smokejumper,praying for a firebreak,
trees turn to shrapnel,you're out of breath,
"I am fire,I am Death"

Reverse Mic Fiend rhymes steal the oxygen,
lungs collapse as I spin the storm again,
a terrible beauty,and an awesome blessing,
3rd degree burns,apply cool dressings
thats if you're lucky when I spit the gift,
last MC challenged me burnt to a crisp,
by words,deeds,heat bleeds stage smokin-I'm just gettin warm
thoughts spark the flames in a forest I'm a firestorm
fuel air bomb combined with Tsar Bomba,
Mount Doom blowing about to get Sundered,
hate is stokin' me,fuel to the forge,
16kept the heat banked long enough it's time to gorge,
Smaug heats up-flames spew forth,
you're guy fawkes on a pyre of fireworks.

Wondering,and blundering it's time to burn,
time to get roasted,you fool's won't learn,
that I'm hotter than a sunflare,beyond compare,
you're richard pryor tryin to smoke michael jacksons hair
don't dare me to flare into action,
don't care Keisha fusion core reaction,
fukushima and cherbobyl are my barbeques,
couldn't help yourself, you had to light my fuse,
I refuse to cool down-I'm scorchin',
Firestormtrooper lit,time for torchin'
Firewalk-comparison? Huh,a cool breeze,
flatten the building like Tunguska's tree's,
eyes hotter than Cyclops,you're weak at the knees.
supernova 200 billion degree's

(chorus)
Magma,Plasma,they're not even warm,
Air Ripped from Lungs becomes fuel for the Storm,
Melt Icecaps,Globe start to warm,
****** Aircon-I spark a Firestorm.
To hear this Poem as a Song with my band Eclectic Collective Eire(or just E.C.) go here
https://soundcloud.com/eclectic-collective-eire/firestorm
At night! I am not a thought
Over the infamous sunlight;
But rather one with heightened breath,
A creature like all beings,
I hath life and sometimes death.

At night! What a solitary life
That I oft' bathe myself in blood;
It hath a romantic smell to touch
And fantasies on its very own,
Like the world around is torn
When I drink it, when I taste it.

At night! What a succulent sight
And dried livelihood, such might
Who may think of such grandeur
In the afternoon's bad odour?
The night presents to me a lovely light
To hunt and race towards the night.

At night! What a lovely lace
And fierce sigh to embrace;
Unlike those held stiffly in breath
I am at all in no fear of death,
And there, a thousand skies
Shall not watch my shaky lies?

At night! What a cold showdown
As I float in midair in town;
Every piece of flesh is tempting,
Now that my thirst is seeping
Through the dire brass of my lungs,
That I know not between us.

At night! What a sacred taste
Of one's opened flesh;
I am as violent as Desire itself,
And trembling as 'tis troubled night.
What if I cannot love, nor hear myself
That I can see the Light?

At night! What a bare heaven
Up there, that hath opened;
But again, 'tis committed to poor souls
And t'ose alive only, unlike me
I shall not breathe, nor be old;
Nor shall my stale beauty

At night! What a loneliness
A story, and yet a broken sadness
I shall wander to dusk and dust;
And pain myself with roaming lust
Shall I be the human, and again
I cannot flirt with the earth's rain.

At night! What a tasteless breath
The very end that feels like death;
When one ain't ill, and just no;
I cannot be here until tomorrow
I had love then, but 'tis now death
An apparition I hath not had

At night! What a wordless call
And yet I hath no longer words;
My lover, my human lover
Then, he died of my cold hunger
I hath been placed in my own hell;
And cannot fake such tears so well

At night! What a wondrous sight
Sitting in mercy by the rainbow;
Ah, my love, who was once in fright
Old as his human self by the window
And I, was not born to see the light
And he died, I could not know.

At night! What a clueless moon
And a rabid but endless tune;
And the cloud, but cannot speak
Although I wish to ask he sea
Within the reserved, but pretty week
To sail my lover back into me

At night! What a tireless roam
And I cannot stop even by my poem;
To devour such a long life
And hurt that may be tough,
Miseries that may be naive
Tears that may not be enough.

At night! What a severed sight
I hath, that I cannot fly right
Who saith I shall need such wings
That shall not read, nor sing?
I might just turn human by then;
Joining my love in death again.

At night! What a sturdy light
That awaits me behind the grass,
Satisfying me the whole night
And gone as more days pass
What is good, and what is rigid
Who shall come to me again, merry meet?

At night! What a buoyant step
And I may put again my cape;
I may not be late, but too sweetly
I hath to seek more life for me;
I may not die, but to die reverently;
For him, I shall dream for free

At night! What a childish touch
But there is no more time to watch,
I kneel down and sip hungrily
At the heartbeat dying down by me;
T'is time, 'tis of a village *****
Hastily split by her brown bench.

At night! What a cold April
And who knows what summer feels;
I might lay about to seek some idyll,
While the skies but a flamed torch
To read riddles of the far North,
And drink my heap, my Lord.

At night! What a sweet sick dream
To my lost love, my limb
I like to writ all in a poem,
And drink of love in my room
What is better than love, my life?
What is sweeter to kiss, my lips?

At night! What a shuddered rose
And a catchy, stunned prose
But I may not be a true lover;
A truth, that one always hides
After the setting sun, the thin nights
Who shall craft myself an ode?

At night! What a shimmered thought
That I had remembered about you,
About a song I knew was true
And we embraced, while seeing
The night was already looking;
And hark! The sour stars finally cheering.

At night! What a blundering smile
And hastened sweat of love,
A shyness that never leaves me
And my cheeks, my beauty;
I can rest here, and for a while
I think I can leave my everything.

At night! What a blushed cheek,
For love is so soft, so meek;
For my love is held in midair,
Given but treated so unfair,
I am gasping for some fresh air,
But shan't cry, nor care

At night! What a young heartbeat,
But again, 'tis not mine;
For human blood is always a cure,
Although cold, minuscule, and unsure
I hath no care what 'tis all about
My hunger is there, and frets too loud.

At night! What an insane bird,
And so shockingly treacherous;
O my love, should I vouch for thee still,
And be kind, whilst all stands still;
But again, 'tis as chilly for my poetry,
For there is no life for one like me.

At night! What a rigid flute,
That is flamboyantly blown still,
I may not be by the long route,
But I love you, and want you still,
The thought of humans make me sick;
But without such breath I am so weak;

At night! What a lifeless sun,
Celebrated by all inhumans;
I am nobody that one wants,
I neither lighten nor illuminate,
And I do not appear in one's dream,
I am a devil, and not as I seem;

At night! What a poet, and poetry;
A poetry wearing a black veil,
And is read out of the doors,
I hath written strongly across the moors,
I hath been invited by such discourse
And troubled itches, troubled sights.

At night! What a vast suburban,
On the outskirts of my last town;
And I have to move, yet, I do,
Although I am a recent and new,
And to be with the morn, too vague;
I am afraid I shall be too late.

At night! What an edgeless voyage
That has come of life, of age;
A stellar one as I go again
In search of new vinegar and friends,
And who says a vampire has much to make
Whilst 'tis all for their crude sake?

At night! What a holy night;
And sounds ring and sing about me,
Those of bloodied hearts none shall see,
And I coldly devour again before the dawn;
And be asleep in the afternoon,
To wake up to the solitary moon.

At night! What a clouded light;
And voices entrap me in unison,
Throwing about new destinations;
In which my rough food shall satisfy me
And intensify my rugged beauty,
As I have no halos under the sun.

At night! What a trembling sigh;
But to me all skies are not too high,
And heights shall ask me to play,
Basking my life in the glory of those days.
And who is the sun, to seep into me,
I am dead, just like I was meant to be.

At night! What a coloured weep,
Of everyone in their drowned sleep,
But who says a sleep is peaceful,
Alight in hell, and be healed painful;
And be astonished for days after,
Feeling like life in short is forever.

At night! What an adorned heart
Whose one can cheer from afar;
But to humans, love may be distant
So soon as there rises a new moment;
I, who cannot feel tinges of emotion
And its cursed, fatal passions.

At night! What a demure feel
That one may just fall ill,
For neither I nor they have shared passion;
My life is too full of temptations.
And who should soar into the night -
All love to praise the faint daylight.

At night! What a sanguine wish
That one may just cold kiss,
They wish they couldst do in person
With no reason, no concoction;
But what is a wish not so bright
That we canst only witness in daylight?

At night! What a passioned chest
That should be put to rest,
Hath it undergone too many tests,
Between the East and West,
And the fatality of our hunger,
That feels eternal, and lives forever?

At night! What a loving heat
That I feel all in a single beat;
That I am not cold in cold any more,
That I can see now, unlike before;
To attain such quietness, and peace -
To dream and be alight in midnight bliss.

At night! What a loving heart
That I crave for from miles apart;
And I just know that I love you,
And your eyes, being too human
I knew they would be true,
But could I still see you then?

At night! What a new love;
That was born from the hunt
That none wishes for, nor wants
But I was there, waiting for thee
Behind the furry fir tree
That one hath died, and another
Is born, to bind me forever

At night! What forbidden love;
For 'tis a human again, and madly
I have fallen in love too badly;
In my flights, my giddy travels
I may have fallen too naively
That I cannot stay behind the wheels.

At night! What a love in profusion
Dead then, but not in union
Ah, but 'tis all a story
Not in life, for I do love to tell
That I shall not feel deep, nor sorry
For love hath always been a hell

At night! What a love blooming
For one cannot stop cheering
In silence, like me, hearing
For another love to come, clearing;
That I can turn human, and to heaven
To a faith I should hasten

At night! What a love searing
All hate, all curses, all bearings
And I, a vampire, shall sing my song;
That I hath waited for love too long
But in my eternal life, o dear
Perhaps thou canst ne'er be here

At night! What a love tempting
And I cannot stop laughing
Until I am full of disgraced tears;
And not of untold fears
For fears are not mine, and not hours
We have no death, nor blurred hours

At night! What a love promise
For us to be wise, and kiss
I hath longed to have wedding bliss;
But again, I am not the first
For vampires 'tis all the worst;
I hath only my rhymes, my words!

At night! What a love story
That I canst only feel within me
And to swallow such gurgling tearsl
Wouldst be crowded, be weird
I hath no life to entertain me
Nor a lover to hear my poetry

At night! What a love tale
That I canst only relish in hell;
Perhaps, I am not like one my own,
In exhaust and fumes, I am alone
Under the stars and moon that know
I shall face every day, and tomorrow

At night! What a love kiss
That I dream of, like a butterfly
But all is indeed a tired lie;
In all eternity, hath I been cursed
And in all worlds, hath I hurt
For whose I hath no more words

At night! What a love wish
That I cannot blame mine, nor his
To all wise, that are not wise;
To all whiteness that is a lie
For love hath but been a thief to me
And a harm to my living sanity

At night! What a love charm
That I hath discarded from my arms;
For I cannot feel, nor see you
In growing anything anew,
I hath seen but too few
I cannot have you in my arms.

At night! What a love war
That I hath removed from my tales;
I hath shut myself off of the door
And be the one no-one tells,
Who shall choose not to be alight;
To love with softness and bright?

At night! What a love heart
And a soreness cast away
I hath not seen the night, nor day
And stayed stiff again, today;
I cannot play in the afternoon,
Nor face the loving, dancing moon.

At night! What a love joy
That I hath not to tease,
Nor to pleasantly annoy;
I hath turned to dust, and dust is me
Pale as the armour of my beauty,
Eternal to life, and I can be
Not to love, not to be free.
Kalia Eden May 2014
Learning from inside-out, crouched, how do I tie this double-knot?
Acoustic ambience bouncing around in the space between my ears
Creating songs the shape of you,
sea of sadness.
Melancholic temple,
where you have gone to worship all your life,
is burning to the ground in great, blundering flames.
Was it you
who nearly drowned
last June?
Was it you
who never
ever
let them
forget?
claire Apr 2015
i. Allow yourself to be clichéd. Forgive yourself the comparison to phenomena like stars, tsunamis, volcanoes, and the end of the world.  There is no shame in depicting the galaxies you see in your irises or the seas crashing in your lungs. Don’t for a minute diminish your words because you’re afraid of seeming larger, lovelier, or grander than you really are. Keep writing huge. Keep writing splendorous.

ii. Destroy the anxiety gap between you and your work. Sit down and write whatever’s filling you in that moment. When stupidity comes, embrace it. When unoriginality comes, offers it your deepest welcome. When panic comes, give it a wink and keep dragging your pen across the page. There is no wrong, no right. There is only Something. Do not label the Something in such stark, dull terms as good or bad. If you must label it, label it burning, label it victorious, scarlet, howling, fresh, moving, disastrous, gleaming, but never reduce it to success or non-success. Who are you to determine these things? How can you take what streams out of you and cram it into a superficially constructed box? Would you degrade any other kind of natural release? Would you relegate blood flow or shouting or tears to a simple one-word title? This is your time to glow in full vulnerability, to fall head over heels for every blundering, beautiful thought within you, so build a bridge between you and the paper that will be strong enough to bear your weight. Then cross it.

iii. Know who you are writing for. It should be yourself, not the one who holds your heart or the fire-faced figure in the park at dusk or people who make your soul twist. Write for brave, bruised you; wondering, powerful you. Always you.

iv. Rise above the need to match your creation to a preordained image in your mind. The two will never be the same and this is fine. Accept whatever you produce with tender detachment, then move forward. Remember that every literary icon has felt the same pounding dissatisfaction, and walked about tugging at their hair, frustrated and abashed. Remember they are no closer to divinity than you. Ultimately, we are all just shells through which a greater ocean sings, so let yours wail its melody as it likes.

v. Write without the tight egoic fist; write without a blueprint; write without fear. Write like it is your first day on earth and you are stunned with awe. Write like the caterpillar bursting from its cocoon, transformed, breathless. Write like that.
It is a fallacy we all believe.
As we vehemently exclaim six words
to prove the chastity of our thoughts,
to fill our pride with self-validation,
to ratify our existence with falsehoods.
"The Devil made me do it!"

"The Devil made me do it!"
I bitterly laugh at your blundering gaucherie,
as you lay blame on an eons old transgression,
as you smote the sinnerman flying with flames,
as you called him out for your own actions
impassioned by heresy.

Impassioned by heresy
You sought to relieve yourself from perdition;
brought upon by perjury declared,
brought upon by authenticated truths,
brought upon by the duplicity,
of your favored reverent ideologies.

Of your favored reverent ideologies
which is to laud your skirmish against evil
in order to remove yourself from auburn eternity,
in order to induct you as a citizen of argent fields,
in order to orchestrate contempt towards another?
Is there no truth to you?

Is there no truth to you
now that perfidy imputes your entirety?
as you declaim in front of paradise lost,
as you coerce to regain what is rightfully deprived,
as you throng duress by intoning your delusion:
"The Devil made me do it!"

"The Devil made me do it!"
Its recurrence is maddening to Him
while you, in all your sentience, chose to act unbecoming,
while the celestials perched on your shoulder bawl,
while He that you blame does absolutely nothing.
It is a fallacy we all believe.
Why do we blame the Devil for our own mistakes?

Read more of my works on brixartanart.tumblr.com
Ghazal May 2015
Fumble in the dark,
Become a tangled, clumsy mess,
Then laugh at it all hysterically-
Oh how deeply I relish Awkwardness

Awkwardness in love,
In little things I do- in everything I do,
The 'neat and clean' ones won't get it,
But it's known to us blundering fools

That tidily cutting slices of cake
And eating them in plates with spoons
Comes nowhere close to devouring cream
In fistfuls and untamed scoops,
And licking the blueberry syrup
As it trickles down your hand,
And fighting over the part
With most icing,
Getting some on your cheeks in return.

Shyly wiping it away from your lover's face
With a tissue comes nowhere close
To kissing it off his skin,
Don't you think?

Awkwardness is real,
Proof that we are alive, not merely living,
So, taste the deliciousness of it,
Let go, and dig in!
Ghazal Aug 2015
I cannot help but lament at
The futility of being a word-weaver,
As I try and search for the
Perfect topic that could steer
My blundering, fumbling conversation
With you to something more than ordinary
Alas, hours pass and I fail miserably, so,
Dejected, I lucidly write about it on Hello Poetry.
Smooth, eh?
sinandpoems Jun 2013
Stick around
Shucks shucks
Long necks like water pipes
You spout words I like
Words I like

The bench we sit on can’t hold our excitement
Our legs like jackhammers
****** wildly
And there’s no switch to turn them on or off
Our word centipede crawls into our butterfly bellies our
Awkwardly loud laughter
Fuels our one way-two-way train wreck
You’re funny
I like it
I like it

I’m twisting my wire pipe fingers into
Infinite loops
I won’t stop
Because there’s no clocks in our world
They only tick away for legs
Straight and solid like enslaved cement blocks that sway
Only when forced by the machines they’re trapped between
The machines that
Won’t let them stop moving
And we’re breathing
Breath as fluid and exact as the clocks that don’t exist
Between our bodies so fitting

I think gosh gee
I think
If I could
I’d tell you it’s okay to sit closer
And the sun wouldn’t be the only burning
Gem in this world
Ill float upstairs with you
And the overhead light of your staircase wouldn’t be the only bulb burning bright and bold
The mattress a pseudo pool
Of fierce waters
And shallow rivets
Hearts inside clamshells
That peak out
Hesitantly
From salty sweat erupting from jackhammer limbs
Invigorating
Tell me you mean it
My taste buds sting with your coat
Of dangerous bumpy roads
And car sick groans and moans
My head hits the window and then your shoulder blade
And lastly the front seat
Drive me away
No
Drive me home
Drive me straight into this pit of broken glass and wrecked car doors
****** specks against cracked windows
The cracked sunroof fills with debris
Blundering amongst a whirl of unexpected destruction
and the eyes remain glossy and indifferent
Where star dust and bellowing wolves
Sink silently
Glare slovenly with laser beam vision
Sneering
Sniffing for a heartbeat lightening bolt
Shiny pearly whites
Against
Rusty stained gums
Hurdling into each other with irrevocable force
Beneath the corset of Athena’s bloated body
Where babies curl underneath to go die
They bleed ****** blotches unto bruised blisters, bleak and bolted tight
By warrior instincts now
Infantile, fetal
Caused by the men who tore off more then they could chew
Chosen like a useless card in a mismatched deck
No second thoughts I said
Why me
I said why me
Floating into your room
I’m a piece of furniture
A lamp a chair your headboard beating fiercely against your brittle wall
You look at me with double vision while my eyelashes remain speckled with the tears of
Spotty speeches and surly surfing
Amongst warm waves of love god would be jealous of
I’ll say it again
Tell me you mean it
Tamara Stoffels Mar 2014
That I'll never feel again, that the numbness I've enbalmed myself in might never wash off.

That I'll never find a place where I belong, that I'll always be an outcast, an outlier.

That I'm too different, that people will never be able to accept both me and my endless flaws.

That I'll never extinguish the fire of bitterness and regret that burns endlessly in my hardened heart.

That I'll never be articulate again, that one day my witty words will fail me and my blundering words will completely take over.

That I'll never feel confidence, that I'll never be able to look past my exterior, my vessel.

That I'll never feel the warm light of affection and love, that the clouds of poisonous lonliness will consume me with fatal lesions that seep out scorn and desperation.

That I'll never be able to forgive, that I'll never be able to forget. That my decisions will haunt my psyche forever, ever present.

That I'll always be mediocre, that I'll always settle.

That I'll always be misunderstood and mistreated. That I'll never be some-ones perfect fit.

That I'll always hide behind cynisim and sarcasm. That my sharp blunt words will come back to tear at me.

That I'll always be this way.

I'm worried that life has broken me in ways that are irrepairable.

I'm worried that I will remain this way. Damaged, insecure and broken.

Yes, wounds tend to heal. But what happens when you are ruined inside and out?

Not in a dramatic way, in an honest way. Visable scars cover me.

I'm worried that the marks, ****** cuts and scabbing blemishes will be my albatross and that it will consume me.

I'm worried.
"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"

"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."
Ian Boyd Apr 2012
This week I have been mostly petrified,
and in between such periods I have been jelly.
Do you remember the action of freeze and thaw?
Surely you do, it’s the one clear spot
in the fogged grey landscape of your old school geography.
Well that is the state of me.
I am eroding.

When this process began I cannot tell,
I only know that it continues.

I like to think that the fragments of my self
are at least collecting somewhere,
perhaps in my socks.
If I had the will I might tip out the sediment nightly
and store it in a glass jar by the bed.

I am of course losing weight,
though not so much weight as gravitas.
Conventional scales won’t register the change
as I have tried to explain to my doctor,
but he smiles the smile of an indulgent uncle
then writes me another little green ticket
for little blue pills.

When the last essential ballast is crumbled and gone
Into that that jar, nicely striped,
my substance will rise
like a cheap balloon, leaving
something empty and indifferent
and insensitive.

Hooray is what I say!
I, or that thing that is I minus self,
might at last succeed by blundering on into money regardless,
by making the right decisions.
Judgement is right because there’s no backchat inside
to say otherwise.

Bring it on.
Trevor Gates Oct 2014
“Breathe it in
The stardust air
The lung-clamping smoke
And vile pious inflammation.”
Listening to sounds of irritation:
Humming of the fluorescent bulbs;
Shoes sticking to linoleum tiles;
Flies buzzing behind my ears,
Leaving me to count the years
And spaces between spaces
Fill the lonely night
until


All is silent now.


Then,
Tooth and nail and eye crust
Fading away to off-beat lunacy.
Her spine slithers sinisterly as she performs
With Vaseline greased hair that stands like horns
People stalking like beasts with mental disorders
Hobbling penguins and droll-*** walrus punks.
Cold liquor manipulating my contemplation
And I have moments of primal desperation
A monster suckling another monster
Bodies tangled like olive tree roots
Delicious and dreadful
Fraught and shameful


It’s the way of all flesh.


Among
Modern Soothsayers
and plenty of culinary racists,
Spraying ***** onto parchment pages
With forked tongues dancing on ***** stages
Coffee for blood and computer screens for eyes
With cool cats strutting to unknown leeching voices
Bottle-slung pistol whip hooligans with eyes of yellow stains
From chronic ink-sprayers of riots in narrow sectioned lanes
Snapping fingers to juke box ghosts and royal jazz sires.
Fourteen gypsy demons wanting to pull me apart
Showcasing trinkets and rubies she adorned
All while she smiles and performs
And the weight of the world
falls between my fingers,


Like cascading sand.


As I write,
The rhythm is changing
Like seasons in secluded eternity:
Orchestrations of sexplosions overtake the carnal scene
With hair pulling and gnawing teeth on the table in front of me
Those Bohemian idolaters basking in acid kiddy pools
Using tired variations of apologies in eastside sin city  
Arousing the vortex of virtuous degradation
In a hole of sunken matchstick validation.
Eyes of judges like the public census
And taboo connotations
Rule this attrition.
Rusting
Leaking stalls
Blue-plate special
Of sprayed blood on walls
The essence of color and voice
The culmination of illusory choice
Dances of erasers and procreators
Fever dreams of police shooting children
Like movie monsters and misunderstood heroes
Specters and Banshee sympathizers
Marching to ******* synthesizers
Burning ***** blue postmen
With afropunk priests
Of astonishing feats
To whom
May
Be


Concerned.


This deep sleep exists
To mediate the social cysts
The reprimand the blundering kids in the mists
From dreaming of their world without the risks
Of falling into fields of blackened earth
Where it all burns like a first world birth
And greater souls speak of my worth.
So I cannot wake up

The deep sleep
Is there for that.
It's been a while since I submitted some poetry.  This is like a combination of a rant, meets free-verse and urban spoken word.  It's just what's been on my mind lately.  I'd love to hear what you think it all means, or at least know your interpretation.

~

Exulansis: n. the tendency to give up trying to talk about an experience because people are unable to relate to it—whether through envy or pity or simple foreignness—which allows it to drift away from the rest of your life story, until the memory itself feels out of place, almost mythical, wandering restlessly in the fog, no longer even looking for a place to land.

Food for thought.
Steven Forrester Jun 2016
Despair
rears it's ugly head
Beware
When eyes go read
Thoughts are flying
Through my mind
That answer
I still can't find
Bumbling and blundering
While blissfully blind
I'm hurt
I'm crying
I'm broken
Inside my hearts whithers
I have nothing more to say
Maybe a bullet
Will take it all away
Serious, but also not.
Little white love, your way you've taken;
Now I am left alone, alone.
Little white love, my heart's forsaken.
(Whom shall I get by telephone?)
Well do I know there's no returning;
Once you go out, it's done, it's done.
All of my days are gray with yearning.
(Nevertheless, a girl needs fun.)

Little white love, perplexed and weary,
Sadly your banner fluttered down.
Sullen the days, and dreary, dreary.
(Which of the boys is still in town?)
Radiant and sure, you came a-flying;
Puzzled, you left on lagging feet.
Slow in my breast, my heart is dying.
(Nevertheless, a girl must eat.)

Little white love, I hailed you gladly;
Now I must wave you out of sight.
Ah, but you used me badly, badly.
(Who'd like to take me out tonight?)
All of the blundering words I've spoken,
Little white love, forgive, forgive.
Once you went out, my heart fell, broken.
(Nevertheless, a girl must live.)
That early morning ****** air tasted pure
birds began to rise singing.
The veil of the night lifted for a new dawn
a cockerel then crowed.
Fields still green trees standing unscathed
land yet unpaved!

Untouched by developers or planners curse
a tranquil reminder.
How the countryside was before the building
took natures beauty away
I remember that unblemished infinity gaze
through the natural haze!

With a clear surveillance of the distant landscape
creatures in their habitats.
Still undisturbed of man's advances in evidence
without his blundering hand.
When machines came to carve up hills and dales
lost forever lands and trails!

Lose respect of the environment sacrifice the future!

The Foureyed Poet.
Man is rapidly destroying his natural world in the name of progress! The Foureyed Poet.
A heavy mist of disappointment has gradually began to dampen the sidewalk
The sidewalk where I spewed my dreams thoughtfully chalked
I stood over them like a canopy of dead trees
Stopping only the least skilled of rain drops
And even they sly down my side in a snake-like slide
Streaming through the cracks, a rainbow lost of her majestic power; My dreams
In a colorful dust
Floated on top like hot chocolate powder
Yet here I stand, for the fallen dreams
Soaking and sopping
And although you couldn't tell if i'd not mentioned it
These are salty rain drops from the clouds in my eye sockets
Not just another one of mother nature's venting tempers
Oh, the downpour
The hum of passing splashing strangers
Was never perceived in such a blundering manner
But I will rebuild
I will always begin
When you" rest"
I shall pen
Martin Bailes Apr 2017
This tuesday April 25th in the year of the lord 2017
being in a good, good mood & wishing to send love
& solidarity to all innocent living beings upon this
fragile lonesome earth I hereby declare my complete
& undying love for the lowly but almost beyond magnificent
Praying Mantis,

that sweet  & oh so delicate creature,
that green being which rests so tranquil upon twig & branch
legs as hands, as in prayer, as pleading, attentive & so, so
quiet,

All Power to the small green creatures & all recognition of
their undeniable right to walk this earth in peace & joy as
any of us oh so arrogant two-legged blundering creatures
supposedly made in god's image,

I have seen god in the form of the Mantis, & sure enough
its beauty & light is beyond magnificent.

Beam that love now.
Autumn Whipple Apr 2015
THE EARTH WAS STILL
AS IT SWIRLED AROUND ME
A HAZE OF ASH AND DREAMS
A BURN VICTIM OF AN UNREALIZED FANTASY
SCREAMING IN TWISTED EXCSTASY
AS MY FACES MELTED AND PETRIFIED
FROZEN FOR A LIFE ALIEN RECTIFIED
WITH A SHARP OBSIDIAN *****
TO DELIVER ME REMADE

HE SCRAWLED AND CLAWED HIS WAY TO ME
HIS WORLD ENTIRE, AS THOUGH I COULD SEE
MY LOVER ONCE DELAYED
BY GRIEF AND ASHES, A MISTAKEN AIDE
OF THE LOST GODSPOKE MEN

HE TOLD THEM TO LEAVE HIM DIRE
THAT HIS PASSION WOULD CARRY HIM THROUGH MUCK AND MIRE
FIERY INTO THE REALM ABANDONED CRIES
WRAPPED IN THE DUSTY ORGANZA LIES
HE SEEMED LIKE AN EYELESS CREATURE
BLUNDERING HIS WAY, A BLIND BEESHECHER  
SEARCHING FOR LOVE WHERE THERE WAS ONLY
A MAELSTROM OF LONGING

REBORN IN HIS GRAVE OF PROPHETS AND GRIEF
A SOLDIER SENT ONCE TO TEACH
THE FIRE SCORCHING AND TWISTING MY SHROUD
AS HIS WORLD WENT TUMBLING, BROKEN AND PROUD

TORN IN HIS WAKE OF GRACE
AND WHEN MY BODY HE FOUND ENCASED
IN GLASS, AS THOUGH A TRUE LOVE AWAITS
BUT WHAT HE COULD NOT ENKINDLE IN HIS HEART
WAS WHAT WOULD RIP THE GLASS APART
LOST IN OBSIDIAN IN ASH AND GLASS
A SHALLOW PRISON
OF LOSING AND LOVE AND
THE SPACE BETWEEN US
this was a poem I wrote, inspired by the book the road by Cormac McCarthy
Keiko Larrieux Jan 2010
Forwarded impact
Tampering with instructions
Designed to distract

Simple extraction
Of a words retraction
Windowed to sounds
When insanity surrounds

Where can I find
Where they draw the line
Intimately confined
To the criminally designed

Rebellion to the failed
Melting the walls
Of those jailed

Bored in governing planets
Murderous, supernova
We now live
In blundering expansion

Forwarded impact
Tampering with instructions
Designed to distract

— The End —